Bauer Media Group

File:Bauer Verlagsgruppe logo2.png
Type	Private (KG)
Industry	Publishing, Broadcasting
Founded	1875
Headquarters	Hamburg, Germany
Area served	Europe, USA, China, Russia
Revenue	/ Turnover €2.129 Billion Euro (2010)
Employees	6,400
Subsidiaries	Bauer Radio Box Television (50% stake)
Website	www.bauermedia.com/

Bauer Media Group is a multinational media company headquartered in Hamburg, Germany which operates in 15 countries worldwide. Since the company was founded in 1875, it has been privately-owned and under management by the Bauer family. It was formerly called Heinrich Bauer Verlag KG, abbreviated to HBV and usually shortened to H. Bauer.

Worldwide circulation of Bauer Media Group's magazine titles amounts to 38 million magazines a week.^[1]

History[link]

Bauer Verlagsgruppe has been managed by four generations of the Bauer family. Originally a small printing house, The Bauer Publishing Group has grown into a worldwide publishing and media company. The Bauer Publishing Group comprises 282 magazines worldwide in 15 countries, as well as TV and radio stations. Bauer started in the UK with the launch of Bella magazine in 1987 and as H Bauer Publishing became Britain's third largest publisher. Bauer further expanded in the UK with the purchase of Emap Consumer Media and Emap Radio in 2008 to become the UK's biggest publishing group. The companies continue to trade as H Bauer Publishing - MD David Goodchild, and Bauer Consumer Media - CE Paul Keenan.^[2]

H Bauer Publishing Brands[link]

H Bauer brands include women's weekly and TV listings magazines; namely Bella, Take a Break, that's life! TVChoice and Total TVGuide as well as a number of puzzle magazines.

Bella[link]

In 1987 Bella was H Bauer's first venture into publishing in the UK. Bella sought to make an impact in the UK magazine market by mixing previously unseen real-life editorial with the classic elements more traditionally associated with women's magazines such as fashion and beauty, cookery and practical home features. Today's Bella has evolved with the changing shape of society to reflect the role played by modern women.

Take a Break and that's life![link]

In 1990, H Bauer gained attention with the launch of Take a Break magazine. Take a Break sits in the true life market of the women's weekly sector and quickly became market leader with an ABC audited circulation of over one million sales. Up until 2005 there were only three women's magazines dedicated to delivering true life editorial, one of which was H Bauer's sister title, that's life! (launched in 1995). Since then the sector has become increasingly competitive with a series of high profile launches that saw the number of titles in the market expand to seven magazines all fighting for market share. Take a Break has retained its lead position in the market, and a number of brand extensions have seen H Bauer's business expand to include puzzle magazines that carry the Take a Break name.

TV listings titles[link]

1991 saw H Bauer's first foray into TV listings publishing with the launch of TVQuick magazine. (Prior to the deregulation of TV listings in March 1991, BBC listings had been restricted by law to Radio Times and ITV listings to TVTimes.) TVQuick ceased publication in July 2010. In 1999 H Bauer launched TVChoice at a much lower price point than other titles on the market. TVChoice overtook its main competitor in the February 2008 audited ABCs and has been the number one weekly newsstand magazine in the UK ever since. In September 2003, H Bauer launched Total TVGuide to cover the increasing number of programmes available on Freeview and satellite or cable services.

Bauer Media Brands[link]

Q[link]

Q started out as a music magazine published monthly in the United Kingdom. Originally it was to be called Cue (named after the act of cueing a record to play), but the name was changed so that it wouldn't be mistaken for a snooker magazine. Founders Mark Ellen and David Hepworth felt the music press of the time ignored a generation of older music buyers who were buying CDs — then still a new technology — from artists such as Paul Simon, Level 42, and Dire Straits. Modeled after Rolling Stone, Q was first published in 1986, setting itself apart from much of the other music press with monthly production and higher standards of photography and printing, with an emphasis on style.

The Q music brand has expanded to Radio and Television, with Q Radio and Q TV being music entertainment that specialises in indie, rock and alternative. Q also holds annual music awards in the UK, known as Q Awards. Since they began in 1990, the Q Awards have become one of Britain's biggest and best publicized music awards, helped in no small part by the often boisterous behaviour of the celebrities who attend the event.

In spring 2010, Bauer caused controversy with its attempt to unilaterally impose a new contract on all photographers and writers, which takes away their copyright and off-loads liability for libel or copyright infringement from the publisher onto the contributor. 200 photographers and writers from Q and Bauer's other music magazines, Kerrang! and MOJO were reported as refusing to work under the new terms.^[3]

Kerrang![link]

Kerrang! TV specialises in Rock Music. As of 2005, all of its programme content is music videos, the majority of which is open scheduled, for text requests from their playlist. It is based on format of Kerrang! brand from Bauer which also exists in Kerrang Radio and Kerrang! magazine.

Bauer Radio[link]

See: Bauer Radio.

Box Television[link]

Bauer Media Group has a 50% stake in the British television company Box Television, the other half owned by Channel 4. Box Television acts as the content subsidiary that produces several popular music television channels, which include:

• Q TV
• 4Music
• Kiss TV
• Kerrang! TV
• The Box
• Magic TV
• Smash Hits TV

Offices[link]

Bauer Verlagsgruppe has offices located all over the world, they are located in the following countries:

• Germany
• USA
• Spain
• France
• Austria
• Poland
• Portugal
• Romania
• Hungary
• Czech Republic
• Mexico
• China
• Russia
• Slovakia
• United Kingdom
• Nigeria

References[link]

External links[link]

• Bauer UK
• Bauer Media UK
• Bauer Media
• Group website
• Bauer Media DE
• Bauer Media RUS

v t e Bauer Media Group Bauer Radio Bauer Place Portfolio Northern England CHR stations: CFM Radio · Hallam FM · Key 103 · Metro Radio · Radio City 96.7 · 96.3 Radio Aire · 97.4 Rock FM · TFM Radio · 96.9 Viking FM Scotland CHR stations: 102.5 Clyde 1 · 97.3 Forth One · Tay FM · 97.4 MFR · Moray Firth Radio 1107AM · Northsound 1 · Radio Borders · 96.7 West FM · West Sound FM Northern Ireland: Cool FM  · Downtown Radio Magic Network: Magic 105.4 · Magic AM · Magic 828 · Magic 999 · Magic 1152 · Piccadilly Magic 1152 · Magic 1161 · Magic 1170 · Magic 1548 Scottish AM stations: Clyde 2 · 1548 Forth 2 · Northsound 2 · Tay AM · West Sound (AM) Other Place radio assets: Wave 105 · City Talk 105.9 Bauer Passion Portfolio: Kiss Network: Kiss 100 · Kiss 101 · Kiss 105-108 Kerrang Radio (West Midlands FM and quasi-national digital) Digital stations: Heat · The Hits · Q · Smash Hits Publishing UK Consumer Titles: Angling Times · Bella · Bike · Bird Watching · Car · Classic Bike · Classic Cars · Closer · Country Walking · Digital Photo · Empire · FHM · First · Freesail · Garden Answers · Garden News · Golf World · Grazia · Improve Your Coarse Fishing · Heat · Instant Beauty · Kerrang! · Land Rover Owner International · Landscape · Match · Model Rail · Mojo · More! · Mother & Baby · Motor Cycle News (MCN) · New Woman · Parker's · Performance Bikes · Pop · Practical Classics · Practical Fishkeeping · Practical Photography · Pregnancy & Birth · Puzzle Magazines · Q · RAIL · RiDE · Sea Angler · Shopping for Baby · Skiing · Steam Railway · Spirit&Destiny · Take a Break · That's life! · Today's Golfer · Top Sante · Total TVguide · Trail · Trout & Salmon · Trout Fisherman · TV Choice · Waves · What Bike? · Your Horse · Yours · Zoo US Consumer Titles: ASTROgirl · First for Women · In Touch Weekly · J-14 · Life & Style Weekly · Life Story · M · QuizFest · Soaps in Depth · Twist · Woman's World German Consumer Titles: Bravo · Das Neue Blatt · Volksstimme Business Publications: AM · Fleet News · Pet Product Marketing · Sewells Information and Research Distribution: Seymour · Frontline Box Television (50%) The Box · 4Music (run by Channel 4) · Kiss · Magic · Kerrang! · Q · Smash Hits! Category

A media conglomerate, media group or media institution is a company that owns large numbers of companies in various mass media such as television, radio, publishing, movies, and the Internet. Media conglomerates strive for policies that facilitate their control of the markets across the globe.^[1]

According to the 2011 Fortune 500 list, The Walt Disney Company is America's largest media conglomerate in terms of revenue, with News Corporation, Time Warner, CBS Corporation and Viacom completing the top 5.^[2] Other major players are NBCUniversal, and Sony Corporation of America.

Terminology[link]

A conglomerate is, by definition, a large company that consists of divisions of seemingly unrelated businesses.

It is questionable whether media companies are unrelated, as of 2007^[update]. The trend has been strongly for the sharing of various kinds of content (news, film and video, music for example). The media sector is tending to consolidate, and formerly diversified companies may appear less so as a result. Therefore, the term media group may also be applied, however it has not so far replaced the more traditional term.^{[citation needed]}

Criticism[link]

Critics have accused the larger conglomerates of dominating media, especially news, and refusing to publicize or deem "newsworthy" information that would be harmful to their other interests, and of contributing to the merging of entertainment and news (sensationalism) at the expense of tough coverage of serious issues. They are also accused of being a leading force for the standardization of culture (see globalization, Americanization), and they are a frequent target of criticism by various groups which often perceive the news organizations as being biased toward special interests.

There is also the issue of concentration of media ownership, reducing diversity in both ownership and programming (TV shows and radio shows). There is also a strong trend in the U.S. for conglomerates to eliminate localism in broadcasting, instead using broadcast automation and voice tracking, sometimes from another city in another state. Some radio stations use prepackaged and generic satellite-fed programming with no local content, except the insertion of radio ads.

Examples[link]

Some of the most well-known media conglomerates include:

• ABS-CBN Corporation
• Advance Publications
• American Media
• AOL
• Associated Broadcasting Company (TV5) (owned by MediaQuest Holdings, Inc.)
• BBC
• Bell Media (owned by Bell Canada Enterprises)
• Belo
• Bennet Coleman and Co. Ltd (a.k.a. The Times Group, distinct from Times Newspapers of News Corporation)
• Bertelsmann
• Bonnier
• Cablevision
• Canadian Broadcasting Corporation (CBC)
• Clear Channel Communications
• CBS Corporation (owned by National Amusements alongside Viacom)
• Comcast (both through its own media assets & NBCUniversal, co-owned with GE)
• Discovery Communications
• Dogan Group Companies
• E. W. Scripps Company
• Fininvest
• Gannett Company
• GMA Network, Inc.
• Grupo Abril
• Grupo Clarín
• Grupo PRISA
• Grupo Televisa
• Hearst Corporation
• Hubbard Broadcasting
• ION Media Networks
• The Jim Pattison Media Group (division of Jim Pattison Group)
• Lagardère Active (owned by Lagardère Group)
• Liberty Media
• NBCUniversal (co-owned by General Electric & Comcast)
• The New York Times Company
• News Corporation
• Next Media
• Organizações Globo
• Pinadd Global Media Corporation
• Postmedia Network
• Quebecor Media
• Rogers Communications
• Schibsted
• Shaw Communications
• Sinclair Broadcast Group
• Sony Corporation of America (owned by Sony)
• Sun-Times Media Group
• Time Warner
• Time Warner Cable
• Tribune Company
• Vice
• Viacom (owned by National Amusements alongside CBS Corporation)
• Village Voice Media
• Vivendi
• The Walt Disney Company
• The Washington Post Company
• World Wrestling Entertainment (d.b.a. WWE, Inc.)

See also[link]

• Conglomerate (company)
• Concentration of media ownership
• Media imperialism
• Media proprietor
• Multinational corporation
• Lists of corporate assets

Notes[link]

Brian Warner (Marilyn Manson)
Manson performing at 2009's Quart Festival
Background information
Birth name	Brian Hugh Warner
Born	(1969-01-05) January 5, 1969 (age 43) Canton, Ohio, United States
Genres	Alternative metal, industrial metal, gothic rock, industrial rock, shock rock
Occupations	Singer-songwriter, musician, artist, poet, film director, actor, writer
Instruments	Vocals, guitar, bass, keyboards, harpsichord, drums, flute, pan flute, mellotron
Years active	1989–present
Labels	Cooking Vinyl,[1][2] Nothing, Interscope
Associated acts	Marilyn Manson, Eminem, Satan on Fire, Mrs. Scabtree, Jack Off Jill 150px Marilyn Manson's signature

Marilyn Manson (born Brian Hugh Warner; January 5, 1969) is an American musician, artist and former music journalist known for his controversial stage persona and image as the lead singer of the eponymous band Marilyn Manson. His stage name was formed from juxtaposing the names of two 1960s American cultural icons, namely actress Marilyn Monroe and convicted multiple murder convict^[3] Charles Manson as a critical and, simultaneously, laudatory appraisal of America and its peculiar culture.^[4][5] The seemingly outrageous styles for which he models and the controversy surrounding his lyrics have led to his public appeal.^[6]

Early life[link]

Marilyn Manson was born in Canton, Ohio. He is the only child of Barbra Warner (maiden name Wyer) and Hugh Warner.^[7] Manson is of Polish and German descent on his father's side, and is a fourth cousin twice removed of Conservative commentator Pat Buchanan.^[7][8] In his autobiography The Long Hard Road Out of Hell, he detailed his grandfather's sexual fetishes (including bestiality and sadomasochism) which led to the forming of Marilyn Manson and the Spooky Kids.

As a child, he attended his mother's Episcopalian church, though his father was Catholic.^[9][10] Warner attended Heritage Christian School from first grade to tenth grade. He later transferred to Glenoak High School Canton and graduated from there in 1987, and later became a student at Broward Community College in 1990. He was working towards a degree in journalism and gaining experience in the field by writing music articles for a South Florida lifestyle magazine, 25th Parallel. He would soon meet several of the musicians to whom his own band would later be compared, including My Life With the Thrill Kill Kult, The Perfect, and Trent Reznor of Nine Inch Nails.

Career[link]

Music[link]

Manson performing at 2007's Eurockéennes.

Manson formed together with guitarist Scott Putesky, Marilyn Manson & the Spooky Kids in Florida in 1989 (the name was shortened to Marilyn Manson in 1992). While with The Spooky Kids, he was involved with Jeordie White (also known as Twiggy Ramirez) and Stephen Gregory Bier Jr. (also known as Madonna Wayne Gacy) in two side-projects: Satan on Fire, a faux-Christian metal ensemble where he played bass guitar, and drums in Mrs. Scabtree, a collaborative band formed with White and then girlfriend Jessicka (vocalist with the band Jack Off Jill) as a way to combat contractual agreements that prohibited Marilyn Manson from playing in certain clubs. In the summer of 1993, the band drew the attention of Trent Reznor. Reznor produced their 1994 debut album, Portrait of an American Family and released it on his Nothing Records label. The band began to develop a cult following, which grew larger with the release of Smells Like Children in 1995. That EP yielded the band's first big MTV hit with "Sweet Dreams (Are Made Of This)," a cover of the 1983 Eurythmics hit. Antichrist Superstar (co-produced by Trent Reznor) was an even greater success.^[11]

In the US alone, three of the band's albums have been awarded platinum certification, three more gold, and the band has had five releases debut in the top ten, including two number-one albums. Manson first worked as a producer with the band Jack Off Jill. He helped name the band and produce most of the band's early recordings, and also played guitar on the song "My Cat" and had the band open most of his South Florida shows.^[12] Manson later wrote the liner notes to the band's album Humid Teenage Mediocrity 1992-1995, a collection of early Jack Off Jill recordings. Manson has appeared as a guest performer on DMX's album Flesh of My Flesh, Blood of My Blood^[13] and on Godhead's 2000 Years of Human Error album — the only album released on his vanity label Posthuman.^[14][15] In 2011 it was revealed that Manson was to appear on the singer Skylar Grey's album "Invinsible" on the track entitled "Can't Haunt Me".

Film and television[link]

Manson at the 2006 Cannes Film Festival.

Manson made his film debut in 1997, as an actor in David Lynch's Lost Highway. Since then he has appeared in a variety of minor roles and cameos, including Party Monster; then-girlfriend Rose McGowan's 1999 film Jawbreaker; Asia Argento's 2004 film The Heart Is Deceitful Above All Things; Rise; and The Hire: Beat The Devil, the sixth instalment in the BMW Films series. He was interviewed in Michael Moore's political documentary Bowling for Columbine discussing possible motivations for the Columbine massacre and allegations that his music was somehow a factor. He has appeared in animated form in Clone High and participated in several episodes of the MTV series Celebrity Deathmatch, becoming the show's unofficial champion and mascot; he often performed the voice for his claymated puppet, and contributed the song "Astonishing Panorama of the Endtimes" to the soundtrack album. In July 2005, Manson told Rolling Stone that he was shifting his focus from music to filmmaking – "I just don't think the world is worth putting music into right now. I no longer want to make art that other people — particularly record companies — are turning into a product. I just want to make art."

Johnny Depp reportedly used Manson as his inspiration for his performance as Willy Wonka in the film Charlie and the Chocolate Factory. Manson himself expressed interest in playing the role of Willy Wonka in the film.^{[16][unreliable source?]}

He had been working on his directorial debut, Phantasmagoria: The Visions of Lewis Carroll, since 2004, with Manson also set to portray the role of Lewis Carroll, author of Alice's Adventures in Wonderland. Initially announced as a web-only release, it was later decided to give the estimated $4.2 million budget film a conventional cinema release, with a slated release date of mid-2007. The film was to have an original music soundtrack with previously unreleased songs.^[17] Production of the film had been postponed indefinitely until after the Eat Me, Drink Me tour.^[18] In 2010, studio bosses shut down production on the project, reportedly due to viewers responses over the violent content of clips released on the internet. The film was later officially put on "indefinite production hold".^[19] However, according to an interview with co-writer Anthony Silva about the hold, the film was still on and the talk of it being shut down was just a myth.^[20]

Manson will portray metalband lead singer Lars in the upcoming slasher Splatter Sisters, for which he will also contribute an original soundtrack.^[21]

Art[link]

Manson claimed in a 2004 interview with i-D magazine to have begun his career as a watercolor painter in 1999 when he made five-minute concept pieces and sold them to drug dealers. On September 13–14, 2002, his first show, The Golden Age of Grotesque, was held at the Los Angeles Contemporary Exhibitions Centre. Art in America's Max Henry likened them to the works of a "psychiatric patient given materials to use as therapy" and said his work would never be taken seriously in a fine-art context, writing that the value was "in their celebrity, not the work".^[22] On September 14–15, 2004, Manson held a second exhibition on the first night in Paris and the second in Berlin. The show was named 'Trismegistus' which was also the title of the center piece of the exhibit – a large, three-headed Christ painted onto an antique wood panel from a portable embalmers table.

Manson named his self-proclaimed art movement Celebritarian Corporation. He has coined a slogan for the movement: “We will sell our shadow to those who stand within it.” In 2005 he said that the Celebritarian Corporation has been "incubating for seven years" which if correct would indicate that Celebritarian Corporation, in some form, started in 1998.^[23]

Celebritarian Corporation is also the namesake of an art gallery owned by Manson, called the Celebritarian Corporation Gallery of Fine Art in Los Angeles for which his third exhibition was the inaugural show. From April 2–17, 2007, his recent works were on show at the Space 39 Modern & Contemporary in Florida. 40 pieces from this show traveled to Germany's Gallery Brigitte Schenk in Cologne to be publicly exhibited from June 28 – July 28, 2007. Manson was refused admittance to Kölner Dom (Cologne Cathedral), when he was in the city to attend the opening night. This was, according to Manson, due to his makeup.

Manson revealed a series of 20 paintings in 2010 entitled Genealogies of Pain, an exhibition showcased at Vienna's Kunsthalle gallery^[24] which the artist collaborated on with David Lynch.

Other[link]

Manson made an appearance in the video game Area 51 as Edgar, a Grey Alien. His song "Cruci-Fiction In Space" is featured in a commercial for a video game, The Darkness. His likeness is also featured on the Celebrity Deathmatch video game for which he recorded a song for the soundtrack (2003). The song "Use your fist and not your mouth" was the credits score of the game Cold Fear as well as Spawn: Armageddon. The song "Four Rusted Horses" had an alternate version used in trailers for the video game Fear 3. A remix of the song "Tainted Love" appears in the debut trailer for the game, Need for Speed: Hot Pursuit.

Personal life[link]

Manson launched "Mansinthe," his own brand of Swiss-made absinthe, which has received poor reviews from critics who compared the drink's odor to sewage water and described the taste as being "just plain"^[25] however it came second to Versinthe in an Absinthe top five^[26] and winning a gold medal at the 2008 San Francisco World Spirits Competition.^[27]

After media comments from Manson that he wears his signature black leather pants 24 hours a day,^[28] animal rights group PETA added Manson to its "Worst-Dressed Celebrities of 2008".^[29]

Relationships[link]

Manson was engaged to actress Rose McGowan from February 1999 to January 19, 2001.^[30]

Manson and Dita Von Teese first met when he asked her to dance in one of his music videos. Though she was unable to, the two kept in contact. On his 32nd birthday they became a couple. He proposed on March 22, 2004 and gave her a 1930s-era, 7 carats (1,400 mg), European round-cut diamond engagement ring. On November 28, 2005, Manson and von Teese were married in a private, non-denominational ceremony in their home. A larger ceremony was held on December 3, at Gurteen Castle, in Kilsheelan, County Tipperary, Ireland, the home of their friend, Gottfried Helnwein. The wedding was officiated by surrealist film director and comic book writer Alejandro Jodorowsky.^[31] On December 30, 2006 Von Teese filed for divorce due to "irreconcilable differences."^[32] ET.com and People claimed that Manson was having an extramarital affair with then 19-year-old actress Evan Rachel Wood, who is to co-star in his horror film Phantasmagoria: The Visions of Lewis Carroll, and was featured in the video for his 2007 single, "Heart-Shaped Glasses."^[33][34] The relationship was confirmed by Von Teese in an interview with the Sunday Telegraph, "I get the impression he thinks I was unsupportive, but the truth is I wasn't supportive of his lifestyle, and someone else came along who was."^[35] Manson's alcohol abuse and distant behavior were also cited as cause for the split.^[36] A judgment of divorce was entered in Los Angeles Superior Court on December 27, 2007.^[37]

In 2007, attention was brought to Manson's love life again when a relationship with actress Evan Rachel Wood was made public.^[38] Manson and Wood reportedly maintained an on-again off-again relationship for several years. Manson proposed to Wood during a Paris stage performance in January 2010, but the couple broke off the engagement later that year.^[39]

Manson has recently been romantically linked to American photographer Lindsay Usich, who is credited as the photo source for the cover art of his most recent album, "Born Villain ". Usich was referred to as Manson's girlfriend in the March 2012 issue of Revolver magazine. In the article a reference is made to a new painting by Manson featuring Usich as well.

Lawsuits[link]

In September 1996, former bassist Gidget Gein negotiated a settlement with Manson where he would receive $17,500 in cash, 20 percent of any royalties paid for recordings and for any songs he had a hand in writing and his share of any other royalties or fees the group earned while he was a member. Furthermore, the settlement allowed him to market himself as a former member of Marilyn Manson. This settlement was not honored, however.^[40]

Former guitarist and founding member Scott Putesky (aka Daisy Berkowitz) filed a $15 million lawsuit in a Fort Lauderdale court against the singer, the band and the band's attorney, David Codikow in January 1998 after his forcible departure from the group in the spring of 1996. Berkowitz claimed he was cheated by the band out of "thousands of dollars in royalties, publishing rights, and performance fees." He also filed an attorney malpractice suit against Codikow, alleging that "Codikow represented Warner's interests more than the band's and that he gave Warner disproportionate control over the band's name, recordings, merchandising, and touring proceeds."^[41][42] By October of that year, the suit had been settled out of court for an undisclosed amount.^[43]

In November 30, 1998, a few days after the band accumulated "[a] total [of] more than $25,000" in backstage and hotel room damages during the Poughkeepsie, New York stop of their Mechanical Animals Tour,^[44] SPIN editor Craig Marks filed a $24 million lawsuit against Manson and his bodyguards for allegedly assaulting his person and threatening to kill his family. According to Mark's interview with the New York Post, the issue stemmed from Manson's displeasure with the magazine's decision to renege on a promised cover story of the band for their January 1998 cover. According to Marks, the last-minute change was made because Manson's record wasn't "performing." The Post described the editor as "bruised and battered." Manson for his part issued a statement saying, "I had a conversation with Craig Marks expressing I was tired of Spin's immature business behavior and the series of deals they had broken with me. I told him that I didn't care what he prints or whether or not I'm on the cover. I simply no longer wanted to work with him or his magazine that obviously has a lack of respect for musicians and their fans." On February 19, 1999, Manson counter-sued Marks for libel, slander and defamation. The singer was seeking $40 million in reparation, claiming that Marks' statements were false and "were made ... with actual malice, hatred and personal ill will." According to the counter-suit, Marks' allegations have "greatly damaged and injured [Manson's] reputation and standing in the music profession, in the music and entertainment industries, in his community and in the general public, and has been subjected to great shame, humiliation and indignity."^[45] As for the Poughkeepsie incident, Manson apologized and offered to make financial restitution.^[46][47]

In a civil battery suit, David Diaz, a security officer from a concert in Minneapolis, Minnesota, on October 27, 2000, sued for $75,000 in a Minneapolis federal court.^[48][49] The federal court jury found in Manson's favor.^[50]

In a civil suit presented by Oakland County, Michigan, Manson was charged with sexual misconduct against another security officer, Joshua Keasler, during a concert in Clarkston, Michigan, on July 30, 2001. Oakland County originally filed assault and battery and criminal sexual misconduct charges,^[51] but the judge reduced the latter charge to misdemeanor disorderly conduct.^[52] Manson pleaded no contest to the reduced charges, paid a $4,000 fine,^[53] and later settled the lawsuit under undisclosed terms.^[54]

On April 3, 2002, Maria St. John filed a lawsuit in Los Angeles Superior Court accusing Manson of providing her adult daughter, Jennifer Syme, with cocaine and instructing her to drive while under the influence.^[55] After attending a party at Manson's house, Syme was given a lift home;^[56] Manson claims she was taken home by a designated driver.^[55] After she got home she got behind the wheel of her own vehicle and was killed instantly when she crashed it into three parked cars. Manson is reported to have said there were no drugs or alcohol at the party. St. John's lawyer asked "[if] there were no drinks, no drugs, why would she need a designated driver?"^[55] The suit alleged Syme was returning to the party at Manson's request. The case, BC271111, was dismissed on May 29, 2003.^[57]

On August 2, 2007, former band member Stephen Bier filed a lawsuit against Manson for unpaid "partnership proceeds," seeking $20 million in back pay. Several details from the lawsuit leaked to the press.^[58][59] In November 2007, additional papers were filed saying that Manson purchased a child's skeleton and masks made of human skin. He also allegedly bought stuffed animals, such as a grizzly bear and two baboons and a collection of Nazi memorabilia.^[60] In December 2007, Manson countersued, claiming that Bier failed to fulfill his duties as a bandmember to play for recordings and to promote the band.^[61] On December 28, 2009, the suit was settled with an agreement which saw Bier's attorneys being paid a total of $380,000, of which Manson's insurance company paid $175,000, while the remainder was paid by Bier's former business managers, according to Manson's lawyer Howard King.^[62]

Discography[link]

• Portrait of an American Family (1994)
• Smells like Children (1995)
• Antichrist Superstar (1996)
• Mechanical Animals (1998)
• Holy Wood (In the Shadow of the Valley of Death) (2000)
• The Golden Age of Grotesque (2003)
• Lest We Forget: The Best Of (2004)
• Eat Me, Drink Me (2007)
• The High End of Low (2009)
• Born Villain (2012)

Awards and Nominations[link]

Grammy Awards

MTV Video Music Awards

Filmography[link]

• Lost Highway (1997)
• Celebrity Deathmatch (1998)
• Jawbreaker (1999)
• Clone High (2002)
• Bowling for Columbine (2002)
• The Hire: Beat the Devil (2003)
• Party Monster (2003)
• The Heart Is Deceitful Above All Things (2004)
• Area 51 (2005)
• Rise: Blood Hunter (2006)
• Phantasmagoria: The Visions of Lewis Carroll (unreleased)
• Tim and Eric Awesome Show, Great Job! (2010)
• Splatter Sisters (2011)
• Born Villain (2011)
• Wrong Cops (2012 - to be released)

Books[link]

• The Long Hard Road Out of Hell. New York: HarperCollins division ReganBooks, 1998 ISBN 0-06-039258-4.
• Holy Wood. New York: HarperCollins division ReganBooks, Unreleased.
• Genealogies of Pain. Nuremberg: Verlag für moderne Kunst Nürnberg, 2011 ISBN 3-86984-129-8.
• Campaign. Calabasas: Grassy Slope Incorporated, 2011 ISBN B-00-5J24ZH-S.

Appearances in other media[link]

• Season 2, Episode 18 of South Park features Trey Parker doing a parody of Marilyn Manson singing "Stinky Britches"
• Episode 2 of Clone High portrays Marilyn Manson singing a song about the Food Pyramid, for which he wrote the lyrics and performed.
• Season 5, Episode 4 of Family Guy shows Marilyn Manson talking to Chris Griffin after his parents accuse him of influencing their son.
• In the final episode of the fourth season of Mr. Show David Cross portrays the character "Marilyn Monster" in a sketch.
• In The X-Files Season 8, Episode 17 the characters Detective Potter and Agent Reyes discuss Marilyn Manson after finding his cd at the desk of a suspect.
• Andy Dick created the character "Marilyn Poppins" for The Andy Dick Show as a satirical homage to Marilyn Manson
• Manson was characterized in the British TV Series Bo' Selecta! during Series 4, Bo! in the USA.
• During Season 4 of Madtv Pat Kilbane portrayed Marilyn Manson in episodes 406 & 407 for a Kenny Rogers sketch and Lowered Expectations sketch respectively.
• MTV's Cartoon Sushi featured a clip of Marilyn Manson and Charles Manson in a celebrity fight to the death. This later spawned the series Celebrity Deathmatch in which Marilyn Manson continued his appearances crashing the fight between Hanson vs. The Spice Girls in the "Deathbowl '98", as well as his deathmatch with Garth Brooks in Season 1, Episode 6. His final match against Ricky Martin occurred when Martin interrupted a performance by Manson's band. Celebrity Deathmatch was made into a video game in 2003 featuring Marilyn Manson as a playable character.
• Marilyn Manson is mentioned in Method Man's song "Well All Rite Cha", Outkast's song "Y'all Scared", Shop Boyz' song "Party Like a Rockstar", Dead Celebrity Status' song "In My Backyard", Wyclef Jean's song "Where Fugees At?", D12's songs "These Drugs" & "Blow My Buzz", Xzibit's song "3 Card Molly", Bizzy Bone's song "Social Studios", Slaughterhouse's song "The One", Nicki Minaj's song "Higher Than a Kite", Big & Rich's song "Comin' to Your City", Lonestar's song "Don't Let's Talk About Lisa", Princess Superstar's song "I Love You (Or at Least I Like You)", The Ataris' song "The Radio Still Sucks", Bowling for Soup's song "Luckiest Loser", Thousand Foot Krutch's song "Unbelievable", Relient K's song "My Girlfriend", Eminem's songs "When the Music Stops," "Still Don't Give a Fuck" & "The Way I Am" as well as New Radicals' song "You Get What You Give". Both later songs generated interest from Manson.
• In D12 member Proof's album 'Searching For Jerry Garcia', the rapper recites "we're all stars in the dope show" at the start of the song "M.A.D." The line is a reference to Marilyn Manson's 1998 single The Dope Show.
• Manson also voiced Edgar, in the video game Area 51

References[link]

External links[link]

Wikimedia Commons has media related to: Marilyn Manson

Wikiquote has a collection of quotations related to: Marilyn Manson

• Official website
• NACHTKABARETT

Iggy Pop
Iggy Pop performing at Parkenfestivalen 2011, Bodø, Norway
Background information
Birth name	James Newell Osterberg, Jr.
Born	(1947-04-21) April 21, 1947 (age 65) Muskegon, Michigan, U.S.
Genres	Punk rock, protopunk, garage rock, glam punk, shock rock, glam rock, hard rock
Occupations	Singer-songwriter, musician, producer, actor
Instruments	Vocals, guitar, keyboards, drums
Years active	1960–present
Labels	Virgin, RCA, Elektra
Associated acts	The Stooges, The Trolls, The Nymphs, The Iguanas, Slash, David Bowie, Deborah Harry, Blondie, Sum 41
Website	www.iggyandthestoogesmusic.com

Iggy Pop (born James Newell "Jim" Osterberg, Jr.; April 21, 1947) is an American singer, songwriter, musician, and actor.^[1] Though considered an innovator of punk rock,^[1] Pop's music has encompassed a number of styles over the years, including pop, metal, jazz and blues.^[2] Pop became known as 'Iggy' in high school, during which time he served as drummer for local blues band The Iguanas. He is vocalist of influential protopunk band The Stooges (Pop and the other surviving members of the group reunited in 2003),^[3] having become known, since the late 1960s, for his outrageous and unpredictable stage antics.^[4][5]

Though the singer's popularity has waned and waxed throughout his career, Pop has recorded a number of well-known songs, including "Lust for Life", "Real Wild Child", "I Wanna Be Your Dog," "Candy" (a duet with Kate Pierson of The B-52's),^[6] "China Girl", "Nightclubbing", "Search and Destroy", and "The Passenger". The Stooges were inducted into the Rock and Roll Hall of Fame in 2010

Early life[link]

Iggy Pop (AKA Iggy Stooge)^[7] was born in Ann Arbor, Michigan, the son of Louella (née Christensen) and James Newell Osterberg, Sr., a former high school English teacher and baseball coach at Fordson High School in Dearborn, Michigan.^[8] Osterberg was raised in a trailer park in Ypsilanti, Michigan.^[9] He is of Irish and English descent on his father's side, and of Norwegian and Danish ancestry on his mother's.^[10] His father was adopted by a Swedish American family and took on their surname (Österberg).^[10]

Music career[link]

Early days: 1960 to 1967[link]

The Prime Movers featuring Pop on drums

Osterberg began his music career as a drummer in different high school bands in Ann Arbor, Michigan. One band was the Iguanas, from the name of which he adopted his future moniker Iggy. After exploring local blues-style bands such as the Prime Movers (with brothers Dan and Michael Erlewine), he eventually dropped out of the University of Michigan^{[citation needed]} and moved to Chicago to learn more about blues. While in Chicago, he played drums in blues clubs, helped by Sam Lay (formerly of the Paul Butterfield Blues Band) who shared his connections with Iggy.^[11] Inspired by Chicago blues as well as bands like The Sonics and The MC5, he formed the Psychedelic Stooges and began calling himself Iggy. The band was composed of Iggy on vocals, Ron Asheton on guitar, Asheton's brother Scott on drums, and Dave Alexander on bass.

The Stooges era: 1968 to 1975[link]

The seeds of Iggy Pop's stage persona were sown when he saw The Doors perform in 1967 at the University of Michigan and was amazed by the stage antics and antagonism displayed by singer Jim Morrison.^[9] Morrison's extreme behavior, while performing in a popular band, inspired the young Pop to push the boundaries of stage performance. Pop was the first performer to do a stage-dive, which he started at a concert in Detroit.^[9] Other exploits of Pop include rolling around in broken glass, exposing himself to the crowd and vomiting on stage.^{[citation needed]}

In 1968, one year after their live debut and now dubbed The Stooges, the band signed with Elektra Records, again following in the footsteps of The Doors, who were Elektra's biggest act at the time (reportedly, Pop called Moe Howard to see if it was all right to call his band "The Stooges," to which Howard responded by merely saying "I don't care what they call themselves, as long as they're not the Three Stooges!" and hung up the phone). The Stooges' first two albums The Stooges, (on which Iggy was credited, much to his displeasure,^{[citation needed]} as "Iggy Stooge"), produced by John Cale; and Fun House, sold poorly. Shortly after the new members joined, the group disbanded because of Pop's growing heroin addiction.

In 1971, Iggy Pop and David Bowie met at Max's Kansas City, a nightclub and restaurant in New York City.^[12] Pop's career received a boost from his relationship with Bowie when Bowie decided in 1972 to produce an album with Pop in England. With James Williamson signed on as guitarist, the search began for a rhythm section. However, since neither Pop nor Bowie was satisfied with any players in England, they decided to re-unite The Stooges. It would not be a true reunion insofar as Dave Alexander, due to alcoholism, was unable to play on the record (he later died in 1975). Also, Ron Asheton grudgingly moved from guitar to bass to make way for Williamson to play guitar. The recording sessions produced the rock landmark Raw Power. After its release Scott Thurston was added to the band on keyboards/electric piano and Bowie continued his support, but Iggy's drug problem persisted. The Stooges' last show ended in a fight between the band and a group of bikers, documented on the album Metallic K.O. Drug abuse stalled his career again for several years.

Bowie and Berlin: 1976 to 1978[link]

Iggy Pop, October 25, 1977 at the State Theatre in Minneapolis

After the second breakup of The Stooges, Iggy Pop made some recordings with James Williamson, but these were not released until 1977 (as Kill City, credited jointly to Iggy Pop and Williamson). Pop was unable to control his drug use and checked himself into a mental institution, UCLA’s neuropsychiatric institute, to try to clean up. David Bowie was one of his few visitors there, and he continued to support his friend and collaborator. It was also rumored that Bowie would smuggle in cocaine to give to Pop.^[13] In 1976, Bowie took him along as his companion on the Station to Station tour. This was Iggy Pop's first exposure to large-scale professional touring and he was impressed, particularly with Bowie's work rate.

Bowie and Pop relocated to West Berlin to wean themselves off their addictions. In 1977, Pop signed with RCA and Bowie helped write and produce The Idiot and Lust for Life, Pop's two most acclaimed albums as a solo artist, the latter with another team of brothers, Hunt and Tony Sales, sons of comedian Soupy Sales. Among the songs Bowie and Pop wrote together were "China Girl", "Tonight", and "Sister Midnight", all of which Bowie performed on his own albums later on (the last being recorded with different lyrics as "Red Money" on the album Lodger). Bowie also played keyboards in Pop's live performances, some of which are featured on the album TV Eye in 1978. In return, Pop contributed backing vocals on Bowie's Low.

The Arista albums: 1979 to 1981[link]

Iggy Pop had grown dissatisfied with RCA, later admitting that he had made TV Eye as a quick way of fulfilling his three-album RCA contract. He moved to Arista Records, under whose banner he released New Values in 1979. This album was something of a Stooges reunion, with James Williamson producing and latter-day Stooge Scott Thurston playing guitar and keyboards. Not surprisingly, the album's style harked back to the guitar sound of the Stooges. Although highly regarded by many Iggy fans (some preferring it to the Bowie collaborations), New Values was not a popular success, despite some strong material including "Five Foot One" and "I'm Bored."

Iggy Pop, Cardiff, 1979

The album was moderately successful in Australia and New Zealand, however, and this led to Iggy Pop's first visit there to promote it. While in Melbourne, he made a memorable appearance on the Australian Broadcasting Corporation's nationwide pop show Countdown. During his anarchic performance of I'm Bored, Pop made no attempt to conceal the fact that he was lip-synching, and he even tried to grab the teenage girls in the audience. He was also interviewed by host Ian "Molly" Meldrum, an exchange which was frequently punctuated by the singer jumping up and down on his chair and making loud exclamations of "G'day mate" in a mock Australian accent. His Countdown appearance is generally considered one of the highlights of the show's history and it cemented his popularity with Australian punk fans; since then he has often toured there. While visiting New Zealand, Iggy Pop recorded a music video for "I'm Bored", and attended a record company function where he appeared to slap a woman and throw wine over a photographer.^[14] While in Australia, Iggy Pop was also the guest on a live late-night commercial TV interview show on the Ten Network. It is not known whether a recording of this interview exists, but the famous Countdown appearance has often been re-screened in Australia.

During the recording of Soldier (1980), Iggy Pop and Williamson quarrelled over production (the latter apparently wanted a big, Phil Spector-type sound) and Williamson was fired. Bowie appeared on the song Play it Safe, performing backing vocals with the group Simple Minds. The album and its follow-up Party (1981) were both commercial failures, and Iggy Pop was dropped from Arista. His drug habit varied in intensity, but persisted.

The 1980s[link]

In 1980, Iggy Pop published his autobiography I NEED MORE, co-written with Anne Weher, an Ann Arbor arts patron. The book, which includes a selection of black and white photographs, features a foreword by Andy Warhol. Warhol says that he met Iggy when he was Jim Osterberg, at the Ann Arbor Film Festival in 1966. "I don't know why he hasn't made it really big," wrote the one Pop artist about the other. "He is so good."

Pop at Pinkpop, 1987.

The 1982 album Zombie Birdhouse on Chris Stein's Animal label, with Stein himself producing, was no more commercially successful than his Arista works, but again, in 1983, Iggy Pop's fortunes changed when David Bowie recorded a cover of the song "China Girl". The song had originally appeared on The Idiot, and was a major hit on Bowie's blockbuster Let's Dance album. As co-writer of the song, Pop received substantial royalties. On Tonight in 1984, Bowie recorded two more of their co-written songs, this time from the Lust for Life album, "Tonight" and "Neighborhood Threat", assuring Iggy Pop financial security, at least for the short term. The support from Bowie enabled Pop to resolve problems and permitted him to take a three-year break during which he overcame his heroin addiction and took acting classes.

Additionally, Iggy Pop contributed the title song to the 1984 film Repo Man (with Steve Jones, previously of the Sex Pistols, on guitar) as well as an instrumental called "Repo Man Theme" that was played during the opening credits.

In 1985, Pop recorded some demos with Jones. He played these demos to Bowie, who was sufficiently impressed to offer to produce an album for Pop: 1986's New Wave-influenced Blah Blah Blah, featuring the single "Real Wild Child", a cover of "The Wild One" originally written and recorded by Australian rock 'n' roll pioneer Johnny O'Keefe in 1958. The single was a Top 10 hit in the UK and was successful around the world, especially in Australia, where for the last twenty years it has been used as the theme music for the ABC's late-night music video show Rage. It remains Pop's solitary brush with major commercial success. Blah Blah Blah was Pop's highest-charting album in the U.S. since The Idiot in 1977, peaking at No. 75 on the Billboard Top 200 albums chart.

Also in 1985, the movie Rock & Rule was released featuring performances by Iggy Pop and Lou Reed for the character Mok. Pop's song in the film was "Pain & Suffering" from the final sequence of the film.^[15]

In 1987, Pop appeared (along with Bootsy Collins) on a mostly instrumental album, Neo Geo, by Japanese composer Ryuichi Sakamoto. The music video for "Risky", written and directed by Meiert Avis, won the first ever MTV Breakthrough Video Award. The groundbreaking video explores transhumanist philosopher FM-2030's ideas of Nostalgia for the Future in the form of an imagined love affair between a robot and one of Man Ray's models in Paris in the late 1930s. Additional inspiration was drawn from Jean Baudrillard, Edvard Munch's 1894 painting Puberty, and Roland Barthes Death of the Author. The surrealist black-and-white video uses stop motion, light painting, and other retro in-camera effects techniques. Meiert Avis recorded Sakamoto while at work on the score for The Last Emperor in London. Sakamoto also appears in the video painting words and messages to an open shutter camera. Iggy Pop, who performs the vocals on "Risky", chose not to appear in the video, allowing his performance space to be occupied by the surrealist era robot.

Pop's follow-up to Blah Blah Blah, Instinct (1988), was a turnaround in musical direction. Its stripped-back, guitar-based sound leaned further towards the sound of the Stooges than any of his solo albums to date. His record label, which had most likely been expecting another Blah Blah Blah, dropped him. Nevertheless, the King Biscuit radio show recording of the Instinct tour (featuring guitarist Andy McCoy and Alvin Gibbs on bass) reaching Boston on July 19, 1988, remains one of punk-rock's most enduring live albums.^{[citation needed]} Working with rock attorney Stann Findelle, Pop scored more movie soundtrack inclusions in 1989, "Living on the Edge of the Night" in the Ridley Scott Michael Douglas thriller, Black Rain and "Love Transfusion" in Wes Craven's Shocker.

The 1990s[link]

In 1990, Pop recorded Brick by Brick, produced by Don Was, with members of Guns N' Roses and The B-52's as guests, as well as backup vocals by many local Hollywood groups, two of whom (Whitey Kirst and Craig Pike) would create his band to tour and perform on his Kiss My Blood video (1991), directed by world-famous director Tim Pope and filmed at the Olympia in Paris. The video attracted much controversy, as it featured much footage of Pop performing with his penis exposed to the audience. The album was his first Gold-certified album in the U.S. (denoting sales of over 500,000 copies) and featured his first Top 40 U.S. hit, "Candy", a duet with B-52's singer Kate Pierson.

Also in 1990, Pop starred in the controversial opera The Manson Family by composer John Moran, released on Point Music/Phillip Classics, where he sang the role of prosecutor Vincent Bugliosi. That year he was also contributed to the Red Hot Organization's AIDS benefit album Red Hot + Blue project, singing a version of "Well Did You Evah!" in a duet with Deborah Harry.

In 1991, Pop and Kirst contributed the song "Why Was I Born (Freddy's Dead)" to the soundtrack of the film Freddy's Dead: The Final Nightmare. The song also plays over the end credits of the film, with a compilation of clips from the A Nightmare on Elm Street series running alongside the end credits.

In 1992, he collaborated with Goran Bregović on the soundtrack for the movie Arizona Dream by Emir Kusturica. Pop sang four of the songs: In the Deathcar, TV Screen, Get the Money, and This is a Film. Also in 1992, he collaborated with the New York City band White Zombie. He recorded spoken word vocals on the intro and outro of the song "Black Sunshine" as well as playing the character of a writer in the video shot for the song. He is singled out for special thanks in the liner notes of the band's album La Sexorcisto: Devil Music, Vol. 1.

In 1993, Pop released American Caesar, including two successful singles, "Wild America" and "Beside You." The following year Pop contributed to Buckethead's album Giant Robot, including the songs "Buckethead's Toy Store" and "Post Office Buddy". He appears also on the Les Rita Mitsouko album Système D where he sings the duet "My Love is Bad" with Catherine Ringer.

In 1996, Pop again found mainstream fame when his 1977 song "Lust for Life" was featured in the film Trainspotting. A new video was recorded for the song, with clips from the film and studio footage of Iggy dancing with one of its stars, Ewen Bremner. An Iggy Pop concert also served as a plot point in the film. The song has also been used in TV commercials for Royal Caribbean Cruise Lines (with many music critics denouncing the usage of the song to promote peppy cruises) and as the theme music to The Jim Rome Show, a nationally-syndicated American sports talk show.

In 1996, Pop released Naughty Little Doggie, with Whitey Kirst returning on guitar, and the single "I Wanna Live". In 1997, he remixed Raw Power to give it a rougher, more hard-edged sound; fans had complained for years that Bowie's official "rescue effort" mix was muddy and lacking in bass. Pop testified in the reissue's liner notes that on the new mix, "everything's still in the red". He co-produced his 1999 album Avenue B with Don Was, releasing the single "Corruption." Pop produced 2001's Beat 'Em Up, which gave birth to The Trolls, releasing the single "Football" featuring Trolls alumni Whitey Kirst and brother Alex.

In 1997, Pop was credited with the soundtrack to the film The Brave.

In the early to middle 1990s, Pop would make several guest appearances on the Nickelodeon show The Adventures of Pete and Pete. He played James Mecklenberg, Nona Mecklenberg's father.

The Stooges reunion: 2003 to present[link]

Pop's 2003 album Skull Ring featured collaborators Sum 41, Green Day, Peaches, and The Trolls, as well as Ron and Scott Asheton, reuniting the three surviving founding members of The Stooges for the first time since 1974. Pop made a guest appearance on Peaches's song Kick It as well as the video. Also in 2003, his first full-length biography was published. Gimme Danger – The Story of Iggy Pop was written by Joe Ambrose; Pop did not collaborate on the biography or publicly endorse it. Having enjoyed working with the Ashetons on Skull Ring, Pop reformed The Stooges with bassist Mike Watt (formerly of the Minutemen) filling in for Dave Alexander, and Fun House saxophonist Steve Mackay rejoining the lineup. They have toured regularly since 2004. That year, Pop opened Madonna's Reinvention World Tour in Dublin.