Medal distributed by Cecilia Gonzaga to political allies, a common practice in Renaissance Europe. Designed by Pisanello in 1447.

Medallion received by Dr. Chandra Sarma for proficiency in Anatomy from Berry-White School of Medicine in 1930-31, Dibrugarh, Assam, India

A medal, or medallion, is generally a circular object that has been sculpted, molded, cast, struck, stamped, or some way rendered with an insignia, portrait, or other artistic rendering. A medal may be awarded to a person or organization as a form of recognition for athletic, military, scientific, academic, or various other achievements. Medals may also be created to commemorate particular individuals or events, or even as works of artistic expression in their own right; artists who focus their talents on the creation of medals or medallions are termed a medalist. There are also devotional medals which may be worn as a matter of religious faith. Medals are popular collectible items either as a form of exonumia or of militaria phaleristics. Medallions are occasionally referred to as "table medals" because they are too large to be worn and can only be displayed on a table top, desk or cabinet. Medals may also be produced in a rectangular shape, though these would more correctly be described as a plaque, and a smaller version as a plaquette. In colloquial use, "medallion" is sometimes improperly used to refer to a pendant of a necklace. It can also be used as a symbol to dignify greatness, especially when awarded on the collegiate level.

Etymology[link]

First attested in English in 1578, the word medal is derived from the Middle French médaille, itself from Italian medaglia, and ultimately from the post-classical Latin medalia, meaning a coin worth half a denarius. The word medallion (first attested in English in 1658) has the same ultimate derivation, but this time through the Italian medaglione, meaning "large medal". There are two theories as for the etymology of the word medalia: the first is that the Latin medalia itself is derived from the adjective medialis meaning "medial" or "middle";^[1] the second is that medaglia, comes from the Vulgar Latin metallea (moneta) meaning "metal (coin)" and that from Latin metallum,^[2] which is the latinisation of the Greek μέταλλον (metallon), "a mine".^[3][4][5][6]

Features[link]

Various prize medals with the obverse designs, suspension rings and ribbons typical of medals intended to be draped over the head and hung from the neck

The main or front surface is termed the obverse, and may contain a portrait, pictorial scene or other image along with an inscription. The reverse, or back surface of the medal, is not always used and may be left blank or may contain a secondary design. It is not uncommon to find only an artistic rendering on the obverse, while all details and other information for the medal are inscribed on the reverse. The rim is found only occasionally employed to display an inscription such as a motto, privy mark, engraver symbol, assayer’s marking or a series number.

Medals that are intended to be hung from a ribbon also include a small suspension piece at the crest with which to loop a suspension ring through. It is through the ring that a ribbon is run or folded so the medal may hang pendent. Medals pinned to the breast use only a small cut of ribbon that is attached to a top bar where the brooch pin is affixed. Top bars may be hidden under the ribbon so they are not visible, be a plain device from which the ribbon attaches or even decorative to complement the design on the medal; some top bars are elaborate and contain a whole design unto themselves.

Bronze has been the most common material employed for medals, due to its fair price range, durability, ease with which to work when casting and the ample availability, but a wide range of other media have also been used. Rarer metals have been employed, such as silver, platinum and gold, when wishing to add value beyond the mere artistic depiction, as well as base metals and alloys such as copper, brass, iron, aluminum, lead, zinc, nickel and pewter. Medals that are made with inexpensive material might be gilded, silver plated, chased or finished in a variety of other ways to improve their appearance. Medals have also been made of rock, gemstone, ivory, glass, porcelain, terra cotta, coal, wood, paper, enamel, lacquerware, and plastics.

History[link]

Bronze medal of Isabella d'Este, princess and patron of Renaissance humanists, distributed as a gift.

Silver Geuzen medal commemorating the Capture of Brielle in 1572 by the Sea Beggars; this was produced commercially

The first known instance of a medal being awarded comes from the historian Josephus who, writing long after the event, accounts that in the fourth century BCE the High Priest Jonathan led the Hebrews in aid of Alexander the Great, and that in return for this, Alexander "sent to Jonathan... honorary awards, as a golden button, which it is custom to give the king's kinsmen." The Roman emperors used both military awards of medals, and political gifts of medallions that were like very large coins, usually in gold or silver, and die-struck like coins.^[7] Both these and actual gold coins were often set as pieces of jewellery, worn by both sexes.

The bracteate is a type of thin gold medal, usually plain on the reverse, found in Northern Europe from the so called "Dark Ages" or Migration Period. They often have suspension loops and were clearly intended to be worn on a chain as jewellery. They imitate, at a distance, Roman imperial coins and medallions, but have the heads of gods, animals, or other designs.^[8] The Liudhard medalet, produced around 600AD in Anglo-Saxon England, is an isolated example, known from a single copy, of a Christian medal, featuring an inscription naming Liudhard (or "Saint Letard"), the first priest among the Anglo-Saxons, and probably presented to converts. The surviving example is mounted for wearing as jewellery.

In Europe, from the late Middle Ages on became common for sovereigns, nobles and later intellectuals to commission medals to be given simply as gifts to their political allies to either maintain or gain support of an influential person. The medals made be made in a range of metals, such as gold, silver-gilt, silver, bronze and lead, depending on the status of the recipient. They were typically up to about three inches across, and usually featured the head of the donor on the obverse, surrounded by an inscription with their name and title, and their emblem on the reverse, with a learned motto inscribed round the edges. Such medals were not usually intended to be worn, although they might be set as pendants on a chain. From the 16th century medals were made, both by rulers for presentation and private enterprise for sale, to commemorate specific events, including military battles and victories, and from this grew the practice of awarding military medals specifically to combatants, though initially only a few of the officers.

Medal of the Emperor John VIII Palaiologos during his visit to Florence, by Pisanello (1438). The legend reads, in Greek: "John the Palaiologos, basileus and autokrator of the Romans".

The medieval revival seems to have begun around 1400 with the extravagant French prince Jean, Duc de Berry, who commissioned a number of large classicising medals that were probably produced in very small numbers, or a unique cast. Only casts in bronze from the originals in precious metal survive; at least some medals were also set with jewels, and these may well have been worn on a chain.^[9] At the same period the first known medal post-classical medal commemorating a victory was struck for Francesco Carrara (Novello) on the occasion of the capture of Padua in 1390. The Italian artist Pisanello, generally agreed to be the finest medallist of the Renaissance, began in 1438 with a medal celebrating the unprecedented visit of the Byzantine Emperor John VIII Palaiologos to Italy. This was presumably a commercial venture, but his later medals were mostly commissioned for distribution as gifts by rulers or nobles; like almost all early Renaissance medals it was cast rather than die-struck. With each successive cast the medal became slightly smaller, and the numbers that could be produced was probably not large. A lead "proof" was probably often used. The association between medals and the classical revival began to take a rather different form, and the exchange of medals became associated with Renaissance Humanism; princes would send humanist writers and scholars medals in recognition of their work, and the humanists began to make their own medals, normally in bronze, to send to their patrons and peers.^[10] The fashion remained restricted to Italy until near the end of the 15th century, when it spread to other countries. By the 16th century medals were increasingly produced by rulers or cities for propaganda purposes.^[11] In 1550 a die-stamping machine, using steel dies, was introduced in Augsburg, Germany, and soon this process became standard; the artist now cut an intaglio die rather than modelling in relief.^[12]

By the 16th century the wearing of smaller medals on a chain was a persistent fashion for both sexes, and a variety of medals were produced commercially for the purpose, commemorating persons or events, or just with non-specific suitable sentiments. German artists had been producing high-quality medals from the beginning of the century; the French and British were slower to produce fine work, but by the late 17th century most parts of Western Europe could produce fine work. Medals were also collected, which continues to the present day. Official medals, from which specialized military awards descended, were increasingly produced, but the real growth in military medals did not come until the 19th century. Devotional medals also became very popular in Catholic countries; during the Reformation there had also been a vigorous tradition of Protestant medals, more polemical than devotional, which continued with the Geuzen medals produced in the Dutch Revolt.

Military medals and decorations[link]

The Victoria Cross is a British military decoration, though at times is referred to improperly as a medal.

Further information Military awards and decorations and Orders of merit

Military decorations, service awards and medals are often mistakenly confused with one another. Decoration is a term for awards which require specific acts of heroism or achievement (such as the British Victoria Cross or American Silver Star) whereas a service award or campaign medal is awarded for serving in a particular capacity in a particular geographical area and time frame (such as the Iraq Campaign Medal). In either case, an award or decoration may be presented as a medal.

The Roman Republic, adopted an elaborate system of military awards that included medals called phalerae to be issued to soldiers and units for a variety of achievements. The practice was revived in the Early Modern period, and medals began to be worn on the chest as part of military uniform. The United States Continental Congress awarded the Fidelity Medallion as early as 1780, to three specified men for a particular incident, as a one-off award, which was characteristic of early military decorations. But in 1782 the Badge of Military Merit was established, and mostly awarded to non-officers. The Légion d'honneur instituted by Napoleon I in 1802 had some of the characteristics of the old military orders, but was intended to be far more inclusive, and was awarded to rank and file soldiers for bravery or exceptional service. Other nations followed with decorations such as the British Army Gold Medal from 1810, though this only went to senior officers, and the Prussian Iron Cross from 1813. Medals were not awarded to all combatants in a war or battle until the 19th century; the Waterloo Medal was the first British medal given to all present, at the Battle of Waterloo in 1815 and the associated actions. By the middle of the 19th century the number of awards used had greatly expanded in most countries to something like modern levels.

The three versions of the Medal of Honor. Each displays a medal within a unique star-shaped design.

An order tends to be the most elaborate of military decorations, typically awarded for distinguished services to a nation or to the general betterment of humanity. Orders are distinguished from other forms of decoration in that they often imply membership in an organization or association of others that have received the same award. (Two of the most well known and commonly awarded orders are the Légion d'honneur of France, military and civil, and the civil Order of the British Empire.) The practice of conferring orders originates with the mediaeval fraternities of knighthood, some of which still exist and are still awarded. While most modern orders have no roots in knighthood, they still tend to carry over the terms of their historic counterparts, and terms such as knight, commander, officer, members and so on are still commonly found as ranks. A military order may use a medal as its insignia, however, most tend to have a unique badge or a type of plaque specifically designed for an emblem.

The Medal of Honor is the highest military decoration awarded by the United States government, and is an example a decoration that is modeled as a military order, even though not expressly defining itself as one. It is bestowed on a member of the United States armed forces who distinguishes himself "conspicuously by gallantry and intrepidity at the risk of his life above and beyond the call of duty while engaged in an action against an enemy of the United States."^[13] Each of the three branches of the American armed forces has a unique picture displayed on a medal, which is in turn displayed upon a star-shaped heraldic badge. The medal of the U.S. Army depicts the head of Minerva, the U.S. Navy medal shows a scene of Minerva doing battle with Discord and the U.S. Air Force depicts the Statue of Liberty upon its medal.

Military decorations, including medals and orders, are usually presented to the recipient in a formal ceremony. Medals are normally worn on more formal occasions suspended from a ribbon of the medal's colours on the left breast, while a corresponding ribbon bar is to be worn for to common events where medals would be inappropriate or impractical to wear.

George II, King of the Hellenes.	Colonel Stefan Szlaszewski.	Field Marshal The Rt. Hon. The Lord Inge.	General Peter Pace.

Medallions[link]

A family heirloom artistic medallion used at a home wedding in the U.S.A.

Generally circular, table medals are issued for artistic, commemoration or souvenir purposes, not for commerce. Tokens and Table Medals of coin-like appearance are part of the Exonumia subcategory of Numismatics, while Orders, Decorations and Medals are considered Militaria (military related). In the U.S. Military, modern medals are often referred to as challenge coins.

The Nobel Foundation, the organization awarding the prestigious Nobel Prize, presents each winner "an assignment for the amount of the prize, a diploma, and a gold medal..." This example of a medal would be displayed on a table or in a cabinet, rather than worn by the winner.

The Carnegie Hero Foundation is the issuer of a bravery medal, most commonly issued in the US and Canada but also in the UK. This large bronze table medal features Andrew Carnegie's likeness on the obverse and the name of the awardee and citation engraved on the reverse. It is usually issued for lifesaving incidents.

Also related are plaques and plaquettes. While usually metal, table medals have been issued in wood, plastic, fibre and other compositions. The US Government awards gold medals on important occasions, with bronze copies available for public sale.

Competition medals[link]

A silver medal was awarded to the winner of each event during the 1896 Summer Olympics. Recent Olympic medals are suspended as a pendant from a ribbon, and are awarded in gold, silver and bronze.

Medals have historically been given as prizes in various types of competitive activities, especially athletics.

Traditionally, medals are made of the following metals:

1. Gold (or another yellow metal, e.g. brass)
2. Silver (or another grey metal, e.g. steel)
3. Bronze
4. Pewter

These metals designate the first three Ages of Man in Greek mythology: the Golden Age, when men lived among the gods; the Silver age, where youth lasted a hundred years; and the Bronze Age, the era of heroes. (The current age is called the Iron Age.) Note that the metals are progressively more prone to corrosion and also decreasing in rarity and thus value.

This standard was adopted at the 1904 Summer Olympics. At the 1896 event, silver was awarded to winners and bronze to runners-up, while at 1900 other prizes were given, not medals.

Medals as art[link]

The first great artist to create medals was the Italian painter Antonio Pisano, known as Pisanello, who modelled and cast a number of portrait medals of princes and scholars in the 1440s. Many other artists followed his example, in Italy, the Low Countries, Germany and France. In the seventeenth century medals were extensively used to commemorate events and glorify rulers. In the eighteenth century prize medals became common. In the 19th century art medals became popular. In the early part of the century David d'Angers produced a great series of portrait medals of famous contemporaties and in the latter part of the century Jules-Clément Chaplain and Louis-Oscar Roty were highly regarded. The early twentieth century saw art medals flourish, particularly in France, Italy and Belgium while later in the century Czechoslovakia, Hungary, Poland, USA, Canada and England produced much high quality work. One such artist is the portrait medalist Christian Cardell Corbet. The Sanford Saltus medal is the most prestigious award for art medals in the USA.^{[citation needed]}

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1896 Colonial Exposition medal, by Louis-Oscar Roty.	1900 Exposition Universelle medal, by Jules-Clément Chaplain.

See also[link]

Numismatics portal

• Exonumia
• Medals and other decorations of the U.K. and Commonwealth
• Medals and decorations of the U.S. government
• Medals and decorations of the U.S. military
• Medals and other awards, a list
• Military awards and decorations
• Ribbon bar
• Awards and decorations of the Russian Federation
• FIDEM

External links[link]

Wikimedia Commons has media related to: Medals

• "American World's Fair and Expo Medals". ExpoMedals.com. http://www.expomedals.com/. 
• "Historical and Commemoratitve Medals". Benjamin Weiss. http://www.historicalartmedals.com. 
• "Medals of the World". Megan C. Robertson. http://www.medals.org.uk/. 
• "The home of British and Allied militaria". Julie McCullum's Militarium. http://www.military-medal.co.uk. 
• "The Nobel Prize Medals and the Medal for the Prize in Economics". The Nobel Foundation. http://nobelprize.org/nobel/medals. 

Notes[link]

1. ^ Oxford English Dictionary, s.v. "medal"; Merriam-Webster's Collegiate Dictionary, s.v. "medal".
2. ^ metallum, Charlton T. Lewis, Charles Short, A Latin Dictionary, on Perseus
3. ^ μέταλλον, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus
4. ^ The New American Webster Handy College Dictionary, p. 450, Signet, 2006, on Google books
5. ^ Heinemann English Dictionary, p. 623,
6. ^ medal, Online Etymology Dictionary
7. ^ Osbourne, 563
8. ^ "Bracteate [Scandinavian] (2001.583)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000 ndash. (October 2006)
9. ^ "Constantine medal, French (Paris) (1988.133)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. Accessed July 5, 2010
10. ^ Osbourne, 563-564
11. ^ Scher
12. ^ Osbourne, 567
13. ^ "Code of Federal Regulations". Department of the Army. http://edocket.access.gpo.gov/cfr_2002/julqtr/32cfr578.4.htm. Retrieved 27 November 2009. 

References[link]

• Osborne, Harold (ed), The Oxford Companion to the Decorative Arts, 1975, OUP, ISBN 0-19-866113-4
• Stephen K. Scher, et al. "Medal." In Grove Art Online. Oxford Art Online, Subscription required, (accessed July 28, 2010).
• Weiss, B. "Collection of Historical and Commemorative Medals". www.historicalartmedals.com

Klaus Badelt
Klaus Badelt, 2007
Background information
Birth name	Klaus Badelt
Born	(1967-06-12) 12 June 1967 (age 45)[1]
Origin	Frankfurt, Germany
Genres	Film scores
Occupations	Composer, producer, Arranger

Klaus Badelt (born 12 June 1967) is an award-winning German composer, best known for composing film scores.

Life and career[link]

Badelt was born in Frankfurt, Germany. He started his musical career composing for many successful movies and commercials in his homeland. In 1998, Oscar-winning film composer Hans Zimmer invited Badelt to work at Media Ventures in Santa Monica, his studio co-owned by Jay Rifkin. Since then, Badelt has been working on a number of his own film and television projects such as The Time Machine and K-19: The Widowmaker. He also collaborated with other Media Ventures composers, such as Harry Gregson-Williams, John Powell, and Zimmer; and mentored several others like Ramin Djawadi and Steve Jablonsky.

While collaborating with Zimmer, Badelt contributed to the Oscar-nominated scores for The Thin Red Line and The Prince of Egypt, as well as writing music for many well known directors including Ridley Scott, Tony Scott, Terrence Mallick, John Woo, Kathryn Bigelow, Jeffrey Katzenberg, Werner Herzog, Sean Penn, Gore Verbinski, Michael Bay and Steven Spielberg.

Badelt co-wrote and co-produced the score to Hollywood box office hit Gladiator, directed by Ridley Scott, along with Zimmer and singer/composer Lisa Gerrard. Having contributed music to Gladiator, Mission: Impossible 2 and Michael Kamen's score for X-Men, Badelt was involved in the three most successful movies in 2000. Badelt also collaborated with Zimmer on other successful films, such as The Pledge, and 2001 blockbusters Hannibal and Pearl Harbor. One of his more famous and popular scores was for the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.^[2]

In 2004, Klaus branched out of Zimmer's studio and founded his own film music company, Theme Park Studios, in Santa Monica, CA. Since then, he has scored films like "Constantine", "Poseidon", "Rescue Dawn", and "TMNT", to name a few.

Among Badelt's most critically celebrated scores are the Chinese fantasy film The Promise^[3][4][5] and Dreamworks' remake of The Time Machine, the latter which earned him the Discovery of the Year Award at the World Soundtrack Awards 2003. He also wrote the music for the closing ceremonies at the Beijing Olympics in 2008, and was commissioned to write the opera about China's First Emperor, to be premiered in 2012.

Known for his dedication, Klaus worked on the soundtrack for The Promise for almost 6 months. The song which can be heard in the movie's end credits is an ancient folk song in China, and very few people can still sing it. For that, Klaus traveled almost two weeks in China to find someone who was able to sing the whole folk song in order to rearrange it for the score.

Discography[link]

2001

• Extreme Days
• Invincible (with Hans Zimmer)
• The Pledge (with Hans Zimmer)

2002

• Equilibrium
• K-19: The Widowmaker
• The Time Machine
• Teknolust

2003

• Pirates of the Caribbean: The Curse of the Black Pearl
• Beat the Drum
• Basic
• Ned Kelly
• The Recruit

2004

• Catwoman
• Thunderbirds

2005

• The Promise
• Constantine (with Brian Tyler)

2006

• Rescue Dawn
• Miami Vice
• Poseidon
• 16 Blocks
• Ultraviolet

2007

• Redline
• Heaven and Earth
• Skid Row
• Premonition
• TMNT

2008

• The Scorpion King 2: Rise of a Warrior (direct-to-video)
• Starship Troopers 3: Marauder (direct-to-video)
• Pour Elle
• Dragon Hunters
• Beijing Olympics Closing Ceremonies

2009

• Le Petit Nicolas (French)
• Solomon Kane
• Waking Madison
• Killshot

2010

• Valentine
• Heartbreaker
• Dylan Dog: Dead of Night
• Shanghai
• The Extra Man
• À bout portant
• Happy People: A Year in the Taiga

2011

• The Swarm
• MotorStorm: Apocalypse
• The Prodigies
• Seven Days in Utopia
• The Oranges

References[link]

External links[link]

• Klaus Badelt at the Internet Movie Database
• Klaus Badelt at Allmusic
• Interview with Stumped Magazine
• Remote Control Fan Site
• ScoreNotes Interview
• Official Site
• Swiss-German Fansite, visited by Klaus Badelt too

Wikimedia Commons has media related to: Klaus Badelt

Hans Zimmer
Hans Zimmer receiving his star at the Hollywood Walk of Fame (2010)
Background information
Birth name	Hans Florian Zimmer
Born	(1957-09-12) 12 September 1957 (age 54) Frankfurt am Main, Germany
Genres	Film score, Video game score
Occupations	Film composer, Video game composer, Music producer
Instruments	Piano, Keyboard, MIDI Master Keyboard, Synthesizer, Guitar
Years active	1977–present
Labels	Remote Control Productions
Website	hanszimmer.com

Hans Florian Zimmer, German pronunciation: [hans ˈfloːʁi̯aːn ˈtsɪmɐ]; (born 12 September 1957) is a German film composer and music producer. He has composed music for over 100 films, including award winning film scores for The Lion King (1994), Crimson Tide (1995), Gladiator (2000), The Last Samurai (2003),The Dark Knight (2008), and Inception (2010).

Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions.^[1]

Zimmer's works are notable for integrating electronic music sounds with traditional orchestral arrangements. He has received four Grammy Awards, two Golden Globes, a Classical BRIT Award, and an Academy Award. He was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph.^[2]

Early life[link]

Zimmer was born in Frankfurt am Main, Germany. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home, but had piano lessons only briefly as he disliked the discipline of formal lessons.^[3] He moved to London as a teenager, where he attended Hurtwood House school.^[4] In an interview with the German television station ZDF in 2006, he commented: "My father died when I was just a child, and I escaped somehow into the music and music has been my best friend."^[5]

Early career[link]

Zimmer began his career playing keyboards and synthesizers. He worked with The Buggles, a New Wave band formed in 1977 with Trevor Horn, Geoff Downes, and Bruce Woolley. Zimmer can be seen briefly in The Buggles' music video for the 1979 song "Video Killed the Radio Star".^[6] After working with The Buggles, he started to work for the Italian group Krisma, a New Wave band formed in 1976 with Maurizio Arcieri and Christina Moser. He was a featured synthesist for Krisma’s third album, Cathode Mamma. He has also worked with the band Helden (with Warren Cann from Ultravox).^[7] Both Zimmer (on keyboards) and Cann (on drums), were invited to be part of the Spanish group Mecano for a live performance in Segovia (Spain) in 1984. Two songs from this concert were included in the "Mecano: En Concierto" album released in 1985 only in Spain. In 1980 Zimmer co-produced a single, "The History Of The World Part 1," with, and for, UK Punk band The Damned, which was also included on their 1980 LP release, "The Black Album," and carried the description of his efforts as "Over-Produced by Hans Zimmer."

While living in London, Zimmer wrote advertising jingles for Air-Edel Associates.^[7] In the 1980s, Zimmer partnered with Stanley Myers, a prolific film composer who wrote the scores for over sixty films. Zimmer and Myers co–founded the London–based Lillie Yard recording studio. Together, Myers and Zimmer worked on fusing the traditional orchestral sound with electronic instruments.^[8] Some of the films on which Zimmer and Myers worked are Moonlighting (1982), Success is the Best Revenge (1984), Insignificance (1985), and My Beautiful Launderette (1985). Zimmer's first solo score was Terminal Exposure for director Nico Mastorakis in 1987, for which he also wrote the songs. Zimmer acted as score producer for the 1987 film The Last Emperor, which won the Academy Award for Best Original Score.^[7]

One of Zimmer's most durable works from his time in the United Kingdom is the theme song for the television game show Going for Gold, which he composed with Sandy McClelland in 1987. In an interview with the BBC, Zimmer said: "Going For Gold was a lot of fun. It's the sort of stuff you do when you don't have a career yet. God, I just felt so lucky because this thing paid my rent for the longest time."^[9]

Hollywood film scoring[link]

A turning point in Zimmer's career occurred with the 1988 film Rain Man.^[8] Hollywood director Barry Levinson was looking for someone to score Rain Man, and his wife heard the soundtrack CD of the anti-Apartheid drama A World Apart, for which Zimmer had composed the music. Levinson was impressed by Zimmer's work, and hired him to score Rain Man.^[10] In the score, Zimmer uses synthesizers (mostly a Fairlight CMI) mixed with steel drums. Zimmer explained that "It was a road movie, and road movies usually have jangly guitars or a bunch of strings. I kept thinking don't be bigger than the characters. Try to keep it contained. The Raymond character doesn't actually know where he is. The world is so different to him. He might as well be on Mars. So, why don't we just invent our own world music for a world that doesn't really exist?".^[11] Zimmer’s score for Rain Man was nominated for an Academy Award in 1989, and the film won four Academy Awards including Best Picture.^[12]

A year after Rain Man, Zimmer was asked to compose the score for Bruce Beresford's Driving Miss Daisy which, like Rain Man, won an Academy Award for Best Picture. Driving Miss Daisy’s instrumentation consisted entirely of synthesizers and samplers, played by Zimmer. According to an interview with Sound On Sound magazine in 2002, the piano sounds heard within the score come from the Roland MKS–20, a rackmount synthesizer. Zimmer joked: "It didn't sound anything like a piano, but it behaved like a piano."^[13]

1991's Thelma & Louise soundtrack by Zimmer featured the trademark slide guitar performance by Pete Haycock on the "Thunderbird" theme in the film. As a teenager, Zimmer was a fan of Haycock, and their collaboration on film scores includes K2 and Drop Zone.^[14]

For the 1992 film The Power of One, Zimmer traveled to Africa in order to use African choirs and drums in the recording of the score. On the strength of this work, Disney Animation Studios approached Zimmer to compose the score for the 1994 film The Lion King. This was to be his first score for an animated film. Zimmer said that he had wanted to go to South Africa to record parts of the soundtrack, but was unable to visit the country as he had a police record there "for doing 'subversive' movies" after his work on The Power of One. Disney studio bosses expressed fears that Zimmer would be killed if he went to South Africa, so the recording of the choirs was organized during a visit by Lebo M.^[15] Zimmer won numerous awards for his work on The Lion King, including an Academy Award for Best Original Score, a Golden Globe, and two Grammys. In 1997, the score was adapted into a Broadway musical version which won the Tony Award for Best Musical in 1998.^[16][17] As of April 2012^[update], the musical version of The Lion King is the highest grossing Broadway show of all time, having grossed $853.8 million.^[18]

	Crimson Tide - "Roll Tide" noicon A clip from the score of the 1995 film Crimson Tide.
Problems listening to this file? See media help.

Zimmer's score for Crimson Tide (1995) won a Grammy Award for the main theme, which makes heavy use of synthesizers in place of traditional orchestral instruments. For The Thin Red Line (1998), Zimmer said that the director Terrence Malick wanted the music before he started filming, so he recorded six and a half hours of music.^[11] Zimmer's next project was The Prince of Egypt (1998), which was produced by DreamWorks Animation. He introduced Ofra Haza, an Israeli Yemenite singer, to the directors, and they thought she was so beautiful that they designed one of the characters in the film to look like her.^[11]

Work: 2000–present[link]

	Gladiator - "Battle" noicon A clip from the score of the 2000 film Gladiator.
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In the 2000s, Zimmer has composed scores for Hollywood blockbuster films including Gladiator (2000), Black Hawk Down and Hannibal (2001), The Last Samurai (2003), The Da Vinci Code (2006) The Simpsons Movie (2007), Angels and Demons (2009) and Sherlock Holmes (2009). While writing the score for The Last Samurai, Zimmer felt that his knowledge of Japanese music was extremely limited. He began doing extensive research, but the more he studied, the less he felt he knew. Finally, Zimmer took what he had written to Japan for feedback and was shocked when he was asked how he knew so much about Japanese music.^[11]

During the scoring of The Last Samurai in early 2003, Zimmer was approached by the producer Jerry Bruckheimer, with whom he had worked previously on Crimson Tide, The Rock and Pearl Harbor. Bruckheimer had finished shooting Pirates of the Caribbean: The Curse of the Black Pearl, but was unhappy with the music composed for the film by Alan Silvestri and wanted a replacement score.^[19] Bruckheimer wanted Zimmer to rescore the film, but due to his commitments on The Last Samurai, the task of composing and supervising music for Pirates of the Caribbean: The Curse of the Black Pearl was given to Klaus Badelt, one of Zimmer's colleagues at Media Ventures. Zimmer provided some themes that were used in the film, although he is not credited on screen.^[20][21] Zimmer was hired as the composer for the three subsequent films in the series, Pirates of the Caribbean: Dead Man's Chest (2006), Pirates of the Caribbean: At World's End (2007), and Pirates of the Caribbean: On Stranger Tides (2011), collaborating with Rodrigo y Gabriela.^[22]

For the 2009 film Sherlock Holmes, "The Daily Variety" reported that Zimmer purchased an out-of-tune piano for 200 dollars and used it throughout the scoring process because of its "quirkiness".^[23]

Hans Zimmer in 2008

Zimmer is also noted for his work on the scores of Christopher Nolan's Batman Begins (2005) and The Dark Knight (2008), on which he collaborated with James Newton Howard.^[9] The scores for these films were disqualified from receiving Academy Award nominations for Best Original Score due to too many composers being listed on the cue sheet.^[24] Zimmer succeeded in reversing the decision not to nominate The Dark Knight in December 2008, arguing that the process of creating a modern film score was collaborative, and that it was important to credit a range of people who had played a part in its production.^[25] Zimmer explained his approach to scoring with other musicians in an interview with Soundtrack.net in 2006:

	Hans Zimmer and Lisa Gerrard - "Now We Are Free" noicon A clip from the score of the 2000 film Gladiator.
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"Originally I had this idea that it should be possible to create some kind of community around this kind of work, and I think by muddying the titles - not having "you are the composer, you are the arranger, you are the orchestrator" - it just sort of helped us to work more collaboratively. It wasn't that important to me that I had "score by Hans Zimmer" and took sole credit on these things. It's like Gladiator: I gave Lisa Gerrard the co-credit because, even though she didn't write the main theme, her presence and contributions were very influential. She was more than just a soloist, and this is why I have such a problem with specific credits."^[26]

Zimmer is also composing the score for The Dark Knight Rises, the final installment of Christopher Nolan's Batman trilogy. The film is scheduled for release in July 2012.^[27]

Zimmer works with other composers through his company Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly.^[28] His colleagues at the studio have included Harry Gregson-Williams, James Dooley, Geoff Zanelli, Henning Lohner, Steve Jablonsky, Mark Mancina, John Van Tongeren, John Powell and Thomas J. Bergersen.

In October 2000, Zimmer performed live in concert for the first time with an orchestra and choir at the 27th Annual Flanders International Film Festival in Ghent.^[29] He has received a range of honors and awards, including the Lifetime Achievement Award in film Composition from the National Board of Review, the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival, ASCAP’s Henry Mancini Award for Lifetime Achievement, and BMI's Richard Kirk Award for lifetime achievement in 1996. Recent work includes the Spanish language film Casi Divas,^[30] Sherlock Holmes, The Burning Plain (2009), and Inception (2010). He composed the theme for the television boxing series The Contender, and worked with Lorne Balfe on the music for Call of Duty: Modern Warfare 2, which was his first video game project.^[31] Zimmer also collaborated with composers Borislav Slavov and Tilman Sillescu to create the score for the video game Crysis 2.^[32]

In December 2010, Zimmer received a star on the Hollywood Walk of Fame. He dedicated the award to his publicist and long term friend Ronni Chasen, who was shot dead in Beverly Hills the previous month.^[33]

Zimmer composed and produced the music for the 84th Academy Awards with Pharrell Williams of The Neptunes.^[34]

Zimmer lives in Los Angeles with his wife Suzanne, and has four children.^[35][36]

Discography and awards[link]

References[link]

External links[link]

	Book: Hans Zimmer
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Hans Zimmer

• Official website
• Hans Zimmer at the Internet Movie Database
• Interview with Hans Zimmer in Film Score Monthly
• Interview with Hans Zimmer about Sherlock Holmes from C Music TV
• Focus.De

v t e Hans Zimmer Soundtracks Angels and Demons  · Driving Miss Daisy  · Batman Begins  · Beyond Rangoon  · Black Hawk Down  · The Da Vinci Code  · The Dark Knight  · Gladiator  · Inception · Kung Fu Panda  · Kung Fu Panda 2  · The Lion King  · Madagascar  · Mission: Impossible II  · Pearl Harbor  · Pirates of the Caribbean: At World's End  · Pirates of the Caribbean: The Curse of the Black Pearl  · Pirates of the Caribbean: Dead Man's Chest  · Pirates of the Caribbean: On Stranger Tides  · Pirates of the Caribbean: Soundtrack Treasures Collection · Rango  · Sherlock Holmes  · The Thin Red Line Songs "Hoist the Colours" Related articles Discography · Remote Control Productions Book:Hans Zimmer  · Category:Hans Zimmer