A cargo cult is a religious practice that has appeared in many traditional pre-industrial tribal societies in the wake of interaction with technologically advanced cultures. The cults focus on obtaining the material wealth (the "cargo") of the advanced culture through magic and religious rituals and practices. Cult members believe that the wealth was intended for them by their deities and ancestors. Cargo cults developed primarily in remote parts of New Guinea and other Melanesian and Micronesian societies in the southwest Pacific Ocean, beginning with the first significant arrivals of Westerners in the 19th century. Similar behaviors have, however, also appeared elsewhere in the world.[where?]
Cargo cult activity in the Pacific region increased significantly during and immediately after World War II, when the residents of these regions observed the Japanese and American combatants bringing in large amounts of material. When the war ended, the military bases closed and the flow of goods and materials ceased. In an attempt to attract further deliveries of goods, followers of the cults engaged in ritualistic practices such as building crude imitation landing strips, aircraft and radio equipment, and mimicking the behavior that they had observed of the military personnel operating them.
Richard Phillips Feynman ( /ˈfaɪnmən/; May 11, 1918 – February 15, 1988) was an American physicist known for his work in the path integral formulation of quantum mechanics, the theory of quantum electrodynamics, and the physics of the superfluidity of supercooled liquid helium, as well as in particle physics (he proposed the parton model). For his contributions to the development of quantum electrodynamics, Feynman, jointly with Julian Schwinger and Sin-Itiro Tomonaga, received the Nobel Prize in Physics in 1965. He developed a widely used pictorial representation scheme for the mathematical expressions governing the behavior of subatomic particles, which later became known as Feynman diagrams. During his lifetime, Feynman became one of the best-known scientists in the world. In a 1999 poll of 130 leading physicists worldwide by the British journal Physics World he was ranked as one of the ten greatest physicists of all time.
He assisted in the development of the atomic bomb and was a member of the panel that investigated the Space Shuttle Challenger disaster. In addition to his work in theoretical physics, Feynman has been credited with pioneering the field of quantum computing, and introducing the concept of nanotechnology. He held the Richard Chace Tolman professorship in theoretical physics at the California Institute of Technology.
Kaki King (b. Katherine Elizabeth King, August 24, 1979 in Atlanta, Georgia) is an American guitarist and composer. King is known for her percussive and jazz-tinged melodies, energetic live shows, use of multiple tunings on acoustic and lap steel guitar, and her diverse range in different genres.
In February 2006, Rolling Stone released a list of "The New Guitar Gods," on which King was the sole woman and youngest artist (beating Derek Trucks in age by two months as the youngest on the list). In addition to a 10-year career that includes five LP and two EP albums, King has also scored music for television and film. She worked alongside Eddie Vedder and Michael Brook contributing music for the soundtrack to Sean Penn's Into the Wild, for which the trio received nominations for a Golden Globe Award for Best Original Score.
King was born the first of two daughters. While still a small child, her father noticed her natural musical ability, and encouraged her interest in music. She was introduced to the guitar at the age of four and played for several years, but after taking up the drums a few years later, they became her primary instruments as an adolescent.
Mike Daisey (born 1976) is an American monologist, author, and actor best known for his full-length extemporaneous monologues about Nikola Tesla, L. Ron Hubbard, Steve Jobs and Apple's supply chain in China, the Department of Homeland Security, the history of the New York transit system, 9/11, the inventor of the neutron bomb, Wal-Mart and a variety of other topics. Daisey received international media attention in March 2012 when his fabrications were exposed in his monologue on Apple's supply chain.
Wasting Your Breath (1997) is a monologue of the Great American Roadtrip, Daisey is crossing the country from Maine to Seattle or bust in a story that jumps back and forth between two autobiographical storylines: a crumbling relationship with a pregnant girlfriend and a cross-country exodus from New England. Originally produced by Open Circle Theater in Seattle in 1997,Wasting Your Breath was remounted and produced at Berkeley Repertory Theatre in 2004.
I Miss the Cold War (1998) is about Daisey's visit to post-Communist Warsaw and his father's counseling practice treating post-traumatic stress disorder in war veterans, interwoven with the history of his father's time in Vietnam. It was originally produced by 24/7 Productions in Seattle in June 1998.
Riziero "Riz" Ortolani (born September 4, 1931 in Pesaro, Italy) is an Italian film composer.
In the early 1950s Ortolani was founder and member of a jazz band of national Italian renown. His first score he wrote for the 1962 Paolo Cavara and Gualtiero Jacopetti pseudo-documentary Mondo Cane, whose main title-song More earned him a Grammy and also was nominated for an Oscar as Best Song.
The success of the soundtrack of Mondo Cane led Ortolani to score films in England and the United States such as The 7th Dawn (1964), The Yellow Rolls-Royce (1964), The Glory Guys (1965) and The Spy with a Cold Nose (1966). Another world famous track was his main-title for the movie O Cangaceiro (1970).
Ortolani scored all or parts of over 200 films, including German westerns like Apache's Last Battle (Old Shatterhand, 1964) and a long series of Italian giallo, spaghetti westerns, Eurospy, exploitation and mondo films.
Other films Ortolani has scored include Il Sorpasso (1962), Io ho paura (1977), Castle of Blood (1964), Anzio (1968), The Bliss of Mrs. Blossom (1968), Sette orchidee macchiate di rosso (1972), Africa Addio (1966), Addio Zio Tom (1971), House on the Edge of the Park (1980), Cannibal Holocaust (1980) and first series of famous La Piovra (Octopus, 1984).
Je sais moi des sorciers qui invoquent les jets
Dans la jungle de Nouvelle-Guinée
Ils scrutent le zénith convoitant les guinées
Que leur rapporterait le pillage du fret
Sur la mer de corail au passage de cet
Appareil ces créatures non dénuées
De raison ces papous attendent des nuées
L'avarie du Viscount et celle du Comet
Et comme leur totem n'a jamais pu abattre
A leurs pieds ni Bœing ni même D.C. quatre
Ils rêvent de hijacks et d'accidents d'oiseaux
Ces naufrageurs naïfs armés de sarbacanes
Qui sacrifient ainsi au culte du cargo
En soufflant vers l'azur et les aéroplanes.
Où es-tu Melody et ton corps disloqué
Hante-t-il l'archipel que peuplent les sirènes
Ou bien accrochés au cargo dont la sirène
D'alarme s'est tue, es-tu restée
Au hasard des courants as-tu déjà touché
Ces lumineux coraux des côtes guinéennes
Où s'agitent en vain ces sorciers indigènes
Qui espèrent encore des avions brisés
N'ayant plus rien à perdre ni Dieu en qui croire
Afin qu'ils me rendent mes amours dérisoires
Moi, comme eux, j'ai prié les cargos de la nuit
Et je garde cette espérance d'un désastre
Aérien qui me ramènerait Melody
Mineure détournée de l'attraction des astres.
' Tu t'appelles comment ?
- Melody
- Melody comment ?
- Melody Nelson. '
Je sais moi des sorciers qui invoquent les jets
Dans la jungle de Nouvelle-Guinée
Ils scrutent le zénith convoitant les guinées
Que leur rapporterait le pillage du fret
Sur la mer de corail au passage de cet
Appareil ces créatures non dénuées
De raison ces papous attendent des nuées
L'avarie du Viscount et celle du Comet
Et comme leur totem n'a jamais pu abattre
A leurs pieds ni Boeing ni même D.C. quatre
Ils rêvent de hijacks et d'accidents d'oiseaux
Ces naufrageurs naïfs armés de sarbacanes
Qui sacrifient ainsi au culte du cargo
En soufflant vers l'azur et les aéroplanes.
Où es-tu Melody et ton corps disloqué
Hante-t-il l'archipel que peuplent les sirènes
Ou bien accrochés au cargo dont la sirène
D'alarme s'est tue, es-tu restée
Au hasard des courants as-tu déjà touché
Ces lumineux coraux des côtes guinéennes
Où s'agitent en vain ces sorciers indigènes
Qui espèrent encore des avions brisés
N'ayant plus rien à perdre ni Dieu en qui croire
Afin qu'ils me rendent mes amours dérisoires
Moi, comme eux, j'ai prié les cargos de la nuit
Et je garde cette espérance d'un désastre
Aérien qui me raménerait Melody
Mineure détournée de l'attraction des astres.
"Tu t'appelles comment?
- Melody
- Melody comment?
There they sit all alone
Up she walks and she asks
Can you help hide me
From the man, he wants to take
My house where I live in the park everyday
On the Grog you'll see everything that I see
Hey you kids, do you smoke, yeah, smoke marijuana
Yeah, we do, come with me, we will drink from the cup
You will see all the visions that I see on the Grog
In the park you will see everything that I see
Hey there Grog Lady, drink with me
I want to hear the stories of misery
All the junkies with needles in their arms