The examples and perspective in this article deal primarily with English-speaking territories and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (May 2012)

Literature (from Latin litterae (plural); letter) is the art of written work, and is not confined to published sources (although, under some circumstances, unpublished sources can also be exempt). The word literature literally means "things made from letters" and the pars pro toto term "letters" is sometimes used to signify "literature," as in the figures of speech "arts and letters" and "man of letters." The four major classifications of literature are poetry, prose, fiction, and non-fiction.

Literature may consist of texts based on factual information (journalistic or non-fiction), as well as on original imagination, such as polemical works as well as autobiography, and reflective essays as well as belles-lettres. Literatures can be divided according to historical periods, genres, and political influences. The concept of genre, which earlier was limited, has now broadened over the centuries. A genre consists of artistic works which fall within a certain central theme, and examples of genre include romance, mystery, crime, fantasy, erotica, and adventure, among others. Important historical periods in English literature include the 17th Century Shakespearean and Elizabethan times, Middle English, Old English, 19th Century Victorian, the Renaissance, the 18th Century Restoration, and 20th Century Modernism. Important political movements that have influenced literature include feminism, post-colonialism, psychoanalysis, post-structuralism, post-modernism, romanticism and Marxism. Literature is also observed in terms of gender, race and nationality, which include Black writing in America, African writing, Indian writing, Dalit writing, women's writing, and so on.

History[link]

Old book bindings at the Merton College, Oxford library

The Epic of Gilgamesh is one of the earliest known literary works. This Babylonian epic poem arises from stories in the Sumerian language. Although the Sumerian stories are older (probably dating to at least 2100 B.C.), it was probably composed around 1900 BC. The epic deals with themes of heroism, friendship, loss, and the quest for eternal life.

Different historical periods are reflected in literature. National and tribal sagas, accounts of the origin of the world and of customs, and myths which sometimes carry moral or spiritual messages predominate in the pre-urban eras. The epics of Homer, dating from the early to middle Iron age, and the great Indian epics of a slightly later period, have more evidence of deliberate literary authorship, surviving like the older myths through oral tradition for long periods before being written down.

As a more urban culture developed, academies provided a means of transmission for speculative and philosophical literature in early civilizations, resulting in the prevalence of literature in Ancient China, Ancient India, Persia and Ancient Greece and Rome. Many works of earlier periods, even in narrative form, had a covert moral or didactic purpose, such as the Sanskrit Panchatantra or the Metamorphoses of Ovid. Drama and satire also developed as urban culture provided a larger public audience, and later readership, for literary production. Lyric poetry (as opposed to epic poetry) was often the speciality of courts and aristocratic circles, particularly in East Asia where songs were collected by the Chinese aristocracy as poems, the most notable being the Shijing or Book of Songs. Over a long period, the poetry of popular pre-literate balladry and song interpenetrated and eventually influenced poetry in the literary medium.

In ancient China, early literature was primarily focused on philosophy, historiography, military science, agriculture, and poetry. China, the origin of modern paper making and woodblock printing, produced one of the world's first print cultures.^[1] Much of Chinese literature originates with the Hundred Schools of Thought period that occurred during the Eastern Zhou Dynasty (770-256 BCE). The most important of these include the Classics of Confucianism, of Daoism, of Mohism, of Legalism, as well as works of military science (e.g. Sun Tzu's The Art of War) and Chinese history (e.g. Sima Qian's Records of the Grand Historian). Ancient Chinese literature had a heavy emphasis on historiography. The Chinese kept consistent and accurate court records after the year 841 BCE, with the beginning of the Gonghe regency of the Western Zhou Dynasty. An exemplary piece of narrative history of ancient China was the Zuo Zhuan, which was compiled no later than 389 BCE, and attributed to the blind 5th century BCE historian Zuo Qiuming.

In ancient India, literature originated from stories that were originally orally transmitted. Early genres included drama, fables, sutras and epic poetry. Sanskrit literature begins with the Vedas, dating back to 1500–1000 BCE, and continues with the Sanskrit Epics of Iron Age India. The Vedas are among the oldest sacred texts. The Samhitas (vedic collections) date to roughly 1500–1000 BCE, and the "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c. 1000-500 BCE, resulting in a Vedic period, spanning the mid 2nd to mid 1st millennium BCE, or the Late Bronze Age and the Iron Age.^[2] The period between approximately the 6th to 1st centuries BC saw the composition and redaction of the two most influential Indian epics, the Mahabharata and the Ramayana, with subsequent redaction progressing down to the 4th century AD.

In ancient Greece, the epics of Homer, who wrote the Iliad and the Odyssey, and Hesiod, who wrote Works and Days and Theogony, are some of the earliest, and most influential, of Ancient Greek literature. Classical Greek genres included philosophy, poetry, historiography, comedies and dramas. Plato and Aristotle authored philosophical texts that are the foundation of Western philosophy, Sappho and Pindar were influential lyrical poets, and Herodotus and Thucydides were early Greek historians. Although drama was popular in Ancient Greece, of the hundreds of tragedies written and performed during the classical age, only a limited number of plays by three authors still exist: Aeschylus, Sophocles, and Euripides. The plays of Aristophanes provide the only real examples of a genre of comic drama known as Old Comedy, the earliest form of Greek Comedy, and are in fact used to define the genre.^[3]

Johann Wolfgang von Goethe, German writer and author of the Faust books

Roman histories and biographies anticipated the extensive mediaeval literature of lives of saints and miraculous chronicles, but the most characteristic form of the Middle Ages was the romance, an adventurous and sometimes magical narrative with strong popular appeal. Controversial, religious, political and instructional literature proliferated during the Renaissance as a result of the invention of printing, while the mediaeval romance developed into a more character-based and psychological form of narrative, the novel, of which early and important examples are the Chinese Monkey and the German Faust books.

In the Age of Reason philosophical tracts and speculations on history and human nature integrated literature with social and political developments. The inevitable reaction was the explosion of Romanticism in the later 18th century which reclaimed the imaginative and fantastical bias of old romances and folk-literature and asserted the primacy of individual experience and emotion. But as the 19th-century went on, European fiction evolved towards realism and naturalism, the meticulous documentation of real life and social trends. Much of the output of naturalism was implicitly polemical, and influenced social and political change, but 20th century fiction and drama moved back towards the subjective, emphasising unconscious motivations and social and environmental pressures on the individual. Writers such as Proust, Eliot, Joyce, Kafka and Pirandello exemplify the trend of documenting internal rather than external realities.

Genre fiction also showed it could question reality in its 20th century forms, in spite of its fixed formulas, through the enquiries of the skeptical detective and the alternative realities of science fiction. The separation of "mainstream" and "genre" forms (including journalism) continued to blur during the period up to our own times. William Burroughs, in his early works, and Hunter S. Thompson expanded documentary reporting into strong subjective statements after the second World War, and post-modern critics have disparaged the idea of objective realism in general.

Poetry[link]

A poem is a composition written in verse (although verse has been equally used for epic and dramatic fiction). Poems rely heavily on imagery, precise word choice, and metaphor; they may take the form of measures consisting of patterns of stresses (metric feet) or of patterns of different-length syllables (as in classical prosody); and they may or may not utilize rhyme. One cannot readily characterize poetry precisely. Typically though, poetry as a form of literature makes some significant use of the formal properties of the words it uses – the properties of the written or spoken form of the words, independent of their meaning. Meter depends on syllables and on rhythms of speech; rhyme and alliteration depend on the sounds of words.

Arguably, poetry pre-dates other forms of literature. Early examples include the Sumerian Epic of Gilgamesh (dated from around 2700 B.C.), parts of the Bible, the surviving works of Homer (the Iliad and the Odyssey), and the Indian epics Ramayana and Mahabharata. In cultures based primarily on oral traditions the formal characteristics of poetry often have a mnemonic function, and important texts: legal, genealogical or moral, for example, may appear first in verse form.

Some poetry uses specific forms. Examples include the haiku, the limerick, and the sonnet. A traditional haiku written in Japanese relate to nature, contain seventeen onji (syllables), distributed over three lines in groups of five, seven, and five, and should also have a kigo, a specific word indicating a season. A limerick has five lines, with a rhyme scheme of AABBA, and line lengths of 3,3,2,2,3 stressed syllables. It traditionally has a less reverent attitude towards nature. Poetry not adhering to a formal poetic structure is called "free verse".

Language and tradition dictate some poetic norms: Persian poetry always rhymes, Greek poetry rarely rhymes, Italian or French poetry often does, English and German poetry can go either way. Perhaps the most paradigmatic style of English poetry, blank verse, as exemplified in works by Shakespeare and Milton, consists of unrhymed iambic pentameters. Some languages prefer longer lines; some shorter ones. Some of these conventions result from the ease of fitting a specific language's vocabulary and grammar into certain structures, rather than into others; for example, some languages contain more rhyming words than others, or typically have longer words. Other structural conventions come about as the result of historical accidents, where many speakers of a language associate good poetry with a verse form preferred by a particular skilled or popular poet.

Works for theatre (see below) traditionally took verse form. This has now become rare outside opera and musicals, although many would argue that the language of drama remains intrinsically poetic.

In recent years, digital poetry has arisen that takes advantage of the artistic, publishing, and synthetic qualities of digital media.

Essays[link]

An essay consists of a discussion of a topic from an author's personal point of view, exemplified by works by Michel de Montaigne or by Charles Lamb.

"Essay" in English derives from "attempt".^{[citation needed]} Thus, one can find open-ended, provocative, and inconclusive poems. The term "essays" first applied to the self-reflective musings of Michel de Montaigne, who has a reputation as the father of this literary form.^{[citation needed]}

Genres related to the essay may include:

• the memoir, saying the story of an author's life from the author's personal point of view
• the epistle: usually a formal, didactic, or elegant letter.
• works by Lady Murasaki^{[citation needed]}, the Arabic Hayy ibn Yaqdhan by Ibn Tufail, the Arabic Theologus Autodidactus by Ibn al-Nafis, and the Chinese Romance of the Three Kingdoms by Luo Guanzhong^{[citation needed]}.

Early novels in Europe did not count as significant litera perhaps because "mere" prose writing seemed easy and unimportant.^{[citation needed]} It has become clear, however, that prose writing can provide aesthetic pleasure without adhering to poetic forms. Additionally, the freedom authors gain in not having to concern themselves with verse structure translates often into a more complex plot or into one richer in precise detail than one typically finds even in narrative poetry. This freedom also allows an author to experiment with many different literary and presentation styles—including poetry—in the scope of a single novel.

Other prose literature[link]

Philosophical, historical, journalistic, and scientific writings are traditionally ranked as literature. They offer some of the oldest prose writings in existence; novels and prose stories earned the names "fiction" to distinguish them from factual writing or nonfiction, which writers historically have crafted in prose.

Natural science[link]

As advances and specialization have made new scientific research inaccessible to most audiences, the "literary" nature of science writing has become less pronounced over the last two centuries. Now, science appears mostly in journals. Scientific works of Aristotle, Copernicus, and Newton still possess great value, but since the science in them has largely become outdated, they no longer serve for scientific instruction. Yet, they remain too technical to sit well in most programmes of literary study. Outside of "history of science" programmes, students rarely read such works.

Philosophy[link]

Philosophy, too, has become an increasingly academic discipline. More of its practitioners lament this situation than occurs with the sciences; nonetheless most new philosophical work appears in academic journals. Major philosophers through history—Plato, Aristotle, Socrates, Augustine, Descartes, Kierkegaard, Nietzsche—have become as canonical as any writers. Some recent philosophy works are argued to merit the title "literature", such as some of the works by Simon Blackburn; but much of it does not, and some areas, such as logic, have become extremely technical to a degree similar to that of mathematics.

History[link]

A great deal of historical writing ranks as literature, particularly the genre known as creative nonfiction. So can a great deal of journalism, such as literary journalism. However these areas have become extremely large, and often have a primarily utilitarian purpose: to record data or convey immediate information. As a result the writing in these fields often lacks a literary quality, although it often and in its better moments has that quality. Major "literary" historians include Herodotus, Thucydides and Procopius, all of whom count as canonical literary figures.

Law[link]

Law offers a less clear case. Some writings of Plato and Aristotle, the law tables of Hammurabi of Babylon, or even the early parts of the Bible could be seen as legal literature. Roman civil law as codified in the Corpus Juris Civilis during the reign of Justinian I of the Byzantine Empire has a reputation as significant literature. The founding documents of many countries, including Constitutions and Law Codes, can count as literature; however, most legal writings rarely exhibit much literary merit, as they tend to be rather garrulous.

Drama[link]

A magic carpet, was a legendary carpet that can be used to transport persons who are on it instantaneously or quickly to their destination in the stories of the One Thousand and One Nights.

A play or drama offers another classical literary form that has continued to evolve over the years. It generally comprises chiefly dialogue between characters, and usually aims at dramatic / theatrical performance (see theatre) rather than at reading. During the 18th and 19th centuries, opera developed as a combination of poetry, drama, and music. Nearly all drama took verse form until comparatively recently. Shakespeare could be considered drama. Romeo and Juliet, for example, is a classic romantic drama generally accepted as literature.

Greek drama exemplifies the earliest form of drama of which we have substantial knowledge. Tragedy, as a dramatic genre, developed as a performance associated with religious and civic festivals, typically enacting or developing upon well-known historical or mythological themes. Tragedies generally presented very serious themes. With the advent of newer technologies, scripts written for non-stage media have been added to this form. War of the Worlds (radio) in 1938 saw the advent of literature written for radio broadcast, and many works of Drama have been adapted for film or television. Conversely, television, film, and radio literature have been adapted to printed or electronic media.

Oral literature[link]

The term oral literature refers not to written, but to oral traditions, which includes different types of epic, poetry and drama, folktales, ballads. However the use of this oxymoron is controversial and not generally accepted by the scientific community. Some prefer to avoid the etymological question using "oral narrative tradition", "oral sacred tradition", "oral poetry" or directly using epics or poetry (terms that do not necessarily imply writing), others prefer to create neologisms as orature.

Other narrative forms[link]

• Electronic literature is a literary genre consisting of works which originate in digital environments.
• Films, videos and broadcast soap operas have carved out a niche which often parallels the functionality of prose fiction.
• Graphic novels and comic books present stories told in a combination of sequential artwork, dialogue and text.

Genres of literature[link]

A literary genre is a category of literature.

Literary techniques[link]

A literary technique or literary device can be used by works of literature in order to produce a specific effect on the reader. Literary technique is distinguished from literary genre as military tactics are from military strategy. Thus, though David Copperfield employs satire at certain moments, it belongs to the genre of comic novel, not that of satire. By contrast, Bleak House employs satire so consistently as to belong to the genre of satirical novel. In this way, use of a technique can lead to the development of a new genre, as was the case with one of the first modern novels, Pamela by Samuel Richardson, which by using the epistolary technique strengthened the tradition of the epistolary novel, a genre which had been practiced for some time already but without the same acclaim.

Literary criticism implies a critique and evaluation of a piece of literature and in some cases is used to improve a work in progress or classical piece. There are many types of literary criticism and each can be used to critique a piece in a different way or critique a different aspect of a piece.

Legal status[link]

UK[link]

Literary works have been protected by copyright law from unauthorised reproduction since at least 1710.^[4] Literary works are defined by copyright law to mean any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes (a) a table or compilation (other than a database), (b) a computer program, (c) preparatory design material for a computer program, and (d) a database.

It should be noted that literary works are not limited to works of literature, but include all works expressed in print or writing (other than dramatic or musical works).^[5]

See also[link]

	Literature portal
	Writing portal

• Philosophy and literature

Lists

• List of authors
• List of books
• List of literary awards
• List of literary terms
• List of prizes, medals, and awards for literary prizes.
• List of women writers
• List of writers

Related topics

• Asemic writing
• Children's literature
• Cultural movement for literary movements.
• English studies
• Ergodic literature
• Erotic literature
• Fiction
• Hinman collator
• History of literature (antiquity–1800)
• History of modern literature (1800– )
• Hungryalism
• Literature basic topics
• Literary agent
• Literary criticism
• Literature cycle
• Literary magazine
• Modern Language Association
• Orature
• Postcolonial literature
• Rabbinic literature
• Rhetorical modes
• Scientific literature
• Vernacular literature
• World literature

Associations devoted to the study of language and literature

• American Council of Learned Societies (for list of member societies)
• Modern Language Association

Notes[link]

External links[link]

Find more about Literature on Wikipedia's sister projects:
	Definitions and translations from Wiktionary
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

	Book: Literature
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• English Literature Forum
• Project Gutenberg Online Library
  • Abacci – Project Gutenberg texts matched with Amazon reviews
• Internet Book List similar to IMDb but for books
• Internet Archive Digital eBook Collection

David Foster Wallace (February 21, 1962 – September 12, 2008) was an award-winning American author of novels, essays, and short stories, and a professor at Pomona College in Claremont, California. He was widely known for his 1996 novel Infinite Jest.^[4][5] In 2005, Time magazine included the novel in its list of the 100 best English-language novels from 1923 to the present.^[6]

Los Angeles Times book editor David Ulin called Wallace "one of the most influential and innovative writers of the last 20 years."^[4] Wallace's unfinished novel, The Pale King, was published in 2011, and in 2012 was a finalist for the Pulitzer Prize. A biography of Wallace by D. T. Max, titled Every Love Story Is a Ghost Story, will be published in September 2012.^[7]

Biography[link]

Personal[link]

Wallace was born in Ithaca, New York, to James Donald Wallace and Sally Foster Wallace. In his early childhood, Wallace lived in Champaign, Illinois. In fourth grade, he moved to Urbana and attended Yankee Ridge school and Urbana High School. As an adolescent, Wallace was a regionally ranked junior tennis player.

He attended his father's alma mater, Amherst College, and majored in English and philosophy, with a focus on modal logic and mathematics. His philosophy senior thesis on modal logic, titled Richard Taylor's 'Fatalism' and the Semantics of Physical Modality (described in James Ryerson's 2008 New York Times essay "Consider the Philosopher"^[8]) was awarded the Gail Kennedy Memorial Prize.^[9] His other senior thesis, written for his English major, would later become his first novel.^[10] Wallace graduated summa cum laude for both theses in 1985, and in 1987 received a Master of Fine Arts in creative writing from the University of Arizona.

Though he made little mention of it in his writing, Wallace belonged to a church wherever he lived.^[11]

Family[link]

Wallace's father was James D. Wallace, who accepted a teaching job at the University of Illinois at Urbana-Champaign in the fall of 1962 after finishing his graduate course work in philosophy at Cornell University. He received his PhD from Cornell in 1963 and is now Emeritus Professor at Urbana-Champaign. Wallace's mother, Sally Foster Wallace, attended graduate school in English Composition at the University of Illinois and became a professor of English at Parkland College — a community college in Champaign — where she won a national Professor of the Year award in 1996. Wallace's younger sister, Amy Wallace Havens of Tucson, Arizona, has practiced law since 2005.

In the early 1990s, Wallace had a relationship with the poet and memoirist Mary Karr (The Liars' Club). Wallace married painter Karen L. Green on December 27, 2004.^[12][13] Dogs played an important role in Wallace's life;^[14] he was very close to his two dogs, Bella and Warner,^[13] had spoken of opening a dog shelter,^[14] and according to Jonathan Franzen "had a predilection for dogs who'd been abused, and [were] unlikely to find other owners who were going to be patient enough for them."^[13]

Death[link]

Wallace committed suicide by hanging himself on September 12, 2008.^[15] In an interview with The New York Times, Wallace's father reported that Wallace had suffered from depression for more than 20 years and that antidepressant medication had allowed him to be productive.^[12] When he experienced severe side effects from the medication, Wallace attempted to wean himself from his primary antidepressant, phenelzine.^[13] On his doctor's advice, Wallace stopped taking the medication in June 2007,^[12] and the depression returned. Wallace received other treatments, including electroconvulsive therapy. When he returned to phenelzine, he found it had lost its effectiveness.^[13] In the months before his death, his depression became severe.^[12]

Numerous gatherings were held to honor Wallace after his death, including memorial services at Pomona College, Amherst College, University of Arizona, and on October 23, 2008, at NYU — the latter with speakers including his sister, Amy Wallace Havens; his agent, Bonnie Nadell; Gerry Howard, the editor of his first two books; Colin Harrison, editor at Harper's Magazine; Michael Pietsch, the editor of Infinite Jest and Wallace's later work; Deborah Treisman, fiction editor at The New Yorker; as well as authors Don DeLillo, Zadie Smith, George Saunders, Mark Costello, Donald Antrim, and Jonathan Franzen.^[16]

Writing and other media[link]

Career[link]

David Foster Wallace giving a reading for Booksmith at San Francisco's All Saints Church in 2006

Wallace's first novel, 1987's The Broom of the System, garnered national attention and critical praise. Caryn James of The New York Times called it a successful "manic, human, flawed extravaganza," "emerging straight from the excessive tradition of Stanley Elkin's Franchiser, Thomas Pynchon's V., John Irving's World According to Garp."^[17] Wallace moved to Boston, Massachusetts, for graduate school in philosophy at Harvard University, but soon abandoned it. In 1991 he began teaching literature as an adjunct professor at Emerson College in Boston.

In 1992, at the behest of colleague and supporter Steven Moore, Wallace obtained a position in the English department at Illinois State University. He had begun work on his second novel, Infinite Jest, in 1991, and submitted a draft to his editor in December 1993. After the publication of excerpts throughout 1995, the book was published in 1996.

Wallace published short fiction in Might, GQ, Playboy, The Paris Review, Harper's Magazine, Mid-American Review, Conjunctions, Esquire, Open City, Timothy McSweeney's Quarterly Concern, The New Yorker, and Science.

In 1997, Wallace received a MacArthur Fellowship, as well as the Aga Khan Prize for Fiction, awarded by editors of The Paris Review for one of the stories in Brief Interviews — "Brief Interviews with Hideous Men #6" — which had appeared in the magazine.

In 2002, he moved to Claremont, California, to become the first Roy E. Disney Professor of Creative Writing and Professor of English at Pomona College. He taught one or two undergraduate courses per semester, and focused on his writing.

In May 2005, Wallace delivered the commencement address to the graduating class at Kenyon College. The speech was published as a book in 2009 under the title This Is Water.^[18]

Bonnie Nadell was Wallace's literary agent through his entire career.^[19] Michael Pietsch was his editor on Infinite Jest.^[20]

In March 2009, Little, Brown and Company announced that it would publish the manuscript of an unfinished novel, The Pale King, that Wallace was working on at the time of his death. The Pale King was pieced together by editor Michael Pietsch from pages and notes the author left behind.^[21][22] Several excerpts from it were published in the New Yorker and other magazines. The Pale King was published on April 15, 2011, and received generally positive reviews.^[23]

In March 2010, it was announced that Wallace's personal papers and archives — drafts of books, stories, essays, poems, letters, and research, including the handwritten notes for Infinite Jest — had been purchased by the University of Texas at Austin and will reside at the University's Harry Ransom Center.^[24]

Themes and styles[link]

Wallace's fiction is often concerned with irony. His essay "E Unibus Pluram: Television and U.S. Fiction,"^[25] originally published in the small-circulation Review of Contemporary Fiction in 1993, proposes that television has an ironic influence on fiction writing, and urges literary authors to eschew TV's shallow rebelliousness: "I want to convince you that irony, poker-faced silence, and fear of ridicule are distinctive of those features of contemporary U.S. culture (of which cutting-edge fiction is a part) that enjoy any significant relation to the television whose weird pretty hand has my generation by the throat. I'm going to argue that irony and ridicule are entertaining and effective, and that at the same time they are agents of a great despair and stasis in U.S. culture, and that for aspiring fictionists they pose terrifically vexing problems." Wallace used many forms of irony, but focused on individuals' continued longing for earnest, unselfconscious experience and communication in a media-saturated society.^[26] Literary critic Adam Kirsch said that Wallace's "self-conscious earnestness" and "hostility to irony defined a literary generation."^[27]

Wallace's novels often combine various writing modes or voices, and incorporate jargon and vocabulary (sometimes invented) from a wide variety of fields. His writing featured self-generated abbreviations and acronyms, long multi-clause sentences, and a notable use of explanatory footnotes and endnotes — often nearly as expansive as the text proper. He used endnotes extensively in Infinite Jest and footnotes in "Octet" as well as in the great majority of his nonfiction after 1996. On the Charlie Rose show in 1997, Wallace claimed that the notes were used to disrupt the linearity of the narrative, to reflect his perception of reality without jumbling the entire structure. He suggested that he could have instead jumbled up the sentences, "but then no one would read it."^[28]

According to Wallace, "fiction’s about what it is to be a fucking human being," and he expressed a desire to write "morally passionate, passionately moral fiction" that could help readers "become less alone inside."^[29] In his Kenyon College commencement address, he describes the human condition of daily crises and chronic disillusionment and warns against solipsism,^[30] invoking compassion, mindfulness, and existentialism:^[31]

The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.... The only thing that's capital-T True is that you get to decide how you're going to try to see it. You get to consciously decide what has meaning and what doesn't.... The trick is keeping the truth up-front in daily consciousness.

Nonfiction work[link]

Wallace covered Senator John McCain's 2000 presidential campaign for Rolling Stone in an article titled "The Weasel, Twelve Monkeys and The Shrub" that was later reprinted as a book called McCain's Promise: Aboard the Straight Talk Express with John McCain and a Whole Bunch of Actual Reporters, Thinking About Hope.^[32] He was commissioned shortly before his death to write a story about Barack Obama.^[33] He wrote about the September 11 attacks for Rolling Stone; cruise ships^[34] (in what became the title essay of his first nonfiction book), state fairs, and tornadoes for Harper's Magazine; the US Open tournament for TENNIS Magazine; the director David Lynch and the pornography industry for Premiere magazine; the tennis player Michael Joyce for Esquire; the special-effects film industry for Waterstone's magazine; conservative talk radio host John Ziegler for The Atlantic Monthly;^[35] and a Maine lobster festival for Gourmet magazine. He also reviewed books in several genres for the Los Angeles Times, The Washington Post, The New York Times, and The Philadelphia Inquirer. In the November 2007 issue of The Atlantic, which commemorated the magazine's 150th anniversary, Wallace was among the authors, artists, politicians and others who wrote short pieces on "the future of the American idea."

Other media[link]

Twelve of the interviews from Brief Interviews With Hideous Men were adapted into a stage play in 2000, the first theatrical adaptation of Wallace's work. The play, Hideous Men, adapted and directed by Dylan McCullough, premiered at the New York International Fringe Festival in August 2000.

A filmed adaptation of Brief Interviews, directed by John Krasinski, was released in 2009 and premiered at the Sundance Film Festival.^[36] The film stars Julianne Nicholson and an ensemble cast including Christopher Meloni, Rashida Jones, Timothy Hutton, Josh Charles, Will Forte and Corey Stoll.^[37]

Brief Interviews was also adapted by director Marc Caellas as a play called Brief Interviews With Hideous Writers, which premiered at Fundación Tomás Eloy Martinez in Buenos Aires on November 4, 2011.^[38]

The short story "Tri-Stan: I Sold Sissee Nar to Ecko" from Brief Interviews With Hideous Men was adapted by composer Eric Moe^[39] into a 50-minute operatic piece, to be performed with accompanying video projections.^[40] The piece was described as having "subversively inscribed classical music into pop culture."^[41]

The Simpsons episode "A Totally Fun Thing That Bart Will Never Do Again" (first aired April 29, 2012) is loosely based on Wallace's essay "A Supposedly Fun Thing I'll Never Do Again". The Simpson family takes a cruise, and Wallace appears in the background of a scene, wearing a tuxedo T-shirt while eating in the ship's dining room; Wallace recounts having worn such a T-shirt "at formal suppers".

Awards[link]

• Inclusion of "Good Old Neon" in The O. Henry Prize Stories 2002
• John D. and Catherine T. MacArthur Foundation Fellowship, 1997–2002
• Lannan Foundation Residency Fellow, July–August 2000
• Named to Usage Panel, The American Heritage Dictionary of the English Language 4th Edition et seq., 1999
• Inclusion of "The Depressed Person" in Prize Stories 1999: The O. Henry Awards
• Illinois State University, Outstanding University Researcher, 1998 and 1999^[42]
• Aga Khan Prize for Fiction for the story "Brief Interviews With Hideous Men #6", 1997
• Time magazine's Best Books of the Year (Fiction), 1996
• Salon Book Award (Fiction), 1996
• Lannan Literary Award (Fiction), 1996
• Inclusion of "Here and There" in Prize Stories 1989: The O. Henry Awards
• Whiting Writers' Award, 1987

Selected bibliography[link]

Further reading[link]

See also[link]

Novels portal

• List of 20th-century writers
• Kenyon College commencement address

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (May 2011)

Wikiquote has a collection of quotations related to: David Foster Wallace

Sources

• Reprint of Consider the Lobster, 2004 essay on lobsters for Gourmet magazine
• New York Times "Play Magazine" article on Roger Federer, "Federer as Religious Experience"
• Wallace pieces for Harper's Magazine
• Reprint of Tense Present: Democracy, English, and the Wars over Usage, 2001 essay for Harper's on usage dictionaries and Standard Written English

Biographical

• "An Appraisal: Writer Mapped the Mythic and the Mundane", by Michiko Kakutani, The New York Times, September 14, 2008
• "On David Foster Wallace", by Dustin Luke Nelson, from Guernica Magazine, September 14, 2008.
• Modernism/modernity 16:1 (January 2009), "In Memoriam David Foster Wallace," 1–24. Featuring tributes from Steven Moore, Dave Eggers, Kathleen Fitzpatrick, Marshall Boswell, Michael North, Stephen J. Burn, and Brendan Beirne.
• "David Foster Wallace, 1962–2008", by David Gates, Newsweek, September 14, 2008.
• "The Unfinished" by D.T. Max, The New Yorker, March 9, 2009.
• "Everything & More: The Work of David Foster Wallace" by Malcolm Knox, The Monthly November, 2008.
• Wyatt Mason: "Smarter than You Think" The New York Review of Books
• "David Foster Wallace and the Velveteen Rabbit" Identity Theory, August, 2011.
• "King of the Ghosts" n+1, October, 2011.

Interviews

• Charlie Rose Show: An interview with Wallace following the publication of Infinite Jest and A Supposedly Fun Thing I'll Never Do Again, Mar 27, 1997
• Charlie Rose Show: A roundtable discussion on fiction with Wallace, Jonathan Franzen and Mark Leyner, May 17, 1996
• This American Life Episode 160 broadcast May 19, 2000 "Character Assassination" Act 2 'Sonny Takes a Fall' – (19 minute radio where David Foster Wallace "reports on a turning point in 2000's Presidential primaries: the moment when John McCain failed to respond well to an attack by George Bush". Description of broadcast from thislife.org)
• "David Foster Wallace: A Profile" – (by Bill Katovsky)
• David Foster Wallace on Bookworm, Link to a set of lengthy radio interviews David Foster Wallace gave to KCRW's Bookworm over a period of ten years. The first is from April 11, 1996; the last March 2, 2006.

Portals

• THE HOWLING FANTODS! – David Foster Wallace: News, Info, Links
• Infinite Jest Wiki
• The Infinite Summer project
• Pomona College's David Foster Wallace Wiki

Fan art tribute

• FOREVER DFW – A collection of art and other material in memory of David Foster Wallace
• A Failed Entertainment: Film and art exhibit based on the James O. Incandenza Filmography from Infinite Jest
• Incandenza Filmography interpretations and other Infinite Jest-inspired works online: "Infinite Jest IV", "Zero Gravity Tea Ceremony", "The Medusa v. The Odalisque", "The Cold Majesty of the Numb", "Kinds of Light", "Baby Pictures of Famous Dicatators 2: Eschatong", "Good-Looking Men In Small Clever Rooms That Utilize Every Centimeter Of Available Space With Mind-Boggling Efficiency", "Cage – Planar Version", "Various Small Flames", "The Exhibit and the Cage", "Après-Garde Film", "For Infinite Jest", "Sixty Minutes More or Less with Madame Psychosis", "Hal at Age 4", "Poor Yorick Entertainment" poster art

David Foster
Foster speaking during a ceremony for Andrea Bocelli at the Hollywood Walk of Fame, in 2010.
Background information
Birth name	David Walter Foster
Born	(1949-11-01) November 1, 1949 (age 62) Victoria, British Columbia, Canada
Genres	Pop, pop rock, Classical, Gospel, R&B
Occupations	Music executive, Record producer, musician, composer, songwriter, arranger
Instruments	Piano, keyboards, French horn, synthesizer
Years active	1971–present
Labels	Verve Records Reprise, 143, Atlantic
Associated acts	Skylark, Attitudes, Airplay, Ronnie Hawkins & The Hawks
Website	Official website

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2012)

David Walter Foster, OC, OBC (born November 1, 1949), is a Canadian musician, record producer, composer, singer, songwriter, and arranger,^[1] noted for discovering singers such as Michael Bublé, Josh Groban, and Charice Pempengco; and for producing some of the most successful artists in the world, such as Mariah Carey, Whitney Houston, Céline Dion, Andrea Bocelli, Toni Braxton, Madonna, Air Supply and Michael Jackson. Foster has won 16 Grammy Awards from 47 nominations. David Foster is the current Chairman of Verve Music Group. ^[2]

Career[link]

Throughout his career, he has produced recordings for a wide range of musical artists, including Bryan Adams, Tamia, Christina Aguilera, The Bee Gees, Andrea Bocelli, Boz Scaggs, Mariah Carey, Toni Braxton, Chicago, Destiny's Child, Neil Diamond, Céline Dion, Earth Wind and Fire, Gloria Estefan, Whitney Houston, Janet Jackson, Michael Jackson, Chaka Khan, Beyonce Knowles, Kenny Loggins, Madonna, Olivia Newton-John, Nsync, All-4-One, Plus One, Charice Pempengco, Prince, LeAnn Rimes, Kenny Rogers, Barbra Streisand, Donna Summer, Shania Twain, Hall & Oates, Tim Feehan, The Tubes, and Jackie Evancho.

Foster was a keyboardist for the pop group Skylark, discovered by Eirik Wangberg. The band's song, "Wildflower", was a top ten hit in 1973. Together with Jay Graydon he formed the band Airplay, whose album of the same name is often labeled the most important within the Westcoast AOR genre. He produced debut albums for The Corrs,^[3] Michael Bublé,^[4] Renee Olstead and Josh Groban, which were released under his own record label, 143 Records, and distributed through Warner Music.