This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)

Look up premier in Wiktionary, the free dictionary.

Premier is a title for the head of government in some countries and states.

Examples by country[link]

In many nations, "premier" is used interchangeably with "prime minister". In the People's Republic of China, "premier" is more common, but "prime minister" is still used (see Premier of the People's Republic of China).

In four of the British overseas territories (Bermuda, the Cayman Islands, the Turks and Caicos Islands, and the British Virgin Islands), the elected heads of government are styled as "Premier". In other overseas territories the equivalent post is styled as Chief Minister.

"Premier" is also the title of the heads of government in sub-national entities, such as the provinces and territories of Canada, states of the Commonwealth of Australia, provinces of South Africa, the island of Nevis within the Federation of Saint Kitts and Nevis, and the nation of Niue. In some of these cases, the formal title remains "Prime Minister" but "Premier" is used to avoid confusion with the national leader. In these cases, care should be taken not to confuse the title of "premier" with "prime minister". In these countries, terms such as "Federal Premier", "National Premier", or "Premier of the Dominion" were sometimes used to refer to prime ministers, although these are now obsolete. In Canadian French, the equivalent of the English word "premier" is "premier ministre", which is also the word used for "prime minister".

In the Czech Republic, "Premiér" means the "Prime Minister" and the Czech language translates both "Premier" and "Prime Minister" as "Premiér".

In Croatia, the head of government is officially called "President of the Government" (predsjednik vlade) but "Premier" (premijer) is commonly used.

A premier will normally be a head of government, but is not usually the head of state. In presidential systems, the two roles are often combined into one, whereas in parliamentary systems of government the two are usually kept separate. An example of a nation having separate roles for the premier/prime minister and the president is the Fifth French Republic.

In the Soviet Union, the title of premier was applied to the Chairman of the Council of People's Commissars (Renamed Council of Ministers of the USSR in 1946), who acted as the Soviet Union's Premier. In Italy, as well, the prime minister maintains the office President of the Council of Ministers of the Republic.

A second in command to a premier is designated as a vice-premier or deputy premier.

By jurisdiction[link]

• Premiers of the Australian states
• Premier of Bermuda
• Premier of the British Virgin Islands
• Premiers of Canada
• Chancellor of China
• List of premiers of China
• Premier (South Africa)
• Premier of the Soviet Union
• Premier of the Turks and Caicos Islands
• President of the Council of Ministers

See also[link]

• Prime Minister
• Chief Minister

DJ Premier
Background information
Birth name	Christopher Edward Martin
Born	(1966-03-21) March 21, 1966 (age 46) Houston, Texas, United States
Origin	Houston, Texas, USA
Genres	Hip hop, East Coast Hip Hop
Occupations	Record producer, DJ
Instruments	Drum machine Keyboard Sampler Turntable
Years active	1984 – present
Labels	Wild Pitch/EMI (1987–1990) Chrysalis/EMI (1991–1998) Virgin/EMI (1998–2003) Year Round (2003–)
Associated acts	Gang Starr Foundation, M.O.P., Royce da 5'9", Christina Aguilera, Jay-Z, Kanye West, Nas, Kool G Rap, Blaq Poet, Apathy, Big L, Bun B, D.I.T.C., Game, Termanology, AZ, Buckshot LeFonque, Mobb Deep, Torae
Website	DJ Premier on Myspace

Christopher Edward Martin (born March 21, 1966),^[1] better known by his stage name DJ Premier (also known as Preem, Premo, or Primo for short), is an American record producer and DJ, and was the instrumental half of the hip hop duo Gang Starr, together with emcee Guru. Born in Houston and raised in Prairie View, Texas, he has lived in Brooklyn, New York, for much of his professional career. Rolling Stone identified Premier as arguably Hip-Hop's greatest producer of all time.^[2]

The Source named DJ Premier one of the five greatest producers in hip-hop history,^[3] while the editors of About.com ranked him #1 on their Top 50 Hip-Hop Producers list.^[4] He also made the "Finals" in the search for The Greatest Hip-Hop Producer of All Time by Vibe.^[5] He attended Prairie View A&M University.^[6]

Productions[link]

Premier is known for producing all of Gang Starr's songs as well as many of the Gang Starr Foundation's songs. His work also includes production for heavyweight rappers such as (alphabetic order) Apathy, Big L, Bun B, Canibus, D.I.T.C., Fat Joe, Game, Jay-Z, Kanye West, KRS-One, Lord Finesse, M.O.P., Mos Def, Nas, Rakim, Royce Da 5'9", The LOX, The Notorious B.I.G., Snoop Dogg, Xzibit, rock band Limp Bizkit, Big L, Big Daddy Kane, Ill Bill, Joell Ortiz, and pop/R&B singer Christina Aguilera, among many others.

Premier collaborated with MC Jeru the Damaja on the album The Sun Rises in the East, released in 1994, as well as the 1996 follow-up, Wrath of the Math.^[1] Also from the Gang Starr Foundation, Premier produced and supervised Group Home's Livin' Proof; although overlooked at the time of its 1995 release, the album has since come to find similar acclaim.^[1] Among others in that are closely tied to the Gang Starr Foundation who have worked with DJ Premier include Afu Ra, Bahamadia, Krumbsnatcha, Big Shug, Smiley the Ghetto Child, and NYGz. He recently produced the majority of Blaq Poet's Tha Blaqprint in 2009 and will produce the entirety of NYGz debut album.

Style and influences[link]

DJ Premier's style of production epitomizes the New York sound of his earlier peers. He is known for sampling jazz, funk, and soul artists, as well as sampling an artist's past work when creating a new track for that same artist. For example, on Jay-Z's "So Ghetto", from the 1999 album, Vol. 3… Life and Times of S. Carter, Premier samples an older Jay-Z song, 1997's "Who You Wit II".^[7] In addition, his encyclopedic memory of hip-hop lyrics allows him to distinctively speak with his hands by scratching in lyrics from several different songs to construct new phrases.^[8] Premier's beats are known for his oft-imitated combinations of short vocal samples, often from multiple artists, to create a chorus. Premier has also experimented with atonal samples that are not confined to soul, jazz, and funk. For example, he sampled chopped up seminal electro-acoustic music from the 1960s on the track “Mental Stamina” by Jeru the Damaja.

In an interview with XXL Magazine, DJ Premier was asked how his sound evolved, to which he replied, "Marley Marl is my number one inspiration. Jam Master Jay, Mixmaster Ice and UTFO. Grandmaster D and Whodini. DJ Cheese, Grandmaster Flash, Kool Herc, Afrika Bambaataa. Jazzy Jay, even Cut Creator. Seeing them do what they do. It’s black music, it’s black culture, it comes from the ghetto. How can you not relate to ghetto people when that’s the rawest form of blackness? Even though it’s not a good place in regards to the economy and how bad people have it in the neighborhood, the realism’s there, and that’s what we were born out of. So I very much pay respect by doing the same type of music in return." DJ Premier attended Prairie View A & M University and may have been influenced by the musical atmosphere at the university.^[9]

Relationships with artists[link]

The early line-up of the Gang Starr Foundation in the mid-1990s included Jeru The Damaja, Group Home, Big Shug, and Gang Starr. DJ Premier was fully responsible for the production of Jeru the Damaja's first two albums, The Sun Rises in the East and Wrath of the Math. Jeru released three albums since then, with Premier having nothing to do with any of them.^[1]

As far as Group Home was concerned, Premier commented, "They don't respect what fed them," in a 2003 interview, going on to say that the only reason he produced a track on their second album was because Guru said he would rhyme on it.^[10]

Besides the Gang Starr Foundation, Premier is closely affiliated with M.O.P., which he names as one of his all-time favorite groups. The relationship started with the remix of “Rugged, Neva Smoove” in 1994, a single from the group's first album, which also included the exclusive B-side “Downtown Swinga.” From then, Premier produced about one-third of the songs on each subsequent album and overseeing and mixing the projects. On M.O.P.'s 2009 Foundation album, however, DJ Premier provided only one track, which was called "What I Wanna B."

Recent and future projects[link]

DJ Premier has his own record company named Year Round Records. Among its artists are New York group NYGz, New Jersey rapper Nick Javas, and Houston rapper Khaleel. Tha Blaqprint by Blaq Poet, which has thirteen Premier productions, was released by Year Round Records through Fat Beats Records. On December 7, Premier's label Year Round Records released a digital compilation album titled Get Used to Us. At the moment Year Round plans to release a debut album fully produced by DJ Premier with the NYGz tenatively called Hustla's Union: Local NYG along with a Nick Javas debut album named Destination Unknown. Khaleel, another label-mate of Year Round Records, is planned to release a debut album titled Already!.

DJ Premier hosts a weekly 2 hour show Live From HeadQCourterz on SIRIUS Satellite Radio's Hip-Hop Nation on Fridays.

DJ Premier was one of the artists followed in the 2012 documentary Re:GENERATION music project. The film followed his production of the song Regeneration using live performance of his work by the Berklee Symphony Orchestra [1]

In a recent interview, DJ Premier said he will produce a beat for Immortal Technique's upcoming album, titled The Middle Passage. He contributed a song on Game's last album The R.E.D. Album called "Born in the Trap." and a song on Bushido's last album Jenseits von Gut und Böse.^[6] In an interview in 2012, DJ Premier confirmed on Shade45 that he is working with Eminem on his upcoming album.

Discography[link]

• The Sun Rises in the East (with Jeru The Damaja) (1994)
• Livin' Proof (with Group Home) (1995)
• Wrath of the Math (with Jeru The Damaja) (1996)
• Beats That Collected Dust (2008)
• Tha Blaqprint (with Blaq Poet) (2009)
• DJ Premier Presents Get Used To Us (2010)
• Beats That Collected Dust Vol. 2 (2011)
• Premo Pimpin' EP (with Wais P) (2011)
• StOoDiOtYmE EP (with Bumpy Knuckles) (2012)
• The Kolexxxion (with Bumpy Knuckles) (2012)
• TBA (with Nas)
• TBA (with M.O.P.)
• Pete Rock v.s. Premier (with Pete Rock)
• Return Of The Boom Bip (with KRS-ONE)

References[link]

External links[link]

• DJ Premier on Twitter
• DJ Premier at Allmusic
• DJ Premier discography at Discogs
• Fansite/newsite about DJ Premier

KRS-One
Background information
Birth name	Lawrence Krisna Parker
Also known as	KRS, Teacha, The Blastmaster, Big Joe Krash
Born	(1965-08-20) August 20, 1965 (age 46) Flatbush, Brooklyn, New York
Origin	South Bronx, New York, U.S.
Genres	Hip hop
Occupations	Rapper, record producer, actor, author, activist
Instruments	Vocals, turntables
Years active	1977–present
Labels	Jive, RCA, Duck Down
Associated acts	Boogie Down Productions, Fat Joe, Geologic of the Blue Scholars Scott La Rock, Marley Marl, Diamond D, LL Cool J, Public Enemy, Buckshot, Talib Kweli, Immortal Technique, EPMD, Buckshot (rapper)
Website	krs-one.com

Lawrence Krisna Parker (born August 20, 1965), better known by his stage names KRS-One (an acronym for Knowledge Reigns Supreme Over Nearly Everyone), and Teacha, is an American rapper. At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

Biography[link]

Lawrence Parker was born in Flatbush, Brooklyn, New York during the summer of 1965. Parker left home at 16 to become an MC, coming to live at a homeless shelter in the South Bronx where he was dubbed Krishna by residents because of his interest in the Hare Krishna spirituality of some of the antipoverty workers. By the time he met youth counselor Scott Sterling, he was also writing graffiti as KRS-One (Knowledge Reigns Supreme Over Nearly Everyone). Together he and Sterling, a.k.a. DJ Scott La Rock eventually created Boogie Down Productions, releasing their debut album, Criminal Minded, in 1987. KRS-One has been a vegetarian since his youth.^[1]

Boogie Down Productions[link]

KRS-One began his recording career as one third of the hip hop group Boogie Down Productions, or BDP, alongside DJ Scott La Rock and Derrick "D-Nice" Jones. They met during a stay KRS-One had at the Bronx Franklin Avenue Armory Shelter. La Rock (real name Scott Sterling) worked as a social worker there. The duo would begin to create music. After being rejected by radio DJs Mr. Magic and Marley Marl, KRS-One would go on to diss the two and those associated with them, sparking what would later be known as The Bridge Wars. Additionally, KRS had taken offense to "The Bridge", a song by Marley Marl's protege, MC Shan (later on, KRS One produced an album with Marley Marl in 2007); the song could be interpreted as a claim that Queensbridge was the monument of Hiphop, though MC Shan has repeatedly denied this claim. Still, KRS "dissed" the song with the BDP record "South Bronx"; next, a second round of volleys would ensue with Shan's "Kill That Noise" and BDP's "The Bridge Is Over". KRS-One, demonstrating his nickname "The Blastmaster", gave a live performance that devastated MC Shan, and many conceded he had won the battle. Many believe this live performance to be the first MC battle where rappers attack each other, instead of a battle between who can get the crowd more hyped.^[2]

Parker and Sterling decided to form a rap group together, initially calling themselves "Scott La Rock and the Celebrity Three". That was short-lived, however, as the two peripheral members quit, leaving Parker (now calling himself KRS-One) and Sterling. They then decided to call themselves "Boogie Down Productions", "Success is the Word", a 12-inch single produced by David Kenneth Eng and Kenny Beck was released on indie Fresh/Sleeping Bag Records (under the group name "12:41") but did not enjoy commercial success. Boogie Down Productions released their debut album Criminal Minded in 1987. The album, whose cover pictured BDP draped in ammunition and brandishing guns, is often credited with setting the template for the burgeoning genres of hardcore and gangsta rap. Scott La Rock was killed in a shooting later that year, after attempting to mediate a dispute between teenager and BDP member Derrick "D-Nice" Jones and local hoodlums.

During this time KRS-One also gained acclaim as one of the first MCs to incorporate Jamaican style into hip-hop. Using the Zung gu zung melody, originally made famous by Yellowman in Jamaican dance halls earlier in the decade.^[3] While KRS-One used Zunguzung styles in a more powerful and controversial manner, especially in his song titled "Remix for P is Free", he can still be credited as one of the more influential figures to bridge the gap between Jamaican music and American hip-hop.

Following the fatal shooting of Scott La Rock in 1987, KRS was determined to continue Boogie Down Productions through the tragedy, releasing the album By All Means Necessary in 1988. He was joined by beatboxer D-Nice, rapper Ramona "Ms. Melodie" Parker (whose marriage to Kris would last from 1988 to 1992), and Kris's younger brother DJ Kenny Parker, among others. However Boogie Down Productions would remain Kris's show, and their content would become increasingly political through their subsequent releases Ghetto Music: The Blueprint of Hip Hop, Edutainment, Live Hardcore Worldwide and Sex and Violence.

KRS-One was the primary initiator behind the H.E.A.L. compilation and the Stop the Violence Movement; for the latter he would attract many prominent MCs to appear on the 12-inch single "Self Destruction". As Parker adopted this "humanist", less defensive approach, he turned away from his "Blastmaster" persona and towards that of "The Teacha", although he has constantly used "Blastmaster" throughout his career.

Solo career[link]

KRS-One performing in Belgium in May 2006.

After five largely solo albums under the name "Boogie Down Productions," KRS-One decided to set out on his own. On his first solo album, 1993's Return of the Boom Bap, Parker worked together with producers DJ Premier, Kid Capri and Showbiz, the latter providing the catchy-yet-hardcore track "Sound of da Police". His second album, 1995's KRS-One, featured Channel Live on "Free Mumia", a song in which they criticize Black Civil Rights Activist C. Delores Tucker among others. Other prominent guest stars on KRS One included Mad Lion,Rimo, Busta Rhymes, Das EFX and Fat Joe.

In 1991, KRS-One appeared on the alternative rock group R.E.M.'s single "Radio Song", which appeared on the band's album Out of Time, released the same year.

In 1992, Bradley Nowell from Sublime featured an acoustic song named "KRS-One" with his voice and DJ's samplers.

In 1995, KRS organized a group called Channel Live, whose album Station Identification he produced most of, along with Rheji Burrell and Salaam Remi.

In 1997, Parker surprised many with his release of the album I Got Next. The album's lead single "Step into a World (Rapture's Delight)", containing a sample of punk and New Wave group Blondie, was accompanied by a remix featuring commercial rap icon Puff Daddy; another track was essentially a rock song. While the record would be his best-selling solo album (reaching #3 on the Billboard 200), such collaborations with notably mainstream artists and prominent, easily recognizable samples took many fans and observers of the vehemently anti-mainstream KRS-One by surprise. However, in August 1997, Parker appeared on Tim Westwood's BBC Radio 1 show and vociferously denounced the DJ and the radio station more generally, accusing them of ignoring his style of hip hop in favor of commercial artists such as Puff Daddy. Although having not been in the UK since 1991, due to the fact he does not fly, he claimed "to be in touch with the people", and said that "they weren't feeling Westwood, he's a sell out and has sold his soul to the dark side." This sparked controversy in the UK since Radio One was one of the main supporters of the single "Step Into My World" and caused the album to be his best selling. Parker has since visited the UK, most notably in May 2007, in a performance at the Royal Albert Hall where he once again dissed Tim Westwood in a freestyle.

In 1999, there were tentative plans to release Maximum Strength; a lead single, "5 Boroughs", was released on The Corruptor movie soundtrack. However, Parker apparently decided to abort the album's planned release, just as he had secured a position as a Vice-President of A&R at Reprise Records. The shelved album was again scheduled to be released in 2008, but ultimately an unrelated album entitled "Maximum Strength 2008" was released in its place. He moved to southern California, and stayed there for two years, ending his relationship with Jive Records with A Retrospective in 2000.

Parker resigned from his A&R position at Reprise in 2001, and returned to recording with a string of albums, beginning with 2001's The Sneak Attack on Koch Records. In 2002, he released a gospel-rap album, Spiritual Minded, surprising many longtime fans; Parker had once denounced Christianity as a "slavemaster religion" which African-Americans should not follow. During this period, KRS founded the Temple of Hiphop, an organization to preserve and promote "Hiphop Kulture". Other releases have since included 2003's Kristyles and D.I.G.I.T.A.L., 2004's Keep Right, and 2006's Life.

The only latter-day KRS-One album to gain any significant attention has been Hip-Hop Lives, his 2007 collaboration with fellow hip hop veteran Marley Marl, due in large part to the pair's legendary beef, but also the title's apparent response to Nas' 2006 release Hip-Hop Is Dead. While many critics have commented they would have been a lot more excited had this collaboration occurred twenty years earlier, the album has been met with positive reviews. KRS One has appeared on several songs with other artists, due to this he has received 9 Gold and 7 Platinum plaques.

KRS One has collaborated with several artists including Canadian Rap group Hellafactz, Jay-Roc N' Jakebeatz and New York producer Domingo among other. He and Domingo publicly squashed their beef that started over financial issues and released a digital single to iTunes on November 25. The single titled "Radio" will also feature Utah up and comer Eneeone and is dedicated to underground MC's that don't get the radio airplay they deserve.^[4] In 2009 KRS One guest starred on several albums including Arts & Entertainmen on the song "Pass the Mic" by fellow Hip Hop veterans Masta Ace & Ed O.G and featured on the posse cut "Mega Fresh X" by Cormega (alongside with DJ Red Alert, Parrish Smith, Grand Puba, & Big Daddy Kane) on his album Born and Raised.

KRS One and Buckshot announced that they would be collaborating on an album set to be released in 2009. The first single, ROBOT, was released on May 5, 2009. The music video was directed by Todd Angkasuwan and debuted as the New Joint of the Day on 106 & Park on September 4, 2009. The album leaked on the Internet on September 9, 2009 and released album was released on September 15, 2009. It debuted at #62, making it on The Billboard 200 selling around 8,500 copies its first week and was met with generally positive reviews. Steve Juon of RapReviews.com gave the album a flawless 10 out of 10, claiming "Buckshot and KRS have achieved something rather remarkable here – an album I can't find a single fault with. There's not a bad beat, there's not a whack rhyme, there's not a collaborator on a track that missed the mark, and the disc itself is neither too short nor too long." ^[5]

In 2010 KRS One was honored along with Buckshot by artists Ruste Juxx, Torae & Skyzoo, Sha Stimuli, Promise, J.A.M.E.S. Watts and Team Facelift to name a few on their mixtape 'Survival Kit' which is an ode to the 2009 album Survival Skills by KRS One and Buckshot. The mixtape was released for free download on DuckDown.com. The album features new version of KRS classics 'South Bronx', 'Sound Of Da Police' and 'MC's Act Like They Don't Know' as well as new versions of well known Buckshot songs and 'Past Present Future' from the Survival Skills album. The MC Fashawn stated in his verse on MC's Act Like They Don't Know that 'I did it to make Kris smile I figured he'd appreciate it' ^[6]

Most recently, KRS One was featured as the voice of Chris Cringle in the new Nike Most Valuable Puppets commercials. KRS One performed in May 2010 at SUNY New Paltz for their annual "Rock Against Racism" concert. KRS One also narrated the 2011 film Rhyme and Punishment, a documentary about Hip-Hop artists who have done jail time.

Stop the Violence Movement[link]

The Stop the Violence Movement was formed by KRS-One in 1988/1989 in response to violence in the hip hop and black communities.

During a concert by Boogie Down Productions and Public Enemy a young fan was killed in a fight. Coming soon after the shooting death of his friend and fellow BDP member Scott La Rock, KRS-One was galvanized into action and formed the Stop the Violence Movement. Composed of some of the biggest stars in contemporary East Coast hip hop, the movement released a single, "Self Destruction", in 1989, with all proceeds going to the National Urban League.^[7] A music video was created, and a VHS cassette entitled Overcoming Self-Destruction – The Making of the Self-Destruction Video was also released.

"Self-Destruction" was produced by KRS-One and D-Nice of Boogie Down Productions (Hank Shocklee of The Bomb Squad is credited as an associate producer).

Temple of Hip Hop[link]

The Temple of Hip Hop is a ministry, archive, School, and Society (M.A.S.S.) founded by KRS-One. Its goal is to maintain and promote Hiphop Culture. The Temple of Hip Hop maintains that Hip Hop is a genuine political movement and culture, as it has been accepted by the United Nations as a culture. The Temple of Hiphop calls on all Hip Hop fans to celebrate Hip Hop Appreciation Week, occurring in the third week of May. It encourages DJs and MCs to teach people about the culture of Hiphop, to write more socially conscious songs, and radio stations to play more socially conscious hip hop. Hip Hop Appreciation Week is celebrated on the third week of May each year. Hip Hop History Month (November), founded by the Universal Zulu Nation, is also recognized.

September 11 comments[link]

In 2004, KRS engendered a controversy when he was quoted in a panel discussion hosted by The New Yorker magazine as saying that "we cheered when 9/11 happened". The comment drew criticism from many sources, including a pointed barb by the New York Daily News that called Parker an "anarchist" and said that "If Osama bin Laden ever buys a rap album, he'll probably start with a CD by KRS-One."^[8]

KRS-One performing in 2007.

Parker responded to the commotion surrounding his comments with an editorial written for AllHipHop.com, stating:

I was asked about why hiphop has not engaged the current situation more (meaning 9/11), my response was "because it does not affect us, or at least we don’t perceive that it affects us, 9/11 happened to them". I went on to say that "I am speaking for the culture now; I am not speaking my personal opinion." I continued to say; "9/11 affected them down the block; the rich, the powerful those that are oppressing us as a culture. Sony, RCA or BMG, Universal, the radio stations, Clear Channel, Viacom with BET and MTV, those are our oppressors, those are the people that we're trying to overcome in hiphop everyday, this is a daily thing. We cheered when 9/11 happened in New York and say that proudly here. Because when we were down at the trade center we were getting hit over the head by cops, told that we can’t come in this building, hustled down to the train station because of the way we dressed and talked, and so on, we were racially profiled. So, when the planes hit the building we were like, "mmmm, justice." And just as I began to say "now of course a lot of our friends and family were lost there as well" I was interrupted...

In late 2005, KRS was featured alongside Public Enemy's Chuck D on the remix of the song "Bin Laden" by Immortal Technique and DJ Green Lantern, which blames American neo-conservatives, the Reagan Doctrine and U.S. President George W. Bush for the World Trade Center attacks, and indicates a parallel to the devaluation, destruction, and violence of urban housing project communities.

On April 29, 2007, KRS-One again defended his statements on the September 11 attacks when asked about them during an appearance on Hannity's America on the Fox News network stating that he meant that people cheered that the establishment had taken a hit, not that people were dying or had died.^[9] He also discussed amongst other things, the Don Imus scandal and the use of profanity in Hip-Hop.

Gospel of Hip Hop comments[link]

In an interview with AllHipHop about his book "The Gospel of Hip Hop", KRS-One said:

"I’m suggesting that in 100 years, this book will be a new religion on the earth... I think I have the authority to approach God directly, I don’t have to go through any religion [or] train of thought. I can approach God directly myself and so I wrote a book called The Gospel of Hip Hop to free from all this nonsense garbage right now. I respect the Christianity, the Islam, the Judaism but their time is up. ...In a hundred years, everything that I’m saying to you will be common knowledge and people will be like, 'Why did he have to explain this? Wasn’t it obvious?'"^[10]

These comments have been referred to by numerous media outlets^[11][12][13] such as the AV Club who comment that "KRS-One writes 600-page hip-hop bible; blueprint for rap religion"^[14] and "KRS-One has never been afraid to court controversy and provoke strong reactions. Now the Boogie Down Productions legend has topped himself by writing The Gospel of Hip Hop: The First Instrument, a mammoth treatise on the spirituality of hip-hop he hopes will some day become a sacred text of a new hip-hop religion".^[14]

Stepson's death[link]

Randy Hubbard Parker, stepson of KRS-One, was found dead in his Atlanta, Georgia apartment on July 6, 2007 in an apparent suicide; he was 23. Simone Parker, KRS-One's wife and Randy's mother, released a statement on July 10 that stated her son's death was related to his continuous battle with "severe depression". The Fulton County Medical Examiner's office stated that Parker died of a gunshot wound to the head, and listed the cause of death as suicide.^[15] Parker was a graphic designer and fashion entrepreneur. A private memorial service was held on July 18, which would have been his 24th birthday.^[16]

Benefit for First Responders[link]

KRS-One spoke at a hip hop benefit concert on September 12, 2009 to benefit the first responders of 9/11 he spoke of non violence to take back the country. The event was presented by the 9/11 group We Are Change based in New York City and SMT Studios.

Politics[link]

He has endorsed Congressman Ron Paul for President in 2012.^[17]

Awards[link]

VH1

• 2004, VH1 Hip Hop Honors

BET Hip Hop Awards

• 2007, I am Hip Hop
• 2007, Lifetime Achievement

Urban Music Awards

• 2009, Living Legend Award

Discography[link]

Filmography[link]

Books[link]

See also[link]

• Suicide, it's a suicide

References[link]

External links[link]

Wikimedia Commons has media related to: KRS-One

• KRS-One on Myspace
• KRS-One at RollingStone
• KRS-One talks to North Minneapolis citizens about tornado recovery

This article may require copy editing for grammar, style, cohesion, tone, or spelling. You can assist by editing it. (November 2011)

Claude-Michel Schönberg (born 6 July 1944 Vannes, France) is a French record producer, actor, singer, songwriter, and musical theatre composer, best known for his collaborations with the lyricist Alain Boublil.

These include the musicals:

• La Révolution Française (1973)
• Les Misérables (1980)
• Miss Saigon (1989)
• Martin Guerre (1996)
• The Pirate Queen (2006)
• Marguerite (2008)^[1]

Career[link]

Schönberg began his career as a record producer and a singer.

He wrote most of the music for the French musical and rock opera, La Révolution Française, France's first rock opera, in 1973, and also played the role of King Louis XVI in the show's production that year.

In 1974 he wrote the music and the lyrics of the song "Le Premier Pas", which became the number one hit in France that year and sold over one million copies. Le Premier Pas was produced by Franck Pourcel.

Schönberg then made an album in which he sang his own pieces. In 1978, he dedicated his full attention to musicals when he and Boublil conceived the idea for a stage musical version of Victor Hugo's Les Misérables, which opened at the Palais de Sports in Paris in 1980. The musical opened to acclaim in London in 1985 and on Broadway in 1987. The Broadway production was nominated for twelve Tony Awards and won eight, including Best Musical and Best Original Score.

In 1989, Schönberg and Boublil took London by storm with the musical Miss Saigon, which starred Lea Salonga and Jonathan Pryce. In its transition to Broadway the show broke advance-ticket sales, earning $24 million before its premiere on 11 April 1991.^[2] The show was nominated for ten Tony awards, including Best Musical and Best Original Score.

In 1997 Schönberg and Boublil premiered a new musical, Martin Guerre at the Prince Edward Theatre in London. The musical won the 1997 Olivier Award and went on to tour the UK and the United States.

2001 saw the composition of Schönberg's first ballet score, Wuthering Heights. This production was performed by the United Kingdom's Northern Ballet Theatre Company in September 2002.^[3]

Schönberg's next project with Boublil was The Pirate Queen, a musical about the 16th century Irish pirate, chieftain and adventuress Grace O'Malley. The Pirate Queen completed its 8-week pre-Broadway tryout at Chicago's Cadillac Palace Theatre on 26 November 2006. The show underwent further development in preparation for its Broadway previews at the Hilton Theater in March 2007. The Broadway opening date was 5 April 2007. Miss Saigon co-lyricist Richard Maltby, Jr. came on-board to work with Boublil on revisions to the book and lyrics. Additionally, Graciela Daniele worked on the musical staging.

Following a critical savaging and poor ticket sales, The Pirate Queen closed on 17 June 2007 after 85 performances and 32 previews, resulting in a loss of almost $18 million, ranking it among the largest commercial flops in Broadway history.^{[citation needed]}

Les Misérables celebrated its twentieth anniversary in London on 8 October 2005. The Broadway production closed on 18 May 2003, making it the third-longest-running Broadway musical following Cats and The Phantom of the Opera. Schönberg is currently overseeing the production of Les Misérables that returned to Broadway for an intended six-month engagement at the Broadhurst Theatre on 9 November 2006, although it later extended its run.

Schönberg's next project with Boublil, Marguerite, includes music by Michel Legrand and lyrics by Herbert Kretzmer. Set during World War II in occupied Paris, and inspired by the romantic novel La Dame aux camélias by Alexandre Dumas, fils, Marguerite is about the mistress of a high-ranking German officer who attracts the love of a musician half her age.^[4]

In 2011 Schönberg created the musical score for the new ballet Cleopatra for the Northern Ballet, based in Leeds. Choreography is by the Ballet's artistic director David Nixon. The show is in the UK throughout the spring, summer, and autumn of 2011.

Personal life[link]

Claude-Michel Schönberg was formerly married to France 2 evening news anchor Béatrice Schönberg. In 2003 he married the English ballerina Charlotte Talbot. He has three children, a son and two daughters.

Broadway Productions[link]

• The Pirate Queen [Original, Musical, Drama], Music, Book, 5 Apr 2007 – 17 Jun 2007
• Les Misérables [Revival, Musical, Drama] Music, Book, 9 Nov 2006 – 6 Jan 2008
• Miss Saigon [Original, Musical, Drama] Music, Book, 11 Apr 1991 – 28 Jan 2001
• Les Misérables [Original, Musical, Drama], Music, Book, 12 Mar 1987 – 18 May 2003^[5]

Awards[link]

• 1987 Tony Award^[6]

References[link]

1. ^ "Claude-Michel Schönberg – Discover music, videos, concerts, stats, & pictures at". Last.fm. 11 February 2009. http://www.last.fm/music/Claude-Michel+Sch%C3%B6nberg. Retrieved 5 May 2011. 
2. ^ "AmerAsians". Newsun.com. 11 April 1991. http://www.newsun.com/asians.html. Retrieved 5 May 2011. 
3. ^ "',Wuthering Heights', Northern Ballet Theatre". Northernballettheatre.co.uk. http://www.northernballettheatre.co.uk/wutheringheights.html. Retrieved 5 May 2011. 
4. ^ "New Musical From ‘Les Miz’ Team", THE NEW YORK TIMES, 10 July 2007
5. ^ The Broadway League. "The official source for Broadway Information". IBDB. http://www.ibdb.com/person.php?id=4864. Retrieved 5 May 2011. 
6. ^ "Alain Boublil and Claude-Michel Schönberg". Hem.passagen.se. http://hem.passagen.se/musicals/bio_ac.html. Retrieved 5 May 2011. 

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2010)

External links[link]

• Claude-Michel Schönberg at the Internet Movie Database

'Faun Family', terracotta relief by Claude Michel, c. 1785, National Gallery of Art, Washington, D. C.

'Poetry and Music', marble sculpture by Claude Michel, 1774-1778, National Gallery of Art, Washington, D. C.

Claude Michel (December 20, 1738 – March 29, 1814), known as Clodion, was a French sculptor in the Rococo style. He was born in Nancy. Here and probably in Lille he spent the earlier years of his life. In 1755 he came to Paris and entered the workshop of Lambert Sigisbert Adam, his maternal uncle, a clever sculptor. He remained four years in this workshop, and on the death of his uncle became a pupil of J. B. Pigalle. In 1759 he obtained the grand prize for sculpture at the Académie Royale; in 1761 he obtained the first silver medal for studies from models; and in 1762 he went to Rome. Here his activity was considerable between 1767 and 1771.

Catherine II of Russia was eager to secure his presence in St Petersburg, but he returned to Paris. Among his patrons, which were very numerous, were the chapter of Rouen, the states of Languedoc, and the Direction generale. His works were frequently exhibited at the Salon. In 1782 he married Catherine Flore, a daughter of the sculptor Augustin Pajou, who subsequently obtained a divorce from him. The agitation caused by the French Revolution drove Clodion in 1792 to Nancy, where he remained until 1798, his energies being spent in the decoration of houses.

Among Clodion's works are a statue of Montesquieu, a Dying Cleopatra, and a chimneypiece at present in the Victoria and Albert Museum, (London). One of his last groups represented Homer as a beggar being driven away by fishermen (1810). Clodion died in Paris, on the eve of the invasion of Paris by the forces of the Sixth Coalition.

Among the public collections holding works by Claude Michel are: the Art Institute of Chicago, the Bowes Museum (County Durham, UK), the Carnegie Museum of Art (Pittsburgh, Pennsylvania), the Cleveland Museum of Art, the Courtauld Institute of Art (London), the Currier Museum of Art (New Hampshire), the Detroit Institute of Arts, the Fine Arts Museums of San Francisco, the Frick Collection (New York City), the Getty Museum (Los Angeles), the Honolulu Museum of Art, the Kimbell Art Museum (Fort Worth, Texas), Kunst Indeks Danmark, the Louvre (Paris), the Metropolitan Museum of Art, Musée Cognacq-Jay (Paris), the Museum of Fine Arts (Boston), Musée des Beaux-Arts (Bordeaux), Museum Boijmans Van Beuningen (Rotterdam), National Museum of Art (Cluj-Napoca), the National Gallery of Armenia, the National Gallery of Art (Washington D.C.), the Norton Simon Museum (Pasadena, California) and the Philadelphia Museum of Art.

References[link]

Wikimedia Commons has media related to: Clodion

•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links[link]

• Entry and examples at the Metropolitan Museum of Art in New York City