Juan Luis Vives

Born	(1493-03-06)6 March 1493 Valencia, Crown of Aragon
Died	6 May 1540(1540-05-06) (aged 47) Bruges, Flanders
Era	Renaissance philosophy
Region	Western Philosophers
School	humanism
Main interests	psychology, education
Notable ideas	Study of the psyche

Bust of Juan Luis Vives in Bruges

Juan Luis Vives (Ioannes Lodovicus Vives in Latin), also Joan Lluís Vives i March (Valencian pronunciation: [ʒuˈaɲ ʎuˈiz ˈvivez i ˈmaɾk]) (6 March 1493^[1] – 6 May 1540), was a Valencian Spanish scholar and humanist.

Biography[link]

Vives was born in Valencia. As a child, he saw his father, grandmother and great-grandfather, as well as members of their wider family, executed as Judaizers at the behest of the Spanish Inquisition; his mother was acquitted but died of the plague when he was 15 years old. Shortly thereafter, he left Spain never to return.

He studied at the University of Paris from 1509 to 1512, and in 1519 was appointed professor of humanities at the University of Leuven. At the insistence of his friend Erasmus, he prepared an elaborate commentary on Augustine's De Civitate Dei, which was published in 1522 with a dedication to Henry VIII of England. Soon afterwards, he was invited to England, and acted as tutor to the Princess Mary, for whose use he wrote De ratione studii puerilis epistolae duae (1523) and, ostensibly, De Institutione Feminae Christianae, on the education of girls (a book he dedicated to the English queen, Catherine of Aragon^[2]).

While in England, he resided at Corpus Christi College, Oxford, where he was made doctor of laws and lectured on philosophy. Having declared himself against the annulment of the marriage of Henry VIII and Catherine of Aragon, he lost royal favour and was confined to his house for six weeks. On his release, he withdrew to Bruges, where he devoted the rest of his life to the composition of numerous works, chiefly directed against the scholastic philosophy and the preponderant unquestioning authority of Aristotle. The most important of his treatises is the De Causis Corruptarum Artium, which has been ranked with Bacon's Organon.^{[citation needed]}

His most important pedagogic work are Introductio ad sapientiam (1524), De disciplinis, which stressed the urgent importance of more rational programs of studying; De prima philosophia; and the Exercitatio linguae latinae, which is a Latin textbook consisting of a series of brilliant^{[citation needed]} dialogues. His philosophical works include De anima et vita (1538), De veritate fidei Christianae and "De Subventione Pauperum Sive de Humanis Necessitatibus" (On Assistance To The Poor) (1526); the first tract of its kind in the Western world to treat the problem of urban poverty and propose concrete suggestions for a policy of social legislation. Vives detected through philological analysis^[3] that the supposed author of the so-called Letter of Aristeas, purporting to describe the Biblical translation of the Septuagint, could not have been a Greek but must have been a Jew who lived after the events he described had transpired.

He died at Bruges in 1540 at the age of 48.

Contemporary Relevance[link]

Vives imagined and described a comprehensive theory of education; he may have directly influenced the essays of Michel Eyquem de Montaigne.^[4] He was admired by Thomas More and Erasmus, who wrote that Vives "will overshadow the name of Erasmus."^[5]

Vives is considered the first scholar to analyze the psyche directly.^{[citation needed]} He did extensive interviews with people, and noted the relation between their exhibition of affect, and the particular words and issues they were discussing. While it is unknown if Freud was familiar with Vives's work, historian of psychiatry Gregory Zilboorg considered Vives a godfather of psychoanalysis. (A History of Medical Psychology, 1941) and the father of modern psychology by Foster Watson (1915.)

Vives taught monarchs. His idea of a diverse and concrete children's education long preceded Jean Jacques Rousseau, and may have indirectly influenced Rousseau through Montaigne. Vives altered classical rhetoric to express his own sort of pro-virginity half-feminism - which remains of interest to historians of gender.^[6][7] Among 16th century Spain's numerous "treatises for and against women," Vives "steers a middle path" (p. xxiv-xxv), neither misogynist nor sanctifying.^[8]

However influential he may have been in the 16th century, Vives now attracts minimal interest beyond specialized academic fields.

Major works[link]

• Opuscula varia (1519), collection of small works include Vives' first philosophical works, De initiis, sectis et laudibus philosophiae.
• Adversus pseudodialecticos (1520)
• De subventione pauperum. Sive de humanis necessitatibus libri II (1525), dealing with the problem of poverty.
• De Europae dissidis et Republica (1526).
• De concordia et discordia in humano genere (1529).
• De pacificatione (1529).
• Quam misera esset vita chistianorum sub Turca (1529).
• De disciplinis libri XX (1531). An encyclopedical work, divided into three parts: De causis corruptarum artium, De tradendis disciplinis and De artibus
• De conscribendis epistolis (1534), a treatise on letter writing.
• De anima et vita (1538)
• De Europeae statu ac tumultibus, a mediation addressing to the Pope to ask peace between the Christian princes.
• Introductio ad sapientiam (1524), the most important of his pedagogical works.
• De institutione feminae christianae, was dedicated to Catherine of Aragon.^[8]

See also[link]

• Vives Network

Notes[link]

Bibliography[link]

• Charles Fantazzi (ed), A Companion to Juan Luis Vives (Leiden, Brill, 2008) (Brill's Companions to the Christian Tradition, 12).

References[link]

•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links[link]

• Juan Luis Vives (Joannes Ludovicus Vives) at the Stanford Encyclopedia of Philosophy

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (August 2011)

Juan Luis Guerra
Juan Luis Guerra during a concert in Boston, Massachusetts.
Background information
Birth name	Juan Luis Guerra Seijas
Born	(1957-06-07) June 7, 1957 (age 55)
Origin	Santo Domingo, Dominican Republic
Genres	Merengue, bachata, salsa, Latin pop
Occupations	Record producer, songwriter, musician, composer, arranger, guitarist
Instruments	Vocals, guitar, piano
Years active	1984–present
Labels	EMI Records
Associated acts	Juanes, Enrique Iglesias, 440
Website	www.juanluisguerra.com

Juan Luis Guerra (born June 7, 1957) is a singer, songwriter and producer from the Dominican Republic who has sold over 30 million records, and won numerous awards including 12 Latin Grammy Awards, two Grammy Awards, and two Latin Billboard Music Awards. He recently won 3 Latin Grammy Awards in 2010, including Album of the Year.

He is one of the most internationally recognized Latin artists of recent decades. His pop style of merengue and bolero and Afro-pop/Latin fusion has garnered him considerable success throughout Latin America. Guerra is sometimes associated with the popular Dominican music called bachata, and while this association is partly true, he actually uses the basics of Bachata rhythm with a more bolero feel to the melodies in some of his songs.^[1] He does not limit himself to one style of music, instead, he incorporates diverse rhythms like merengue, bolero-bachata, balada, salsa, rock and roll, and even gospel as in the song "La Gallera". "Ojalá Que Llueva Café" ("I Wish It Would Rain Coffee") is one of his most critically acclaimed self-written and composed pieces. A remix of "La Llave de Mi Corazón" ("The Key of My Heart") with Taboo from The Black Eyed Peas is also an example of his fusion of genres.

Career[link]

Early life[link]

Born Juan Luis Guerra Seijas in Santo Domingo, Dominican Republic, he is the son of Olga Seijas and Gilberto Guerra, a basketball player. Before he committed to music, Guerra studied philosophy and literature at the Universidad Autónoma de Santo Domingo. He then studied guitar and music theory at El Conservatorio Nacional de Música de Santo Domingo, then decided to go to the United States to attend Berklee College of Music in Boston. He graduated from Berklee in 1982 with a diploma in jazz composition.^[2] After his return to the Dominican Republic, he released his first album, Soplando (1984) with a group of local musicians that subsequently became known as Juan Luis Guerra y 440. The group members were Maridalia Hernández, Roger Zayas-Bazán, and Mariela Mercado. The band's name in Spanish is officially publicized as Cuatro Cuarenta (Four Forty), a shortening of the normally strict reading of number "four hundred forty". The 440 part of the band's name refers to the standard tuning of A440. Reportedly the name for the band came from a practice session where Juan Luis's brother suggested the name because the name would reflect how "in-tune and precise they were".^{[citation needed]} According to Guerra, this first album was based on jazz tunes and concepts he had learned at Berklee, and it "wasn't intended to be a commercial hit." Subsequently, however, he began to write more merengues.^[2]

Two albums followed, Mudanza y Acarreo and Mientras Más Lo Pienso...Tú. The band was nominated to attend the Festival of OTI (Organization of Iberoamerican Television) to represent the Dominican Republic.

Their next album, in 1989, brought them international acclaim. Ojalá Que Llueva Café, a slow melodic number with superfast background tracks, became a number one hit in many Latin American countries, with the hit song of the same name. Subsequently, a video of the song was filmed and Juan Luis Guerra and his 440 band began touring. (The song's fame was revived in 1996 and 2008 with covers by Mexican band Café Tacuba and Spanish singer Rosario Flores.)

1990s[link]

In 1990, they released their next album, Bachata Rosa, which became a major hit and earned Guerra his first Grammy award. The album, having sold more than five million copies at that time, allowed Guerra to keep touring Latin America, USA and Europe. This album contains memorable love songs such as "Burbujas de Amor" (Bubbles of Love), "Bachata Rosa", "Rosalia", "Como Abeja al Panal" (Like a Bee to Honeycomb), "A Pedir Su Mano" (Asking For Her Hand), "Carta de Amor" (Love Letter), and "Estrellitas y Duendes" (Little stars and elves).

Guerra became a controversial figure in 1992 after he released his next album, Areíto (which is a Taíno word for song and dance). It featured the hit single "El costo de la vida", (The Cost of Living), whose video clearly has an anti-capitalist message. Other songs included in this album protest against the poor conditions in many Latin American countries, the celebration of the 'discovery' of the Americas ("1492"), and the double standards of first-world nations. "El costo de la vida" was his first number-one hit in the Hot Latin Tracks. Guerra became the first performer of tropical music to achieve this feat.

In his next album, Fogaraté (1995), he stayed away from recording any protest songs. This album is particularly centered in the more rural and lesser known types of Dominican music, like the Perico Ripiao.

Guerra's 1998 release Ni Es Lo Mismo Ni Es Igual (Neither The Same Nor Equal) garnered much critical acclaim, winning three Latin Grammys in 2000 for Best Merengue Performance, Best Tropical Song, and Best Engineered Album. Its hits include "Mi PC" (My PC), "Palomita Blanca" (Little White Dove), and "El Niágara en Bicicleta" (The Niagara on Bicycle - literal; to ride a bicycle across Niagara Falls, i.e. a difficult task - coloquial "al pasar el Niagara en bicicleta", Cuban).

Juan Luis Guerra in concert in Madrid, Spain, during the Para ti tour. July 2005.

2000s[link]

In 2003, Guerra released his first new album in six years. Entitled "Para Ti" (For you), the album's songs are mostly religious in nature, reflecting Guerra's fervent Christianity. With this album the singer won two awards at the 2005 Billboards, in the categories of Gospel-Pop and Tropical-Merengue, for the hit single Las Avispas (The wasps), the first time ever that one song has won these two categories at the same time. Other hits included "Para Ti" and "Soldado" (Soldier). At the same time, Guerra was honored with the Latino Special Award for the Music Academy of Spain for his contributions to the music of his country and the Caribbean in the last 20 years.

In January 2006, Juan Luis performed at Berklee's 60th anniversary along with other artists such as Paul Simon, Herbie Hancock, Michel Camilo and Chiara Civello. That same year, he recorded with Diego Torres in "Abriendo Caminos" (Opening roads) and with Maná in "Bendita Tu Luz" (Blessed your light).

Notably, Juan Luis Guerra was part of the former highest grossing music tour of all time,(U2's 360 tour is currently the highest grossing music tour of all time) as he was the opening act for The Rolling Stones' A Bigger Bang Tour at their San Juan, Puerto Rico show in February, 2006.

He was also invited by Sting to sing with him at a concert at Altos de Chavón, La Romana in the Dominican Republic in 2006. At the Premio Lo Nuestro awards in 2007, he was given the honorary lifetime achievement award. He also performed the lead single of his new album, "La Llave De Mi Corazón", released in March 2007.

"La llave de mi corazón" reached number one on the Billboard charts for four consecutive weeks, and was the #1 selling album in Colombia while climbing the charts in other countries^{[citation needed]}. Guerra won more than 20 awards with this CD, including 5 Latin Grammy Awards, 6 Premios Casandra awards, 4 billboard Awards, 2 lo nuestro, and one Grammy Award.

On April 6, 2006, Juan Luis Guerra was honored as a BMI Icon at the 13th annual BMI Latin Awards. Named BMI's 1995 Latin Songwriter of the Year, Guerra's songwriting has garnered 14 BMI Latin Awards.^[3]

Juan Luis Guerra was honored at the Latin Grammy Awards in 2007 with 5 awards, sweeping each category he was nominated in: Record of the Year, Album of the Year, Song of the Year, Best Tropical Song & Best Merengue Album. The engineers of the album, Allan Leschhorn, Luis Mansilla, Ronnie Torres, and Adam Ayan were awarded Best Engineered album. One night prior to the Latin Grammy Awards he received the Academy's Person of the Year Award for his contribution to Latin music and for his philanthropy.

On March 10, 2008, Juan Luis was honored with 6 awards in los Premios Casandra, the most important award event in the Dominican Republic. He won for Orchestrator of the year, Outstanding artist abroad, Music album of the year for "La Llave de mi Corazón" and "El Soberano" (The Sovereign), the most important award of the night.

On March 16, 2008 He and other artists participated in the Paz Sin Fronteras concert raised by Juanes, because of the conflict in recent days between Colombia, Venezuela and Ecuador.

On April 11, 2008 Juan Luis Guerra was the Billboard Latin awards big winner, with 7 nominations and 3 awards.

On September 15, 2008 Guerra was named a UNESCO Artist for Peace "in recognition of his efforts for the benefit of children with disabilities and children in need."^[4]

On May 9, 2009, Guerra was awarded an honorary doctorate from his alma mater, Berklee College of Music at its commencement ceremony.

2010 Juan Luis Guerra was featured in Enrique Iglesias' Spanish single, Cuando Me Enamoro, and appeared with Iglesias in the music video. The single has currently spent 17 non-consecutive weeks at #1, the longest tenure at the peak position for both artists. In addition, the single was a self-replacement at #1 for Guerra as it replaced his own single Bachata en Fukuoka from his album A Son de Guerra.

Singing in other languages[link]

Guerra has recorded several songs in English, like "July 19th" on his Fogaraté release (1995), and more recently "Medicine for My Soul" and "Something Good" with Italian singer Chiara Civello. Some of his songs have verses in both English and Spanish such as "Woman del Callao", "Guavaberry", "Señorita" and more recently "La Llave de Mi Corazón". Album Areíto featured two songs, cover-title song "Areíto" and "Naboria daca, mayanimacaná" which are sung in the Arawak language of the extinct Taino natives of Hispaniola. Juan Luis Guerra also recorded the album "Bachata Rosa" in Portuguese. He uses Japanese words in Bachata en Fukuoka (Bachata in Fukuoka), 2010 Latin Grammy winner for Best Tropical Song.

Lyrical style[link]

Being a native Dominican, his music is heavily influenced by native Caribbean rhythms, such as merengue and bachata.

His lyrics are often charged with intentionally simple, heavily metaphorical, erotic, or popular expressions, such as "Burbujas de Amor" (Bubbles Of Love) or "El Niágara en Bicicleta" (Niagara on Bicycle), an idiom for something difficult to do.

Discography[link]

Singles[link]

440 band members[link]

• Roger Zayas
• Maridalia Hernández
• Mariela Mercado
• Marco Hernández (replaced Maridalia Hernández)
• Adalgisa Pantaleón (replaced Mariela Mercado)
• Quico Rizek (replaced Marco Hernández)

Quotation[link]

This section is a candidate to be copied to Wikiquote using the Transwiki process.

We write for our home audience. We play music that appeals to those at home, a music that feels natural and intuitive.^[7]

References[link]

Bibliography[link]

• Manuel, Peter. Caribbean Currents: Caribbean Music from Rumba to Reggae. 

External links[link]

Wikimedia Commons has media related to: Juan Luis Guerra

• Official website in English and Spanish.
• Biography of Juan Luis Guerra With particular focus on his relationship to bachata.
• Juan Luis Guerra at National Geographic World Music
• Juan Luis Guerra Online Scholarship from Berklee College of Music
• Juan Luis Guerra at the Internet Movie Database
• Encarta bio (Archived 2009-10-31)