The Man

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either passively, openly or via sabotage.

History

As a phrase meaning "the boss" it dates from at least 1918.

In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in U.S. News and World Report, had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine Easyriders which featured the tagline, "California residents: Add 6% sales tax for The Man."

The Man!

The Man! is the second solo album by Leroy Hutson. The photography was by Joel Brodsky.

Track listing

Personnel

Charts

Singles

External links

References

The Man (Bill Drummond album)

The Man is an album recorded and released by Scottish musician and music industry figure Bill Drummond in 1986.

Context

In 1986, Drummond had announced his resignation from his position as an A&R man at record label WEA, citing that he was nearly 33.3 years old (33.3 rpm being significant to Drummond as the speed at which a vinyl LP revolves), and that it was "time for a revolution in my life. There is a mountain to climb the hard way, and I want to see the world from the top... ". His first move was to record and release The Man, and an accompanying spoken-word diatribe "The Manager's Speech".

In an interview in December 1990, Drummond recalled spending half a million pounds at WEA on the band Brilliant—for whom he envisioned massive worldwide success—only for them to completely flop. "At that point I thought 'What am I doing this for?' and I got out. I did an album myself, wrote the songs in five days, recorded it in five days, and put it out on Creation Records". Creation's founder, Alan McGee, named The Man his 5th favourite LP: "Bill's my pal, but I thought his record would be crap. He gave a cassette to me and I didn't play it for ages. Then I put it on when I was in the bath one night—I nearly drowned. I laughed for about half an hour. It's the work of a complete nutter".

The Man Between

The Man Between (also known as Berlin Story) is a 1953 British thriller film directed by Carol Reed and starring James Mason, Claire Bloom, Hildegard Knef and Geoffrey Toone. The screenplay concerns a British woman on a visit to post-war Berlin, who is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.

Plot

Ivo Kern (James Mason) is a former lawyer who has participated in Nazi atrocities and is now selling his expertise to East Germans to kidnap and transport certain West Germans to the eastern bloc. Although Kern desires to relocate to the West, he is hampered by West German suspicions and his criminal past. Nevertheless, he agrees to a final kidnapping venture that fails, forcing his employer to take over and abduct Briton Susanne Mallison (Claire Bloom) by mistake. Kern had earlier feigned a romance with Mallison as a means to seize his kidnapping target.

The abduction of Mallison presents Kern with an opportunity to both return the unfortunate victim to the West and impress western authorities with his atonement. Despite Kern's selfish and dark facade, Mallison falls in love with him. She tells him that she can see humanity deep inside a man who had once wished to defend the innocent and the 'rights of man'. This glimpse also appears to a young East Berlin boy who assists Kern and Mallison in their attempt to escape, as he follows Kern everywhere and the boy is treated with kindness. Kern almost admits his affection for Mallison on one occasion but he directs the conversation back to his sordid past and the escape attempt.

Philo

Philo of Alexandria (/ˈfaɪloʊ/; Greek: Φίλων, Philōn; Hebrew: ידידיה הכהן‎, Yedidia (Jedediah) HaCohen; c. 25 BCE – c. 50 CE), also called Philo Judaeus, was a Hellenistic Jewish philosopher who lived in Alexandria, in the Roman province of Egypt.

Philo used philosophical allegory to attempt to fuse and harmonize Greek philosophy with Jewish philosophy. His method followed the practices of both Jewish exegesis and Stoic philosophy. His allegorical exegesis was important for several Christian Church Fathers, but he has barely any reception history within Rabbinic Judaism. He believed that literal interpretations of the Hebrew Bible would stifle humanity's view and perception of a God too complex and marvelous to be understood in literal human terms.

Some scholars hold that his concept of the Logos as God's creative principle influenced early Christology. Other scholars, however, deny direct influence but say both Philo and Early Christianity borrow from a common source.

The few biographical details known about Philo are found in his own works, especially in Legatio ad Gaium (Embassy to Gaius) of which only two of the original five volumes survive, and in Josephus. The only event in his life that can be decisively dated is his participation in the embassy to Rome in 40 CE. He represented the Alexandrian Jews before Roman Emperor Caligula because of civil strife between the Alexandrian Jewish and Greek communities.

Philia

Philia (/ˈfɪljə/ or /ˈfɪliə/; Ancient Greek: φιλία), often translated "brotherly love", is one of the four ancient Greek words for love: philia, storge, agape and eros. In Aristotle's Nicomachean Ethics, philia is usually translated as "friendship" or affection. The complete opposite is called a phobia.

Aristotle's view

As Gerard Hughes points out, in Books VIII and IX Aristotle gives examples of philia including:

All of these different relationships involve getting on well with someone, though Aristotle at times implies that something more like actual liking is required. When he is talking about the character or disposition that falls between obsequiousness or flattery on the one hand and surliness or quarrelsomeness on the other, he says that this state:

This passage indicates also that, though broad, the notion of philia must be mutual, and thus excludes relationships with inanimate objects, though philia with animals, such as pets, is allowed for (see 1155b27–31).

In his Rhetoric, Aristotle defines the activity involved in philia (τὸ φιλεῖν) as:

Philo (journal)

Philo is a peer-reviewed academic journal with a focus on the discussion of philosophical issues from an explicitly naturalist perspective. The journal publishes articles, critical discussions, review essays, and book reviews in all fields of philosophy, and welcomes work on the philosophical credentials of both naturalism and various supernaturalist alternatives to naturalism. Philo is the journal of the Society of Humanist Philosophers. It is published at the Center for Inquiry with assistance from Purdue University. Electronic access to the journal is provided by the Philosophy Documentation Center.

See also

External links