"Red House" is a song written by Jimi Hendrix and originally recorded by The Jimi Hendrix Experience in 1966. The song, a slow twelve-bar blues, "is one of the most traditional in sound and form of all his official recordings". It was developed during his pre-Experience days while Hendrix was performing in Greenwich Village and was inspired by earlier blues songs. Hendrix recorded several studio and live versions during his career; later, "Red House" has been recorded by a variety of blues and other artists.

"Red House" is a slow twelve-bar blues, usually notated in 12/8 time in the key of B (although played in fingered key of B, with Hendrix's guitar typically tuned 1/2 step lower to B♭).Band of Gypsies bassist Billy Cox described "Red House" as "Jimi's way of using his musical roots, everything he knew and understood best, in a pop context".

The song's theme is "as old as the blues itself—the singer's woman doesn't love him any more and has moved". According to Experience bassist Noel Redding, Hendrix told him "the song was written about his old high school girlfriend Betty Jean Morgan", although her house was reportedly brown. It has been suggested that Linda Keith's (who brought Hendrix to the attention of future manager Chas Chandler) friend's New York apartment with "the red velvet walls and decor influenced Jimi's writing". However, for Billy Cox "As far as I know, 'Red House' didn't have any significance in reference to a particular person, place or thing. It was just a blues number that Jimi put together".

Red House or The Red House may refer to:

in the United States

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American musician and singer-songwriter. He is widely considered to be the greatest electric guitarist in music history, and one of the most influential musicians of his era despite mainstream exposure limited to just three years. After initial success in Europe with his group The Jimi Hendrix Experience, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, he headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback.

Hendrix helped to popularize use of the wah-wah pedal in mainstream rock, which he often used to deliver tonal exaggerations in his solos, particularly with high bends, complex guitar playing, and use of legato. As a record producer, he also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording.^{[citation needed]} He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James,rhythm and blues and soul guitarists Curtis Mayfield and Steve Cropper, and the jazz guitarist Wes Montgomery. Hendrix began dressing and wearing a moustache like Little Richard when he performed and recorded in his band from March 1, 1964 through to the spring of 1965. In 1966, he stated, "I want to do with my guitar what Little Richard does with his voice".

Robert William Gary Moore (4 April 1952 – 6 February 2011), was a Northern Irish musician, most widely recognised as a blues singer and guitarist.

In a career dating back to the 1960s, Moore played with artists including Phil Lynott and Brian Downey during his teens, leading him to memberships with the Irish bands Skid Row and Thin Lizzy on three separate occasions. Moore shared the stage with such blues and rock luminaries as B.B. King, Albert King, Colosseum II, George Harrison and Greg Lake, as well as having a successful solo career. He guested on a number of albums recorded by high profile musicians, including a cameo appearance playing the lead guitar solo on "She's My Baby" from Traveling Wilburys Vol. 3.

Moore started performing at a young age, having picked up a battered acoustic guitar at the age of eight. He got his first quality guitar at the age of 14, learning to play the right-handed instrument in the standard way despite being left-handed. He moved to Dublin in 1968 at the age of 16. His early musical influences were artists such as Albert King, Elvis Presley, The Shadows and The Beatles. Later, having seen Jimi Hendrix and John Mayall's Bluesbreakers in his home town of Belfast, his own style was developing into a blues-rock sound that would be the dominant form of his career in music.

Mark Kozelek (born January 24, 1967 in Massillon, Ohio) is an American singer/songwriter Producer and frontman of Sun Kil Moon and Red House Painters.

Mark Kozelek was born and raised in Massillon, Ohio. Upon relocating to Atlanta, Georgia, he met drummer Anthony Koutsos. After the pair moved once again to San Francisco, California, Red House Painters formed with the addition of guitarist Gorden Mack and bassist Jerry Vessel. From 1992 to 1996, Red House Painters released a series of acclaimed albums, showcasing Kozelek's intense, highly autobiographical songs.

However, Kozelek's parting with the record label 4AD, followed by a major label merger which left Red House Painters' 1998 album Old Ramon on the shelf, proved highly frustrating and stifled the group's momentum. Kozelek opted to occupy himself with a series of idiosyncratic solo recordings as Red House Painters dissolved.

In 2000, he released the solo EP Rock 'n' Roll Singer, which featured three original songs as well as covers of John Denver's "Around and Around" and three AC/DC songs ("Rock 'n' Roll Singer," "Bad Boy Boogie," and "You Ain't Got a Hold on Me"). Two of the AC/DC cover versions on Rock 'n' Roll Singer were radical re-arrangements of the originals which removed the Bon Scott-penned lyrics from their hard rock context and placed them into gentle, acoustic "folk ballad" settings.