Look up Lazy in Wiktionary, the free dictionary.

Lazy may refer to:

• Laziness, a lack of desire to expend effort
• Lazy (Orlová), a former village now part of the town of Orlová in the Czech Republic

In music:

• Lazy (band), a Japanese rock band
• Lazy, an American band featuring former members of the Supreme Beings of Leisure
• Lazy (album), an album by The Hot Monkey
• "Lazy" (Deep Purple song)
• "Lazy" (Irving Berlin song)
• "Lazy" (Suede song)
• "The Lazy Song", by Bruno Mars
• "Lazy", a song by Love & Rockets from Earth, Sun, Moon
• "Lazy", a song by X-Press 2 feat. David Byrne from Muzikizum
• Lazy Lester (born 1933), American blues harmonica player

See also[link]

• Łazy (disambiguation), several towns and villages in Poland
• All pages beginning with "Lazy"

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Bruno Mars
Bruno Mars performing in Las Vegas, Nevada on September 19, 2010
Background information
Birth name	Peter Gene Hernandez
Born	(1985-10-08) October 8, 1985 (age 26)[1] Honolulu, Hawaii, U.S.
Genres	Reggae fusion, pop, soul, R&B
Occupations	Singer-songwriter, record producer, model, dancer
Instruments	Vocals, drums, guitar, keyboard, bass, piano, harmonica
Years active	2005–present
Labels	Atlantic, Elektra
Associated acts	The Smeezingtons
Website	www.brunomars.com

Peter Gene Hernandez (born October 8, 1985), better known by his stage name Bruno Mars, is an American singer-songwriter and record producer. Raised in Honolulu, Hawaii by a family of musicians, Mars began making music at a young age. He performed in various musical venues in his hometown throughout his childhood. He graduated from high school and then moved to Los Angeles, California to pursue a musical career. Mars produced songs for other artists, joining production team The Smeezingtons.

Mars had an unsuccessful stint with Motown Records, but then signed with Atlantic Records in 2009. He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Ke$ha, and "Wavin' Flag" by K'naan. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the worldwide number-one singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200.^[2] Mars was nominated for seven Grammys at the 53rd Grammy Awards, winning Best Male Pop Vocal Performance for "Just the Way You Are".

Mars' music is noted for displaying a wide variety of styles and influences, and contains elements of many musical genres. He has worked with an assortment of artists from various genres. Mars acknowledges the influences that his collaborations have had on his own music. As a child, he was highly influenced by artists such as Little Richard,^[3] Elvis Presley and Michael Jackson and would often impersonate these artists from a young age. Mars also incorporates reggae and Motown inspired sounds into his work. Jon Caramanica of The New York Times referred to Mars as "one of the most versatile and accessible singers in pop."^[4] Worldwide, Mars became the best-selling digital artist in 2011. He had three singles in the top ten, including first place with "Just The Way You Are," which sold 12.5 million copies.^[5] Mars won Best International Male Solo Artist at the BRIT Awards in 2012.^[6] Bruno Mars has sold 5 million albums and 36 million singles worldwide.^[7]

Early life[link]

Bruno Mars was born Peter Gene Hernandez on October 8th, 1985, and raised in the Waikiki neighborhood of Honolulu, Hawaii, by parents Pete Hernandez, of Puerto Rican descent, and Bernadette "Bernie," a Filipina.^{[8][9][10][11]} His mother emigrated to Hawaii from the Philippines as a child and his father moved to the island from Brooklyn, New York.^[12] Mars' parents met while performing in a show, where his mother was a hula dancer and his father played percussion.^[12] At the age of two, he was nicknamed "Bruno" by his father, because of his resemblance to legendary professional wrestler Bruno Sammartino.^[13]

Mars was one of six children and came from a musical family who exposed him to a diverse mix of reggae, rock, hip hop, and R&B.^[14][15] In addition to being a dancer, his mother was a singer and his father used his musical ability to perform Little Richard rock n roll music.^[3] Mars' uncle was an Elvis impersonator. By the age of three his uncle had Mars up on the stage performing. He also performed songs by artists such as Michael Jackson, The Isley Brothers, and The Temptations.^[10] At age four, Mars began performing five days a week with his family's band, The Love Notes, in which he became known on the island for his impersonation of Presley.^[16]

In 1990, Mars was featured in MidWeek as "Little Elvis", going on to have a cameo in the film Honeymoon in Vegas in 1992.^[10][17] He later reflected on the influence Presley had on his music: "I watch the best. I'm a big fan of Elvis. I'm a big fan of 1950s Elvis when he would go on stage and scare people because he was a force and girls would go nuts! You can say the same thing for Prince or The Police. It's just guys who know that people are here to see a show, so I watch those guys and I love studying them because I'm a fan."^[18] In 2010, he also acknowledged his Hawaiian roots and musical family as an influence, explaining, "Growing up in Hawaii made me the man I am. I used to do a lot of shows in Hawaii with my father's band. Everybody in my family sings, everyone plays instruments...I've just been surrounded by it."^[19] In 2003, shortly after graduating from President Theodore Roosevelt High School at the age of seventeen, Mars moved to Los Angeles, California, to pursue a musical career.^[10][17] He adopted his stage name from the nickname his father gave him, adding "Mars" at the end because "I felt like I didn't have [any] pizzazz, and a lot of girls say I’m out of this world, so I was like I guess I'm from Mars."^[20]

Career[link]

[edit] 2004–10: Career beginnings and It's Better If You Don't Understand

Bruno Mars performing in Houston, Texas in November 2010.

Shortly after moving to Los Angeles, Mars signed to Motown Records in 2004, in a deal that "went nowhere".^[21] However, Mars' experience with Motown proved to be beneficial to his career when he met songwriter and producer Philip Lawrence, who was also signed to the label. Mars, Lawrence, and engineer Ari Levine began writing songs together, and formed the production team The Smeezingtons.^[21] In 2006, Lawrence introduced Mars to his future manager at Atlantic Records, Aaron Bay-Schuck.^[22] After hearing him play a couple of songs on the guitar, Bay-Schuck wanted to sign him immediately, but it took about three years for Atlantic records to finally sign Mars to the label.^[22] In the meantime, Bay-Schuck hired Mars and the Smeezingtons to write and produce songs for the label's artists.^[22] According to Bay-Schuck in an interview with HitQuarters, Mars had stated that although his ultimate goal was to be a solo artist, he was willing to write and produce for other artists, both to help improve his songwriting and help him discover the type of artist he ultimately wanted to be.^[22] Bay-Schuck credits this as a period of "self-discovery" that contributed significantly to Mars' later success.^[22]

Before becoming a successful solo artist, Hernandez was an acknowledged music producer, writing songs for Alexandra Burke, Travie McCoy, Adam Levine, Brandy, Sean Kingston, and Flo Rida.^[14][23] He also co-wrote the Sugababes' hit song "Get Sexy" and provided backing vocals on their album Sweet 7.^[24][25] His first musical appearance as a singer was in Far East Movement's second studio album Animal, featured on the track "3D".^[26] He was also featured on pastor and hip hop artist Jaeson Ma's debut single "Love" in August 2009.^[27][28] He reached prominence as a solo artist after being featured on and co-writing B.o.B's "Nothin' on You" and Travie McCoy's "Billionaire"; both songs peaked within the top ten of many charts worldwide.^{[29][30][31][32]} He said of them, "I think those songs weren't meant to be full-sung songs. If I'd sung all of "Nothin' on You", it might've sounded like some '90s R&B." Following this success, Mars released his debut extended play (EP), titled It's Better If You Don't Understand, on May 11, 2010.^[33] The EP peaked at the 99th position on the Billboard 200 and produced one single, "The Other Side", featuring singers Cee Lo Green and B.o.B.^[34][35] Mars collaborated with Green once more in August 2010 by co-writing his single "Fuck You!". He performed a medley of "Nothin' on You" and "Airplanes" with B.o.B and Hayley Williams at the 2010 MTV Video Music Awards on September 12, 2010.^[36]

[edit] 2010–present: Doo-Wops & Hooligans

Bruno Mars' debut album, Doo-Wops & Hooligans, was released digitally on October 4, and saw its physical release on October 5, 2010.^[37][38] The lead single, "Just the Way You Are", was released on July 19, 2010,^[39] and has reached the top of the Billboard Hot 100 as well as several other charts worldwide.^[40][41] The music video was released on September 8, 2010.^[42] The second single, "Grenade", was released September 28, 2010, and has also seen successful international chart performance.^[43][44] In the United States, Doo-Wops & Hooligans debuted at number three on the Billboard 200 for the week of October 13, 2010, selling 55,000 copies.^[2] The album also received generally positive reviews from critics. Entertainment Weekly's Leah Greenblatt praised Mars for his "instant-access melodies" and "sly snatches of dance-floor swagger", but noted weaknesses in songs deviant from his conventional pop and soul genres.^[45] He opened for Maroon 5 on the fall leg of the Hands All Over Tour starting October 6, 2010 and co-headlined with McCoy on a European tour starting October 18, 2010.^[38]

On September 19, 2010, Mars was arrested in Las Vegas for possession of cocaine.^[46] When talking to a police officer, Mars reportedly stated that what he did was "foolish" and that "he has never used drugs before".^[47][48] Mars pled guilty to felony drug possession, and in return for his plea, he was told that the charges would be erased from his criminal record as long as he stayed out of trouble for a year, paid a $2,000 fine, did 200 hours of community service and completed a drug counseling course.^[49]

On February 13, 2011, Mars won his first Grammy Award for Best Male Pop Vocal Performance, having received six nominations; Best Rap Song and Best Rap/Sung Collaboration for "Nothin' on You", Record of the Year for "Nothin' on You" and "Fuck You", Song of the Year for "Fuck You", and Producer of the Year, Non-Classical at the 53rd Grammy Awards.

On September 16, 2011, Bad Meets Evil released their single, "Lighters", which featured Mars in the song. The song was met with mixed reviews from critics and many criticized Mars for doing this type of song.^[50] On September 22, 2011, it was announced on Mars' website that his new song "It Will Rain" will appear on The Twilight Saga: Breaking Dawn – Part 1 Original Motion Picture Soundtrack which was released on November 8.^[51] On October 30, 2011, Mars gave an exclusive performance of "Runaway Baby" on the results show of The X Factor UK, the same day that Mars received six nominations for a Grammy Award; Album of the Year and Best Pop Vocal Album for Doo-Wops & Hooligans, Record of the Year, Song of the Year and Best Pop Solo Performance for "Grenade", and Producer of the Year, Non-Classical at the 54th Grammy Awards. During the ceremony, Mars performed "Runaway Baby" but he did not win any awards as Adele won in all the categories he was nominated in and also lost to Paul Epworth for Producer of the Year.

Mars has confirmed on Twitter that his work on his second album has begun.^[52] On March 22, 2012, it was announced that Mars had signed a worldwide publishing deal with BMG Chrysalis US.^[53]

Musical style[link]

Mars performing on November 24, 2010. Mars plays several instruments including piano, guitar, bass and congas.^[54]

Mars' music has been noted for displaying a wide variety of styles and influences, including pop,^[55] rock,^[55] reggae,^[55] R&B,^[56] soul,^[45] and hip hop.^[57] His co-producer Philip Lawrence says, "What people don't know is there's a darker underbelly to Bruno Mars." Mars himself says, "I blame that on me singing to girls back in high school."^[58] Jon Caramanica of The New York Times called him "one of the most versatile and accessible singers in pop, with a light, soul-influenced voice that’s an easy fit in a range of styles, a universal donor."^[4] Mars was initially influenced by R&B artists such as Keith Sweat, Jodeci and R. Kelly, as well as 1950s rock 'n' roll and Motown.^[59] In high school, he began listening to classic rock groups such as The Police, Led Zeppelin, and the Beatles.^[59] All of these genres of music have influenced Mars' musical style; he observed that "It’s not easy to [create] songs with that mixture of rock and soul and hip-hop, and there’s only a handful of them."^[59] Mars also stated that he is a fan of Alicia Keys, Jessie J, Jack White and The Saturdays.^[60]

In addition, Mars claims that his work with other artists influenced his musical style, saying that "'Nothin' on You' had a Motown vibe, 'Billionaire' was a reggae acoustic guitar-driven song, though one of my favorites is the Cee-Lo [Green] song ['Fuck You']. I don't think anyone else could've sung that song. And there's 'Just the Way You Are.' If you know my story, you know I love all different genres of music."^[61] He cites doo-wop as a major influence on his music, referring to the genre as "just straightforward love songs – so charming and simple and romantic."^[61] In addition, Mars states that growing up in Hawaii influenced his music, giving the songs a reggae sound. He explains that "In Hawaii some of the biggest radio stations are reggae. The local bands are heavily influenced by Bob Marley. That music brings people together. It's not urban music or pop music. It's just songs. That's what makes it cross over so well. The song comes first."^[12] Lyrically, many of Mars' songs have been described as "feel-good", carefree, and optimistic,^[62] however, darker subjects are addressed in songs such as "Grenade", "Liquor Store Blues", and "Talking to the Moon", which detail failed relationships and self-destructive behavior.^[45][63]

Discography[link]

• Doo-Wops & Hooligans (2010)
• TBA (2012)

Tours[link]

• Doo-Wops & Hooligans tour (2010–2011)

Awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Bruno Mars

• Official website
• Bruno Mars on Twitter
• Bruno Mars at the Internet Movie Database

David Byrne
David Byrne speaking at the 2006 Future of Music Policy Summit hosted by the McGill University Schulich School of Music in Montreal, Quebec, Canada
Background information
Born	(1952-05-14) May 14, 1952 (age 60) Dumbarton, Scotland, UK
Genres	New Wave, experimental pop, worldbeat, alternative rock
Occupations	Musician, songwriter, artist, singer, actor, director, film producer, record producer
Instruments	Vocals, guitar, bass, keyboards, synthesizer, flute, clavinet, slide guitar, harmonica, autoharp, harmonium, violin, accordion buildings[1]
Years active	1974–present
Labels	Luaka Bop, Nonesuch Records, Thrill Jockey
Associated acts	Talking Heads, Brian Eno, X-Press 2, Fatboy Slim, The BPA
Website	www.davidbyrne.com
Notable instruments
Fender Duo-Sonic Fender Stratocaster

David Byrne (born May 14, 1952) is a musician and artist, best known as a founding member and principal songwriter of the American new wave band Talking Heads, which was active between 1975 and 1991. Since then, Byrne has released his own solo recordings and worked with various media including film, photography, opera, and non-fiction. He has received Grammy, Oscar, and Golden Globe awards and been inducted to the Rock and Roll Hall of Fame.

Early life[link]

Byrne was born in Dumbarton, Scotland, to Tom and Emma Byrne. He was the elder of two children. Two years later, his parents moved to Hamilton, Ontario, Canada, and then to Arbutus, Maryland, when he was 8 or 9 years old. His father worked as an electronics engineer. Before high school, David Byrne already knew how to play the guitar, accordion, and violin. He was rejected from his middle school’s choir because they claimed he was "off-key and too withdrawn." From a young age, Byrne had a strong interest in music. His parents say that he would constantly play his phonograph from age three and he learned how to play the harmonica at age five.^[2] In his journals he says, "I was a peculiar young man — borderline Asperger's, I would guess."^[3][4] As revealed by Tina Weymouth in the commentary for the concert film Stop Making Sense, Byrne is left handed but plays guitar right handed.

Music career[link]

Talking Heads: 1975–1991[link]

As part of Talking Heads in 1978 Photo: Jean-Luc Ourlin

He graduated from Lansdowne High School in southwest Baltimore County. Byrne started his musical career in a high school duo named Bizadi with Mark Kehoe. Their repertoire consisted mostly of songs such as "April Showers," "96 Tears," "Dancing On The Ceiling," and Frank Sinatra songs. Byrne then attended the Rhode Island School of Design (during the 1970-71 term) and the Maryland Institute College of Art (during the 1971-72 term) before dropping out and forming a band called "The Artistics" with fellow RISD student Chris Frantz.^[5] The band dissolved within a year, and the two moved to New York together with Frantz's girlfriend Tina Weymouth. Unable to find a bass player in New York, Frantz and Byrne persuaded Weymouth to learn to play the bass guitar.

After some practice and playing together they founded the group Talking Heads which had its first gig in 1975.^[6][7] Multi-instrumentalist Jerry Harrison joined the group in 1977. The band released 8 studio albums before going into hiatus in 1988. David Byrne desired to go solo, but it took 3 years to announce that the band were breaking up in 1991. A brief reunion for a single "Sax and Violins" in 1991 occurred before again dissolving. The band were inducted into Rock and Roll Hall of Fame in 2002, when they reunited to play 4 tracks.

Solo album career: 1979–1981;1989–present[link]

Byrne at London's Royal Festival Hall in April 2009.

During his time in the band, Byrne took on outside projects, collaborating with Brian Eno during 1979 and 1981 on the album My Life in the Bush of Ghosts, which attracted considerable critical acclaim due to its early use of analogue sampling and found sounds. Following this record, Byrne took his attention on Talking Heads. My Life in the Bush of Ghosts was re-released for its 25th anniversary in early 2006, with new bonus tracks. In keeping with the spirit of the original album, two of the songs' component tracks were released under Creative Commons licenses and a remix contest site was launched.

Rei Momo (1989) was the first solo album by Byrne, after leaving Talking Heads, that features mainly Afro-Cuban, Afro-Hispanic, and Brazilian song styles including popular dances including merengue, Cuban Son, samba, mambo, cumbia, cha-cha-chá, bomba, and charanga. His third solo album Uh-Oh (1992) followed that featured a brass-section and was driven by catchy tracks such as "Girls on My Mind" and "The Cowboy Mambo (Hey Lookit Me Now)". His fourth solo album, titled davidenryb (1994), was a more proper rock record, with Byrne playing most of the instruments on it, leaving percussion for session musicians. "Angels" and "Back in the Box" were the two main singles released from the album. The first one entered the US Modern Rock Tracks chart, reaching #24. For his fifth studio effort the emotional Feelings (1997), Byrne employed a brass orchestra called Black Cat Orchestra. His sixth Look into the Eyeball (2001) continued the same musical exploration of Feelings, but was compiled of more upbeat tracks, like those found on Uh-Oh.

Grown Backwards (2004), released by Nonesuch Records, used orchestral string arrangements, and includes two operatic arias as well as a rework of X-Press 2 collaboration "Lazy". He also launched a North American and Australian tour with the Tosca Strings. This tour ended with Los Angeles, San Diego and New York shows in August 2005.

Byrne and Eno reunited for his eighth album Everything That Happens Will Happen Today (2008).^[8] He assembled a band to tour worldwide for the album for a six-month period from late 2008 through early 2009 on the Songs of David Byrne and Brian Eno Tour.

Work in theatre and film: 1981–present[link]

In 1981, Byrne partnered with choreographer Twyla Tharp, scoring music he wrote that appeared on his album, The Catherine Wheel for a ballet with the same name, prominently featuring unusual rhythms and lyrics. Productions of The Catherine Wheel appeared on Broadway that same year. In Spite of Wishing and Wanting is a soundscape David Byrne produced for the Belgian choreographer Wim Vandekeybus's dance company Ultima Vez.

In 1991, Byrne released a classical instrumental album The Forest, where some of the tracks were already featured as a score for 1988 Robert Wilson theatre piece of the same name.

His work has been extensively used in movie soundtracks, most notably in collaboration with Ryuichi Sakamoto and Cong Su on Bernardo Bertolucci's The Last Emperor, which won an Academy Award for Best Original Score. In 2004, Lead Us Not Into Temptation (music from the film "Young Adam") included tracks and musical experiments from his score to Young Adam. Byrne also wrote, directed, and starred in True Stories, a musical collage of discordant Americana released in 1986, as well as producing most of the film's music. Byrne also directed the documentary Île Aiye and the concert film of his 1992 Latin-tinged tour titled Between the Teeth. He was chiefly responsible for the stage design and choreography of Stop Making Sense in 1984. Byrne added "Loco de Amor" (Crazy for Love) with Celia Cruz to Jonathan Demme's 1986 film Something Wild.

Byrne wrote the Dirty Dozen Brass Band-inspired score for Robert Wilson's Opera The Knee Plays from The Civil Wars: A Tree Is Best Measured When It Is Down. Some of the music from Byrne's orchestral album The Forest was originally used in a Wilson-directed theatre piece with the same name. The Forest premiered at the Theater der Freien Volksbühne, Berlin in 1988. It received its New York premiere in December 1988 at BAM, the Brooklyn Academy of Music. The Forestry Maxi-single contained dance and industrial remixes of pieces from The Forest by Jack Dangers, Rudy Tambala, and Anthony Capel.

In late 2005 Byrne and Fatboy Slim began work on Here Lies Love, a disco opera or song cycle about the life of Imelda Marcos, the controversial former First Lady of the Philippines. Some music from this piece was debuted at Adelaide Festival of Arts in Australia in February 2006 and the following year at Carnegie Hall on February 3, 2007.

In 2008 Byrne released Big Love: Hymnal - his soundtrack to season two of Big Love. These two albums constituted the first releases on his personal independent record label Todo Mundo.

In 2010, David Byrne songs were featured on the soundtrack of Oliver Stone's Wall Street: Money Never Sleeps.

Byrne and Brian Eno provided the soundtrack for the film Wall Street: Money Never Sleeps.^[9]

Other musical contributions: 1990–present[link]

Byrne has contributed songs to five AIDS benefit compilation albums produced by the Red Hot Organization: Red Hot + Blue: A Tribute to Cole Porter, Red Hot + Rio, Silencio=Muerte: Red Hot + Latin, Onda Sonora: Red Hot + Lisbon, and Offbeat: A Red Hot Soundtrip. Byrne appeared as a guest vocalist/guitarist for 10,000 Maniacs during their MTV Unplugged concert, though the songs in which he is featured were cut from their following album. One of them, "Let the Mystery Be", appeared as the fourth track on 10,000 Maniacs' CD single "Few and Far Between". Byrne worked with the "Queen of Tex-Mex", Tejano superstar Selena, writing, producing and singing a song ("God's Child (Baila Conmigo)"), included on Selena's last album, "Dreaming of You", before her death. Byrne was the host of Sessions at West 54th during its second of three seasons and collaborated with members of Devo and Morcheeba to record the album Feelings in 1997.

Byrne playing; Austin City Limits, in 2008

In 2001 a version of Byrne's single “Like Humans Do”, edited to remove its drug reference, was selected by Microsoft as the sample music for Windows XP to demonstrate Windows Media Player (not included in SP2 installs).^[10][11]

In 2002, he co-wrote and provided vocals for a track, "Lazy" by X-Press 2, which reached number 2 in the United Kingdom and number 1 on the U.S. Dance Charts. Byrne said in an interview in BBC Four Sessions's coverage of his Union Chapel performance that “Lazy” was number 1 in Syria.

In 2006, his singing was featured on "The Heart's a Lonely Hunter" on The Cosmic Game by Thievery Corporation.

He is featured on the tracks "Money" and "The People Tree", on N.A.S.A.'s 2009 album The Spirit of Apollo. Also in 2009, David Byrne appeared on HIV/AIDS charity album Dark Was the Night for Red Hot Organization. He collaborated with Dirty Projectors on the song "Knotty Pine". In the same year, Byrne performed at the Bonnaroo Music Festival in Manchester, Tennessee. He also was a signator of a letter protesting the decision of the Toronto International Film Festival to choose Tel Aviv as the subject of its inaugural City-to-City Spotlight strand.^[12]

In 2007, David Byrne provided a cover of The Fiery Furnaces' song "Ex-Guru" for a compilation to celebrate the 15th birthday of Thrill Jockey, a Chicago-based label.

In 2008, Byrne and his production team programmed the Battery Maritime Building, a 99-year-old ferry terminal in Manhattan, to play music.^[13] Essentially Byrne took the old New York City building, hooked the entire structure - pipes, heaters, pillars and all, electronically to an old pipe organ, and made a playable musical instrument of it, for a piece called "Playing the Building".^[1] This project was also installed in 2005 in Stockholm, Sweden,^[14] and at the London Roundhouse in 2009. It bears similarities to a series of installations performed by New Zealand and Detroit based artists Alastair Galbraith and Matt De Genaro, recorded on their 1998 record Wire Music and 2006 follow-up Long Wires in Dark Museums, Vol. 2. Byrne says that the point in this project was to allow people to experience art first hand, by creating the music with the organ, rather than simply looking at it.^[15]

In April 2008, Byrne took part in the Paul Simon retrospective concert series at BAM performing "You Can Call Me Al" and "I Know What I Know" from Simon's Graceland album.^[16]

In 2008 Byrne collaborated with The Brighton Port Authority, composing the music and singing the lyrics for "Toe Jam".

In May 2011 Byrne contributed backing vocals to the Arcade Fire track "Speaking in Tongues" which appeared on the 2011 edition of their album The Suburbs.^[17]

Other work[link]

Byrne founded the world music record label Luaka Bop in 1990. It was originally created to release Latin American compilations, but it has grown to include music from Cuba, Africa, the Far East and beyond, releasing the work of artists such as Cornershop, Os Mutantes, Los De Abajo, Jim White, Zap Mama, Tom Zé, Los Amigos Invisibles and King Chango.^[18][19]

In 2005, Byrne initiated his own internet radio station, Radio David Byrne.^[20] Each month, Byrne posts a playlist of music he likes, linked by themes or genres. Byrne's playlists have included African popular music, country music classics, Vox Humana, classical opera, and film scores from Italian movies.

In 2006, Byrne released Arboretum, a sketchbook facsimile of his Tree Drawings, published by McSweeney's. Byrne is also a visual artist whose work has been shown in contemporary art galleries and museums around the world since the 1990s. Represented by the Pace/MacGill Gallery in New York, he has also created public art installations, many of them anonymously. In 2010 his original art work was in the exhibition The Record: Contemporary Art and Vinyl at the Nasher Museum of Art at Duke University.^[21]

Personal life[link]

While working on the film True Stories, Byrne met costume designer Adelle Lutz whom he married in 1987. They have a daughter, Malu Abeni Valentine Byrne, born in 1989. Byrne and Lutz divorced in 2004. Byrne began a relationship with the artist Cindy Sherman in 2007.^[22]

Although a resident of the United States since childhood, Byrne is a British citizen,^[23] and has never applied for U.S. citizenship. He lives in New York City.

Cycling[link]

Byrne is known for his activism in support of increased cycling, and for having used a bike as his main means of transport for most of his life, especially cycling around New York. He has a regular cycling column in the New York Times.

He says that he cycled when he was in high school and returned to it as an adult in the late 1970s. He likes the freedom and exhilarating feeling cycling gives him. He has written widely on cycling, including a 2009 book, Bicycle Diaries.^[24] In August 2009, he auctioned his Montague folding bike in order to raise money for the London Cycling Campaign.

In 2008, Byrne designed a series of bicycle parking racks in the form of image outlines corresponding to the areas in which they were located, such as a dollar sign for Wall Street and an electric guitar in Williamsburg, Brooklyn. Byrne worked with a manufacturer that would construct the racks in exchange for the chance to sell them later as artworks, and the racks remained on the streets for about a year.^[25]

Views[link]

Byrne also posts personal comments on the music and, occasionally, on the state of the recorded music industry. In July 2007, Byrne posted the following comment:

There was another piece in the Times today about yet another 20 percent drop in CD sales. (Are they running the same news piece every 4 months?) Jeez guys, the writing's on the wall. How long do the record execs think they'll have those offices and nice parking spaces? (Well, more than half of all record A&R and other execs are gone already, so there should be plenty of parking space). They, the big 4 or 5, should give the catalogues back to the artists or their heirs as a gesture before they close the office doors, as they sure don't know how to sell music anymore. (I have Talking Heads stuff on the shelf that I can't get Warner to release.) The "industry" had a nice 50-year ride, but it's time to move on. Luckily, music remains more or less unaffected — there is a lot of great music out there. A new model will emerge that includes rather than sues its own customers, that realizes that music is not a product in the sense of being a thing — it's closer to fashion, in that for music fans it tells them and their friends who they are, what they feel passionately about and to some extent what makes life fun and interesting. It's about a sense of community — a song ties a whole invisible disparate community together. It's not about selling the (often) shattered plastic case CDs used to come in.^[26]

Works by David Byrne[link]

Solo studio albums[link]

• My Life in the Bush of Ghosts (with Brian Eno) (1981)
• Rei Momo (1989)
• Uh-Oh (1992)
• David Byrne (1994)
• Feelings (1997)
• Look into the Eyeball (2001)
• Grown Backwards (2004)
• Everything That Happens Will Happen Today (with Brian Eno) (2008)

Talking Heads[link]

• Talking Heads: 77 (1977)
• More Songs About Buildings and Food (1978)
• Fear of Music (1979)
• Remain in Light (1980)
• Speaking in Tongues (1983)
• Little Creatures (1985)
• True Stories (1986)
• Naked (1988)

Books[link]

• True Stories (1986)
• Strange Ritual, Chronicle Books (1995)
• Your Action World (1999)
• The New Sins (Los Nuevos Pecados) (2001)
• David Byrne Asks You: What Is It? Smart Art Press (2002)
• Envisioning Emotional Epistemological Information with DVD (2003)
• Arboretum, (2006)
• Bicycle Diaries (2009)

^[27]

Film[link]

• Stop Making Sense - concert movie from Talking Heads tour (1984)
• True Stories (1986)
• Ile Aiye (The house of life) - Documentary (1989)
• Here Lies Love - concept album in collaboration with Norman Cook (released 2010)
• Ride, Rise, Roar - music documentary of his concert tour with Brian Eno (released 2010)^[28]
• This Must Be the Place - 2011

References[link]