Comanche

Flag of the Comanche Nation
Total population
14,700[1]
Regions with significant populations
United States (Oklahoma, Texas)
Languages
English, Comanche
Religion
Christianity, Native American Church, traditional tribal religion
Related ethnic groups
Shoshone and other Numic peoples

The Comanche are a Plains Indian tribe whose historic territory, known as Comancheria, consisted of present day eastern New Mexico, southern Colorado, northeastern Arizona, southern Kansas, all of Oklahoma, and most of northwest Texas. The Comanche people are enrolled in the federally recognized Comanche Nation, in Oklahoma.^[1]

Historically, the Comanches were hunter-gatherers with a horse culture. There may have been as many as 45,000 Comanches in the late 18th century.^[2]

Today, the Comanche Nation consists of 14,700 members (2010 enrollment figures),^[1] about half of whom live in Oklahoma. The remainder are concentrated in Texas, California, and New Mexico. The Comanche Nation Homecoming Powwow is held annually in Walters, Oklahoma in mid-July. The Comanche spoke the Comanche language, a Numic language of the Uto-Aztecan family, sometimes classified as a Shoshone dialect; however, only about 1% of Comanches speak it today.^[3][4]

Government[link]

The Comanche Nation is headquartered in Lawton, Oklahoma. Their tribal jurisdictional area is located in Caddo, Comanche, Cotton, Grady, Jefferson, Kiowa, Stephens, and Tillman Counties. Membership to the tribe requires a 1/8 blood quantum.^[1]

Their current acting tribal chairman is Johnny Wauqua, finishing the term of recalled chairman Michael Burgess.^[1]

Economic development[link]

The tribe operates its own housing authority and issues tribal vehicle tags. They own ten tribal smokeshops and four casinos.^[1] Their casinos include Comanche Nation Games in Lawton; Comanche Red River Casino in Devol; Comanche Red River Casino and Comanche Spur Casino both in Elgin; and Comanche Star Casino in and Comanche Star Casino both in Walters, Oklahoma.^[5]

Cultural institutions[link]

In 2002, the tribe founded the Comanche Nation College, a two-year tribal college in Lawton.^[6]

In July, Comanches from across the United States gather to celebrate their heritage and culture in Walters, Oklahoma at the annual Comanche Homecoming powwow. The Comanche Nation Fair is held every September. The Comanche Little Ponies host two annual dances—one over New Year's and one in May.^[7]

History[link]

Formation[link]

The Comanche emerged as a distinct group shortly before 1700, when they broke off from the Shoshone people^[9] living along the upper Platte River in Wyoming. This coincided with their acquisition of the horse, which allowed them greater mobility in their search for better hunting grounds.

Their original migration took them to the southern Great Plains, into a sweep of territory extending from the Arkansas River to central Texas. During that time, their population increased dramatically because of the abundance of buffalo, an influx of Shoshone migrants, and the adoption of significant numbers of women and children taken captive from rival groups. The Comanche never formed a single cohesive tribal unit but were divided into almost a dozen autonomous groups, called bands. These groups shared the same language and culture, and rarely fought each other.^[10]

In 1680 the Comanche acquired horses from the Pueblo Indians after the Pueblo Revolt.^[11]

The horse was a key element in the emergence of a distinctive Comanche culture. Some scholars have suggested the Comanche broke away from the Shoshone and moved southward to search for additional sources of horses among the settlers of New Spain to the south (rather than search for new herds of buffalo.) The Comanche may have been the first group of Plains natives to fully incorporate the horse into their culture and to have introduced the animal to the other Plains peoples.^[12]

By the mid-19th century, the Comanche were supplying horses to French and American traders and settlers and later to migrants passing through their territory on the way to the California Gold Rush. The Comanche had stolen many of the horses from other tribes and settlers; they earned their reputation as formidable horse, and later, cattle thieves. Their stealing of livestock from Spanish and American settlers, as well as the other Plains tribes, often led to war.

The Comanche also had access to vast numbers of feral horses, which numbered approximately 2,000,000 in and around Comancheria. In the late 18th and early 19th centuries, the Comanche lifestyle required about one horse per person. With a population of about 30,000 to 40,000 and in possession of herds many times that number, the Comanche had a surplus of about 90,000 to 120,000 horses.^[13]

They were formidable opponents who developed strategies for using traditional weapons for fighting on horseback. Warfare was a major part of Comanche life. Comanche raids into Mexico traditionally took place during the full moon, when the Comanche could see to ride at night. This led to the term "Comanche Moon," during which the Comanche raided for horses, captives, and weapons.^[14] The majority of Comanche raids into Mexico were in the state of Chihuahua and neighboring northern states.^[15]

Divisions[link]

In Comanche society there were four levels of social-political integration:^[16]

• patrilinear and patrilocal nuclear family^[17]
• extended family group (nʉmʉnahkahni - "the people who live together in a household", no size limits but nonrecognition beyond relatives two generations above or three below)^[17]
• residential local group (span. rancheria, comprised one or more nʉmʉnahkahni, one of which formed its core)^[17]
• division or band (sometimes called tribe, Spanish nación, rama - “branch”, several local groups linked by kinship, sodalities (political, medicine, and military) and common interest in hunting, gathering, war, peace, trade)^[17]

Following as example of such political and kinship-based division, one should mention the Yaparʉhka, who formed their own identity as a separate division. Because of cultural and linguistic differences from other Comanche bands, they became the “(Yap)Root-Eaters”, in contrast to the Kʉhtsʉtʉhka (“Buffalo-Eaters”). The Yaparʉhka division was composed of several residential local groups such as the Ketahtoh Tʉ, Motso Tʉ and Pibianigwai.^[18]

In contrast to the neighboring Cheyenne and Arapaho to the north, the Comanches never developed a political idea of forming a nation or tribe. Comanches recognized each other as Nʉmʉnʉ and seldom fought against each other; however, this did not mean that the Kwaarʉ Nʉʉ pursued the same policy against the Spanish and Indian settlements in New Mexico as did the Kʉhtsʉtʉhka. As a consequence, later, just as the Comanche society was breaking down, the once respected and feared Penatʉka Nʉʉ provided U.S. Army Indian Scouts for the Americans and Texans against their still fighting and free-roaming Comanche kin.^[18]

The band was the primary social unit of the Comanches. A typical band might number about one hundred people. Bands were part of larger divisions, or tribes. Before the 1750s, there were three Comanche divisions: Yamparikas, Jupes, and Kotsotekas. In the 1750s and 1760s, a number of Kotsoteka bands split off and moved to the southeast. This resulted in a large division between the original group, the western Comanches, and the break away Kotsotekas, the eastern Comanches. The western Comanches lived in the region of the upper Arkansas River, Canadian River, and Red River, and the Llano Estacado. The eastern Comanches lived on the Edwards Plateau and the Texas plains of the upper Brazos River and Colorado River., and east to the Cross Timbers.^[19]

Over time, these divisions were altered in various ways. In the early 19th century, the Jupes vanished from history, probably merging into the other divisions. Many Yamparikas moved southeast, joining the eastern Comanches and becoming known as the Tenewas. Many Kiowas and Plains Apache (or Naishans) moved to northern Comancheria and became closely associated with the Yamparikas. A group of Arapahos, known as the Chariticas, moved into Comancheria and joined Comanche society. New divisions arose, such as the Nokonis, closely linked with the Tenewas; and the Kwahadis, who emerged as a new faction on the southern Llano Estacado. The western-eastern distinction changed in the 19th century. Observers began to call them Northern, Middle and Southern Comanches.

One of the largest and the southernmost groups, living on the edge of the Edwards Plateau and east across to the Cross Timbers, became known as the Penatekas, (Penatʉka Nʉʉ)^[19] was called therefore Southern Comanches. In the eastern part of the Comancheria between the Colorado River and Red Rivers roamed the Nokonis (Nokoni Nʉʉ — ‘Movers’, ‘Returners’),^[20] and south of them the strong associated smaller bands or residential groups of the Tenawa (Tahnahwah or Tenahwit — ‘Those Who Live Downstream’) and Tanima (Tanimʉʉ, Dahaʉi or Tevawish — ‘Liver-Eaters’). Together the Nokoni, Tenawa and Tanima were called the Middle Comanches. Just north of the Nokonis in the Red River Valley, between the Red River and the Canadian River, lived the numerous residential local groups of the powerful Kotsotekas (Kʉhtsʉtʉʉka — ‘Buffalo-Eaters’), which took their name because of the always large buffalo herds in their territory. The northernmost Comanche band were the Yamparikas (Yaparʉhka or Yapai Nʉʉ — ‘(Yap)Root-Eaters’), which was the last band to move onto the Plains and retained much of their Shoshone tradition. Because the Kotsoteka and Yamparika lived in the northern part of the Comancheria they were called Northern Comanches. The last large group was known as Kwahadis (Quohada or Kwaarʉ Nʉʉ/Kwahare — ‘Antelope-Eaters’), originally Kotsoteka-residential local groups that moved south out of the Cimarron Vally onto the desert plains of the Llano Estacado, they emerged as a new division in the nineteenth century. Even though the western-eastern distinction had have changed in the 19th century, they were called because of their isolation on the westernmost edge of the Comancheria the Western Comanches.

All these division names were spelled in many different ways by Spanish and English writers, and spelling differences continue today. Large-scale groupings became unstable and unclear during the 19th century. The Comanche society was slowly overwhelmed and ultimately subjugated to the United States.^[19]

Various bands of the Comanche (Nʉmʉnʉ)[link]

Naming practices of the Comanche were flexible, so some of these names are probably synonyms of others on the list. Joking and insulting synonyms were also commonly found in use among rival or allied bands.^[21]

• Jupe (spelled in Spanish as Hupe, Hoipi, Hʉpenʉʉ — ‘Timber People’, an 18th century band, probably forerunners of the Nokoni Nʉʉ, Kwaaru Nʉʉ and of the Hois-Penatʉka Nʉʉ local group)
• Kʉhtsʉtʉʉka (Kotsoteka — ‘Buffalo-Eaters’)
• Kwaarʉ Nʉʉ/Kwahare (Kwahadi/Quohada — ‘Antelope-Eaters’, nicknamed Kwahihʉʉ Ki — ‘Sunshades on Their Backs’, because they lived on desert plains of the Llano Estacado)
• Mʉtsahne (Motsai — ‘Undercut Bank’, annihilated in a battle with Mexicans in 1845)
• Nokoni Nʉʉ (Nokoni — ‘Movers’, ‘Returners’, also Noyʉhkanʉʉ, Nawyehkah — ‘Not Staying in one place’, later called Tʉtsʉ Noyʉkanʉʉ,Detsanayʉka — ‘Bad Campers’, ‘Poor Wanderer’)
  • Nokoni Nʉʉ (major group, who had considerable influence on the decision making of the Tahnahwah und Tanimʉʉ)
  • Tahnahwah (Tenawa, also Tenahwit — ‘Those Who Live Downstream’, southern splinter group of the Yaparʉhka, annihilated by the Mexicans in 1845)
  • Tanimʉʉ (Tanima, also called Dahaʉi, Tevawish — ‘Liver-Eaters’)
• Pagatsʉ (Pa'káh'tsa — ‘Head of the Stream’, alsco called Pahnaixte — ‘Those Who Live Upstream’)
• Pekwi Tʉhka (‘Fish-Eaters’)
• Penatʉka Nʉʉ (Penateka, Pihnaatʉka, Penanʉʉ — ‘Honey-Eaters’, also called Pehnahterkʉh — ‘Quick-Stinger, Wasp, i.e. Raiders’)
  • Penatʉka Nʉʉ (major local group)
  • Hʉpenʉʉ (Hois — ‘Timber People’)
  • Tayʉʉwit (Teyʉwit — ‘Hospitable Ones’)
  • Kʉvahrahtpaht (‘Steep Climbers’)
  • Taykahpwai (Tekapwai — ‘No Meat’)
• Pikaatamʉ (‘Buckskin Sewing People’)
• Saria Tʉhka (Chariticas, Sata Teichas — ‘Dog-Eaters’, once a group of Arapaho, who joined the Comanche)
• Yaparʉhka (Yamparika, also Yapai Nʉʉ — ‘(Yap)Root-Eaters’, former called Widyʉ Nʉʉ, Widyʉ or Widyʉ Yapa — ‘Awl People’, later called Tʉtsahkʉnanʉʉ — ‘Sewing People’).^[22]
  • Ketahtoh Tʉ (Ketatore — ‘Don't Wear Shoes’, also called Napwat Tʉ — ‘Wearing No Shoes’)
  • Motso Tʉ (motso — ‘Beard’, not confused with the Mʉtsahne)
  • Pibianigwai (‘Loud Talkers’, ‘Loud Askers’)
  • Sʉhmʉhtʉhka (‘Eat Everything’)
  • Titchahkaynah (‘Those Who Make Bags While Traveling’, once a separate group, later joined the Yaparʉhka)
  • Wahkoh (‘Shell Ornament’)

In addition there are further smaller bands:^[23]

• Hai'ne'na'ʉne (Hani Nʉmʉ — ‘Corn Eating People’, not to be confused with the indication Hanitaibo for the Penatʉka Nʉʉ)
• It'chit'a'bʉd'ah (Utsu'itʉ — ‘Cold People’, i.e. ‘Northern People’)
• Itehtah'o (‘Burnt Meat’, nicknamed by other Comanche, because they threw their surplus of meat out in the spring, were it dried and became black, looking like burnt meat)
• Naʉ'niem (No'na'ʉm — ‘Ridge People’, probably a former name for the Kwaarʉ Nʉʉ)^[24]
• Ohnonʉʉ (Ohnʉnʉnʉʉ, Onahʉnʉnʉʉ)
• Pahʉraix (‘Water Horse’, also called Parkeenaʉm or Paki Nʉmʉ — ‘Water People’, because they preferred settling along lakes, known to the Comanche as the best runners and players of Lacrosse)
• Pohoi (Pohoee — ‘Wild Sage’, once a group of Wind River Shoshone who joined the Comanche)
• Tʉtsanoo Yehkʉ (probably a variant spelling of Kʉhtsʉtʉʉka)
• Wianʉʉ (Wianʉ, Wia'ne — ‘Hill Wearing Away’)

Comanche Wars[link]

Relationship with settlers[link]

Quanah Parker, the last major chief of the Comanche Indians clasping a peyote feather fan.

The Comanche maintained an ambiguous relationship with Europeans and later settlers attempting to colonize their territory. The Comanche were valued as trading partners but were feared for their raids. Similarly, they were, at one time or another, at war with virtually every other Native American group living in the Great Plains, leaving opportunities for political maneuvering by European colonial powers and the United States. At one point, Sam Houston, president of the newly created Republic of Texas, almost succeeded in reaching a peace treaty with the Comanche. His efforts were thwarted when the Texas legislature refused to create an official boundary between Texas and the Comancheria.

While the Comanche managed to maintain their independence and increase their territory, by the mid-19th century they faced annihilation because of a wave of epidemics due to Eurasian diseases to which they had no immunity, such as smallpox and measles. Outbreaks of smallpox (1817, 1848) and cholera (1849) took a major toll on the Comanche, whose population dropped from an estimated 20,000 in mid-century to just a few thousand by the 1870s.

The US began efforts in the late 1860s to move the Comanche into reservations, with the Treaty of Medicine Lodge (1867), which offered churches, schools, and annuities in return for a vast tract of land totaling over 60,000 square miles (160,000 km²). The government promised to stop the buffalo hunters who were decimating the great herds of the Plains, provided that the Comanche, along with the Apaches, Kiowas, Cheyenne, and Arapahos, move to a reservation totaling less than 5,000 square miles (13,000 km²) of land. However, the government did not prevent slaughtering of the herds. The Comanche under Isa-tai (White Eagle) retaliated by attacking a group of hunters in the Texas Panhandle in the Second Battle of Adobe Walls (1874). The attack was a disaster for the Comanche, and the US army was called in to drive the remaining Comanche in the area into the reservation. Within just ten years, the buffalo were on the verge of extinction, effectively ending the Comanche way of life as hunters. In 1875, the last free band of Comanches, led by Quahada warrior Quanah Parker, surrendered and moved to the Fort Sill reservation in Oklahoma.

Unhappy with life on the reservation, 170 warriors and their families, led by Black Horse, left the reservation in late 1876 for the Llano Estacado. Attacks on buffalo hunters' camps led to the Buffalo Hunters' War of 1877.

Cherokee Commission[link]

The Agreement with the Comanche, Kiowa and Apache signed with the Cherokee Commission October 6–21, 1892,^[25] further reduced their reservation to 480,000 acres (1,900 km²) at a cost of $1.25 per acre ($308.88/km²), with an allotment of 160 acres (0.65 km²) per person per tribe to be held in trust. New allotments were made in 1906 to all children born after the agreement, and the remaining land was opened to white settlement. With this new arrangement, the era of the Comanche reservation came to an abrupt end

Meusebach-Comanche treaty[link]

The Peneteka band, agreed to a peace treaty with the German Immigration Company under John O. Meusebach. This treaty was not affiliated with any level of government. Meusebach brokered the treaty in order to settle the lands on the Fisher-Miller Land Grant, from which were formed the ten counties of Concho, Kimble, Llano, Mason, McCulloch, Menard, Schleicher, San Saba, Sutton and Tom Green.^[26]

In contrast to many treaties of its day, this treaty was very brief and simple, with all parties agreeing to a mutual cooperation and a sharing of the land. The treaty was agreed to at a meeting in San Saba County, Texas,^[27] and signed by all parties on May 9, 1847 in Fredericksburg, Texas. The treaty was never broken. Popular and misleading myth is that the treaty "is unbroken to this day". The treaty was very specifically between the Peneteka band and the German Immigration Company. No other band or tribe was involved. The German Immigration Company was dissolved by Meusebach himself shortly after it had served its purpose. By 1875 the Comanches had been relocated to reservations.^[28]

Five years later, artist Friedrich Richard Petri and his family moved to to the settlement of Pedernales, near Fredericksburg. Petri's sketches and watercolors gave witness to the friendly relationships between the Germans and various local Native American tribes.^[29]

Fort Martin Scott treaty[link]

In 1850, another treaty was signed in San Saba, between the United States government and a number of local tribes, among which were the Comanches. This treaty was named for the nearest military fort, which was Fort Martin Scott. The treaty was never officially ratified by any level of government and was binding only on the part of the Native Americans.^[30][31]

Captive Herman Lehmann[link]

One of the most famous captives in Texas was a German lad named Herman Lehmann. He had been kidnapped by the Apaches, only to escape and be rescued by the Comanches. Lehmann became the adoptive son of Quanah Parker. On August 26, 1901, Quanah Parker provided a legal affidavit verifying Lehman's life as his adopted son 1877–1878. On May 29, 1908, the United States Congress authorized the United States Secretary of the Interior to allot Lehmann, as an adopted member of the Comanche nation, one hundred and sixty acres of Oklahoma land, near Grandfield.^[32]

Recent history[link]

Mac Silverhorn (Comanche), grandson of Silver Horn, drumming with friend at Redstone Baptist Church

Entering the Western economy was a challenge for the Comanche in the late 19th and early 20th centuries, and back then many of them were defrauded of whatever remained of their land and possessions. Elected chief of the entire tribe by the United States government, Chief Quanah Parker campaigned vigorously for better deals for his people, meeting with Washington politicians frequently; and helped manage land for the tribe. Parker became wealthy as a cattleman. Parker also campaigned for the Comanches' permission to practice the Native American Church religious rites, such as the usage of peyote, which was condemned by European-Americans.^[33] Before the first Oklahoma legislature, Quanah testified:

"I do not think this legislature should interfere with a man's religion, also these people should be allowed to retain this health restorer. These healthy gentleman before you use peoti and those that do not use it are not so healthy." [sic]^[34]

During World War II, many Comanche left the traditional tribal lands in Oklahoma in search of financial opportunities in the cities of California and the Southwest. About half the Comanche population still lives in Oklahoma, centered around the town of Lawton.

Culture[link]

Social order[link]

Uwat (Comanche), photograph by Edward Curtis, 1930

Comanche groups did not have a single acknowledged leader. Instead, a small number of generally recognized leaders acted as counsel and advisors to the group as a whole.^[35] These included the "peace chief," the members of the council, and the "war chief." The peace chief was usually an older individual, who could bring his experience to the task of advising. There was no formal inauguration or election to the position, it was one of general consensus.^[36] The council made decisions about where the band should hunt, whether they should war against their enemies, and whether to ally themselves with other bands. Any member could speak at council meetings, but the older men usually did most of the talking.^[37] In times of war, the band selected a war chief. To be chosen for this position, a man had to prove he was a brave fighter. He also had to have the respect of all the other warriors in the band. While the band was at war, the war chief was in charge, and all the warriors had to obey him. After the conflict was over, however, the war chief's authority ended.^[38] The Comanche men did most of the hunting and all of the fighting in the wars. They learned how to ride horses when they were young and were eager to prove themselves in battle. On the plains, Comanche women carried out the demanding tasks of cooking, skinning animals, setting up camp, rearing children, and transporting household goods.^[39]

Childbirth[link]

Comanche mother and baby son in cradleboard, photo by Edward Curtis

If a woman started labor while the band was in camp, she was moved to a tipi, or a brush lodge if it was summer. One or more of the older women assisted as midwives. If a woman went into labor while the band was on the move, she simply paused along the trail and gave birth to her child. After a few hours of rest, she would take the baby and catch up with the group again. Men were not allowed inside the tipi during or immediately after the delivery.^[40]

First, the midwives softened the earthen floor of the tipi and dug two holes. One of the holes was for heating water and the other for the afterbirth. One or two stakes were driven into the ground near the expectant mother's bedding for her to grip during the pain of labor. After the birth, the midwives hung the umbilical cord on a hackberry tree. The people believed that if the umbilical cord was not disturbed before it rotted, the baby would live a long and prosperous life.^[41]

The newborn was swaddled and remained with its mother in the tipi for a few days. The baby was placed in a cradleboard, and the mother went back to work. She could easily carry the cradleboard on her back, or prop it against a tree where the baby could watch her while she collected seeds or roots. Cradleboards consisted of a flat board to which a basket was attached. The latter was made from rawhide straps, or a leather sheath that laced up the front. With soft, dry moss as a diaper, the young one was safely tucked into the leather pocket. During cold weather, the baby was wrapped in blankets, and then placed in the cradleboard. The baby remained in the cradleboard for about ten months; then it was allowed to crawl around.^[42]

Comanche Cradleboard held at The Birmingham Museum of Art

Both girls and boys were welcomed into the band, but boys were favored. If the baby was a boy, one of the midwives informed the father or grandfather, "It's your close friend". Families might paint a flap on the tipi to tell the rest of the tribe that they had been strengthened with another warrior. Sometimes a man named his child, but mostly the father asked a medicine man (or another man of distinction) to do so. He did this in hope of his child living a long and productive life. During the public naming ceremony, the medicine man lit his pipe and offered smoke to the heavens, earth, and each of the four directions. He prayed that the child would remain happy and healthy. He then lifted the child to symbolize its growing up and announced the child's name four times. He held the child a little higher each time he said the name. It was believed that the child's name foretold its future; even a weak or sick child could grow up to be a great warrior, hunter, and raider if given a name suggesting courage and strength.^[42] Boys were often named after their grandfather, uncle, or other relative. Girls were usually named after one of their father's relatives, but the name was selected by the mother. As children grew up they also acquired nicknames at different points in their lives, to express some aspect of their lives.^[43]

Children[link]

The Comanche looked upon their children as their most precious gift. Children were rarely punished.^[44] Sometimes, though, an older sister or other relative was called upon to discipline a child, or the parents arranged for a boogey man to scare the child. Occasionally, old people donned sheets and frightened disobedient boys and girls. Children were also told about Big Cannibal Owl (Pia Mupitsi) who lived in a cave on the south side of the Wichita Mountains and ate bad children at night.^[45]

Children learned from example, by observing and listening to their parents and others in the band. As soon as she was old enough to walk, a girl followed her mother about the camp and played at the daily tasks of cooking and making clothing. She was also very close to her mother's sisters, who were called not aunt but pia, meaning mother. She was given a little deerskin doll, which she took with her everywhere. She learned to make all the clothing for the doll.^[46]

A boy identified not only with his father but with his father's family, as well as with the bravest warriors in the band. He learned to ride a horse before he could walk. By the time he was four or five, he was expected to be able to skillfully handle a horse. When he was five or six, he was given a small bow and arrows. Often a boy was taught to ride and shoot by his grandfather, since his father and other warriors were on raids and hunts. His grandfather also taught him about his own boyhood and the history and legends of the Comanche.^[47]

As the boy grew older, he joined the other boys to hunt birds. He eventually ranged farther from camp looking for better game to kill. Encouraged to be skillful hunters, boys learned the signs of the prairie as they learned to patiently and quietly stalk game. They became more self-reliant, yet, by playing together as a group, also formed the strong bonds and cooperative spirit that they would need when they hunted and raided.^[47]

Boys were highly respected because they would become warriors and might die young in battle. As he approached manhood, a boy went on his first buffalo hunt. If he made a kill, his father honored him with a feast. Only after he had proven himself on a buffalo hunt was a young man allowed to go to war.^[47]

When he was ready to become a warrior, at about age fifteen or sixteen, a young man first "made his medicine" by going on a vision quest (a rite of passage). Following this quest, his father gave the young man a good horse to ride into battle and another mount for the trail. If he had proved himself as a warrior, a Give Away Dance might be held in his honor. As drummers faced east, the honored boy and other young men danced. His parents, along with his other relatives and the people in the band, threw presents at his feet – especially blankets and horses symbolized by sticks. Anyone might snatch one of the gifts for themselves, although those with many possessions refrained; they did not want to appear greedy. People often gave away all their belongings during these dances, providing for others in the band but leaving themselves with nothing.^[47]

Girls learned to gather healthy berries, nuts, and roots. They carried water and collected wood, and when about twelve years old learned to cook meals, make tipis, sew clothing, prepare hides, and perform other tasks essential to becoming a wife and mother. They were then considered ready to be married.^[46]

Death[link]

During the 19th century, the traditional Comanche burial custom was to wrap the deceased's body in a blanket and place it on a horse, behind a rider, who would then ride in search an appropriate burial place, such as a secure cave. After entombment, the rider covered the body with stones and returned to camp, where the mourners burned all the deceased's possessions. The primary mourner slashed his arms to express his grief. The Quahada band following this custom longer than other bands and buried their relatives in the Wichita Mountains. Christian Missionaries convinced Comanche people to bury their dead in coffins in graveyards,^[48] which is the practice today.

Transportation[link]

When they lived with the Shoshone, the Comanche mainly used dog-drawn travois for transportation. Later they acquired horses from other tribes and from the Spaniards. Since horses are faster, easier to control and able to carry more, this helped with their hunting and warfare and made moving camp easier. Being herbivores, horses were also easier to feed than dogs, since meat was a valuable resource.^[49]

Food[link]

The Comanche were initially hunter-gatherers. When they lived in the Rocky Mountains during their migration to the Great Plains, both men and women shared the responsibility of gathering and providing food. When the Comanche reached the plains, hunting came to predominate. Hunting was considered a male activity and was a principal source of prestige. For meat, the Comanche hunted buffalo, elk, black bear, pronghorn, and deer. When game was scarce, the men hunted wild mustangs, sometimes eating their own ponies. In later years the Comanche raided Texas ranches and stole longhorn cattle. They did not eat fish or fowl, unless starving, when they would eat virtually any creature they could catch, including armadillos, skunks, rats, lizards, frogs, and grasshoppers. Buffalo meat and other game was prepared and cooked by the women. The women also gathered wild fruits, seeds, nuts, berries, roots, and tubers — including plums, grapes, juniper berries, persimmons, mulberries, acorns, pecans, wild onions, radishes, and the fruit of the prickly pear cactus. The Comanche also acquired maize, dried pumpkin, and tobacco through trade and raids. Most meats were roasted over a fire or boiled. To boil fresh or dried meat and vegetables, women dug a pit in the ground, which they lined with animal skins or buffalo stomach and filled with water to make a kind of cooking pot. They placed heated stones in the water until it boiled and had cooked their stew. After they came into contact with the Spanish, the Comanche traded for copper pots and iron kettles, which made cooking easier.^[39]

Women used berries and nuts, as well as honey and tallow, to flavor buffalo meat. They stored the tallow in intestine casings or rawhide pouches called parfleches. They especially liked to make a sweet mush of buffalo marrow mixed with crushed mesquite beans.

The Comanches sometimes ate raw meat, especially raw liver flavored with gall. They also drank the milk from the slashed udders of buffalo, deer, and elk. Among their delicacies was the curdled milk from the stomachs of suckling buffalo calves. They also enjoyed buffalo tripe, or stomachs.

Comanche people generally had a light meal in the morning and a large evening meal. During the day they ate whenever they were hungry or when it was convenient. Like other Plains Indians, the Comanche were very hospitable people. They prepared meals whenever a visitor arrived in camp, which led to outsiders' belief that the Comanches ate at all hours of the day or night. Before calling a public event, the chief took a morsel of food, held it to the sky, and then buried it as a peace offering to the Great Spirit. Many families offered thanks as they sat down to eat their meals in their tipis.

Comanche children ate pemmican, but this was primarily a tasty, high-energy food reserved for war parties. Carried in a parfleche pouch, pemmican was eaten only when the men did not have time to hunt. Similarly, in camp, people ate pemmican only when other food was scarce. Traders ate pemmican sliced and dipped in honey, which they called Indian bread.

Habitation[link]

Much of the area inhabited by the Comanches was flat and dry, with the exception of major rivers like the Cimarron River, the Pecos River, the Brazos River, and the Red River. The water of these rivers was often too dirty to drink, so the Comanches usually lived along the smaller, clear streams that flowed into them. These streams supported trees that the Comanche used to build shelters.

The Comanche sheathed their tipis with a covering made of buffalo hides sewn together. To prepare the buffalo hides, women first spread them on the ground, then scraped away the fat and flesh with blades made from bones or antlers, and left them in the sun. When the hides were dry, they scraped off the thick hair, and then soaked them in water. After several days, they vigorously rubbed the hides in a mixture of animal fat, brains, and liver to soften the hides. The hides were made even more supple by further rinsing and working back and forth over a rawhide thong. Finally, they were smoked over a fire, which gave the hides a light tan color. To finish the tipi covering, women laid the tanned hides side by side and stitched them together. As many as twenty-two hides could be used, but fourteen was the average. When finished, the hide covering was tied to a pole and raised, wrapped around the cone-shaped frame, and pinned together with pencil-sized wooden skewers. Two wing-shaped flaps at the top of the tipi were turned back to make an opening, which could be adjusted to keep out the moisture and held pockets of insulating air. With a fire pit in the center of the earthen floor, the tipis stayed warm in the winter. In the summer, the bottom edges of the tipis could be rolled up to let cool breezes in. Cooking was done outside during the hot weather. Tipis were very practical homes for itinerant people. Working together, women could quickly set them up or take them down. An entire Comanche band could be packed and chasing a buffalo herd within about twenty minutes. The Comanche women were the ones who did the most work with food processing and preparation.^[50]

Clothing[link]

Comanche clothing was simple and easy to wear. Men wore a leather belt with a breechcloth — a long piece of buckskin that was brought up between the legs and looped over and under the belt at the front and back, and loose-fitting deerskin leggings. Moccasins had soles made from thick, tough buffalo hide with soft deerskin uppers. The Comanche men wore nothing on the upper body except in the winter, when they wore warm, heavy robes made from buffalo hides (or occasionally, bear, wolf, or coyote skins) with knee-length buffalo-hide boots. Young boys usually went without clothes except in cold weather. When they reached the age of eight or nine, they began to wear the clothing of a Comanche adult. In the 19th century, men used woven cloth to replace the buckskin breechcloths, and the men began wearing loose-fitting buckskin shirts. The women decorated their shirts, leggings and moccasins with fringes made of deer-skin, animal fur, and human hair. They also decorated their shirts and leggings with patterns and shapes formed with beads and scraps of material. Comanche women wore long deerskin dresses. The dresses had a flared skirt and wide, long sleeves, and were trimmed with buckskin fringes along the sleeves and hem. Beads and pieces of metal were attached in geometric patterns. Comanche women wore buckskin moccasins with buffalo soles. In the winter they, too, wore warm buffalo robes and tall, fur-lined buffalo-hide boots. Unlike the boys, young girls did not go without clothes. As soon as they were able to walk, they were dressed in breechcloths. By the age of twelve or thirteen, they adopted the clothes of Comanche women.^[51]

Hair and headgear[link]

Comanche people took pride in their hair, which was worn long and rarely cut. They arranged their hair with porcupine quill brushes, greased it and parted it in the center from the forehead to the back of the neck. They painted the scalp along the parting with yellow, red, or white clay (or other colors). They wore their hair in two long braids tied with leather thongs or colored cloth, and sometimes wrapped with beaver fur. They also braided a strand of hair from the top of their head. This slender braid, called a scalp lock, was decorated with colored scraps of cloth and beads, and a single feather. Comanche men rarely wore anything on their heads. Only after they moved onto a reservation late in the 19th century did Comanche men begin to wear the typical Plains headdress. If the winter was severely cold, they might wear a brimless, woolly buffalo hide hat. When they went to war, some warriors wore a headdress made from a buffalo's scalp. Warriors cut away most of the hide and flesh from a buffalo head, leaving only a portion of the woolly hair and the horns. This type of woolly, horned buffalo hat was worn only by the Comanche. Comanche women did not let their hair grow as long as the men did. Young women might wear their hair long and braided, but women parted their hair in the middle and kept it short. Like the men, they painted their scalp along the parting with bright paint.^[52]

Body decoration[link]

Comanche men usually had pierced ears with hanging earrings made from pieces of shell or loops of brass or silver wire. A female relative would pierce the outer edge of the ear with six or eight holes. The men also tattooed their face, arms, and chest with geometric designs, and painted their face and body. Traditionally they used paints made from berry juice and the colored clays of the Comancheria. Later, traders supplied them with vermilion (red pigment) and bright grease paints. Comanche men also wore bands of leather and strips of metal on their arms. Except for black, which was the color for war, there was no standard color or pattern for face and body painting: it was a matter of individual preference. For example, one Comanche might paint one side of his face white and the other side red; another might paint one side of his body green and the other side with green and black stripes. One Comanche might always paint himself in a particular way, while another might change the colors and designs when so inclined. Some designs had special meaning to the individual, and special colors and designs might have been revealed in a dream. Comanche women might also tattoo their face or arms. They were fond of painting their bodies and were free to paint themselves however they pleased. A popular pattern among the women was to paint the insides of their ears a bright red and paint great orange and red circles on their cheeks. They usually painted red and yellow around their lips.^[53]

Arts and crafts[link]

Comanche beaded ration bag, ca. 1880, collection of the Oklahoma History Center

Because of their frequent traveling, Comanche Indians had to make sure that their household goods and other possessions were unbreakable. They did not use pottery that could easily be broken on long journeys. Basketry, weaving, wood carving, and metal working were also unknown among the Comanches. Instead, they depended upon the buffalo for most of their tools, household goods, and weapons. They made nearly 200 different articles from the horns, hide, and bones of the buffalo.

Removing the lining of the inner stomach, women made the paunch into a water bag. The lining was stretched over four sticks and then filled with water to make a pot for cooking soups and stews. With wood scarce on the plains, women relied on buffalo chips (dried dung) to fuel the fires that cooked meals and warmed the people through long winters.^[54]

Stiff rawhide was fashioned into saddles, stirrups and cinches, knife cases, buckets, and moccasin soles. Rawhide was also made into rattles and drums. Strips of rawhide were twisted into sturdy ropes. Scraped to resemble white parchment, rawhide skins were folded to make parfleches in which food, clothing, and other personal belongings were kept. Women also tanned hides to make soft and supple buckskin, which was used for tipi covers, warm robes, blankets, cloths, and moccasins. They also relied upon buckskin for bedding, cradles, dolls, bags, pouches, quivers, and gun cases.

Sinew was used for bowstrings and sewing thread. Hooves were turned into glue and rattles. The horns were shaped into cups, spoons, and ladles, while the tail made a good whip, a fly-swatter, or a decoration for the tipi. Men made tools, scrapers, and needles from the bones, as well as a kind of pipe, and fashioned toys for their children. As warriors, however, men concentrated on making bows and arrows, lances, and shields. The thick neck skin of an old bull was ideal for war shields that deflected arrows as well as bullets. Since they spent most of each day on horseback, they also fashioned leather into saddles, stirrups, and other equipment for their mounts. Buffalo hair was used to fill saddle pads and was also used in rope and halters.^[55]

Language[link]

Charles Chibitty, Comanche code talker in World War II

The language spoken by the Comanche people, Comanche (Numu tekwapu), is a Numic language of the Uto-Aztecan language group. It is closely related to the language of the Shoshone, from which the Comanche diverged around 1700. The two languages remain closely related, but a few low-level sound changes inhibit mutual intelligibility. The earliest records of Comanche from 1786 clearly show a dialect of Shoshone, but by the beginning of the 20th century, these sound changes had modified the way Comanche sounded in subtle, but profound, ways.^[56][57] Although efforts are now being made to ensure its survival, most speakers of the language are elderly, and less than one percent of the Comanches can speak the language. In the late 19th century, Comanche children were placed in boarding schools where they were discouraged from speaking their native language and even severely punished for doing so. The second generation then grew up speaking English, because it was believed that it was better for them not to know Comanche.^[58] During World War II, a group of seventeen young men referred to as "The Comanche Code Talkers" were trained and used by the U.S. Army to send messages conveying sensitive information that could not be deciphered by the Germans.^[59]

Notable Comanches[link]

• Gil Birmingham, actor, Into the West
• Blackbear Bosin (1921–1980), Kiowa-Comanche sculptor and painter
• Buffalo Hump (ca. 1795-1870), war chief of the Penteka band, led the Comanche in the Great Raid of 1840
• Carne Muerto (1832—1860s), chief of the Quahadi band
• Charles Chibitty (1921–2005), World War II Comanche code talker
• LaDonna Harris (b. 1931), political activist and founder of Americans for Indian Opportunity
• Iron Jacket (ca. 1785/1795—1858), war chief, medicine man; father of Peta Nocona and grandfather of Quanah Parker
• Isa-tai (ca. 1840–ca. 1890), warrior and medicine man of the Quahadi band, who brought the Sun Dance to the Comanche
• Tom Mauchahty-Ware, Kiowa-Comanche musician
• Sonny Nevaquaya, Native American flute-player
• Peta Nocona (d. ca. 1864) chief of the Noconi band in Texas; father of Quanah Parker
• Old Owl (late 1790s–1849) chief of the Penateka band
• Quanah Parker, chief, a founder of Native American Church, and successful rancher
• White Parker (1887–1956), son of Quanah Parker and Methodist missionary
• Lotsee Patterson (b. 1931), librarian, eduator, and founder of the American Indian Library Association
• Mary Poafpybitty (1895–1984), medicine woman
• Santa Anna (1790s—1849), war chief
• George "Comanche Boy" Tahdooahnippah, professional boxer and NABC super middleweight champion
• Ten Bears (Paruasemana, ca. 1790-1872), chief of the Ketahto and later the northern Yamparika band
• Tosawi, 19th century chief of the Penateka band
• Rudy Youngblood, actor, starred in Apocalypto, not enrolled in the tribe

See also[link]

• Quanah Parker Star House

Notes[link]

References[link]

• Wallace, Ernest, and Hoebel, E. Adamson (1952) The Comanche: Lords of the Southern Plains University of Oklahoma Press, Norman, Okla., OCLC 1175397
• McLaughlin, John E. (1992) "A Counter-Intuitive Solution in Central Numic Phonology." International Journal of American Linguistics 58.
• Kroeker, Marvin E. Comanches and Mennonites on the Oklahoma Plains: A.J. and Magdalena Becker and the Post Oak Mission. Fresno, CA: Centers for Mennonite Brethren Studies, 1997. ISBN 0-921788-42-8.
• Kavanagh, Thomas W. (1996). The Comanches: A History 1706-1875. Lincoln: University of Nebraska Press. ISBN 978-0-8032-7792-2.
• Swan, Daniel C. Peyote Religious Art: Symbols of Faith and Belief. Jackson: University of Mississippi Press, 1999 ISBN 1-57806-096-6
• McLaughlin, John E. (2000) "Language Boundaries and Phonological Borrowing in the Central Numic Languages" In Casad, Gene and Willett, Thomas (eds.) (2000) Uto-Aztecan: Structural, temporal, and geographic perspectives. Friends of Uto-Aztecan Universidad de Sonora, División de Humanidades y Bellas Artes, Hermosillo, Sonora, Mexico. ISBN 970-689-030-0.
• Meredith, Howard L. A Short History of the Native Americans in the United States. Malabar, FL: Krieger Publishing Company, 2001. ISBN 1-57524-139-0.
• Meadows, William C (2003). Kiowa, Apache, and Comanche Military Societies: Enduring Veterans, 1800 to the Present. University of Texas Press. ISBN 978-0-292-70518-0. 
• Rollings, William H; Deer, Ada E (2004). The Comanche. Chelsea House Publishers. ISBN 978-0-7910-8349-9. 
• Hämäläinen, Pekka (2008) The Comanche Empire New Haven, CT: Yale University Press. ISBN 978-0-300-12654-9.

Further reading[link]

• Thomas, Alfred Barnaby (1940) The Plains Indians and New Mexico, 1751-1778: A collection of documents illustrative of the history of the eastern frontier of New Mexico. University of New Mexico Press, Albuquerque, OCLC 3626655
• Wolff, Gerald W., and Cash, Joseph W. (1976) The Comanche People Phoenix, Arizona: Indian Tribal Series.
• Kenner, Charles (1969) A History of New Mexican-Plains Indian Relations. Norman: University of Oklahoma Press. OCLC 2141
• Fehrenbach, Theodore Reed (1974) The Comanches: The Destruction of a People. Knopf, New York, ISBN 0-394-48856-3; republished in 2003 under the title The Comanches: The History of a People. New York: Anchor Books. ISBN 1-4000-3049-8.
• John, Elizabeth A. H. (1975) Storms Brewed in Other Men's Worlds: The Confrontation of the Indian, Spanish, and French in the Southwest, 1540-1795. College Station: Texas A&M Press. ISBN 0-89096-000-3.
• Foster, Morris W. (1991) Being Comanche: A Social History of an American Indian Community. Tucson: University of Arizona Press. ISBN 0-8165-1367-8.
• Noyes, Stanley (1993) Los Comanches the horse people, 1751-1845. Albuquerque: University of New Mexico. ISBN 0-585-27380-4.
• Spady, James O'Neil (2009) "Reconsidering Empire: Current Interpretations of Native American Agency during Colonization." (review) Journal of Colonialism and Colonial History, Vol. 10, No. 2.
• Gwynne, S.C (2011). Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History. Scribner. ISBN 978-1-4165-9106-1. 

External links[link]

Wikimedia Commons has media related to: Comanche

• Comanche Nation, official website
• The Comanche Language and Cultural Preservation Committee
• Comanche Indians from the Handbook of Texas Online
• Photographs of Comanche Indians hosted by the Portal to Texas History
• "Comanche" on the History Channel, accessed 26 August 2005
• The Texas Comanches, on Texas Indians]
• Comanche, Oklahoma Historical Society
• Comanche Lodge

Johnny Depp
Depp in October 2011
Born	John Christopher Depp II (1963-06-09) June 9, 1963 (age 49) Owensboro, Kentucky, U.S.
Occupation	Actor, screenwriter, director, producer, musician
Years active	1984–present
Spouse	Lori Anne Allison (1983–1985)
Partner	Sherilyn Fenn (1985–1988) Winona Ryder (1989–1993) Kate Moss (1994–1998) Vanessa Paradis (1998–present)
Children	2[1]

John Christopher "Johnny" Depp II (born June 9, 1963) is an American actor, producer and musician. He has won the Golden Globe Award and Screen Actors Guild award for Best Actor. Depp rose to prominence on the 1980s television series 21 Jump Street, becoming a teen idol. Dissatisfied with that status, Depp turned to film for more challenging roles; he played the title character of Edward Scissorhands (1990) and later found box office success in films such as Sleepy Hollow (1999), Charlie and the Chocolate Factory (2005), Rango (2011) and the Pirates of the Caribbean film series (2003–present). He has collaborated with director and friend Tim Burton in eight films, most recently with Dark Shadows (2012).

Depp has gained acclaim for his portrayals of people such as Ed Wood, in Ed Wood, Joseph D. Pistone in Donnie Brasco, Hunter S. Thompson in Fear and Loathing in Las Vegas, George Jung in Blow, and the bank robber John Dillinger in Michael Mann's Public Enemies. Films featuring Depp have grossed over $3.1 billion at the United States box office and over $7.6 billion worldwide.^[2] He has been nominated for top awards many times, winning the Best Actor Awards from the Golden Globes for Sweeney Todd: The Demon Barber of Fleet Street and from the Screen Actors Guild for Pirates of the Caribbean: The Curse of the Black Pearl. He also has garnered a sex symbol status in American cinema, being twice named as the "Sexiest Man Alive" by People magazine^[3] in 2003 and 2009. He has been listed in the 2012 Guinness Book of World Records as the highest paid actor, with $75 million.^[4]

Early life[link]

1960s–1970s[link]

Depp was born in Owensboro, Kentucky, the son of John Christopher Depp, Sr., a civil engineer, and his wife, the former Betty Sue Wells, a waitress.^[5] He has one brother and two sisters. His brother Daniel is a novelist and his sister Christie works as his manager. Depp is descended from a French Huguenot immigrant, Pierre Deppe or Dieppe, who settled in Virginia around 1700,^[6] part of a refugee colony situated above the falls on the James River. Depp has surmised that he is part Native American, saying in 2011, "I guess I have some Native American [in me] somewhere down the line. My great-grandmother was quite a bit of Native American, she grew up Cherokee or maybe Creek Indian. Makes sense in terms of coming from Kentucky, which is rife with Cherokee and Creek."^[7][8]

The family moved frequently during Depp's childhood, and he and his siblings lived in more than 20 different locations, settling in Miramar,^[9] Florida, in 1970. In 1978, Depp's parents divorced.^[9] His mother married, as her second husband, Robert Palmer (died 2000), whom Depp called "an inspiration to me".^[10] Depp engaged in self-harm when he was young, due to the stress of dealing with family problems, which resulted in several self-inflicted scars. In a 1993 interview, he reflected on his self-injury by saying "My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist".^[11]

1980s[link]

With the gift of a guitar from his mother when he was twelve, Depp began playing in various garage bands.^[9] A year after his parents' divorce, Depp dropped out of high school to become a rock musician.^[9] He attempted to go back to school two weeks later, but the principal told him to follow his dream of being a musician.^[9] He played with The Kids, a band that enjoyed modest local success. The Kids set out together for Los Angeles in pursuit of a record deal, changing their name to Six Gun Method, but the group split up before signing a record deal. Depp subsequently collaborated with the band Rock City Angels^[12] and co-wrote their song "Mary", which appeared on Rock City Angels' debut for Geffen Records titled Young Man's Blues.

On December 24, 1983, Depp married Lori Anne Allison, the sister of his band's bass player and singer. During Depp's marriage, his wife worked as a makeup artist, while he worked a variety of odd jobs, including a telemarketer for pens. His wife introduced him to actor Nicolas Cage, who advised Depp to pursue an acting career.^[9] Depp and his wife divorced in 1985. Depp later dated and was engaged to actress Sherilyn Fenn (whom he met on the set of the 1985 short film Dummies). Both Fenn and Depp auditioned for the 1986 film Thrashin' and they were both cast, with Depp being chosen by the film's director to star as the lead, which would have been Depp's second major role. Depp was later turned down by the film's producer, who rejected the director's decision.^[13][14]

Acting career[link]

Johnny Depp at the 1992 Cannes Film Festival

Television[link]

Depp starred in a lead role on the Fox television series, 21 Jump Street, which premiered in 1987.^[9] Depp accepted this role to work with actor Frederic Forrest, who inspired him. Depp's long time friend Sal Jenco joined the cast as a semi-co-star as the janitor named Blowfish. The series' success turned Depp into a popular teen idol during the late 1980s.^[9] Despite this success, Depp felt "forced into the role of product."^[15] Depp subsequently decided to appear only in films that he felt were right for him.^[15] Depp and his co-stars, Peter DeLuise and Holly Robinson, briefly reprised their roles in cameo appearances in the series' 2012 feature film adaptation, which featured a much more comedic tone than the series.

Film roles[link]

Depp's first major role was in the 1984 classic horror film A Nightmare on Elm Street, playing the boyfriend of the heroine, Nancy Thompson (played by Heather Langenkamp) and one of Freddy Krueger's victims.^[9] Depp was the first choice and was cast to star in the 1986 American skater drama film Thrashin', chosen and cast by the director but ultimately rejected by the film's producer.^[13][14] In 1986, he appeared in a secondary role as a Vietnamese-speaking private in Oliver Stone's Platoon. In 1990, he undertook the quirky title role of the Tim Burton film, Edward Scissorhands. The film's success began his long association with Burton.^[9]

Depp, a fan and long-time friend of writer Hunter S. Thompson, played a version of Thompson (named Raoul Duke) in 1998's Fear and Loathing in Las Vegas, based on the writer's pseudobiographical novel of the same name. Depp accompanied Thompson as his road manager on one of the author's last book tours.^[16] In 2006, Depp contributed a foreword to Gonzo: Photographs by Hunter S. Thompson, a posthumous biography published by ammobooks.com. In 2008, he narrated the documentary film Gonzo: The Life and Work of Dr. Hunter S. Thompson. Depp paid for most of Thompson's memorial event, complete with fireworks and the shooting of Thompson's ashes by a cannon, in Aspen, Colorado, where Thompson lived.^[17] He returned to Thompson's work with a film adaptation of the novel The Rum Diary, released in 2011.

Critics have described Depp's roles as characters who are "iconic loners."^[18] Depp has noted this period of his career was full of "studio defined failures" and films that were "box office poison,"^[19] but he thought the studios never understood the films and did not do a good job of marketing.^[18] Depp has chosen roles which he found interesting, rather than those he thought would succeed at the box office.^[18]

Depp wearing a mustache and goatee similar to the style used in Pirates of the Caribbean: The Curse of the Black Pearl

The 2003 Walt Disney Pictures film Pirates of the Caribbean: The Curse of the Black Pearl was a major success,^[18] in which Depp's performance as the suave but shambling pirate Captain Jack Sparrow was highly praised. Studio bosses were more ambivalent at first,^[20] but the character became popular with the movie-going public.^[18] According to a survey taken by Fandango, Depp was a major draw for audiences.^[21] The film's director, Gore Verbinski, has said that Depp's character closely resembles the actor's personality, but Depp said he modeled the character after The Rolling Stones guitarist Keith Richards.^[22] Depp was nominated for an Academy Award for Best Actor for the role.

In 2004, he was nominated for an Academy Award for Best Actor, for playing Scottish author J. M. Barrie in the film Finding Neverland. Depp next starred as Willy Wonka in the 2005 film Charlie and the Chocolate Factory, a major success at the box office and earning him a nomination for the Golden Globe Award for Best Actor in a Musical or Comedy.^[22][23]

Depp returned to the role of Jack Sparrow for the sequel Pirates of the Caribbean: Dead Man's Chest, which opened on July 7, 2006 and grossed $135.5 million in the first three days of its U.S. release, breaking a box office record of the highest weekend tally.^[24] The next sequel to Pirates of the Caribbean, At World's End, was released May 24, 2007. Depp has said that Sparrow is "definitely a big part of me", and he wants to play the role in further sequels.^[25] Depp voiced Sparrow in the video game, Pirates of the Caribbean: The Legend of Jack Sparrow.^[26] Johnny Depp's swashbuckling sword talents as developed for the character of Jack Sparrow, were highlighted in the documentary film Reclaiming the Blade. Within the film, Swordmaster Bob Anderson shared his experiences working with Depp on the choreography for The Curse of the Black Pearl. Anderson described in the film Depp's ability as an actor to pick up the sword to be "about as good as you can get."^[27]

Depp and Gore Verbinski were executive producers of the album Rogues Gallery, Pirate Ballads, Sea Songs and Chanteys. Depp played the title role of Sweeney Todd in Tim Burton's film adaptation of the musical, for which he won a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. Depp thanked the Hollywood Foreign Press Association and praised Tim Burton for his "unwavering trust and support."^[28]

Depp played the former Heath Ledger character in the 2009 film, The Imaginarium of Doctor Parnassus along with Jude Law and Colin Farrell. All three actors gave their salaries from the film to Ledger's daughter, Matilda.^[29] He portrayed the Mad Hatter in Burton's Alice in Wonderland, and the titular character in Rango.

In 2007, Depp accepted Warner Bros.' proposal to make a film of the gothic soap opera Dark Shadows, a series that aired on ABC from 1966 to 1971. He had been a fan as a child. Depp and Graham King produced the movie with David Kennedy, who ran Dan Curtis Productions inc. until Curtis died in 2006.^[30]

Future roles[link]

Depp will film a documentary about Keith Richards. Depp will star in and produce an adaptation of the comic book Rex Mundi.^[31][32] Depp will collaborate with Pirates of the Caribbean: On Stranger Tides director Rob Marshall again to create a remake of The Thin Man.^[33] Depp also showed interest in starring in the next Sin City films, with Robert Rodriguez wanting him to star as Wallace.^[34] Depp was going to star as Tonto in an upcoming Lone Ranger film, but the project had been shelved due to budgetary concerns as well as a lacklustre response to a recently-released Western-genre film (Cowboys & Aliens).^[35] The project was revived and the film will be released on May 31, 2013.^[36] Depp plans to star as Carl Kolchak in the project Night Stalker,^[37] and has bought rights to the comic book The Vault^{[disambiguation needed ]}.^[38]

Collaborations with Tim Burton[link]

Depp has collaborated with director and close friend Tim Burton in eight films, beginning with Edward Scissorhands (1990), opposite Winona Ryder and Vincent Price. His next role with Burton was in the 1994 film, Ed Wood.^[9] Depp later said that "within 10 minutes of hearing about the project, I was committed."^[39] At the time, the actor was depressed about films and filmmaking. This part gave him a "chance to stretch out and have some fun"; he said working with Landau "rejuvenated my love for acting".^[39]

Producer Scott Rudin once said, "Basically Johnny Depp is playing Tim Burton in all his movies,"^[40] although Burton personally disapproved of the comment. Depp, however agrees with Rudin's statement. According to Depp, Edward Scissorhands represented Burton's inability to communicate as a teenager. Ed Wood reflected Burton's relationship with Vincent Price (very similar with Edward D. Wood, Jr. and Béla Lugosi).

Depp's Hollywood Walk of Fame star received on November 19, 1999

Depp's next venture with Burton was the role of Ichabod Crane in Sleepy Hollow (1999), opposite Christina Ricci. Sleepy Hollow reflected Burton's battle with the Hollywood studio system.^[41] For his performance, Depp took inspiration from Angela Lansbury, Roddy McDowall and Basil Rathbone.^[40] Depp stated, "I always thought of Ichabod as a very delicate, fragile person who was maybe a little too in touch with his feminine side, like a frightened little girl."^[42]

Depp did not work with Burton again until 2005 in Charlie and the Chocolate Factory, in which he played Willy Wonka. Depp modeled the character's hair on Anna Wintour.^[43] The film was a box office success and received positive critical reception.^[44][45] Gene Wilder, who played Willy Wonka in the 1971 film, initially criticized this version.^[46] Charlie and the Chocolate Factory was released in July, followed by Corpse Bride, for which Depp voiced the character Victor Van Dort, in September.

Sweeney Todd: The Demon Barber of Fleet Street (2007) followed, bringing Depp his second major award win, the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy as well as his third nomination for the Academy Award for Best Actor. Burton first gave him an original cast recording of the 1979 stage musical in 2000. Although not a fan of the musical genre, Depp grew to like the tale's treatment. He cited Peter Lorre in Mad Love (1935) as his main influence for the role, and practiced the songs his character would perform while filming Pirates of the Caribbean: At World's End.^[47] Although he had performed in musical groups, Depp was initially unsure that he would be able to sustain Stephen Sondheim's lyrics. Depp recorded demos and worked with Bruce Witkin to shape his vocals without a qualified voice coach. In the DVD Reviews section, Entertainment Weekly's Chris Nashawaty gave the film an A minus, stating, "Depp's soaring voice makes you wonder what other tricks he's been hiding... Watching Depp's barber wield his razors... it's hard not to be reminded of Edward Scissorhands frantically shaping hedges into animal topiaries 18 years ago... and all of the twisted beauty we would've missed out on had [Burton and Depp] never met."^[48] In his introduction to Burton on Burton, a book of interviews with the director, Depp called Burton "...a brother, a friend,...and [a] brave soul".^[49] The next Depp-Burton collaboration was Alice in Wonderland (2010). Depp played the Mad Hatter alongside Helena Bonham Carter, Anne Hathaway and Alan Rickman. In 2012, he starred in the Burton-directed Dark Shadows, a film based on the 1966-1971 gothic soap opera of the same name, alongside fellow Tim Burton regular Helena Bonham Carter, as well as Michelle Pfeiffer and Eva Green.

Production company[link]

In 2004, Depp formed his production company Infinitum Nihil to develop projects where he will serve as actor and/or producer. Depp is the founder and CEO, while his sister, Christi Dembrowski, serves as president.^[50] The company's first production came in 2011 with The Rum Diary, adapted from the novel of the same name by Hunter S. Thompson. The film is written and directed by Bruce Robinson. Also in 2011, Hugo, directed by Martin Scorsese, was released. Dark Shadows, directed by Tim Burton, was released in 2012.

Other interests[link]

During the Paris premiere of Public Enemies in July 2009

Music[link]

As a guitar player, Depp has played slide guitar on the Oasis song "Fade In-Out" (from Be Here Now, 1997), as well as on "Fade Away (Warchild Version)" (b-side of the "Don't Go Away" single). He also played acoustic guitar in the movie Chocolat and on the soundtrack to Once Upon a Time in Mexico. He is a friend of The Pogues' Shane MacGowan, and performed on MacGowan's first solo album. He was also a member of P, a group featuring Butthole Surfers singer Gibby Haynes, Red Hot Chili Peppers bassist Flea and Sex Pistols guitarist Steve Jones. He has appeared in Tom Petty & The Heartbreakers' music video "Into the Great Wide Open" and The Lemonheads "It's a Shame About Ray" music video. He made a cameo as the Mad Hatter in the music video for Avril Lavigne's "Alice" in 2010. He performed lead guitar and drums for a cover of Carly Simon's "You're So Vain", which appeared as a bonus track on some editions of Marilyn Manson's 2012 album Born Villain.^[51][52], also performing live with Marilyn Manson in the Revolver Golden Gods Awards 2012, performing various songs of Marilyn Manson.^[53] He also appeared in the music video of "My Valentine" from the album Kisses on the Bottom by Paul McCartney released in February 2012, along with Natalie Portman.^[54]

Winemaker and restaurateur[link]

Depp and Paradis grow grapes and have wine making facilities in their vineyard in Plan-de-la-Tour north of Saint-Tropez.^[55][56][57] He is known for a fondness of French wines: among Depp's favorites are the Bordeaux wines Château Calon-Ségur, Château Cheval Blanc and Château Pétrus, and the Burgundy wine Domaine de la Romanée-Conti. Interviewed in Madame Figaro, he stated, "With those wines, you reach nirvana".^[58] Along with Sean Penn, John Malkovich and Mick Hucknall, Depp co-owned the French restaurant-bar Man Ray, located near the Champs-Élysées.^[59]

Personal life[link]

Family and relationships[link]

Depp in April 2011

Depp was married to Lori Anne Allison from 1983 to 1985. He became involved with Sherilyn Fenn in 1985; this relationship also lasted 3 years. Depp met Winona Ryder at the Great Balls of Fire! premier in July 1989, and became engaged to her for three years beginning in July 1990.^[60] The relationship was highly publicized and received much scrutiny by the media and tabloid press.

Since 1998, following a four year relationship with British supermodel Kate Moss, Depp has been in a relationship with Vanessa Paradis, a French actress and singer whom he met while filming The Ninth Gate.^[61]

The couple have two children. Daughter Lily-Rose Melody Depp was born May 27, 1999, and son John "Jack" Christopher Depp III was born April 9, 2002.^[1] In 2007, his daughter recovered from a serious illness, an E. coli infection that began to cause her kidneys to shut down and resulted in an extended hospital stay.^[62] To thank Great Ormond Street Hospital, Depp visited the hospital in November 2007 dressed in his Captain Jack Sparrow outfit and spent 4 hours reading stories to the children. In 2008 he donated £1 million (about $2 million) to the hospital.^[63]

Although Depp has not remarried, he has stated that having children has given him "real foundation, a real strong place to stand in life, in work, in everything."^[25] "You can't plan the kind of deep love that results in children. Fatherhood was not a conscious decision. It was part of the wonderful ride I was on. It was destiny; kismet. All the math finally worked." The family divides its time between their home in Meudon, located in the suburbs of Paris, 2 homes in Los Angeles^[64], an island he bought in The Bahamas, and their villa in Le Plan-de-la-Tour, a small town 20 km from Saint-Tropez, in the south of France.^[65][66] Depp also acquired a vineyard estate in the Plan-de-la-Tour area in 2007.^[55] Several reports indicated Depp bought Burnham Westgate Hall in Norfolk, England, a 13-bedroom Georgian country house, in June 2011.^[67][68][69]

Legal issues[link]

In 1994, Depp was arrested and questioned by police for allegedly causing serious damage to a New York City hotel suite.^[70]

He was arrested again in 1999 for brawling with paparazzi outside a restaurant while dining in London with Paradis.^[71]

Tattoos[link]

Depp has around 13 tattoos, many of them signifying important persons or events in his life. They include a Native American in profile and a ribbon reading "Wino Forever" (originally "Winona Forever", altered after his breakup with Winona Ryder) on his right biceps, "Lily-Rose" (his daughter's name) over his heart, "Betty Sue" (his mother's name) on his left biceps, and a sparrow flying over water with the word "Jack" (his son's name; the sparrow is flying towards him rather than away from him as it is in Pirates of the Caribbean) on his right forearm.

Controversy[link]

Comments on U.S.[link]

In 2003, Depp's comments about the United States appeared in Germany's Stern magazine: "America is dumb, is something like a dumb puppy that has big teeth — that can bite and hurt you, aggressive."^[72] Although he later asserted that the magazine misquoted him and the quotation was taken out of context, Stern stood by its story, as did CNN.com in its coverage of the interview. CNN added his remark that he would like his children "to see America as a toy, a broken toy. Investigate it a little, check it out, get this feeling and then get out."^[73] The July 17, 2006 edition of Newsweek reprinted the "dumb puppy" quotation, verbatim, in the context of a Letter to the Magazine. Depp has also disagreed with subsequent media reports that perceived him as a "European wannabe", saying that he likes the anonymity of living in France and his simpler life there.^[72]

In 2011, Depp became a U.S. resident again, because France wanted him to become a permanent resident, which he said would require him to pay income tax in both countries.^[74]

Comanche Adoption[link]

Depp was adopted as an honorary son by LaDonna Harris, a member of the Comanche Nation, on May 22, 2012; this makes him an honorary member of Harris's family, but not an enrolled member of the Nation.^[75] Harris, president of Americans for Indian Opportunity, invited him to join her family after hearing he would be reprising the role of Tonto as a Comanche in the movie version of The Lone Ranger. The ceremony took place at Harris’s home; Comanche Nation Tribal Administrator Johnny Wauqua was in attendance. Depp was presented with gifts by the family, which he then presented to the attendees, as per tradition.^[75] This adoption, and Depp's portrayal of a Native American character, has not been without controversy.^[75] Depp was not raised in any Native American community, nor has any ancestry from these communities been confirmed, but has said he "guesses" he may have some distant Cherokee or Creek ancestry.^[7] In the original Radio Broadcast, Tonto was identified as being from the Potawatomi Tribe.

Awards and nominations[link]

Some of the awards that Depp has won include honors from the London Film Critics Circle (1996), Russian Guild of Film Critics (1998), Screen Actors Guild Awards (2004) and a Golden Globe for Best Actor. At the 2008 MTV Movie Awards, he won the award for "Best Villain" for his portrayal of Sweeney Todd and "Best Comedic Performance" for Jack Sparrow. Depp has been nominated for three Academy Awards, in 2004 for Pirates of the Caribbean: The Curse of the Black Pearl, in 2005 for Finding Neverland, and in 2008 for Sweeney Todd: The Demon Barber of Fleet Street. Depp won his first Golden Globe for his portrayal of Sweeney Todd in 2008.

Filmography[link]

References[link]