59:58
The Economic Underworld of Social Credit | Gary North
Archived from the live Mises.tv broadcast, this talk by Gary North was presented at the 20...
published: 18 Aug 2011
author: misesmedia
The Economic Underworld of Social Credit | Gary North
The Economic Underworld of Social Credit | Gary North
Archived from the live Mises.tv broadcast, this talk by Gary North was presented at the 2011 Mises University in Auburn, Alabama. Includes an introduction by...- published: 18 Aug 2011
- views: 5827
- author: misesmedia
10:02
Dick Eastman monetarist social credit economics ANSWERS Austrian School Pt 1
A walk through the economics backing American Social Credit To replace Debt Slavery System...
published: 03 Sep 2011
author: oldickeastmanyakima
Dick Eastman monetarist social credit economics ANSWERS Austrian School Pt 1
Dick Eastman monetarist social credit economics ANSWERS Austrian School Pt 1
A walk through the economics backing American Social Credit To replace Debt Slavery System Now -- American Social Credit http://www.youtube.com/watch?v=ftT9B...- published: 03 Sep 2011
- views: 2317
- author: oldickeastmanyakima
3:23
Social Credit Fabien Roy
February 1980 - Fabien Roy and the last stand of the Social Credit Party of Canada....
published: 22 Aug 2012
author: Fed Vid
Social Credit Fabien Roy
Social Credit Fabien Roy
February 1980 - Fabien Roy and the last stand of the Social Credit Party of Canada.- published: 22 Aug 2012
- views: 161
- author: Fed Vid
18:21
American Social Credit - some remarks
the heart of the difference between populists and libertarians, between "Austrian-school" ...
published: 29 Apr 2012
author: oldickeastman
American Social Credit - some remarks
American Social Credit - some remarks
the heart of the difference between populists and libertarians, between "Austrian-school" and "social credit" reformers, between anti-inflation and anti-defl...- published: 29 Apr 2012
- views: 144
- author: oldickeastman
5:38
American Social Credit - early video
Social Credit is Household Spending Power -- sent to everybody like electric power from a ...
published: 21 Jun 2011
author: oldickeastman
American Social Credit - early video
American Social Credit - early video
Social Credit is Household Spending Power -- sent to everybody like electric power from a public utility. There are not good explanations of social credit as...- published: 21 Jun 2011
- views: 1109
- author: oldickeastman
7:32
Credit like Potatoes - Social Credit Ireland
Social Credit Ireland http://www.facebook.com/pages/Social-Credit-Ireland/115681381871065?...
published: 28 Apr 2012
author: oldickeastman
Credit like Potatoes - Social Credit Ireland
Credit like Potatoes - Social Credit Ireland
Social Credit Ireland http://www.facebook.com/pages/Social-Credit-Ireland/115681381871065?sk=photos My analysis is important -- more important to the common ...- published: 28 Apr 2012
- views: 1938
- author: oldickeastman
7:37
Social credit Ireland
National Credit to Repair Ireland's Economy. Our economic disaster is a result of a fraudu...
published: 30 Apr 2012
author: cloudwarrior30
Social credit Ireland
Social credit Ireland
National Credit to Repair Ireland's Economy. Our economic disaster is a result of a fraudulent financial system that allows banks to create money from thin a...- published: 30 Apr 2012
- views: 252
- author: cloudwarrior30
10:02
Richard Eastman on Social Credit. Usury and deflation cause defaults.
We suffer from too few FRN's(deflation) not too many(inflation). Prices are increasing due...
published: 13 Feb 2013
author: The Red Pill Radio
Richard Eastman on Social Credit. Usury and deflation cause defaults.
Richard Eastman on Social Credit. Usury and deflation cause defaults.
We suffer from too few FRN's(deflation) not too many(inflation). Prices are increasing due to engineered scarcity of control commodities, fear and speculation.- published: 13 Feb 2013
- views: 161
- author: The Red Pill Radio
42:53
Fixing Money and Banking with Populist Social Credit Mike Harris Dick Eastman
American populist social credit -- the only way to take back national economies for the h...
published: 19 Feb 2014
Fixing Money and Banking with Populist Social Credit Mike Harris Dick Eastman
Fixing Money and Banking with Populist Social Credit Mike Harris Dick Eastman
American populist social credit -- the only way to take back national economies for the happiness and long term benefit of all the people.- published: 19 Feb 2014
- views: 31
0:31
Social Credit 1986 TV political ad
A 1986 British Columbia election year television spot for the Social Credit party, featuri...
published: 09 Oct 2010
author: robatsea2009
Social Credit 1986 TV political ad
Social Credit 1986 TV political ad
A 1986 British Columbia election year television spot for the Social Credit party, featuring leader Bill Vander Zalm.- published: 09 Oct 2010
- views: 723
- author: robatsea2009
93:53
social credit tape
bad recording - but a complete argument for social credit and thin-air national money
C. ...
published: 28 Mar 2014
social credit tape
social credit tape
bad recording - but a complete argument for social credit and thin-air national money C. H. Douglas - Breakdown of the Employment System Geoffrey Dobbs - The Left and The Right and The Truth (1980)- published: 28 Mar 2014
- views: 43
46:37
Social Credit, Unemployment and Leisure--an address
An authoritative talk on Social Credit by Wallace Klinck, delivered in Edmonton, Alberta, ...
published: 28 Feb 2013
author: Robert Klinck
Social Credit, Unemployment and Leisure--an address
Social Credit, Unemployment and Leisure--an address
An authoritative talk on Social Credit by Wallace Klinck, delivered in Edmonton, Alberta, Canada on March 8, 1971.- published: 28 Feb 2013
- views: 418
- author: Robert Klinck
10:02
To Replace the Debt Slavery System Now -- American Social Credit
American Social Credit versus The Two-Loop Usury System http://www.citizensamericaparty.or...
published: 26 Aug 2011
author: oldickeastman
To Replace the Debt Slavery System Now -- American Social Credit
To Replace the Debt Slavery System Now -- American Social Credit
American Social Credit versus The Two-Loop Usury System http://www.citizensamericaparty.org/socialcredit.htm Populist Nationalist Social Credit Brotherhood o...- published: 26 Aug 2011
- views: 2627
- author: oldickeastman
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let\'s feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
3:07
Keloid
In a not too distant future, societies of all countries come to rely on an intricate netwo...
published: 30 Sep 2013
author: BLR_VFX
Keloid
In a not too distant future, societies of all countries come to rely on an intricate network of artificial intelligence devices designed to bring efficacy to man's life. Yet, man continues to devour himself in useless wars. A strong political hierarchy now divides all powers into three factions, and A. I. devices rapidly gain ground as efficiency becomes a priority.
As social revolts grow worse everyday, authorities seek ways to control their citizens. They decide to carry out a series of tests that will determine not only whether some crucial powers can be transferred to non human entities, but also whether man is ready to yield those powers.
The world has become a cell for all man and women, who withstand and endure their lives, rather than living them. Machines might have found a solution.
From now on, you are set free. ..
-----------------------------------------------------------
Keloid is not about robots, it is about men. Big Lazy Robot created this spec film -- more than two years in the making -- with the purpose of giving free reign to the creative aspects of production that many times are so much missed during profit work. And yes, we enjoyed the ride!
-----------------------------------------------------------
CREDITS
K3loid directed by JJ Palomo
Big Lazy Robot Crew (www.biglazyrobot.com) :
Hugo Bermudez
Juan Civera
David Cordero
JJ Palomo
Leopoldo Palomo
Concept Design:
BLR
Aaron Beck
Greg Broadmore
Music and Sound Design:
Full Basstards(Fullbasstards.com)
Online Color Correction and Conform:
Trizz
Manager: Scott Glassgold / IAM Entertainment
3:43
Countdown - HD
My references are various, from Chris Ware for his extraordinary layout and (sometimes abs...
published: 08 Sep 2011
author: Desrumaux Celine
Countdown - HD
My references are various, from Chris Ware for his extraordinary layout and (sometimes abstract) images, Hans Richter, Len Lye, Stanley Kubrick or Godfrey Reggio (with his qatsi trilogy).
I must also quote the speech of JFK ( http://www.youtube.com/watch?v=6z1DidldxUo )
I would like to thank the people who support me, a BIG thank to Yann, Alexis, Florent, François, Stéphane & Sylvain.
I would like to thank Chez Eddy for their support : chezeddy.com
CREDITS :
Directing/design/animation/composting : Céline Desrumaux
Additionnal character animation : Florent Remize
Music : "Granulard bastard" from Apprat.
LINKS :
Céline : http://groovythesushi.blogspot.com/
Florent : http://flomize.blogspot.com/
Music : www.apparat.net
Festivals :
OneDotZero, London 2011
BUG 27: The Evolution of Music Video BFI london
Columbia Film festival 2011
Zurich Film Festival, Switzerland 2011
Playgrounds Festival, Amsterdam and Tilburg 2011
San francisco internation art festival - SFIAF 2011
Expotoons 2011, Buenos Aires, Argentina
Screen Social, London/UK 2011
Festival national du film d'animation 2011, bruz, rennes
CINEASTIC GONDOLAS, Lech/AUSTRIA -2011
Cristal Festival, Crans-Montana/SUISSE, 2011 (shortlist)
ANIMA 2012 (Brussels, BELGIUM), Best of Shorts program
Cortoons Festival 2012 (Rome, ITALY)
The UK's Festival of Music, Film & Digital
Cinéma Nova - OFFSCREEN festival 2012 (Bruxelles, belgium)
SXSW 2012 (Austin, Texas)
Pictoplasma 2012 (berlin, Germany)
Filmfest Dresden 2012 (Germany)
Stuttgart Festival of Animated Film 2012 (Germany)
Prix Ars Electronica 2011, AUSTRIA - Honorary Mention Computer Animation / Film / VFX
Brooklyn Film Festival 2012, (USA)
Vimeo Awards 2012, NY (USA)
Phoenix Comicon Film Festival 2012 (USA)
Toronto Animation Arts Festival International 2012 (Canada)
RSSF 2012
SUPERTOON - INTERNATIONAL ANIMATION FESTIVAL 2012
Red Stick International Animation festival 2012 (Louisiana, USA) - BEST music video
LIAF 2012 (London, UK)
PICTOPLASMA NY 2012
Les Utopiales, Nantes (France) 2012
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
Youtube results:
7:08
A Social Credit Story PART ONE
...
published: 08 Feb 2013
author: Esse Mutatio
A Social Credit Story PART ONE
10:43
Carolyn McKenzie (Democrats For Social Credit) August 2011
Carolyn McKenzie (Democrats For Social Credit) August 2011....
published: 23 Aug 2011
author: Hippy NZ
Carolyn McKenzie (Democrats For Social Credit) August 2011
Carolyn McKenzie (Democrats For Social Credit) August 2011
Carolyn McKenzie (Democrats For Social Credit) August 2011.- published: 23 Aug 2011
- views: 47
- author: Hippy NZ
133:28
Review of the Crisis - 1947 Australian social credit pamphlet that could be describing USA 2012
Review of the Crisis - 1947 social credit pamphlet sent by Dr. James Inness Mullumbimby Au...
published: 23 Nov 2012
author: oldickeastman
Review of the Crisis - 1947 Australian social credit pamphlet that could be describing USA 2012
Review of the Crisis - 1947 Australian social credit pamphlet that could be describing USA 2012
Review of the Crisis - 1947 social credit pamphlet sent by Dr. James Inness Mullumbimby Australia. This pamphlet is new to me -- I cannot find it on internet...- published: 23 Nov 2012
- views: 143
- author: oldickeastman
1:01
NZ Democrats for Social Credit
NZ Democrats for Social Credit information for the voters of New Zealand....
published: 15 Oct 2008
author: NZDemocrat
NZ Democrats for Social Credit
NZ Democrats for Social Credit
NZ Democrats for Social Credit information for the voters of New Zealand.- published: 15 Oct 2008
- views: 1184
- author: NZDemocrat
