- published: 21 Jun 2008
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- Adam Mickiewicz
- Adam Müller
- Adam Oehlenschläger
- Adolphe Adam
- Aesthete
- Age of Enlightenment
- Alban Berg
- Albert Dietrich
- Album für die Jugend
- Alessandro Manzoni
- Alexander Pushkin
- Alexandre Herculano
- Alfred de Musset
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- Bipolar disorder
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- Breitkopf & Härtel
- Brothers Grimm
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- Carl Loewe
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- English literature
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- Fanny Mendelssohn
- Fantasiestücke
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- Zygmunt Krasiński
- Étienne Méhul
- Adam Mickiewicz
- Adam Müller
- Adam Oehlenschläger
- Adolphe Adam
- Alban Berg
- Albert Dietrich
- Alessandro Manzoni
- Alexander Pushkin
- Alexandre Herculano
- Alfred de Musset
- Almeida Garrett
- Aloysius Bertrand
- Andrew Crumey
- Antoine Wiertz
- Anton Reicha
- Antoni Malczewski
- August Schumann
- Bedřich Smetana
- Bettina von Arnim
- Brothers Grimm
- Carl Loewe
- Carl Maria von Weber
- Clara Schumann
- Clemens Brentano
- Cyprian Norwid
- César Franck
- Daniel Auber
- Edgar Allan Poe
- Edward Elgar
- Emanuel Leutze
- Eric Sams
- Eugène Delacroix
- Fanny Mendelssohn
- Faust
- Felix Mendelssohn
- Ferdinand Hiller
- France Prešeren
- Francesco Hayez
- Francisco Goya
- Franz Berwald
- Franz Grillparzer
- Franz Liszt
- Franz Schubert
- Friedrich Hölderlin
- Friedrich Rückert
- Friedrich Schiller
- Friedrich Wieck
- Fromental Halévy
- Frédéric Chopin
- Gaetano Donizetti
- Gaspare Spontini
- Germaine de Staël
- Germans
- Giacomo Leopardi
- Giacomo Meyerbeer
- Gidon Kremer
- Gioachino Rossini
- Giorgi Latsabidze
- Giuseppe Verdi
- Gonçalves Dias
- Gustav Schwab
- Gérard de Nerval
- Hans Gude
- Hector Berlioz
- Heinrich Dorn
- Heinrich Heine
- Heinrich Marschner
- Heinrich von Kleist
- Henri Herz
- Henry Daniell
- Henry Fuseli
- Herbert Grönemeyer
- Ignaz Moscheles
- Jan Potocki
- Jan Václav Voříšek
- Jean Paul
- Johan Christian Dahl
- Johannes Brahms
- Johannes Kreisler
- John Clare
- John Constable
- John Keats
- Josef Kriehuber
- Joseph Joachim
- José de Espronceda
- José Zorrilla
- Juliusz Słowacki
- Justinus Kerner
- Karel Hynek Mácha
- Karl Bryullov
- Katharine Hepburn
- Lord Byron
- Louis Niedermeyer
- Louise Bertin
- Ludwig Feuerbach
- Ludwig Schuncke
- Ludwig Tieck
- Ludwig Uhland
- Ludwig van Beethoven
- Mary Shelley
- Mikhail Glinka
- Mikhail Lermontov
- Napoleon
- Nastassja Kinski
- Nathaniel Hawthorne
- Niccolò Paganini
- Nikolay Karamzin
- Norbert Burgmüller
- Novalis
- Paul Henreid
- Percy Bysshe Shelley
- Philipp Otto Runge
- Philipp Veit
- Philistines
- Piotr Michałowski
- Ralph Waldo Emerson
- Richard Wagner
- Robert Burns
- Robert Schuman
- Robert Schumann
- Rolf Hoppe
- Samuel Palmer
- Sigismond Thalberg
- Stendhal
- Taras Shevchenko
- Thomas Moore
- Théodore Géricault
- Théophile Gautier
- Till Eulenspiegel
- Ugo Foscolo
- Vasily Zhukovsky
- Victor Hugo
- Vincenzo Bellini
- Vladimir Ashkenazy
- Vladimir Horowitz
- Walter Scott
- Washington Irving
- Wikipedia Persondata
- Wilhelm Hauff
- William Blake
- William Wordsworth
- Wolfgang Sawallisch
- Yaroslav Senyshyn
- Zygmunt Krasiński
- Étienne Méhul
Schumann, Robert Filmography
- In Dreams, En Rêves, In Träumen (2012)
- Ghosts-Schumann's Visit (2011)
- Robert Schumann - Das Paradies und die Peri (2010)
- Robert Schumann - Das Paradies und die Peri (2010)
- The Cinderella Syndrome (2007)
- The Legacy of Pope John Paul the Great: Theology of the Body (2006)
- Les yeux clairs (2005)
- Quartetto Bernini: Schumann (2005)
- Visions of Europe (2004)
- 3 Lieder (2003)
- Inner Voices (2003)
- Robert Schumann - Piano Masterpieces (9) (2000)
- Freiheit in Hollywood - Rudolph S. Joseph über Douglas Sirk und G.W. Pabst (1997)
- Hamburg - Bilder aus einer großen Stadt (1987)
- Schumann: The Symphonies (1984)
- Manfred - versione per concerto in forma d'oratorio (1983)
- Esch oder Die Anarchie (1979)
RELEASE
ALBUMS
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Humoreske, Op. 20 / Studien für den Pedalflügel, Op. 56 / Gesänge der Frühe, Op. 133 (feat piano: Piotr Anderszewski)
Released 2011
Released 2011
- Humoreske Op. 20: Einfach. Sehr rasch und leicht. Noch rascher. Erstes Tempo. Wie im Anfang
- Humoreske Op. 20: Hastig. Nach und nach schneller. Nach und nach immer lebhafter und stärker. Wie vorher. Adagio
- Humoreske Op. 20: Einfach und zart. Intermezzo. Adagio
- Humoreske Op. 20: Innig
- Humoreske Op. 20: Sehr lebhaft. Immer lebhafter. Stretta. Mit einigem Pomp
- Humoreske Op. 20: Zum Beschluß. Allegro
- Studien für den Pedalflügel Op. 56 - Sechs Stücke in kanonischer Form: I. Nicht zu schnell
- Studien für den Pedalflügel Op. 56 - Sechs Stücke in kanonischer Form: II. Mit innigem Ausdruck
- Studien für den Pedalflügel Op. 56 - Sechs Stücke in kanonischer Form: III. Andantino. Etwas schneller. Tempo I
- Studien für den Pedalflügel Op. 56 - Sechs Stücke in kanonischer Form: IV. Innig. Etwas bewegter
- Studien für den Pedalflügel Op. 56 - Sechs Stücke in kanonischer Form: V. Nicht zu schnell
- Studien für den Pedalflügel Op. 56 - Sechs Stücke in kanonischer Form: VI. Adagio
- Gesänge der Frühe Op. 133: I. Im ruhigen Tempo
- Gesänge der Frühe Op. 133: II. Belebt, nicht zu rasch
- Gesänge der Frühe Op. 133: III. Lebhaft
- Gesänge der Frühe Op. 133: IV. Bewegt
- Gesänge der Frühe Op. 133: V. Im Anfange ruhiges, im Verlauf bewegteres Tempo
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Complete Works for Violin and Orchestra (Robert-Schumann-Philharmonie feat. conductor: Frank Beermann, violin: Ulf Wallin)
Released 2011
Released 2011
- Concerto in A minor for Violin and Orchestra (after Op. 129) I. Nicht zu schnell
- Concerto in A minor for Violin and Orchestra (after Op. 129) II. Langsam
- Concerto in A minor for Violin and Orchestra (after Op. 129) III. Sehr lebhaft
- Fantasy in C major, Op. 131
- Concerto in D minor for Violin and Orchestra I. In kräftigen, nicht zu schnellem Tempo
- Concerto in D minor for Violin and Orchestra II. Langsam
- Concerto in D minor for Violin and Orchestra III. Lebhaft, doch nicht schnell
- Variations on the name 'ABEGG' in F, Op. 1
- Études symphoniques in C sharp minor, Op. 13: Thema: Andante
- Études symphoniques in C sharp minor, Op. 13: Variation I. Un poco più vivo
- Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) I
- Études symphoniques in C sharp minor, Op. 13: Variation II. Marcato il canto
- Études symphoniques in C sharp minor, Op. 13: Variation III. Vivace
- Études symphoniques in C sharp minor, Op. 13: Variation IV
- Études symphoniques in C sharp minor, Op. 13: Variation V. Scherzando
- Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) IV
- Études symphoniques in C sharp minor, Op. 13: Variation VI. Agitato
- Études symphoniques in C sharp minor, Op. 13: Variation VII. Allegro molto
- Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) II
- Études symphoniques in C sharp minor, Op. 13: Variation VIII. Sempre marcatissimo
- Études symphoniques in C sharp minor, Op. 13: Variation IX. Presto possibile
- Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) III
- Études symphoniques in C sharp minor, Op. 13: Variation X. Con energia sempre
- Études symphoniques in C sharp minor, Op. 13: Variation XI. Con espressione
- Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) V
- Études symphoniques in C sharp minor, Op. 13: Finale: Allegro brillante
- Three Romances, Op. 28, No. 1 in B flat minor. Sehr markiert
- Three Romances, Op. 28, No. 2 in F sharp major. Einfach
- Three Romances, Op. 28, No. 3 in B major. Sehr markiert - Intermezzo I - Intermezzo II
- Impromptus on a Theme of Clara Wieck, Op. 5
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Classic FM: Schumann Piano Concerto (London Symphony Orchestra feat. conductor: André Previn, piano: Radu Lupu)
Released 2010
Released 2010
- Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
- Piano Concerto in A minor, Op. 54: II. Intermezzo (Andantino grazioso)
- Piano Concerto in A minor, Op. 54: III. Allegro vivace
- Kinderszenen, Op. 15: I. Von fremden Ländern und Menchen
- Kinderszenen, Op. 15: II. Kuriöse Geschichte
- Kinderszenen, Op. 15: III. Hasche-Mann
- Kinderszenen, Op. 15: IV. Bittendes Kind
- Kinderszenen, Op. 15: V. Glückes genug
- Kinderszenen, Op. 15: VI. Wichtige Begebenheit
- Kinderszenen, Op. 15: VII. Träumerei
- Kinderszenen, Op. 15: VIII. Am Kamin
- Kinderszenen, Op. 15: IX. Ritter vom Steckenpferd
- Kinderszenen, Op. 15: X. Fast zu ernst
- Kinderszenen, Op. 15: XI. Fürchtenmachen
- Kinderszenen, Op. 15: XII. Kind im Einschlummern
- Kinderszenen, Op. 15: XIII. Der Dichter spricht
- Kreisleriana, Op. 16: I. Äußerst bewegt
- Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch
- Kreisleriana, Op. 16: III. Sehr aufgeregt
- Kreisleriana, Op. 16: IV. Sehr langsam
- Kreisleriana, Op. 16: V. Sehr lebhaft
- Kreisleriana, Op. 16: VI. Sehr langsam
- Kreisleriana, Op. 16: VII. Sehr rasch
- Kreisleriana, Op. 16: VIII. Schnell und spielend
- Fantasie in C major, Op.17. I. Durchaus phantastisch und leidenschaftlich vorzutragen
- Fantasie in C major, Op.17. II. Mässig. Durchaus energisch
- Fantasie in C major, Op.17. III. Langsam getragen. Durchweg leise zu halten
- Waldszenen (Forest Scenes), Op. 82. I. Entritt (Entry into the Forest)
- Waldszenen (Forest Scenes), Op. 82. II. Jäger auf der Lauer (Hunter on the Lookout)
- Waldszenen (Forest Scenes), Op. 82. III. Einsame Blumen (Lonely Flowers)
- Waldszenen (Forest Scenes), Op. 82. IV. Verrufene Stelle (The Cursed Place)
- Waldszenen (Forest Scenes), Op. 82. V. Freundliche Landschaft (Friendly Landscape)
- Waldszenen (Forest Scenes), Op. 82. VI. Herberge (Inn)
- Waldszenen (Forest Scenes), Op. 82. VII. Vogel als Prophet (Prophet Bird)
- Waldszenen (Forest Scenes), Op. 82. VIII. Jaglied (Hunting Song)
- Waldszenen (Forest Scenes), Op. 82. IX. Abschied (Farewell)
- Piano Sonata No. 2 in G Minor, Op. 22. I. So rasch wie möglich
- Piano Sonata No. 2 in G Minor, Op. 22. II. Andantino. Getragen
- Piano Sonata No. 2 in G Minor, Op. 22. III. Scherzo. Sehr rasch und markiert
- Piano Sonata No. 2 in G Minor, Op. 22. IV. Rondo. Presto
- Toccata, Op. 7
- 8 Songs, Op. 57, No. 1: Von waldbekränzter Höhe
- 8 Songs, Op. 57, No. 2: Wenn du nur zuweilen lächelst
- 8 Songs, Op. 57, No. 3: Es träumte mir
- 8 Songs, Op. 57, No. 4: Ach, wende diesen Blick
- 8 Songs, Op. 57, No. 5: In meiner Nächte Sehnen
- 8 Songs, Op. 57, No. 6: Strahlt zuweilen auch ein mildes Licht
- 8 Songs, Op. 57, No. 7: Die Schnur, die Perl' an Perle
- 8 Songs, Op. 57, No. 8: Unbewegte laue Luft
- 4 Lieder, Op. 98A, No. 1: Kennst du das Land
- 4 Lieder, Op. 98A, No. 2: Nur wer die Sehnsucht kennt
- 4 Lieder, Op. 98A, No. 3: Heiß mich nicht reden
- 4 Lieder, Op. 98A, No. 4: So laßt mich scheinen
- Frauenliebe und -leben, Op. 42: Seit ich ihn gesehen
- Frauenliebe und -leben, Op. 42: Er, der Herrlichste von allen
- Frauenliebe und -leben, Op. 42: Ich kann's nicht fassen
- Frauenliebe und -leben, Op. 42: Du Ring an meinem Finger
- Frauenliebe und -leben, Op. 42: Helft mir, ihr Schwestern
- Frauenliebe und -leben, Op. 42: Süßer Freund, du blickest
- Frauenliebe und -leben, Op. 42: An meinem Herzen, an meiner Brust
- Frauenliebe und -leben, Op. 42: Nun hast du mir den ersten Schmerz getan
- Fêtes galantes: Fantoches
- Theodora, HWV 68: Angels, ever bright and fair
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Symphonies No. 1 & 3 (Orchestre des Champs-Elysées feat. conductor: Philippe Herreweghe)
Released 2007
Released 2007
- Frühlingssinfonie No.1, Op. 38. I. Andante un poco Maestoso - Allegro molto vivace
- Frühlingssinfonie No.1, Op. 38. II. Larghetto
- Frühlingssinfonie No.1, Op. 38. III. Scherzo. Molto vivace - Trios I (moto piu vivace) & II
- Frühlingssinfonie No.1, Op. 38. IV. Finale. Allegro Animato e grazioso
- Rheinische Sinfonie No.3, Op. 97. I. Lebhaft (Vivace)
- Rheinische Sinfonie No.3, Op. 97. II. Scherzo. Sehr Massig
- Rheinische Sinfonie No.3, Op. 97. III. Nicht Schnell (Andante)
- Rheinische Sinfonie No.3, Op. 97. IV. Feierlich (Maestoso)
- Rheinische Sinfonie No.3, Op. 97. V. Finale. Lebhaft
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Konzert für Violine und Orchester D-moll / Konzert für Violoncello und Orchester A-moll / Konzert für Klavier und Orchester A-moll (Erzgebirgische Philharmonie Aue feat. conductor: Naoshi Takahashi)
Released 2006
Released 2006
- Konzert für Violine und Orchester D-moll, Op. posth.: I. In kräftigem, nicht zu schnellem Tempo
- Konzert für Violine und Orchester D-moll, Op. posth.: II. Ausdrucksvoll
- Konzert für Violine und Orchester D-moll, Op. posth.: III. Lebhaft, nicht zu schnell
- Konzert für Violoncello und Orchester A-moll, Op. 129: I. Nicht zu schnell
- Konzert für Violoncello und Orchester A-moll, Op. 129: II. Langsam
- Konzert für Violoncello und Orchester A-moll, Op. 129: III. Sehr lebhaft
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BBC Music, Volume 14, Number 7: Brahms, Eisler & Schumann (BBC Scottish SO feat. conductor: Ilan Volkov)
Released 2006
Released 2006
- Scenes from Goethe's Faust - Overture
- Symphony No.1: I Un poco sostenuto - Allegro
- Symphony No.1: II Andante sostenuto
- Symphony No.1: III Un poco Allegretto e grazioso
- Symphony No.1: IV Adagio - Allegro non troppo, ma con brio
- Kleine Sinfonie: I Theme and Variations
- Kleine Sinfonie: II Allegro assai
- Kleine Sinfonie: III Invention
- Kleine Sinfonie: IV Allegro
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BBC Music, Volume 13, Number 5: Brahms: String Quartet in A minor, Op 51 No. 2 / Schumann: String Quartet in A minor, Op. 41 No. 1 (feat. The Lindsays)
Released 2005
Released 2005
- String Quartet No. 2 in A minor, Op. 51 No. 2: I. Allegro non troppo
- String Quartet No. 2 in A minor, Op. 51 No. 2: II. Andante Moderato
- String Quartet No. 2 in A minor, Op. 51 No. 2: III. Tempo di Minuetto, Moderato - Allegretto Vivace
- String Quartet No. 2 in A minor, Op. 51 No. 2: IV. Finale. Allegro non assai
- String Quartet No. 1 in A minor, Op. 41 No. 1: I. Andante Espressivo -Allegro
- String Quartet No. 1 in A minor, Op. 41 No. 1: II. Scherzo. Presto
- String Quartet No. 1 in A minor, Op. 41 No. 1: III. Adagio
- String Quartet No. 1 in A minor, Op. 41 No. 1: IV. Presto
- Symphony No. 2 in C major, Op. 61: I. Allegro
- Symphony No. 2 in C major, Op. 61: II. Scherzo
- Symphony No. 2 in C major, Op. 61: III. Adagio
- Symphony No. 2 in C major, Op. 61: IV. Final. Allegro
- Symphony No. 4 in D minor, Op. 120: I. Introduction. Ziemlich langsam - lebhaft
- Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam
- Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft
- Symphony No. 4 in D minor, Op. 120: IV. Finale. Andante - lebhaft
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Schumann The Symphonies (Staatskapelle Berlin feat. conductor: Daniel Barenboim)
Released 2003
Released 2003
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft
- Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam-Lebhaft
- Symphony No. 4 in D minor, Op. 120: II. Romanze (Ziemlich langsam)
- Symphony No. 4 in D minor, Op. 120: III. Scherzo (Lebhaft)-Trio
- Symphony No. 4 in D minor, Op. 120: IV. Langsam-Lebhaft
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Arabeske / Davidsbündlertänze / Blumenstück / Symphonische Etüden (feat. piano: András Schiff)
Released 2003
Released 2003
- Arabeske in C major, Op. 18
- Davidsbündlertänze, Op. 6: 1. Lebhaft
- Davidsbündlertänze, Op. 6: 2. Innig
- Davidsbündlertänze, Op. 6: 3. Etwas hahnbüchen
- Davidsbündlertänze, Op. 6: 4. Ungeduldig
- Davidsbündlertänze, Op. 6: 5. Einfach
- Davidsbündlertänze, Op. 6: 6. Sehr rasch und in sich hinein
- Davidsbündlertänze, Op. 6: 7. Nicht schnell. Mit äusserst starker Empfindung
- Davidsbündlertänze, Op. 6: 8. Frisch
- Davidsbündlertänze, Op. 6: 9.
- Davidsbündlertänze, Op. 6: 10. Balladenmässig. Sehr rasch
- Davidsbündlertänze, Op. 6: 11. Einfach
- Davidsbündlertänze, Op. 6: 12. Mit Humor
- Davidsbündlertänze, Op. 6: 13. Wild und lustig
- Davidsbündlertänze, Op. 6: 14. Zart und singend
- Davidsbündlertänze, Op. 6: 15. Frisch
- Davidsbündlertänze, Op. 6: 16. Mit gutem Humor
- Davidsbündlertänze, Op. 6: 17. Wie aus der Ferne
- Davidsbündlertänze, Op. 6: 18.
- Blumenstücke in D-flat major, Op. 19
- Symphonische Etüden, Op. 13: Thema: Andante
- Symphonische Etüden, Op. 13: Variation I: Un poco più vivo
- Symphonische Etüden, Op. 13: Variation II
- Symphonische Etüden, Op. 13: Etude III: Vivace
- Symphonische Etüden, Op. 13: Variation III
- Symphonische Etüden, Op. 13: Variation IV
- Symphonische Etüden, Op. 13: Variation V: Agitato
- Symphonische Etüden, Op. 13: Variation VI: Allegro molto
- Symphonische Etüden, Op. 13: Variation VII
- Symphonische Etüden, Op. 13: Etude IX: Presto possibile
- Symphonische Etüden, Op. 13: Variation VIII
- Symphonische Etüden, Op. 13: Variation IX: Con espressione
- Symphonische Etüden, Op. 13: Finale: Allegro brillante
- Symphonische Etüden, Op. 13: Anhang: Variation I
- Symphonische Etüden, Op. 13: Anhang: Variation II
- Symphonische Etüden, Op. 13: Anhang: Variation III
- Symphonische Etüden, Op. 13: Anhang: Variation IV
- Symphonische Etüden, Op. 13: Anhang: Variation V
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BBC Music, Volume 10, Number 8: Symphony No. 3, Manfred & Genoveva Overtures (BBC National Orchestra of Wales feat. conductor: Walter Weller)
Released 2002
Released 2002
- Manfred Overture
- Symphony No. 3, Op. 97 "Rhenish": I. Lebhaft
- Symphony No. 3, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig
- Symphony No. 3, Op. 97 "Rhenish": III. Nicht schnell
- Symphony No. 3, Op. 97 "Rhenish": IV. Feierlich
- Symphony No. 3, Op. 97 "Rhenish": V. Lebhaft
- Genoveva Overture
- Pulse Shadows: Night (extract)
- La fille au cheveux de lin (from Préludes, Book I)
- They Are There!
- Sonata in A for two violins, 4th mvt
- Humoreske, Op. 20
- Novelletten, Op. 21: I. Markiert Und Kräftig
- Novelletten, Op. 21: II. Äusserst rasch und mit Bravour
- Novelletten, Op. 21: III. Leicht und mit Humor
- Novelletten, Op. 21: IV. Ballmäßig. Sehr munter
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Schumann: Piano Concerto / Grieg: Piano Concerto / Franck: Variations symphoniques
Released 2001
Released 2001
- Piano Concerto in A minor, Op. 54: I. Allegro affettuoso - Andante espressivo - Allegro (Tempo I) - Più animato - Tempo I - Cadenza - Allegro molto
- Piano Concerto in A minor, Op. 54: II. Intermezzo - Andante grazioso -
- Piano Concerto in A minor, Op. 54: III. Allegro vivace
- Variations symphoniques
- Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
- Piano Concerto in A minor, Op. 16: II. Adagio
- Piano Concerto in A minor, Op. 16: III. Allegro marcato
- Carnaval, Op. 9: I. Préambule
- Carnaval, Op. 9: II. Pierrot
- Carnaval, Op. 9: III. Arlequin
- Carnaval, Op. 9: IV. Valse noble
- Carnaval, Op. 9: V. Eusebius
- Carnaval, Op. 9: VI. Florestan
- Carnaval, Op. 9: VII. Coquette
- Carnaval, Op. 9: VIII. Réplique
- Carnaval, Op. 9: IX. Papillons
- Carnaval, Op. 9: X. A.S.C.H.-S.C.H.A.
- Carnaval, Op. 9: XI. Chiarina
- Carnaval, Op. 9: XII. Chopin
- Carnaval, Op. 9: XIII. Estrella
- Carnaval, Op. 9: XIV. Reconaissance
- Carnaval, Op. 9: XV. Pantalon et Colombine
- Carnaval, Op. 9: XVI. Valse Allemande
- Carnaval, Op. 9: XVI. Paganini: Intermezzo. Presto
- Carnaval, Op. 9: XVII. Aveu
- Carnaval, Op. 9: XVIII. Promenade
- Carnaval, Op. 9: XIX. Pause
- Carnaval, Op. 9: XX. Marche des "Davidsbündler" conter les Philistins
- "Vogel als Prophet (Bird as Prophet)" from Waldszenen, Op. 82, No. 7
- Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso
- Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso
- Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace
- Symphony in G minor WoO 29 "Zwickau": I. Moderato - Allegro
- Symphony in G minor WoO 29 "Zwickau": II. Andantino quasi allegretto - Intermezzo quasi Scherzo: Allegro assai - Anadantino
- Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
- Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto
- Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo: Molto vivace
- Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso
- Overture, Scherzo and Finale in E minor-major, Op. 52: I. Overture: Andante con moto - Allegro
- Overture, Scherzo and Finale in E minor-major, Op. 52: II. Scherzo: Vivo
- Overture, Scherzo and Finale in E minor-major, Op. 52: III. Finale: Allegro molto vivace
- Drei Romanzen für Klavier und Oboe, Op. 94: No. 1. Nicht schnell
- Drei Romanzen für Klavier und Oboe, Op. 94: No. 2. Einfach, innig
- Drei Romanzen für Klavier und Oboe, Op. 94: No. 3. Nicht schnell
- Vier Lieder: Du bist wie eine Blume
- Vier Lieder: Intermezzo
- Vier Lieder: Waldesgespräch
- Vier Lieder: Mondnacht
- Drei Romanzen für Klavier und Oboe, Op. 22: No. 1. Andante molto
- Drei Romanzen für Klavier und Oboe, Op. 22: No. 2. Allegretto - Mit zartem Vortrag
- Drei Romanzen für Klavier und Oboe, Op. 22: No. 3. Leidenschaftlich schnell
- Drei Romanzen für Klavier, Op. 28: No. 1 Sehr markiert
- Drei Romanzen für Klavier, Op. 28: No. 2 Einfach
- Drei Romanzen für Klavier, Op. 28: No. 3 Sehr markiert
- Drei Fantasiestücke für Klavier und Oboe d'amore, Op. 73: No. 1. Zart und mit Ausdruck
- Drei Fantasiestücke für Klavier und Oboe d'amore, Op. 73: No. 2. Lebhaft, leicht
- Drei Fantasiestücke für Klavier und Oboe d'amore, Op. 73: No. 3. Rasch und mit Feuer
- Adagio und Allegro für Klavier und Oboe, Op. 70: Adagio
- Adagio und Allegro für Klavier und Oboe, Op. 70: Allegro
- Zwei Stücke: Abendlied
- Zwei Stücke: Trauer
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BBC Music, Volume 5, Number 5: Music for Cello and Piano (David Finckel and Wu Han)
Released 1997
Released 1997
- Sonata for piano & cello in A minor, Op. 36: I. Allegro agitato
- Sonata for piano & cello in A minor, Op. 36: II. Andante molto tranquillo
- Sonata for piano & cello in A minor, Op. 36: III. Allegro -- allegro molto e marcato
- Adagio And Allegro, Op. 70
- Sonata for piano & cello in G minor, Op. 65: I. Allegro moderato
- Sonata for piano & cello in G minor, Op. 65: II. Allegro con brio
- Sonata for piano & cello in G minor, Op. 65: III. Largo
- Sonata for piano & cello in G minor, Op. 65: IV. Finale: Allegro
- Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
- Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso - attaca
- Piano Concerto in A minor, Op. 54: IV. Allegro vivace
- Frauenliebe, Op. 42: 1. Seit ich ihn gesehen
- Frauenliebe, Op. 42: 2. Er, der herrlichste von allen
- Frauenliebe, Op. 42: 3. Ich kann´s nicht fassen, nicht glauben
- Frauenliebe, Op. 42: 4. Du Ring an meinem Finger
- Frauenliebe, Op. 42: 5. Helft mir, ihr Schwestern
- Frauenliebe, Op. 42: 6. Süßer Freund, du blickest
- Frauenliebe, Op. 42: 7. An meinem Herzen, an meineer Brust
- Frauenliebe, Op. 42: 8. Nun hast du mir den ersten Schmerz getan
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Klaviersonate No. 1 / Symphonische Etüden Op. 13 (Maurizio Pollini)
Released 1996
Released 1996
- Piano Sonata No.1 in F-sharp minor, Op. 11: I. Introduzione (Un poco adagio - Allegro vivace - Più lento)
- Piano Sonata No.1 in F-sharp minor, Op. 11: II. Aria
- Piano Sonata No.1 in F-sharp minor, Op. 11: III. Scherzo e Intermezzo (Allegrissimo - Intermezzo -Tempo I)
- Piano Sonata No.1 in F-sharp minor, Op. 11: IV. Finale (Allegro un poco maestoso - Presto - Più allegro)
- Symphonic Studies, Op. 13: Theme
- Symphonic Studies, Op. 13: Variation I - Etude I
- Symphonic Studies, Op. 13: Variation II - Etude II
- Symphonic Studies, Op. 13: Etude III
- Symphonic Studies, Op. 13: Variation III - Etude IV
- Symphonic Studies, Op. 13: Variation IV - Etude V
- Symphonic Studies, Op. 13: Appendix - Variation I
- Symphonic Studies, Op. 13: Appendix - Variation II
- Symphonic Studies, Op. 13: Appendix - Variation III
- Symphonic Studies, Op. 13: Appendix - Variation IV
- Symphonic Studies, Op. 13: Appendix - Variation V
- Symphonic Studies, Op. 13: Variation V - Etude VI
- Symphonic Studies, Op. 13: Variation VI - Etude VII
- Symphonic Studies, Op. 13: Variation VII - Etude VIII
- Symphonic Studies, Op. 13: Etude IX
- Symphonic Studies, Op. 13: Variation VIII - Etude X
- Symphonic Studies, Op. 13: Variation IX - Etude XI
- Symphonic Studies, Op. 13: Finale - Etude XII
- Piano Quintet in E-flat major, Op. 44: I. Allegro brillante
- Piano Quintet in E-flat major, Op. 44: II. In modo d'una marcia. Un poco largamente
- Piano Quintet in E-flat major, Op. 44: III. Scherzo. Molto vivace
- Piano Quintet in E-flat major, Op. 44: IV. Allegro, ma non troppo
- Piano Quartet in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo
- Piano Quartet in E-flat major, Op. 47: II. Scherzo. Molto vivace
- Piano Quartet in E-flat major, Op. 47: III. Andante cantabile
- Piano Quartet in E-flat major, Op. 47: IV. Finale. Vivace
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Schumann: Papillons, Davidsbündlertänze (piano: Christian Zacharias)
Released 1995
Released 1995
- Davidsbündlertänze, op. 6, Nr. 1: Lebhaft
- Davidsbündlertänze, op. 6, Nr. 2: Innig
- Davidsbündlertänze, op. 6, Nr. 3: Mit Humor (Etwas hahnbüchen)
- Davidsbündlertänze, op. 6, Nr. 4: Ungeduldig
- Davidsbündlertänze, op. 6, Nr. 5: Einfach
- Davidsbündlertänze, op. 6, Nr. 6: Sehr rasch (und in sich hinein)
- Davidsbündlertänze, op. 6, Nr. 7: Nicht schnell (mit äußerst starker Empfindung)
- Davidsbündlertänze, op. 6, Nr. 8: Frisch
- Davidsbündlertänze, op. 6, Nr. 9: Lebhaft
- Davidsbündlertänze, op. 6, Nr. 10: Balladenmäßig (sehr rasch)
- Davidsbündlertänze, op. 6, Nr. 11: Einfach
- Davidsbündlertänze, op. 6, Nr. 12: Mit Humor
- Davidsbündlertänze, op. 6, Nr. 13: Wild und lustig
- Davidsbündlertänze, op. 6, Nr. 14: Zart und singend
- Davidsbündlertänze, op. 6, Nr. 15: Frisch
- Davidsbündlertänze, op. 6, Nr. 16: Mit gutem Humor
- Davidsbündlertänze, op. 6, Nr. 17: Wie aus der Ferne
- Davidsbündlertänze, op. 6, Nr. 18: Nicht schnell
- Papillons, op. 2, Introduzione (Moderato)
- Papillons, op. 2, Nr. 1: [ohne Bezeichnung]
- Papillons, op. 2, Nr. 2: Prestissimo
- Papillons, op. 2, Nr. 3: [ohne Bezeichnung]
- Papillons, op. 2, Nr. 4: Presto
- Papillons, op. 2, Nr. 5: [ohne Bezeichnung]
- Papillons, op. 2, Nr. 6: [ohne Bezeichnung]
- Papillons, op. 2, Nr. 7: Semplice
- Papillons, op. 2, Nr. 8: [ohne Bezeichnung]
- Papillons, op. 2, Nr. 9: Prestissimo
- Papillons, op. 2, Nr. 10: Vivo
- Papillons, op. 2, Nr. 11: [ohne Bezeichnung]
- Papillons, op. 2, Nr. 12: Finale
- Violin Concerto in D minor, WoO 1: I. In kräftigem, nicht zu schnellem Tempo
- Violin Concerto in D minor, WoO 1: II. Langsam
- Violin Concerto in D minor, WoO 1: III. Lebhaft, doch nicht schnell
- Violin Concerto No. 1 in E minor, Op. 64: I. Allegro molto appassionato
- Violin Concerto No. 1 in E minor, Op. 64: II. Andante
- Violin Concerto No. 1 in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace
- Roumanian Folk Dances
- La Plus Que Lente
- Moto Perpetuo No. 4, Op. 5
- Hungarian Dance (arr. Kreisler)
- Mexican Lullaby
- The Flight of the Bumblebee
- Symphony No. 5 in B-flat major, D 485: I. Allegro
- Symphony No. 5 in B-flat major, D 485: II. Andante con moto
- Symphony No. 5 in B-flat major, D 485: III. Menuetto. Allegro molto - Trio
- Symphony No. 5 in B-flat major, D 485: IV. Allegro vivace
- "Des Teufels Lustschloß" Overture, D 84
- "Genoveva" Overture, Op. 81
- Concerto for Violoncello and Orchestra in A minor, Op. 129: I. Nicht zu schnell
- Concerto for Violoncello and Orchestra in A minor, Op. 129: II. Langsam
- Concerto for Violoncello and Orchestra in A minor, Op. 129: III. Sehr lebhaft
- Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
- Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso / III. Allegro vivace
- Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
- Piano Concerto in A minor, Op. 16: II. Adagio / III. Allegro moderato molto e marcato - Quasi presto - Andante
- Piano Quartet in E flat major, Op. 47: Sostenuto assai; Allegro ma non troppo
- Piano Quartet in E flat major, Op. 47: Scherzo: Molto vivace
- Piano Quartet in E flat major, Op. 47: Andante cantabile
- Piano Quartet in E flat major, Op. 47: Finale: Vivace
- Piano Quartet in C minor, WoO 32: Allegro molto affettuoso
- Piano Quartet in C minor, WoO 32: Minuetto: Presto
- Piano Quartet in C minor, WoO 32: Andante
- Piano Quartet in C minor, WoO 32: Allegro giusto -- Presto
- Concerto for piano and orchestra in A minor, op. 54: I. Allegro affettuoso
- Concerto for piano and orchestra in A minor, op. 54: II. Intermezzo: Andante grazioso
- Concerto for piano and orchestra in A minor, op. 54: III. Allegro vivace
- Fantasiestücke op. 73: I. Zart und mit Ausdruck
- Fantasiestücke op. 73: I. Lebhaft, leicht
- Fantasiestücke op. 73: I. Rasch und mit Feuer
- Sechs Kanons für Pedalflügel, op. 56: I. Nicht zu schnell
- Sechs Kanons für Pedalflügel, op. 56: II. Mit innigem Ausdruck
- Sechs Kanons für Pedalflügel, op. 56: III. Andantino
- Sechs Kanons für Pedalflügel, op. 56: IV. Innig
- Sechs Kanons für Pedalflügel, op. 56: V. Nicht zu schnell
- Sechs Kanons für Pedalflügel, op. 56: VI. Adagio
- Kinderszenen, Op. 15: XIII: Der Dichter spricht
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Kinderszenen, Carnaval, Faschingsschwank aus Wien (feat. piano: Daniel Barenboim)
Released 1991
Released 1991
- Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen
- Kinderszenen, Op. 15: II. Kuriose Geschichte
- Kinderszenen, Op. 15: III. Hasche-Mann
- Kinderszenen, Op. 15: IV. Bittendes Kind
- Kinderszenen, Op. 15: V. Glückes genug
- Kinderszenen, Op. 15: VI. Tichtige Begebenheit
- Kinderszenen, Op. 15: VII. Träumeri
- Kinderszenen, Op. 15: VIII. Am Kamin
- Kinderszenen, Op. 15: IX. Ritter vom Steckenpferd
- Kinderszenen, Op. 15: X. Fast zu ernst
- Kinderszenen, Op. 15: XI. Fürchtenmachen
- Kinderszenen, Op. 15: XII. Kind im Einschlummern
- Kinderszenen, Op. 15: XIII. Der Dichter spricht
- Faschingsschwank aus Wien, Op. 26: I. Allegro
- Faschingsschwank aus Wien, Op. 26: II. Romanze
- Faschingsschwank aus Wien, Op. 26: III. Scherzino
- Faschingsschwank aus Wien, Op. 26: IV. Intermezzo
- Faschingsschwank aus Wien, Op. 26: V. Finale
- Carnaval, Op. 9: I. Préambule
- Carnaval, Op. 9: II. Pierrot
- Carnaval, Op. 9: III. Arlequin
- Carnaval, Op. 9: IV. Valse noble
- Carnaval, Op. 9: V. Eusebius
- Carnaval, Op. 9: VI. Florestan
- Carnaval, Op. 9: VII. Coquette
- Carnaval, Op. 9: VIII. Réplique
- Carnaval, Op. 9: IX. Pipillons
- Carnaval, Op. 9: X. A.S.C.H. - S.C.H.A.
- Carnaval, Op. 9: XI. Chiarina
- Carnaval, Op. 9: XII. Chopin
- Carnaval, Op. 9: XIII. Estrella
- Carnaval, Op. 9: XIV. Reconnaissance
- Carnaval, Op. 9: XV. Pantalon et Colombine
- Carnaval, Op. 9: XVI. Valse allemande
- Carnaval, Op. 9: XVII. Paganini. Intermezzo
- Carnaval, Op. 9: XVIII. Aveu
- Carnaval, Op. 9: XIX. Promenade
- Carnaval, Op. 9: XX. Pause
- Carnaval, Op. 9: XXI. Marche des "Davisbündler" contre les Philistins
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft (3/4nt=66)
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig (1/4nt=100)
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nichte Schnell (1/8nt=116)
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich (1/4nt=54)
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft (1/2nt=120)-Schneller
- Symphony No. 4 in D minor, Op. 120: I. Ziemlich Langsam (1/4nt=52)-Lebhaft (1/4nt=92)
- Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich Langsam (1/4nt=66)
- Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft (3/4nt=92)-Etwas Zuruckhaltend-IV: Langsam (1/4nt=52)
- Symphony No. 4 in D minor, Op. 120: Lebhaft (1/4nt=126)-Schneller-Presto
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Symphonien 1-4 (New Philharmonia Orchestra cond. Otto Klemperer)
Released 1990
Released 1990
- Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace
- Symphony No. 1 in B-flat major, Op. 38: II. Larghetto
- Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace
- Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso
- Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Allegro ma non troppo
- Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace
- Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
- Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
- Mélodie
- Marche du soldat
- Chanson à fredonner
- Un Choral
- Une petite pièce
- Pauvre orphelin
- Chant du chasseur
- Le Cavalier sauvage
- Une petite chanson folklorique
- Le Paysan joyeux
- Sicilienne
- Le Chevalier Rupert
- Joli mois de mai, te revoici bientôt !
- Une petite étude
- Chanson printanière
- Première perte
- Le Petit Promeneur à l'aube
- Chanson du moissonneur
- Une petite romance
- Chanson rustique
- [untitled]
- Rondeau
- Le Cavalier
- Chant de la moisson
- Après le théâtre
- [untitled]
- Un petit chant en canon
- En commémoration
- Un étranger
- [untitled]
- Champ de bataille
- Schéhérazade
- Le Temps des vendanges / Le Temps de la joie
- Thème
- Mignon
- Chant du marinier italien
- Chant du marin
- L'Hiver I
- L'Hiver II
- Petite Fugue
- Chant nordique
- Choral figuré
- Chant du réveillon de Nouvel An
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Symphonies Nos. 2 & 3 (The Cleveland Orchestra, feat. conductor: Christoph von Dohnanyi)
Released 1989
Released 1989
- Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Allegro, ma non troppo
- Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace
- Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
- Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich
- Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft
- Album für die Jugend: I. Melodie
- Album für die Jugend: II. Soldatenmarsch
- Album für die Jugend: III. Trällerliedchen
- Album für die Jugend: IV. Ein Choral
- Album für die Jugend: V. Stückchen
- Album für die Jugend: VI. Armes Waisenkind
- Album für die Jugend: VII. Jägerliedchen
- Album für die Jugend: VIII. Wilder Reiter
- Album für die Jugend: IX. Volksliedchen
- Album für die Jugend: X. Fröhlicher Landmann
- Album für die Jugend: XI. Sicilianisch
- Album für die Jugend: XX. Knecht Ruprecht
- Album für die Jugend: XIX. Mai, lieber Mai
- Album für die Jugend: XII. Kleine Studie
- Album für die Jugend: XXI. Frühlingsgesang
- Album für die Jugend: XIII. Erster Verlust
- Album für die Jugend: XVIII. Kleiner Morgenwanderer
- Album für die Jugend: XIV Schnitterliedchen
- Album für die Jugend: XV. Kleine Romanze
- Album für die Jugend: XVI. Ländliches Lied
- Album für die Jugend: XLI. (Andante espressivo)
- Album für die Jugend: XXII. Rundgesang
- Album für die Jugend: XXIII. Reiterstück
- Album für die Jugend: XXIV. Ernteliedchen
- Album für die Jugend: XXV. Nachklänge aus dem Theater
- Album für die Jugend: XXVI (Moderato e espressivo)
- Album für die Jugend: XXVII. Canonisches Liedchen
- Album für die Jugend: XXVIII. Erinnerung (an Mendelssohn, 4.XI.1847)
- Album für die Jugend: XXIX. Fremder Mann
- Album für die Jugend: XXX. (Lento assai)
- Album für die Jugend: XXXI. Kriegslied
- Album für die Jugend: XXXII. Sheherazade
- Album für die Jugend: XXXIII. Weinlesezeit
- Album für die Jugend: XXXIV. Thema
- Album für die Jugend: XXXV. Mignon
- Album für die Jugend: XXXVI. Lied italienischer Marinari
- Album für die Jugend: XXXVII. Matrosenlied
- Album für die Jugend: XXXVIII. Winterszeit I
- Album für die Jugend: XXXIX. Winterszeit II
- Album für die Jugend: (Prélude)
- Album für die Jugend: (Fugue)
- Album für die Jugend: XVII. Nordisches Lied
- Album für die Jugend: XLII. Figurierter Choral
- Album für die Jugend: XLIII. Sylvesterlied
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Brahms: Symphony No. 3 / Schumann: Symphony No. 4 (Philharmonia Orchestra feat. conductor: Guido Cantelli)
Released 1989
Released 1989
- Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I
- Symphony No. 3 in F major, Op. 90: II. Andante
- Symphony No. 3 in F major, Op. 90: III. Allegro giocoso
- Symphony No. 3 in F major, Op. 90: IV. Allegro energico e passionate
- Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft
- Symphony No. 4 in D minor, Op. 120: II. Romanze (ziemlich langsam)
- Symphony No. 4 in D minor, Op. 120: III. Scherzo (lebhaft) & Trio
- Symphony No. 4 in D minor, Op. 120: IV. Lebhaft - Schneller - Presto
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Symphonies 1 & 4 (Staatskapelle Dresden feat. conductor: Wolfgang Sawallisch)
Released 1988
Released 1988
- Symphony No. 1 in B flat major, Op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace
- Symphony No. 1 in B flat major, Op. 38 "Spring": II. Larghetto
- Symphony No. 1 in B flat major, Op. 38 "Spring": III. Scherzo (Molto vivace)
- Symphony No. 1 in B flat major, Op. 38 "Spring": IV. Allegro animato e grazioso
- Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft
- Symphony No. 4 in D minor, Op. 120: II. Romanze (Zeimlich langsam)
- Symphony No. 4 in D minor, Op. 120: III. Scherzo Lebhaft
- Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft
- Overture, Scherzo and Finale, Op. 52: I. Overture (Andante con moto - Allegro)
- Overture, Scherzo and Finale, Op. 52: II. Scherzo (Vivo)
- Overture, Scherzo and Finale, Op. 52: III. Finale (Allegro molto vivace)
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Symphonies Nos. 3 & 4 (Saint Louis Symphony Orchestra feat. conductor: Jerzy Semkow Simon)
Released 1986
Released 1986
- Symphony No. 3 in E-flat major, Op. 97 ‘Rhenish’: I. Lebhaft
- Symphony No. 3 in E-flat major, Op. 97 ‘Rhenish’: II. Scherzo. Sehr mäßig
- Symphony No. 3 in E-flat major, Op. 97 ‘Rhenish’: III. Nicht schnell
- Symphony No. 3 in E-flat major, Op. 97 ‘Rhenish’: IV. Feierlich
- Symphony No. 3 in E-flat major, Op. 97 ‘Rhenish’: V. Lebhaft
- Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft
- Symphony No. 4 in D minor, Op. 120: II. Romanze - Ziemlich langsam
- Symphony No. 4 in D minor, Op. 120: III. Scherzo - Lebhaft
- Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft
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Symphonies Nos. 1 & 2 (Saint Louis Symphony Orchestra feat. conductor: Jerzy Semkow Simon)
Released 1986
Released 1986
- Symphony No. 1 in B-flat major, Op. 38 ‘Spring’: Andante un poco maestoso
- Symphony No. 1 in B-flat major, Op. 38 ‘Spring’: I. Allegro molto vivace
- Symphony No. 1 in B-flat major, Op. 38 ‘Spring’: II. Larghetto
- Symphony No. 1 in B-flat major, Op. 38 ‘Spring’: III. Scherzo
- Symphony No. 1 in B-flat major, Op. 38 ‘Spring’: IV. Allegro
- Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Allegro ma non troppo
- Symphony No. 2 in C major, Op. 61: II. Scherzo - Allegro vivace
- Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
- Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
- Fantasiestücke Op. 12: Des Abends
- Fantasiestücke Op. 12: Aufschwung
- Fantasiestücke Op. 12: Warum?
- Fantasiestücke Op. 12: Grillen
- Fantasiestücke Op. 12: In der Nacht
- Fantasiestücke Op. 12: Fabel
- Fantasiestücke Op. 12: Traumes-Wirren
- Fantasiestücke Op. 12: Ende vom Lied
- Fantasie C-dur, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - im legenden-Ton
- Fantasie C-dur, Op. 17: II. Mäßig. Durchaus energisch - etwas langsamer - viel bewegter
- Fantasie C-dur, Op. 17: III. Langsam getragen. Durchweg leise zu halten - etwas bewegter
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Beethoven: Symphonie No. 5 / Schumann: Symphonie No. 3 “Rheinische”
Released 1982
Released 1982
- Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio
- Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto
- Symphonie No. 5 c-Moll, Op. 67: III. Scherzo. Allegro
- Symphonie No. 5 c-Moll, Op. 67: IV. Allegro
- Symphonie No. 3 Es-Dur, Op. 97 “Rheinische”: I. Lebhaft
- Symphonie No. 3 Es-Dur, Op. 97 “Rheinische”: II. Scherzo. Sehr mäßig
- Symphonie No. 3 Es-Dur, Op. 97 “Rheinische”: III. Nicht schnell
- Symphonie No. 3 Es-Dur, Op. 97 “Rheinische”: IV. Feierlich
- Symphonie No. 3 Es-Dur, Op. 97 “Rheinische”: V. Lebhaft
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Symphonie No. 1 / Manfred-Ouvertüre (Los Angeles Philharmonic Orchestra feat. conductor: Carlo Maria Giulini)
Released 1982
Released 1982
- Symphonie No. 1 c-moll, Op. 68: I. Un poco sostenuto - Allegro
- Symphonie No. 1 c-moll, Op. 68: II. Andante sostenuto
- Symphonie No. 1 c-moll, Op. 68: III. Un poco allegretto e grazioso
- Symphonie No. 1 c-moll, Op. 68: IV. Adagio - Allegro non troppo ma con brio
- "Manfred" Ouvertüre, Op. 115
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Symphonie No. 3 / »Manfred«-Ouvertüre (Los Angeles Philharmonic feat. conductor: Carlo Maria Giulini)
Released 1982
Released 1982
- Symphonie No. 3 Es-dur, Op. 97 »Rheinische«: I. Lebhaft
- Symphonie No. 3 Es-dur, Op. 97 »Rheinische«: II. Scherzo, Sehr mäßig
- Symphonie No. 3 Es-dur, Op. 97 »Rheinische«: III. Nicht schnell
- Symphonie No. 3 Es-dur, Op. 97 »Rheinische«: IV. Feierlich
- Symphonie No. 3 Es-dur, Op. 97 »Rheinische«: V. Lebhaft
- »Manfred«-Ouvertüre Op. 115
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Fantasie C-dur / Kreisleriana (feat. piano: Wilhelm Kempff)
Released 1977
Released 1977
- Fantasie C-Dur, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legendenton
- Fantasie C-Dur, Op. 17: II. Mäßig. Durchaus energisch
- Fantasie C-Dur, Op. 17: III. Langsam getragen. Durchweg leise gehalten
- Kreisleriana, Op. 16
- Symphony No.3 in E Flat Major, Op 97" Rhenish", I Lebhaft
- Symphony No.3 in E Flat Major, Op 97" Rhenish", II Scherzo: Sehr Mabig
- Symphony No.3 in E Flat Major, Op 97" Rhenish", III Nicht Schnell
- Symphony No.3 in E Flat Major, Op 97" Rhenish", IV Feierlich
- Symphony No.3 in E Flat Major, Op 97" Rhenish", V Lebhaft
- Symphony No.4 in D Minor, Op 120, I Ziemlich Langsam - Lebhaft
- Symphony No.4 in D Minor, Op 120, II Romanze: Ziemlich Langsam
- Symphony No.4 in D Minor, Op 120, III Scherzo: Lebhaft
- Symphony No.4 in D Minor, Op 120, IV Langsam - Lebhaft
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Symphony No.2,"Manfred Overture, Konzertstücke (Philharmonia Orchestra feat. conductor Christian Thielemann)
- Overture "Manfred", Op.115
- Konzertstück in F major for four Horns and Orchestra, Op. 86: I. Lebhaft
- Konzertstück in F major for four Horns and Orchestra, Op. 86: II. Romanze. Ziemlich langsam, doch nicht schleppend
- Konzertstück in F major for four Horns and Orchestra, Op. 86: III. Sehr lebhaft
- Symphony No.2 in C, Op.61: I. Sostenuto assai - Allegro ma non troppo
- Symphony No.2 in C, Op.61: II. Scherzo (Allegro vivace)
- Symphony No.2 in C, Op.61: III. Adagio espresssivo
- Symphony No.2 in C, Op.61: IV. Allegro molto vivace
- Humoreske, Op. 20: I. Einfach - Sehr rasch und leicht - Erstes Tempo - Wie im Anfang
- Humoreske, Op. 20: II. Hastig - Wie außer Tempo - Im Tempo - Nach und nach schneller - Nach und nach immer lebhafter und stärker - Wie vorher - Adagio
- Humoreske, Op. 20: III. Einfach und zart - Intermezzo
- Humoreske, Op. 20: IV. Innig - Schneller
- Humoreske, Op. 20: V. Sehr lebhaft - Immer lebhafter - Stretto
- Humoreske, Op. 20: VI. Mit einigem Pomp
- Humoreske, Op. 20: VII. Zum Beschluß
- Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen
- Kinderszenen, Op. 15: II. Kuriose Geschichte
- Kinderszenen, Op. 15: III. Hasche-Mann
- Kinderszenen, Op. 15: IV. Bittendes Kind
- Kinderszenen, Op. 15: V. Glückes genug
- Kinderszenen, Op. 15: VI. Wichtige Begebenheit
- Kinderszenen, Op. 15: VII. Träumerei
- Kinderszenen, Op. 15: VIII. Am Kamin
- Kinderszenen, Op. 15: IX. Ritter vom Steckenpferd
- Kinderszenen, Op. 15: X. Fast zu ernst
- Kinderszenen, Op. 15: XI. Fürchtenmachen
- Kinderszenen, Op. 15: XII. Kind im Einschlummern
- Kinderszenen, Op. 15: XIII. Der Dichter spricht
- Symphonie No. 2 C-dur op. 61: I. Sostenuto assai - Allegro ma non troppo
- Symphonie No. 2 C-dur op. 61: II. Scherzo. Allegro vivace
- Symphonie No. 2 C-dur op. 61: III. Adagio espressivo
- Symphonie No. 2 C-dur op. 61: IV. Allegro molto vivace
- Symphonie No. 3 Es-dur op. 97 "Rheinische": I. Lebhaft
- Symphonie No. 3 Es-dur op. 97 "Rheinische": II. Scherzo (Sehr mäßig)
- Symphonie No. 3 Es-dur op. 97 "Rheinische": III. Nicht schnell
- Symphonie No. 3 Es-dur op. 97 "Rheinische": IV. Feierlich
- Symphonie No. 3 Es-dur op. 97 "Rheinische": V. Lebhaft
- Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso
- Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso
- Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace
- Concerto for Violoncello and Orchestra in A minor, Op. 129: I. Nicht schnell
- Concerto for Violoncello and Orchestra in A minor, Op. 129: II. Langsam
- Concerto for Violoncello and Orchestra in A minor, Op. 129: III. Sehr lebhaft
Born: 1810-06-08
Died: 1856-07-29
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Robert Schumann - Traumerei
- Order: Reorder
- Duration: 3:01
- Updated: 06 May 2013
Title : Robert Schumann , Traumerei Date : 1838.
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Title : Robert Schumann , Traumerei Date : 1838.
Robert Schumann: Piano Quintett in E flat major Op.44
- Order: Reorder
- Duration: 30:08
- Updated: 21 Jan 2013
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
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Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
- published: 24 Jan 2012
- views: 3801
- author: Kris9kris
SCHUMANN: Symphony No. 4 in D Minor, Op. 120
- Order: Reorder
- Duration: 5:21
- Updated: 26 Apr 2013
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube....
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Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube....
- published: 04 Sep 2007
- views: 264272
- author: andrewgrummanJC
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
- Order: Reorder
- Duration: 32:17
- Updated: 05 May 2013
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
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ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
- published: 13 Jun 2012
- views: 5612
- author: Carlos Garcia
Robert Schumann: Cello Concerto op.129 - Mario Brunello
- Order: Reorder
- Duration: 24:00
- Updated: 29 Apr 2013
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
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Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
- published: 22 Aug 2011
- views: 37908
- author: orso1149
Schumann Pianoconcert - Nelson Freire, piano
- Order: Reorder
- Duration: 34:22
- Updated: 06 May 2013
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
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Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
- published: 29 Nov 2011
- views: 93755
- author: avroklassiek
" Romance Violin " - Robert Schumann (Träumerei / Dreaming)
- Order: Reorder
- Duration: 2:55
- Updated: 07 May 2013
Some time ago a very dear friend wrote to me in view of Friendship on YouTube "I'm grateful for this Oasis of Loving Harmony". She couldn't have found better...
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Some time ago a very dear friend wrote to me in view of Friendship on YouTube "I'm grateful for this Oasis of Loving Harmony". She couldn't have found better...
- published: 12 Jun 2009
- views: 241262
- author: xyCuriosityxy
Robert Schumann: Concerto per pianoforte e orchestra in la min. op. 54
- Order: Reorder
- Duration: 31:49
- Updated: 27 Apr 2013
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
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Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
- published: 08 Apr 2012
- views: 2967
- author: ChiaraOpalioPianist
Träumerei von Robert Schumann
- Order: Reorder
- Duration: 2:41
- Updated: 05 May 2013
"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspannen und Genießen... Bilder & Film: Britta ... für die Lebenslilie ht...
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"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspannen und Genießen... Bilder & Film: Britta ... für die Lebenslilie ht...
- published: 19 Apr 2011
- views: 87442
- author: Lebenslilie
Robert Schumann ~ Manfred Ouverture
- Order: Reorder
- Duration: 12:15
- Updated: 28 Feb 2013
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Robert Schumann - Concerto pour piano en la mineur - Samson François
- Order: Reorder
- Duration: 30:29
- Updated: 24 Apr 2013
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
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Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
- published: 06 Jan 2012
- views: 14465
- author: gfdsab
Horowitz plays SchumannTraumerei in Moscow
- Order: Reorder
- Duration: 2:29
- Updated: 07 May 2013
In April 1986 Horowitz hold a concert in Moscow. This "Traumerei" is given as encore. Enjoy!
http://wn.com/Horowitz_plays_SchumannTraumerei_in_Moscow
In April 1986 Horowitz hold a concert in Moscow. This "Traumerei" is given as encore. Enjoy!
- published: 07 Jun 2006
- views: 1016246
- author: volowitz
Robert Schumann Manfred-Ouvertüre op.115
- Order: Reorder
- Duration: 11:18
- Updated: 11 Feb 2013
Christof Harr dirigiert das CJD Orchester am 15.10.2011 im KMS der Philharmonie Berlin.
http://wn.com/Robert_Schumann_Manfred-Ouvertüre_op115
Christof Harr dirigiert das CJD Orchester am 15.10.2011 im KMS der Philharmonie Berlin.
- published: 20 Nov 2011
- views: 3804
- author: Christof Harr
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & LSO
- Order: Reorder
- Duration: 26:51
- Updated: 18 Apr 2013
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
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Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
- published: 09 Nov 2011
- views: 987
- author: czarmuzyki
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
- Order: Reorder
- Duration: 37:32
- Updated: 16 Apr 2013
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
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Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
- published: 12 Apr 2012
- views: 2994
- author: Nikolai Posnjakow
Robert Schumann - Waldszenen (Op. 82) - Maria João Pires
- Order: Reorder
- Duration: 5:11
- Updated: 20 Apr 2013
Robert Schumann: Waldszenen (Op. 82) - Einsame Blumen, Verrufene Stelle - (Maria João Pires)
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Robert Schumann: Waldszenen (Op. 82) - Einsame Blumen, Verrufene Stelle - (Maria João Pires)
- published: 18 Oct 2009
- views: 7157
- author: nadaniente115a
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano
- Order: Reorder
- Duration: 12:33
- Updated: 26 Apr 2013
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano Ory Schneor - Flute Cameron Roberts - Piano Live recording from a concert in the Escuel...
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Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano Ory Schneor - Flute Cameron Roberts - Piano Live recording from a concert in the Escuel...
- published: 04 Nov 2011
- views: 9327
- author: OrySch
Robert Schumann - Traumerei / Reverie
- Order: Reorder
- Duration: 2:25
- Updated: 21 Apr 2013
Robert Schumann - "Traumerei/Reverie" played by Gionex.
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Robert Schumann - "Traumerei/Reverie" played by Gionex.
- published: 03 Sep 2007
- views: 309015
- author: Alessio Negri Zingg
Arthur Rubinstein - Robert Schumann, Piano Concerto, Op. 54 - Allegro affettuoso (1)
- Order: Reorder
- Duration: 9:09
- Updated: 03 May 2013
(1) - (1) Allegro affettuoso.
http://wn.com/Arthur_Rubinstein_Robert_Schumann,_Piano_Concerto,_Op_54_Allegro_affettuoso_1
"Träumerei" Robert Schumann VIENNA 2010
- Order: Reorder
- Duration: 5:45
- Updated: 05 May 2013
Sommernachtskonzert 2010 Schloß Schönnbrunn , Träumerei aus "Kinderszenen", Franz Welser-Möst/Wiener Philharmoniker zum 200. Geburtstag von Robert Schumann.
http://wn.com/Träumerei_Robert_Schumann_VIENNA_2010
Sommernachtskonzert 2010 Schloß Schönnbrunn , Träumerei aus "Kinderszenen", Franz Welser-Möst/Wiener Philharmoniker zum 200. Geburtstag von Robert Schumann.
- published: 09 Jun 2010
- views: 44126
- author: 2111velvet
Robert Schumann (1810-1856): Piano Concerto in A Minor Op. 54
- Order: Reorder
- Duration: 32:21
- Updated: 01 May 2013
Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik.
http://wn.com/Robert_Schumann_1810-1856_Piano_Concerto_in_A_Minor_Op_54
Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik.
- published: 30 May 2012
- views: 2850
- author: agir3
Marzenie- Robert Schumann
- Order: Reorder
- Duration: 3:22
- Updated: 20 Apr 2013
Adolf Drescher fortepian.
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Schumann Kinderszenen Op 15 - Valentina Lisitsa
- Order: Reorder
- Duration: 9:09
- Updated: 15 Apr 2013
Schumann Kinderszenen Op 15 - Valentina Lisitsa Haskil Argerich Horowitz Bosendorfer.
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Schumann Kinderszenen Op 15 - Valentina Lisitsa Haskil Argerich Horowitz Bosendorfer.
- published: 09 Sep 2007
- views: 188317
- author: ValentinaLisitsa
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Robert SCHUMANN - Kinderszenen op. 15 - Chiara Bertoglio - Live recording
- Order: Reorder
- Duration: 17:45
- Updated: 24 Feb 2011
1. Von fremden Ländern und Menschen
2. Kuriose Geschichte
3. Haschemann
4. Bittendes Kind
5. Glückes genug
6. Wichtige Begebenheit
7. Träumerei
8. Am Kamin
9. Ritter vom Steckenpferd
10. Fast zu ernst
11. Fürchtenmachen
12. Kind im Einschlummern
13. Der Dichter spricht
http://wn.com/Robert_SCHUMANN_Kinderszenen_op_15_Chiara_Bertoglio_Live_recording
1. Von fremden Ländern und Menschen
2. Kuriose Geschichte
3. Haschemann
4. Bittendes Kind
5. Glückes genug
6. Wichtige Begebenheit
7. Träumerei
8. Am Kamin
9. Ritter vom Steckenpferd
10. Fast zu ernst
11. Fürchtenmachen
12. Kind im Einschlummern
13. Der Dichter spricht
- published: 24 Feb 2011
- views: 1356
Elly Ameling live sings Schumann's "Widmung"
- Order: Reorder
- Duration: 2:58
- Updated: 26 Apr 2013
Elly Ameling live sings Robert Schumann's "Widmung" from Myrthen op. 25, no.1 with Dalton Baldwin, piano. Recorded 1980.
http://wn.com/Elly_Ameling_live_sings_Schumann's_Widmung
Elly Ameling live sings Robert Schumann's "Widmung" from Myrthen op. 25, no.1 with Dalton Baldwin, piano. Recorded 1980.
- published: 20 Oct 2008
- views: 109729
- author: AmelingElly
Robert Schumann - Fantasiestücke Op. 73 (Zart und mit Ausdruck) - Ravinia live 2012
- Order: Reorder
- Duration: 3:27
- Updated: 09 Mar 2013
Robert Schumann - Fantasiestücke Op. 73 - Zart und mit Ausdruck Andrea Casarrubios, cello Einav Yarden, piano Bennett Gordon Hall, Ravinia Steans Music Insti...
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Robert Schumann - Fantasiestücke Op. 73 - Zart und mit Ausdruck Andrea Casarrubios, cello Einav Yarden, piano Bennett Gordon Hall, Ravinia Steans Music Insti...
- published: 19 Oct 2012
- views: 1123
- author: Norelaenaen
Robert Schumann - Dichterliebe - Live-Mitschnitt
- Order: Reorder
- Duration: 31:53
- Updated: 28 Apr 2013
live-Mitschnitt aus dem deutsch-japanischem Freundschaftskonzert am 16.3.2012 in Hiroshima mit Eilika Krishar, Sopran und Bernhard Wünsch, Klavier http://eil...
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live-Mitschnitt aus dem deutsch-japanischem Freundschaftskonzert am 16.3.2012 in Hiroshima mit Eilika Krishar, Sopran und Bernhard Wünsch, Klavier http://eil...
- published: 29 Apr 2012
- views: 1610
- author: EilikaKrisharSopran
Lang Lang. Schumann. Abegg-Variations. (Classical Piano)
- Order: Reorder
- Duration: 8:14
- Updated: 25 Apr 2013
Lang Lang playing Abegg Variations by Robert Schumann. Recorded Live at Carnegie Hall, New York on November 7th, 2003. All copyrights reserved to original/ri...
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Lang Lang playing Abegg Variations by Robert Schumann. Recorded Live at Carnegie Hall, New York on November 7th, 2003. All copyrights reserved to original/ri...
- published: 19 Feb 2010
- views: 8073
- author: Pianopod
Sheng Cai Plays Schumann's Carnival Op.9 - Part I (Live)
- Order: Reorder
- Duration: 11:08
- Updated: 28 Apr 2013
Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festival Piano Series, Recorded live 1. Preambule 2. Pierrot 3. Arlequin 4...
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Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festival Piano Series, Recorded live 1. Preambule 2. Pierrot 3. Arlequin 4...
- published: 31 Aug 2012
- views: 3790
- author: EraPianist
Robert Schumann - Widmung (live recording)
- Order: Reorder
- Duration: 2:56
- Updated: 19 Nov 2010
Robert Schumann - Widmung
Tenor: João Augusto Ó de Almeida
Piano: David Martins
Igreja de Santo Alexandre, 2010 (live recording)
Belém-Pa, Brazil.
http://wn.com/Robert_Schumann_Widmung_live_recording
Robert Schumann - Widmung
Tenor: João Augusto Ó de Almeida
Piano: David Martins
Igreja de Santo Alexandre, 2010 (live recording)
Belém-Pa, Brazil.
- published: 19 Nov 2010
- views: 2248
SVIATOSLAV RICHTER - ROBERT SCHUMANN - TOCCATA OP. 7 - RICHTER AT HIS BEST
- Order: Reorder
- Duration: 7:28
- Updated: 20 Apr 2013
Sviatoslav Richter live im Puschkin Museum Moskau - Die großen technischen und musikalischen Anforderungen meistert der große russische Pianist, trotz fortge...
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Sviatoslav Richter live im Puschkin Museum Moskau - Die großen technischen und musikalischen Anforderungen meistert der große russische Pianist, trotz fortge...
- published: 11 Sep 2010
- views: 5652
- author: berlinzerberus
Sheng Cai Plays Schumann's Carnival Op.9 - Part II (Live)
- Order: Reorder
- Duration: 8:51
- Updated: 28 Apr 2013
Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festival Piano Series, Recorded live 9. Sphinxes 10. Papillons 11. A.S.C.H...
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Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festival Piano Series, Recorded live 9. Sphinxes 10. Papillons 11. A.S.C.H...
- published: 31 Aug 2012
- views: 3322
- author: EraPianist
Robert SCHUMANN - Gesänge der Frühe op. 133 - Chiara Bertoglio - Live recording
- Order: Reorder
- Duration: 10:10
- Updated: 11 Dec 2012
Robert SCHUMANN - Gesänge der Frühe op. 133 - Chiara Bertoglio - Live recording 1. Satz: Im ruhigen Tempo 2. Satz: Belebt, nicht zu rasch 3. Satz: Lebhaft 4....
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Robert SCHUMANN - Gesänge der Frühe op. 133 - Chiara Bertoglio - Live recording 1. Satz: Im ruhigen Tempo 2. Satz: Belebt, nicht zu rasch 3. Satz: Lebhaft 4....
- published: 24 Feb 2011
- views: 1757
- author: Chiara Bertoglio
Robert SCHUMANN: Fantasie op. 17 - Chiara Bertoglio, live. Part 1/3
- Order: Reorder
- Duration: 11:22
- Updated: 24 Feb 2011
Robert SCHUMANN: Fantasie op. 17 - Chiara Bertoglio, live. Part 1/3
Durchaus fantastisch und leidenschaftlich vorzutragen; Im Legenden-Ton
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Robert SCHUMANN: Fantasie op. 17 - Chiara Bertoglio, live. Part 1/3
Durchaus fantastisch und leidenschaftlich vorzutragen; Im Legenden-Ton
- published: 24 Feb 2011
- views: 118
Robert Schumann: Träumerei - live aus dem Wiener Burgtheater
- Order: Reorder
- Duration: 2:50
- Updated: 11 Apr 2013
Musical Highlight of the live performance of Der Nachtschelm und das Siebenschwein from Wiener Burgtheater with Mario Schott-Zierotin (Double Bass), Georg Wa...
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Musical Highlight of the live performance of Der Nachtschelm und das Siebenschwein from Wiener Burgtheater with Mario Schott-Zierotin (Double Bass), Georg Wa...
- published: 01 Apr 2009
- views: 8824
- author: zierotin
Robert Schumann Papillons op. 2 pianista Andrea Bambace -live- Moncalieri (To)
- Order: Reorder
- Duration: 15:11
- Updated: 16 Nov 2012
Robert Schumann Papillons op. 2 pianista Andrea Bambace - Moncalieri (Torino) 1997.
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Robert Schumann Papillons op. 2 pianista Andrea Bambace - Moncalieri (Torino) 1997.
- published: 01 Oct 2011
- views: 105
- author: Andrea Bambace
Robert Schumann Symphonic Etudes - Lera Auerbach, piano - Part 1
- Order: Reorder
- Duration: 8:58
- Updated: 01 Apr 2013
Lera Auerbach performs Robert Schumann's Symphony Etudes live at the Kravis Center for the performing Arts.
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Lera Auerbach performs Robert Schumann's Symphony Etudes live at the Kravis Center for the performing Arts.
- published: 28 Aug 2009
- views: 15737
- author: MusikInk
Robert Schumann "Träumerei"
- Order: Reorder
- Duration: 3:05
- Updated: 03 Mar 2013
http://www.goebel-berggold.de/
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Schumann - Robert Casadesus (live 1960) Papillons op 2
- Order: Reorder
- Duration: 12:39
- Updated: 13 Apr 2013
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Liana Issakadze (Violine) - Robert Schumann, Violin-Sonate (live) - 2/2
- Order: Reorder
- Duration: 4:28
- Updated: 05 Sep 2010
Liana Issakadze spielt im Konzert Robert Schumann - Violinsonate in a-moll, Op. 105, 2. Satz. Allegretto
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Liana Issakadze spielt im Konzert Robert Schumann - Violinsonate in a-moll, Op. 105, 2. Satz. Allegretto
- published: 05 Sep 2010
- views: 635
Schumann - Symphony n°2 - BRSO - Leonard Bernstein (live recording)
- Order: Reorder
- Duration: 41:17
- Updated: 29 Apr 2013
Robert Schumann (1810 - 1856) - Symphony n°2 in C major opus 61 I. Sostenuto assai (00:00) - Allegro ma non troppo (03:41) II. Scherzo. Allegro vivace (12:26...
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Robert Schumann (1810 - 1856) - Symphony n°2 in C major opus 61 I. Sostenuto assai (00:00) - Allegro ma non troppo (03:41) II. Scherzo. Allegro vivace (12:26...
- published: 06 Mar 2013
- views: 297
- author: Tracotel .
Maria Gabryś & Marie Waldmannová live in concert; Robert Schumann
- Order: Reorder
- Duration: 9:48
- Updated: 04 Nov 2010
Fantasiestücke op. 73 für Klavier und Violoncello Zart und mit Ausdruck Lebhaft, leicht Rasch und mit Feuer Maria Gabryś (Klavier) & Marie Waldmannová (Violo...
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Fantasiestücke op. 73 für Klavier und Violoncello Zart und mit Ausdruck Lebhaft, leicht Rasch und mit Feuer Maria Gabryś (Klavier) & Marie Waldmannová (Violo...
- published: 18 Oct 2010
- views: 240
- author: Bela Böke
Robert Schumann - Mondnacht aus "Liederkreis"
- Order: Reorder
- Duration: 3:49
- Updated: 17 Apr 2013
Live-Mitschnitt eines Konzerts in Tokyo vom 16.6.2012 Robert Schumann - "Mondnacht" aus "Liederkreis" Eilika Krishar - Sopran und Bernhard Wünsch, Klavier li...
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Live-Mitschnitt eines Konzerts in Tokyo vom 16.6.2012 Robert Schumann - "Mondnacht" aus "Liederkreis" Eilika Krishar - Sopran und Bernhard Wünsch, Klavier li...
- published: 29 Jun 2012
- views: 584
- author: EilikaKrisharSopran
Schumann: Frauenliebe und -leben, part 1 - Régine Crespin, 1971 live
- Order: Reorder
- Duration: 11:47
- Updated: 09 Mar 2013
Frauenliebe und -leben, Op. 42, part 1 Robert Schumann (1840) Régine Crespin with Janine Reiss, 1971, Buenos Aires ----- Lyrics (Adelbert von Chamisso) -----...
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Frauenliebe und -leben, Op. 42, part 1 Robert Schumann (1840) Régine Crespin with Janine Reiss, 1971, Buenos Aires ----- Lyrics (Adelbert von Chamisso) -----...
- published: 01 Oct 2010
- views: 4904
- author: Operalala
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
- Order: Reorder
- Duration: 37:32
- Updated: 16 Apr 2013
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
http://wn.com/Nikolai_Posnjakow_spielt_Robert_Schumann_Kreisleriana_op_16
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
- published: 12 Apr 2012
- views: 2994
- author: Nikolai Posnjakow
Martin Stadtfeld Robert Schumann Bunte blatter op 99 live 2007 piano
- Order: Reorder
- Duration: 35:06
- Updated: 24 Feb 2013
Martin Stadtfeld, Piano Robert Schumann Bunte blatter op99 live 2007.
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Martin Stadtfeld, Piano Robert Schumann Bunte blatter op99 live 2007.
- published: 15 Feb 2011
- views: 7966
- author: Esmeraldaviolin
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Robert Schumann, Fantasie in C op.17 (complete). Mehmet Okonsar, piano
- Order: Reorder
- Duration: 31:06
- Updated: 23 Apr 2013
Dear friends! First thank you for so much views and nice comments. This video has a failure and it goes black towards the end for some time then it resumes b...
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Dear friends! First thank you for so much views and nice comments. This video has a failure and it goes black towards the end for some time then it resumes b...
- published: 20 Dec 2011
- views: 12188
- author: Mehmet Okonsar
Robert Schumann: Piano Quintett in E flat major Op.44
- Order: Reorder
- Duration: 30:08
- Updated: 21 Jan 2013
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
http://wn.com/Robert_Schumann_Piano_Quintett_in_E_flat_major_Op44
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
- published: 24 Jan 2012
- views: 3801
- author: Kris9kris
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
- Order: Reorder
- Duration: 32:17
- Updated: 05 May 2013
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
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ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
- published: 13 Jun 2012
- views: 5612
- author: Carlos Garcia
Schumann Pianoconcert - Nelson Freire, piano
- Order: Reorder
- Duration: 34:22
- Updated: 06 May 2013
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
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Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
- published: 29 Nov 2011
- views: 93755
- author: avroklassiek
Robert Schumann: Cello Concerto op.129 - Mario Brunello
- Order: Reorder
- Duration: 24:00
- Updated: 29 Apr 2013
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
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Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
- published: 22 Aug 2011
- views: 37908
- author: orso1149
Robert Schumann: Concerto per pianoforte e orchestra in la min. op. 54
- Order: Reorder
- Duration: 31:49
- Updated: 27 Apr 2013
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
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Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
- published: 08 Apr 2012
- views: 2967
- author: ChiaraOpalioPianist
Robert Schumann - Concerto pour piano en la mineur - Samson François
- Order: Reorder
- Duration: 30:29
- Updated: 24 Apr 2013
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
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Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
- published: 06 Jan 2012
- views: 14465
- author: gfdsab
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & LSO
- Order: Reorder
- Duration: 26:51
- Updated: 18 Apr 2013
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
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Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
- published: 09 Nov 2011
- views: 987
- author: czarmuzyki
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
- Order: Reorder
- Duration: 37:32
- Updated: 16 Apr 2013
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
http://wn.com/Nikolai_Posnjakow_spielt_Robert_Schumann_Kreisleriana_op_16
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
- published: 12 Apr 2012
- views: 2994
- author: Nikolai Posnjakow
Robert Schumann (1810-1856): Piano Concerto in A Minor Op. 54
- Order: Reorder
- Duration: 32:21
- Updated: 01 May 2013
Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik.
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Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik.
- published: 30 May 2012
- views: 2850
- author: agir3
Robert Schumann Symphony No 1 B flat major Spring Frühlingssinfonie David Zinman Tonhalle Zurich
- Order: Reorder
- Duration: 30:55
- Updated: 01 May 2013
http://wn.com/Robert_Schumann_Symphony_No_1_B_flat_major_Spring_Frühlingssinfonie_David_Zinman_Tonhalle_Zurich
Robert Schumann Carnaval -- Myra Hess 1938, complete
- Order: Reorder
- Duration: 26:56
- Updated: 19 Apr 2013
Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834-1835, and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four No...
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Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834-1835, and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four No...
- published: 23 Mar 2012
- views: 4258
- author: pianopera
Robert Schumann Piano Concerto -- Myra Hess/Rudolf Schwarz/Philharmonia Orchestra
- Order: Reorder
- Duration: 33:14
- Updated: 09 Mar 2013
Robert Schumann (1810-1856) Piano Concerto in A minor opus 54 1. Allegro affettuoso 2. Intermezzo. Andantino grazioso -- 15:54 3. Allegro vivace 21:33 Myra H...
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Robert Schumann (1810-1856) Piano Concerto in A minor opus 54 1. Allegro affettuoso 2. Intermezzo. Andantino grazioso -- 15:54 3. Allegro vivace 21:33 Myra H...
- published: 01 Jul 2012
- views: 1149
- author: pianopera
Robert Schumann Symphony No 2 C major David Zinman Tonhalle Zurich
- Order: Reorder
- Duration: 36:56
- Updated: 06 May 2013
http://wn.com/Robert_Schumann_Symphony_No_2_C_major_David_Zinman_Tonhalle_Zurich
Robert Schumann - Kreisleriana opus 16 - Vladimir Horowitz
- Order: Reorder
- Duration: 29:41
- Updated: 30 Apr 2013
Robert Schumann Kreisleriana opus 16 Vladimir Horowitz (1969) 1. Äußerst bewegt 00:00 2. Sehr innig und nicht zu rasch 2:34 3. Sehr aufgeregt 9:36 4. Sehr la...
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Robert Schumann Kreisleriana opus 16 Vladimir Horowitz (1969) 1. Äußerst bewegt 00:00 2. Sehr innig und nicht zu rasch 2:34 3. Sehr aufgeregt 9:36 4. Sehr la...
- published: 11 Mar 2012
- views: 18368
- author: gfdsab
Schumann : Symphony No. 1 in B flat major, Op. 38 "Spring"
- Order: Reorder
- Duration: 31:42
- Updated: 05 May 2013
Schumann : Symphony No. 1 in B flat major, Op. 38 "Spring" Ernest Ansermet (Conductor) Orchestre de la Suisse Romande (Rec.1951) Public Domain.
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Schumann : Symphony No. 1 in B flat major, Op. 38 "Spring" Ernest Ansermet (Conductor) Orchestre de la Suisse Romande (Rec.1951) Public Domain.
- published: 13 Jul 2012
- views: 3719
- author: RichardHilo
Robert Schumann - Cello Concerto in A minor, Op. 129 (cello - Jakub Otčenášek)
- Order: Reorder
- Duration: 25:26
- Updated: 17 Apr 2013
graduate concert - 10. 5. 2012, Prague Conservatory cello - Jakub Otčenášek conductor - Miriam Němcová Prague Conservatory Orchestra I. Nicht zu schnell II. ...
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graduate concert - 10. 5. 2012, Prague Conservatory cello - Jakub Otčenášek conductor - Miriam Němcová Prague Conservatory Orchestra I. Nicht zu schnell II. ...
- published: 24 May 2012
- views: 743
- author: Jakub Otčenášek
Schumann: Symphony No.2 - Gardiner/RCO(2010Live)
- Order: Reorder
- Duration: 38:21
- Updated: 04 May 2013
Robert Schumann (1810-1856) Symphony No.2 in C major, op.61 John Eliot Gardiner Royal Concertgebouw Orchestra Concertgebouw, Amsterdam, 7 3/2010.
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Robert Schumann (1810-1856) Symphony No.2 in C major, op.61 John Eliot Gardiner Royal Concertgebouw Orchestra Concertgebouw, Amsterdam, 7 3/2010.
- published: 04 Nov 2011
- views: 20648
- author: magischmeisjeorkest
Robert Schumann: Derde symfonie in Es-groot, op.97, 'Rheinische'
- Order: Reorder
- Duration: 33:06
- Updated: 18 Apr 2013
Meer klassiek op http://klassiek.avro.nl 11 december 2011, Grote Zaal van het Concertgebouw Amsterdam. Robert Schumann: Symphony no.3, op.97, 'Rheinische'. R...
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Meer klassiek op http://klassiek.avro.nl 11 december 2011, Grote Zaal van het Concertgebouw Amsterdam. Robert Schumann: Symphony no.3, op.97, 'Rheinische'. R...
- published: 11 Dec 2011
- views: 10538
- author: avroklassiek
Robert Schumann - Piano Concerto in A minor, Op. 54
- Order: Reorder
- Duration: 32:59
- Updated: 16 Apr 2013
Robert Schumann (1810-1857), Deutschland / Allemagne - Piano Concerto in A minor, Op. 54 (Allegro affetuoso; Intermezzo; Andantino grazzioso; Allegro vivace)...
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Robert Schumann (1810-1857), Deutschland / Allemagne - Piano Concerto in A minor, Op. 54 (Allegro affetuoso; Intermezzo; Andantino grazzioso; Allegro vivace)...
- published: 21 Jul 2012
- views: 2111
- author: miljkmi
Robert Schumann Symphony No 3 E flat major Rhenish Rheinische Sinfonie David Zinman Tonhalle Zurich
- Order: Reorder
- Duration: 31:20
- Updated: 01 May 2013
http://wn.com/Robert_Schumann_Symphony_No_3_E_flat_major_Rhenish_Rheinische_Sinfonie_David_Zinman_Tonhalle_Zurich
Robert Schumann Symphonic Studies (Etudes Symphoniques) op.13 (complete) Mehmet Okonsar,piano
- Order: Reorder
- Duration: 26:27
- Updated: 23 Mar 2013
Happy to get you here! In this channel, as an independent musician, I present all my recordings, the videos are actual recordings from the CD-recording sessi...
http://wn.com/Robert_Schumann_Symphonic_Studies_Etudes_Symphoniques_op13_complete_Mehmet_Okonsar,piano
Happy to get you here! In this channel, as an independent musician, I present all my recordings, the videos are actual recordings from the CD-recording sessi...
- published: 20 Dec 2011
- views: 8677
- author: Mehmet Okonsar
Clara & Robert Schumann - Lieder - Bonney - Ashkenazy
- Order: Reorder
- Duration: 71:55
- Updated: 04 May 2013
Barbara Bonney (soprano) & Vladimir Ashkenazy (piano) dans un des plus beaux enregistrement de lieders de Robert & Clara Schumann Robert Schumann Myrthen op....
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Barbara Bonney (soprano) & Vladimir Ashkenazy (piano) dans un des plus beaux enregistrement de lieders de Robert & Clara Schumann Robert Schumann Myrthen op....
- published: 10 Nov 2012
- views: 3090
- author: Geoffroy de Longuemar
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Robert Schumann - Traumerei
- Order: Reorder
- Duration: 3:01
- Updated: 06 May 2013
Title : Robert Schumann , Traumerei Date : 1838.
http://wn.com/Robert_Schumann_Traumerei
Title : Robert Schumann , Traumerei Date : 1838.
- published: 21 Jun 2008
- views: 68158
- author: ClassicalMusicOnly
Robert Schumann: Piano Quintett in E flat major Op.44
- Order: Reorder
- Duration: 30:08
- Updated: 21 Jan 2013
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
http://wn.com/Robert_Schumann_Piano_Quintett_in_E_flat_major_Op44
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
- published: 24 Jan 2012
- views: 3801
- author: Kris9kris
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
- Order: Reorder
- Duration: 32:17
- Updated: 05 May 2013
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
http://wn.com/ROBERT_SCHUMANN_1810-1856-Sinfonia_Nº_3_en_Mi_bemol_Op97_Rhénane
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
- published: 13 Jun 2012
- views: 5612
- author: Carlos Garcia
Schumann Pianoconcert - Nelson Freire, piano
- Order: Reorder
- Duration: 34:22
- Updated: 06 May 2013
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
http://wn.com/Schumann_Pianoconcert_Nelson_Freire,_piano
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
- published: 29 Nov 2011
- views: 93755
- author: avroklassiek
SCHUMANN: Symphony No. 4 in D Minor, Op. 120
- Order: Reorder
- Duration: 5:21
- Updated: 26 Apr 2013
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube....
http://wn.com/SCHUMANN_Symphony_No_4_in_D_Minor,_Op_120
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube....
- published: 04 Sep 2007
- views: 264272
- author: andrewgrummanJC
Robert Schumann: Cello Concerto op.129 - Mario Brunello
- Order: Reorder
- Duration: 24:00
- Updated: 29 Apr 2013
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
http://wn.com/Robert_Schumann_Cello_Concerto_op129_Mario_Brunello
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
- published: 22 Aug 2011
- views: 37908
- author: orso1149
Robert Schumann: Concerto per pianoforte e orchestra in la min. op. 54
- Order: Reorder
- Duration: 31:49
- Updated: 27 Apr 2013
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
http://wn.com/Robert_Schumann_Concerto_per_pianoforte_e_orchestra_in_la_min_op_54
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
- published: 08 Apr 2012
- views: 2967
- author: ChiaraOpalioPianist
Robert Schumann Symphonic Studies (Etudes Symphoniques) op.13 (complete) Mehmet Okonsar,piano
- Order: Reorder
- Duration: 26:27
- Updated: 23 Mar 2013
Happy to get you here! In this channel, as an independent musician, I present all my recordings, the videos are actual recordings from the CD-recording sessi...
http://wn.com/Robert_Schumann_Symphonic_Studies_Etudes_Symphoniques_op13_complete_Mehmet_Okonsar,piano
Happy to get you here! In this channel, as an independent musician, I present all my recordings, the videos are actual recordings from the CD-recording sessi...
- published: 20 Dec 2011
- views: 8677
- author: Mehmet Okonsar
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & LSO
- Order: Reorder
- Duration: 26:51
- Updated: 18 Apr 2013
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
http://wn.com/Robert_Schumann,_Koncert_na_Fortepian_i_Orkiestrę_a-moll_Op54_Alfred_Brendel_LSO
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
- published: 09 Nov 2011
- views: 987
- author: czarmuzyki
Robert Schumann - Concerto pour piano en la mineur - Samson François
- Order: Reorder
- Duration: 30:29
- Updated: 24 Apr 2013
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
http://wn.com/Robert_Schumann_Concerto_pour_piano_en_la_mineur_Samson_François
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
- published: 06 Jan 2012
- views: 14465
- author: gfdsab
Robert Schumann: Kreisleriana Op. 16 n° 2
- Order: Reorder
- Duration: 7:01
- Updated: 30 Apr 2013
Kreisleriana, an early work of Robert Schumann, is an eight-movement piece for solo piano, entitled Phantasien für das Pianoforte. It is his opus 16, written...
http://wn.com/Robert_Schumann_Kreisleriana_Op_16_n°_2
Kreisleriana, an early work of Robert Schumann, is an eight-movement piece for solo piano, entitled Phantasien für das Pianoforte. It is his opus 16, written...
- published: 02 Jun 2009
- views: 17119
- author: micrologus2
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
- Order: Reorder
- Duration: 37:32
- Updated: 16 Apr 2013
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
http://wn.com/Nikolai_Posnjakow_spielt_Robert_Schumann_Kreisleriana_op_16
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
- published: 12 Apr 2012
- views: 2994
- author: Nikolai Posnjakow
Träumerei von Robert Schumann
- Order: Reorder
- Duration: 2:41
- Updated: 05 May 2013
"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspannen und Genießen... Bilder & Film: Britta ... für die Lebenslilie ht...
http://wn.com/Träumerei_von_Robert_Schumann
"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspannen und Genießen... Bilder & Film: Britta ... für die Lebenslilie ht...
- published: 19 Apr 2011
- views: 87442
- author: Lebenslilie
Robert Schumann ~ Manfred Ouverture
- Order: Reorder
- Duration: 12:15
- Updated: 28 Feb 2013
http://wn.com/Robert_Schumann_~_Manfred_Ouverture
Robert Schumann Manfred-Ouvertüre op.115
- Order: Reorder
- Duration: 11:18
- Updated: 11 Feb 2013
Christof Harr dirigiert das CJD Orchester am 15.10.2011 im KMS der Philharmonie Berlin.
http://wn.com/Robert_Schumann_Manfred-Ouvertüre_op115
Christof Harr dirigiert das CJD Orchester am 15.10.2011 im KMS der Philharmonie Berlin.
- published: 20 Nov 2011
- views: 3804
- author: Christof Harr
" Romance Violin " - Robert Schumann (Träumerei / Dreaming)
- Order: Reorder
- Duration: 2:55
- Updated: 07 May 2013
Some time ago a very dear friend wrote to me in view of Friendship on YouTube "I'm grateful for this Oasis of Loving Harmony". She couldn't have found better...
http://wn.com/_Romance_Violin_Robert_Schumann_Träumerei_Dreaming
Some time ago a very dear friend wrote to me in view of Friendship on YouTube "I'm grateful for this Oasis of Loving Harmony". She couldn't have found better...
- published: 12 Jun 2009
- views: 241262
- author: xyCuriosityxy
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano
- Order: Reorder
- Duration: 12:33
- Updated: 26 Apr 2013
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano Ory Schneor - Flute Cameron Roberts - Piano Live recording from a concert in the Escuel...
http://wn.com/Robert_Schumann_3_romances,_Op94_for_flute_oboe,violin_and_piano
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano Ory Schneor - Flute Cameron Roberts - Piano Live recording from a concert in the Escuel...
- published: 04 Nov 2011
- views: 9327
- author: OrySch
Papillon Op.2 by Robert Schuman
- Order: Reorder
- Duration: 9:42
- Updated: 28 Mar 2013
Shuyuan Tsai's performance of Papillon Op.2 by Robert Schumann.
http://wn.com/Papillon_Op2_by_Robert_Schuman
Shuyuan Tsai's performance of Papillon Op.2 by Robert Schumann.
- published: 29 Apr 2009
- views: 14760
- author: ShuyuanTsaiMusicBox
Horowitz plays SchumannTraumerei in Moscow
- Order: Reorder
- Duration: 2:29
- Updated: 07 May 2013
In April 1986 Horowitz hold a concert in Moscow. This "Traumerei" is given as encore. Enjoy!
http://wn.com/Horowitz_plays_SchumannTraumerei_in_Moscow
In April 1986 Horowitz hold a concert in Moscow. This "Traumerei" is given as encore. Enjoy!
- published: 07 Jun 2006
- views: 1016246
- author: volowitz
Piotr Anderszewski talks about Schumann
- Order: Reorder
- Duration: 11:11
- Updated: 24 Apr 2013
Piotr Anderszewski talks about Robert Schumann Studien für den pedalflügel Op. 56 Gesänge der frühe Op.133 http://www.anderszewski.net/
http://wn.com/Piotr_Anderszewski_talks_about_Schumann
Piotr Anderszewski talks about Robert Schumann Studien für den pedalflügel Op. 56 Gesänge der frühe Op.133 http://www.anderszewski.net/
- published: 29 Jan 2012
- views: 7820
- author: Nathaly Bloch
Arthur Rubinstein - Robert Schumann, Piano Concerto, Op. 54 - Allegro affettuoso (1)
- Order: Reorder
- Duration: 9:09
- Updated: 03 May 2013
(1) - (1) Allegro affettuoso.
http://wn.com/Arthur_Rubinstein_Robert_Schumann,_Piano_Concerto,_Op_54_Allegro_affettuoso_1
Jane Sutherland paintings Robert Schumann "Fantasiestücke op. 12"
- Order: Reorder
- Duration: 4:13
- Updated: 05 Apr 2013
Jane Sutherland (1853 -- 1928) artiste peintre née à New-York de parents écossais. La famille émigre en Australie en 1864. Elle a étudié à l'Ecole National G...
http://wn.com/Jane_Sutherland_paintings_Robert_Schumann_Fantasiestücke_op_12
Jane Sutherland (1853 -- 1928) artiste peintre née à New-York de parents écossais. La famille émigre en Australie en 1864. Elle a étudié à l'Ecole National G...
- published: 22 Nov 2012
- views: 252
- author: fanfanchatblanc
Robert Schumann (1810-1856): Piano Concerto in A Minor Op. 54
- Order: Reorder
- Duration: 32:21
- Updated: 01 May 2013
Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik.
http://wn.com/Robert_Schumann_1810-1856_Piano_Concerto_in_A_Minor_Op_54
Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik.
- published: 30 May 2012
- views: 2850
- author: agir3
17:45
Robert SCHUMANN - Kinderszenen op. 15 - Chiara Bertoglio - Live recording
1. Von fremden Ländern und Menschen
2. Kuriose Geschichte
3. Haschemann
4. Bitten...
published: 24 Feb 2011
Robert SCHUMANN - Kinderszenen op. 15 - Chiara Bertoglio - Live recording
1. Von fremden Ländern und Menschen
2. Kuriose Geschichte
3. Haschemann
4. Bittendes Kind
5. Glückes genug
6. Wichtige Begebenheit
7. Träumerei
8. Am Kamin
9. Ritter vom Steckenpferd
10. Fast zu ernst
11. Fürchtenmachen
12. Kind im Einschlummern
13. Der Dichter spricht
- published: 24 Feb 2011
- views: 1356
2:58
Elly Ameling live sings Schumann's "Widmung"
Elly Ameling live sings Robert Schumann's "Widmung" from Myrthen op. 25, no.1 with Dalton ...
published: 20 Oct 2008
author: AmelingElly
Elly Ameling live sings Schumann's "Widmung"
Elly Ameling live sings Robert Schumann's "Widmung" from Myrthen op. 25, no.1 with Dalton Baldwin, piano. Recorded 1980.
- published: 20 Oct 2008
- views: 109729
- author: AmelingElly
3:27
Robert Schumann - Fantasiestücke Op. 73 (Zart und mit Ausdruck) - Ravinia live 2012
Robert Schumann - Fantasiestücke Op. 73 - Zart und mit Ausdruck Andrea Casarrubios, cello ...
published: 19 Oct 2012
author: Norelaenaen
Robert Schumann - Fantasiestücke Op. 73 (Zart und mit Ausdruck) - Ravinia live 2012
Robert Schumann - Fantasiestücke Op. 73 - Zart und mit Ausdruck Andrea Casarrubios, cello Einav Yarden, piano Bennett Gordon Hall, Ravinia Steans Music Insti...
- published: 19 Oct 2012
- views: 1123
- author: Norelaenaen
31:53
Robert Schumann - Dichterliebe - Live-Mitschnitt
live-Mitschnitt aus dem deutsch-japanischem Freundschaftskonzert am 16.3.2012 in Hiroshima...
published: 29 Apr 2012
author: EilikaKrisharSopran
Robert Schumann - Dichterliebe - Live-Mitschnitt
live-Mitschnitt aus dem deutsch-japanischem Freundschaftskonzert am 16.3.2012 in Hiroshima mit Eilika Krishar, Sopran und Bernhard Wünsch, Klavier http://eil...
- published: 29 Apr 2012
- views: 1610
- author: EilikaKrisharSopran
8:14
Lang Lang. Schumann. Abegg-Variations. (Classical Piano)
Lang Lang playing Abegg Variations by Robert Schumann. Recorded Live at Carnegie Hall, New...
published: 19 Feb 2010
author: Pianopod
Lang Lang. Schumann. Abegg-Variations. (Classical Piano)
Lang Lang playing Abegg Variations by Robert Schumann. Recorded Live at Carnegie Hall, New York on November 7th, 2003. All copyrights reserved to original/ri...
- published: 19 Feb 2010
- views: 8073
- author: Pianopod
11:08
Sheng Cai Plays Schumann's Carnival Op.9 - Part I (Live)
Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festiva...
published: 31 Aug 2012
author: EraPianist
Sheng Cai Plays Schumann's Carnival Op.9 - Part I (Live)
Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festival Piano Series, Recorded live 1. Preambule 2. Pierrot 3. Arlequin 4...
- published: 31 Aug 2012
- views: 3790
- author: EraPianist
2:56
Robert Schumann - Widmung (live recording)
Robert Schumann - Widmung
Tenor: João Augusto Ó de Almeida
Piano: David Martins
Igreja ...
published: 19 Nov 2010
Robert Schumann - Widmung (live recording)
Robert Schumann - Widmung
Tenor: João Augusto Ó de Almeida
Piano: David Martins
Igreja de Santo Alexandre, 2010 (live recording)
Belém-Pa, Brazil.
- published: 19 Nov 2010
- views: 2248
7:28
SVIATOSLAV RICHTER - ROBERT SCHUMANN - TOCCATA OP. 7 - RICHTER AT HIS BEST
Sviatoslav Richter live im Puschkin Museum Moskau - Die großen technischen und musikalisch...
published: 11 Sep 2010
author: berlinzerberus
SVIATOSLAV RICHTER - ROBERT SCHUMANN - TOCCATA OP. 7 - RICHTER AT HIS BEST
Sviatoslav Richter live im Puschkin Museum Moskau - Die großen technischen und musikalischen Anforderungen meistert der große russische Pianist, trotz fortge...
- published: 11 Sep 2010
- views: 5652
- author: berlinzerberus
8:51
Sheng Cai Plays Schumann's Carnival Op.9 - Part II (Live)
Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festiva...
published: 31 Aug 2012
author: EraPianist
Sheng Cai Plays Schumann's Carnival Op.9 - Part II (Live)
Pianist Sheng Cai plays Robert Schumann's Carnival Op.9 at Stratford International Festival Piano Series, Recorded live 9. Sphinxes 10. Papillons 11. A.S.C.H...
- published: 31 Aug 2012
- views: 3322
- author: EraPianist
10:10
Robert SCHUMANN - Gesänge der Frühe op. 133 - Chiara Bertoglio - Live recording
Robert SCHUMANN - Gesänge der Frühe op. 133 - Chiara Bertoglio - Live recording 1. Satz: I...
published: 24 Feb 2011
author: Chiara Bertoglio
Robert SCHUMANN - Gesänge der Frühe op. 133 - Chiara Bertoglio - Live recording
Robert SCHUMANN - Gesänge der Frühe op. 133 - Chiara Bertoglio - Live recording 1. Satz: Im ruhigen Tempo 2. Satz: Belebt, nicht zu rasch 3. Satz: Lebhaft 4....
- published: 24 Feb 2011
- views: 1757
- author: Chiara Bertoglio
11:22
Robert SCHUMANN: Fantasie op. 17 - Chiara Bertoglio, live. Part 1/3
Robert SCHUMANN: Fantasie op. 17 - Chiara Bertoglio, live. Part 1/3
Durchaus fantastisch ...
published: 24 Feb 2011
Robert SCHUMANN: Fantasie op. 17 - Chiara Bertoglio, live. Part 1/3
Robert SCHUMANN: Fantasie op. 17 - Chiara Bertoglio, live. Part 1/3
Durchaus fantastisch und leidenschaftlich vorzutragen; Im Legenden-Ton
- published: 24 Feb 2011
- views: 118
2:50
Robert Schumann: Träumerei - live aus dem Wiener Burgtheater
Musical Highlight of the live performance of Der Nachtschelm und das Siebenschwein from Wi...
published: 01 Apr 2009
author: zierotin
Robert Schumann: Träumerei - live aus dem Wiener Burgtheater
Musical Highlight of the live performance of Der Nachtschelm und das Siebenschwein from Wiener Burgtheater with Mario Schott-Zierotin (Double Bass), Georg Wa...
- published: 01 Apr 2009
- views: 8824
- author: zierotin
15:11
Robert Schumann Papillons op. 2 pianista Andrea Bambace -live- Moncalieri (To)
Robert Schumann Papillons op. 2 pianista Andrea Bambace - Moncalieri (Torino) 1997....
published: 01 Oct 2011
author: Andrea Bambace
Robert Schumann Papillons op. 2 pianista Andrea Bambace -live- Moncalieri (To)
Robert Schumann Papillons op. 2 pianista Andrea Bambace - Moncalieri (Torino) 1997.
- published: 01 Oct 2011
- views: 105
- author: Andrea Bambace
8:58
Robert Schumann Symphonic Etudes - Lera Auerbach, piano - Part 1
Lera Auerbach performs Robert Schumann's Symphony Etudes live at the Kravis Center for the...
published: 28 Aug 2009
author: MusikInk
Robert Schumann Symphonic Etudes - Lera Auerbach, piano - Part 1
Lera Auerbach performs Robert Schumann's Symphony Etudes live at the Kravis Center for the performing Arts.
- published: 28 Aug 2009
- views: 15737
- author: MusikInk
Vimeo results:
2:24
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846 du Clavecin bien tempéré I
Elizab...
published: 23 Feb 2010
author: Thierry Naville
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846 du Clavecin bien tempéré I
Elizabeth Sombart fondatrice et présidente de la Fondation Résonnance, Morges (Suisse).
Site : http://www.resonnance.org
"Au-delà du talent même, ce qui m'a frappé chez Elizabeth Sombart, c'est une extraordinaire écoute des sons qui lui permet d'exprimer avec ses doigts l'essence même de la musique. Elle a l'art de faire vivre les oeuvres mortes"
(Sergiù Celibidache)
"Tout naît de l'écoute du son qui puise ses racines dans le silence du Principe. C'est pourquoi chaque interprète doit avant tout avoir fait voeu de silence, car les sons s'y inscrivent et non le contraire"
(Elizabeth Sombart)
Née à Strasbourg, Elizabeth Sombart commence l’étude du piano à 7 ans. Elle entre au Conservatoire de sa ville natale, et se produit pour la première fois en public à l’âge de 11 ans. Après avoir obtenu le Premier Prix National de piano et de musique de chambre à 16 ans, elle décide de quitter la France pour perfectionner son art à Buenos-Aires avec Bruno Leonardo Gelber et sa mère. Puis elle complète sa formation auprès de grands maîtres tels Peter Feuchtwanger à Londres, Hilde Langer-Rühl à Vienne où elle approfondit un travail sur l’utilisation de la respiration dans le jeu pianistique, et enfin Sergiù Celibidache à l’Université de Mayence où elle poursuit pendant 10 ans des études de phénoménologie musicale.
Elizabeth Sombart se produit dans le monde entier où les salles de concert les plus prestigieuses l’accueillent : Théâtre des Champs-Élysées à Paris, Carnegie Hall à New York, Wigmore Hall à Londres, Concertgebouw à Amsterdam, Suntory Hall à Tokyo. Elle joue en duo avec le violoniste Augustin Dumay et le flûtiste Patrick Gallois. Elle se produit notamment avec l’Orchestre National de Lille dirigé Jean-Claude Casadesus, et au Festival de Strasbourg sous la direction de Theodore Guschlbauer. Elle enregistre pour différents labels, de Quantum au fameux RCA Red Seal, et obtient le prix de l’Académie du Disque français.
Elizabeth Sombart est aussi régulièrement présente sur les plateaux de télévision. Jacques Chancel lui demande de participer en compagnie de Jacques Delors à son légendaire « Grand Echiquier », Eve Ruggieri l’invite pour un « Musique au Cœur », Jean-Philippe Rapp pour « Zig Zag Café » à la Télévision Suisse Romande, qui lui consacre également en 2003 une émission spéciale dans la série des Grands Entretiens. Le réalisateur suisse Peter Knapp réalise avec elle « Confidences pour piano de Bach à Bartòk », une anthologie de la musique classique en 50 émissions diffusées par FR3.
Elizabeth Sombart a publié aux Editions J.-C. Lattès « La musique au cœur de l’émerveillement » salué par Yehudi Menuhin comme « un livre très personnel qui révèle le trésor d’une expérience musicale qui n’a voulu choisir que les émotions et les pensées propices à l’élévation divine de l’existence humaine ».
Fondatrice et présidente de la Fondation Résonnance, depuis 20 ans Elizabeth Sombart se consacre très activement à la formation de nombreux pianistes à partir de la Pédagogie Résonnance qu'elle crée et dont est issu un ouvrage spécialisé dans l'étude de la phénoménologie du son et du geste. En 2007, elle crée le C.I.E.P.R.
Elizabeth Sombart est aussi une femme de cœur. La Fondation Résonnance qu’elle crée en France en 1988, en Suisse en 1998, au Liban en 2003 en Belgique en 2007, en Italie et en Espagne en 2008, offre gratuitement un enseignement du piano de haute qualité sans considération d’âge ou de nationalité et sans examens.
Elizabeth Sombart offre le plus souvent possible des concerts en faveur de causes humanitaires en Suisse et à l’étranger, par exemple en 2007 : Voix Libres, Maison de Père (Orphelines en Roumanie), Autisme Suisse, Association Alzheimer, SOS Haïti, en faveur du Bénin pour la construction d’école et de la bibliothèque, Association Maison de famille, etc.
En 2006 elle a été élevée par le Ministre français des Affaires Etrangères au rang de Chevalier de l’Ordre National du Mérite et en 2008 à celui de Chevalier des Arts et Lettres.
2007 a vu la sortie d’« Elizabeth Sombart, une musique aux couleurs de l’âme », portrait filmé par le journaliste et réalisateur suisse Serge Schmidt sous la caméra de Gérard Bruchez. Ce film a été diffusé par la chaîne thématique Mezzo, la Chaîne Parlementaire, ainsi que par la TSR (Télévision Suisse Romande), et à venir sur Arte.
2008 marque le dixième anniversaire de la Fondation Résonnance en Suisse. A cette occasion Elizabeth Sombart se produit en récital ou en concert à travers l’Europe, notamment à Rome, Londres, Barcelone (Salle Palau) et Paris (Salle Cortot). Elle partage aussi la scène avec les pianistes de la Fondation Résonnance pour une intégrale des concerti de
11:04
Robert Schumann Manfred Overture
Round Top Festival Institute - July 17, 2010 - Texas Festival Orchestra - Michael Guettler...
published: 24 Jul 2010
author: Alain G. Declert
Robert Schumann Manfred Overture
Round Top Festival Institute - July 17, 2010 - Texas Festival Orchestra - Michael Guettler, conductor.
2:05
Robert Schumann Original Score
Recording made for a project about Health & Safety in Britain. I had an original score of ...
published: 13 May 2010
author: Jack Llewellyn
Robert Schumann Original Score
Recording made for a project about Health & Safety in Britain. I had an original score of Robert Schumann's Intermezzo for solo piano and created a HSE censored score.
Youtube results:
3:05
Robert Schumann "Träumerei"
http://www.goebel-berggold.de/...
published: 31 Dec 2010
author: Dieter Goebel-Berggold
Robert Schumann "Träumerei"
http://www.goebel-berggold.de/
- published: 31 Dec 2010
- views: 2121
- author: Dieter Goebel-Berggold
12:39
Schumann - Robert Casadesus (live 1960) Papillons op 2
...
published: 13 Apr 2012
author: PhilippeLoTheEternal
Schumann - Robert Casadesus (live 1960) Papillons op 2
- published: 13 Apr 2012
- views: 272
- author: PhilippeLoTheEternal
4:28
Liana Issakadze (Violine) - Robert Schumann, Violin-Sonate (live) - 2/2
Liana Issakadze spielt im Konzert Robert Schumann - Violinsonate in a-moll, Op. 105, 2. Sa...
published: 05 Sep 2010
Liana Issakadze (Violine) - Robert Schumann, Violin-Sonate (live) - 2/2
Liana Issakadze spielt im Konzert Robert Schumann - Violinsonate in a-moll, Op. 105, 2. Satz. Allegretto
- published: 05 Sep 2010
- views: 635
41:17
Schumann - Symphony n°2 - BRSO - Leonard Bernstein (live recording)
Robert Schumann (1810 - 1856) - Symphony n°2 in C major opus 61 I. Sostenuto assai (00:00)...
published: 06 Mar 2013
author: Tracotel .
Schumann - Symphony n°2 - BRSO - Leonard Bernstein (live recording)
Robert Schumann (1810 - 1856) - Symphony n°2 in C major opus 61 I. Sostenuto assai (00:00) - Allegro ma non troppo (03:41) II. Scherzo. Allegro vivace (12:26...
- published: 06 Mar 2013
- views: 297
- author: Tracotel .
31:06
Robert Schumann, Fantasie in C op.17 (complete). Mehmet Okonsar, piano
Dear friends! First thank you for so much views and nice comments. This video has a failur...
published: 20 Dec 2011
author: Mehmet Okonsar
Robert Schumann, Fantasie in C op.17 (complete). Mehmet Okonsar, piano
Dear friends! First thank you for so much views and nice comments. This video has a failure and it goes black towards the end for some time then it resumes b...
- published: 20 Dec 2011
- views: 12188
- author: Mehmet Okonsar
30:08
Robert Schumann: Piano Quintett in E flat major Op.44
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly...
published: 24 Jan 2012
author: Kris9kris
Robert Schumann: Piano Quintett in E flat major Op.44
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
- published: 24 Jan 2012
- views: 3801
- author: Kris9kris
32:17
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. ...
published: 13 Jun 2012
author: Carlos Garcia
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
- published: 13 Jun 2012
- views: 5612
- author: Carlos Garcia
34:22
Schumann Pianoconcert - Nelson Freire, piano
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Pete...
published: 29 Nov 2011
author: avroklassiek
Schumann Pianoconcert - Nelson Freire, piano
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
- published: 29 Nov 2011
- views: 93755
- author: avroklassiek
24:00
Robert Schumann: Cello Concerto op.129 - Mario Brunello
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli c...
published: 22 Aug 2011
author: orso1149
Robert Schumann: Cello Concerto op.129 - Mario Brunello
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
- published: 22 Aug 2011
- views: 37908
- author: orso1149
31:49
Robert Schumann: Concerto per pianoforte e orchestra in la min. op. 54
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato ...
published: 08 Apr 2012
author: ChiaraOpalioPianist
Robert Schumann: Concerto per pianoforte e orchestra in la min. op. 54
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
- published: 08 Apr 2012
- views: 2967
- author: ChiaraOpalioPianist
30:29
Robert Schumann - Concerto pour piano en la mineur - Samson François
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - pi...
published: 06 Jan 2012
author: gfdsab
Robert Schumann - Concerto pour piano en la mineur - Samson François
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
- published: 06 Jan 2012
- views: 14465
- author: gfdsab
26:51
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & LSO
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London S...
published: 09 Nov 2011
author: czarmuzyki
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & LSO
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
- published: 09 Nov 2011
- views: 987
- author: czarmuzyki
37:32
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 1...
published: 12 Apr 2012
author: Nikolai Posnjakow
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
- published: 12 Apr 2012
- views: 2994
- author: Nikolai Posnjakow
32:21
Robert Schumann (1810-1856): Piano Concerto in A Minor Op. 54
Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik....
published: 30 May 2012
author: agir3
Robert Schumann (1810-1856): Piano Concerto in A Minor Op. 54
Geza Anda - Piano Berliner Philharmoniker Rafael Kubelik.
- published: 30 May 2012
- views: 2850
- author: agir3
30:55
Robert Schumann Symphony No 1 B flat major Spring Frühlingssinfonie David Zinman Tonhalle Zurich
...
published: 22 Jan 2013
author: HaydnHouse04Mar1887
Robert Schumann Symphony No 1 B flat major Spring Frühlingssinfonie David Zinman Tonhalle Zurich
- published: 22 Jan 2013
- views: 3468
- author: HaydnHouse04Mar1887
26:56
Robert Schumann Carnaval -- Myra Hess 1938, complete
Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834-1835, and su...
published: 23 Mar 2012
author: pianopera
Robert Schumann Carnaval -- Myra Hess 1938, complete
Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834-1835, and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four No...
- published: 23 Mar 2012
- views: 4258
- author: pianopera
33:14
Robert Schumann Piano Concerto -- Myra Hess/Rudolf Schwarz/Philharmonia Orchestra
Robert Schumann (1810-1856) Piano Concerto in A minor opus 54 1. Allegro affettuoso 2. Int...
published: 01 Jul 2012
author: pianopera
Robert Schumann Piano Concerto -- Myra Hess/Rudolf Schwarz/Philharmonia Orchestra
Robert Schumann (1810-1856) Piano Concerto in A minor opus 54 1. Allegro affettuoso 2. Intermezzo. Andantino grazioso -- 15:54 3. Allegro vivace 21:33 Myra H...
- published: 01 Jul 2012
- views: 1149
- author: pianopera
36:56
Robert Schumann Symphony No 2 C major David Zinman Tonhalle Zurich
...
published: 22 Jan 2013
author: HaydnHouse04Mar1887
Robert Schumann Symphony No 2 C major David Zinman Tonhalle Zurich
- published: 22 Jan 2013
- views: 3222
- author: HaydnHouse04Mar1887
Vimeo results:
2:24
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846 du Clavecin bien tempéré I
Elizab...
published: 23 Feb 2010
author: Thierry Naville
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846 du Clavecin bien tempéré I
Elizabeth Sombart fondatrice et présidente de la Fondation Résonnance, Morges (Suisse).
Site : http://www.resonnance.org
"Au-delà du talent même, ce qui m'a frappé chez Elizabeth Sombart, c'est une extraordinaire écoute des sons qui lui permet d'exprimer avec ses doigts l'essence même de la musique. Elle a l'art de faire vivre les oeuvres mortes"
(Sergiù Celibidache)
"Tout naît de l'écoute du son qui puise ses racines dans le silence du Principe. C'est pourquoi chaque interprète doit avant tout avoir fait voeu de silence, car les sons s'y inscrivent et non le contraire"
(Elizabeth Sombart)
Née à Strasbourg, Elizabeth Sombart commence l’étude du piano à 7 ans. Elle entre au Conservatoire de sa ville natale, et se produit pour la première fois en public à l’âge de 11 ans. Après avoir obtenu le Premier Prix National de piano et de musique de chambre à 16 ans, elle décide de quitter la France pour perfectionner son art à Buenos-Aires avec Bruno Leonardo Gelber et sa mère. Puis elle complète sa formation auprès de grands maîtres tels Peter Feuchtwanger à Londres, Hilde Langer-Rühl à Vienne où elle approfondit un travail sur l’utilisation de la respiration dans le jeu pianistique, et enfin Sergiù Celibidache à l’Université de Mayence où elle poursuit pendant 10 ans des études de phénoménologie musicale.
Elizabeth Sombart se produit dans le monde entier où les salles de concert les plus prestigieuses l’accueillent : Théâtre des Champs-Élysées à Paris, Carnegie Hall à New York, Wigmore Hall à Londres, Concertgebouw à Amsterdam, Suntory Hall à Tokyo. Elle joue en duo avec le violoniste Augustin Dumay et le flûtiste Patrick Gallois. Elle se produit notamment avec l’Orchestre National de Lille dirigé Jean-Claude Casadesus, et au Festival de Strasbourg sous la direction de Theodore Guschlbauer. Elle enregistre pour différents labels, de Quantum au fameux RCA Red Seal, et obtient le prix de l’Académie du Disque français.
Elizabeth Sombart est aussi régulièrement présente sur les plateaux de télévision. Jacques Chancel lui demande de participer en compagnie de Jacques Delors à son légendaire « Grand Echiquier », Eve Ruggieri l’invite pour un « Musique au Cœur », Jean-Philippe Rapp pour « Zig Zag Café » à la Télévision Suisse Romande, qui lui consacre également en 2003 une émission spéciale dans la série des Grands Entretiens. Le réalisateur suisse Peter Knapp réalise avec elle « Confidences pour piano de Bach à Bartòk », une anthologie de la musique classique en 50 émissions diffusées par FR3.
Elizabeth Sombart a publié aux Editions J.-C. Lattès « La musique au cœur de l’émerveillement » salué par Yehudi Menuhin comme « un livre très personnel qui révèle le trésor d’une expérience musicale qui n’a voulu choisir que les émotions et les pensées propices à l’élévation divine de l’existence humaine ».
Fondatrice et présidente de la Fondation Résonnance, depuis 20 ans Elizabeth Sombart se consacre très activement à la formation de nombreux pianistes à partir de la Pédagogie Résonnance qu'elle crée et dont est issu un ouvrage spécialisé dans l'étude de la phénoménologie du son et du geste. En 2007, elle crée le C.I.E.P.R.
Elizabeth Sombart est aussi une femme de cœur. La Fondation Résonnance qu’elle crée en France en 1988, en Suisse en 1998, au Liban en 2003 en Belgique en 2007, en Italie et en Espagne en 2008, offre gratuitement un enseignement du piano de haute qualité sans considération d’âge ou de nationalité et sans examens.
Elizabeth Sombart offre le plus souvent possible des concerts en faveur de causes humanitaires en Suisse et à l’étranger, par exemple en 2007 : Voix Libres, Maison de Père (Orphelines en Roumanie), Autisme Suisse, Association Alzheimer, SOS Haïti, en faveur du Bénin pour la construction d’école et de la bibliothèque, Association Maison de famille, etc.
En 2006 elle a été élevée par le Ministre français des Affaires Etrangères au rang de Chevalier de l’Ordre National du Mérite et en 2008 à celui de Chevalier des Arts et Lettres.
2007 a vu la sortie d’« Elizabeth Sombart, une musique aux couleurs de l’âme », portrait filmé par le journaliste et réalisateur suisse Serge Schmidt sous la caméra de Gérard Bruchez. Ce film a été diffusé par la chaîne thématique Mezzo, la Chaîne Parlementaire, ainsi que par la TSR (Télévision Suisse Romande), et à venir sur Arte.
2008 marque le dixième anniversaire de la Fondation Résonnance en Suisse. A cette occasion Elizabeth Sombart se produit en récital ou en concert à travers l’Europe, notamment à Rome, Londres, Barcelone (Salle Palau) et Paris (Salle Cortot). Elle partage aussi la scène avec les pianistes de la Fondation Résonnance pour une intégrale des concerti de
11:04
Robert Schumann Manfred Overture
Round Top Festival Institute - July 17, 2010 - Texas Festival Orchestra - Michael Guettler...
published: 24 Jul 2010
author: Alain G. Declert
Robert Schumann Manfred Overture
Round Top Festival Institute - July 17, 2010 - Texas Festival Orchestra - Michael Guettler, conductor.
2:05
Robert Schumann Original Score
Recording made for a project about Health & Safety in Britain. I had an original score of ...
published: 13 May 2010
author: Jack Llewellyn
Robert Schumann Original Score
Recording made for a project about Health & Safety in Britain. I had an original score of Robert Schumann's Intermezzo for solo piano and created a HSE censored score.
Youtube results:
29:41
Robert Schumann - Kreisleriana opus 16 - Vladimir Horowitz
Robert Schumann Kreisleriana opus 16 Vladimir Horowitz (1969) 1. Äußerst bewegt 00:00 2. S...
published: 11 Mar 2012
author: gfdsab
Robert Schumann - Kreisleriana opus 16 - Vladimir Horowitz
Robert Schumann Kreisleriana opus 16 Vladimir Horowitz (1969) 1. Äußerst bewegt 00:00 2. Sehr innig und nicht zu rasch 2:34 3. Sehr aufgeregt 9:36 4. Sehr la...
- published: 11 Mar 2012
- views: 18368
- author: gfdsab
31:42
Schumann : Symphony No. 1 in B flat major, Op. 38 "Spring"
Schumann : Symphony No. 1 in B flat major, Op. 38 "Spring" Ernest Ansermet (Conductor) Orc...
published: 13 Jul 2012
author: RichardHilo
Schumann : Symphony No. 1 in B flat major, Op. 38 "Spring"
Schumann : Symphony No. 1 in B flat major, Op. 38 "Spring" Ernest Ansermet (Conductor) Orchestre de la Suisse Romande (Rec.1951) Public Domain.
- published: 13 Jul 2012
- views: 3719
- author: RichardHilo
25:26
Robert Schumann - Cello Concerto in A minor, Op. 129 (cello - Jakub Otčenášek)
graduate concert - 10. 5. 2012, Prague Conservatory cello - Jakub Otčenášek conductor - Mi...
published: 24 May 2012
author: Jakub Otčenášek
Robert Schumann - Cello Concerto in A minor, Op. 129 (cello - Jakub Otčenášek)
graduate concert - 10. 5. 2012, Prague Conservatory cello - Jakub Otčenášek conductor - Miriam Němcová Prague Conservatory Orchestra I. Nicht zu schnell II. ...
- published: 24 May 2012
- views: 743
- author: Jakub Otčenášek
38:21
Schumann: Symphony No.2 - Gardiner/RCO(2010Live)
Robert Schumann (1810-1856) Symphony No.2 in C major, op.61 John Eliot Gardiner Royal Conc...
published: 04 Nov 2011
author: magischmeisjeorkest
Schumann: Symphony No.2 - Gardiner/RCO(2010Live)
Robert Schumann (1810-1856) Symphony No.2 in C major, op.61 John Eliot Gardiner Royal Concertgebouw Orchestra Concertgebouw, Amsterdam, 7 3/2010.
- published: 04 Nov 2011
- views: 20648
- author: magischmeisjeorkest
3:01
Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei Date : 1838....
published: 21 Jun 2008
author: ClassicalMusicOnly
Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei Date : 1838.
- published: 21 Jun 2008
- views: 68158
- author: ClassicalMusicOnly
30:08
Robert Schumann: Piano Quintett in E flat major Op.44
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly...
published: 24 Jan 2012
author: Kris9kris
Robert Schumann: Piano Quintett in E flat major Op.44
Played by the Takács Quartett and Zoltán Kocsis Takács Nagy Gábor 1. Violin Schranz Károly 2. Violin Ormai Gábor Viola Fejér András Cello Piano- Kocsis Zoltán.
- published: 24 Jan 2012
- views: 3801
- author: Kris9kris
32:17
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. ...
published: 13 Jun 2012
author: Carlos Garcia
ROBERT SCHUMANN.- 1810-1856.-Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane)
ROBERT SCHUMANN.- 1810-1856.- Sinfonia Nº 3 en Mi bemol Op.97 ( Rhénane) Lebhait Scherzo. Sehr mässig Nicht schnell Feierlich Lebhaft Orquestad de Cleveland ...
- published: 13 Jun 2012
- views: 5612
- author: Carlos Garcia
34:22
Schumann Pianoconcert - Nelson Freire, piano
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Pete...
published: 29 Nov 2011
author: avroklassiek
Schumann Pianoconcert - Nelson Freire, piano
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...
- published: 29 Nov 2011
- views: 93755
- author: avroklassiek
5:21
SCHUMANN: Symphony No. 4 in D Minor, Op. 120
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my P...
published: 04 Sep 2007
author: andrewgrummanJC
SCHUMANN: Symphony No. 4 in D Minor, Op. 120
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube....
- published: 04 Sep 2007
- views: 264272
- author: andrewgrummanJC
24:00
Robert Schumann: Cello Concerto op.129 - Mario Brunello
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli c...
published: 22 Aug 2011
author: orso1149
Robert Schumann: Cello Concerto op.129 - Mario Brunello
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...
- published: 22 Aug 2011
- views: 37908
- author: orso1149
31:49
Robert Schumann: Concerto per pianoforte e orchestra in la min. op. 54
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato ...
published: 08 Apr 2012
author: ChiaraOpalioPianist
Robert Schumann: Concerto per pianoforte e orchestra in la min. op. 54
Orchestra di Padova e del Veneto Pianoforte Chiara Opalio Direttore Maffeo Scarpis Sabato 4 febbraio 2012 - Auditorium Pollini di Padova.
- published: 08 Apr 2012
- views: 2967
- author: ChiaraOpalioPianist
26:27
Robert Schumann Symphonic Studies (Etudes Symphoniques) op.13 (complete) Mehmet Okonsar,piano
Happy to get you here! In this channel, as an independent musician, I present all my recor...
published: 20 Dec 2011
author: Mehmet Okonsar
Robert Schumann Symphonic Studies (Etudes Symphoniques) op.13 (complete) Mehmet Okonsar,piano
Happy to get you here! In this channel, as an independent musician, I present all my recordings, the videos are actual recordings from the CD-recording sessi...
- published: 20 Dec 2011
- views: 8677
- author: Mehmet Okonsar
26:51
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & LSO
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London S...
published: 09 Nov 2011
author: czarmuzyki
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & LSO
Robert Schumann, Koncert na Fortepian i Orkiestrę a-moll Op.54 - Alfred Brendel & London Symphony Orchestra, Claudio Abbado (c.). / Część pierwsza i trzecia ...
- published: 09 Nov 2011
- views: 987
- author: czarmuzyki
30:29
Robert Schumann - Concerto pour piano en la mineur - Samson François
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - pi...
published: 06 Jan 2012
author: gfdsab
Robert Schumann - Concerto pour piano en la mineur - Samson François
Robert Schumann Concerto pour piano et orchestre en la mineur opus 54 Samson François - piano Orchestre National de la Radiodiffusion Française Paul Kletzki ...
- published: 06 Jan 2012
- views: 14465
- author: gfdsab
7:01
Robert Schumann: Kreisleriana Op. 16 n° 2
Kreisleriana, an early work of Robert Schumann, is an eight-movement piece for solo piano,...
published: 02 Jun 2009
author: micrologus2
Robert Schumann: Kreisleriana Op. 16 n° 2
Kreisleriana, an early work of Robert Schumann, is an eight-movement piece for solo piano, entitled Phantasien für das Pianoforte. It is his opus 16, written...
- published: 02 Jun 2009
- views: 17119
- author: micrologus2
37:32
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 1...
published: 12 Apr 2012
author: Nikolai Posnjakow
Nikolai Posnjakow spielt Robert Schumann "Kreisleriana" op. 16
Robert Schumann (1810 - 1856) "Kreisleriana" op.16. Acht Fantasien für Klavier (1838) Am 15.März 1839 hat Schumann von Wien aus an Simonin de Sire über seine...
- published: 12 Apr 2012
- views: 2994
- author: Nikolai Posnjakow
2:41
Träumerei von Robert Schumann
"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspann...
published: 19 Apr 2011
author: Lebenslilie
Träumerei von Robert Schumann
"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspannen und Genießen... Bilder & Film: Britta ... für die Lebenslilie ht...
- published: 19 Apr 2011
- views: 87442
- author: Lebenslilie
12:15
Robert Schumann ~ Manfred Ouverture
...
published: 23 May 2011
author: Skuelander
Robert Schumann ~ Manfred Ouverture
- published: 23 May 2011
- views: 3854
- author: Skuelander
Vimeo results:
2:24
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846 du Clavecin bien tempéré I
Elizab...
published: 23 Feb 2010
author: Thierry Naville
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846
Elizabeth Sombart - Bach - Prélude en do majeur BWV 846 du Clavecin bien tempéré I
Elizabeth Sombart fondatrice et présidente de la Fondation Résonnance, Morges (Suisse).
Site : http://www.resonnance.org
"Au-delà du talent même, ce qui m'a frappé chez Elizabeth Sombart, c'est une extraordinaire écoute des sons qui lui permet d'exprimer avec ses doigts l'essence même de la musique. Elle a l'art de faire vivre les oeuvres mortes"
(Sergiù Celibidache)
"Tout naît de l'écoute du son qui puise ses racines dans le silence du Principe. C'est pourquoi chaque interprète doit avant tout avoir fait voeu de silence, car les sons s'y inscrivent et non le contraire"
(Elizabeth Sombart)
Née à Strasbourg, Elizabeth Sombart commence l’étude du piano à 7 ans. Elle entre au Conservatoire de sa ville natale, et se produit pour la première fois en public à l’âge de 11 ans. Après avoir obtenu le Premier Prix National de piano et de musique de chambre à 16 ans, elle décide de quitter la France pour perfectionner son art à Buenos-Aires avec Bruno Leonardo Gelber et sa mère. Puis elle complète sa formation auprès de grands maîtres tels Peter Feuchtwanger à Londres, Hilde Langer-Rühl à Vienne où elle approfondit un travail sur l’utilisation de la respiration dans le jeu pianistique, et enfin Sergiù Celibidache à l’Université de Mayence où elle poursuit pendant 10 ans des études de phénoménologie musicale.
Elizabeth Sombart se produit dans le monde entier où les salles de concert les plus prestigieuses l’accueillent : Théâtre des Champs-Élysées à Paris, Carnegie Hall à New York, Wigmore Hall à Londres, Concertgebouw à Amsterdam, Suntory Hall à Tokyo. Elle joue en duo avec le violoniste Augustin Dumay et le flûtiste Patrick Gallois. Elle se produit notamment avec l’Orchestre National de Lille dirigé Jean-Claude Casadesus, et au Festival de Strasbourg sous la direction de Theodore Guschlbauer. Elle enregistre pour différents labels, de Quantum au fameux RCA Red Seal, et obtient le prix de l’Académie du Disque français.
Elizabeth Sombart est aussi régulièrement présente sur les plateaux de télévision. Jacques Chancel lui demande de participer en compagnie de Jacques Delors à son légendaire « Grand Echiquier », Eve Ruggieri l’invite pour un « Musique au Cœur », Jean-Philippe Rapp pour « Zig Zag Café » à la Télévision Suisse Romande, qui lui consacre également en 2003 une émission spéciale dans la série des Grands Entretiens. Le réalisateur suisse Peter Knapp réalise avec elle « Confidences pour piano de Bach à Bartòk », une anthologie de la musique classique en 50 émissions diffusées par FR3.
Elizabeth Sombart a publié aux Editions J.-C. Lattès « La musique au cœur de l’émerveillement » salué par Yehudi Menuhin comme « un livre très personnel qui révèle le trésor d’une expérience musicale qui n’a voulu choisir que les émotions et les pensées propices à l’élévation divine de l’existence humaine ».
Fondatrice et présidente de la Fondation Résonnance, depuis 20 ans Elizabeth Sombart se consacre très activement à la formation de nombreux pianistes à partir de la Pédagogie Résonnance qu'elle crée et dont est issu un ouvrage spécialisé dans l'étude de la phénoménologie du son et du geste. En 2007, elle crée le C.I.E.P.R.
Elizabeth Sombart est aussi une femme de cœur. La Fondation Résonnance qu’elle crée en France en 1988, en Suisse en 1998, au Liban en 2003 en Belgique en 2007, en Italie et en Espagne en 2008, offre gratuitement un enseignement du piano de haute qualité sans considération d’âge ou de nationalité et sans examens.
Elizabeth Sombart offre le plus souvent possible des concerts en faveur de causes humanitaires en Suisse et à l’étranger, par exemple en 2007 : Voix Libres, Maison de Père (Orphelines en Roumanie), Autisme Suisse, Association Alzheimer, SOS Haïti, en faveur du Bénin pour la construction d’école et de la bibliothèque, Association Maison de famille, etc.
En 2006 elle a été élevée par le Ministre français des Affaires Etrangères au rang de Chevalier de l’Ordre National du Mérite et en 2008 à celui de Chevalier des Arts et Lettres.
2007 a vu la sortie d’« Elizabeth Sombart, une musique aux couleurs de l’âme », portrait filmé par le journaliste et réalisateur suisse Serge Schmidt sous la caméra de Gérard Bruchez. Ce film a été diffusé par la chaîne thématique Mezzo, la Chaîne Parlementaire, ainsi que par la TSR (Télévision Suisse Romande), et à venir sur Arte.
2008 marque le dixième anniversaire de la Fondation Résonnance en Suisse. A cette occasion Elizabeth Sombart se produit en récital ou en concert à travers l’Europe, notamment à Rome, Londres, Barcelone (Salle Palau) et Paris (Salle Cortot). Elle partage aussi la scène avec les pianistes de la Fondation Résonnance pour une intégrale des concerti de
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Robert Schumann Manfred Overture
Round Top Festival Institute - July 17, 2010 - Texas Festival Orchestra - Michael Guettler...
published: 24 Jul 2010
author: Alain G. Declert
Robert Schumann Manfred Overture
Round Top Festival Institute - July 17, 2010 - Texas Festival Orchestra - Michael Guettler, conductor.
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Robert Schumann Original Score
Recording made for a project about Health & Safety in Britain. I had an original score of ...
published: 13 May 2010
author: Jack Llewellyn
Robert Schumann Original Score
Recording made for a project about Health & Safety in Britain. I had an original score of Robert Schumann's Intermezzo for solo piano and created a HSE censored score.
Youtube results:
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Robert Schumann Manfred-Ouvertüre op.115
Christof Harr dirigiert das CJD Orchester am 15.10.2011 im KMS der Philharmonie Berlin....
published: 20 Nov 2011
author: Christof Harr
Robert Schumann Manfred-Ouvertüre op.115
Christof Harr dirigiert das CJD Orchester am 15.10.2011 im KMS der Philharmonie Berlin.
- published: 20 Nov 2011
- views: 3804
- author: Christof Harr
2:55
" Romance Violin " - Robert Schumann (Träumerei / Dreaming)
Some time ago a very dear friend wrote to me in view of Friendship on YouTube "I'm gratefu...
published: 12 Jun 2009
author: xyCuriosityxy
" Romance Violin " - Robert Schumann (Träumerei / Dreaming)
Some time ago a very dear friend wrote to me in view of Friendship on YouTube "I'm grateful for this Oasis of Loving Harmony". She couldn't have found better...
- published: 12 Jun 2009
- views: 241262
- author: xyCuriosityxy
12:33
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano Ory Schneor - Flute ...
published: 04 Nov 2011
author: OrySch
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano
Robert Schumann - 3 romances, Op.94 for flute (oboe,violin) and piano Ory Schneor - Flute Cameron Roberts - Piano Live recording from a concert in the Escuel...
- published: 04 Nov 2011
- views: 9327
- author: OrySch
9:42
Papillon Op.2 by Robert Schuman
Shuyuan Tsai's performance of Papillon Op.2 by Robert Schumann....
published: 29 Apr 2009
author: ShuyuanTsaiMusicBox
Papillon Op.2 by Robert Schuman
Shuyuan Tsai's performance of Papillon Op.2 by Robert Schumann.
- published: 29 Apr 2009
- views: 14760
- author: ShuyuanTsaiMusicBox
photo: AP / Family Handout courtesy WOIO-TV
08 May 2013
CLEVELAND - In the years after his friend's daughter vanished while walking home from school, Ariel Castro handed out fliers with the 14-year-old's photo and performed music at a fundraiser held in her honor. When neighbors gathered for a candlelight vigil just a year ago to remember the girl, Castro was there too, comforting the girl's mother ... He would not say who the father was ... The house was always locked, he said ... ....(size: 9.3Kb)
photo: AP / Julio Cortez
08 May 2013
Article by WN.com Correspondent Dallas Darling. "In America you have a right to be stupid-if you want to be. And you have a right to be disconnected to somebody else if you want to be." -Secretary of State John Kerry. It's hard not to become self-radicalized in the United States of America these days. Both Tamerlan and Dzhokhar Tsarnaev, the suspected Boston Marathon Bombers, internalized this harsh and deadly truth ... "Terrorista #1."...(size: 5.6Kb)
photo: AP / Yves Logghe
08 May 2013
. Share. 0. More than 30 suspects in a spectacular $50 million diamond heist have been rounded up in three countries and at least some of the precious stones have been recovered, Belgian and Swiss officials said today. The sweep operation started Tuesday with an arrest of a man in France and Swiss police arrested six other people said Anja Bijnens of the state prosecutor's office in Brussels ... The robbery was carried out on Feb ... ....(size: 4.5Kb)
photo: AP / Mark Duncan
07 May 2013
Amanda Berry, left, and Gina DeJesus right, both went missing as teens a decade ago. (Getty Images, APF / FBI). CLEVELAND — Three women who went missing separately about a decade ago, when they were in their teens or early 20s, had been tied up but were found alive Monday in a residential area just south of downtown, and three brothers were arrested, police said ... "Help me, I'm Amanda Berry ... I need police ... ... I'm Amanda Berry ... ....(size: 5.5Kb)
photo: AP / Francesco Pecoraro
08 May 2013
ROME (AP) — At least four people died after a cargo ship slammed into a control tower in the Italian port of Genoa, toppling it into the harbor, rescue officials said Wednesday. A half-dozen other people remained unaccounted for, including some feared trapped inside the submerged elevator of the control tower, officials said ... The crash occurred at around 11 p.m ... "The conditions were critical ... SpA Italian shipping line ... World news....(size: 2.3Kb)
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Business Wire
08 May 2013
Research explores impact of telecom infrastructure investments and corresponding improvements to Internet access and service . WASHINGTON & GENEVA--(BUSINESS WIRE)--The Internet Society today published a new study, ‘Lifting barriers to Internet development in Africa ... East Africa appears to offer best value, particularly for low-volume users who tend to have lower incomes,” commented one of the report’s authors, Robert Schumann ... ....(size: 7.9Kb)
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The Examiner
05 May 2013
In the area of opera, Richard Strauss is best known for his many collaborations with librettist Hugo von Hofmannsthal ... He approached Stefan Zweig to prepare a libretto ... Zweig was a celebrated author ... A new recording of this opera was released at the end of last month on the cpo label based on a production given by the Oper Chemnitz with vocalists, chorus, and the Robert-Schumann-Philharmonie all under the direction of Frank Beermann ... ......(size: 6.5Kb)
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The Washington Times
04 May 2013
Funnier still, the second movement seems also to draw lightly on a clever technique employed by Robert Schumann in his “Marche des ‘Davidsbündler” contre les Philistins” that concludes his solo piano composition Carnaval. Schumann’s “march” is actually in ¾ time, the tempo of a waltz....(size: 16.1Kb)
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The Examiner
02 May 2013
The final San Francisco Performances (SFP) Salon event of the season took place yesterday evening, as usual, at the Hotel Rex. The performer was originally announced as soprano Jessica Rivera, now in her third year of the SFP Artist Residency Program ... This was followed by “Seit ich ihn gesehen” (since I saw him), the poem by Adalbert von Chamisso that begins Robert Schumann’s Opus 42 Frauenliebe und Leben (woman’s love and life) ... Tweet....(size: 7.7Kb)
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noodls
01 May 2013
(Source. Northwestern State University of Louisiana). NATCHITOCHES - Saxophonist Joe Lulloff will be the featured artist at the Northwestern State University Saxophone Festival May 1-2. Lulloff will perform Thursday, May 2 at 5.30 p.m ... The program includes "Fantaisie" by Denis Bedard, "Fantasy Pieces" by Robert Schumann and transcribed by Lulloff, "L'histoire du tango" by Astor Piazzolla and "Konzertstuck" by Paul Hindemith ... (noodl....(size: 4.2Kb)
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The Examiner
30 Apr 2013
These were set in the retrospective context of Johann Sebastian Bach and the prospective context of Robert Schumann ... Instead, however, Fellner chose to conclude his recital with Schumann’s Opus 13 “Symphonic Studies.” This is a collection of twelve études, nine of which are structured as variations on an opening theme. When Schumann published this ......(size: 8.7Kb)
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The Saigon Times
28 Apr 2013
on Saturday, May 4. Audiences will be taken back in time to hear pieces by Orlando di Lasso, Johann Sebastian Bach, Felix Mendelssohn, Robert Schumann and Heinrich Kaminski ... The concert has free entrance. ....(size: 1.0Kb)
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The Independent
18 Apr 2013
Here are the listings of the BBC Proms season 2013 in full ... 4.Prom 6 ... Mozart, Schumann & Rachmaninov ... Robert Schumann - Concerto for Piano in A minor (30 mins) ... 6 No ... Mozart, Schumann & Sibelius ... Robert Schumann - Symphony No ... Robert Crawford and Fiona Stafford discuss how the Romantic movement linked Beethoven with the poetry of Scottish writers such as Burns, James Macpherson and Walter Scott.Prom 28 ... Robert Schumann - Symphony No....(size: 43.2Kb)
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The Examiner
18 Apr 2013
Each program will be structured around a specific theme as follows.. Program 1. MTT explores early Beethoven ... 384 opera, Die Entführung aus dem Serail) ... Beethoven was not yet a pupil of Joseph Haydn when he composed this cantata ... Location ... Program 2 ... The St ... This may be the first instance of the song cycle as a genre; and Robert Schumann claimed it as inspiration for his own song cycles (as well as his Opus 17 solo piano fantasy in C major)....(size: 12.0Kb)
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The Examiner
17 Apr 2013
Beattie and Nordwell performed Robert Schumann’s Opus 70, consisting of an Adagio and an Allegro movement originally scored for horn and piano. Schumann had directed that the horn could be replaced by violin or cello; but, when one considers the registers in which the horn is most suitable, the viola made for an excellent fit....(size: 7.0Kb)
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China Daily
16 Apr 2013
Inmates perform with orchestra as part of music outreach program. Strains of classical music echoed not inside a concert hall, but in a bleak Chicago jail where teenage boys await trial on charges ranging from drug dealing to murder ... It culminated in the concert on Sunday featuring compositions the inmates wrote in collaboration with the professionals ... He once performed Robert Schumann's Warum? - "why?" in German - in a Milan prison ... ....(size: 2.9Kb)
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The Examiner
15 Apr 2013
On April 14, audiences were treated to another of his musical discoveries, as they heard the US Premier of the Cello Sonata no.2, in C minor, written in the early 1930’s by the relatively unknown composer, Camillo Schumann (no relation to the famous Robert Schumann) ... Reder explained that Camillo Schumann’s output was extensive during his lifetime but his music and many manuscripts have either never been published and rarely performed....(size: 8.2Kb)
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WPXI
15 Apr 2013
Strains of classical music echoed — not inside a concert hall, but in a bleak Chicago jail where teenage boys await trial on charges ranging from drug dealing to murder ... The concert included half a dozen of the orchestra's members. But the center-stage performers were some 10 inmates who participated in a weeklong musical workshop ... ... He once performed Robert Schumann's "Warum?" — which means "why" in German — in a Milan prison ... ....(size: 2.8Kb)
This article is about the composer. For the French statesman and founding father of the European Union, see Robert Schuman.
Robert Schumann,[1] sometimes known as Robert Alexander Schumann,[2] (8 June 1810 – 29 July 1856) was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era. Schumann left the study of law to return to music, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Kinderszenen, Album für die Jugend, Blumenstück and Albumblätter are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
In 1840, against her father's wishes, Schumann married pianist Clara Wieck, daughter of his former teacher, the day before she legally came of age at 21. Had they waited one day, they would have no longer needed her father's consent, which had been the subject of a long and acrimonious legal battle, which found in favor of Clara and Robert. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father's fortune.
For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution, at his own request.
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Biography[link]
Early life[link]
Schumann was born in Zwickau, Saxony, the fifth and last child of the family.[3] Schumann began to compose before the age of seven, but his boyhood was spent in the cultivation of literature as much as music – undoubtedly influenced by his father, August Schumann, a bookseller, publisher, and novelist.[4]
Schumann began receiving general musical and piano instruction at the age of seven from Baccalaureus Kuntzsch, a teacher at the Zwickau high school. The boy immediately developed a love of music and worked at creating musical compositions himself, without the aid of Kuntzsch. Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age. The Universal Journal of Music 1850 supplement included a biographical sketch of Schumann that noted, "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody,—ay, he could sketch the different dispositions of his intimate friends by certain figures and passages on the piano so exactly and comically that every one burst into loud laughter at the similitude of the portrait." (W.J. von Wasielewski 17–19)
At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men. While still at school in Zwickau, he read the works of the German poet-philosophers Friedrich Schiller and Johann Wolfgang von Goethe, as well as Byron and the Greek tragedians. His most powerful and permanent literary inspiration was Jean Paul Friedrich Richter, known simply as Jean Paul, a German writer whose influence is seen in Schumann's youthful novels Juniusabende, completed in 1826, and Selene.
Schumann's interest in music was sparked by seeing a performance of Ignaz Moscheles playing at Karlsbad, and he later developed an interest in the works of Ludwig van Beethoven, Franz Schubert and Felix Mendelssohn. His father, who had encouraged the boy's musical aspirations, died in 1826 when Schumann was 16. Neither his mother nor his guardian thereafter encouraged a career in music. In 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 his law studies continued in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. (See also: Corps)
1830–34[link]
During Eastertide 1830 he heard the Italian violinist, violist, guitarist, and composer Niccolò Paganini play in Frankfurt. In July he wrote to his mother, "My whole life has been a struggle between Poetry and Prose, or call it Music and Law." By Christmas he was back in Leipzig, at age 20 taking piano lessons from his old master Frederich Wieck, who assured him that he would be a successful concert pianist after a few years' study with him.
During his studies with Wieck, Schumann permanently injured his right hand. One suggested cause of this injury is that he damaged his finger by the use of a mechanical device designed to strengthen the weakest fingers, a device which held back one finger while he exercised the others. Another suggestion is that the injury was a side-effect of syphilis medication. A more dramatic suggestion is that in an attempt to increase the independence of his fourth finger, he may have undergone a surgical procedure to separate the tendons of the fourth finger from those of the third. The cause of the injury is not known, but Schumann abandoned ideas of a concert career and devoted himself instead to composition. To this end he began a study of music theory under Heinrich Dorn, a German composer six years his senior and, at that time, conductor of the Leipzig opera. About this time Schumann considered composing an opera on the subject of Hamlet.
[edit] Papillons
The fusion of literary ideas with musical ones – known as Program Music – may be said to have first taken shape in Papillons, Op. 2 (Butterflies), a musical portrayal of events in Jean Paul's novel Die Flegeljahre. In a letter from Leipzig dated April 1832, Schumann bids his brothers "read the last scene in Jean Paul's Flegeljahre as soon as possible, because the Papillons are intended as a musical representation of that masquerade." This inspiration is foreshadowed to some extent in his first written criticism, an 1831 essay on Frédéric Chopin's variations on a theme from Mozart's Don Giovanni, published in the Allgemeine musikalische Zeitung. Here Chopin's work is discussed by imaginary characters created by Schumann himself: Florestan (the embodiment of Schumann's passionate, voluble side) and Eusebius (his dreamy, introspective side) – the counterparts of Vult and Walt in Flegeljahre. A third, Meister Raro, is called upon for his opinion. Raro may represent either the composer himself, Wieck's daughter Clara, or the combination of the two (Clara + Robert).
In the winter of 1832, Schumann, 22 at the time, visited relatives in Zwickau and Schneeberg, where he performed the first movement of his Symphony in G minor (without opus number, known as the "Zwickauer"). In Zwickau, the music was performed at a concert given by Clara Wieck, who was then just 13 years old. On this occasion Clara played bravura Variations by Henri Herz, a composer whom Schumann was already deriding as a philistine.[5] Schumann's mother said to Clara, "You must marry my Robert one day."[6] Although the Symphony in G minor was not published by Schumann during his lifetime, it has been played and recorded in recent times.
The 1833 deaths of Schumann's brother Julius and his sister-in-law Rosalie in a worldwide cholera epidemic brought on a severe depressive episode. The composer made his first apparent attempt at suicide.[citation needed]
[edit] Die neue Zeitschrift für Musik
By spring 1834, Schumann had sufficiently recovered to inaugurate Die Neue Zeitschrift für Musik (New Journal for Music), first published on 3 April 1834. Schumann published most of his critical writings in the Journal, and often lambasted the popular taste for flashy technical displays from figures whom Schumann perceived as inferior composers. Schumann campaigned to revive interest in major composers of the past, including Mozart, Beethoven and Weber, while he also promoted the work of some contemporary composers, including Chopin (about whom Schumann famously wrote, "Hats off, Gentlemen! A genius!")[7] and Hector Berlioz, whom he praised for creating music of substance. On the other hand, Schumann disparaged the school of Franz Liszt and Richard Wagner. Among Schumann's associates at this time were composers Norbert Burgmüller and Ludwig Schuncke (to whom Schumann's Toccata in C is dedicated).
Schumann's editorial duties during the summer of 1834 were interrupted by his relations with 16-year-old Ernestine von Fricken – the adopted daughter of a rich Bohemian-born noble – to whom he became engaged. Schumann broke off that engagement due to his growing attraction to 15-year-old Clara Wieck. They made mutual declarations of love in December in Zwickau, where Clara appeared in concert.
Having learned in August 1835 that Ernestine von Fricken was born illegitimate, which meant that she would have no dowry, and fearful that her limited means would force him to earn his living like a "day-labourer", Schumann made a complete break with her toward the end of the year. His budding romance with Clara was soon brought to an end when her father learned of their trysts during the Christmas holidays; he summarily forbade them further meetings and ordered all correspondence between them burnt.
[edit] Carnaval
Carnaval, Op. 9 (1834) is one of Schumann's most characteristic piano works. Schumann begins nearly every section of Carnaval with a musical cryptogram, the musical notes signified in German by the letters that spell Asch (A, E-flat, C, and B, or alternatively A-flat, C, and B; in German these are A, Es, C and H, and As, C and H respectively), the Bohemian town in which Ernestine was born, and the notes are also the musical letters in Schumann's own name. Schumann named sections for both Ernestine ("Estrella") and Clara ("Chiarina"). Eusebius and Florestan, the imaginary figures appearing so often in his critical writings, also appear, alongside brilliant imitations of Chopin and Paganini. The work comes to a close with a march of the Davidsbündler – the league of King David's men against the Philistines – in which may be heard the clear accents of truth in contest with the dull clamour of falsehood embodied in a quotation from the seventeenth century Grandfather's Dance. The march, a step nearly always in duple meter, is here in 3/4 time (triple meter). The work ends in joy and a degree of mock-triumph. In Carnaval, Schumann went further than in Papillons, by conceiving the story as well as the musical representation (and also displaying a maturation of compositional resource).
1835–39[link]
On 3 October 1835, Schumann met Felix Mendelssohn at Wieck's house in Leipzig, and his enthusiastic appreciation of that artist was shown with the same generous freedom that distinguished his acknowledgement of Chopin's greatness and most of his other colleagues, and which later prompted him to publicly pronounce the then-unknown Johannes Brahms a genius.
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Despite the opposition of Clara's father, she and Robert continued a clandestine relationship which matured into a full-blown romance. In 1837, he asked her father's consent to their marriage, but was refused. Wieck ridiculed his daughter's wish to "throw herself away on a penniless composer."[citation needed]
In the series of piano pieces Fantasiestücke, Op. 12, Schumann expresses the fusion of literary and musical ideas as embodied conceptions in such pieces as "Warum" and "In der Nacht". After he had written the latter of these two, he detected in the music the fanciful suggestion of a series of episodes from the myth of Hero and Leander. The collection begins, in "Des Abends", with a notable example of Schumann's predilection for rhythmic ambiguity, as unrelieved syncopation plays heavily against the time signature, (leading to a feeling of 3/8 in a movement marked 2/8) somewhat analogous to that of the first movement of Faschingsschwank aus Wien. After a fable – and the appropriately titled "Dream's Confusion" – the collection ends on an introspective note in the manner of Eusebius.[citation needed]
In 1837 Schumann published his Symphonic Studies, a complex set of étude-like variations written in 1834–1835, which demanded a finished piano technique. These variations were based on a theme by the adoptive father of Ernestine von Fricken. The work – described as "one of the peaks of the piano literature, lofty in conception and faultless in workmanship" [Hutcheson] – was dedicated to the young English composer William Sterndale Bennett for whom Schumann had had a high regard when they worked together in Leipzig.
The Davidsbündlertänze, Op.6, (also published in 1837 despite the low opus number) literally "Dances of the League of David", is an embodiment of the struggle between enlightened Romanticism and musical philistinism. Schumann credited the two sides of his character with the composition of the work (the more passionate numbers are signed F. (Florestan) and the more dreamy signed E. (Eusebius)). The work begins with the 'motto of C.W.' (Clara Wieck) denoting her support for the ideals of the Davidsbund The Bund was a work of Schumann's imagination, members of which were kindred spirits (as he saw them) such as Chopin, Paganini and Clara, as well as the personalized Florestan and Eusebius.
Kinderszenen, Op. 15, completed in 1838 and a favourite of Schumann's piano works, depicts the innocence and playfulness of childhood. The "Träumerei", No. 7 of the set, is one of the most famous piano pieces ever written, which has been performed in myriad forms and transcriptions. It has been the favourite encore of several great pianists, including Vladimir Horowitz. Melodic and deceptively simple, the piece has been described as "complex" in its harmonic structure.[8]
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Kreisleriana, Op. 16 (1838)
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Kreisleriana (1838), considered one of Schumann's greatest works, carried his fantasy and emotional range deeper. Johannes Kreisler was the fictional poet created by poet E. T. A. Hoffmann, and characterized as a "romantic brought into contact with reality". Schumann used the figure to express emotional states in music that is "fantastic and mad." According to Hutcheson ("The Literature of the Piano"), this work is "among the finest efforts of Schumann's genius. He never surpassed the searching beauty of the slow movements (Nos. 2, 4, 6) or the urgent passion of others (Nos. 1, 3, 5, 7)...To appreciate it a high level of aesthetic intelligence is required...This is no facile music, there is severity alike in its beauty and its passion."
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Fantasie C major, Op. 17 (1836, revised 1839)
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The Fantasie in C, Op. 17, composed in the summer of 1836, is a work of passion and deep pathos, imbued with the spirit of the late Beethoven. Schumann intended to use proceeds from sales of the work toward the construction of a monument to Beethoven (who had died in 1827). The first movement of the Fantasie contains a musical quote from Beethoven's song cycle, An die ferne Geliebte, Op. 98 (at the Adagio coda, taken from the last song of the cycle). The original titles of the movements were to be "Ruins", "Triumphal Arch" and "The Starry Crown". According to Liszt,[9] who played the work for Schumann, and to whom it was dedicated, the Fantasie was apt to be played too heavily, and should have a dreamier (träumerisch) character than vigorous German pianists tended to impart. Liszt also said, "It is a noble work, worthy of Beethoven, whose career, by the way, it is supposed to represent."[10] Again according to Hutcheson: "No words can describe the Phantasie, no quotations set forth the majesty of its genius. It must suffice to say that it is Schumann's greatest work in large form for piano solo."[citation needed]
After a visit to Vienna during which he discovered Franz Schubert's previously unknown Symphony No. 9 in C, in 1839 Schumann wrote the Faschingsschwank aus Wien (Carnival Prank from Vienna). Most of the joke is in the central section of the first movement, in which a thinly veiled reference is made to the "Marseillaise" (the song had been banned in Vienna due to harsh memories of Napoleon's invasion). The festive mood does not preclude moments of melancholic introspection in the Intermezzo.
After a long and acrimonious legal battle with her father, Schumann married Clara Wieck on 12 September 1840, at Schönefeld. They finally resolved the battle by waiting until she was of legal age and no longer subject to her father's consent for marriage. Their marriage proved a remarkable business partnership with Clara acting as an inspiration, critic, and confidant to her husband. Despite her delicate appearance, she was an extremely strong-willed and energetic woman who kept up a demanding schedule of concert tours in between bearing multiple children. Two years after they married, Friedrich Wieck at last reconciled with the couple, eager to see his grandchildren.
1840–49[link]
In the years 1832–1839, Schumann had written almost exclusively for the piano, but in 1840 alone he wrote 168 songs. Indeed 1840 (referred to as the Liederjahr or year of song) is highly significant in Schumann's musical legacy despite his earlier deriding of works for piano and voice as inferior.
Prior to the legal case and subsequent marriage, the lovers exchanged love letters and rendezvoused in secret. Robert would often wait in a cafe for hours in a nearby city just to see Clara for a few minutes after one of her concerts. The strain of this long courtship (they finally married in 1840), and of its consummation, led to this great outpouring of Lieder (vocal songs with piano accompaniment). This is evident in "Widmung", for example, where he uses the melody from Schubert's "Ave Maria" in the postlude—in homage to Clara. Schumann's biographers have attributed the sweetness, the doubt and the despair of these songs to the varying emotions aroused by his love for Clara and the uncertainties of their future together.
Robert and Clara had eight children, Emil (who died in infancy in 1847); Marie (1841–1929); Elise (1843–1928); Julie (1845–1872); Ludwig (1848–1899); Ferdinand (1849–1891); Eugenie (1851–1938); and Felix (1854–1879).
His chief song-cycles of this period were his settings of the Liederkreis of Joseph von Eichendorff, Op. 39 (depicting a series of moods relating to or inspired by nature); the Frauenliebe und -leben of Chamisso, Op. 42 (relating the tale of a woman's marriage, childbirth and widowhood); the Dichterliebe of Heine, Op. 48 (depicting a lover rejected, but coming to terms with his painful loss through renunciation and forgiveness); and Myrthen, a collection of songs, including poems by Goethe, Rückert, Heine, Byron, Burns and Moore. The songs Belsatzar, Op. 57 and Die beiden Grenadiere, Op. 49, both to Heine's words, show Schumann at his best as a ballad writer, although the dramatic ballad is less congenial to him than the introspective lyric. The Opp. 35, 40 and 98a sets (words by Justinus Kerner, Chamisso and Goethe respectively), although less well known, also contain songs of lyric and dramatic quality.
Franz Grillparzer said,
"He has made himself a new ideal world in which he moves almost as he wills."
Despite his achievements, Schumann received few tokens of honour; he was awarded a doctoral degree by the University of Jena in 1840, and in 1843 a professorship in the Conservatory of Music, which Felix Mendelssohn had founded in Leipzig that same year. On one occasion, accompanying his wife on a concert tour in Russia, Schumann was asked whether "he too was a musician". He often harbored considerable resentment over Clara's success as a pianist, which exceeded his own reputation as a composer (Schumann had had dreams of being a concert pianist himself, but his playing abilities were never as good as his wife's, possibly due to muscle damage in his hands from mercury treatment for syphilis).
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Andante and Variations, Op. 46 (1843)
Performed by Neal and Nancy O'Doan (pianos), Carter Enyeart and Toby Saks (cellos) and Christopher Leuba (horn) |
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In 1841 he wrote two of his four symphonies, No. 1 in B flat, Op. 38, "Spring" and No. 4 in D minor (first published in one movement, but later revised extensively and published as Op. 120 – a work that is a pioneering essay in 'cyclic form'). He devoted 1842 to composing chamber music, including the Piano Quintet in E flat, Op. 44, now one of his best known and most admired works; the Piano Quartet and three string quartets. In 1843 he wrote Paradise and the Peri, his first essay at concerted vocal music, an oratorio style work based on Lalla-Rookh by Thomas Moore. After this, his compositions were not confined to any one form during any particular period.
The stage in his life when he was deeply engaged in setting Goethe's Faust to music (1844–53) was a critical one for his health. He spent the first half of 1844 with Clara on tour in Russia. On returning to Germany, he abandoned his editorial work and left Leipzig for Dresden, where he suffered from persistent "nervous prostration". As soon as he began to work, he was seized with fits of shivering and an apprehension of death, experiencing an abhorrence for high places, for all metal instruments (even keys), and for drugs. Schumann's diaries also state that he suffered perpetually from imagining that he had the note A5 sounding in his ears.
His state of unease and neurasthenia is reflected in his Symphony in C, numbered second, but third in order of composition, in which the composer explores states of exhaustion, obsession and depression, culminating in Beethovenian spiritual triumph. Also published in 1845 was his Piano Concerto in A minor, Op. 54, originally published as a one-movement Fantasy for Piano and Orchestra. It is one of the most popular and oft-recorded of all piano concertos; pace Hutcheson "Schumann achieved a masterly work and we inherited the finest piano concerto since Mozart and Beethoven".
In 1846, he felt he had recovered. In the winter, the Schumanns revisited Vienna, traveling to Prague and Berlin in the spring of 1847 and in the summer to Zwickau, where he was received with enthusiasm. This pleased him, since at that time he was famous in only Dresden and Leipzig.
His only opera, Genoveva, Op. 81, was written in 1848. In it, Schumann attempted to abolish recitative, which he regarded as an interruption to the musical flow (an influence on Richard Wagner; Schumann's consistently flowing melody can be seen as a forerunner to Wagner's Melos). The subject of Genoveva—based on Ludwig Tieck and Christian Friedrich Hebbel—was not an ideal choice. The text is often considered to lack dramatic qualities; the work has not remained in the repertoire. As early as 1842 the possibilities of German opera had been keenly realized by Schumann, who wrote, "Do you know my prayer as an artist, night and morning? It is called 'German Opera.' Here is a real field for enterprise . . . something simple, profound, German." And in his notebook of suggestions for the text of operas are found amongst others: Nibelungen, Lohengrin and Till Eulenspiegel.
The music to Byron's Manfred was written in 1849, the overture of which is one of Schumann's most frequently performed orchestral works. The insurrection of Dresden caused Schumann to move to Kreischa, a little village a few miles outside the city. In August 1849, on the occasion of the hundredth anniversary of Goethe's birth, such scenes of Schumann's Faust as were already completed were performed in Dresden, Leipzig and Weimar. Liszt gave him assistance and encouragement. The rest of the work was written later in 1849, and the overture (which Schumann described as "one of the sturdiest of [his] creations") in 1853.
After 1850[link]
From 1850 to 1854, Schumann composed in a wide variety of genres. Critics have disputed the quality of his work at this time; a widely held view has been that his music showed signs of mental breakdown and creative decay. More recently, critics have suggested that the changes in style may be explained by "lucid experimentation".[11]
In 1850, Schumann succeeded Ferdinand Hiller as musical director at Düsseldorf, but he was a poor conductor and quickly aroused the opposition of the musicians. According to Schonberg (The Great Conductors) "The great composer was impossible on the platform...There is something heartrending about poor Schumann's epochal inefficiency as a conductor."[citation needed] His contract was eventually terminated. From 1851 to 1853 he visited Switzerland, Belgium and Leipzig. In 1851 he completed his Symphony No. 3, "Rhenish" (a work containing five movements and whose 4th movement is apparently intended to represent an episcopal coronation ceremony). He revised what would be published as his fourth symphony.
On 30 September 1853, the 20-year-old composer Johannes Brahms knocked unannounced on the door of the Schumanns carrying a letter of introduction from violinist Joseph Joachim. (Schumann was not at home, and would not meet Brahms until the next day.) Brahms amazed Clara and Robert with his music, stayed with them for several weeks, and became a close family friend. (He later worked closely with Clara to popularize Schumann's compositions during her long widowhood.)
During this time Schumann, Brahms and Schumann's pupil Albert Dietrich collaborated on the composition of the F-A-E Sonata for Joachim; Schumann also published an article, "Neue Bahnen" ("New Paths") in the Neue Zeitschrift (his first article in many years), hailing the unknown young Brahms from Hamburg, a man who had published nothing, as "the Chosen One" who "was destined to give ideal expression to the times."[12] It was an extraordinary way to present Brahms to the musical world, setting up great expectations which he did not fulfill for many years.[13] In January 1854, Schumann went to Hanover, where he heard a performance of his Paradise and the Peri organized by Joachim and Brahms. Two years later at Schumann's request, the work received its first English performance conducted by William Sterndale Bennett.
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Schumann returned to Düsseldorf and began to edit his complete works and make an anthology on the subject of music. He suffered a renewal of the symptoms that had threatened him earlier. Besides the single note (possibly evidence of tinnitus), he imagined that voices sounded in his ear and he heard angelic music. One night he suddenly left his bed, having dreamt or imagined that a ghost (purportedly the spirit of either Schubert or Mendelssohn) had dictated a "spirit theme" to him. The theme was one he had used several times before: in his Second String Quartet, again in his Lieder-Album für die Jugend, and finally in the slow movement of his Violin Concerto. In the days leading up to his suicide attempt, Schumann wrote five variations on this theme for the piano, his last published work.[14] Brahms published it in a supplementary volume to the complete edition of Schumann's piano music. In 1861 Brahms published his Variations for Piano Four Hands, Op. 23, based on this theme.
In late February 1854, Schumann's symptoms increased, the angelic visions sometimes being replaced by demonic visions. He warned Clara that he feared he might do her harm. On 27 February 1854, he attempted suicide by throwing himself from a bridge into the Rhine River. Rescued by boatmen and taken home, he asked to be taken to an asylum for the insane. He entered Dr. Franz Richarz's sanatorium in Endenich, a quarter of Bonn, and remained there until he died on 29 July 1856 at the age of 46. During his confinement, he was not allowed to see Clara. She finally visited him two days before his death. He appeared to recognize her, but was unable to speak.
Given his reported symptoms, one modern view is that his death was a result of syphilis, which he may have contracted during his student days, and which would have remained latent during most of his marriage.[15] According to studies by the musicologist and literary scholar Eric Sams, Schumann's symptoms during his terminal illness and death appear consistent with those of mercury poisoning, mercury being a common treatment for syphilis and other conditions. Another possibility is that his neurological problems were the result of an intracranial mass. A report by Janisch and Nauhaus on Schumann's autopsy indicates that he had a "gelatinous" tumor at the base of the brain; it may have represented a colloid cyst, a craniopharyngioma, a chordoma, or a chordoid meningioma.[16] In particular, meningiomas are known to produce musical auditory hallucinations, such as Schumann reported.[17] Still other sources surmise that Schumann had bipolar disorder, citing his mood swings and changes in productivity.[18][19][20]
From the time of her husband's death, Clara devoted herself to the performance and interpretation of her husband's works. In 1856, she first visited England, but the critics received Schumann's music coolly. Critics such as Henry Fothergill Chorley were particularly harsh in their disapproval. She returned to London in 1865 and made regular appearances there in later years. She became the authoritative editor of her husband's works for Breitkopf & Härtel. It was rumoured that she and Brahms destroyed many of Schumann's later works, which they thought to be tainted by his madness. However, only the Five Pieces for Cello and Piano are known to have been destroyed. Most of Schumann's late works, particularly the Violin Concerto, the Fantasy for Violin and Orchestra and the Third Violin Sonata, all from 1853, have entered the repertoire.
Legacy[link]
Schumann had considerable influence in the nineteenth century and beyond, despite his adoption of more conservative modes of composition after his marriage. He left an array of acclaimed music in virtually all the forms then known. Partly through his protégé Brahms, Schumann's ideals and musical vocabulary became widely disseminated. Composer Sir Edward Elgar called Schumann "my ideal."
Schumann has not often been confused with Austrian composer Franz Schubert, but one well-known example occurred in 1956, when East Germany issued a pair of postage stamps featuring Schumann's picture against an open score that featured Schubert's music. The stamps were soon replaced by a pair featuring music written by Schumann.
Compositions[link]
Fictional portrayals[link]
- Song of Love was a 1947 film starring Paul Henreid as Schumann, Katharine Hepburn as Clara Wieck, Robert Walker as Johannes Brahms and Henry Daniell as Franz Liszt.
- Peter Schamoni's 1983 movie Frühlingssinfonie (Spring Symphony) tells the story of Robert and Clara's romance, against her father's opposition. Robert was played by Herbert Grönemeyer, Clara by Nastassja Kinski, and Clara's father by Rolf Hoppe. The role of Niccolò Paganini was played by the violinist Gidon Kremer. The score was written by Grönemeyer and conducted by Wolfgang Sawallisch.
- The Andrew Crumey novel Mobius Dick has a chapter depicting Schumann at Endenich.
- Geliebte Clara was a 2008 film taking a look at the lives of 19th-century composers Clara and Robert Schumann.
Notes[link]
- ^ Daverio, Grove online. According to Daverio, there is no evidence of a middle name "Alexander" which is given in some sources.
- ^ Scholes, page 932.
- ^ Ostwald, page 11
- ^ Robert Schumann (1982). Konrad Wolff. ed. On Music and Musicians. University of California Press. ISBN 978-0-520-04685-6.
- ^ Robert Schumann, musical Journal
- ^ Berthold Litzmann 1910
- ^ Vladimir Ashkenazy's notes, Favourite Chopin
- ^ Alban Berg, replying to charges that modern music was overly complex, pointed out that Kinderszenen is constructed on a complex base.
- ^ Strelezki: Personal Recollections of Chats with Liszt
- ^ Anton Strelezki: Personal Recollections of Chats with Liszt. London, 1893.
- ^ Daverio, Grove online, 19
- ^ Robert Schumann's "Artikel Neue Bahnen", 28 October 1853
- ^ Brahms' A German Requiem, published in 1868, brought the first widespread recognition of his talent.
- ^ From All Music Guide, available at http://www.answers.com/topic/variations-on-an-original-theme-for-piano-in-e-flat-major-geister-variationen-woo-24
- ^ Reich, Nancy B., Clara Schumann: The Artist and the Woman, Cornell University Press, 1985, p. 151.
- ^ Jänisch W, Nauhaus G. "Autopsy report of the corpse of the composer Robert Schumann: publication and interpretation of a rediscovered document", Zentralbl Allg Pathol 1986; 132:129–136.
- ^ Scott M. "Musical hallucinations from meningioma", JAMA 1979; 241:1683.
- ^ Evan Fairmont (7 July 2010). "Music and madness at Vail Symposium". http://www.vaildaily.com/article/20100707/AE/100709807/1078&ParentProfile=1062. Retrieved 9 July 2010.
- ^ Marin Alsop (21 June 2008). "Robert Schumann: Music amid the Madness". http://www.npr.org/templates/story/story.php?storyId=91707206. Retrieved 9 July 2010.
- ^ Miranda Sawyer (8 February 2009). "Bipolar music – and how to get the mood swinging on Today: Robert Winston's Musical Analysis, R4". The Observer. UK. http://www.guardian.co.uk/culture/2009/feb/08/radio-4-winston-webb. Retrieved 9 July 2010.
References[link]
- Daverio, J, "Robert Schumann," Grove music online, L Macy (ed), accessed 24 June 2007 (subscription access)
- Ostwald, Peter, Schumann – The inner voices of a musical genius, Northeastern University Press, Boston, 1985 ISBN 1-55553-014-1.
- Scholes, Percy A, The Oxford Companion to Music, Tenth Edition, Oxford University Press, Oxford, 1970 ISBN 01931130661.
- Fuller-Maitland, John Alexander. (1884). Schumann. S. Low, Marston, Searle & Rivington (reissued by Cambridge University Press, 2009; ISBN 978-1-108-00481-7)
- Ostwald, Peter (1985). Schumann, The Inner Voices of a Musical Genius. Northeastern University Press. ISBN 1-55553-014-1.
- Perrey, Beate (ed.) (2007). The Cambridge Companion to Schumann. Cambridge University Press. ISBN 0-521-78950-8.
- Rice-See, Lynn (2008). The Piano Teaching of Walter Hautzig with 613 Examples from the Works of Beethoven, Schubert, Schumann, and Chopin, Edwin Mellen Press. ISBN 0-7734-4981-7
- Tunbridge, Laura (2007). Schumann's Late Style. Cambridge University Press. ISBN 978-0-521-87168-6.
- Worthen, John (2007). Robert Schumann: Life and Death of a Musician. Yale University Press. ISBN 0-300-11160-6. . The author argues that the composer was mentally normal all his life, until the sudden onset of insanity near the end resulting from tertiary syphilis.
External links[link]
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Life and works[link]
- [1] More on Robert Schumann and his life
- Robert Schumann – The World's Greatest Composer A personal appreciation
- Complete list of works
- Musical Rules at Home and in Life – Text by Robert Schumann
- Works by or about Robert Schumann in libraries (WorldCat catalog)
- German Label Troubadisc with SACD release and Biography of Robert Schumann
- Schumann-Portal
- Sächsische Akademie der Wissenschaften zu Leipzig: edition of all letters written by Robert and Clara Schumann
- The Lied and Art Song Texts Page – Created and mantained from Emily Ezust Texts of Schumann's Lieder with translations in various languages
- The city of Robert Schumann
- Listings of live performances at Bachtrack
- Robert and Clara Schumann and their teacher, Johann Sebastian Bach
Sheet music[link]
- Printable Schumann's piano score in PDF
- Free scores by Robert Schumann at the International Music Score Library Project
- Free scores by Robert Schumann in the Choral Public Domain Library (ChoralWiki)
- Schumann's Scores by Mutopia Project
- Works by Robert Schumann at Project Gutenberg
- Free scores by Robert Schumann in the Werner Icking Music Archive (WIMA)
Recordings and MIDI[link]
- Schumann cylinder recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
- Recording of Kinderszenen (Scenes from Childhood)
- Works for organ or pedal piano by Schumann played on a virtual organ
- Selected Lieder (MIDI)
- Kunst der Fuge Robert Schumann – MIDI files
- Herbert von Karajan / Vienna Philharmonic rehearse the 4th Symphony
- Yaroslav Senyshyn – Live Performance of Robert Schumann: Papillons Op. 2
| Persondata | |
|---|---|
| Name | Schumann, Robert |
| Alternative names | |
| Short description | Composer, pianist |
| Date of birth | 8 June 1810 |
| Place of birth | Zwickau, Germany |
| Date of death | 29 July 1856 |
| Place of death | Endenich, Germany |
http://wn.com/Robert_Schumann
This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Robert_Schumann
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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This article is about the cellist. For other uses, see Brunello (disambiguation).
Mario Brunello is a renowned worldwide Italian cellist and musician. The turning point in his artistic life was the 1986 victory of the International Tchaikovsky Competition
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Life and career[link]
Origins and musical beginnings[link]
Mario Brunello, born in Castelfranco Veneto (Treviso - Italy) 1960, is an Italian cellist. He studied under the guide of Adriano Vendramelli (Venice Conservatorio of music) and of Antonio Janigro. In 1986 he was awarded the first prize at the International Tchaikovsky Competition (Moscow) in the cello section.[1] - ex equo with Kirill Rodin (Russia then USSR).
Since then Brunello has played with the most important orchestras in the world: London Philharmonic, Royal Philharmonic, Munich Philharmonic, Philadelphia Orchestra, Orchestre National de France, NHK Symphony Orchestra (Tokyo), Scala Philharmonic Orchestra, Santa Cecilia, only to name a few, and under conductors such as Valery Gergiev, Zubin Mehta, Riccardo Muti, Yuri Temirkanov, Riccardo Chailly, Ton Koopman, Seiji Ozawa, Daniele Gatti, Myung-Whun Chung and Claudio Abbado.
As a chamber musician Brunello has performed with artists such as Gidon Kremer, Martha Argerich, Frank Peter Zimmermann, Yuri Bashmet, Maurizio Pollini, Andrea Lucchesini, Valery Afanassiev and the Borodin and Alban Berg Quartets.
He is Artistic Director of the International String Quartet Competition Premio Paolo Borciani and of the Reggio Emilia String Quartet Festival.
Orchestra d'Archi Italiana[link]
In 1994, Brunello founded the "Orchestra d'Archi Italiana" (Italian String Orchiestra) starting a double performing activities as a conductor in addition to that of soloist and touring in many European countries.
Antiruggine[link]
During the years Brunello has widened his world going beyond classical music and working on projects that mix different artistic expressions and music genres with the aim to reach a wider public and to convey a new idea of music performances and musicians. To this idea he has devoted himself turning a run-down factory sited in his hometown Castelfranco Veneto in a laboratory for concerts, teaching classes, conferences and visual art exhibitions. This laboratory is named "Antiruggine" (Italian for Antirust) after the ironwork activitiy that the place used to host but also with the meaning of urging people to keep their minds awake and always working, "don't let your mind to the rust" is the motto.
I suoni delle Dolomiti[link]
Brunello's love for music, nature, life and friendship as a whole is epitomised by his uncommon but genuine proposals of trekking and performing in breathtaking place such as on the top of the Alps (Il Suono delle Dolomiti) or of Mount Fuji, achievements that are a kind of trademark of his being a cellist.
Brunello's cello[link]
Brunello plays a Maggini cello (17th century) which, in the 20th century, belonged to Benedetto Mazzacurati and then to Franco Rossi, cellist of the "Quartetto Italiano".
Personal life[link]
Family[link]
References[link]
Discography[link]
- 2010 - Mario Brunello - Bach - sei suites a violoncello solo senza basso - brunello series EGEA - Recorded at Auditorium Santa Cecilia - Perugia -Italy - 2009.
- 2009 - Mario Brunello - cello / Andrea Lucchesini - piano - Lekeu Sonata for cello and piano in F major - Schubert Sonata for Arpeggione and piano in A minor D.821 - brunello series EGEA - Recorded at Auditorium Scuola Comunale Chiappano (Vicenza) -Italy -2004
- 2009 - Mario Brunello - Antonio Vivaldi - CONCERTI PER VIOLONCELLO - brunello series EGEA
- 2009 - Mario Brunello - VIOLONCELLO AND - brunello series - Recorded at Chiesa Monastica del Monastero di Bose (Italia) 25-27 Ottobre 2004
- 2008 - Mario Brunello / orchestra d'archi italiana - Odusia - brunello series - Recorded at Auditorium Santa Cecilia - Perugia -Italy
- 2002 - XRCD2 Mario Brunello Alone (JVC) Sollima - Ligeti - Casado
External links[link]
- Artists Management Company Mario Brunello
- http://www.cellist.nl/database/showcellist.asp?id=90
- http://us.nycve.it/a-cosmopolitan-violoncello/
- http://www.youtube.com/watch?v=-PIvI8nwWKM&p=C54B60EDA0DEAEA2
| Persondata | |
|---|---|
| Name | Brunello, Mario |
| Alternative names | |
| Short description | |
| Date of birth | |
| Place of birth | |
| Date of death | |
| Place of death | |
 |
This article about an Italian classical musician is a stub. You can help Wikipedia by expanding it. |
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This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Mario_Brunello
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| Nelson Freire | |
|---|---|
| Birth name | Nelson Freire |
| Born | (1944-10-18) 18 October 1944 (age 67) |
| Origin | Brazil |
| Genres | Classical |
| Occupations | Classical pianist |
| Instruments | Piano |
| Labels | Decca Classics |
| Website | Official Website |
Nelson Freire (born October 18, 1944) is a Brazilian classical pianist.
Freire began playing the piano when he was three years old.[1] He replayed from memory pieces his older sister had just performed. His teachers in Brazil were Nise Obino and Lucia Branco, former students of a pupil of Liszt. For his first public recital, at the age of four,[1] Freire chose Mozart's Sonata in A major, K. 331.
In 1957, Freire's performed Beethoven's Piano Concerto No. 5, at the age of 12. He was awarded 7th place at the Rio de Janeiro International Piano Competition. The jury in this competition included Marguerite Long, Guiomar Novaes and Lili Kraus. After this he left for Vienna to study with Bruno Seidlhofer (who was also the teacher of Friedrich Gulda). By 1964, Freire had won his first prize at the Vianna da Motta International Music Competition in Lisbon, Portugal (ex-aequo with Vladimir Krainev) and he also received the Dinu Lipatti Medal and the Harriet Cohen Medal in London, England.[2]
Freire began his international career in 1959 with recitals and concerts in the major cities of Europe, the United States, Central and South America, Japan and Israel.[2]
He has worked and toured with many of today's leading conductors, including Pierre Boulez, Eugen Jochum, Lorin Maazel, Charles Dutoit, Kurt Masur, André Previn, David Zinman, Václav Neumann, Valery Gergiev, Rudolf Kempe, Gennady Rozhdestvensky, Hans Graf, Hugh Wolff, Roberto Carnevale, John Nelson, Seiji Ozawa and Riccardo Chailly.[citation needed]
Freire has made guest appearances with many leading orchestras, including the Berlin Philharmonic, the Orquestra Sinfônica Brasileira, the Munich Philharmonic, the Bayerische Rundfunk Orchester, the Royal Concertgebouw Orchestra of Amsterdam, the Rotterdam Philharmonic, the Tonhalle Orchester Zurich, the Vienna Symphony Orchestra, the Czech Philharmonic, the Orchestre de la Suisse Romande, the London Symphony Orchestra, the Royal Philharmonic, the São Paulo State Symphony, the Sydney Symphony Orchestra, the Israel Philharmonic, the Orchestre de Paris, the Orchestre National de France, the Philharmonique de Radio France, the Orchestre de Monte Carlo and the leading orchestras of Baltimore, Boston, Chicago, Cleveland, Los Angeles, Montreal, New York[3] and Philadelphia.[citation needed]
In Warsaw in 1999, he scored a particular triumph with his interpretation of Chopin's Piano Concerto No. 2, marking the 150th anniversary of the composer's death. In December 2001, he chaired the jury for the Marguerite Long Competition in Paris.
He has recently given performances at New York's Carnegie Hall, with the St. Petersburg Symphony Orchestra in St. Petersburg, at the Prague Spring, with the Orchestre National de France and leading orchestras in Baltimore, Boston, Montreal, New York and Utah. He has appeared with the English Chamber Orchestra (in France and Portugal) and the Orchestre de la Radio Suisse Italienne, and given recitals in Brussels, Paris, Rome, Munich, Lisbon, Luxembourg and Zurich. In 2002/2003 he made two concert tours under the direction of Riccardo Chailly, with the Royal Concertgebouw Orchestra of Amsterdam and the Orchestra Sinfonica di Milano Giuseppe Verdi. He also appeared with the Tonhalle Orchester Zurich and the NHK Symphony Orchestra of Tokyo, and regularly fulfils engagements in his native Brazil.
Nelson Freire has recorded for Sony/CBS, Teldec, Philips, and Deutsche Grammophon. He has recorded Liszt's piano concertos with the Dresden Philharmonic under Michel Plasson for Berlin Classics. Another performance, which was put onto a DVD, was a recording of four-hand and two-piano music with Martha Argerich playing, among others, the two-piano version of Ravel's La Valse.
His recording of the 24 Chopin preludes received an Edison Award.
Freire has recently signed an exclusive contract with Decca, the first result of which are recordings devoted to the works of Chopin, which have been greeted with critical acclaim, receiving the Diapason d’Or, a "Choc" award from Monde de la Musique, as well as being rated a "10" by the Répertoire magazine and "recommended" by Classica. The recordings comprise, in two CDs, the 24 piano études and the 2nd and 3rd piano sonatas, as well as the Barcarolle op. 60. Subsequent Decca recordings include a 2-CD set of the Brahms piano concertos with the Gewandhaus Orchestra under Riccardo Chailly, which won the 2007 Classic FM and Gramophone awards in the Record of the Year and Concerto categories, and CDs devoted to Beethoven sonatas and Debussy, the latter including book one of the preludes.
He marked the 2011 bicentenary of the birth of Franz Liszt with a Decca CD entitled Harmonies du Soir.[4] That same year, he made a principled withdrawal from performing with the Brazilian Symphony Orchestra after it fired half its musicians.[5]
See also[link]
References[link]
- ^ a b "Pianist searches for improvement and change". The Vancouver Sun: p. C6. January 22, 1987. "Freire started playing the piano at the age of three and gave his first public performance at four...Then he met Lucia Branco, a teacher who had been a student of Franz Liszt's, and Nise Obino and "it was love at first sight."
- ^ a b "Life & Career". Nelson Freire. http://www.nelsonfreire.com/lifeandcareer.php. Retrieved 2011-02-14.
- ^ "Nelson Freire to Perform At 5 Philharmonic Concerts". The New York Times (ProQuest ID 118536568). December 31, 1969.
- ^ www.deccaclassics.com/cat/single?PRODUCT_NR=4782728
- ^ http://www.artsjournal.com/slippeddisc/2011/04/news_just_in_brazils_biggest_p.html
External links[link]
| Persondata | |
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| Name | Freire, Nelson |
| Alternative names | |
| Short description | |
| Date of birth | October 18, 1944 |
| Place of birth | |
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Samson Pascal François (18 May 1924 – 22 October 1970) was a French pianist and composer.
Biography[link]
François was born in Frankfurt where his father worked at the French consulate. His mother, Rose, named him Samson, for strength, and Pascal, for spirit. François discovered the piano early – at the age of two – and his first studies were in Italy, with Pietro Mascagni, who encouraged him to give his first concert at the age of six. Moving from country to country with his itinerant family, he studied in Belgrade with professor Ćirilo Ličar (Cyril Licar), obtaining a first prize in performance. Professor Ličar also introduced him to the works of Béla Bartók.
Having studied in the Conservatoire in Nice from 1932 to 1935, where he again won first prize, François came to the attention of Alfred Cortot, who encouraged him to move to Paris and study with Yvonne Lefébure at the École Normale de Musique. He also studied piano with Cortot (who reportedly found him almost impossible to teach), and harmony with Nadia Boulanger. In 1938, he moved to the Paris Conservatoire to study with Marguerite Long, the doyenne of French teachers of the age. He won the piano section of the inaugural (1943) Marguerite Long-Jacques Thibaud Competition.
He was particularly admired for his performances of Chopin, Schumann, Debussy, and Ravel. Many of these interpretations are now available on compact disc. François was a keen jazz fan — particularly of the brilliant pianist Bud Powell, who lived and performed in Paris — and claimed that jazz influenced his playing. He composed, among other works, a concerto for piano and incidental music for film.
He married Josette Bahvsar, and their son Maximilien was born in 1955. Maximilien published a biography of his father in 2002 (see bibliography below).
Samson François's extravagant lifestyle, good looks, and passionate but highly disciplined playing, gave him a cult status as a pianist, although his passion for nightlife and his reckless behavior (lavish drinking and drug use) resulted in a heart attack on the concert stage in 1968. His early death followed only two years later.
François himself said "never play simply to play well" and, in a remark clearly inspired by his jazz influences, "It must be that there is never the impression of being obliged to play the next note."
Bibliography[link]
- Spycket, Jérôme, Scarbo, 1985 (in French – a biography of François)
- François, Maximilien-Samson, Samson François, histoire de… mille vies (1924-1970). Editions Bleu Nuit (2002). ISBN 2-913575-54-4 (In French)
External links[link]
- Biography, in French from which the quotes in this article were translated.
| Persondata | |
|---|---|
| Name | Francois, Samson |
| Alternative names | |
| Short description | |
| Date of birth | 1924 |
| Place of birth | |
| Date of death | 1970 |
| Place of death | |
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Alfred Brendel KBE (born 5 January 1931) is an Austrian pianist, born in Czechoslovakia and a resident of the United Kingdom. He is also a poet and author.
Contents |
Biography[link]
Brendel was born in Wiesenberg, Czechoslovakia, now Loučná nad Desnou, Czech Republic, to a non-musical family. They moved to Zagreb when Brendel was six, and later to Graz, where they lived during World War II, towards the end of which the 14-year old Brendel was sent to Yugoslavia to dig trenches. However, he developed frostbite and was taken to hospital. Brendel began piano lessons when he was six with Sofija Deželić, and at 14 he studied piano with Ludovica von Kaan and composition in the Graz Conservatory for the next two years, but otherwise had little formal music education.
After the war, Brendel composed music, as well as continuing to play the piano and to paint. However, he never had more formal piano lessons and although he attended masterclasses with Edwin Fischer and Eduard Steuermann, he was largely self-taught.
Brendel gave his first public recital in Graz at the age of 17.[1] He called it "The Fugue In Piano Literature", and as well as fugal works by Johann Sebastian Bach, Johannes Brahms and Franz Liszt, it included some of Brendel's own compositions. However, he gave up composing shortly after this to concentrate on the piano. In 1949 he won 4th prize in the Ferruccio Busoni Piano Competition in Bolzano, Italy and moved to Vienna the following year. At the age of 21, he made his first record, Sergei Prokofiev's Piano Concerto No. 5. He went on to make a string of other records, including three complete sets of the Ludwig van Beethoven piano sonatas (one on Vox Records and two on Philips Records). He was the first performer to record the complete solo piano works of Beethoven.[2] He has also recorded works by Liszt, Brahms (including Brahms' concertos), Robert Schumann and Franz Schubert. Unlike most classical pianists, Brendel has recorded very little by Frédéric Chopin other than the polonaises. An important collection of Alfred Brendel is the complete Mozart piano concertos recorded with Sir Neville Marriner and the Academy of St Martin in the Fields, which is included in the Phillips 180 CD complete Mozart Edition.
Brendel recorded extensively for the Vox label, providing them his first of three sets of the complete Beethoven sonatas. He did not secure a major recording contract until the 1970s, nor did he play much outside Austria. His breakthrough came after a recital of Beethoven at the Queen Elizabeth Hall in London, the day after which three major record labels called his agent. Around this time he moved to Hampstead, London, where he still resides.[1] Since the 1970s, Brendel has recorded for Philips Classics Records.[3]
Brendel has been married twice. His first marriage, from 1960 to 1972, was to Iris Heymann-Gonzala, and they had a daughter, Doris. In 1975, Brendel married Irene Semler, and the couple have three children; a son, Adrian, who is a cellist, and two daughters, Katharina and Sophie.[4]
In April 2007, Brendel was one of the initial signatories of the "Appeal for the Establishment of a Parliamentary Assembly at the United Nations".[5]
In 2009, Brendel was featured in the award-winning German-Austrian documentary Pianomania, about a Steinway & Sons piano tuner, which was directed by Lilian Franck and Robert Cibis. The film premiered theatrically in North America, where it was met with positive reviews by The New York Times[6], as well as in Asia and throughout Europe, and is a part of the Goethe-Institut catalogue.
Work[link]
Brendel is regarded as one of the most thoughtful interpreters of classical Germanic works by such composers as Beethoven, Schubert and Mozart. He plays relatively few 20th century works, but is closely associated with Arnold Schoenberg's Piano Concerto. Toward the end of his concert career he stopped playing many of the most physically demanding pieces in the repertoire, such as the Hammerklavier Sonata of Beethoven, owing to problems with arthritis.
Critical reaction to Brendel's playing has been mixed. While he has been lauded by Michael Steinberg as "the new Schnabel", critic Harold C. Schonberg noted that some critics and specialists accused the pianist of "pedanticism".[7] Brendel's playing is sometimes described as being "cerebral",[8] and he has said that he believes the primary job of the pianist is to respect the composer's wishes without showing off himself, or adding his own spin on the music:
"I am responsible to the composer, and particularly to the piece".[4]
As well as his former mentor and teacher, Edwin Fischer, he cites Alfred Cortot, Wilhelm Kempff, and the conductors Bruno Walter and Wilhelm Furtwängler as particular influences.
In recent years, Brendel has worked with younger pianists such as Paul Lewis, Mark Gasser, Roberto Carnevale, Andrew von Oeyen, Till Fellner and, most recently, Kit Armstrong.[9] He has also performed in concert and recorded with his son Adrian.[10]
In November 2007, Brendel announced that he would retire from the concert platform after his concert of 18 December 2008 in Vienna, which featured him as soloist in Mozart's Piano Concerto No. 9 in E flat; the orchestra (the Vienna Philharmonic) was conducted by Sir Charles Mackerras.[2] His final concert in New York was at Carnegie Hall on 20 February 2008, with works by Haydn, Mozart, Beethoven, and Schubert. Since his debut at the Carnegie Hall on 21 January 1973 he has appeared there 81 times, and in 1983 he became only the second pianist to perform the complete cycle of Beethoven's piano sonatas at the Hall.
Brendel has been Honorary Member of the Royal Academy of Music since 1972.[11]
Publications[link]
Brendel is also a published poet and author.[12] His books include:
- Musical Thoughts and Afterthoughts (Essays) (1976)
- Music Sounded Out (1990)
- One Finger Too Many (Poetry) (1998)
- Alfred Brendel on Music (collected essays) (2001)
- Me, of All People: Alfred Brendel in Conversation with Martin Meyer (2002) (UK edition: The Veil of Order)
- Cursing Bagels (Poetry) (2004)
Awards[link]
- Honorary Knight of the Order of the British Empire (KBE; 1989)
- Honorary Fellow of Exeter College, Oxford
- Sonning Award (2002; Denmark)
- Ernst von Siemens Music Prize (2004)
- Praemium Imperiale (2009)[13]
- Voted into the Gramophone Hall of Fame (2012)[14]
Recordings[link]
Main article: Alfred Brendel discography
- Alfred Brendel - Unpublished Live and Radio Performances 1968-2001
- Great Pianists of the 20th Century - Alfred Brendel III
References[link]
- ^ a b "Brendel, Alfred", Grove Music Online, 2007. Accessed 3 June 2007.
- ^ a b Charlotte Higgins (21 November 2007). "Alfred Brendel, piano maestro, calls time on concert career". London: The Guardian. http://www.guardian.co.uk/uk_news/story/0,,2214378,00.html. Retrieved 21 November 2007.
- ^ Anthony Holden (8 January 2006). "Alfred Brendel, A Personal 75th Birthday Selection". London: The Observer. http://arts.guardian.co.uk/reviews/observer/story/0,,1681512,00.html. Retrieved 21 November 2007.
- ^ a b Nicholas Wroe (5 October 2002). "Keeper of the flame". London: The Guardian. http://arts.guardian.co.uk/features/story/0,,804868,00.html. Retrieved 21 November 2007.
- ^ "Featured Signatories", Campaign for a UN Parliament, 2007. Accessed 5 January 2011.
- ^ {{cite news | url=http://movies.nytimes.com/2011/11/04/movies/pianomania-by-lilian-franck-and-robert-cibis-review.html
- ^ The Great Pianists from Mozart to the Present, Harold C. Schonberg, Simon & Schuster, Second Edition, 1987, ISBN 0-671-63837-8
- ^ Tom Service (16 June 2003). "Alfred Brendel (Snape Maltings Concert Hall, Suffolk)". London: The Guardian. http://arts.guardian.co.uk/reviews/story/0,,978109,00.html. Retrieved 21 November 2007.
- ^ Stephen Plaistow (15 December 2008). "'I've had a lot of fun' Alfred Brendel talks to Stephen Plaistow about inspirations, aching limbs and mastering Mozart". London: The Guardian. http://www.guardian.co.uk/music/2008/dec/15/alfred-brendel-pianist-classical-music. Retrieved 14 June 2010.
- ^ Andrew Clements (1 July 2003). "Adrian and Alfred Brendel (Wigmore Hall, London)". The Guardian. http://arts.guardian.co.uk/critic/review/0,,988659,00.html. Retrieved 24 November 2007.
- ^ "Honorary Members of the Royal Academy of Music (Oct.14, 2009)". Royal Academy of Music. 14 October 2009. http://www.ram.ac.uk/whoswho/Pages/HonRAM.aspx. Retrieved 14 October 2009.
- ^ Alfred Brendel (27 March 2004). "Hymns, Pianos and Laughing Angels". London: The Guardian. http://books.guardian.co.uk/departments/poetry/story/0,,1179003,00.html. Retrieved 21 November 2007.
- ^ Morrison, Richard (3 October 2009). "Alfred Brendel on retiring from the concert hall and his books of poetry". The Times (London). http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/classical/article6856909.ece. Retrieved 23 April 2010.
- ^ "Alfred Brendel (pianist)". Gramophone. http://www.gramophone.co.uk/HallofFame/ArtistPage/Brendel. Retrieved 11 April 2012.
External links[link]
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- Alfred Brendel interview by Bruce Duffie
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See also: Brendel (disambiguation)
| Persondata | |
|---|---|
| Name | Brendel, Alfred |
| Alternative names | |
| Short description | |
| Date of birth | 5 January 1931 |
| Place of birth | |
| Date of death | |
| Place of death | |
 |
Wikimedia Commons has media related to: Alfred Brendel |
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