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An Ecuadorian Air Force IAI Kfir aeroplane drops napalm on a target during Dominic "Blue Horizon", a US-Ecuador joint military exercise.

Napalm is a thickening/gelling agent generally mixed with petroleum or a similar fuel for use in an incendiary device, primarily as an anti-personnel weapon. "Napalm" is a portmanteau of the names of two of the constituents of the gel: naphthenic acid and palmitic acid.

"Napalm B" is the more modern version of napalm and, although distinctly different in its chemical composition, it is often referred to simply as "napalm".^[1]

Colloquially, napalm has been used as the generic name of several flammable liquids used in warfare, often forms of jellied gasoline, such as to be expelled by flamethrowers in infantry and armored warfare.^[1]

Forms of Napalm[link]

Napalm B is chemically distinct from its predecessor Napalm. It is usually a mixture of polystyrene and benzene, used as a thickening agent to make jellied gasoline. One of the advantages of this new mixture lies in its increased safety while being handled and stored. Many accidents had been attributed to personnel smoking around stockpiles.^[2]

Napalm B has a commonly quoted composition of 21% benzene, 33% gasoline (itself containing between 1% and 4% (estimated) benzene to raise its octane number), and 46% polystyrene. This mixture is more difficult to ignite than napalm^[3]. A reliable pyrotechnic initiator, often based on thermite (for ordinary napalm) or white phosphorus (for newer compositions), has been used.^[4][3] The original napalm usually burned for 15 to 30 seconds while napalm B can burn for up to 10 minutes.^[3]

Napalm B was used in flamethrowers and bombs by American and Allied forces in World War II. It is believed by some^[who?] that Napalm B is formulated to burn at a specified rate and to adhere to surfaces to increase its stopping power. During combustion, Napalm rapidly deoxygenates the available air and generates large amounts of carbon monoxide and carbon dioxide. Napalm bombs were used during the Vietnam War.^[1]

Napalm was also used during the Korean War, most notably during the defense of "Outpost Harry" in South Korea during the night of June 10 – 11, 1953^{[citation needed]}.

Alternative compositions exist for different uses, e.g. triethylaluminium, a pyrophoric compound that aids ignition.

Development[link]

Use of fire in warfare has a long history. Greek fire, also described as "sticky fire" (πῦρ κολλητικόν) is believed to have had a petroleum base. Thickened burning compositions proved their advantages. The development of napalm was precipitated by the use of jellied gasoline mixtures by the Allied forces during World War II.^[1] The latex that had been used in these early forms of incendiary devices became logistically impossible to use during the Pacific Theater of Operations, since natural rubber was almost impossible to obtain. (The Japanese Army had overrun all of the rubber plantations in Malaya, Indonesia, Vietnam, and Thailand.)

This shortage of natural rubber prompted the chemists at American companies such as Du Pont and Standard Oil, and researchers at Harvard University, to strive to develop factory-made alternatives - artificial rubber for all uses, including vehicle tires, tank tracks, gaskets, hoses, medical supplies and rain clothing. A team of chemists led by Louis Fieser at Harvard University was the first one to develop synthetic napalm, during 1942 for the U.S. Armed Forces.^[5]

From 1965 to 1969, the Dow Chemical Company manufactured napalm B for the American armed forces. After news reports of napalm B's deadly and disfiguring effects were published, Dow Chemical experienced some boycotts of all its products, and its recruiters for new chemists, chemical engineers, etc., graduating from college were subject to campus boycotts. The management of the Dow Chemical Company decided that "its first obligation was the government." Meanwhile, napalm B became a symbol for the Vietnam War.^[6]

Historical use[link]

The French Aviation navale drops napalm over Viet Minh guerrilla positions during an ambush (December 1953).

Napalm was first used as fuel for flamethrowers and went on to be used more prevalently in firebombs.^[1]

In 1942, researchers at Harvard University found that a jelly gasoline-like substance burnt more slowly and thus was far more effective. They found that mixing an aluminium soap powder of naphthenate and palmitate (hence na-palm), also known as napthenic and palmitic acids, with gasoline produced a brownish sticky syrup that burned more slowly than raw gasoline. This new mixture of chemicals was widely used in the Second World War in flame throwers and fire bombs. Napalm bombs burned out 40% of the area of Japanese target cities in the World War.^{[citation needed]} Useful weapons continued to be improved, and napalm was no exception. With many more chemical compounds available after World War II, the safer (in storage) and just-as-effective napalm B compound was developed.^[2]

On July 17, 1944, napalm incendiary bombs were dropped for the first time by 14 American P-38 Lightning aircraft of the 402d Fighter Squadron / 370th Fighter Group on a fuel depot at Coutances, near St. Lô, France.^[7] Further use of napalm by American forces occurred in the Pacific Theater of Operations, where in 1944 and 1945, napalm was used as a tactical weapon against Japanese bunkers, pillboxes, tunnels, and other fortifications, especially on Saipan, Iwo Jima, the Philippines, and Okinawa, where deeply dug-in Japanese troops refused to surrender. Napalm bombs were dropped by aviators of the U.S. Navy, the United States Army Air Forces, and the U.S. Marine Corps in support of their ground troops.^[8]

Then, when the U.S. Army Air Forces on the Marianas Islands ran out of conventional thermite incendiary bombs for its B-29 Superfortresses to drop on Japanese cities, its top commanders, such as General Curtis E. LeMay turned to napalm bombs to continue its fire raids on the large Japanese cities.^[9]

In the European Theater of Operations napalm was used by American forces^[10] in the siege of La Rochelle in April 1945 against German soldiers (and inadvertently^{[citation needed]} French civilians in Royan) - about two weeks before the end of the war.^[11]

Napalm B was also used during the Greek Civil War between the Greek Army and Communist rebels. During the last year of this Civil War, 1949, the United States increased its military aid to the Greek Government by introducing a new weapon to finish off the war - napalm B. The first napalm attack in Greece took place on the mountain of Grammos, which was the stronghold of the Communist rebels.

Napalm B was also widely used by the United Nations military forces during the Korean War.^[1] These Allied ground forces in Korea were frequently outnumbered, and greatly, by their Chinese and North Korean attackers, but the U.S. Air Force and the U.S. Navy naval aviators had control of the air over nearly all of the Korean Peninsula. Hence, close air support of the ground troops along the border between North Korea and South Korea was vital, and the American and other U.N. aviators turned to napalm B as an important weapon for defending against communist ground attacks.

Usage in warfare[link]

Riverboat of the U.S. Brown-water navy deploying an ignited napalm mixture from a riverboat mounted flamethrower in Vietnam.

The US Air Force and US Navy used napalm with great effect against all kinds of targets to include troops, tanks, buildings, jungles, and even railroad tunnels. The effect was not always purely physical as napalm had psychological effects on the enemy as well. During World War II, the U.S. Marines quickly learned that the Japanese soldiers, when threatened with napalm and other incendiary weapons, would abandon positions in which they would fight to the death against other weapons. During the Korean War, the demoralizing effect napalm had on the enemy became apparent when scores of North Korean and Chinese troops began to surrender to aircraft flying overhead. Pilots noted that they saw surviving enemy troops waving white flags on subsequent passes after dropping napalm. The pilots radioed to ground troops and the enemy combatants were captured. Interviews with enemy prisoners of war determined that napalm was the most feared weapon used against them.^[12]

More recent uses include: by France during the First Indochina War (1946–1954), the Algerian War (1954–1962),^[13] the Portuguese Colonial War (1961–1974) and the Western Sahara War (1975–1991),The Six days war by Israel(1967), in Nigeria (1969), India and Pakistan (1965 and 1971), Turkey (1974), by Morocco during the Western Sahara War (1975–1991), Iran (1980–88), Brazil (1972), Egypt (1973), Iraq (1980–88, 1991, 2003–2011^{[citation needed]}), Angola (1993), Yugoslavia (1991-1996), and by Argentina (1982).^[4][14]

"Napalm is the most terrible pain you can imagine," said Kim Phúc, a napalm bombing survivor known from a famous Vietnam War photograph. "Water boils at 100 degrees Celsius (212°F). Napalm generates temperatures of 800 (1,500°F) to 1,200 degrees Celsius (2,200°F)."^[15]

A US army source, talking about napalm, reported^[16]

‘We sure are pleased with those backroom boys at Dow. The original product wasn’t so hot - if the gooks were quick they could scrape it off. So the boys started adding polystyrene - now it sticks like shit to a blanket. But if the gooks jumped under water it stopped burning, so they started adding Willie Peter (white phosphorus) so’s to make it burn better. And just one drop is enough, it’ll keep on burning right down to the bone so they die anyway from phosphorus poisoning.’

Effects on people[link]

When used as a part of an incendiary weapon, napalm can cause severe burns (ranging from superficial to subdermal) to the skin and body, asphyxiation, unconsciousness, and death. In this implementation, explosions can create an atmosphere of greater than 20% carbon monoxide^[1] and firestorms with self-perpetuating windstorms of up to 70 miles per hour (110 km/h).^{[17][unreliable source?]}

One of the main anti-personnel features of napalm is that it sticks to human skin, with no practical method for removal of the burning substance.^{[citation needed]}

Napalm is effective against dug-in enemy personnel. The burning incendiary composition flows into foxholes, trenches and bunkers, and drainage and irrigation ditches and other improvised troop shelters. Even people in undamaged shelters can be killed by hyperthermia/heat stroke, radiant heat, dehydration, suffocation, smoke exposure, or carbon monoxide poisoning. The firebombing raids on German cities, e.g. Dresden and Hamburg, frequently caused death by this mechanism.^[3]

One firebomb released from a low-flying plane can damage an area of 2,500 square yards (2,100 m²).^[3]

International law[link]

International law does not prohibit the use of napalm or other incendiaries against military targets,^[15] but use against civilian populations was banned by the United Nations Convention on Certain Conventional Weapons (CCW) in 1980.^[18] Protocol III of the CCW restricts the use of all incendiary weapons, but a number of states have not acceded to all of the protocols of the CCW. According to the Stockholm International Peace Research Institute (SIPRI), states are considered a party to the convention, which entered into force as international law in December 1983, if they ratify at least two of the five protocols. The United States, for example, is a party to the CCW but did not sign protocol III.^[19]

See also[link]

References[link]

External links[link]

Look up napalm in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Napalm

• Hawker Tempest WW II testing including Napalm dropping

Immortal Technique
Immortal Technique performing in March 2010.
Background information
Birth name	Felipe Andres Coronel
Born	(1978-02-19) February 19, 1978 (age 34) Lima, Lima Province, Peru[1]
Origin	Harlem, New York, United States
Genres	East Coast hip hop, alternative hip hop, political hip hop, Underground Hip Hop, Hardcore Hip Hop
Occupations	Rapper
Years active	2000–present
Labels	Viper Records
Associated acts	Akir, Diabolic, Lowkey, Chino XL, DJ Green Lantern, La Coka Nostra, Jean Grae, Rockin' Squat, Mos Def, Dead Prez, Ras Kass, Krs-One, Pumpkinhead, Reppin MG
Website	myspace.com/immortaltechnique

Felipe Andres Coronel (born February 19, 1978), better known by the stage name Immortal Technique, is an American rapper of Afro-Peruvian descent as well as an urban activist. He was born in Lima, Peru and raised in Harlem, New York.^[2] Most of his lyrics focus on controversial issues in global politics. The views expressed in his lyrics are largely commentary on issues such as class struggle, poverty, religion, government and institutional racism.

Immortal Technique has voiced a desire to retain control over his production,^[3] and has stated in his music that record companies, not artists themselves, profit the most from mass production and marketing of music. He claimed in an interview to have sold close to 200,000 copies of his three official releases.^[4]

Biography[link]

Early life[link]

Coronel is African-Peruvian and was born in 1978 in a military hospital in Lima.^[1] His family emigrated in 1980 to Harlem.^[5] During his teenage years he was arrested multiple times due in part to what he has said was "selfish and childish" behavior. He attended Hunter College High School on the Upper East Side of Manhattan. Shortly after enrolling in Pennsylvania State University, he was arrested and charged with assault-related offenses due to his involvement in an altercation between fellow students, the charges stemming from this incident led to him being incarcerated for a year.^[1][6] After being paroled, he took political science classes at Baruch College in New York City for two semesters at the behest of his father, who allowed Coronel to live with him on the condition that he go to school.^[7] Honing his rapping skills in jail, and unable to find decent wage-paying employment after his release, Coronel began selling his music on the streets of New York while battling with MCs whenever the opportunity arose.^[8][9][10] This, coupled with his victories in numerous freestyle rap competitions of the New York underground hip hop scene such as Rocksteady Anniversary, Braggin Rites and others, led to his reputation as a ferocious Battle MC.^[11]

Revolutionary Vol.1 and Vol.2[link]

In 2001, Immortal Technique released his first album Revolutionary Vol. 1 without the help of a record label or distribution, instead using money earned from his rap battle triumphs^[11]. He also battled but lost to Posta Boy in 106 & Park's Freestyle Friday. Revolutionary Vol. 1 also contained the underground classic Dance With The Devil. In November 2002, he was listed by The Source in its "Unsigned Hype" column, highlighting artists that are not signed to a record label. The following year, in September 2003, he received the coveted "Hip Hop Quotable" in The Source for a song entitled "Industrial Revolution" from his second album. Immortal Technique is the only rapper in history to have a "Hip Hop Quotable" while being unsigned.^[11] He released his second album Revolutionary Vol. 2 in 2003. In 2004, Viper Records and, in 2005, Babygrande Records re-released Immortal Technique's debut, Revolutionary Vol. 1, to make it available to a wider audience. "Point of No Return" from Revolutionary Vol 2 was used as the entrance theme for Rashad Evans during the UFC 88 Main Event between Chuck Liddell and Rashad Evans.

Revolutionary Vol.3 and The Middle Passage[link]

Immortal Technique (left) at the Roskilde Festival, 2006.

Between 2005 and 2007 Immortal Technique began working on The Middle Passage and The 3rd World, the two albums that would serve a follow up to Revolutionary Vol. 2 and complete the series. He was also featured on several movie soundtracks and video game soundtracks, all the while touring relentlessly and becoming heavily involved in visiting prisons to speak to youth and working with immigrant rights activists and raising tens of thousands of dollars for children’s hospitals overseas. He invested his money not in items that are usually associated with fame but rather in large pieces of farmland in Latin America. He created a writing grant program for high school students as well.^[12]

The Martyr[link]

In October 2011 Immortal Technique released The Martyr, a free compilation album of previously unreleased material and new tracks. ^[13]

Collaborations[link]

The summer of 2005 saw the release of "Bin Laden", a vinyl single 12" featuring Mos Def and DJ Green Lantern. The single also contained a remix of the song featured Chuck D of Public Enemy and KRS-One. In early 2006, the song "Impeach the President", featuring Dead Prez and Saigon turned up in the mixtape "Alive on Arrival" DJ Green Lantern. This is a simple version of The Honeydrippers, 1973, in which Immortal Technique urged fans to organize a vote of censure against George W. Bush. In April 2009, a new song leaked on the internet named "Democratie Fasciste (Article 4)" by Brazilian-French rapper Rockin' Squat which featured Immortal Technique. The official release of the song and Rockin' Squat's album Confessions D'un Enfant Du Siècle Volume 2 was on May 12, 2009. The instrumental from the song was sampled from Wendy Rene's "After Laughter". The song expresses the inequalities of the Third World and revolutionary events throughout history against tyranny and oppression. The song contains lyrics in English (Immortal Technique), French (Rockin' Squat) and brief shout outs in Spanish (Immortal Technique). This song is Immortal Technique's first official international collaboration.^[14] In early 2009, it was announced that there would be a collaboration between Technique and UK underground artist Lowkey, on a single called "Voices of the Voiceless". On September 11, 2009, a "snippet" of the song was released on YouTube.^[15] The preview was released ahead of its September 21 launch on iTunes, as part of a web-campaign that included updates, promotion and links on forums, E-Magazines and several social networking sites. The song's lyrics cover a broad range of issues that are familiar to listeners of both artists – racism, world revolution, war, socialism, government control, rape, famine, colonialism, Classism, self-determination and the war in Iraq.^[16]

Charitable work[link]

Immortal Technique performing in March 2010.

In June 2008, Immortal Technique partnered with Omeid International, a Non–Profit Human Rights Organization, to lend his support. He dubbed the work as "The Green Light Project". With the profits of The 3rd World album, Immortal Technique traveled to Kabul, Afghanistan to help Omeid build an orphanage without any corporate or external funding. The orphanage, having been successfully established, currently houses over 20 orphaned children from Kabul.^[17]

Films[link]

[edit] The (R)evolution of Immortal Technique

A documentary about Immortal Technique was released in September 2011 and premiered at the Harlem Film Festival.^[18]

[edit] This Revolution

Immortal Technique appeared as himself in a docudrama film entitled This Revolution, which was recorded during the 2004 Republican National Convention in New York. The tape contains the protests surrounding the convention in the form of a documentary. It also featured Viper Records affiliates Akir and producer SouthPaw in roles.

Since then Immortal Technique has taken control of Viper Records and has signed a distribution deal with Babygrande Records / E1 Entertainment to vent to their next album. SouthPaw has managed to establish himself as A&R of Viper Records.

Discography[link]

Studio Albums[link]

Compilation Albums[link]

• 2011: The Martyr

Singles[link]

References[link]

External links[link]

Find more about Immortal Technique on Wikipedia's sister projects:
	Images and media from Commons
	Quotations from Wikiquote

• Official website
• Immortal Technique on Twitter
• Immortal Technique on Myspace
• Immortal Technique at Allmusic
• Immortal Technique at MTV
• Immortal Technique at AllRovi
• Immortal Technique at the Internet Movie Database

Napalm Death
Background information
Origin	Birmingham, England, United Kingdom
Genres	Grindcore, death metal
Years active	1981–present
Labels	Century Media, Spitfire, Earache
Associated acts	Benediction, Blood from the Soul, Brujeria, Carcass, Cathedral, Defecation, Doom, Meathook Seed, Extreme Noise Terror, Godflesh, Lock Up, Scorn, Terrorizer, Unseen Terror, Venomous Concept
Website	www.napalmdeath.org
Members
Shane Embury Mark "Barney" Greenway Mitch Harris Danny Herrera

Napalm Death are an extreme metal band formed in Birmingham, England in 1981.^[1] While none of its original members remain in the group, the lineup of vocalist Mark "Barney" Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera has remained consistent for most of the band's career.

Napalm Death are credited with defining the grindcore genre by incorporating elements of hardcore punk and death metal, short songs, fast tempos, deep guttural vocals and sociopolitical lyrics. The band's debut album Scum, released in 1987 by Earache Records, proved substantially influential throughout the global metal community.^[2]

Napalm Death have released fifteen studio albums and are listed by Nielsen SoundScan as the seventh best-selling death metal band in the United States.^[3]

Biography[link]

Early history 1981–1986[link]

Napalm Death were formed in the village of Meriden near Birmingham, in the United Kingdom, in May 1981 by Nic Bullen and Miles Ratledge while the duo were still in their early teenage years. The duo had been playing in amateur bands since 1980 as an extension of their fanzine writing, and went through a number of names (including "Civil Defence," "The Mess," "Evasion" and "Undead Hatred") before choosing Napalm Death in mid 1981.

The band were initially inspired by the early wave of punk bands, particularly the anarcho-punk movement (a sub-genre of punk music focused on anarchist politics), and associated groups such as Crass.

The first stable line-up of the group consisted of Nicholas Bullen on vocals and bass, Simon Oppenheimer on guitar, and Miles Ratledge on drums, and lasted from December 1981 to January 1982. Graham Robertson joined on bass in January 1982. Simon Oppenheimer left the group in August 1982 and was replaced by Darryl Fedeski who left the group in October 1982: at this point, Graham Robertson began to play guitar and Finbarr Quinn (ex-Curfew) joined on bass and backing vocals.

The group played concerts throughout 1982 (playing their first concert on July 25, 1982 at Atherstone Miners Club) and 1983 (sharing billing with anarcho-punk groups such as Amebix, The Apostles and Antisect), and made 4 demo recordings in 1982 and 1983, one of which contributed their first released recording to the Bullshit Detector Volume 3 compilation released by Crass Records in 1984.

The band entered a period of hiatus from the end of 1983 onwards, playing only one concert in 1984 (a benefit for striking mine workers) with additional vocalist Marian Williams (ex-Relevant POS, and sister of the drummer of the group Human Cabbages from Coventry, UK). During this period, Nic Bullen met Justin Broadrick, a guitarist from Birmingham with whom he shared an interest in the music of bands such as Killing Joke, Throbbing Gristle, Crass, Amebix, Swans, and the developing power electronics scene. Bullen joined Broadrick's Final project for a period in 1983.

In July 1985, Napalm Death briefly reformed in order to appear at a concert at the Mermaid in Birmingham which was also notable as the last concert by Final. The group consisted of a 4-piece line-up of Miles Ratledge - drums, Bullen - vocals, bass and guitar, Graham Robertson - guitar and bass, and Damien Errington - guitar.

After this concert, Miles Ratledge and Bullen asked Broadrick to join Napalm Death as guitarist, with Bullen as vocalist and bass player. The band began to develop a musical style which blended elements of post-punk (particularly Killing Joke and Amebix), heavy punk in the vein of Discharge, and thrash metal (with particular reference to Possessed and Celtic Frost).

The group played their first concert as a trio on 31 August 1985 (playing 2 concerts on the same day: Telford with Chumbawamba and Blyth Power, and Birmingham with We've Got a Fuzzbox and We're Gonna Use It), and began to play regularly in the Birmingham area (particularly at The Mermaid public house in the Sparkhill area of Birmingham) with a wide range of musicians including Icons of Filth, Concrete Sox, The Varukers, Decadence Within, and The Groundhogs.^{[citation needed]}

In September 1985, Peter Shaw (ex-Autism) joined on bass. The 4-piece line-up recorded Hatred Surge (the band's 5th demo recording) on 23 October 1985 which the band made available at their concerts and by mail.

Following the recording of the demo, Bullen and Broadrick wished to extend their exploration of a more extreme musical style which created a split in the group with Ratledge: as a result, the group splintered and Mick Harris (a local fan) was asked to join as drummer in December 1985.

The trio - Bullen on vocals and bass, Broadrick on guitar and Harris on drums - made their first performance on 15 December 1985 and went on to play many concerts in 1986, predominantly in the Birmingham area, with musicians such as Amebix, Antisect, Chaos UK, Varukers, Disorder and Dirge.

The group recorded a 6th demo, From Enslavement to Obliteration, on 15 March 1986, which the group made available at their concerts and through mail, before making a 7th recording later that year, Scum, which was provisionally intended to form part of a split LP with the English hardcore band Atavistic on Manic Ears records. This recording later became the first side of the band's debut album Scum in 1987.

The band then faced a number of line-up changes. Nic Bullen was becoming frustrated with the musical direction of the group, and began to lose interest as a whole: as a result, Jim Whiteley was asked to join as bass player. The band played a number of concerts as a four-piece before Justin Broadrick left the group to play the drums for local band Head of David. The group attempted to find a new guitarist by asking Shane Embury (ex-Unseen Terror and a fan of the group) to join and giving a trial period to Frank Healy (ex-Annihilator, later of Cerebral Fix and Sacrilege). After Broadrick's departure, Nic Bullen's dissatisfaction with the musical direction of the group led him to leave the group in December 1986 (in order to focus on his studies in English Literature and Philosophy at university).

1987–1989[link]

With the departure of Broadrick and Bullen, the band had to look for new members. Guitarist Bill Steer played in a band based in Liverpool, called Carcass and given the affinity between the bands, he joined Napalm Death while still playing an active role in Carcass. The band asked a friend (Lee Dorrian) to join as vocalist due to his good relationship with the band (he had organised a number of concerts for the band), even though he had never been in a band before. This line-up recorded the B side of the Scum LP at Rich Bitch studios in May 1987, and the album was released through Earache Records. Bill Steer also came third place on Decibel Magazine's "Top 20 Death Metal guitarists of all time."^[4]

The band promptly lost another member just before they undertook a short tour after the release of Scum. Jim Whiteley left the group (to join Ripcord) and Shane Embury (former drummer of Unseen Terror) moved to bass. The band then appeared on two compilation records ('North Atlantic Noise Attack' and the 'Pathological Compilation'), recorded two Peel sessions and a split 7" with Japanese band S.O.B. They also returned to Rich Bitch studio once more and recorded their second album: From Enslavement to Obliteration.

A follow-up release to "Enslavement..." came in the form of the six song 12" EP "Mentally Murdered", which was to be the last recording with the Harris/Steer/Dorian/Embury line-up. This EP was recorded at the Slaughterhouse Studios and took on a slightly different sound, blending grindcore with death metal. Following the release, Napalm Death were featured on national television in the United Kingdom in a heavy metal special by Arena (BBC 2).

The band continued to tour, but as soon as they came back home from Japan, in July 1989, Steer and Dorrian left the band: Steer decided to dedicate himself full-time to Carcass, while Dorrian formed the doom metal group Cathedral. The group recruited Jesse Pintado (ex-Terrorizer) on guitar and Mark "Barney" Greenway (ex-Benediction) as vocalist. This line-up took part in the Grindcrusher tour organised by Earache Records and featuring fellow label-mates Carcass, Bolt Thrower and Morbid Angel. The group recruited Mitch Harris (ex-Righteous Pigs) as second guitarist after the tour.

1990–1994[link]

In Florida, they started working on their next album, Harmony Corruption. While writing Harmony Corruption they changed their style a little, from grindcore, to a mix of blast beats and some slower, more rhythmic parts. In addition, death metal was a major influence on Harmony Corruption, more so than their previous records. After releasing the new record, they went on touring around the world and from the material filmed at those concerts they released a home-video, Live Corruption. Directed by noted metal director Steve Payne.

The band caught considerable flack from longtime fans in respect to the "death metal" sound and production of Harmony Corruption. Smarting from the accusations of selling-out by the British underground "elites", Napalm entered Eddie Van Dale's Violent Noise Experience Club in March of '91 to record six new tracks. These new songs, the "Mass Appeal Madness" 12" LP, had a much more raw grind quality to them, finding instant favour with fans. This recording, along with the "Mentally Murdered" 12", the spit 7" with S.O.B. and live tracks from Live Corruption, found a home on the Death by Manipulation CD.

Drummer Mick Harris - the only remaining member of the line-up that had played on the band's first album, Scum - eventually left Napalm Death because of conflicts regarding their musical style. Danny Herrera, a close friend to Jesse Pintado, was brought in to replace Mick. The addition of Herrera would be the last major line-up change of the band, save for Jesse Pintado's future absence, which has yet to be filled (and vocalist Phil Vane never recorded with the band). Napalm Death released a new record, Utopia Banished. Now working with producer Colin Richardson. This release was a kind of "return to the roots" - grindcore. After recording The World Keeps Turning EP, the band toured Europe with Dismember and Obituary on the "Campaign for Musical Destruction" tour.^{[citation needed]} They then toured the US with Sepultura, Sacred Reich and Sick Of It All.^[5] The proceeds of Napalm Death's 1993 EP Nazi Punks Fuck Off were donated to anti-fascist organisations.^[6]

The band remixed the track "Mind Of A Razor" by London based hip hop crew Gunshot. The remixed version of the track appeared on the EP of the same name in 1992. Thereafter, they went to the studio and recorded Fear, Emptiness, Despair. Although it was still as heavy and aggressive as previous releases, the new record took a different direction and sounded more experimental; they added more rhythmic riffs, an industrial-like structure, and then added grindcore blast beats. Live concerts with Entombed, Obituary and Machine Head showed the audience how violent and aggressive the new Napalm Death sound was. They continued with the experimentation through the rest of the 1990s.

1995–2004[link]

The Greed Killing EP was the next release from the band, through Earache. After the preview with the EP, Diatribes, a full-length album was released. Although things seemed to be going smoothly from outside, they were going through problems. Misunderstanding rose between the members and singer Greenway was expelled from the band in late/mid 1996. Greenway went to record with Extreme Noise Terror (the ENT release Damage 381 features Barney on lead vocals) and ENT's main singer Phil Vane went to fill vocals slot in Napalm Death. Things did not go as well as they were supposed to, and Vane was kicked out of the band just before they got into the studio to record the new album. And so Greenway returned to Napalm Death.

The next albums Inside the Torn Apart and Words from the Exit Wound continued with the experimentation but displayed more signs of grindcore, notably faster tempos than the last two albums. This return was completed with the release of Enemy of the Music Business. It shows their anger with the music industry and especially with Earache. Order of the Leech continued where their previous album ended and can be seen as even more faster and aggressive.

In 2004, they recorded a covers album called Leaders Not Followers: Part 2, the sequel to their earlier covers EP. It contains covers of old hardcore punk and heavy metal bands, including Cryptic Slaughter, Massacre, Kreator, Sepultura, Siege and Discharge. Due to personal problems, Jesse Pintado did not play on either Order of the Leech or Leaders Not Followers: Part 2, and left the band in early 2004. Nevertheless Pintado stated that he left because he grew tired of Napalm Death and wanted to start something new. The two guitars that you hear is Mitch over-dubbing.

2005 onwards[link]

Live in 2007

In April 2005, their next album The Code Is Red...Long Live the Code was released. It features guest appearances from Jeffrey Walker (formerly of Carcass), Jamey Jasta (Hatebreed vocalist) and Jello Biafra (formerly of Dead Kennedys, and Lard among many other bands). The album continued the band's progressive approach to their brutal brand of extreme metal, with their trademark grindcore sound retained.

Napalm Death finished recording their follow-up album titled Smear Campaign in June 2006; released on September 15, 2006 to very strong reviews from fans and critics alike. The main lyrical focus is criticism of the United States Government and other governments who are strongly religious. The album features a guest appearance by Anneke van Giersbergen, vocalist for the Dutch rock band The Gathering. There is a limited edition digipak version of Smear Campaign, which has two new songs, "Call That an Option?" and "Atheist Runt".

In early 2006 Napalm Death headlined a tour with Kreator, A Perfect Murder, and Undying. On August 27, 2006, Jesse Pintado died in a hospital in the Netherlands due to liver failure, prompting Mitch Harris to express his sadness at the loss of someone he thought of as "a brother" on the band's official website. After the Smear Campaign tour, the band did a 2007 "World Domination Tour". Bassist Shane Embury is currently working on a project with Mick Kenney of Anaal Nathrakh, their work together will be released on FETO Records at the end of 2007.

In November 2008, Napalm Death's fourteenth studio album, entitled Time Waits For No Slave, leaked onto the internet; it was officially released on January 23, 2009. Similar to Smear Campaign, Time Waits For No Slave also had a digipak version containing two extra songs ("Suppressed Hunger" and "Omnipresent Knife In Your Back").

In February 2011, Napalm Death appeared in an episode of E4's Skins. Napalm Death entered Parlour Studio in Kettering, U.K with producer Russ Russell to begin working on a new album. Also in 2011, they recorded the single "Legacy Was Yesterday". Napalm Death released their fifteenth studio album, Utilitarian, on February 27, 2012 in Europe and February 28, 2012 in North America via Century Media.^[7]

In March 2012, Napalm Death headlined the Metal Mayhem IV festival organized by "Defenders of Metal" in Nepal. This was the first time Napalm Death played in Nepal.^{[citation needed]}

Discography[link]

• Scum (1987)
• From Enslavement to Obliteration (1988)
• Harmony Corruption (1990)
• Utopia Banished (1992)
• Fear, Emptiness, Despair (1994)
• Diatribes (1996)
• Inside the Torn Apart (1997)
• Words from the Exit Wound (1998)
• Enemy of the Music Business (2000)
• Order of the Leech (2002)
• Leaders Not Followers: Part 2 (2004)
• The Code Is Red...Long Live the Code (2005)
• Smear Campaign (2006)
• Time Waits for No Slave (2009)
• Utilitarian (2012)

Members[link]

Current lineup[link]

• Mark "Barney" Greenway – vocals (1989–1996, 1997–present)
• Shane Embury – bass guitar (1987–present)
• Mitch Harris – guitars, backing vocals (1990–present)
• Danny Herrera – drums (1991–present)

Past members[link]

Associated acts[link]

Members of Napalm Death have moved on to form bands such as Carcass, Godflesh, Cathedral, Scorn, Jesu, and Black Galaxy. Additionally, band members have formed numerous side projects, including Lull, Painkiller, Brujeria, Lock Up, Meathook Seed, Defecation, Teeth of Lions Rule the Divine, and Venomous Concept.

Notes[link]

References[link]

• Barcinski, André & Gomes, Silvio (1999). Sepultura: Toda a História. São Paulo: Ed. 34. ISBN 85-7326-156-0
• Mudrian, Albert (2004). Choosing Death: the Improbable History of Death Metal and Grindcore. Los Angeles, CA: Feral House.

External links[link]

Wikimedia Commons has media related to: Napalm Death

• Official website
• Official MySpace