Tract housing in Colorado Springs, Colorado. Cul-de-sacs are hallmarks of suburban planning.

A suburban development in San Jose, California.

The word suburb mostly refers to a residential area, either existing as part of a city (as in Australia and New Zealand, and generally in the United Kingdom) or as a separate residential community within commuting distance of a city (as in the United States and Canada). Some suburbs have a degree of administrative autonomy, and most have lower population density than inner city neighborhoods. Suburbs first emerged on a large scale in the 19th and 20th century as a result of improved rail and road transport, leading to an increase in commuting. Suburbs tend to proliferate around cities that have an abundance of adjacent flat land.^[1] Any particular suburban area is referred to as a suburb, while suburban areas on the whole are referred to as the suburbs or suburbia, with the demonym for a suburb-dweller being suburbanite. Colloquial usage sometimes shortens the term to burb.

Etymology and usage[link]

The word is derived from the Old French subburbe, which is in turn derived from the Latin suburbium, formed from sub (meaning "under") and urbs ("city"). In Ancient Rome, wealthy and important people tended to live on the hills of the city, while poorer citizens lived at lower elevations – hence "under the city". The first recorded usage of the term in English, according to the Oxford English Dictionary, was made by John Wycliffe in 1380, where the form subarbis was used.

United States and Canada[link]

In the United States and Canada, suburb can refer either to an outlying residential area of a city or town or to a separate municipality, borough, or unincorporated area outside a town or city. The latter definition is evident in the title of David Rusk's book Cities Without Suburbs (ISBN 0-943875-73-0), which promotes metropolitan government. Note, however, that this definition is not universal. In fact, many of the classic streetcar suburbs are within the political boundaries of their respective cities, such as West Philadelphia, Pennsylvania, a part of which has is listed on the National Register of Historic Places as the West Philadelphia Streetcar Suburb Historic District. American journalist and social commentator Joel Garreau criticized the common use of the term solely to areas outside the political boundaries of major cities in his 1991 book Edge City: Life on the New Frontier when he discussed the phenomenon of edge cities in Atlanta (emphasis added):

For its part, the Canadian national statistical agency, Statistics Canada, uses a variety of definitions of "suburban" and "urban" depending of the context:

United Kingdom and Ireland[link]

In Ireland and the United Kingdom, suburb merely refers to a residential area outside the city centre, regardless of administrative boundaries.^{[citation needed]} Suburbs in this sense can be separated by open countryside from the city centre.^{[citation needed]} In large cities such as London, suburbs include formerly separate towns and villages that have been gradually absorbed during a city's growth and expansion.

Australia and New Zealand[link]

In Australia and New Zealand, suburbs have become formalised as geographic subdivisions of a city and are used by postal services in addressing. In rural areas of Australia their equivalents are called localities (see suburbs and localities). In Australia, the terms inner suburb and outer suburb are used to differentiate between the higher-density suburbs in proximity to the city center, and the lower-density suburbs on the outskirts of the urban area. Inner suburbs, such as Te Aro in Wellington, Prahran in Melbourne and Ultimo in Sydney, are usually characterised by higher density apartment housing and greater integration between commercial and residential areas.

History[link]

While the suburbs had originated far earlier; the suburban population in North America exploded during the post-World War II economic expansion. Returning veterans wishing to start a settled life moved en masse to the suburbs. Levittown developed as a major prototype of mass-produced housing. At the same time, African Americans were rapidly moving north for better jobs and educational opportunities than were available to them in the segregated South. Their arrival in Northern cities en masse, in addition to being followed by race riots in several large cities such as Detroit, Chicago, and Philadelphia, further stimulated white suburban migration.

De-investment in American cities was rampant during the time of mass suburbanization. Aging cities were left to fall apart, during a time when the country was experiencing tremendous prosperity. Industrial factories that were once the heart of the city were now being abandoned and jobs were shifting to the service sector.^[4]

In the U.S., 1950 was the first year that more people lived in suburbs than elsewhere.^[5] In the U.S, the development of the skyscraper and the sharp inflation of downtown real estate prices also led to downtowns being more fully dedicated to businesses, thus pushing residents outside the city center.

The history of suburbia is a subfield of urban history and enlists scholars across the world. Most published work looks at the origins, growth, diverse typologies, culture, and politics of suburbs, as well as to the gendered and family-oriented nature of suburban space.^[6][7] Many people have assumed that early-20th-century suburbs were enclaves for middle-class whites, a concept that carries tremendous cultural influence yet is actually stereotypical. Many suburbs are based on a heterogeneous society of working-class and minority residents, many of whom share the American Dream regarding home ownership as defined by developers and the power of advertising. Sies (2001) argues that it is necessary to examine how "suburb" is defined as well as the distinction made between cities and suburbs, geography, economic circumstances, and the interaction of numerous factors that move research beyond acceptance of stereotyping and its influence on scholarly assumptions.^[8]

Suburbia worldwide[link]

United States[link]

Suburban Dallas, Texas.

Big box shopping centers in suburban New Orleans, Louisiana.

In the United States, suburbs have a prevalence of usually detached^[9] single-family homes.^[10]

Suburban Santa Fe, New Mexico.

Many post-World War II American suburbs are characterized by:

• Lower densities than central cities, dominated by single-family homes on small^{[clarification needed]} plots of land, surrounded at close quarters by very similar dwellings.
• Zoning patterns that separate residential and commercial development, as well as different intensities and densities of development. Daily needs are not within walking distance of most homes.
• Subdivisions carved from previously rural land into multiple-home developments built by a single real estate company. These subdivisions are often segregated by minute differences in home value, creating entire communities where family incomes and demographics are almost completely homogeneous.^{[citation needed]}.
• Shopping malls and strip malls behind large parking lots instead of a classic downtown shopping district.
• A road network designed to conform to a hierarchy, including culs-de-sac, leading to larger residential streets, in turn leading to large collector roads, in place of the grid pattern common to most central cities and pre-World War II suburbs.
• A greater percentage of one-story administrative buildings than in urban areas.
• A greater percentage of whites and lesser percentage of citizens of other ethnic groups than in urban areas. Black suburbanization grew between 1970 and 1980 by 2.6% as a result of central city neighborhoods expanding into older neighborhoods vacated by whites.^[11][12][13]
• Compared to rural areas, suburbs usually have greater population density, higher standards of living, more complex road systems, more franchised stores and restaurants, and less farmland and wildlife.

By 2010 suburbs increasingly gained people in racial minority groups, as many members of minority groups became better educated, more affluent, and sought more favorable living conditions compared to inner city areas; many white Americans also moved back to city centers. Many major city downtowns (such as Downtown Miami, Downtown Detroit, or Downtown Los Angeles) are experiencing a renewal, with large population growth, residential apartment construction, and increased social, cultural, and infrastructural investments. Better public transit, proximity to work and cultural attractions, and frustration with suburban life and gridlock have attracted young Americans to the city centers.^[14]

History[link]

Prior to the 19th century, suburb often referred to the outlying areas of cities where work was most inaccessible—implicitly, where the poorest people had to live. The modern American usage of the term came about during the course of the 19th century, as improvements in transportation and sanitation made it possible for wealthy developments to exist on the outskirts of cities, for example in Brooklyn Heights.

The growth of suburbs was facilitated by the development of zoning laws, redlining and numerous innovations in transport. After World War II availability of FHA loans stimulated a housing boom in American suburbs. In the older cities of the northeast U.S., streetcar suburbs originally developed along train or trolley lines that could shuttle workers into and out of city centers where the jobs were located. This practice gave rise to the term bedroom community, meaning that most daytime business activity took place in the city, with the working population leaving the city at night for the purpose of going home to sleep.

Economic growth in the United States encouraged the suburbanization of American cities that required massive investments for the new infrastructure and homes. Consumer patterns were also shifting at this time, as purchasing power was becoming stronger and more accessible to a wider range of families. Suburban houses also brought about needs for products that were not needed in urban neighborhoods, such as lawnmowers and automobiles. During this time commercial shopping malls were being developed near suburbs to satisfy consumers' needs and their car–dependent lifestyle..^[4]

Long Island, New York in the United States became the first large–scale suburban area in the world to develop, thanks to William Levitt's Levittown, New York, which is widely considered to be the archetype of Post-World War II suburbia. Long Island's significance as a suburb derived mostly from the upper-middle-class development of entire communities in the late nineteenth century, and the rapid population growth that occurred as a result.

As car ownership rose and wider roads were built, the commuting trend accelerated in North America. This trend towards living away from towns and cities has been termed the urban exodus.

Zoning laws also contributed to the location of residential areas outside of the city center by creating wide areas or "zones" where only residential buildings were permitted. These suburban residences are built on larger lots of land than in the central city. For example, the lot size for a residence in Chicago is usually 125 feet (38 m) deep, while the width can vary from 14 feet (4.3 m) wide for a row house to 45 feet (14 m) wide for a large stand–alone house.^{[citation needed]} In the suburbs, where stand–alone houses are the rule, lots may be 85 feet (26 m) wide by 115 feet (35 m) deep, as in the Chicago suburb of Naperville.^{[citation needed]} Manufacturing and commercial buildings were segregated in other areas of the city.

View of housing development near farm in Richfield, Minnesota (1954)

Increasingly, more people moved out to the suburbs, in a trend known as suburbanization. Moving along with the population, many companies also located their offices and other facilities in the outer areas of the cities. This has resulted in increased density in older suburbs and, often, the growth of lower density suburbs even further from city centers. An alternative strategy is the deliberate design of "new towns" and the protection of green belts around cities. Some social reformers attempted to combine the best of both concepts in the garden city movement.^[15]

Since the 18th century, American urban areas have often grown faster than city boundaries. Until the 1900s, new neighborhoods usually sought or accepted annexation to the central city to obtain city services. In the 20th century, however, many suburban areas began to see independence from the central city as an asset. In some cases, white suburbanites saw self-government as a means to keep out people who could not afford the added suburban property maintenance costs not needed in city living. Federal subsidies for suburban development accelerated this process as did the practice of redlining by banks and other lending institutions.^[16] In some cities such as Miami and San Francisco, the main city is much smaller than the surrounding suburban areas, leaving the city proper with a small portion of the metro area's population and land area. Cleveland, Ohio is typical of many American central cities; its municipal borders have changed little since 1922, even though the Cleveland urbanized area has grown many times over.^{[citation needed]} Several layers of suburban municipalities now surround cities like Cleveland, Chicago, Detroit, Los Angeles, Dallas, Denver, Fort Worth, Houston, San Francisco, Sacramento, Atlanta, Miami, Pittsburgh, and Philadelphia.

In April 2012, the United States Census Bureau documented the first indication that the growth of American suburbs had ceased, a trend attributed to rising gasoline prices and a change in living preferences among members of Generation Y.^[17]

Canada[link]

The Calgary Region is Canada's most suburban metropolitan region, with 67% of the population living in low-density neighborhoods in 2001.^[18]

Suburban development in Maple, Ontario. The condominiums in the background are also new-build and speak to Canada's higher suburban densities.

Canadian suburban development in Markham, Ontario, north of Toronto.

Compared to the United States, Canadian suburbs are considerably more dense, and land use patterns are often more mixed-use. There are often high- or mid-rise developments interspersed with low-rise housing tracts. The concept of the McMansion, prevalent in the USA, is not common in Canadian suburbs.In Canada, densities are generally slightly higher than in Australia, but below typical European values. Oftentimes, Canadian suburbs are less automobile-centred and transit use is more prevalent. Throughout Canada, especially in Toronto and Vancouver, there are comprehensive plans in place to curb sprawl, such as Ontario's Places to Grow act.

In determining which areas are considered "urban" and which are "suburban", the national statistical agency, Statistics Canada, has examined a number of potential methods for drawing the distinction, including municipal boundaries, age of the housing stock, distance from city hall or the central business district, and housing (but not population) density. It considers the last two, distance from center and housing density, the best measures of suburban or urban identity. Suburbs are defined as primarily single-family housing located at distance from the center of the city, while urban areas are primarily multi-family buildings near the center.^[3]

Canada is an urbanized nation where over 80% of the population live in urban areas (loosely defined), and roughly two-thirds live in one of Canada's 33 census metropolitan areas (CMAs) with a population of over 100,000. However, of this metropolitan population, in 2001 nearly half lived in low-density neighborhoods, with only one in five living in a typical "urban" neighborhood.^[18] The percentage living in low-density neighborhoods varied from a high of nearly two-thirds of Calgary CMA residents (67%), to a low of about one-third of Montreal CMA residents (34%).^[18]

The history of urban development in Canada is comparable to that in the United States: after World War II, large bedroom communities of single-family homes and shopping malls sprouted on the outskirts of Canadian cities. However, there are a number of differences. A major difference between the suburban / urban divides in Canada and the United States is the greater relevance of the concept of white flight in explaining demographic patterns in the United States. Furthermore, compared to the United States, since 1971 Canadian core cities have not experienced as much population decline, have been allowed to annex more outlying areas, and have enacted zoning policies that are more tolerant of density.^[19]

Despite these caveats, the trend in Canada has been of steady suburbanization. Population and income growth in Canadian suburbs has tended to outpace growth in core urban or rural areas. The suburban population increased 87% between 1981 and 2001, well ahead of urban growth.^[20] The majority of recent population growth in Canada's three largest metropolitan areas (Greater Toronto, Greater Montreal, and Greater Vancouver) has occurred in non-core municipalities, although this trend has already reversed itself in Toronto, where a building boom has begun to take place. This trend is also beginning to take effect in Vancouver, and to a lesser extent, Montreal. In certain cities, particularly Edmonton and Calgary, suburban growth takes place withing the city boundaries as opposed to in bedroom communities. This is due to annexation and large geographic footprint within the city borders.

Transportation in Canadian suburbs is dominated by private automobiles. Between 1992 and 2005, automobile dependence rose in Canadian suburbs, while bicycle usage declined.^[21]

The political independence of suburban municipalities from the nearby city is a sensitive political issue, since provincial governments have the power to rewrite municipal boundaries at will, and they have often dictated mergers without input from residents (recently in Nova Scotia in 1996, Ontario in 1997 and Quebec in 2002). The percentage of a CMA's population located in the core municipality varies substantially.

According to 2006 Census data, Calgary's seven suburban municipalities accounted for only 8% of the CMA’s total population. The same was true for the CMA of Winnipeg, where the suburban municipalities also made up only 9% of the CMA’s total population. The situation was completely different in the CMA of Vancouver, where 73% of the total population lived in the suburban municipalities.

—Statistics Canada, ^[3]

For this reason, Statistics Canada does not use municipal boundaries to delineate "suburbs" from "cities".

Canada's largest administratively independent suburban municipalities are those surrounding the four largest cities. Montreal is neighbored both by municipalities that lie on the same island in the St. Lawrence River, as well as "off-island suburbs" including the two largest, Laval (located on a neighboring island) and Longueuil (on the mainland), as well as a "ring" of smaller municipalities on the South and North shores of the river. From 2002 to 2006 the entire Island of Montreal was merged into one city, but this policy was partly reversed when a different party captured the provincial government. Ottawa and its large neighbor of Gatineau—both expanded greatly by city-suburb mergers in the early 2000s—face one another on the Ottawa River; the two, together with neighboring suburban towns in both Ontario and Quebec, form the National Capital Region. Toronto annexed many of the outlying suburbs in 1998. The Greater Toronto Area has many large suburban cities with its two largest being Mississauga and Brampton. Greater Vancouver has seven suburban municipalities with at least 100,000 people, with the largest being Surrey and Vancouver's direct neighbors Burnaby and Richmond. Edmonton is neighboured by St. Albert and Sherwood Park among others.

History[link]

In the 1890–1930 era part of Toronto' east-end district now known as "the Beach" changed from a "cottage colony" of summer second-homes into a metropolitan suburb dominated by the middle classes. The Beach is a representative type of pre-World War II suburban growth since it emerged slowly and piecemeal, and was inconsistent in pattern and form with a mix of housing types. The Beach exemplifies how social classes sorted themselves by income level and neighborhood. The Beach was dominated by the middle classes, with some working-class areas.^[22]

In sharp contrast to the haphazard development of "the Beach" stands the elaborately designed Montréal suburb of Mount Royal. The Canadian Northern Railway built Mount Royal northwest of Montréal in 1910 to 1925. It was a corporate suburb that was planned, designed, and developed as a real estate venture to help offset the costs of building a railway tunnel into the center of Montreal. Its main designer was Frederick Todd, a protégé of the junior Olmsted and Canada's most prominent landscape architect of the early 20th century. His design was influenced by the City Beautiful ideals of Frederick Law Olmsted, Jr., and the garden city movement principles of Henry Vivian.^[23]

After the Second World War, a serious housing shortage and the return of large numbers of veterans led the national government, through the Canadian Mortgage and Housing Corporation (CMHC), to promote suburbs by offering very low cost mortgages, with small down payments and easy terms.^[24]

Other countries[link]

In many parts of the developed world, suburbs are different from the American suburb, both in terms of population and in terms of what they represent. In some cases suburbs of cities outside of North America are economically distressed areas, inhabited by higher proportions of recent immigrants, with higher delinquency rates and social problems. Sometimes the notion of suburb may even refer to people in real misery, who are kept at the limit of the city borders for economic, social, and sometimes ethnic reasons. An example in the developed world would be the banlieues of France, or the concrete suburbs of Sweden, even if the suburbs of these countries also include middle-class and upper-class neighborhoods that often consist of single-family houses. Thus some of the suburbs of most of the developed world are comparable to several inner cities of the U.S. and Canada.

The growth in the use of trains, and later automobiles and highways, increased the ease with which workers could have a job in the city while commuting in from the suburbs. In the United Kingdom, railways stimulated the first mass exodus to the suburbs. The Metropolitan Railway, for example, was active in building and promoting its own housing estates in the north-west of London, consisting mostly of detached houses on large plots, which it then marketed as "Metro-land".^[25] The Australian and New Zealand usage came about as outer areas were quickly surrounded in fast-growing cities, but retained the appellation suburb; the term was eventually applied to the original core as well.

Middle-class housing in Huixquilucan, a suburb of Mexico City.

In Mexico, suburbs are generally similar to their United States counterparts. Houses are made in many different architectural styles which may be of European, American and International architecture and which vary in size, although the main difference with the US and Canada is that houses are mainly constructed with bricks and concrete instead of wood; thus houses tend to last much longer, approximately 50 years. Suburbs can be found in Guadalajara, Mexico City, Monterrey, and most major cities. Lomas de Chapultepec is an example of an affluent suburb, although it is located inside the city and by no means is today a suburb in the strict sense of the word. In Mexico's City Spanish the word "suburbio" is mainly used to denote the slums and urban sprawl in the outskirts of the city—mainly those found at the eastern/northeastern part of the city. In the rest of Latin America, the situation is similar to that of Mexico, with many suburbs being built, most notably in Argentina, Brazil, and Chile, which have experienced a boom in the construction of suburbs since the late 70s and early 80s. As the growth of middle-class and upper-class suburbs increased, low-class squatter areas have increased, most notably "lost cities" in Mexico, barriadas in Peru, villa miserias in Argentina, asentamientos in Guatemala and favelas of Brazil.

Suburban street in Nuñez, a Middle-class neighborhood of Buenos Aires, Argentina.

In Africa, since the beginning of the 1990s, the development of middle-class suburbs boomed. Due to the industrialization of many African countries, particularly in cities such as Cairo, Johannesburg and Lagos, the middle class has grown. In an illustrative case of South Africa, RDP housing has been built. In much of Soweto, many houses are American in appearance, but are smaller, and often consist of a kitchen and living room, two or three bedrooms, and a bathroom. However, there are more affluent neighborhoods, more comparable to American suburbs, particularly east of the FNB Stadium. In Cape Town there is a distinct European style which is due to the European influence during the mid-1600s when the Dutch conquered the area. Houses like these are called Cape Dutch Houses and can be found in the affluent suburbs of Constantia and Bishopscourt.

Houses in Kensington, a wealthy suburb of London

In the UK, the government is seeking to impose minimum densities on newly approved housing schemes in parts of South East England. The goal is to "build sustainable communities" rather than housing estates. However, commercial concerns tend to delay the opening of services until a large number of residents have occupied the new neighbourhood.

Slums in Soweto, suburb of Johannesburg, South Africa.

In the illustrative case of Rome, Italy, in the 1920s and 1930s, suburbs were intentionally created ex novo in order to give lower classes a destination, in consideration of the actual and foreseen massive arrival of poor people from other areas of the country. Many critics have seen in this development pattern (which was circularly distributed in every direction) also a quick solution to a problem of public order (keeping the unwelcome poorest classes together with the criminals, in this way better controlled, comfortably remote from the elegant "official" town). On the other hand, the expected huge expansion of the town soon effectively covered the distance from the central town, and now those suburbs are completely engulfed by the main territory of the town. Other newer suburbs (called exurbs) were created at a further distance from them.

Bangsar, a suburb outside of downtown Kuala Lumpur, Malaysia

In Russia, the term suburb differs from the American term, but also differs from the Western European term. In North America, suburbs often refer to residential areas that house the middle and high class and are made up of single-family homes. In Russia however, a suburb refers to high-rise residential apartments which usually consist of two bedrooms, one bathroom, a kitchen and a living room. These suburbs, however are usually not in poor neighborhoods, unlike the banlieues of France.

In China, the term suburb is new, although suburbs are already being constructed rapidly. Many new suburban homes are similar to their equivalents in the United States, primarily outside Beijing and Shanghai, which also mimic Spanish and Italian architecture.^[26] In Hong Kong, however, suburbs are mostly government-planned new towns containing numerous public housing estates. New Towns such as Tin Shui Wai may gain notoriety as a slum. However, other new towns also contain private housing estates and low density developments for the upper classes.

In Japan, the construction of suburbs has boomed since the end of World War II. They are very similar to their US counterparts, and many cities are experiencing the urban sprawl effect.

In Malaysia, suburbs are common, especially in areas surrounding the Klang Valley, which is the largest conurbation in the country. These suburbs also serve as major housing areas and commuter towns. Terraced houses, semi-detached houses and shophouses are common concepts in suburbs. In certain areas such as Klang, Subang Jaya and Petaling Jaya, suburbs form the core of these places. The latter one has been turned into a satellite city of Kuala Lumpur. Suburbs are also evident in other smaller conurbations including Ipoh, Johor Bahru, Kota Kinabalu, Kuching and Penang.

Traffic flows[link]

The examples and perspective in this article deal primarily with the United States and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (June 2011)

Suburbs typically have longer travel times to work than traditional neighborhoods.^[27] Only the traffic within the short streets themselves is less. This is due to three factors:^{[citation needed]} almost-mandatory automobile ownership due to poor suburban bus systems, longer travel distances and the hierarchy system, which is less efficient at distributing traffic than the traditional grid of streets.

In the suburban system, most trips from one component to another component requires that cars enter a collector road^{[citation needed]}, no matter how short or long the distance is. This is compounded by the hierarchy of streets, where entire neighborhoods and subdivisions are dependent on one or two collector roads. Because all traffic is forced onto these roads, they are often heavy with traffic all day. If a traffic accident occurs on a collector road, or if road construction inhibits the flow, then the entire road system may be rendered useless until the blockage is cleared. The traditional "grown" grid, in turn, allows for a larger number of choices and alternate routes.

Suburban systems of the sprawl type are also quite inefficient for cyclists or pedestrians, as the direct route is usually not available for them either^{[citation needed]}. This encourages car trips even for distances as low as several hundreds of yards or meters (which may have become up to several miles or kilometers due to the road network). Improved sprawl systems, though retaining the car detours, possess cycle paths and footpaths connecting across the arms of the sprawl system, allowing a more direct route while still keeping the cars out of the residential and side streets.

Cultural depictions[link]

This section requires expansion.

Suburbs and suburban living have been the subject for a wide variety of films, books, television shows and songs. The American photojournalist Bill Owens documented the culture of suburbia in the 1970s, most notably in his book Suburbia. The 1962 song "Little Boxes" by Malvina Reynolds lampoons the development of suburbia and its perceived bourgeois and conformist values,^[28] while the 1982 song Subdivisions by the Canadian band Rush also discusses suburbia.

British television series such as The Good Life, Butterflies and The Fall and Rise of Reginald Perrin have depicted suburbia as well-manicured but relentlessly boring, and its residents as either overly conforming or prone to going stir crazy. Contrastingly, U.S. shows – such as Desperate Housewives or Weeds – portray the suburbs as concealing darker secrets behind a façade of perfectly manicured lawns, friendly people, and beautifully up-kept houses. Films such as Disturbia, have brought this theme to the cinema.

See also[link]

• Bibliography of suburbs
• Boomburbs
• Developed environments
• Ethnoburb
• Faubourg
• Levittown, Pennsylvania
• List of largest suburbs by population
• London commuter belt
• Microdistrict
• Penurbia
• Settlement types
• Suburbia bashing
• Urban rural fringe

References[link]

External links[link]

Wikimedia Commons has media related to: Suburb

• A Future Vision for the North American Suburb
• Centre for Suburban Studies
• Images of a mature north London suburb illustrating a wide range of domestic architecture
• The end of suburbia (documentary film)

Jools Holland
Holland at the British Academy Television Awards 2009
Background information
Birth name	Julian Miles Holland
Born	(1958-01-24) 24 January 1958 (age 54) Blackheath, London, England
Genres	Boogie-woogie, jazz, blues, R&B
Occupations	Musician, composer, television presenter, bandleader
Instruments	Piano, keyboard, guitar
Years active	1974–present
Associated acts	Squeeze Rhythm & Blues Orchestra
Website	Official site

Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze (1974-1980 & 1985-1990) and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, David Gilmour, Magazine and Bono.

Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B music. He currently hosts Later... with Jools Holland, a music-based show aired on BBC2, on which his annual show Hootenanny, is based.^[1]

Life and career[link]

His great grandfather came from Ireland.^[2]

Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."^[3]

Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.^[3]

Holland began issuing solo records in 1978, his first EP being Boogie Woogie '78. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show The Tube with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks.^[4] He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.

Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005

In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album Soul Mining. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.

In 1987, Holland formed The Jools Holland Big Band which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.^[3]

Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television.^[5] Since 1992 he has presented the music program Later... with Jools Holland, plus an annual New Year's Eve Hootenanny.

In 1996, Holland signed a recording contract with Warner Bros. Records,^[3] and his records are now marketed through Rhino Records.

Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff.

Personal[link]

Holland lives in the Westcombe Park area of Blackheath in South East London, where he had his studio, Helicon Mountain, built to his design, inspired by Portmeirion, the setting for the 1960s TV series The Prisoner.^[6] Holland owns costumes and props from the series and occasionally appears wearing the trademark brown-with-white-pipe blazer featured in the series. In 1987, Holland demonstrated his love of the series and starred in a spoof documentary, The Laughing Prisoner, with Stephen Fry, Terence Alexander and Hugh Laurie.^[6] Much of it was shot on location in Portmeirion, with archive footage of Patrick McGoohan, and featuring musical numbers from Siouxsie and the Banshees, Magnum and XTC. Holland performed a number towards the end of the program. His younger brother, Christopher, also plays organ in the Rhythm & Blues Orchestra, as well as being a singer-songwriter.

Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film Spiceworld as a musical director.

He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent.^[7] He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay,^[8] and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings.^[9] He is also patron of the Drake Music Project^[10] and has raised many thousands of pounds for the charity.

Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.^[11]

On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, before they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.^[12]

Holland is also a patron for The Milton Rooms, an Arts centre in Malton, North Yorkshire, along with Bill Nighy, Imelda Staunton and Kathy Burke.^[13]

Writing[link]

His 2007 biography, Barefaced Lies and Boogie Woogie Boasts was BBC Radio 4 "Book of the Week" in the week beginning 8 October 2007 and was read by Holland. He is the author or joint author of four other books.

Discography[link]

Albums that have charted and gained Certifications[link]

Releases[link]

• 1978 "Boogie Woogie '78" (EP)
• 1981 Jools Holland and His Millionaires
• 1984 Jools Holland Meets Rock 'A' Boogie Billy (U.S. release only)
• 1990 World Of His Own
• 1991 The Full Complement
• 1992 "Together Again" (single with Sam Brown)
• 1992 The A-Z Geographer's Guide To The Piano
• 1994 Solo Piano
• 1994 Live Performance
• 1996 " Jazz & Rock & Roll
• 1997 Lift The Lid
• 1998 Best Of
• 1999 Sunset Over London
• 2000 Hop The Wag
• 2001 Small World Big Band
• 2002 SWBB Volume Two: More Friends
• 2003 Jack O The Green (SWBB Friends 3)
• 2004 Tom Jones & Jools Holland
• 2005 Beatroute
• 2005 Swinging the Blues, Dancing the Ska
• 2006 Moving Out To The Country
• 2007 Best of Friends
• 2008 The Collection
• 2008 The Informer (With Ruby Turner)
• 2008 "The Informer" (single with Ruby Turner)
• 2009 "I Went By" (single with Louise Marshall)
• 2010 Rockinghorse

Film and television[link]

• 1981 Urgh! A Music War
• 1982 Police: Around the World
• 1982 - 1987 The Tube (Host for 121 editions)
• 1983 Rebellious Jukebox: Compere
• 1984 The Young Ones: Punk (Episode entitled "Summer Holiday")
• 1985 Walking To New Orleans (Jools Holland in New Orleans)
• 1987 Eat the Rich: Sun Reporter
• 1987 Filthy Rich & Catflap: Strip Show Pianist (Episode #1.3)
• 1987 The Laughing Prisoner: No. 7
• 1987 French and Saunders (Episode 1.5)
• 1988 Sunday Night: Host (unknown episodes)
• 1989 Juke Box Jury: Host (unknown episodes)
• 1989 The Groovy Fellers Himself, 6 episodes
• 1991 Mr Roadrunner (Jools Holland in Memphis)
• 1994 There's No Business: Pianist
• 1994 - 1995 Don't Forget Your Toothbrush
• 1995 The Beatles Anthology
• 1997 Spice World: Musical Director
• 1997 Name That Tune: Host and Pianist
• 2003 Jool's History of the Piano : Presenter
• 2006 Top Gear: Star in a reasonably priced car.
• 2007 Fairport@Forty: Interview
• 2009 Chop Shop Rover Concept: The Jet 1 Car : Customer

Current television programmes[link]

• 1992–present Later... with Jools Holland
• 1993–present Hootenanny

Books[link]

• "Rolling Stones": A Life on the Road, (with Dora Loewenstein), Viking/Allen Lane (1998), (ISBN 0-670-88051-5)
• Beat Route: Journeys Through Six Counties, Weidenfeld & Nicholson (1998), (ISBN 0-575-06700-4)
• Ray Charles: Man and Music, (with Michael Lydon), Payback Press (1999), (ISBN 0-86241-929-8)
• Hand That Changed Its Mind , International Music Publications (2007), (ISBN 1-84328-645-9)
• Barefaced Lies and Boogie-woogie Boasts , Michael Joseph Ltd (2007), (ISBN 0-7181-4915-7)

References[link]

External links[link]

• Official website
• Jools Holland at the Internet Movie Database
• Jools Holland's Radio 2 show at BBC Programmes
• Later...with Jools Holland at BBC Online

Ben Folds
Ben Folds (2007)
Background information
Birth name	Benjamin Scott Folds
Born	(1966-09-12) September 12, 1966 (age 45)
Origin	Winston-Salem, North Carolina
Genres	Piano rock, rock
Occupations	Musician, composer, arranger, bandleader
Instruments	Vocals, guitar, bass, piano, keytar, melodica, synthesizer, drums
Years active	1988–present
Labels	Attacked By Plastic, Epic
Associated acts	Ben Folds Five The Bens Fear of Pop Majosha Snuzz Pomplamoose Julia Nunes Charlie McDonnell Regina Spektor Amanda Palmer Angela Aki Kate Miller-Heidke William Shatner Sara Bareilles 8in8
Website	benfolds.com

Benjamin Scott "Ben" Folds (born September 12, 1966) is an American singer-songwriter and record producer. From 1995-2000, Folds was the frontman and pianist of the alternative rock band Ben Folds Five. Since the group disbanded, Folds has performed as a solo artist and has toured all over the world. He has also collaborated with musicians such as William Shatner, Regina Spektor and "Weird Al" Yankovic and undertaken experimental songwriting projects with authors such as Nick Hornby and Neil Gaiman. In addition to contributing music to the soundtracks of the animated films Over the Hedge, and Hoodwinked!, Folds produced Amanda Palmer's first solo album and has been a judge on the NBC a cappella singing contest The Sing-Off since 2009.^[1]

Early life and career[link]

Folds became interested in piano at age nine. His father, a carpenter, brought one home through a barter trade with a customer who was unable to pay.^[2] During this time, Folds listened to songs by Elton John and Billy Joel on AM radio, and learned them by ear.^{[citation needed]} During his years at R.J. Reynolds High School in Winston-Salem, North Carolina, Folds played in several bands as the pianist, bassist, or drummer.

In the late 1980s, Folds (as a bassist) and longtime friend Millard Powers formed the band Majosha. The group released several locally produced records. They played their first gig at Duke University's Battle of the Bands in 1988, and won.^[3] They played at bars and fraternity parties, and eventually put out a self-produced EP, which was sold at a few local stores called Party Night: Five Songs About Jesus (1988). The record featured only four songs, with none of them actually being about Jesus. They recorded Shut Up and Listen to Majosha in 1989. It contains, among other tracks, the four songs from Party Night (remixed and/or re-recorded) and what Folds would later record with his own band ("Emaline" and "Video"). At about the same time, they did a dance mix of "Get That Bug" that was released in Japan.

Majosha broke up in early 1990, and Folds formed Pots and Pans with Evan Olson (bass) and Britt "Snuzz" Uzzell (guitar and vocals), where Folds played drums. The newly formed band lasted only about a month, after which Olson and Uzzell went on to form Bus Stop^[4] with Folds' brother, Chuck Folds, on bass, and Eddie Walker on drums.^[5]

Folds eventually got a music publishing deal with Nashville music executive Scott Siman who saw Folds open for musician Marc Silvey (as well as playing bass for Silvey's band Mass Confusion), and moved to Nashville, Tennessee, to pursue it in 1990. He played drums for a short stint in Jody's Power Bill, headed by Millard Powers, Will Owsley, and Jody Spence. Jody's Power Bill was later renamed The Semantics. Folds did not take a creative role in the band. He, again, attracted interest from major labels. He ended up playing drums there as a session musician.^[6]

"In Nashville, I was running eight miles a day, hanging out with my friends, walking around eating chocolate-chip cookies and playing a lot of drums, which I enjoyed. Life was easy. I was never frustrated – even though I wasn't fulfilling my contract obligations. If you are failing in Nashville, at least your standard of living is nice. Nashville is a nice way to fail."^[6]

Folds attended the University of Miami's Frost School of Music on a percussion scholarship, but dropped out with one credit to go before graduating. He devoted a lot of time to working on piano technique. "I spent maybe six months just running scales with a metronome like a freak," Folds said. "I suppose that did something."^[7]

Folds tells audiences about a jury recital when he was a student at the University of Miami’s music school. A jury recital consists of playing a prepared repertoire (and sometimes unprepared pieces from prior years of training) before faculty members who apply a grade for the entire semester. Folds, a drummer, showed up with a broken hand from defending his roommate from bullies the night before, but was required to play anyway. He ended up losing his scholarship and in desperation threw his drum kit into the campus' Lake Osceola.^[8]

After leaving Miami, Folds moved to Montclair, New Jersey and began to act in theater troupes in New York City. He enjoyed it in 1993 to the point where he didn't want to keep pursuing a musical career.^[6] He also played weekly gigs at Sin-é, famous for being the cafe which had helped start Jeff Buckley's career.

Soon after, Folds moved back to North Carolina. The trio of Folds, bassist Robert Sledge, and drummer Darren Jessee formed Ben Folds Five in 1994^[9] in Chapel Hill. As Folds put it, “Jeff Buckley was being signed at that time by Columbia and I was talking to Steve, his A&R guy, and somehow we knew the same people or something."

Ben Folds Five[link]

In 1995, Ben Folds Five released their self-titled debut album. The debut was followed by Whatever and Ever Amen in 1997, and the odds-and-ends compilation Naked Baby Photos was released in early 1998. Whatever and Ever Amen spawned many singles such as "Brick", "Song for the Dumped", and "Battle of Who Could Care Less". In 1999, the band released their final album, The Unauthorized Biography of Reinhold Messner, which included the hit, "Army".

Folds has described his former band as "punk rock for sissies",^[10] and his oddball lyrics often contain nuances of melancholy, self conflict, and humorous sarcasm, often punctuated by profanity.

Despite its presence on multiple Billboard genre charts, no Ben Folds Five singles reached the US Hot 100, although they did show well on both adult contemporary and modern rock charts. However they gained a strong following in the United Kingdom and Australia early in their career, and like many other 'alternative' American acts this was largely thanks to consistent support from national broadcasters in those countries, the BBC in Britain and the ABC's Triple J youth radio network in Australia (and ABC-TV's music video show Rage).

The group's first chart breakthrough came in the UK, when "Underground" made the lower reaches of the Top 40, peaking at #37. Britain was the Five's strongest territory in terms of chart success, with five singles making the national Top 40 there – "Underground", "Battle of Who Could Care Less", "Kate", "Brick" and "Army" – although none managed to crack the UK Top 20.

In Australia "Underground" likewise broke the band locally and while it did not make the ARIA chart, it came in at #3 the 1998 Triple J Hottest 100 poll. The 1998 single "Brick" became the group's only major chart placing in Australia, reaching #13; it also came in at #53 in the ARIA Australian Top 100 for that year^[11] and earned a Gold Record award^[12] while its parent album Whatever and Ever Amen peaked at #9 and charted for 32 weeks.

Folds and his bandmates have moved many albums since 2001. He said, "The songs have been getting a great reaction, it makes me look forward to having a new album out there because it’s been a while. This feels like a really free period in my life and I’m really enjoying it.”^[13] Ben Folds Five reunited to perform its first concert appearance in nearly 10 years on September 18, 2008 at the University of North Carolina at Chapel Hill's Memorial Hall.^[14] The one-off gig was part of the MySpace "Front to Back" series, in which artists play an entire album live. The band played its final album, The Unauthorized Biography of Reinhold Messner. The concert aired during October and can be viewed at Nowwhat.com.^[15] All proceeds from ticket sales benefited the charity Operation Smile, of which Ben's uncle, Jim Folds, is on the board of directors for the North Carolina Chapter.^[16]

Solo career[link]

Folds performing in Knoxville, Tennessee (2006)

As of 2008, Folds had released six solo LPs, including an experimental side project called Fear of Pop, which was released while Ben Folds Five was still together.

Folds's first solo release after the breakup of the band was Rockin' the Suburbs in 2001. He played nearly all the instruments, notably guitar (an instrument seldom used during the Ben Folds Five days). The Luckiest was written for the Amy Heckerling movie Loser, but the scene it was meant for was deleted.^[17] Millard Powers, Britt "Snuzz" Uzzell, and Jim Bogios joined him on the promotional tour of the album. "Weird Al" Yankovic directed and appeared in Folds' video for "Rockin' the Suburbs". Folds' friend and fellow musician John McCrea, lead singer of the band Cake, contributed vocals to Folds' song "Fred Jones, Part 2".

A year later, he released Ben Folds Live, a collection of live solo recordings. In late 2003, two solo EPs, Speed Graphic and Sunny 16, were released. The last EP, Super D, was released in mid-2004.

Songs for Silverman was released in the United States on April 26, 2005. The album featured Jared Reynolds on bass and Lindsay Jamieson on drums, thus returning to the trio format. This album includes the track "Late", a tribute to the late singer-songwriter Elliott Smith, and also features backup vocals from "Weird Al" Yankovic on "Time" (Folds had played piano for Yankovic's song "Why Does This Always Happen to Me?" on his Poodle Hat album).

Folds contributed to William Shatner's album, Has Been, as producer, arranger, musician, and backup vocalist. Shatner was also involved in Folds' Fear of Pop project, and contributed vocals to a number of songs on the album.

The soundtrack for the 2006 animated film Hoodwinked! featured "Red is Blue," performed by Ben Folds.

In May 2006, Folds contributed three original songs to the soundtrack of Over the Hedge, dubbed "Heist," "Family of Me," and "Still." Included with them was a cover of The Clash song "Lost in the Supermarket" and a remix of "Rockin' The Suburbs." "Rockin' the Suburbs" featured new lyrics written to complement the script of the film.

On October 24, 2006, Folds released Supersunnyspeedgraphic, the LP, a compilation of songs that were originally released on the EPs Sunny 16, Speed Graphic, and Super D. He announced on his MySpace blog that he planned to work on his next studio album in October 2006 (although recording did not actually start until 2007). On that same day, Folds became the first person to broadcast a live concert over MySpace. The concert was complete with pranks staged ahead of time by Folds, including a drunk man falling over the balcony during "Jesusland" and a suicide attempt at the end. The concert is also notable for featuring a "guitorchestra", a group of acoustic guitarists from Nashville who accompanied Folds on some songs, as well as an impromptu ringtone orchestra made up of audience members playing their cellphone's ringtones in unison.

Folds produced The Dresden Dolls' Amanda Palmer's first solo album, Who Killed Amanda Palmer which was released September 16, 2008. He also performs on the album.^[18][19]

During a concert at the National in Richmond, Virginia on April 11, 2008, Folds announced that he had completed his newest album, and played four new tracks from this album. He played the first track, "Hiroshima", at the same show in Richmond on April 11. He also debuted new music at an impromptu gig at the Exit/In on December 19, 2007 and at the Ann Arbor Folk Festival on January 25, 2008. Other new songs include "Errant Dog", "Effington", "Bitch Went Nuts", "Free Coffee", and "Kylie From Connecticut". Folds played The 6th annual Langerado on March 8, 2008 and was a part of the lineup for the 2008 Bonnaroo Music and Arts Festival.

On July 16, 2008, an anonymous user posted what they claimed was a "leak" of Ben's latest album on a fan site (eventually called Way to Normal (Fake)). The file contained nine tracks along with a PDF of supposed cover art, and was a mix of what appeared to be legitimate songs from Way to Normal, pastiches of dry humor and melodramatic pop interwoven with bright, energetic melodies. Folds explained on Triple J radio a few weeks later that in one overnight session in Dublin he and the band had recorded 'fake' versions of songs from the new album. His sources had then leaked them to the public as a light-hearted joke on his fans.^[20]

Way to Normal was released on September 30, 2008 in the United States and on September 29, 2008 in the United Kingdom.^[21][22] It became Folds' highest-charting album ever in the US, debuting at #11 on the Billboard 200.^[23]

Soon before Way to Normal was released, Folds announced that he planned to record an album with English author Nick Hornby, with Hornby writing the lyrics and Folds writing the music. The idea of the collaboration came out of the 'fake' leak of the album Way to Normal released in July 2008. "(We will) write and record it in about three days, just like we did in Dublin with the fake record," Folds said.^[24]

In August 2008, Folds played piano for friend and Japanese singer-songwriter Angela Aki's song "Black Glasses" on her new album Answer.

On April 28, 2009, Folds released Ben Folds Presents University A Cappella, an album consisting of college student's a cappella arrangements of his music performed by some of the country's best college a cappella groups.^[25]

Folds' song "Rockin' the Suburbs" has been featured as part of the music for ABC's sitcom Surviving Suburbia.

Folds was also an inaugural member of the Independent Music Awards' judging panel to support independent artists.^[26]

From December 14 through 21, 2009, Folds was featured as a judge on NBC's a cappella competition The Sing Off alongside Nicole Scherzinger and Shawn Stockman and offered insightful, constructive comments and criticisms to the contestants. On the final show, in a departure from his a cappella purism, showcased his talents and played the roaring, riffing piano background on "Why Can't We Be Friends?" sung by the two finalist groups, The Beelzebubs from Tufts University near Boston and Nota, from San Juan, Puerto Rico. He again returned for the show's second season, and has been confirmed to return for the third season in September 2011 alongside Stockman and Sara Bareilles.

In March 2010, Folds became a YouTube phenomenon in a video titled "Ode To Merton". In the video, Folds improvises several songs about people that he sees on the popular social networking site Chatroulette, in the style of "Merton" another YouTube phenomenon who many thought was Folds himself.^[27][28]

Folds' newest album, a collaboration with English author Nick Hornby, is entitled Lonely Avenue and was released on September 28, 2010. On June 14, Folds released the official album art via his Twitter account. "From Above", the first single from the album, premiered on Richard Kingsmill's new music show 2010 on Triple J in Australia on July 18, 2010. "From Above" features Australian singer Kate Miller Heidke on backing vocals.

Folds has recently recorded a video song with Nick Hornby and Pomplamoose. As well, English YouTuber Charlie McDonnell was commissioned to create the music video for Folds' song "Saskia Hamilton", which was uploaded on October 1, 2010.^[29]

Tours[link]

Ben Folds playing the piano in 2009

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2010)

After Ben Folds Five split, Folds' first tour with a full band was to support the album Rockin' The Suburbs. He was accompanied by Britt "Snüzz" Uzzell on guitar and electronic keyboard, Millard Powers on bass and keys, and Jim Bogios on drums. Powers and Bogios later went on to join Counting Crows.

On a tour of Australia, Folds joined with solo artists Ben Kweller and Ben Lee to travel the country as The Bens, at the suggestion of a fan on Kweller's official website. The trio also went on to record a four-track EP together.

In the summer of 2004, Folds co-headlined an American tour with fellow singer-songwriters Rufus Wainwright and Guster. Folds again performed with Wainwright and Lee in the summer of 2005 as part of the "Odd Men Out" tour. In addition, Folds has performed with many other notable musical names, including Weezer and Tori Amos. After seeing The Fray perform with Weezer, Folds asked the band to join him for twelve performances in 2005.

Folds also performed with the West Australian Symphony Orchestra (WASO) in March 2005, the Baltimore Symphony Orchestra (BSO) in November 2005, the North Carolina Symphony in March 2010, and the Utah Symphony Orchestra in July 2010. A DVD of Folds playing with the West Australian Symphony Orchestra was released in December 2005.

On May 9, 2007, Folds performed with the Boston Pops Orchestra. The orchestra's performance was marred when a fight broke out between two audience members in the balcony, though Folds had not yet taken the stage.^[30]

Folds performed with symphony orchestras again in August 2006 during a tour of Australia, which included performances with the Sydney Symphony at the Sydney Opera House, Adelaide Symphony Orchestra, Western Australian Symphony Orchestra, Melbourne Symphony Orchestra, and The Queensland Orchestra.

After his MySpace performance on October 24, 2006, Folds's tour performances began to feature a synthesizer, which he uses in many of the songs when played live. The synthesizer is a red Nord Lead II synthesizer. During his concerts, Folds performs two of his concert traditions: palm-smashing and throwing his stool at the piano.

Folds toured with John Mayer as an opening act (though his set typically lasted an hour) in the summer of 2007. During this tour, Mayer sometimes joined Folds on the song "Narcolepsy", playing synth. At various concerts throughout the tour, parents of young children going to see Mayer would file complaints about Folds' lyrics. Folds responded by posting on his website, "We have kids too, but we don't take them out to rock shows that last until 11pm."^{[citation needed]}

On March 29, 2008, Folds played the Cage Center Arena at Berry College in Mt. Berry, GA. During contract negotiations, he was asked by the administration to not play one of his songs due to its explicit lyrics. Folds refused, citing artistic freedom.^[31]

On May 9, 2008, Folds played his first completely solo show in years at Western Connecticut State University due to the fact that his bassist Jared Reynolds was with his wife who had just given birth to their first son.^{[citation needed]}

Folds made a brief solo tour of Australia during August 2009; at one of his sold out Sydney Opera House concerts he was joined onstage for several songs by Aimee Mann, who was also touring Australia at the time. At the Palais theatre in Melbourne Missy Higgins joined him for You Don't Know Me.^[32]

In 2010, Folds went on a brief tour of North America called "Ben Folds and a Piano" where he played solo other than with Zach Williams or Kate Miller-Heidke and her husband Keir Nuttall as supporting musicians.^{[citation needed]} A small number of copies that were pre-ordered also included signed manuscripts by Ben Folds and Nick Hornby.

In April 2011 Folds collaborated with Amanda Palmer, Neil Gaiman and Damian Kulash as 8in8 to write, record and produce eight songs in eight hours which were then available online within 24 hours, as well as being performed once on its world tour, as part of the ReThink Music conference.^[33]

Folds will reunite with Ben Folds Five to play the Mountain Jam Music Festival on June 2, 2012. This will be the first time the band has played together since 2008.

Ben Folds performed at the Kennedy Center in Washington DC for the 2012 Presidential Scholar in the Arts ceremony with several of YoungArts best alumni.

Personal life[link]

Folds has been married four times. His personal life has inspired several of his songs; the hit single "Brick", co-written with Darren Jessee, was based on the experience of Folds and his girlfriend having an abortion while they were in high school.^[34]

Folds met Anna Goodman in first grade at Moore Elementary School, Winston Salem and was married to her from 1987–1992.^[35] She co-wrote several Ben Folds Five songs: "Alice Childress", "The Last Polka", "Smoke", "Kate" and "Lullaby." Folds was then briefly married to Kate Rosen in 1996.

Folds met Australian Frally Hynes in January 1998 and they were married in Adelaide, South Australia in May 1999.^[34] Two months after their wedding, Frally gave birth to their twins, Louis Francis (July 22, 1999) and Gracie Scott (July 23, 1999),^[36] the former inspiring his song "Still Fighting It" and the latter inspiring his song "Gracie." Hynes also sang lead on "Root To This" on Fear of Pop's 1998 album Volume 1. Folds filed for divorce in November 2006.^[34]

Ben and Fleur Folds were married on November 17, 2007 at the Venetian Hotel in Las Vegas.  They are currently based in Nashville where they live with their three children, Gracie, Louis and Julia-Rose.^[37] Folds stated in an online chat on the fan forum thesuburbs.org.uk that he and Hynes share joint custody of their twins. Julia Rose is Ben's stepdaughter.^[38]

Discography[link]

See also[link]

• Kalamazoo, Michigan

References[link]