Fencing

Final of the Challenge Réseau Ferré de France–Trophée Monal 2012, épée world cup tournament in Paris.
Focus	Weaponry
Olympic sport	Present since inaugural 1896 Olympics
Official website	www.fie.chwww.fie.org

Fencing, which is also known as olympic fencing to distinguish it from historical fencing,^[1] is a family of combat sports using bladed weapons. It is usually practised with the help of a sword or mini-blade

Fencing is one of four sports which have been featured at every one of the modern Olympic Games. The sport of fencing is divided into three weapons:

• Foil—a light thrusting weapon that targets the torso, including the back, but not the arms. Touches are scored only with the tip; hits with the side of the blade do not count, and do not halt the action. Touches that land outside of the target area (off-target) stop the action, and are not scored. Only a single hit can be scored by either fencer at one time. If both fencers hit at the same time, the referee uses the rules of right of way to determine which fencer gets the point.
• Sabre—a light cutting and thrusting weapon that targets the entire body above the waist, excluding the hands. Hits with the edges of the blade as well as the tip are valid. As in foil, touches which land outside of the target area are not scored. However, unlike foil, these off-target touches do not stop the action, and the fencing continues. In the case of both fencers landing a scoring touch, the referee determines which fencer receives the point for the action, again through the use of "right of way".
• Épée—a heavier thrusting weapon that targets the entire body. All hits must be with the tip and not the sides of the blade. Touches hit by the side of the blade do not halt the action. Unlike foil and sabre, Épée does not use right of way, and allows simultaneous hits by both fencers. However, if the score is tied at the last point and a double touch is scored, nobody is awarded the point.

History[link]

The rules of modern fencing originated in Spain, where the first known book on fencing, Treatise on Arms, was written by Diego de Valera between 1458 and 1471, shortly before dueling came under official ban by the Catholic Monarchs. When Spain became the leading power of Europe, the Spanish armies carried fencing abroad and particularly into the south of Italy, one of the main battlefields between both nations.^[2][3]

Modern fencing originated in the 18th century, in the Italian school of fencing of the Renaissance, and, under their influence, was improved by the French school of fencing.^[1][4] The Spanish school of fencing didn't became prominent until the 19th century. Nowadays, these three schools are the most influential around the world.

Dueling went into sharp decline after World War I. After World War II, dueling went out of use in Europe except for very rare exceptions. Training for duels, once fashionable for males of aristocratic backgrounds (although fencing masters such as Hope suggest that many people considered themselves trained from taking only one or two lessons), all but disappeared, along with the classes themselves. Fencing continued as a sport, with tournaments and championships. However, the need to actually prepare for a duel with "sharps" vanished, changing both training and technique.

Starting with épée in 1936, side-judges were replaced by an electrical scoring apparatus,^[5] with an audible tone and a red or green light indicating when a touch landed. Foil was automated in 1956, sabre in 1988. The scoring box reduced the bias in judging, and permitted more accurate scoring of faster actions, lighter touches, and more touches to the back and flank than before.^{[citation needed]}

Forms of fencing[link]

Olympic fencing[link]

Olympic fencing refers to the fencing seen in most current competitions, including the Olympic Games and the World Cup. Competitions are conducted according to rules laid down by the Fédération Internationale d'Escrime (FIE), the international governing body. These rules evolved from a set of conventions developed in Europe between mid-17th and early 20th century. The three Olympic weapons are foil, épée, and sabre. In competition, the validity of touches is determined by the electronic scoring apparatus and a set of rules called right of way or priority to eliminate referee error and bias.

In the United States[link]

In the United States, athletes compete at local and national levels, for the most part sanctioned by the United States Fencing Association (USFA). Locally, athletes register for tournaments in their division via a website called "Askfred.net."^[6] Nationally, athletes compete in tournaments called North American Cups, or NACs for short,^[7] as well as championship events including the Junior Olympics and Summer National Championships. At these tournaments, competitors are divided by gender, weapon, age group, and division (skill level). Age groups include Y10 (Youth 10, or 10 and younger) Y12 (12 and younger), Y14 (14 and younger), Cadet (under 17), Junior (under 20), as well as a variety of Veterans' categories for fencers over 40, 50, 60, or 70.

National ratings are awarded by the USFA and range from A through E (A being the highest and E the lowest), with U for all unrated fencers. Ratings are awarded based on number of competitors in a tournament and the strength of the tournament. Some competitions require competitors to meet the rating criteria. Division I fencing requires ratings of C or higher; Division II requires ratings of C or lower; Division III requires D or lower. A national points system for the age groups as well as Division 1 is based on results at national events and determines qualification for World Championships, World Cups, and the Olympics.

In the most common tournament format, fencers first fence 4 to 7 others (a round-robin "pool") in 5-touch bouts. The fencers are then seeded against all other competing fencers based on their pool results. A certain percentage of the lowest-seeded fencers (typically 20–25%) is sometimes cut from the competition prior to the direct elimination bracket. Fencers are then placed into a bracket based on the seeding and fence single-elimination bouts, usually to 15 touches. The winners advance in the bracket, and the losers are eliminated from the tournament.

Wheelchair fencing[link]

Wheelchair fencing, an original Paralympic sport, was developed in post-World War II England. Minor modifications to the FIE rules allow disabled fencers to fence all three weapons. The most apparent change is that each fencer sits in a wheelchair fastened to a frame. Footwork is replaced by torso or arm movement, depending on the fencer's disability. The proximity of the two fencers tends to increase the pace of bouts. The fencers use standard Olympic weapons.

Other variants[link]

Other variants include chair fencing, one-hit épée (one of the five events which constitute modern pentathlon) and the various types of non-Olympic competitive fencing. Chair fencing is similar to wheelchair fencing but for the able bodied. The opponents set up opposing chairs and fence while seated, all the usual rules of fencing are applied. An example of the latter is the American Fencing League (distinct from the United States Fencing Association): the format of competitions is different and the right of way rules are interpreted in a different way. In a number of countries, school and university matches deviate slightly from the FIE format.

Weapons[link]

Three weapons survive in modern competitive fencing: foil, épée, and sabre. The spadroon and the heavy cavalry-style sabre, both popular in the 19th century, fell into disfavour in the early 20th century, replaced by lighter and faster weapons. The singlestick was featured in the 1904 Olympic Games, but it was already declining in popularity. Bayonet fencing experienced a somewhat slower decline, with competitions organized by some armed forces as late as the 1940s and 1950s.

While the weapons differ in shape and use, their basic construction is similar across the disciplines. Every weapon has a blade and a hilt. The tip of the blade is generally referred to as the point, the top third of the blade as the flexible foible (weak in French), while the base of the blade is referred to as the forté (or strong part). The hilt consists of a guard and a grip. The guard (also known as the coquille, the bell, or the bellguard) is a metal shell designed to protect the fingers. The grip is the weapon's handle. In foil and épée the more traditional French grip is approximately straight and usually terminates with a pommel (a heavy nut intended to act as a counterweight for the blade and to hold the handle on the weapon). Some modern French grip designs do not use a heavy pommel nut, in an effort to reduce weight.

The Italian grip, dating from a similar period, has fallen out of general favor. It features a straight handle and a crossbar beneath the guard that the fencer can use to manipulate the blade. The crossbar is known for causing injury, as the fencer's fingers can become stuck if the blade is turned unexpectedly. It is the only ambidextrous fencing grip, and many fencers with arm trouble use it so they can freely switch without having to carry twice as many blades. The Italian is banned in some regions, and is mistakenly believed to be banned in others, necessitating that users often carry explicit rulings to show judges to prove it is allowed.

French grips have been entirely replaced in higher level foil fencing, and partially replaced in épée fencing, by ergonomic designs, called pistol grips or orthopaedic grips. Among the many designs, the most popular are the Visconti, Belgian, and Russian grips. Grips produced by Zivkovic fencing are also popular, and are the most commonly seen 'non-standard' grips.

Modern competitive weapons have electrical wiring which allows them to register a touch on the opponent via an electrical scoring system.

Foil[link]

Short clip of foil fencing

International valid foil target — the torso, and the portion of the bib 1.5–2cm below chin level. Note that the USFA does not use the bib target in the United States.

The foil is light and flexible, originally developed in the mid-17th century as a training weapon for the Pariser small sword, a light one-handed sword designed almost exclusively for thrusting.

Electric foils have a push-button on the point of the blade, which allows hits to be registered by an electronic scoring apparatus. In order to register, the button must be depressed with a force of at least 4.90 newtons (500 grams-force) for at least 15 milliseconds. Foil and Sabre fencers wear conductive jackets (lamé) covering their target area, which allow the scoring apparatus to differentiate between on- and off-target hits.

The target area is restricted to the torso, including the front and back. A modification in FIE rules from 1 January 2009 includes as valid target area the part of the mask's bib below a straight line drawn between the shoulders; prior to this, the bib of the fencer's mask was not a valid target. International events such as Junior or Senior World Cup Events require the bib target. However, this rule has not been implemented uniformly in all National fencing organizations. European fencing organizations generally decided on September 1, 2009 as the date for all competitions to use the new rule.^{[citation needed]}

Foil fencing is conducted using rules of right of way. The basic principle is that, if both fencers score a touch on the other, the fencer who began their offensive action first prevails, unless that offensive action fails. A fencer's action fails if it misses his/her opponent, or it is parried. If priority cannot be determined when both fencers have hit each other, no point is awarded.

The original idea behind the rules of foil fencing was to encourage fencers to defend and attack vital areas, and to fight in a methodical way with initiative passing back and forth between the combatants, thus minimizing the risk of a double death.

The target must be hit with the tip of the foil; a touch with any other part of the foil has no effect whatsoever and fencing continues uninterrupted. A touch on an off-target area halts the action, but does not score a point.

When an exchange ends in a hit, the referee will call "halt," and fencing will cease. The referee will then analyze the exchange and phrase it in official terminology. An example of this terminology would be "Attack from the left, no. Parry-Riposte from the right is good. Touch to the right."

The first offensive action is called the attack. All defensive actions successfully deflecting an opponent's blade are called parries. An offensive action of a parrying fencer directly following the parry is called a riposte. An offensive action of a fencer, who attacks a second time without first withdrawing the arm after an unsuccessful first attack, is called a remise. An offensive action of a fencer from the on-guard position, after being parried and then returning to the on-guard position, is called a reprise. An offensive action of a fencer after his/her opponent has lost the right to riposte via inaction is called a redouble. An offensive action begun by a fencer who is being attacked by his/her opponent is called a counter-attack.

Épée[link]

Short clip of épée fencing

Valid target area at épée (the entire body)

The modern sporting Épée was invented in the second half of the 19th century by a group of French students, who felt that the conventions of foil were too restrictive, and the weapon itself too light; they wanted an experience closer to that of an actual duel. The concept was to create an exact copy of a small sword but without the needle-sharp point. Instead, the blade terminated in a point d'arrêt, a three-pronged tip which would snag on the clothing without penetrating the flesh.

The épée is a thrusting weapon: to score a valid hit, the fencer must fix the point of his weapon on his opponent's target. The épée target area is the entire body. No rules control the timing of hits. When fencing electronically, fencers do not wear conductive lamé jackets as they do when fencing foil and sabre. In the event of both fencers making a touch within 40 milliseconds of each other, both are awarded a point (a double hit). When the score is equal and the point would mean the win for both, such as in modern pentathlon's one-hit épée, neither receives a point. Otherwise, the first to hit always receives the point, regardless of what happened earlier in the phase. The épée is the typically heaviest of the sporting weapons, although some épée blades weigh only 150 grams (5.3 oz). An épée is composed of a blade, a point, a bell guard, and a handle or grip (French or pistol grip).

The electric épée, used in modern competitive fencing, terminates in a push-button. A hit must arrive with a force of at least 7.35 newtons (1.65 lb_f) and the push-button must remain fully depressed for 1 millisecond. All hits register as valid, unless they land on a grounded metal surface, such as a part of the opponent's weapon, in which case they do not register. At large events, grounded conductive pistes cover the floor to prevent the registration of hits against it. At smaller events and in club fencing, the referee is responsible for noticing floor hits. These often happen by accident, when an épéeist aims at the opponent's foot and misses. Deliberate floor hits are treated as "dishonest fencing," and penalized accordingly.

Épée has less restrictive rules for footwork and physical contact than the other two weapons. In épée, a corps-à-corps (collision between fencers) is not penalized unless initialiated with intent to harm or avoid a touch or is excessively violent. There are no restrictions on crossing of the feet or use of the flèche attack in épée; if the fencers pass each other, the attacking fencer may score until he passes his opponent. The defending fencer has the right to one continuous riposte, and may still score after the attacker has passed.

The counterattack is very important in épée; direct, unprepared attacks are vulnerable to counterattacks to the hand or arm, or to the body of a taller opponent. High level épée is often a game of provocation, with each player trying to lure the other into an attack. Maintaining the appropriate distance is more important than in the other two genres.

Sabre[link]

Valid target at sabre (everything above the waist, excepting the hands and the back of the head).

Sabre is the 'cutting' weapon: points may be scored with edges and sides of the blade. Although the modern design with a light and flexible blade (marginally stiffer than a foil blade which bends easily up and down while a sabre blade bends easier side to side) appeared around the turn of the 19th and 20th century, similar sporting weapons with more substantial blades had been used throughout the Victorian era.

There is some debate as to whether the modern fencing sabre is descended from the cavalry sabres of Turkic origin, which became popular in Central and Western Europe around the time of Napoleonic Wars, or one of Europe's indigenous edged dueling weapons, such as the cutting rapier. In practice, it is likely to be a hybrid of the two. Most of the conventions and vocabulary of modern sabre fencing were developed by late 19th and early 20th centuries masters from Italy and Hungary, perhaps most notable among them being Italo Santelli (1866–1945).

The sabre target covers everything above the waist, except the hands (wrists are included) and the back of the head. Any contact between any part of the blade and any part of the target counts as a valid touch. Earlier conventions stipulated that a valid touch must be made with the point or either the front or back cutting edge, and that a point attack must not merely graze the target and slip along (pass) the opponent's body. These requirements had to be abandoned, because of technical difficulties, shortly after electronic scoring was introduced into sabre fencing in late 1980s.

Sabre is subject to similar right of way rules as foil, with slightly different definitions of a correctly executed attack and parry. These differences, together with a much greater scoring surface (the whole of the blade, rather than the point alone), make sabre parries difficult to execute effectively. As a result, sabre tactics rely much more heavily on footwork with blade contact kept to a minimum. Play is not halted by an off-target (hands/below the waist) hit in sabre. To prevent both fencers from immediately charging each other at the beginning of fencing action, crossing of the feet while moving forwards is not allowed, which also prohibits use of the flèche. Violations result in a penalty against the offending fencer (a warning, followed by a penalty touch if the offense is repeated). A 'flunge' is sometimes used as a replacement for the outlawed flèche: the fencer leaps at the opponent, being sure to keep his rear foot behind his front as long as possible. Safely landing following this move requires crossing the feet, thus the hit must be scored while airborne. Sabre matches are often decided more quickly than the other weapons.

Protective clothing[link]

Chest protector (women's)

Jacket

Glove

Plastron

Breeches/Knickers

Mask

Fencing outfits are made of tough cotton or nylon. Kevlar was added to top level uniform pieces (jacket, breeches, underarm protector, lamé, and the bib of the mask) following the Smirnov incident at the 1982 World Championships in Rome. However, kevlar breaks down in chlorine and UV light, complicating the cleaning process.

In recent years other ballistic fabrics such as Dyneema have been developed that resist puncture and which do not have kevlar's issues. FIE rules state that the tournament outfits must be made of fabric that resists a force of 800 newtons (180 lb_f) and that the mask bib must resist double that amount.

The complete fencing kit includes:

• Form-fitting jacket covering groin with strap (croissard) which goes between the legs. In sabre fencing, jackets that are cut along the waist and exclude the groin padding are sometimes used. A small gorget of folded fabric is sewn in around the collar to prevent an opponent's blade from slipping under the mask and along the jacket upwards towards the neck.
• Plastron, an underarm protector, which goes underneath the jacket and provides double protection on the sword arm side and upper arm. The armpit cannot have a seam, which would line up with the jacket seam and provide a weak spot.
• One glove for the weapon arm with a gauntlet that prevents blades from going up the sleeve and causing injury, as well as protecting the hand and providing a good grip
• Breeches or knickers which are a pair of short trousers that end just below the knee. The breeches are required to have 10 cm of overlap with the jacket. Most are equipped with suspenders.
• Knee-length or thigh high socks which cover knee and thighs
• Shoes with flat soles and reinforcement on the inside of the back foot and heel of front foot, to prevent wear from lunging
• Mask, including a bib which protects the neck. The mask can usually support 12 kilograms (26 lb) on the metal mesh 350 newtons (79 lb_f) of penetration resistance on the bib. FIE regulations dictate that masks must withstand 25 kilograms (55 lb) on the mesh and 1,600 newtons (360 lb_f) on the bib. Some modern masks have a see-through visor in the front of the mask. These have been used at high level competitions (World Championships etc.), however, they are currently banned by the FIE, following a 2009 incident in which a visor was pierced during the European Junior Championship competition.
• Plastic chest protector, mandatory for females. While male versions of the chest protector are also available, they were, until recently, primarily worn by instructors, who are hit far more often during training than their students. These are increasingly popular in foil, as the hard surface increases the likelihood that a hit fails to register, as well as with youth competitors.
• Lamé is a layer of electrically conductive material worn over the fencing jacket that entirely covers the valid target area. It is worn only in foil and sabre, and serves to distinguish hits on target from those that are off-target. In epee, the entire body is target, so it is not necessary to have a lamé. In foil the lamé is sleeveless, while in sabre the lamé has sleeves and ends in a straight line across the waist. A body cord is necessary to register scoring: it attaches to the weapon and runs inside the jacket sleeve, then down the back and out to the scoring box. In sabre and foil the body cord connects to the lamé in order to create a circuit to the scoring box.
• Fencing Masters often choose a heavier protective jacket, usually reinforced by plastic foam to cushion the numerous hits an instructor has to endure. Sometimes in practice, masters wear a protective sleeve or a leg leather to protect their fencing arm or leg.

Traditionally, the fencers' uniform is white (black for instructors). This may be due to the occasional pre-electric practice of covering the point of the weapon in dye, soot, or colored chalk in order to make it easier for the referee to determine the placing of the touches. As this is no longer a factor in electric, the FIE rules have been relaxed to allow colored uniforms (save black). The guidelines also limit the permitted size and positioning of sponsorship logos.

Competitions and rules[link]

Competition formats[link]

Fencing Tournament. (Note the grounded conductive strips on the floor.)

There are both individual and team tournaments. In high-level tournaments men and women compete separately and the different weapons are contested as separate events. The three most popular competition formats are the formats currently used in Olympic games and World Championship events, namely

• For individual events – one or two seeding rounds (poules) followed by direct elimination rounds, sometimes with repechage;
• For team events – team relay;
• For modern pentathlon and Épée Challenge events – one-hit round-robin (poule unique).

That said, many other formats are common at lower levels. These include mixed-gender tournaments, tournaments where the winner is decided by an aggregate score across all three weapons, where a different number of hits is required to win a fight (often lower for fencers under 14), and so on. Older Olympic/Championship formats, such as team poules or individual events based around a system of progressively narrowing poules (and no direct elimination), also occasionally crop up. These formats were discarded in favour of the current at least in part because of widespread allegations of cheating: it was possible for competitors to "trade" bouts, i.e. to lose to a particular opponent on purpose in return for him/her returning the favour at a later stage of the tournament.

In the seeding rounds of an individual event, each competitor is assigned to a small group (a poule) of 5–10 fencers in total. Each group fights a round-robin of bouts to five hits. There is a time limit of three minutes per fight (not counting the referee's interruptions). If neither fencer has reached five points by the end of the three minutes, the one who is ahead is declared the winner. However, if the fencers are drawn, the bout goes to "sudden death" for an extra minute (first to score wins). At the beginning of this minute, "priority" is decided by a coin toss (not to be confused with the more common meaning of 'priority' as the right of way applied to simultaneous hits in foil and sabre). If no points are scored during the extra minute, victory is awarded to the fencer with "priority" (although no extra points are added to the score). After a poule round is complete, the fencers are ranked on the basis of each competitor's total losses, victories and total hits scored and received.

In larger individual tournaments, after the seeding rounds a number of fencers (seeded lowest) are eliminated from the tournament. (Typically, they make up 10–20% of all entrants.) The remaining competitors are entered into a direct elimination table. Direct elimination bouts go to fifteen hits and have a time limit of nine minutes in total, broken into three minute periods with one minute breaks in between. As with poules, if the competitors are drawn at the end of the third period, they fight an extra minute with "priority" decided by a coin toss. A lost fight results in immediate elimination from the tournament. The system is designed to allow the strongest fencers filter through to the final stages of the competition. The table is generally organised so as to pair of the strongest against the weakest (e.g. seed 1 agains seed 64, seed 2 against seed 63, seed 3 against seed 62, etc.). If the table is incomplete (i.e. the total number of fencers is not a power of two) one or more fencers near the top of the table receive a bye into the next round.

Team events typically follow the aggregate score relay formula. Each team is composed of three fencers plus an optional substitute. Every fencer on one team fights every fencer on the other (nine bouts in total). Each fight has a time limit of three minutes. Scores are added up. The first fight finishes when the score reaches 5, the second when it reaches 10, the third, 15, and so on until 45. Consequently, when a fencer fails to reach the required score in one bout, his team-mate needs to score more points in order to finish the next one. If the teams are drawn when the time for the final fight runs out, as with individual events, the fight goes to "sudden death" for another minute with "priority" decided at the outset by a coin toss. Only one substitution is allowed per match, and the opposing team must be given notice one bout in advance.

Rules[link]

History[link]

The rules of mainstream competitive fencing are set by the sport's international governing body, Fédération Internationale d'Escrime.^[8] They were first codified in 1914, but since then have undergone frequent amendments and revisions. The earlies known set of rules which unambiguously forms part of the same tradition was written down in late 17th century by the French fencing master Labat. It consisted of the nineteen rules used for a foil competition held in Toulouse during his lifetime.^[9] Labat's rules are immediately recognisable as the core rules of modern foil and sabre. Most significantly,

• The weapon must be held one-handed;
• Use of the unarmed hand is forbidden;
• Target area is restricted to the upper body minus head;
• Double hits are subject to #Right of way rules.

The restricted target area and priority rules reflect the original aim of the game: to practice a sensible way of fighting with a sharp weapon (attack and defend vital areas, avoid simultaneous hits). These rules were never applied to épée, which was developed as a predominantly recreational sport in the 19th century.

Right of way[link]

This is a common source of confusion for spectators and novice fencers.

Foil and sabre (but not épée) are subject to a special set of rules concerning what happens when both fencers land a hit at the same time. The referee may award the point to one of the fencers or neither, but never both. In broad terms, the referee's job is to decide which fencer had tactical initiative; if he cannot decide, no point is given. An action which is deemed as having the necessary initiative is said to have priority or right of way.

The details of these rules are notoriously convoluted, but, in essence, there are four ways to establish right of way:

1. Be the first to launch a continuous and successful attack (i.e. the first to begin extending the arm while threatening the opponent with his weapon and closing distance).
2. Be the last to defend successfully (i.e. to block or divert an opponent's offensive action).
3. Upset the opponents control of the blade (for example, by beating it aside).
4. Establish a point in line before the opponent begins his attack (i.e. extend the arm and point the sword forwards, so that the opponent impales himself when closing distance).

And, conversely, there are also four common ways to lose right of way:

1. Miss.
2. Have your offensive action parried.
3. Allow your opponent to upset your control of the weapon.
4. Break the flow of an offensive action by retracting the arm mid way through (this is seen as a removal of threat and, therefore, a loss of initiative).

These rules have existed, in some form, since 17th century. They were originally developed in order to discourage foolhardy tactics which neglect defence and are likely to result in simultaneous hits (an undesirable result in a duel). Instead they encourage a "conversation of the blades" with initiative passing back and forth between the fencers, until one of them manages to find a hole in the other's defence. Last-ditch renewals and counter-attacks in situations where you cannot prevent yourself from being hit are not counted, because the main goal of the game was, originally, to practice keeping yourself alive.

Needless to say, right of way rules are only relevant when both fencers hit. In practice, there are many viable tactical uses for counter-attacks and renewals, which rely on making your opponent miss through clever management of timing and distance.

In foil, right of way rules apply regardless of whether either of the hits is on or off-target. If the action which had priority is off-target, no point is given (even if the opponent's action is on-target). In sabre, off-target hits do not register, so no equivalent provisions are necessary.

In épée, there are no right of way rules. When both fencers hit, both are given a point, unless they are drawn and fighting for the last point in the bout, in which case they have to keep fighting, until somebody manages to get a clean hit.

Penalties[link]

In fencing, as in many other sports, breaching the rules of the game is punished chiefly through a system of penalty cards. There are three of them:

1. Yellow card – warning (only one yellow card may be issued per bout);
2. Red card – point awarded to the opponent (no limit to how many can be issued);
3. Black card – exclusion from tournament.

The most serious offences (deliberate brutality, manifest cheating, doping etc.) are punished by an immediate black card. The least serious offences (turning one's back towards the opponent, hits made while or after falling, refusal to obey the referee etc.) are punished first by a yellow card and then by a red card for all subsequent offences in the same category. There are a number of categories in between, where a red card is given automatically (with no requirement for a preceding warning), and where repeat offences are punished by a black card (rather than another red). In many cases, yellow and red cards are accompanied by an annulment of the hit made by the fencer at fault.

There are also specific penalties for accidentally coming outside the field of play (doing so deliberately is punished through the normal system of cards).

1. Crossing the lateral boundary with one or both foot results in the loss of 1 meter distance.
2. Crossing one's own end of the strip with both feet results in a point being awarded to the opponent.

Universities and schools[link]

Fencing has a long history with universities and schools. At least one style of fencing, Mensur in Germany is practiced only within universities. University students compete internationally at the World University Games. The United States holds two national level university tournaments including the NCAA championship and the USACFC National Championships^[10] tournaments in the USA and the BUCS fencing championships in the United Kingdom.

Equipment costs and the relatively small scale of the sport limits university fencing to a small number of schools. National fencing organizations have set up programs to encourage more students to fence. Examples include the Regional Youth Circuit program^[11] in the USA and the Leon Paul Youth Development series in the UK.

In recent years, attempts have been made to introduce fencing to a wider and younger audience, by using foam and plastic swords, which require much less protective equipment. This makes it much less expensive to provide classes, and makes it easier to take fencing to a wider range of schools than traditionally has been the case. There is even a competition series in Scotland – the Plastic-and-Foam Fencing FunLeague^[12] – specifically for Primary and early-Secondary school-age children using this equipment.

The UK hosts two national competitions in which schools compete against each other directly; the Public Schools Fencing Championship, a competition only open to Independent Schools,^[13] and the Scottish Secondary Schools Championships, open to all secondary schools in Scotland. It contains both teams and individual events and is highly anticipated. Schools organise matches directly against one another and school age pupils can compete individually in the British Youth Championships.

Many universities in Ontario, Canada have fencing teams that participate in an annual inter-university competition called the OUA Finals.

See also[link]

Fencing portal

• Glossary of fencing
• Outline of fencing

Notes[link]

References[link]

• Evangelista, Nick (1996). The Art and Science of Fencing. Indianapolis: Masters Press. ISBN 1-57028-075-4.
• Evangelista, Nick (2000). The Inner Game of Fencing: Excellence in Form, Technique, Strategy, and Spirit. Chicago: Masters Press. ISBN 1-57028-230-7.
• United States Fencing Association (September 2010). United States Fencing Association Rules for Competition. Retrieved 3 October 2011.
• Amberger, Johann Christoph (1999). The Secret History of the Sword. Burbank: Multi-Media. ISBN 1-892515-04-0
• British Fencing (September 2008). FIE Competition Rules (English) . Official document. Retrieved 16 December 2008.

External links[link]

Look up fencing in Wiktionary, the free dictionary.

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The Basics
The Basics at the Oxford Art Factory, 2010
Background information
Origin	Melbourne, Australia
Genres	Rock
Years active	2002–present
Labels	Independent, Albert Records
Associated acts	Gotye, Down Hills Home, Dog With Wheels, Blood Red Bird
Website	The Basics Official Website
Members
Wally De Backer Kris Schroeder Tim Heath
Past members
Michael Hubbard
Notable instruments
Lead guitar, drums, bass guitar.

The Basics ( /ˈbæzɪtʃ/ BAZZ-ich) are a three-piece band from Melbourne, Australia, formed by Wally De Backer and Kris Schroeder in 2002. Their style has been described as anything from 'indie-pop' to 'rock'n'roll' to 'pop-rock', though their records show they span a wide range of genres, including reggae, ska, country, and electro-pop. They are "recognised as one of Australia's hardest-working bands".^[1]

With close to 1000 shows in their ten-year career, their live performances are well-known for their sense of humour and energy.^[2]

Formation[link]

The Basics were formed after Kris met Wally at a party in Melbourne.^[3] The event was to see off the young aspiring producer, who was about to depart for Los Angeles, and together with a number of musician friends, the two jammed on some blues-rock standards. Later that night, they bonded over a mutual love of The Beatles, 70s and 80s cartoon theme songs and old Sierra adventure games.

Initially, they played around Melbourne as an acoustic guitar/drums combo, starting at The Opposition in Frankston and the House of Fools in Footscray, where in late 2002 they met Michael Hubbard and later invited him to join them on electric guitar.^[4] Though lacking any real experience with the instrument, Kris willingly purchased his first bass guitar, and the trio was born. During this time, the group start performing songs with more complicated three-part harmony.

During late 2002 and early 2003, The Basics recorded and released an album called Get Back through MGM Distribution. They began what was to become regular tours of the East and West coasts of Australia.

2004-2005: Current lineup[link]

Tim Heath joined the group in June 2004, after Michael decided to pursue his solo career, which has included being one half of Down Hills Home.^[4] Tim was reportedly the only person to reply to an advertisement in Melbourne's Beat Magazine looking for a new guitarist. Tim apparently answered the advertisement - which said the applicant "must have a love of 50s and 60s rock'n'roll" - thinking that he would be meeting "a couple of old guys to play with on the weekends over some beers". They soon recorded For Girls Like You.

The Basics in 2005 continued to tour and play small festivals, and after releasing For Girls Like You through MGM Distribution, they departed for a national tour of Australia, which lasted for two months and took them to every Australian state and territory. Stuart Padbury, a young Melbourne sound engineer, joined them on much of this tour. On returning, the band began demonstrating songs for a new album.

2006-2009: Touring and soundtracks[link]

In 2006, The Basics began recording what was to become known as Stand Out/Fit In. Taking several months, it was not completed until the end of the year, despite intentions to have it released in June. Instead, they held a successful 'album preview', where each of the tracks was demonstrated in 'rough form' accompanied by a music video for each (produced by Melbourne photographic artist James Bryans). The band also talked about the origins of the songs. This event brought a lot of attention to the band for the idea's originality. They pre-released a radio single 'Just Hold On' from the album. The band were invited to play the hugely popular Homebake Festival in Sydney, where they received a great response, after being introduced onto the stage by a short stocky Asian guy with big calves ("one of the highlights" wrote The Daily Telegraph).

In 2007, the band departed on a tri-state residency which saw them play Melbourne, Sydney and Brisbane every week for the month of April - a bold move which brought further attention to the band for its original idea.^[5] Riding on the wave of this tour, Schroeder, De Backer and Heath departed on their first overseas tour which saw them performing 26 shows around Japan, Norway and the United Kingdom.^[6] They also toured twice more up the East Coast, one of which was with popular Japanese band The Bawdies. Their song 'Rattle My Chain' was used in a series of commercials for Volvo Australia. The song 'Hey There!' featured in the British film The Bank Job - starring Jason Statham - and was used as the backing for a February 2007 short film directed by Tim Longhurst called The Rip. Their song 'Better' was featured in a surfing documentary about the invention of the shortboard in 1967.

In 2008, the band appeared on Australia's Channel 9 for Australia Day celebrations, performing two of their songs - 'Just Hold On' and 'Hey There!' - to an estimated audience of 2 million. Securing an Australian Government grant, they embarked on a two-month tour of Australia, specifically targeting "culturally underprivileged groups" in rural and regional schoolchildren and Indigenous communities. The programme had them holding masterclasses and performing alongside Indigenous groups in the remote Northern Territory and Queensland.^[7][8] Their initiative also had them raising money for the charity Lifeline^{[disambiguation needed ]}, their contribution to which was recognised with a plaque at the end of the tour. Season two of Californication starring David Duchovny featured their cover of the classic 'Have Love, Will Travel', most famously covered by 'The Sonics'.

In 2009, The Basics for the first time enjoyed the support of Australian radio network Triple J, which had reportedly snubbed the band's previous material.^[9] The singles 'With This Ship' and 'Like A Brother' were added to the station's playlist, and momentum carried The Basics overseas for a second tour of the United Kingdom and Norway, and also a series of shows in Dublin, Ireland. They were joined by the longtime front-of-house engineer Stuart Padbury, who had been mixing them since 2005. The band was often seen in the Grafton Street Mall in Dublin, busking to promote their concerts there. Their second show in Oslo, Norway, saw the band perform with Hot Tub, one of the members of the Norwegian boy band "Boyzvoice", in his first performance for several years. Season Eight of Scrubs featured the song 'Lookin' Over My Shoulder'.

Despite all this promise, the band's album Keep Your Friends Close - produced and part-recorded by Peter Cobbin at London's Abbey Road Studios - though enjoying many favourable reviews,^{[10][11][12][13]} failed to impress Richard Kingsmill, music director of Triple J. This effectively ended the band's apparent upward spiral and the resulting album launch tour was reportedly "trying".

2010: Hiatus and live album[link]

In 2010, following the band's fourth stint at the Tamworth Country Music Festival, and the recording of a yet-unreleased live album, an indefinite hiatus was announced on the band's websites. This was in part due to the impending release of a new album produced by Wally for his Gotye project, and also to reported tensions within the band following the previous year's disappointments.

However, this hiatus was soon broken with a two-month residency at the Northcote Social Club in Melbourne, which saw an apparent return to form.^[14] The band's EP "Wait For You" enjoys airplay on Triple J.^[15] The Basics also played a one-off show at Sydney's Oxford Art Factory.^[16]

On 20 August 2010, The Basics released their fourth LP /ðəˈbæzɪtʃ/, available free and exclusively from their website for digital download^[17]. The band had reportedly moved to expand their listenership through this free giveaway, though 300 "Deluxe" CD/vinyl versions have been printed. /ðəˈbæzɪtʃ/ was recorded at the Northcote Social Club on 6 February, "in front of a live studio audience", and like the previous record, was mixed by Peter Cobbin at Abbey Road Studios. Technically a self-titled album, the phonetics spell out the accurate pronunciation of the band’s name. Kris Schroeder: "For years we’ve worked at bringing our live energy into the studio and thus far it’s been a bit hit-and-miss. Our trick this time was to pull a switcheroo and bring the studio to us instead; the result is the best and closest to us we’ve sounded yet."

Melbourne thespian and Dog With Wheels bassist David Bramble - friends with Heath from university days - has occasionally joined the band on tour, playing keys, often while sporting a large moustache. Other guests have included Jake Mason (saxophone), also of Cookin' on 3 Burners and The Bamboos^{[disambiguation needed ]}, Gideon Brazil (saxophone, flute), Simon Imrei (guitar and vocals) and Monty MacKenzie (saxophone).

Covers have often made an appearance from various sources: to date, some of the bands covered have been Cream, The Kinks, The Rolling Stones, The Police, Neil Young, Bob Dylan, New Kids on the Block, Richard Berry, Sonny Curtis and The Crickets, JJ Cale, Harry Nilsson, Bill Scott, Ryan Adams and The Coasters (via The Beatles for their cover of Three Cool Cats).

Members[link]

Current

• Wally De Backer - drums, vocals (2002-present)
• Kris Schroeder - bass, vocals (2002-present)
• Tim Heath - guitar, vocals (2004-present)

Former

• Michael Hubbard - guitar, vocals (2002-2004)

Discography[link]

Albums[link]

• Get Back (15 January 2004)
• Stand Out/Fit In (5 May 2007)
• Keep Your Friends Close (25 September 2009)
• /ðəˈbæzɪtʃ/ (20 August 2010)

EP[link]

• For Girls Like You (11 July 2005)
• Lookin' Over My Shoulder (10 February 2007)
• Like A Brother (5 June 2009)
• Wait For You (21 May 2010)

Singles[link]

• Call It Rhythm & Blues (20 August 2004)
• Just Hold On
• With This Ship (22 February 2009)

Upcoming projects[link]

The band is taking a three year hiatus, with an announced return to the stage together in early 2014. Wally De Backer launched Making Mirrors under his Gotye act in August 2011, Tim Heath will be touring and recording with Blood Red Bird, and Kris Schroeder recorded a solo EP titled, Patience in the Face of Control, before leaving Australia to work with the Red Cross in Kenya for a two year sabbatical.

References[link]

External links[link]

• Official Website
• Myspace Website

Race Imboden (born April 17, 1993 in Tampa, Florida) is an American foil fencer. He won the gold medals in the individual foil at the 2012 Pan American Championships.^[1]

Notes[link]

John Wilson Kyle OBE (born 10 January 1926, Belfast, Northern Ireland), commonly referred to as Jack Kyle or Jackie Kyle, is a former rugby union player who played for Ireland, the British Lions and the Barbarians^[2] during the 1940s and 1950s. In 1950, Kyle was declared one of the six players of the year by the New Zealand Rugby Almanac,^[3] in 1999, he was inducted into the International Rugby Hall of Fame,^[4] in 2002, he was named the Greatest Ever Irish Rugby Player by the Irish Rugby Football Union,^{[5][dead link]} and in 2008, he was inducted into the IRB Hall of Fame.^[6]

Kyle was educated at Belfast Royal Academy and studied medicine at Queen's University, Belfast.^{[7][dead link]} He graduated in 1951 and in 1991, he was awarded an Honorary Doctorate by the University.^{[8][dead link]} In 2007, he was awarded a Lifetime Achievement Award by the Irish Journal of Medical Science and the Royal Academy of Medicine in Ireland.^[9] He has also been awarded an OBE.^{[citation needed]}

Rugby international[link]

Ireland[link]

Kyle first played for Ireland during the Second World War in a friendly against a British Army XV. However, no caps were awarded.^[10] Between 1947 and 1958, while playing for Ireland, he went onto make 46 full appearances and score 24 points, including 7 tries.^{[11][dead link]} The highlight of his Ireland career came during the 1948 Five Nations Championship when, together with Karl Mullen and Mick O'Flanagan, he helped Ireland win a grand slam.^[12] Kyle played in all four games and he is often credited with masterminding Ireland’s success.^[13] In 1949, he also helped Ireland win the Triple Crown and in 1951, they won the title again. Kyle made his last appearance for Ireland against Scotland on March 1 1958. Following a solo try against France at Ravenhill in 1953, an impressed newspaper journalist parodied The Scarlet Pimpernel with the lines:

They seek him here, they seek him there
Those Frenchies seek him everywhere.
That paragon of pace and guile,
That demned elusive Jackie Kyle.

British and Irish Lions[link]

In 1950, Kyle also played for the British Lions on their tour to New Zealand and Australia. He played in 20 of the 29 games, including all six Tests. Among his tour highlights was a display that came in the first Test, a 9-9 draw with New Zealand. Of the Lions' nine points, Kyle scored a try, created another for Ken Jones and won a penalty that was converted by John Robins. During the tour, he also scored a try in the 24-3 defeat of Australia.^[3][4]

Later years[link]

After retiring from club rugby in 1963, Kyle embarked on humanitarian work in Sumatra and Indonesia. Between 1966 and 2000, he worked as a consultant surgeon in Chingola, Zambia. He then returned to Northern Ireland and settled in County Down. He remained involved in rugby and in 2001, established the The Jack Kyle Bursary Fund in support of the Queen's University RFC Rugby Academy.^{[9] [14][15]}

Honours[link]

Ireland

• Five Nations Championship
  • Winners: 1948, 1949, 1951: 3

References[link]