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Old French (franceis, françois, romanz; Modern French ancien français) was the Romance dialect continuum spoken in territories that span roughly the northern half of modern France and parts of modern Belgium and Switzerland from the 9th century to the 14th century. It was then known as the langue d'oïl (oïl language) to distinguish it from the langue d'oc (Occitan language, also then called Provençal), whose territory bordered that of Old French to the south. The Norman dialect was also spread to England, Ireland, the Kingdom of Sicily and the Principality of Antioch in the Levant.

Etymology and phonology[link]

Historical influences[link]

Gaulish[link]

Gaulish, maybe the only survivor of the continental Celtic languages in Roman times, slowly became extinct during the long centuries of Roman dominion. Only several dozen words (perhaps 200, if we add Gaulish etymology) survive in modern French, for example chêne, ‘oak tree’ and charrue ‘plough'; Delamarre (2003, pp. 389–90) lists 167.

Despite attempts to explain some phonetic changes by the action of a Gaulish substratum, only one of them is sure, because this fact is clearly attested in the Gaulish language epigraphy, e.g. : on the potteries of la Graufesenque (1st c. AD), there is the Latin word (from Greek) written paraxsid-i instead of paropsid-es.^[1] The spellings /ps/ and /pt/ are confused with /xs/ and /xt/, e.g. : Latin capsa > *kaxsa > caisse (compare Italian cassa) or captīvus > *kaxtivus > OF chaitif^[2] (Modern French chétif, compare Irish cacht 'servant' ≠ Italian cattiv-ita, Spanish cautivo). This phonetic evolution is parallel to the shift of the Latin group /kt/ in Old French (Latin factum > fait, Italian fatto, Spanish hecho or lactem* > lait ; Italian latte, Spanish leche).

Latin[link]

Old French began when the Roman Empire conquered Gaul during the campaigns of Julius Caesar, which were almost complete by 51 BC. The Romans introduced Latin to southern France by 120 BC when it came under Roman occupation.

Beginning with Plautus's time (254–184 BC), the phonological structure of classical Latin underwent change, which would eventually yield vulgar Latin, the common spoken language of the western Roman empire. This latter form differed strongly from its classical counterpart in phonology; it was the ancestor of the Romance languages, including Old French. Some Gaulish words influenced Vulgar Latin and, through this, other Romance languages. For example, classical Latin equus was replaced in common parlance by vulgar Latin caballus, derived from Gaulish caballos (Delamare 2003 p. 96), giving Modern French cheval, Catalan cavall, Occitan caval (chaval), Italian cavallo, Portuguese cavalo, Spanish caballo, Romanian cal, and (borrowed from Anglo-Norman) English cavalry and chivalry.

Old Low Frankish[link]

The pronunciation, the vocabulary and the syntax of Low Latin were modified step by step by the Germanic tribe of the Franks and others as their settlements in the Empire were accepted by the Romans, or forced upon them, and finally as they conquered portions of Roman Gaul that are now France and Belgium during the Migration Period. These Germanic settlements were much more consequent in Northern France and Belgium, than in the south of France and Europe. The name français is derived from the name of this tribe. Other less numerous Germanic peoples, including the Burgundians and the Visigoths, were active in the territory at that time; the Germanic languages spoken by the Franks, Burgundians, and others were not written languages, and at this remove it is sometimes difficult to identify from which specific Germanic source a given Germanic word in French is derived.

In fact, the Old Frankish language has had a determining influence on the birth of Old French, that explains partly why the first documents in Old French are older than the documents in other Romance languages (e. g.: Strasbourg Oaths).^[3] It is the result of an earlier gap created between Latin and the new language, that were no more intercomprehensible. The Old Low Frankish influence is probably responsible for the difference between the langue d′oïl and the langue d′oc (Occitan) too, because different parts of Northern France were really bilingual Latin / Germanic^[4], and that corresponds exactly to the places where the first documents in Old French were written. This Germanic language shaped the popular Latin spoken here and gave it a very distinctive identity compared to the other future Romance languages. The very first noticeable influence is the substitution of the Latin melodic accent by a Germanic stress^[5] and its result was diphthongization, difference between long vowels and short one, the fall of the unaccentuated syllable and of the final vowels, e. g.: Latin decima > F dîme (> E dime. Italian decima, Spanish diezmo); VL dignitate > OF deintié (> E dainty. Occitan dinhitat; Italian dignità; Spanish dignidad); or VL catena > OF chaiene (> E chain. Occitan cadena; Italian catena; Spanish cadena). Otherwise two new phonemes that did not exist anymore in Vulgar Latin were added: [h] and [w] (> OF g(u)-, ONF w- cf. picard w-), e. g.: VL altu > OF halt ‘high’ (influenced by OLF *hauh ; ≠ Italian, Spanish alto / Occitan naut) ; VL vespa > F guêpe (ONF wespe, picard wespe) ‘wasp’ (influenced by OLF *waspa ; ≠ Occitan vèspa; Italian vespa; Spanish avispa) ; L viscus > F gui ‘mistle toe’ (influenced by OLF *wihsila ‘morello’ with analogous fruits, when they are not ripe ; ≠ Occitan vesc ; Italian vischio) ; LL vulpiculu ‘little fox’ (from L vulpes ‘fox’) > OF g[o]upil (influenced by OLF *wulf ‘wolf’ ; ≠ Italian volpe). On the opposite, the Italian and Spanish words of Germanic origin borrowed from French or directly from Germanic retain [gw] and [g], e. g.: It, Sp. guerra ‘war’). In these examples, we notice a clear consequence of bilinguism, that sometimes even changed the first syllable of the Latin words. We can add another opposite example, where the Latin word inluenced the Germanic one : framboise ‘raspberry’ from OLF *brambasi (cf. OHG brāmberi > Brombeere ‘mulberry’ ; E bramble berry ; *basi ‘berry’ cf. Got. -basi, Dutch bes ‘berry’) mixed up with LL fraga or OF fraie ‘strawberry’, that explains the shift [f] for [b] and in turn the final -se of framboise changed fraie into fraise (≠ Occitan fragosta ‘raspberry’, Italian fragola ‘strawberry’. Portuguese framboesa ‘raspberry’ and Spanish frambuesa are from French^[6]).

Otherwise, Philologists such as Pope (1934) estimate that perhaps still fifteen percent of the vocabulary of modern French derives from Germanic sources, but its proportion was bigger in Old French, because the French language was consequently relatinized and partly italianized by the clerics and the “grammarians” in the Middle Ages and later. Nevertheless a large number of words like haïr “to hate” (≠ Latin odiare > Italian odiare, Spanish odiar / Occitan asirar) or honte “shame” (≠ Latin vĕrēcundia > Occitan vergonha, Italian vergogna, Spanish vergüenza) are still common.

Other Germanic words in Old French appeared as a result of Norman, i.e. Viking, settlements in Normandy during the 10th century. The settlers spoke Old Norse and their settlement was legitimised and made permanent in 911 under Rollo of Normandy, but this influence was very limited and almost only concerned the technological vocabulary of the navy.

Earliest written Old French[link]

At the third Council of Tours in 813, priests were ordered to preach in the vernacular language (either Romance or Germanic), since the common people could no longer understand formal Latin.

The earliest documents said to be written in French after the Reichenau and Kassel glosses (8th and 9th centuries) are the Oaths of Strasbourg (treaties and charters into which King Charles the Bald entered in 842):

Pro Deo amur et pro Christian poblo et nostro commun salvament, d’ist di en avant, in quant Deus savir et podir me dunat, si salvarai eo cist meon fradre Karlo, et in aiudha et in cadhuna cosa... (For the love of God and for the Christian people, and our common salvation, from this day forward, as God will give me the knowledge and the power, I will defend my brother Charles with my help in everything...)

The second-oldest document in Old French is the Eulalia sequence, which is important for linguistic reconstruction of Old French pronunciation due to its consistent spelling.

The royal House of Capet, founded by Hugh Capet in 987, inaugurated the development of northern French culture in and around Ile-de-France, which slowly but firmly asserted its ascendency over the more southerly areas of Aquitaine and Tolosa (Toulouse). The Capetians' Langue d'oïl, the forerunner of modern standard French, did not begin to become the common speech of all of France, however, until after the French Revolution.

Phonology[link]

Old French was constantly changing and evolving. However, the form in the late 12th century, as attested in a great deal of mostly poetic writings, can be considered standard. The writing system at this time was more phonetic than that used in most subsequent centuries. In particular, all written consonants (including final ones) were pronounced, except for s preceding non-stop consonants and t in et, and final e was pronounced [ə]. The phonological system can be summarised as follows:^[7]

Consonants[link]

Notes:

• The affricates /ts/, /dz/, /tʃ/, /dʒ/ became fricatives ([s], [z], [ʃ], [ʒ]) in Middle French. /ts/ was written as c, ç, -z, as in cent, chançon, priz ("a hundred, song, price"). /dz/ was written as -z-, as in doze "twelve".
• /ʎ/ (l mouillé), as in conseil, travaillier ("advice, to work"), became /j/ in Modern French.
• /ɲ/ appeared not only in the middle of a word, but also at the end, as in poing "hand". At the end of a word, /ɲ/ was later lost, leaving a nasalized vowel.
• /h/ was found only in Germanic loanwords and was later lost. In native Latin words, /h/ was lost early on, as in om, uem, from Latin homō.

Vowels[link]

In Old French, the nasal vowels were not separate phonemes, but occurred as allophones of the oral vowels before a nasal stop. This nasal stop was fully pronounced; thus bon was pronounced [bõn] (Modern French [bɔ̃]). Nasal vowels were present even in open syllables before nasals, where Modern French has oral vowels, as in bone [bõnə] (Modern French bonne [bɔn]).

Monophthongs[link]

Notes:

• /o/ had formerly existed, but closed to /u/; it would later appear again when /aw/ monophthongized, and also when /ɔ/ closed in certain positions (e.g. when followed by original /s/ or /z/, but not by /ts/, which later became /s/).

Diphthongs and triphthongs[link]

Notes:

• In Early Old French (up to about the mid-12th century), the spelling ⟨ai⟩ represented a diphthong /aj/, instead of the later monophthong /ɛ/,^[8] and ⟨ei⟩ represented the diphthong /ej/, which became /oj/ in Late Old French.
• In Early Old French the diphthongs described above as "rising" may have been falling diphthongs (/ie̯/, /yj/, /ue̯/). In earlier works with vowel assonance, the diphthong written ⟨ie⟩ did not assonate with any pure vowels, suggesting that it cannot have simply been /je/.
• The pronunciation of the vowels written ⟨ue⟩ and ⟨eu⟩ is debated. In very early Old French, they represented (and were written as) /uo/, /ou/, and by Middle French, they had both merged as /ø ~ œ/, but it is unclear what the transitional pronunciations were.

Grammar[link]

Nouns[link]

Old French maintained a two-case system, with a nominative case and an oblique case, for longer than did some other Romance languages (e.g. Spanish and Italian). Case distinctions, at least in the masculine gender, were marked on both the definite article and on the noun itself. Thus, the masculine noun li voisins, "the neighbour" (Latin vicínus /wiˈkiːnus/ > Proto-Romance */veˈtsinu(s)/ > OF voisins /vojˈzĩns/; Modern French le voisin) was declined as follows:

In later Old French, these distinctions became moribund. As in most other Romance languages, it was the oblique case form that usually survived to become the modern French form: l'enfant (the child) represents the old oblique; the OF nominative was li enfes. But in some cases where there were significant differences between nominative and oblique forms, the nominative form survives, or sometimes both forms survive with different meanings:

• Both li sire (nominative, Latin sénior) and le seigneur (oblique, Latin (accusative) seniórem) survive in the vocabulary of later French as different ways to refer to a feudal lord.
• Modern French sœur "sister" is the nominative form (OF suer < Latin nominative sóror); the OF oblique form seror (< Latin accusative sorórem), no longer survives.
• Modern French prêtre "priest" is the nominative form (OF prestre < présbyter); the OF oblique form prevoire, later provoire (< presbýterem) survives only in the Paris street name Rue des Prouvaires.
• Modern French indefinite pronoun on "one" continues OF nominative om "man" (< hómo); homme "man" continues the oblique form (OF ome < hóminem).

In a few cases where the only distinction between forms was the nominative -s ending, the -s was preserved in spelling to distinguish otherwise homonymous words. An example is fils "son" (< Latin nominative filius), spelled as such to distinguish it from fil "wire". In this case, a later spelling pronunciation has resulted in the modern pronunciation /fis/ (earlier /fi/).

As in Spanish and Italian, the neuter gender was eliminated, and old neuter nouns became masculine. Some Latin neuter plurals were re-analysed as feminine singulars, though; for example, Latin gaudiu(m) was more widely used in the plural form gaudia, which was taken for a singular in Vulgar Latin, and ultimately led to modern French la joie, "joy" (feminine singular).

Nouns were declined in the following declensions:

Class I is derived from the Latin first declension. Class Ia mostly comes from feminine third-declension nouns in Latin. Class II is derived from the Latin second declension. Class IIa generally stems from second-declension nouns ending in -er and from third-declension masculine nouns; note that in both cases, the Latin nominative singular did not end in -s, and this is preserved in Old French.

Those classes show various analogical developments, like -es from the accusative instead of -Ø (-e after a consonant cluster) in Class I nominative plural (Latin -ae), li pere instead of *li peres (Latin illi patres) in Class IIa nominative plural, modelled on Class II, etc.

Class III nouns show a separate form in the nominative singular that does not occur in any of the other forms. IIIa nouns ended in -átor, -atórem in Latin, and preserve the stress shift; IIIb nouns likewise had a stress shift from -o to ónem. IIIc nouns are an Old French creation and have no clear Latin antecedent. IIId nouns represent various other types of third-declension Latin nouns with stress shift or irregular masculine singular (sóror, sorórem; ínfans, infántem; présbyter, presbýterem; sénior, seniórem; cómes, cómitem).

Regular feminine forms of masculine nouns are formed by adding an 'e' to the masculine stem, apart from when the masculine stem already ends in e. For example bergier (shepherd) becomes bergiere (Modern French berger and bergère).

Adjectives[link]

Adjectives agree in terms of number, gender and case with the noun they are qualifying. Thus a feminine plural noun in the nominative case requires any qualifying adjectives to be feminine, plural and in the nominative case. For example, in femes riches, riche has to be in the feminine plural form.

Adjectives can be divided into three declensional classes:^[9]

• Class I corresponding roughly to Latin 1st and 2nd declension adjectives
• Class II corresponding roughly to Latin 3rd declension adjectives
• Class III containing primarily the descendants of Latin synthetic comparative forms in -ior, -iōrem.

Class I adjectives have a feminine singular form (nominative and oblique) ending in -e. This class can be further subdivided into two subclasses based on the masculine nominative singular form. Class Ia adjectives have a masculine nominative singular ending in -s:

E.g. bon "good" (< Latin bonus, > modern French bon)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	bons	bon	bone	bones	bon
Oblique	bon	bons			—

For Class Ib adjectives, the masculine nominative singular ends in -e, like the feminine. This subclass contains descendants of Latin 2nd and 3rd declension adjectives ending in -er in the nominative singular.

E.g. aspre "harsh" (< Latin asper, > modern French âpre)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	aspre	aspre	aspre	aspres	aspre
Oblique		aspres			—

For Class II adjectives, the feminine singular is not marked by the ending -e.

E.g. granz "big, great" (< Latin grandis, > modern French grand)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	granz	grant	granz/grant	granz	grant
Oblique	grant	granz	grant		—

An important subgroup of Class II adjectives are the present participial forms in -ant.

Class III adjectives exhibit stem alternation resulting from stress shift in the Latin imparisyllabic declension, and a distinct neuter form:

E.g. mieudre "better" (< Latin melior, > modern French meilleur)

	Masculine		Feminine		Neuter
	Singular	Plural	Singular	Plural	Singular
Nominative	mieudre(s)	meillor	mieudre	meillors	mieuz
Oblique	meillor	meillors	meillor		—

Verbs[link]

Verbs in Old French show the same extreme phonological deformations as other Old French words. Morphologically, however, Old French verbs are extremely conservative, preserving intact most of the Latin alternations and irregularities that had been inherited in Proto-Romance. Old French has much less analogical reformation than in Modern French, and significantly less than the oldest stages of other languages (e.g. Old Spanish), despite the fact that the various phonological developments in Gallo-Romance and Proto-French led to complex alternations in the majority of commonly-used verbs.

For example, the Old French verb laver "to wash" is conjugated je lef, tu leves, il leve in the present indicative and je lef, tu les, il let in the present subjunctive, in both cases regular phonological developments from Latin indicative lavō, lavās, lavat and subjunctive lavem, lavēs, lavet. This paradigm is typical in showing the phonologically regular but morphologically irregular alternations of most paradigms:

• The alternation je lef ~ tu leves is a regular result of final devoicing, triggered by loss of final /o/ but not /a/.
• The alternation laver ~ tu leves is a regular result of the diphthongization of stressed (but not unstressed) open syllable /a/ into /ae/ > /æ/ > /e/.
• The alternation je lef ~ tu les ~ il let in the subjunctive is a regular result of the simplification of the final clusters /fs/,/ft/ resulting from loss of /e/ in final syllables.

Modern French, on the other hand, has je lave, tu laves, il lave in both indicative and subjunctive, reflecting significant analogical developments: analogical borrowing of unstressed vowel /a/; analogical -e in the first singular (from verbs like j'entre, where the -e is regular); and wholesale replacement of the subjunctive with forms modeled on -ir/-oir/-re verbs. All of these serve to eliminate the various alternations in the Old French verb paradigm. Even modern "irregular" verbs are not immune from analogy: For example, Old French je vif, tu vis, il vit (vivre "to live") has yielded to modern je vis, tu vis, il vit, eliminating the "unpredictable" -f in the first-person singular.

The simple past also shows extensive analogical reformation and simplification in Modern French as compared with Old French.

The Latin pluperfect was preserved in very early Old French as a past tense with a value similar to a preterite or imperfect. For example, the Sequence of Saint Eulalia (878 AD) has past-tense forms such as avret (< Latin habuerat), voldret (< Latin voluerat), alternating with past-tense forms from the Latin perfect (continued as the modern "simple past"). Old Occitan also preserved this tense, with a conditional value; Spanish still preserves this tense (the -ra imperfect subjunctive), as does Portuguese (in its original value as a pluperfect indicative).

Verb alternations[link]

In Latin, stress was determined automatically by the number of syllables in a word and the weight (length) of those syllables. This resulted in certain automatic stress shifts between related forms in a paradigm, depending on the nature of the suffixes added. For example, in pensō "I think", the first syllable was stressed, while in pensāmus "we think", the second syllable was stressed. In many Romance languages, vowels diphthongized in stressed syllables under certain circumstances, but not in unstressed syllables, resulting in alternations in verb paradigms: e.g. Spanish pienso "I think" vs. pensamos "we think" (pensar "to think"), or cuento "I tell" vs. contamos "we tell" (contar "to tell").

In the development of French, no fewer than five vowels diphthongized in stressed, open syllables. Combined with other stress-dependent developments, this yielded 15 or so types of alternations in so-called strong verbs in Old French. For example, /a/ diphthongized to /ai/ before nasal stops in stressed, open syllables, but not in unstressed syllables, yielding aim "I love" (Latin amō) but amons "we love" (Latin amāmus).

The different types are as follows:

In Modern French the verbs in the -er class have been systematically leveled. Generally the "weak" (unstressed) form predominates, but there are some exceptions (e.g. modern aimer/nous aimons). The only remaining alternations are in verbs like acheter/j'achète and jeter/je jette, where unstressed /ǝ/ alternates with stressed /ɛ/, and in (largely learned) verbs like adhérer/j'adhère, where unstressed /e/ alternates with stressed /ɛ/. Many of the non-er verbs have become obsolete and many of the remaining verbs have been leveled. A few alternations remain, however, in what are now known as irregular verbs, such as je tiens, nous tenons or je meurs, nous mourons.

Some verbs had a more irregular alternation between different-length stems, with a longer stressed stem alternating with a shorter unstressed stem. This was a regular development stemming from the loss of unstressed intertonic vowels, which remained when stressed:

• j'aiu/aidier "help" < adiūtō, adiūtāre
• j'araison/araisnier "speak to" < adratiōnō, adratiōnāre
• je deraison/deraisnier "argue" < dēratiōnō, dēratiōnāre
• je desjun/disner "dine" < disjējūnō, disjējūnāre
• je manju/mangier "eat" < mandūcō, mandūcāre
• je parol/parler "speak" < parabolō, parabolāre

The alternation of je desjun, disner is particularly complicated; it appears that disjējūnāre > Western Romance /desjejuˈnare > /desjejˈnare/ (preliminary intertonic loss) > /desiˈnare/ (triphthong reduction) > /disiˈnare/ (metaphony) > /disˈner/ (further intertonic loss and other proto-French developments). Note the both of the stems have become full verbs in modern French, déjeuner "to have lunch" and dîner "to dine". Furthermore, déjeuner does not derive directly from je desjun (< *disj(ēj)ūnō with total loss of unstressed -ēj-). Instead, it comes from Old French desjeüner, based on the alternative form je desjeün (< *disjē(j)ūnō with loss only of -j-, likely influenced by jeûner "to fast" < Old French jeüner < je jeün "I fast" < jē(j)ūnō, where jē- is an initial rather than intertonic syllable and hence the vowel -ē- cannot disappear).

[edit] Example of a regular -er verb

Non-finite forms:

• Infinitive: durer
• Present participle: durant
• Past Participle: duré

Auxiliary verb: avoir

[edit] Example of a regular -ir verb

Non-finite forms:

• Infinitive: fenir
• Present participle: fenissant
• Past Participle: feni(t)

Auxiliary verb: avoir

[edit] Example of a regular -re verb

Non-finite forms:

• Infinitive: corre
• Present participle: corant
• Past Participle: coru(t)

Auxiliary verb: estre

Examples of the auxiliary verbs[link]

avoir (to have)[link]

Non-finite forms:

• Infinitive: avoir (earlier aveir)
• Present participle: aiant
• Past Participle: eut

Auxiliary verb: avoir

estre (to be)[link]

Non-finite forms:

• Infinitive: estre
• Present participle: estant
• Past Participle: esté(t)

auxiliary verb: avoir

Other parts of speech[link]

Adverbs, prepositions, conjunctions and interjections are generally invariable. One notable exception being the adverb tot (same as modern French tout; all, every).

Dialects[link]

Since Old French did not consist of a single standard, competing administrative varieties were propagated by the provincial courts and chanceries.

The French of Paris was one of a number of standards, including:

• the Burgundian of Burgundy, then an independent duchy whose capital was at Dijon;
• the Picard language of Picardy, whose principal cities were Calais and Lille. It was said that the Picard language began at the east door of Notre-Dame de Paris, so far-reaching was its influence;
• Old Norman, spoken in Normandy, whose principal cities were Caen and Rouen. The Norman conquest of England brought many Norman-speaking aristocrats into the British Isles. Most of the older Norman (sometimes called "French") words in the English language reflect the influence of this variety of Oïl language which became a conduit for the introduction into the Anglo-Norman realm, as did Anglo-Norman control of Anjou and Gascony and other continental possessions. The Anglo-Norman language reflected a shared culture on both sides of the English Channel. Ultimately, this language declined and fell, becoming Law French, a jargon spoken by lawyers, which was used in English law until the reign of Charles II. Norman, however, still survives in Normandy and the Channel Islands as a regional language;
• the Walloon language, centered around Namur in present-day Wallonia;
• the Gallo language of Brittany, the Romance language of the Duchy of Brittany;
• the Lorrain, the Romance language of the Duchy of Lorraine.

Derived languages[link]

This Oïl language is the ancestor of several languages spoken today, including:

• Berrichon
• Bourguignon-Morvandiau
• Champenois
• Franc-Comtois^{[disambiguation needed ]}
• French
  • French-based creole languages
  • Acadian French
  • Belgian French
  • Cajun French
  • Metropolitan French (Metropolitan France)
  • Quebec French
  • Swiss French
• Gallo language
• Lorrain
• Norman
  • Dgèrnésiais
  • Jèrriais
• Picard
• Poitevin
• Saintongeais
• Walloon

Literature[link]

See also[link]

• History of French
• Languages of France
• Anglo-Norman literature
• History of the English language
• Bartsch's law

Notes[link]

References[link]

• de la Chaussée, François (1977). Initiation à la morphologie historique de l'ancien français. Paris: Klincksieck. ISBN 2-252-01922-0. 
• Cole, William (2005). First and Otherwise Notable Editions of Old French Texts Printed from 1742 to 1874: A Bibliographical Catalogue of My Collection. Sitges: Cole & Contreras. 
• Delamarre, X.; P.-Y. Lambert (2003). Dictionnaire de la langue gauloise : Une approche linguistique du vieux-celtique continental (2nd ed.). Paris: Errance. ISBN 2-87772-237-6. 
• Einhorn, E. (1974). Old French: A Concise Handbook. Cambridge: Cambridge University Press. ISBN 0-521-20343-0. 
• Kibler, William (1984). An Introduction to Old French. New York: Modern Language Association of America. 
• Lanly, André (2002). Morphologie historique des verbes français. Paris: Champion. ISBN 2-7453-0822-X. 
• Moignet, Gérard (1988). Grammaire de l'ancien français (2nd ed.). Paris: Klincksieck. ISBN [[Special:BookSources/2-252-02642-4|2-252-02642-4]]. 
• Pope, Mildred K. (1934). From Latin to Modern French with Especial Consideration of Anglo-Norman Phonology and Morphology. Manchester: Manchester University Press. 
• Zink, Gaston (1999). Phonétique historique du français (6th ed.). Paris: PUF. ISBN 2-13-046471-8. 
• Zink, Gaston (1992). Morphologie du français médiéval (2nd ed.). Paris: PUF. ISBN 2-13-044766-X. 

External links[link]

Old French test of Wikipedia at Wikimedia Incubator

• Old French on the Web
• Old French Online from the University of Texas at Austin
• Lexilogos: Online dictionaries of Old French

Benedict Cumberbatch
Cumberbatch during filming of Sherlock in 2011
Born	Benedict Timothy Carlton Cumberbatch (1976-07-19) 19 July 1976 (age 35) London, England, UK
Occupation	Actor
Years active	2001–present
Parents	Timothy Carlton Wanda Ventham

Benedict Timothy Carlton Cumberbatch (born 19 July 1976) is an English film, television, radio and theatre actor. His most acclaimed roles include Stephen Hawking in the BBC drama Hawking (2004); William Pitt in the historical film Amazing Grace (2006); the protagonist Stephen Ezard in the miniseries thriller The Last Enemy (2008); Paul Marshall in Atonement (2007); Bernard in Small Island (2009); Sherlock Holmes in the modern BBC adaptation series Sherlock (2010); and Peter Guillam in the spy thriller Tinker Tailor Soldier Spy (2011).

In February 2011, he began playing both Victor Frankenstein and his creature opposite Jonny Lee Miller in Danny Boyle's stage adaptation of Mary Shelley's Frankenstein. The play had a three-month run at the National Theatre. In late 2011, he played Major Stewart in Steven Spielberg's War Horse (2011). The film received five BAFTA nominations and six Academy Award nominations, including the Best Picture nomination in 2012. He also played Peter Guillam, one of the pivotal roles in Tomas Alfredson's Tinker, Tailor, Soldier, Spy (2011), which was nominated for three Academy Awards and 11 BAFTA Awards. Tinker Tailor Soldier Spy was also nominated for Best Picture in 2012.

He reprised the role of Sherlock Holmes in the second series of the BBC's Sherlock, which aired in the United Kingdom in January 2012 and was broadcast on PBS in the United States in May 2012. In addition to the BBC's Sherlock, he stars as Christopher Tietjens in the BBC/HBO co-production television miniseries Parade's End, which is expected to be released in 2012. He will portray Smaug the Dragon through motion capture and voice the Necromancer in Peter Jackson's The Hobbit: There and Back Again. He will also portray the antagonist in director J.J. Abrams’s Untitled Star Trek sequel, which will be released in May 2013.

Early life and education[link]

Cumberbatch was born on 19 July 1976 in London, the son of actors Timothy Carlton (birth name Timothy Carlton Cumberbatch) and Wanda Ventham. He was educated at two independent schools: Brambletye School^[1] in West Sussex, followed by Harrow School in northwest London, where he began performing as an actor. After school, he took a gap year to teach English in a Tibetan monastery.^[2] He then attended the University of Manchester, where he studied drama.^[3] After graduating, Cumberbatch continued his training as an actor at the London Academy of Music and Dramatic Art.

Career[link]

Theatre[link]

Since 2001, Cumberbatch has had major roles in a dozen classic plays at the Open Air Theatre, Regent's Park, Almeida Theatre, Royal Court Theatre and the National Theatre. He was nominated for an Olivier Award for Best Performance in a Supporting Role for his performance as Tesman in Hedda Gabler, a role he performed at the Almeida Theatre on 16 March 2005, as well as at the Duke of York's Theatre when it transferred to the West End on 19 May 2005.

Cumberbatch acted in The Children’s Monologues, a star-studded theatrical event at London's Old Vic Theatre on 14 November 2010. The show was produced by Dramatic Need.^[4] In February 2011, he began playing, on alternate nights, both Victor Frankenstein and his creature, opposite Jonny Lee Miller, in Danny Boyle's stage production of Mary Shelley's Frankenstein at the National Theatre.^[5][6] Frankenstein was broadcast to cinemas as a part of National Theatre Live in March 2011.^[7] The Children’s Monologues was directed by Danny Boyle as well.

In April 2012 Cumberbatch won the Olivier Award for Best Actor (jointly with Jonny Lee Miller) for the acclaimed Frankenstein at the National Theatre, directed by Danny Boyle, with the two lead actors alternating the roles of Victor Frankenstein and the Creature.

Television[link]

Cumberbatch's television roles include two separate guest roles in Heartbeat (2000, 2004), Freddy in Tipping the Velvet (2002), Edward Hand in Cambridge Spies (2003) and Rory in the ITV comedy drama series Fortysomething (2003). He was also featured in Spooks and Silent Witness.

In 2004, he starred as Stephen Hawking in Hawking. He was nominated for the BAFTA TV Award for Best Actor and won the Golden Nymph for Television Films – Best Performance by an Actor. (He later provided Hawking's voice in the first episode of the television series Curiosity.) He also appeared in the BBC miniseries Dunkirk as Lieutenant Jimmy Langley.

In 2005, Cumberbatch starred as the protagonist Edmund Talbot in the miniseries To the Ends of the Earth, based on William Golding's trilogy. Director David Attwood said:

We found Benedict Cumberbatch fairly early. We needed a very good actor, someone young enough to be believable as an aristocratic, an almost slightly dislikeable character who is an adolescent in terms of his views of the world, his upbringing. But we also needed someone who could hold the screen for four and half hours, in every scene. We needed someone with experience who was not only a very good actor, but also with terrific comic timing. Benedict was the ideal answer to that.^[8]

Producer Lynn Horsford added:

Benedict was remarkable. He carried the Golding novels with him on set and constantly referred to them. We needed him every single day and he just didn't stop, nor complain. He simply became Edmund Talbot. And that commitment spread to every cast member. The process of making this film echoed the journey the characters went on in the story—we really got to know each other during our four months on location and we became very close.^[8]

He also made brief appearances in the comedy sketch show Broken News in 2005.

Cumberbatch next starred alongside Tom Hardy in the television adaptation of the book Stuart: A Life Backwards, which aired on the BBC in September 2007. In 2008, he starred in the BBC miniseries drama The Last Enemy, for which he was nominated for a Satellite Award for Best Actor in a Miniseries or TV Film.

In 2009, Cumberbatch starred in Marple: Murder Is Easy as Luke Fitzwilliam. He played Bernard in the TV adaptation of Small Island; the performance earned him a nomination for BAFTA Television Award for Best Supporting Actor.^[9] He also starred in Michael Dobbs' play The Turning Point which aired as one of a series of TV plays broadcast live on Sky Arts channel. The two-hander depicted a little-known October 1938 meeting between Soviet spy Guy Burgess, then a young man working for the BBC, and Winston Churchill. Cumberbatch portrayed Burgess; Churchill was played by Matthew Marsh, who had played a supporting role in Hawking.^[10]

Cumberbatch narrated the 6-part series South Pacific (U.S. title: Wild Pacific), which aired May to June 2009 on BBC 2.

Cumberbatch, a fan of long-running British science fiction series Doctor Who, suggested in a July 2010 interview that he would be interested in appearing as a main or recurring character on the show, run by Sherlock producer and personal friend Steven Moffat.^[11] In 2008 he had discussed with David Tennant taking over the part of the Doctor but had decided not to try for the role.^[12]

In 2010, Cumberbatch portrayed Vincent van Gogh in Van Gogh: Painted with Words. The Telegraph called his performance "[a] treat ... vividly bringing Van Gogh to impassioned, blue-eyed life."^[13] Also in 2010, Cumberbatch began playing Sherlock Holmes in the first series of the BBC television programme Sherlock, to critical acclaim.^[14][15] A second three-part series began on New Years Day 2012 in England^[16] and will broadcast on PBS in the United States in May 2012.^[17]

He will co-star with Rebecca Hall as Christopher and Sylvia Tietjens in Parade's End, a forthcoming BBC/HBO television miniseries, expected for release in 2012. It is an adaptation of the tetralogy of novels of the same name by Ford Madox Ford. Its five episodes will be directed by Susanna White and written by Tom Stoppard.^[18][19]

Film[link]

In 2006, Cumberbatch played William Pitt the Younger in Amazing Grace. The film is the story of William Wilberforce's intense and lengthy political fight in the late 18th century to eliminate slave trade in the British Empire. Pitt was Wilberforce's closest friend and staunchest political ally, and became Prime Minister at an early age. The role garnered Cumberbatch a nomination for the London Film Critics Circle British Breakthrough Acting Award.

Cumberbatch subsequently appeared in supporting roles in Atonement (2007) and The Other Boleyn Girl (2008). In 2009, he appeared in the Darwin biopic Creation as Darwin's friend Joseph Hooker. In 2010, he appeared in The Whistleblower.

He played Peter Guillam, George Smiley's right-hand man in the 2011 adaptation of the John le Carré novel Tinker, Tailor, Soldier, Spy, directed by Tomas Alfredson, also starring Gary Oldman and Colin Firth.^[20] He also portrayed Major Stewart in Steven Spielberg's War Horse (2011).

He will play Smaug the Dragon through motion capture and voice the Necromancer in The Hobbit: There and Back Again.^[21]

It has been reported that Cumberbatch will play a lead role in the upcoming J. J. Abrams-directed Star Trek sequel.^[22][23]

Radio[link]

In May 2009, BBC Radio 4 broadcast an adaptation of John Mortimer's novel Rumpole and the Penge Bungalow Murders. Cumberbatch played the "young Rumpole", and Timothy West took the part of the "old Rumpole". Cumberbatch plays Capt Martin Crieff in the BBC's Cabin Pressure.

Miscellaneous[link]

The British GQ magazine named him "Actor of the Year 2011".^[24]

Personal life[link]

Cumberbatch was in a relationship with actress Olivia Poulet, whom he met at university, for over 12 years.^[25][26] They broke up in March 2011.^[27]

List of credits[link]