Conventional long name	Shunga Empire
Common name	Shunga Empire
Continent	Asia
Era	Antiquity
Year start	185 BC
Year end	75 BC
P1	Maurya Empire
S1	Kanva dynasty
Image map caption	Approximate extent of the Sunga empire in (circa 185 BCE).
Capital	Pataliputra Vidisa
Common languages	Sanskrit, Prakrit, Pali
Religion	Hinduism/Buddhism
Government type	Monarchy
Leader1	Pusyamitra Sunga
Year leader1	185-151 BC
Leader2	Devabhuti
Year leader2	83-75 BC
Title leader	King

The Shunga Empire () or Sunga Empire is a Magadha dynasty that controlled North-central and Eastern India as well as parts of the northwest (now Pakistan) from around 185 to 73 BCE. It was established after the fall of the Indian Maurya Empire. The capital of the Sungas was Pataliputra. Later kings such as Bhagabhadra also held court at Vidisha, modern Besnagar in Eastern Malwa. The Sunga Empire is noted for its numerous wars with both foreign and indigenous powers. Although very much isn't known, the Mathura school of art and the works of Patanjali colored North India during this empire.

Origins

, Madhya Pradesh (?), Sunga period (2nd-1st century BCE). Musee Guimet.]] The Shunga dynasty was established in 185 BCE, about 50 years after Ashoka's death, when the king Brhadrata, the last of the Mauryan rulers, was assassinated by the then commander-in-chief of the Mauryan armed forces, Pusyamitra Sunga, while he was taking the Guard of Honour of his forces. Pusyamitra Sunga then ascended the throne.

Pushyamitra Sunga became the ruler of the Magadha and neighbouring territories. The kingdom of Pushyamitra was extended up to Narmada in the south, and controlled Jalandhar and Sialkot in the Punjab in the north-western regions, and the city of Ujjain in central India. The Kabul Valley and much of the Punjab passed into the hands of the Indo-Greeks and the Deccan to the Satavahanas.

Pushyamitra died after ruling for 36 years (187-151 BCE). He was succeeded by son Agnimitra. This prince is the hero of a famous drama by one of India's greatest playwrights, Kalidasa. Agnimitra was viceroy of Vidisha when the story takes place. The power of the Sungas gradually weakened. It is said that there were ten Sunga kings.

The Sungas were succeeded by the Kanva dynasty around 73 BCE.

Buddhism

reliefs. Bharhut, 2nd century BCE.]] Following the Mauryans, the first Brahmin king was Pusyamitra Sunga, is believed by some writers with the persecution of Buddhists and a resurgence of Brahmanism that forced Buddhism outwards to Kashmir, Gandhara and Bactria. However, there is doubt as to whether he did persecute Buddhists actively.

Some writers believe that Brahmanism competed in political and spiritual realm with Buddhism

Some Indian scholars are of the opinion that the orthodox Sunga kings were not intolerant towards Buddhism and that Buddhism prospered during the time of the Sunga kings. The existence of Buddhism in Bengal in the Sunga period can also be inferred from a terracotta tablet that was found at Tamralipti and is on exhibit at the Asutosh Museum, University of Calcutta.

An inspriction at Bodh Gaya at the Mahabodhi Temple records the construction of the temple as follows: :"The gift of Nagadevi the wife of King Brahmamitra." So then this further means that the Sungas were in support of Buddhism (Barua, B.M., 'Old Buddhist Shrines at Bodh-Gaya Inscriptions). Another inscription reads: :"The gift of Kurangi, the mother of living sons and the wife of King Indragnimitra, son of Kosiki. The gift also of Srima of the royal palace shrine (Barua, B.M., 'Old Buddhist Shrines at Bodh-Gaya Inscriptions). "

.]] Cunningham has regretted the loss of the latter part of these important records. As regards the first coping inscription, he has found traces of eleven Brahmi letters after "Kuramgiye danam", the first nine of which read "rajapasada-cetika sa". Bloch reads these nine letters as "raja-pasada-cetikasa" and translates this expression in relation to the preceding words: ::"(the gift of Kurangi, the wife of Indragnimitra and ::the mother of living sons), "to the caitya (cetika) ::of the noble temple", taking the word raja before ::pasada as an epithet on ornans, distinguishing the ::temple as a particularly large and stately building ::similar to such expressions as rajahastin 'a noble ::elephant', rajahamsa `a goose (as distinguished from ::hamsa 'a duck'), etc." Cunningham has translated the ::expression by "the royal palace, the caitya", ::suggesting that "the mention of the raja-pasada would ::seem to connect the donor with the king's family," ::Luders doubtfully suggests "to the king's temple" as ::a rendering of "raja-pasada-cetikasa."

Wars of the Sungas

. Bharhut, Madhya Pradesh, Sunga Period, c.100-80BC. Reddish brown sandstone.Indian Museum, Calcutta (drawing).]]

War and conflict characterized the Sunga period. They are known to have warred with the Kalingas, Satavahanas, the Indo-Greeks, and possibly the Panchalas and Mathuras.

The Shunga Empire's wars with the Indo-Greek Kingdom figure greatly in the history of this period. From around 180 BCE the Greco-Bactrian ruler Demetrius, conquered the Kabul Valley and is theorized to have advanced into the trans-Indus. The Indo Greek Menander is credited with either joining or leading a campaign to Pataliputra with other Indian Kings; however, very little is known about the exact nature and success of the campaign. The net result of these wars remains uncertain.

Some interpretations of the Mahabharata and Yuga Purana have attempted to account for this:

The Anushasanaparava of the Mahabharata affirms that the city of Mathura was under the joint control of the Yavanas and the Kambojas.

Also the Hindu text of the Yuga Purana, which describes Indian historical events in the form of a prophecy, relates the attack of the Indo-Greeks on the capital Pataliputra, a magnificent fortified city with 570 towers and 64 gates according to Megasthenes, and describes the ultimate destruction of the city's walls: : "Then, after having approached Saketa together with the Panchalas and the Mathuras, the Yavanas, valiant in battle, will reach Kusumadhvaja ("The town of the flower-standard", Pataliputra). Then, once Puspapura (another name of Pataliputra) has been reached and its celebrated mud[-walls] cast down, all the realm will be in disorder." (Yuga Purana, Paragraph 47-48, 2002 edition.)

Pushyamitra is recorded to have performed two Ashvamedha Yagnas and Sunga imperial inscriptions have extended as far as Jalandhar. Scriptures such as the Divyavadhana note that his rule extended even farther to Sialkot, in the Punjab. Moreover, if it was lost, Mathura was regained by the Sungas around 100 BCE (or by other indigenous rulers: the Arjunayanas (area of Mathura) and Yaudheyas mention military victories on their coins ("Victory of the Arjunayanas", "Victory of the Yaudheyas"), and during the 1st century BCE, the Trigartas, Audumbaras and finally the Kunindas also started to mint their own coins). Accounts of battles between the Greeks and the Sunga in Northwestern India are also found in the Mālavikāgnimitram, a play by Kālidāsa which describes a battle between Greek cavalrymen and Vasumitra, the grandson of Pushyamitra, on the Indus river, in which the Indians defeated the Greeks and Pushyamitra successfully completed the Ashvamedha Yagna.

Nevertheless, very little can be said with great certainty. However, what does appear clear is that the two realms appeared to have established normalized diplomatic relations in the succeeding reigns of their respective rulers.

The Indo-Greeks and the Sungas seem to have reconciled and exchanged diplomatic missions around 110 BCE, as indicated by the Heliodorus pillar, which records the dispatch of a Greek ambassador named Heliodorus, from the court of the Indo-Greek king Antialcidas, to the court of the Sunga king Bhagabhadra at the site of Vidisha in central India.

Cultural contributions

.]] While there is much debate on the religious politics of the Sunga dynasty, it is recognized for a number of contributions. Art, education, philosophy, and other learning flowered during this period. Most notably, Patanjali's Yoga Sutras and Mahabhasya were composed in this period , Panini composed the first Sanskrit grammarian Ashtadayai. It is also noted for its subsequent mention in the Malavikaagnimitra. This work was composed by Kalidasa in the later Gupta period, and romanticized the love of Malavika and King Agnimitra, with a background of court intrigue.

Artistry on the subcontinent also progressed with the rise of the Mathura school, which is considered the indigenous counterpart to the more Hellenistic Gandhara school of Afghanistan and Pakistan.

During the historical Sunga period (185 to 73 BCE), Buddhist activity also managed to survive somewhat in central India (Madhya Pradesh) as suggested by some architectural expansions that were done at the stupas of Sanchi and Barhut, originally started under King Ashoka. It remains uncertain whether these works were due to the weakness of the control of the Sungas in these areas, or a sign of tolerance on their part.

The last of the Sunga kings was Devabhuti (83-73 BCE). He was assassinated by his minister (Vasudeva Kanva) and is said to have been overfond of the company of women. The Sunga dynasty was then replaced by the subsequent Kanvas.

Script

The script used by the Sunga was a variant of Brahmi, and was used to write the Sanskrit language. The script is thought to be an intermediary between the Maurya and the Kalinga brahmi scripts.

List of Sunga kings

Pusyamitra Sunga (185 - 149 BCE)

Agnimitra (149 - 141 BCE)

Vasujyeshtha (141 - 131 BCE)

Vasumitra (131 - 124 BCE)

Andhraka (124 - 122 BCE)

Pulindaka (122 - 119 BCE)

Ghosha (?)

Vajramitra (?)

Bhagabhadra (?)

Devabhuti (83 - 73 BCE)

See also

Notes

See also

History of Buddhism
History of India
Greco-Buddhism

References

"The Legend of King Asoka, A study and translation of the Asokavadana", John Strong, Princeton Library of Asian translations, 1983, ISBN 0-691-01459-0

References

"Dictionary of Buddhism" by Damien KEOWN (Oxford University Press, 2003) ISBN 0-19-860560-9

"Ashoka and the decline of the Mauryas" Romila Thaper (London 1961).

"The Yuga Purana", John E. Mitchiner, Kolkata, The Asiatic Society, 2002, ISBN 81-7236-124-6

External links

List of rulers of Magadha

Medallions from Barhut

Sunga art in North India (Bharhut and Bodgaya)

Category:75 BC disestablishments Category:States and territories established in 185 BC Category:Former empires Category:Historical Hindu empires Category:Dynasties of Bengal Category:Empires and kingdoms of India Category:History of Bengal Category:Dynasties of India Category:Magadha

Birth name	Whitney Elizabeth Houston
Also known as	The Voice, Queen of R&B;, The Diva of all Divas
Background	solo_singer
Born	August 09, 1963 Newark, New Jersey, U.S.
Origin	East Orange, New Jersey
Instrument	Vocals, piano
Genre	R&B;, pop, dance, soul, gospel
Occupation	Singer, songwriter, actress, record producer, film producer
Years active	1985–present
Label	Arista/Sony Music
Associated acts	Mariah Carey, Chaka Khan, Bobby Brown
Url

Whitney Elizabeth Houston (born August 9, 1963) is an American R&B;/Pop singer, actress, and former fashion model. A relative of several prominent soul singers, including her mother Cissy Houston, cousins Dionne Warwick and Dee Dee Warwick, and Godmother Aretha Franklin, Houston began singing at her New Jersey church as a member of a junior gospel choir at age eleven. After she began performing alongside her mother at night clubs in the New York City area, she was discovered by Arista Records label head Clive Davis. Houston has released studio albums and movie soundtrack albums throughout her career, all of which have had diamond, multi-platinum, platinum, or gold certification.

Houston released her debut album Whitney Houston in 1985, which became the best-selling debut album by a female act at the time of its release. Her second studio album Whitney (1987) became the first album by a female artist to debut at number one on the Billboard 200 albums chart.

Houston appeared in her first starring role in the feature film The Bodyguard in 1992. The film's won the 1994 Grammy Award for Album of the Year. Its lead single, "I Will Always Love You", became the best-selling single by a female artist in music history. After the release of her fourth studio album My Love Is Your Love (1998), she renewed her recording contract with Arista Records in 2001. with 2 Emmy Awards, 6 Grammy Awards, 16 Billboard Music Awards, 22 American Music Awards, among a total of 411 career awards as of 2006. Houston is also one of the world's best-selling music artists, having sold over 170 million albums and singles worldwide. Although she has released relatively few albums, she is ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone. In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, ranking Houston at number nine. She has been listed by Rolling Stone magazine as one of The 100 Greatest Singers of All Time. Similiary, she is ranked as one of the Top 100 Greatest Artists of All Time by VH1.

Biography

Early life

Whitney Houston was born in what was then a middle income neighborhood of Newark, New Jersey, the third and youngest child of John and gospel singer Cissy Houston. She is of African American, Native American and Dutch descent. Her mother, along with cousins Dionne Warwick and the late Dee Dee Warwick and godmother Aretha Franklin were all notable figures in the gospel, rhythm and blues, pop, and soul genres. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle class area in East Orange, New Jersey when she was four. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended a Catholic single-sex high school, Mount Saint Dominic Academy, where she met her best friend Robyn Crawford, whom she describes as the "sister she never had." While Houston was still in school, her mother continued to teach her how to sing.

1977–84: Early career

Houston spent some of her teenage years touring nightclubs where her mother Cissy was performing, and she would occasionally get on stage and perform with her. In 1977, at age 14, she was a backup singer on the Michael Zager Band's single "Life's a Party". Zager subsequently offered to obtain a recording contract for the young singer, but Cissy declined, wanting her young daughter to finish school first. Then in 1978, at age 15, Houston sang background vocals on Chaka Khan's hit single "I'm Every Woman", a song she would later turn into a hit for herself on her monster-selling soundtrack album The Bodyguard. She also sang back-up on albums by Lou Rawls and Jermaine Jackson. In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared as a lead vocalist on a Paul Jabara album, entitled Paul Jabara and Friends: featuring The Weather Girls, Leata Galloway & Whitney Houston (Columbia Records, 1983). She appeared in Seventeen Magazine and became one of the first women of color to grace the cover of Seventeen magazine. She was also featured in layouts in the pages Glamour, Cosmopolitan, Young Miss and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time.

Houston had previously been offered several recording agencies (Michael Zager in 1980 and Elektra Records in 1981). In 1983, Gerry Griffith, an A&R; representative from Arista Records saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on The Merv Griffin Show.

Houston signed with Arista in 1983 but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, Love Language. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.

1985–86: Rise to prominence

With production from Michael Masser, Kashif, Jermaine Jackson and Narada Michael Walden, Houston's self-titled debut album was released in February 1985. Rolling Stone Magazine praised the new talent, calling her "one of the most exciting new voices in years" while The New York Times called the album "an impressive, musically conservative showcase for an exceptional vocal talent." The first single, the dance-funk "Someone For Me", failed to chart in the US and UK. The next single, "Thinking About You", reached the top ten of the US R&B; Chart, as the album sold modestly. The release of the next single, the soulful ballad "You Give Good Love", peaked at #3 on the U.S. Billboard Hot 100, and went to #1 on the R&B; Charts. The next single, "How Will I Know", peaked at #1 and introduced Houston to the MTV audience thanks to its video. This would make the singer the first African-American female artists to receive heavy rotation on the network. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking #1 and remaining there for three weeks. At the time, Houston released the best-selling debut album by a female artist. Houston then embarked on her world tour, Greatest Love Tour. The album had become an international success, and was certified 13x Platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.

At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was ineligible for the Best New Artist category due to her previous duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for 'Best Pop Vocal Performance, Female' for "Saving All My Love for You". At the same award show, she performed that Grammy-winning hit; that performance later winning her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program. Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is currently listed as one of Rolling Stone's 500 Greatest Albums of All Time and on The Rock & Roll Hall Of Fame's Definitive 200 list. Whitney Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.

1987–91: Whitney, I'm Your Baby Tonight and "The Star Spangled Banner"

Houston’s second album, Whitney, was released in June 1987. The album again featured production from Masser, Kashif and Walden as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. Rolling Stone said, "the narrow channel through which this talent has been directed is frustrating." Still, the album was an enormous success. Houston became the first female artist in music history to debut at number one on the US and UK album chart while also hitting number one or top ten in dozens of other countries around the world. The album's first four singles, "I Wanna Dance With Somebody (Who Loves Me)", "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go" all peaked at number one on the US Hot 100, which gave her a total of seven consecutive number one hits, breaking the record of six previously shared by The Beatles and The Bee Gees. The album's fifth, and final single, "Love Will Save the Day" also became a Top 10 hit on the Hot 100. Whitney has been certified 9x Platinum in the US for shipments of over 9 million copies, and has sold a total of 20 million copies worldwide.

At the Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Also Houston won two American Music Awards in 1988 and 1989 respectively. Following the release of the album, Houston embarked on the Moment of Truth World Tour which was one of the ten highest grossing concert tours of 1987. The success of the tour and her albums ranked Houston #8 for the highest earning entertainers list according to Forbes Magazine. She was the highest earning African-American woman and the third highest entertainer after Bill Cosby and Eddie Murphy.

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. In June 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her current world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–1988 according to Forbes Magazine.

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it." while Entertainment Weekly, at the time thought Houston's shift towards an urban direction was "superficial". The album peaked at number three on the Billboard 200 and went on to be certified four times platinum in America while selling twelve million total worldwide. The first two singles, the new jack swing "I'm Your Baby Tonight" and the gospel-tinged "All The Man That I Need", each hit number one on both the US Hot 100 and US R&B; singles charts. The third and fourth singles, "Miracle"; and "My Name Is Not Susan" peaked at numbers nine and twenty, respectively. A fifth single, "I Belong to You", peaked in the Top 10 on the R&B; charts, while yet a sixth single, the duet with Stevie Wonder entitled, "We Didn't Know", made the R&B; Top 20.

With America at war, Houston performed "The Star Spangled Banner" at Super Bowl XXV in January 1991. VH1 listed the performance as the 12th greatest moment that rocked TV. Her recording of the song was released as a commercial single, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached #50 in November 1968). Houston donated all her share of the proceeds to the Red Cross. Later that year, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the I'm Your Baby Tonight World Tour.

1992–94: Marriage to Bobby Brown and The Bodyguard

Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated. With the huge successes of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston’s first film role was in The Bodyguard, released in 1992 and co-starring Kevin Costner. Houston plays Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. USA Today listed it as one of the 25 most memorable movie moments of the last 25 years. The movie is also notable for not mentioning or needing to explain its interracial aspect. Houston's mainstream appeal allowed people to look at the movie color-blind. Still, controversy arose as some felt the film's ads intentionally hid Houston's face to hide the film's interracial aspect. In an interview with Rolling Stone Magazine in 1993, the singer commented that "people know who Whitney Houston is—I'm black. You can't hide that fact." and The New York Times said she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100.

The film's soundtrack was also a worldwide success. Houston executive produced and contributed six songs for the motion picture's . It featured production from David Foster. Entertainment Weekly said the two cover songs are "artistically satisfying". Rolling Stone said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Some, including Foster and radio programmers, were skeptical that the song would fare well on radio due to Houston's a capella intro. Still, the record company took the risk and released it as the first single and it became a massive global hit. The single peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks. The song also hit number-one in nearly every other country worldwide. The soundtrack debuted at #1 and remained there for twenty non-consecutive weeks and became one of the fastest selling albums ever. At one point the soundtrack sold over a million copies within a week, becoming the first album to do so. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both peaking in the top five, Houston became the first female artist to ever have three singles in the Top 20 simultaneously. The album was certified 17× platinum in the United States with worldwide sales of 42 million, making "The Bodyguard" the only album by a female act on the list of the world's Top 10 best-selling albums. Houston won three Grammys for the album, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won eight American Music Awards at that year's ceremony, including the Award of Merit, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour in 1993 and 1994. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–1994, just behind Oprah Winfrey and Barbra Streisand according to Forbes Magazine. Houston placed in the top five of Entertainment Weekly's annual "Entertainer of the Year" ranking and was labeled by Premier Magazine as one of the 100 most powerful people in Hollywood.

In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela."

1995–97: Waiting to Exhale, The Preacher's Wife and Cinderella

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film Waiting to Exhale, a motion picture about four African-American women struggling with relationships. Houston plays the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers". it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that have become popular in the 2000s. The film is also notable for its portrayal of black women as strong middle class citizens as opposed to stereotypes. The reviews were mainly positive for the ensemble cast. The New York Times said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in 'The Bodyguard' seem so distant." Houston was nominated for an NAACP Image Award for "Outstanding Actress In A Motion Picture," but lost to her co-star Bassett.

Like Houston's previous project, the film's accompanying soundtrack was also a huge hit. Houston co-produced, with Babyface, the soundtrack, . Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at #1, and then spent a record eleven weeks at the #2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at #1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. and has since ranked it as one of the 100 Best Movie Soundtracks. Newsday called it "the most significant R&B; record of the decade." Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work

In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). Houston earned $10 million for the role, making her one of the highest paid actress in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice." Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, like USA Today, noted the presence of her emotional depth, while The UK Times said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for."

In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's Cinderella. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Billie Holliday by performing their hits during the three-night HBO Concert Classic Whitney, live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund.

1998–2000: My Love Is Your Love and Whitney: The Greatest Hits

After spending much of the early and mid 1990s working on motion pictures and their adjacent soundtrack albums, Houston's first studio album in eight years, the critically acclaimed My Love Is Your Love, was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen in the US. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B;, reggae, torch songs, and ballads all with great dexterity. The album featured several hit singles: "When You Believe" (US #15, UK #4), a duet with Mariah Carey for 1998s The Prince of Egypt soundtrack, it also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award; "Heartbreak Hotel" (US #2, UK# 25) featured Faith Evans and Kelly Price, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US #4, UK #3) won Houston her sixth Grammy Award; "My Love Is Your Love" (US #4, UK #2); and "I Learned from the Best" (US #27, UK #19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the U.S. Dance/Clubplay Chart. The album sold four million copies in America (4x platinum) and a total of eleven million worldwide. and The Village Voice called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas’ Live '99, alongside Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date My Love Is Your Love worldwide tour. The European leg was Europe's highest grossing arena tour of the year.

In May 2000, was released. The double disc set peaked at number five in the United States and reached number one in the United Kingdom. While ballad songs were left unchanged, the album is notable for featuring house/club remixes of many of Houston's up-tempo hits, in place of their original version. Also included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", none of which landed in the American Top 40, but were hits in the UK and several other countries. Along with the album, an accompanying DVD was released featuring the music videos to Houston's greatest hits. The greatest hits album was certified triple platinum in the US, with worldwide sales of ten million. Houston and Chase, along with Warner Brothers, were then set to produce a remake of the 1976 film Sparkle about a 1960s singing group of three sisters in Harlem. Aaliyah, who was to star in the remake, was killed in a plane crash in 2001 before production began.

2000–05: Just Whitney, drug allegations and personal struggles

Though Houston was seen as a "good girl" with a perfect image in the '80s and early '90s, during the late '90s her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and canceling concerts and talk-show appearances. With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaiian airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against her and Brown, but rumors of drug usage between the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but did not attend. Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Though her publicist cited throat problems as the reason for the cancellation, many speculated it was drugs. In his book The Big Show: High Times And Dirty Dealings Backstage At The Academy Awards, author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant," and that while Houston was to sing "Over The Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company. She later made an appearance on . Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the terrorist attacks of September 11. The song peaked at #6 this time on the US Hot 100, topping its previous position. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.

Also in 2002, Houston did an interview with Diane Sawyer to promote her upcoming album "Just Whitney". The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." Houston did, however, admit to using other substances at times. Some reviews from publications were positive, but Rolling Stone said the album "only shows an artist vainly trying to reach for her future," while The San Francisco Chronicle said the album did "show signs of life, but not enough to declare a resurrection." The album debuted at #9 on the Billboard Hot 200 chart and it had the highest first week sales of any album Houston had ever released. However, the singles struggled on the charts. "Whatchulookinat", "One of Those Days", and "Try It on My Own" didn't reach the Top 40, but the singles performed somewhat better on the R&B; Chart. All singles, including the song "Love That Man", would become hits on the Billboard Hot Dance Club Play chart, with the latter three reaching number one on that chart. Just Whitney was certified platinum in the United States, and sold approximately three million worldwide.

In late 2003, Houston released her first Christmas album , with a song listing of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. The album received positive reviews. The New York Times praised her "lavish swoops, the sultry whispers, the gospelly asides and the meteoric crescendos." USA Today also gave the album a positive review, stating, "she finds satisfying ways to bring new life to old classics." The single "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US.

In early 2004, husband Bobby Brown starred in his own reality TV program, Being Bobby Brown (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The Hollywood Reporter said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.

2006–present: Return to music, I Look To You and tour

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the next month. On February 1, 2007, Houston asked the court to fast track their divorce. The divorce was finalized on April 24, 2007, with Houston granted custody of the couple's daughter. Less than a month later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition. Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support. In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album. In October 2007, Arista released The Ultimate Collection. In 2009, Houston embarked on a world tour, entitled the Nothing But Love Tour. It is her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention.

Houston released her new album, I Look To You, on August 2009. The album's first two singles are "I Look To You" and "Million Dollar Bill". The album entered the Billboard 200 at #1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since The Bodyguard , and Houston's first studio album to reach number one since 1987's Whitney. Houston gave her first interview in seven years, appearing on Oprah Winfrey's season premiere on September 2009. The interview was billed as "the most anticipated music interview of the decade". The interview was so candid that Whitney admitted using drugs with former husband Bobby Brown describing to Oprah that she "laced marijuana with rock cocaine". Houston has also appeared on European television programs to promote the album. She performed the song "I Look To You" on the German television show Wetten Dass. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on The X Factor in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes". The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look To You" went gold. Houston redeemed herself by appearing on the Italian version of X Factor performing the same song "Million Dollar Bill" to good reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. The performance had one of the best, if not the best reviews on the night. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States.

In January 2010 Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single I Look to You. On January 16, she received the BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors was held at the Warner Theatre in Washington, DC and aired February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper The Mirror reported that Houston was thinking about recording her eighth studio album and would like to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration. Houston also performed on the 2011 BET Celebration of Gospel, with gospel–jazz singer Kim Burrell, held at the Staple Center, Los Angeles. The performance will air on January 30, 2011.

Legacy

Voice and influence

During the 1980s, MTV was coming into its own and received harsh criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black male artists, Houston did the same for black female artists. She became one of the few black female artists to receive heavy rotation on the network following the success of the "How Will I Know" video. Following Houston's breakthrough, other African-American female artists, such as Janet Jackson and Anita Baker, were successful in popular music. Allmusic also noted her contribution to success of black artists on the pop scene, commenting "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity; the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake." The New York Times stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of TIME magazine commented about her first success breaking various barriers as follows; "Of her first album's ten cuts, six were ballads. This chanteuse[Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace." Mary J. Blige said that Houston's inviting her onstage during VH1's Divas Live show in 1999 "opened doors for [her] all over the world."

Houston's debut is currently listed as one of the 500 Greatest Albums of All Time by Rolling Stone magazine Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today in 2007. It stated that she paved the way for Mariah Carey’s chart-topping vocal gymnastics.

Houston is a mezzo-soprano. Her vocal range extends from G below middle C (G₃) to high B-flat (B₅); she can belt out to treble F (F₅). Describing Houston's voice, Mariah Carey states "[She] has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of I Look To You, music critic Ann Powers of The Los Angeles Times writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators," adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano." sixth on Online Magazine COVE's list of the 100 Best Pop Vocalists with a score of 48.5/50. In 2008, Rolling Stone listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's "I Will Always Love You" is a tour de force."

Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, rivaling Celine Dion and Mariah Carey. She is commonly referred to as "The Voice", in reference to her exceptional vocal talent. According to The New York Times, Houston has "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the Los Angeles Times referred to the singer as a "national treasure". Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singerㅡmale or femaleㅡin her wake, and spawned a legion of imitators. A number of artists have acknowledged Houston as an influence. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told USA Today that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Brandy stated "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney half of this generation of singers wouldn't be singing," picking Houston's first album as a work of inspired. Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told Newsday that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called as the New Whitney Houston, also cites her as an influence. Lewis has stated that she idolized as a little girl. Beyoncé Knowles told the Globe and Mail that Houston "inspired [her] to get up there and do what [she] did." Alicia Keys, in the interview on her new studio album with the Billboard magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl." Celine Dion, Toni Braxton, Christina Aguilera, Kelly Clarkson, Britney Spears, Ciara, P!nk, Jennifer Hudson, Amerie, Destiny's Child, Regine Velasquez and Charice have all cited Houston as a musical inspiration.

Discography

Whitney Houston (1985)

Whitney (1987)

I'm Your Baby Tonight (1990)

My Love Is Your Love (1998)

Just Whitney (2002)

(2003)

I Look to You (2009)

Filmography

{| class="wikitable" |- ! colspan=4 style="background:#B0C4DE;"| Film |- ! Year ! width=15% | Title ! width=15% | Role ! Notes and awards |- | 1992 | The Bodyguard | Rachel Marron
(Main role) | Nominated — 1993 MTV Movie Award for Best Female Performance
Nominated — 1993 MTV Movie Award for Best Breakthrough Performance
Nominated — 1993 MTV Movie Award for Best On-Screen Duo with co-star Kevin Costner
Nominated — 1992 Golden Raspberry Award for Worst Actress |- | 1995 | Waiting to Exhale | Savannah Jackson
(Main role) | Nominated — 1996 NAACP Image Award for Outstanding Actress in a Motion Picture |- | 1996 | The Preacher's Wife | Julia Biggs
(Main role) | Won — 1997 NAACP Image Award for Outstanding Actress in a Motion Picture
Nominated — 1997 Blockbuster Entertainment Award for Favorite Female Actress(Comedy/Romance)
Nominated — 1997 Kids' Choice Award for Favorite Movie Actress |}

{| class="wikitable" |- ! colspan=5 style="background:#B0C4DE;" | Television |- ! Year ! Title ! Network ! Role ! Notes |- | style="text-align: center;" | 1984 | Gimme a Break! | NBC | Rita | "Katie's College" (Season 3, Episode 20) |- | style="text-align: center;" | 1985 |Silver Spoons | NBC | As herself | "Head Over Heels" (Season 4, Episode 1, Air date: September 15, 1985) |}

{| class="wikitable" |- ! colspan=5 style="background:#B0C4DE;" | TV Commercial |- ! Year ! width=15% | Company ! Promoting ! Country ! Notes |- | style="text-align: center;" | 1983 | Dr Pepper/Seven Up | Canada Dry
(soft drink beverage) | United States | style="text-align:left;" | Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar free Canada Dry Ginger Ale. |- | style="text-align: center;" | 1986 | Coca-Cola | Diet Coke
(soft drink beverage) | United States | style="text-align:left;" | Houston sang the Diet Coke theme song, "Just for the taste of it." (see the commertial) |- | style="text-align: center;" | 1988 | Coca-Cola | Diet Coke
(soft drink beverage) | United States | style="text-align:left;" | Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it." (see the commercial)

Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music. (see the commercial)

1989 MTV Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alike for them. |- | style="text-align: center;" | 1990 | SANYO | Electronics
(the stereo, TV) | Japan | style="text-align:left;" | Houston sang theme song, "Takin' A Chance," produced by Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of I'm Your Baby Tonight. |- | style="text-align: center;" | 1994
1995 | AT&T; | Telephone services | United States | style="text-align:left;" | Houston sang its theme song, "True Voice." (see the commercial) |}

{| class="wikitable" |- ! colspan=4 style="background:#B0C4DE;" | Production |- ! Year ! Title ! Director ! Notes and awards |- | 1997 | Rodgers & Hammerstein's Cinderella | Robert Iscove | Executive producer
Nominated — 1998 Emmy Award for Outstanding Variety, Music Or Comedy Special
Nominated — 1998 NAACP Image Award for Outstanding Television Movie/Mini-Series |- | 2001 | The Princess Diaries | Garry Marshall | Producer
Won — 2002 Young Artist Award for Best Family Feature Film - Comedy
Nominated — 2002 Broadcast Film Critics Association Award for Best Family Film (Live Action)
Nominated — 2002 Phoenix Film Critics Society Award for Best Family Film
Nominated — 2002 Teen Choice Award for Film - Choice Movie, Comedy |- | 2003 | The Cheetah Girls | Oz Scott | Producer |- | 2004 | | Garry Marshall | Producer |- | 2006 | The Cheetah Girls 2: When in Spain | Kenny Ortega | Co-executive producer |}

Tours and concerts

;World tours

1986: Greatest Love Tour

1987–1988: Moment of Truth World Tour

1991: I'm Your Baby Tonight World Tour

1993–1994: The Bodyguard World Tour

1999: My Love Is Your Love World Tour

2009–2010: Nothing But Love World Tour

;Regional tours

1990: Feels So Right Tour

1997: The Pacific Rim Tour

1998: The European Tour

2004: Soul Divas Tour

;Notable concerts

1988: Nelson Mandela 70th Birthday Tribute

1991: Welcome Home Heroes with Whitney Houston

1991: Super Bowl XXV

1994:

1997: Classic Whitney Live from Washington, D.C.

Further reading

See also

Whitney Houston chart records and achievements

List of Whitney Houston awards

Grammy nominations for Whitney Houston

American Music Award nominations for Whitney Houston

List of best-selling music artists

List of artists who reached number one in the United States

List of artists who reached number one on the U.S. Dance chart

References

External links

Whitney Houston at Whitney Info

Category:Articles with inconsistent citation formats Category:Whitney Houston Category:1963 births Category:African American actors Category:African American female singers Category:American people of Native American descent Category:American people of Dutch descent Category:American dance musicians Category:American female models Category:American film actors Category:American film producers Category:American pop pianists Category:American pop singers Category:American record producers Category:American rhythm and blues singers Category:American mezzo-sopranos Category:American vegetarians Category:Arista Records artists Category:Baptists from the United States Category:English-language singers Category:Grammy Award winners Category:Living people Category:Actors from New Jersey Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from Newark, New Jersey Category:World record holders Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers

Trace Bundy is an instrumental acoustic guitar player who lives and performs in Boulder, Colorado. He is known to fans as "The Acoustic Ninja" for his legato and finger tapping skills. His playing style features him playing with both hands on the fretboard, intricate finger picking arpeggios and inventive use of multiple capos. Bundy is an independent artist and his shows are largely fan-driven.

Career

Bundy was born in Austin, Minnesota and later moved to the small town of Buena Vista, Colorado. He first started playing guitar when he was 11 years old.

Bundy met Jonah Werner (now an acclaimed acoustic folk songwriter) in high school and started playing with him at a local coffee shop in Buena Vista. The duo played mostly Jack'o'Pierce and other various folk songs. Bundy then met Tim Thornton from Newcomers Home and started playing old Dylan and Cat Stevens tunes. They all attended the University of Colorado at Boulder and still continue to play together from time to time. Before pursuing his music career in a full-time capacity, Bundy was an engineering professor at the University of Colorado at Boulder.

Bundy was influenced by a variety of musicians such as David Wilcox, Ani Difranco and Phil Keaggy. He stopped using a pick altogether when he realized he could play more complex music using all five fingers.

Bundy's first musical release was in 1999 with "O Night Divine", a collection of traditional Christmas songs. His next recording, containing all original songs, was 2000's "Solomon's Splendor". In October 2004 he released a CD/DVD combo titled "Adapt". The DVD shows a live concert filmed in Boulder, CO, in the summer of 2004. Many clips from this DVD circulated on YouTube and have received well over one million views. Some of the more popular clips are Trace covering the Backstreet Boys song "I Want It That Way", and Pachelbel's Canon performed on an acoustic guitar using the fingertapping technique. Following this album was "A Few Songs For Christmas", an EP of more Christmas songs released in December 2007.

In 2008, Bundy's released "Missile Bell", a two-part project, consisting of a studio CD, a live CD, and a DVD filmed live at the Boulder Theater in November, 2007. Also in 2008, Bundy was named "Most Promising New Talent of the Year" by Acoustic Guitar Magazine, and came in third in the same magazine's "Best Fingerstyle Guitarist of the Year" category.

Bundy was recently featured in his hometown newspaper, The Louisville Times.

Discography

Releases on the Honest Ninja Music label:

*O Night Divine (1999)

Solomon's Splendor (2000)

ADAPT (2004)

A Few Songs for Christmas EP (2007)

Missile Bell (2008)

References

External links

Official Trace Bundy Web site

Official Myspace Profile

Category:Living people Category:Year of birth missing (living people) Category:Fingerstyle guitarists

Name	Tongai Moyo
Background	solo_singer
Birth name	Tongai Moyo
Born	March 12, 1968
Origin	Kwekwe, Zimbabwe
Instrument	Vocals
Voice type	Baritone
Genre	Sungura
Alias	Dewa
Occupation	Singer-songwriter, dancer, choreographer
Years active	1988–present
Label	Gramma records
Associated acts	Somandla Ndebele

Tongai Moyo is a contemporary Zimbabwean musician, often referred to as Dewa. Born and raised in Kwekwe, Dewa rose to fame in the late 1990s as a solo-artist with the Utakataka express.

References

Category:Zimbabwean musicians Category:1968 births Category:Living people

Title	Korean name
Hangul	정성하
Hanja
Rr	Seongha Jeong
Mr	Sŏngha Jŏng}}

Name	Seongha Jeong
Caption	jwcfree
Birth name	정성하
Birth date	September 02, 1996
Birth place	Seoul, Korea
Nationality	South Korean
Other names	colloquially: Sungha Jung, jwcfree, jungsungha, blueseaJSH
Years active	September 8, 2006–present
Known for	Guitar music
Website	SunghaJung.com

Seongha Jeong (정성하) (colloquially: Sungha Jung) (born September 2, 1996) is a South Korean prodigy guitarist who has risen to fame on YouTube and other sites, mainly through the South Korean audience.

Seongha typically takes three days to learn and practice a new song, and video-record it for upload onto YouTube. His genre selection is rather broad, as he learns and plays many songs that are playable on guitar, therefore consequently spread across numerous genres.

Seongha has won 13 awards on YouTube, including 6 "#1" awards. Also on YouTube, Seongha has 38 videos with over one million views. Seongha's video with the most views is the "Pirates Of The Caribbean", at 13,018,898 views as of January 8, 2010.

Seongha has composed 16 songs as of December 2010, two of which are featured in his debut album, Perfect Blue.

Lately, Seongha has been performing together with Mr. Big. He is currently on tour with Trace Bundy.

YouTube awards

(Ordered highest to lowest)

*#1 - Most Subscribed (All Time) - South Korea

#1 - Most Subscribed (All Time) - Musicians - South Korea

#1 - Most Viewed (This Week) - Musicians - South Korea

#1 - Most Viewed (This Month) - Musicians - South Korea

#1 - Most Viewed (All Time) - South Korea

#1 - Most Viewed (All Time) - Musicians - South Korea

#6 - Most Viewed (This Millenium) - South Korea

#6 - Most Viewed (This Month) - South Korea

#13 - Most Viewed (Today) - Musicians - Zimbabwe

#21 - Most Viewed (This Week) - Musicians

#25 - Most Subscribed (All Time) - Musicians

#54 - Most Viewed (All Time) - Musicians

#93 - Most Viewed (This Month) - Musicians

See also

Yuto Miyazawa, Seongha's Japanese electric guitar-playing counterpart

Trace Bundy, Fellow acoustic guitarist with whom Seongha collaborates

References

External links

Seongha Jeong's homepage

Seongha Jeong's YouTube page - jwcfree

Seongha Jeong's Twitter page - jungsungha

Seongha Jeong's MySpace page - jungsungha

Seongha Jeong's Daum Cafe-club page - blueseaJSH

http://www.facebook.com/pages/Sungha-Jung/

Jung-Sungha.com, A fansite dedicated to Sungha Jung

News Appearances

Sungha on TV - Seoul Broadcasting System - YouTube

Sungha Jung news segment - Why Ten News - YouTube (Korean)

Sungha Jung news segment - unknown news station - YouTube (Korean, with English subtitles)

External Articles

Ericson Tanabe - Guitar Prodigy - Guitar Today

YouTube Guitar Prodigy Sungha Jung Is Legit - URLesque

Sungha Jung, no larger than his guitar - Guitar Flame

The Acoustic Funtwo - Virginia Heffernan - The Medium - THE NEW YORK TIMES

Seongha Jeong's article on Hankooki

Category:South Korean guitarists Category:Fingerstyle guitarists Category:People from Seoul Category:1996 births Category:YouTube video producers Category:Living people

Name	Sarah Geronimo
Imagesize	200px
Background	solo_singer
Birth name	Sarah Asher Tua Geronimo
Origin	Santa Cruz, Manila, Philippines
Born	July 25, 1988
Instrument	Vocals, Piano
Genre	P-pop, R&B;, OPM, American pop, synthpop, electro-pop, jazz
Occupation	Singer, actress, model, dancer
Years active	2002–present
Label	VIVA Records, ASAP Music, Star Records
Url	www.sarahgeronimo.com

Sarah Asher Tua Geronimo (born July 25, 1988) is a singer, host, model, dancer, and actress from the Philippines. Geronimo started her career at a young age and appeared in children's variety shows such as Pen-pen de Sarapen, Ang TV and NEXT. Following her debut, she recorded five more albums: Sweet Sixteen in 2004, Becoming in 2006, Taking Flight in 2007, Just Me in 2008, and Music and Me in 2009. She also recorded a Christmas album, Your Christmas Girl, in 2009. She joined the fourth-season cast of the teen-oriented television program SCQ Reload: Kilig Ako, and appeared in the fantasy movie Lastikman, produced by VIVA Films. She hosted three talent competitions, Search For Star in a Million, Little Big Star and Little Big Superstar. In the latter half of 2007, Geronimo appeared in her third television series for ABS-CBN, Pangarap Na Bituin.

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External links

Official website

Sarah Geronimo on The Internet Movie Database

Category:1988 births Category:Filipino actors Category:Filipino child actors Category:Filipino child singers Category:Filipino female models Category:Filipino female singers Category:Filipino film actors Category:Living people Category:People from Manila Category:Reality show winners