My Little Girl is a 1986 American drama film that was released in the U.S. in 1987. The film was the directorial debut of Connie Kaiserman and Jennifer Lopez' first major motion picture. It was the final movie performance of Oscar-winning actress Geraldine Page.

Plot[link]

Franny Bettinger (Masterson) has had a privileged and wealthy upbringing. One summer she takes a job at a halfway house where she finds herself personally affected by the people she meets. Despite facing hostility due to her background, Bettinger becomes determined to teach the youngsters that they are important and can succeed in life. Unfortunately, she faces opposition from her parents and from her supervisor.

Cast[link]

• Mary Stuart Masterson - Franny Bettinger
• James Earl Jones - Mr. Bailey
• Geraldine Page - Molly
• Anne Meara - Mrs. Shopper
• Pamela Payton-Wright - Delly Bettinger
• Peter Michael Goetz - Norman Bettinger
• Jennifer Lopez - Myra
• Erika Alexander - Joan

References[link]

External links[link]

• My Little Girl at the Internet Movie Database
• My Little Girl at AllRovi
• My Little Girl at the TCM Movie Database

This 1980s drama film-related article is a stub. You can help Wikipedia by expanding it. v t e

Two girls smiling

A girl is any female human from birth through childhood and adolescence to attainment of adulthood when she becomes a woman. The term may also be used to mean a young woman.^[1]

Etymology[link]

The English word girl first appeared during the Middle Ages between 1250 and 1300 CE and came from the Anglo-Saxon words gerle (also spelled girle or gurle).^[2] The Anglo-Saxon word gerela meaning dress or clothing item also seems to have been used as a metonym in some sense.^[1]

A girl from Mali

Girl has meant any young unmarried woman since about 1530. Its first noted meaning for sweetheart is 1648. The earliest known appearance of girl-friend is in 1892 and girl next door, meant as a teenaged female or young woman with a kind of wholesome appeal, dates only to 1961.^[3]

Usage for adults[link]

The word girl is sometimes used to refer to an adult female. This usage may be considered derogatory or disrespectful in professional or other formal contexts, just as the term boy can be considered disparaging when applied to an adult man. Hence, this usage is often deprecative.^[1] It can also be used deprecatively when used to discriminate against children ("you're just a girl").

In casual context, the word has positive uses, as evidenced by its use in titles of popular music. It has been used playfully for people acting in an energetic fashion (Canadian singer Nelly Furtado's "Promiscuous Girl") or as a way of unifying women of all ages on the basis of their once having been girls (American country singer Martina McBride's "This One's for the Girls"). These positive uses mean gender rather than age.

Demographics[link]

An adolescent girl from Mauritania

Slightly more boys are born than girls (in the US this ratio is about 105 boys born for every 100 girls), but girls are slightly less likely to die than boys, during childhood, so that the ratio for under 15 years of age is 104 boys for every 100 girls.^[4][5] Since the 18th century the human sex ratio has been observed as about 1,050 boys for every 1,000 girls born and sex selection on the part of parents further lessens the number of female births.

While patriarchal beliefs have led to female infanticide (the killing of female infants) since ancient times, it is a persistent practice in some regions of the world today. It is a significant problem in India and China in particular. The United Nations Population Fund (UNFPA) State of the World Population Report indicates that these practices, combined with neglect, have resulted in at least 60 million "missing" girls in Asia. Large numbers of adult women are absent from the population in some regions, a consequence of female infanticide during recent decades.

Census information shows the problem is worsening. In India overall, by 2011, there were little more than 9 girls younger than 6 years old for every 10 boys. The 2011 census showed that the ratio of girls to boys under the age of 6 years old has dropped even during the past decade, from 927 girls for every 1000 boys in 2001 to 918 girls for every 1000 boys in 2011. Maharashtra state's ratio is 883 girls, and Satara is even lower at 881. Hospitals in India are banned from giving out the gender of an unborn fetus to prevent sex-selection abortions, although evidence indicates that the information is often revealed.^[6] Steven Mosher, president of the Population Research Institute in Washington, D.C. has said: "Twenty-five million men in China currently can’t find brides because there is a shortage of women [...] young men emigrate overseas to find brides." The gender imbalance in these regions is also blamed for spurring growth in the commercial sex trade; the UN's 2005 report states that up to 800,000 people being trafficked across borders each year, and as many as 80 percent are women and girls.^[7]

Biology[link]

Girls develop female characteristics by inheriting two X chromosomes (XX), one from each parent.^[8]

About one in a thousand girls have a 47,XXX karyotype, and one in 2500 have a 45,X one.

Girls typically have a female reproductive system. Some intersex children with ambigous genitals, and biologically male transgender children, may also be classified or self-identify as girls.^[9]

Gender and environment[link]

A girl plays with paper dolls. Biological sex interacts with environment in ways not fully understood.

Biological sex interacts with environment in ways not fully understood.^[10] Identical twin girls separated at birth and reunited decades later have shown both startling similarities and differences.^[11] In 2005 Kim Wallen of Emory University noted, "I think the 'nature versus nurture' question is not meaningful, because it treats them as independent factors, whereas in fact everything is nature and nurture." Wallen said gender differences emerge very early and come about through an underlying preference males and females have for their chosen activities.

Girls' education[link]

School girls in Afganistan

Girls' equal access to education has been achieved in some countries, but there are significant disparities in the majority. There are gaps in access between different regions and countries and even within countries. Girls account for 60 per cent of children out of school in Arab countries and 66 per cent of non-attendees in South and West Asia; however, more girls than boys attend schools in many countries in Latin America, the Caribbean, North America and Western Europe.^[12] Research has measured the economic cost of this inequality to developing countries: Plan International’s analysis shows that a total of 65 low, middle income and transition countries fail to offer girls the same secondary school opportunities as boys, and in total, these countries are missing out on annual economic growth of an estimated $92 billion.^[12]

Although the International Covenant on Economic, Social and Cultural Rights has asserted "primary education shall be compulsory and available free to all" girls are slightly less likely to be enrolled as students in primary and secondary schools (70%:74% and 59%:65%). Worldwide efforts have been made to end this disparity (such as through the Millennium Development Goals) and the gap has closed since 1990.^[13]

Educational environment and expectations[link]

Kurdish girl

According to Kim Wallen, expectations will nonetheless play a role in how girls perform academically. For example, if females skilled in math are told a test is "gender neutral" they achieve high scores, but if they are told males outperformed females in the past, the females will do much worse. "What’s strange is," Wallen observed, "according to the research, all one apparently has to do is tell a woman who has a lifetime of socialization of being poor in math that a math test is gender neutral, and all effects of that socialization go away."^[14] Author Judith Harris has said that aside from their genetic contribution, the nurturing provided by parents likely has less long-term influence over their offspring than other environmental aspects such as the children's peer group.^[15]

In England, studies by the National Literacy Trust have shown girls score consistently higher than boys in all scholastic areas from the ages of 7 through 16, with the most striking differences noted in reading and writing skills.^[16] In the United States, historically, girls lagged on standardized tests. In 1996 the average score of 503 for US girls from all races on the SAT verbal test was 4 points lower than boys. In math, the average for girls was 492, which was 35 points lower than boys. "When girls take the exact same courses," commented Wayne Camara, a research scientist with the College Board, "that 35-point gap dissipates quite a bit." At the time Leslie R. Wolfe, president of the Center for Women Policy Studies said girls scored differently on the math tests because they tend to work the problems out while boys use "test-taking tricks" such as immediately checking the answers already given in multiple-choice questions. Wolfe said girls are steady and thorough while "boys play this test like a pin-ball machine." Wolfe also said although girls had lower SAT scores they consistently get higher grades than boys across all courses their first year in college.^[17] By 2006 girls were outscoring boys on the verbal portion of the United States' nation-wide SAT exam by 11 points.^[18] A 2005 University of Chicago study showed that a majority presence of girls in the classroom tends to enhance the academic performance of boys.^[19]

International initiatives for girls' rights[link]

Indian girls

Girl in Guatemala

An ahwazian Arab girl in traditional Arab dress.

The United Nations Convention on the Rights of the Child (1988) and Millennium Development Goals (2000) promoted better access to education for all girls and boys and to eliminate gender disparities at both primary and secondary level. Worldwide school enrolment and literacy rates for girls have improved continuously. 2005, global primary net enrolment rates were 85 per cent for girls, up from 78 per cent 15 years earlier; at the secondary level, girls’ enrolment increased 10 percentage points to 57 per cent over the same period.^[12]

A number of international non-governmental organizations (NGOs) have created programs focussing on addressing disparities in girls' access to such necessities as food, healthcare and education. CAMFED is one organization active in providing education to girls in sub-Saharan Africa. PLAN International's "Because I am a Girl" campaign is a high-profile example of such initiatives. PLAN's research has shown that educating girls can have a powerful ripple effect, boosting the economies of their towns and villages; providing girls with access to education has also been demonstrated to improve community understanding of health matters, reducing HIV rates, improving nutritional awareness, reducing birthrates and improving infant health. Research demonstrates that a girl who has received an education will:

• Earn up to 25 percent more and reinvest 90 percent in her family.
• Be three times less likely to become HIV-positive.
• Have fewer, healthier children who are 40 percent more likely to live past the age of five.^[20]

Plan International has also created a campaign to establish an International Day of the Girl. The goals of this initiative are to raise global awareness of the unique challenges facing girls, as well as the key role they have in addressing larger poverty and development challenges. A delegation of girls from Plan Canada introduced the idea to Rona Ambrose, Canada's Minister of Public Works and Government Services and Minister for Status of Women, at the 55th Session of the Commission on the Status of Women at United Nations Headquarters in February 2011. In March 2011, Canada's Parliament unanimously adopted a motion requesting that Canada take the lead at the United Nations in the initiative to proclaim September 22 the International Day of the Girl. If adopted by the General Assembly of the United Nations, an International Day of the Girl could be declared before the end of 2011.^[21]

Its most recent research has led PLAN International to identify a need to coordinate projects that address boys' roles in their communities, as well as finding ways of including boys in activities that reduce gender discrimination. Since political, religious and local community leaders are most often men, men and boys have great influence over any effort to improve girls' lives and achieve gender equality. PLAN International's 2011 Annual Report points out that men have more influence and may be able to convince communities to curb early marriage and female genital mutilation (FGM) more effectively than women. Egyptian religious leader Sheikh Saad, who has campaigned against the practice, is quoted in the report: “We have decided that our daughter will not go through this bad, inhumane experience [...] I am part of the change.”^[22]

Art and literature[link]

Peter Paul Rubens - Portrait of a Young Girl

The Time Of The Lilacs, by Sophie Gengembre Anderson.

Historically, art and literature in Western culture has portrayed girls as symbols of innocence, purity, virtue and hope. Egyptian murals included sympathetic portraits of young girls who were daughters of royalty. Sappho's poetry carries love poems addressed to girls.

In Europe, some early paintings featuring girls were Petrus Christus' Portrait of a Young Girl (about 1460), Juan de Flandes' Portrait of a Young Girl (about 1505), Frans Hals' Die Amme mit dem Kind in 1620, Diego Velázquez' Las Meninas in 1656, Jan Steen's The Feast of St. Nicolas (about 1660) and Johannes Vermeer's Girl with a Pearl Earring along with Girl Reading a Letter at an Open Window. Later paintings of girls include Albert Anker's portrait of a Girl with a Domino Tower and Camille Pissarro's 1883 Portrait of a Felix Daughter.

Mary Cassatt painted many famous Impressionist works that idealize the innocence of girls and the mother-daughter bond, for example her 1884 work Children on the Beach During the same era, Whistler's Harmony in Gray and Green: Miss Cicely Alexander and The White Girl depict girls in the same light.

The European children's literature canon includes many notable works with young female protagonists. Traditional fairy tales have preserved memorable stories about girls. Among these are Goldilocks and the Three Bears, Rapunzel, The Princess and the Pea and the Brothers Grimm's Little Red Riding Hood. Well-known children's books about girls include Alice in Wonderland, Heidi, The Wonderful Wizard of Oz, the Nancy Drew series, Little House on the Prairie, Madeline, Pippi Longstocking, A Wrinkle in Time, Dragonsong, and Little Women.

Beginning in the late Victorian era, more nuanced depictions of girl protagonists became popular. Hans Christian Andersen's The Little Match Girl, The Little Mermaid, and other tales featured themes that ventured into tragedy. Alice's Adventures in Wonderland by Lewis Carroll featured a widely noted female protagonist confronting eccentric characters and intellectual puzzles in surreal settings. Moreover, Carroll's controversial photographs of girls are often cited in histories of photographic art. Literature followed different cultural currents, sometimes romanticizing and idealizing girlhood, and at other times developing under the influence of the growing literary realism movement. Many Victorian novels begin with the childhood of their heroine, such as Jane Eyre, an orphan who suffers ill treatment from her guardians and then at a girls' boarding school. The character Natasha in War and Peace, on the other hand, is sentimentalized. By the 20th century, the portrayal of girls in fiction had for the most part abandoned idealized portrayals of girls. Popular literary novels include Harper Lee's To Kill a Mockingbird in which a young girl, Scout, is faced with the awareness of the forces of bigotry in her community. Vladimir Nabokov's controversial book Lolita (1955) is about a doomed relationship between a 12 year old girl and an adult scholar as they travel across the United States. Zazie dans le métro (Zazie in the Metro) (1959) by Raymond Queneau is a popular French novel that humorously celebrates the innocence and precocity of Zazie, who ventures off on her own to explore Paris, escaping from her uncle (a professional female impersonator) and her mother (who is preoccupied by a meeting with her lover). Zazie was also made into a popular movie in 1960 (Zazie dans le métro) by French director Louis Malle.

Books which have both boy and girl protagonists have tended to focus more on the boys, but important girl characters appear in Knight's Castle, The Lion, the Witch and the Wardrobe, The Book of Three and the Harry Potter series.

Recent novels with an adult audience have included reflections on girlhood experiences. Memoirs of a Geisha by Arthur Golden begins as the female main character and her sister are dropped off in the pleasure district after being separated from their family in 19th century Japan. "Snow Flower and the Secret Fan" by Lisa See traces the laotong (old sames) bond of friendship between a pair of childhood friends in modern Beijing, and the parallel friendship of their ancestors in 19th century Hunan, China.

Popular culture[link]

A teenage girl with a modern hairstyle in Harajuku, Tokyo.

There have been many American comic books and comic strips featuring a girl as the main character such as Little Lulu and Little Orphan Annie. In superhero comic books an early girl character was Etta Candy, one of Wonder Woman's sidekicks. In the Peanuts series (by Charles Schulz) girl characters include Peppermint Patty, Lucy van Pelt and Sally Brown.

In Japanese animated cartoons and comic books girls are often protagonists. Most of Hayao Miyazaki's animated films feature a young girl heroine, as in Majo no takkyūbin (Kiki's Delivery Service). There are many other girl protagonists in the Shōjo style of manga, which is targeted to girls as an audience. Among these are The Wallflower, Ceres, Celestial Legend, Tokyo Mew Mew and Full Moon o Sagashite. Meanwhile, some genres of Japanese cartoons may feature sexualized and objectified portrayals of girls.

The term girl is widely heard in the lyrics of popular music (such as with the song "About a Girl"), most often meaning a young adult or teenaged female.

History[link]

Princess Neferure as a girl, sitting on the lap of her tutor Senenmut. Girls and women in Ancient Egypt enjoyed a relatively high social status.

The status of girls throughout world history is closely related to the status of women in any culture. Where women enjoy a more equal status with men, girls benefit from greater attention to their needs.

Girls' education[link]

In Ancient Egypt, the princess Neferure grew up under the reign of her mother, the woman Pharaoh Hatshepsut, who had inherited the throne after the death of her husband Thutmose II. Women in Ancient Egypt had a relatively high status in society, and as the daughter of the pharaoh, Neferura was provided with the best education possible. Her tutors were the most trusted advisors of her mother. She grew up to take on an important role by taking on the duties of a queen while her mother was pharaoh.^[23] Despite the fact that women and men had a great deal of equality in Ancient Egypt, there were still important divisions in gender roles. Men worked as scribes for the government, for example, whereas women would often work at occupations tied to the home, such as farming, baking bread and brewing beer; however, a large number of women, particularly from the upper classes, worked in business and traded at markets, as perfumers, and some women also worked in temples. For this reason, girls' and boys' education differed. Boys could attend formal schools to learn how to read, write, and do math, while girls would be educated at home to learn the occupations of their mothers. Some women did become literate and were scholars, however, such as Hypatia.^[24][25]

The future Elizabeth I of England at age 13 years.

Girls' formal education has traditionally been considered far less important than that of boys. In Europe, exceptions were rare before the printing press and the Reformation made literacy more widespread. One notable exception to the general neglect of girls' literacy is Queen Elizabeth I. In her case, as a child she was in a precarious position as a possible heir to the throne, and her life was in fact endangered by the political scheming of other powerful members of the court. Following the execution of her mother, Anne Boleyn, Elizabeth was considered illegitimate. Her education was for the most part ignored by Henry VIII. Remarkably, Henry VIII's widow, Catherine Parr, took an interest in the high intelligence of Elizabeth, and supported the decision to provide her with an impressive education after Henry's death, starting when Elizabeth was 9.^[26] Elizabeth received an education equal to that of a prominent male aristocrat; she was educated in Latin, Greek, Spanish, French, philosophy, history, mathematics and music. England reaped the reward of her rich education when circumstances resulted in her becoming a capable monarch.

By the 18th century, Europeans recognized the value of literacy, and schools were opened to educate the public in growing numbers. Education in the Age of Enlightenment in France led to up to a third of women becoming literate by the time of the French Revolution, contrasting with roughly half of men by that time.^[27] However, education was still not considered as important for girls as for boys, who were being trained for professions that remained closed to women, and girls were not admitted to secondary level schools in France until the late 19th century. Girls were not entitled to receive a Baccalaureate diploma in France until the reforms of 1924 under education minister Léon Bérard. Schools were segregated in France until the end of World War II. Since then, compulsory education laws have raised the education of girls and young women throughout Europe.

"Coming of age" customs[link]

Many cultures have traditional customs to mark the "coming of age" of a girl or boy, to recognize their transition to adulthood, or to mark other milestones of their journey to maturity as children.

Japan has a coming-of-age ritual called Shichi-Go-San (七五三), which literally means "Seven-Five-Three". This is a traditional rite of passage and festival day in Japan for three- and seven-year-old girls and three- and five-year-old boys, held annually on November 15. It is generally observed on the nearest weekend. On this day, the girl will be dressed in a traditional kimono, and will be taken to a temple by her family for a blessing ceremony. Nowadays, the occasion is also marked with a formal photo portrait.

Some coming-of-age ceremonies are religious rituals to recognize a girl's maturity with respect to her understanding of religious beliefs, and to recognize her changing role in her religious community. Confirmation is a ceremony common to many Christian denominations for both boys and girls, usually taking place when the child is in their teen years. In Roman Catholic communities, Confirmation ceremonies are considered one of seven sacraments that a Catholic may receive during their life. In many countries, it is traditional for Catholics children to undergo another sacrament, First Communion, at the age of 7 years old. The sacrament is usually performed in a church once a year, with children who are of age receive a blessing from a Bishop in a special ceremony. It is traditional in many countries for Catholic girls to wear white dresses and possibly a small veil or wreath of flowers in their hair to their First Communion. The white dress symbolizes spiritual purity.

Many coming-of-age ceremonies are to acknowledge the passing of a girl through puberty, when she experiences menarche, or her first menstruation. The traditional Apache coming-of-age ceremony for girls is called the na'ii'ees (Sunrise Ceremony), and takes place over four days. The girls are painted with clay and pollen, which they must not wash off until the end of the rituals, which involve dancing and rituals that challenge physical strength. Girls are given teaching in aspects of sexuality, confidence, and healing ability. The girls pray in the direction of the east at dawn, and in the four cardinal directions, which represent the four stages of life. This ceremony was banned by the U.S. government for many decades; after being decriminalized by the Indian Religious Freedom Act in 1978, it has seen a revival. ^[28]

Preparing girls for marriage[link]

A postwar German girl helps her mother, who is struggling for income, prepare food to sell, 1946.

In many ancient societies, girls' upbringing had much to do with preparing them to be future wives. In many cultures, it was not the norm for women to be economically independent. Thus, where a girl's future well-being depended upon marrying her to a man who was economically self-sufficient, it was crucial to prepare her to meet whatever qualities or skills were popularly expected of wives.

In cultures ranging from Ancient Greece to the 19th century United States, girls have been taught such essential domestic skills as sewing, cooking, gardening, and basic hygiene and medical care such as preparing balms and salves, and in some cases midwife skills. These skills would be taught from generation to generation, with the knowledge passed down orally from mother to daughter. A well-known reference to these important women's skills is in the folk tale Rumpelstiltskin, which dates back to Medieval Germany and was collected in written form by the folklorists the Brothers Grimm. The miller's daughter is valued as a potential wife because of her reputation for being able to spin straw into gold.

In some parts of China, beginning in the Southern Tang kingdom in Nanjing (937-975), the custom of foot binding was associated with upper class women who were worthy of a life of leisure, and husbands who could afford to spare them the necessity of work (which would require the ability to be mobile and spend the day on their feet). Because of this belief, parents hoping to ensure a good marriage for their daughters would begin binding their feet from about the age of seven years old to achieve the ideal appearance. The tinier the feet, the better the social rank of a future husband. This practice did not end until the early years of the 20th century.^[29]

China has had many customs tied to girls and their roles as future wives and mothers. According to one custom, a girl's way of wearing her hair would indicate her marital status. An unmarried girl would wear her hair in two "pigtails", and once married, she would wear her hair in one.^[30]

In some cultures, girls' passing through puberty is viewed with concern for a girl's chastity. In some communities, there is a traditional belief that female genital mutilation is a necessity to prevent a girl from becoming sexually promiscuous. The practice is dangerous, however, and leads to long-term health problems for women who have undergone it. The practice has been a custom in 28 countries of Africa, and persists mainly in rural areas. This coming-of-age custom, sometimes incorrectly described as "female circumcision", is being outlawed by governments, and challenged by human rights groups and other concerned community members, who are working to end the practice.

Girls' games and other pastimes[link]

Girls' pastimes, such as games and other leisure activities, reflect the customs of their communities.

• 

  A girl applying henna art in Morocco.

• 

  A girl enjoying a game of table football in Mauritania.

See also[link]

Wikimedia Commons has media related to: Girls

Look up girl in Wiktionary, the free dictionary.

• Boy
• Female infanticide
• Girl group
• Girl Guides
• Girl Power
• Tomboy
• Woman

References[link]

Maher Zain ماهر زين
Background information
Born	(1981-03-16) March 16, 1981 (age 31) Tripoli, Lebanon
Origin	Sweden
Genres	R&B, Soul music, Pop music, World music, Acoustic music, Nasheed
Occupations	Singer, songwriter, musician, composer, music producer
Instruments	Guitar, piano, keyboard, percussion, synthesizers
Years active	2009–present
Labels	Awakening Records Sony Music
Associated acts	Irfan Makki Mesut Kurtis

Maher Zain (Arabic: ماهر زين‎ ; born March 16, 1981 in Tripoli, Lebanon) is a Muslim Swedish R&B singer, songwriter and music producer of Lebanese origin. His debut album Thank You Allah, an internationally successful album with strong Muslim religious influences, was released in 2009. He released his follow-up album Forgive Me on April 2, 2012.

Career[link]

Beginnings[link]

Maher Zain and his family moved to Sweden when he was eight years old. He completed his schooling there gaining a Bachelors degree in Aeronautical Engineering. After university he entered the music industry in Sweden and linked up with RedOne, the Moroccan-born Swedish producer.^[1]

When RedOne moved to New York in 2006 Maher Zain followed soon after to continue his music industry career in the USA producing for artists such as Kat DeLuna.^[2] On a visit home to Sweden he became engaged once more with his Islamic faith and decided to move away from a career as a music producer to become a singer/songwriter of contemporary R&B music with a strong Muslim religious influence.^[3]

[edit] Breakthrough success and Thank You Allah

In January 2009, Maher Zain began working on an album with Awakening Records. His debut album was Thank You Allah, with 13 songs and two bonus tracks was released on 1 November 2009 with percussion versions and French versions of some tracks released shortly afterwards.^[4]

Zain and Awakening Records successfully used new media such as Facebook, YouTube^[5] and iTunes to promote tracks from the album.^[6][7] In early 2010 his music very quickly gathered a huge online following in Arabic speaking and Islamic countries as well as among young Muslims in western countries.^[8] By the end of 2010 he was the most Googled celebrity in Malaysia for that year.^[7] Malaysia is also the country where he has had the most commercial success. The album Thank You Allah received 8 Platinum awards from Warner Music Malaysia as the highest selling album of 2010.^[9] In 2011, Thank You Allah earned a double platinum award from Sony Music Indonesia.^[1]

Zain sings mainly in English but has released some of his most popular songs in other languages. The song "Insha Allah", for example, is now available in English, French, Arabic, Turkish, Malay and Indonesian versions. Another song, “Allahi Allah Kiya Karo” (“Continuously Saying Allah”), is sung in Urdu and features the Pakistan born Canadian singer Irfan Makki.^[6]

In March 2011, Maher Zain released "Freedom",^[6] a song inspired by the events and the actions of the people taking part in the Arab Spring. In July 2011 he featured on the cover of the UK Muslim lifestyle magazine Emel.^[10]

Zain was featured on Irfan Makki's track "I Believe" from his debut studio album of the same name.^[11] He was also featured on Mesut Kurtis' album, Beloved, in the track named "Never Forget".^{[citation needed]}

Awards[link]

• In January 2010, Maher Zain won Best Religious Song for 'Ya Nabi Salam Alayka', on Nujoom FM, a major Middle East mainstream music station, beating other prominent singers including Hussein Al-Jismi, Mohammed Mounir and Sami Yusuf.^[12]

• Maher Zain was chosen as a Muslim Star of 2011 in a competition organized by Onislam.net.^[13]

Discography[link]

Albums[link]

Singles[link]

• 2010: "Insha Allah"

Videography[link]

• 2009: "Palestine Will Be Free"
• 2010: "Insha Allah"
• 2010: "The Chosen One"
• 2011: "Freedom"
• 2011: "Ya Nabi Salam Alayka"
• 2011: "For the Rest of My Life"
• 2012: "Number One For Me"
• 2012: "So Soon"

Featured in

• 2011: "I Believe" (Irfan Makki feat. Maher Zain) (in Irfan Makki's album I Believe)
• 2011: "Never Forget" (Mesut Kurtis feat. Maher Zain) (in Mesut Kurtis' album Beloved)

References[link]

External links[link]

• Maher Zain Facebook
• Maher Zain on IslamicLyrics.net
• Awakening Music
• Last.fm: Maher Zain page

Tim McGraw
Tim McGraw performing for the United States Air Force in 2003
Background information
Birth name	Samuel Timothy McGraw
Born	(1967-05-01) May 1, 1967 (age 45) Delhi, Louisiana, U.S.
Origin	Start, Louisiana, U.S.
Genres	Country
Occupations	Musician, actor
Instruments	Vocals, guitar, piano
Years active	1992–present
Labels	Curb Big Machine
Associated acts	Faith Hill, The Dancehall Doctors, Nelly, Taylor Swift, Def Leppard, Mindy McCready, Gwyneth Paltrow, Lionel Richie
Website	timmcgraw.com

Samuel Timothy "Tim" McGraw (born May 1, 1967) is an American country singer and actor. Many of McGraw's albums and singles have topped the country music charts with total album sales in excess of 40 million units in the US, making him the eighth best-selling artist, and the third best-selling country singer, in the Soundscan era.^[1] He is married to country singer Faith Hill and is the son of former baseball player Tug McGraw.

McGraw had 11 consecutive albums debut at Number One on the Billboard albums charts. Twenty-one singles hit No. 1 on the Billboard Hot Country Songs chart. He has won 3 Grammys, 14 Academy of Country Music awards, 11 Country Music Association (CMA) awards, 10 American Music Awards, and 3 People's Choice Awards. His Soul2Soul II Tour with Faith Hill is the highest grossing tour in country music history, and one of the top five among all genres of music.^[2]

McGraw has ventured into acting, with supporting roles in The Blind Side (with Sandra Bullock), Friday Night Lights, The Kingdom, and Four Christmases (with Vince Vaughn and Reese Witherspoon), and lead roles in Flicka (2006) and Country Strong (2010). He was a minority owner of the Arena Football League's Nashville Kats. Taylor Swift's debut single, "Tim McGraw", refers to him and his song, "Can't Tell Me Nothin'".^[3]

In acknowledgement of his grandfather's Italian heritage, McGraw was honored by the National Italian American Foundation (NIAF) in 2004, receiving the NIAF Special Achievement Award in Music during the Foundation's 29th Anniversary Gala.

Early life[link]

McGraw was born Samuel Timothy McGraw in Delhi, Louisiana, to Elizabeth "Betty" Ann D'Agostino, a waitress, and Frank Edwin "Tug" McGraw Jr., who later became a relief pitcher for the New York Mets and the Philadelphia Phillies. McGraw is of Italian and some Irish descent on his mother's side, and of Scots-Irish and distant German descent on his father's side.^[4][5] In 1966, Tug was a pitcher for the Jacksonville Suns, and he lived in an apartment above Betty D'Agostino, who attended Terry Parker High School. The pair had a relationship, and when Betty became pregnant, her parents sent her to Louisiana to live with relatives and to have the baby.^[6]

Start, Louisiana, welcome sign notes that McGraw once resided there.

Reared by his mother in Start, also in Richland Parish, east of Monroe, McGraw grew up believing his stepfather, Horace Smith, was his father. From the time of his mother's marriage until the time he met his biological father, his last name was Smith. At age 11, McGraw discovered his birth certificate while searching his mother's closet to find pictures for a school project. After his discovery, his mother revealed that his biological father was Tug McGraw, and took Tim to meet him for the first time.^[5] For seven years, Tug denied being Tim's father. Tim was 18 years old when Tug first realized how much Tim looked like him at that age, and he acknowledged paternity. They remained close until Tug's death in 2004.

As a child, McGraw loved to play competitive sports, including baseball, even though he did not know his natural father was a professional athlete.^[5] He attended Northeast Louisiana University, now the University of Louisiana at Monroe, on a baseball scholarship,^[7] and became a member of the Pi Kappa Alpha Fraternity.^[8] During his college period, he learned to play guitar, and would frequently perform and sing for tips, although he claims that his roommates often hid the guitar because he was so bad.

His mother, Betty, returned to Jacksonville, Florida in 1987, and McGraw followed. He attended Florida Community College at Jacksonville for one term, and occasionally sat in with local bands.^[6] In 1989, on the day his hero Keith Whitley died,^[7] McGraw dropped out of college to head to Nashville and pursue a musical career.^[5]

1990s[link]

[edit] Tim McGraw

Tim McGraw's star on the Hollywood Walk of Fame.

McGraw came to the attention of Curb Records in 1990. After cutting a demo single, McGraw gave a copy to his father, Tug McGraw. A man who was friends with Curb Records executives heard the demo while driving with Tug McGraw one day and recommended that Curb contact the young singer. Several weeks later, he was able to play his tape for Curb executives, after which they signed him to a recording contract.^[5] Two years later, in 1992, he had his first minor hit with "Welcome to the Club" off his self-titled debut album. Although the album failed to make much of a dent on the charts, McGraw did have two other minor hits from it in 1993: "Memory Lane" and "Two Steppin Mind".^[7]

[edit] Not a Moment Too Soon

His second album, Not a Moment Too Soon, was much more successful, becoming the best-selling country album in 1994. The first single, "Indian Outlaw", caused considerable controversy, as critics argued that it presented Native Americans in a patronizing way.^[7] Some radio stations refused to play it,^[9] but the controversy helped spur sales, and the song became McGraw's first top-ten country single (getting as high as No. 8), and reaching No. 15 on the pop chart.^[10]

The second single from the album, "Don't Take the Girl", became McGraw's first No. 1 country hit, and "helped cement his image as a ruggedly good-looking guy with a sensitive side".^[9] The following year, the album's title track became a No. 1 country single, while "Down on the Farm" reached No. 2, and "Refried Dreams" reached the top 5. The album sold over 6 million copies, topping the Billboard 200 as well as the country album charts.^[7] On the strength of this success, McGraw won Academy of Country Music awards for Album of the Year and Top New Male Vocalist in 1994.^[11]

[edit] All I Want

All I Want, released in 1995, continued his run of success, debuting at No. 1 on the country charts. The album sold over 2 million copies and reached the top 5 on the Billboard 200. "I Like It, I Love It" reached No. 1 on the country charts as the lead-off single, while "She Never Lets It Go to Her Heart" also went to No. 1 in 1996. "Can't Be Really Gone", "All I Want Is a Life", and "Maybe We Should Just Sleep on It" were all top 5 hits.^[7]

In 1996, McGraw headlined the most successful country tour of the year, The Spontaneous Combustion Tour, with Faith Hill as his supporting act. Faith Hill broke off her engagement to her former producer Scott Hendricks so that she and McGraw could start dating each other; they then married on October 6, 1996. The couple have since had three daughters: Gracie Katherine (born May 1997), Maggie Elizabeth (born August 1998), and Audrey Caroline (born December 2001).^[12]

[edit] Everywhere

McGraw's next album, 1997's Everywhere, again topped the country charts and reached No. 2 on the album charts, selling 4 million copies.^[7] Four singles ("It's Your Love", "Everywhere", "Where the Green Grass Grows", and "Just to See You Smile") reached the top of the country charts from the album, with the last of these setting a new record by spending 42 weeks on the Billboard charts.^[13] The Country Music Association awarded Everywhere its Album of the Year award for 1997.

[edit] A Place in the Sun

A Place in the Sun in 1999 continued McGraw's streak, debuting atop both the US pop and country album charts^[11] and selling 3 million albums. It featured another four chart-topping singles on the country charts including "Please Remember Me", "Something Like That", "My Best Friend", and "My Next Thirty Years". "Some Things Never Change" reached No. 7 on the country chart.^[7] He also contributed a song for the Grammy-winning tribute album to Bob Wills: Ride With Bob. His song, a cover of "Milk Cow Blues", was recorded as a duet with Asleep at the Wheel, whom he had met while performing together at the George Strait Country Music Festival.^[11]

McGraw recorded two more duets with his wife in the late 1990s, both of which appeared on her albums. "Just to Hear You Say That You Love Me", off of her multi-platinum 1998 album Faith, reached the top five of the US country charts,^[7] while her follow-up and 1999 album Breathe featured "Let's Make Love", which would win a Grammy Award in 2000 for Best Country Vocal Collaboration.^[11]

2000s[link]

[edit] Greatest Hits

In 2000, McGraw released his Greatest Hits album, which topped the charts for nine weeks and sold almost 6 million copies, making it one of the biggest-selling albums in the modern country market. In the latter half of the year, he and Hill went out on the Soul2Soul Tour, playing to sellout crowds in 64 venues, including Madison Square Garden. It was one of the top tours of any genre in the US, and the leading country tour during 2000.^[13]

While in Buffalo, New York, McGraw and Kenny Chesney became involved in a scuffle with police officers after Chesney attempted to ride a police horse. McGraw came to Chesney's aid after police officers nearby believed the horse was being stolen and tried to arrest him. The two were arrested and charged with assault, but were later cleared. During a concert with the George Strait Country Music Festival several weeks later, Hill, dressed as a police officer, made an unscheduled appearance at the end of McGraw's set and led him off the stage.^[14]

[edit] Set This Circus Down

McGraw's next album, Set This Circus Down, was released in April 2001, and spawned four number-one country hits: "Grown Men Don't Cry", "Angry All the Time" (with Faith Hill), "The Cowboy in Me", and "Unbroken". He provided harmony vocals for the Jo Dee Messina song "Bring On the Rain", which he also produced. The song topped the country charts.^[11]

Hungry for more of his music, fans downloaded a version of his performance of the song "Things Change" from his appearance at the Country Music Association Awards Show. The song was played extensively on radio, becoming the first country song to appear on the charts from a fully downloaded version.^[13]

[edit] Tim McGraw and the Dancehall Doctors

In 2002, McGraw bucked country music traditions by recording his album Tim McGraw and the Dancehall Doctors with his tour band The Dancehall Doctors. Unlike rock music, where it is commonplace for touring bands to provide the music on albums recorded by the artist they support, country albums are typically recorded with session musicians.^[15] McGraw chose to use his own touring band, in order to recognize their part in his success, and to capture some of the feel of a real band.^[13]

All of the Dancehall Doctors have worked with McGraw since at least 1996. They include:

• Darran Smith – lead guitar, acoustic guitar
• Bob Minner – rhythm guitar, acoustic guitar, banjo, mandolin
• Denny Hemingson – steel guitar, electric, baritone, and slide guitars, dobro
• John Marcus – bass guitar
• Dean Brown – fiddle, mandolin
• Jeff McMahon – piano, organ, synthesizer, keyboards
• Billy Mason – drums
• David Dunkley – percussion^[13]

The album debuted at No. 2 on the country albums charts,^[5] with the single "Real Good Man" reaching No. 1 on the Hot Country Songs chart. "She's My Kind of Rain" reached No. 2 in 2003, and "Red Ragtop" reached the top 5. The album also featured a cover version of Elton John's early 1970s classic "Tiny Dancer", as well as appearances by Kim Carnes on "Comfort Me" (a response to the September 11, 2001 attacks) and Don Henley and Timothy B. Schmit of the Eagles on "Illegal".

[edit] Live Like You Were Dying

2004's Live Like You Were Dying continued McGraw's record of commercial success. The title track, dedicated to his father Tug McGraw, who died of a brain tumor earlier in the year, was a soaring ode to living life fully and in the moment,^[16] while the second single "Back When" was a paean to an easy nostalgia. Live Like You Were Dying spent seven non-consecutive weeks at No. 1 on Billboard (10 weeks on Radio & Records), and went on to become the biggest hit single of the year. It also became one of the most awarded songs/records by winning ACM Single and Song of the Year, CMA Single and Song of the Year, and a Grammy.

In late 2004, his unlikely duet with hip-hop artist Nelly on "Over and Over", a soft ballad of lost love, became a crossover hit,^[17] spending 10 weeks atop the Top 40 chart. "Over and Over" brought McGraw a success he had never previously experienced on contemporary hit radio or rap radio, and brought both artists success neither had previously experienced in the hot adult contemporary market. The song also spent a week at the top of the charts in the United Kingdom, becoming McGraw's first British hit single and Nelly's third number one hit in the country after Dilemma and My Place. 'Over and Over' also reached the top of the charts in Australia, New Zealand and the Republic of Ireland, and the top ten in Austria, Canada, Denmark, Germany, Romania and Switzerland.

Throughout the 2005 NFL season, McGraw sang an alternate version of "I Like It, I Love It" every week during the season. The alternate lyrics, which changed each week, would make reference to plays during Sunday's games, and the song would be played alongside video highlights during halftime on Monday Night Football.^[18] Later in the year, McGraw became a minority owner of the Arena Football League's Nashville Kats when majority owner Bud Adams (owner of the NFL's Tennessee Titans) was awarded the expansion franchise.^[19]

[edit] Let It Go

In April 2006, McGraw and Hill began their 73-concert 55-city Soul2Soul II Tour, again to strong commercial acceptance. The tour grossed nearly $89 million and sold almost 1.1 million tickets, making it the top grossing tour in the history of country music.^[20] It was named "Major Tour of the Year" by the prestigious Pollstar Magazine, beating out such heavyweights as Madonna and the Rolling Stones. In a special gesture, the couple donated all of the profits from their performance in New Orleans to Hurricane Katrina relief.^[21]

McGraw, along with Kenny Chesney, contributed to a version of Tracy Lawrence's song "Find Out Who Your Friends Are", which can be found on Lawrence's album For the Love. Although the official single version features only Lawrence's vocals, many stations have opted to play the version with McGraw and Chesney instead.

McGraw released his eleventh album, Let It Go, on March 27, 2007. The album's debut single, "Last Dollar (Fly Away)", reached No. 1 on the Hot Country Songs chart, marking McGraw's first No. 1 single since "Back When" in late 2004. The album debuted at No. 1 on the Billboard Top 200 Album Chart and No. 1 on the Billboard Country Album chart, marking his fourth No. 1 top 200 album and ninth No. 1 country album.^[22] His daughters can be heard singing the chorus during the last few seconds of the song on the video.

During the Academy of Country Music awards show on May 21, 2007, McGraw performed a song titled "If You're Reading This", which he co-wrote with The Warren Brothers.^[23] Several radio stations began to play the live recording of the song; as a result, it entered the Hot Country Songs chart at No. 35.^[24]

McGraw also produced the debut album of country music duo Halfway to Hazard. The duo's first single, "Daisy", peaked at No. 39 on the country charts in the summer of 2007.

In the summer of 2007, McGraw and Hill toured together once again in the Soul2Soul 2007 tour.

In the January 18, 2008 edition of the USA Today newspaper, McGraw was stated to be featured on the Def Leppard album Songs from the Sparkle Lounge, having also co-written the first single, "Nine Lives", with Def Leppard band members Joe Elliott, Phil Collen, and Rick Savage. The unusual pairing goes back to 2006 when McGraw joined Def Leppard onstage for the song "Pour Some Sugar On Me", and then collaborated on the song "Nine Lives" afterward. The album was released on April 25, 2008.

In May 2008, he hit the road with the Live Your Voice tour. The mainly-outdoor arena concert tour was his first solo outing in nearly three years. Also in May 2008, he debuted a new song off of his follow-up to Let It Go at the Stagecoach Music Festival in Indio, California.

In July 2008, McGraw's sixth single, and the title track of his album, "Let It Go", was released to country radio. Following that, a seventh single, "Nothin' to Die For", entered the Country charts at No. 57 in late December. McGraw released his third greatest-hits package, Greatest Hits 3 on October 7, 2008. The album features 12 tracks. McGraw was set to debut a new song on the 2009 ACM Awards, but then cancelled his performance; he was replaced by Blake Shelton, who sang "She Wouldn't Be Gone".

[edit] Southern Voice

McGraw's twelfth studio album, Southern Voice, was released October 20, 2009, and led by the single "It's A Business Doing Pleasure With You", which was shipped to radio outlets in late June 2009.^[25] Southern Voice was argued to be McGraw's last album for Curb Records, following the dispute over releasing his third Greatest Hits collection back in October 2008 without his permission. McGraw did not approve of the release. On November 30, 2010, Curb Records released his fourth greatest hits compilation, Number One Hits.

2010s[link]

[edit] Emotional Traffic and Curb Records lawsuit

On January 2, 2011, McGraw announced plans for his Emotional Traffic Tour featuring opening acts Luke Bryan and The Band Perry.^[26] Sirius XM announced on March 30, 2011 that they would be launching Tim McGraw radio, a commercial-free music channel devoted to McGraw's music, and featuring an in depth interview with McGraw as well.^[27]

McGraw has also finished work on a new album, also entitled Emotional Traffic, his last album with Curb Records.^[28] On May 13, 2011, Curb Records filed a breach-of-contract suit against McGraw.^[29] The label alleged that McGraw recorded tracks for his Emotional Traffic album too early prior to its delivery to the label.^[29] Several days later, McGraw filed a counter suit against the label seeking advance payment and recording-fund reimbursement, unspecified damages, and a jury trial.^[30] A trial is scheduled to begin in July 2012.^[31][32]

In November 2011, a judge granted McGraw permission to record music for another label, ending his relationship with Curb Records that began in 1990.^[31][32] A few hours after the ruling, Curb released "Better Than I Used to Be", the second single from Emotional Traffic.^[33][34] The album was released on January 24, 2012.^[34]

In December 2011, McGraw released his first Christmas single, "Christmas All Over the World", on his own label StyleSonic records. He is also said to be recording his debut album for the label. On May 21, 2012, he signed with Big Machine Records.^[35]

Acting[link]

McGraw's first acting appearance came in a 1995 episode of The Jeff Foxworthy Show, where he played Foxworthy's rival.

In 2004, McGraw played a sheriff in Rick Schroder's independent release Black Cloud. Later in the same year, McGraw received critical acclaim as the overbearing father of a running back in the major studio Texas high school football drama Friday Night Lights. The Dallas Observer said the role was "played with unexpected ferocity by country singer Tim McGraw".^[36] The movie went on to gross over $60 million dollars worldwide at the box office,^[37] and sold millions in the DVD market. Most recently, it was named one of the Top 50 High School Movies of All Time (No. 37) by Entertainment Weekly.

McGraw's first lead role was in the 2006 film Flicka, which was released in theaters October 20, 2006. In the remake of the classic book My Friend Flicka, McGraw played the father, Rob, costarring with Alison Lohman and Maria Bello. The family-friendly movie debuted in the top 10 list and has grossed over $25 million at the box office.^[38] McGraw again achieved critical acclaim for his acting.^[39][40]

Shortly before Flicka opened, McGraw received a star on the Hollywood Walk of Fame. His star is located at 6901 Hollywood Blvd. near stars in the sidewalk honoring Julie Andrews, William Shatner, and the late Greta Garbo. One of his Flicka co-stars, Alison Lohman, attended the ceremony that included comments from Billy Bob Thornton, McGraw's co-star in the film Friday Night Lights.^[41]

In addition to acting in Flicka, McGraw served as executive producer of the soundtrack album, which was released by his record label, StyleSonic Records, in association with Curb Records and Fox 2000 films. It featured the closing credit song "My Little Girl", one of the first two songs that McGraw recorded that he also co-wrote (the other being "I've Got Friends That Do", both of which were included on Greatest Hits Vol. 2).^[42] The song was nominated by the Broadcast Film Critics for "Best Song" in a film, and the movie was nominated in the category "Best Family Film (Live Action)". The movie proved to be another success in the DVD market, and has sold over a million copies, debuting at No. 3 on the DVD sales chart.^[38]

McGraw also had a small part in the Michael Mann–produced 2007 film The Kingdom, reuniting him with Friday Night Lights director Peter Berg. McGraw played a bitter, angered widower whose wife was killed in the terrorist attack that is the centerpiece of the movie.

On November 22, 2008, McGraw made his first appearance on Saturday Night Live. He also played "Dallas McVie" in Four Christmases.

His house appeared in an episode of CSI with special guest Taylor Swift.

McGraw appeared in the 2009 film The Blind Side as Sean Tuohy, husband of Sandra Bullock’s character, Leigh Anne Tuohy. The Blind Side is based on the true story of Michael Oher, a homeless African-American youngster from a broken home, taken in and adopted by the Tuohys, a well-to-do white family who help him fulfill his potential. In addition to his appearance in the film, McGraw's hit song "Southern Voice" was played during the closing credits of the film.

He is among the stars of Dirty Girl, a film that premiered on September 12, 2010, at the Toronto Film Festival, along with Juno Temple, Milla Jovovich, William H. Macy and Dwight Yoakam.

Also in 2010, McGraw starred in Country Strong as James Canter, the husband and manager of the fictional country singer Kelly Canter (portrayed by Gwyneth Paltrow).^[43]

Charitable efforts[link]

As his success has grown, McGraw has become increasingly interested in giving back to the community. When McGraw first reached fame in 1994, he established his annual Swampstock event. It began as a charity softball game to raise money for hometown little league programs; the event now includes a celebrity softball game and a multi-artist concert that attracts over 11,000 fans per year. The combined events have funded new Little League parks and equipment, and have established college scholarship funds for students in the northeast Louisiana area.^[44]

From 1996 to 1999, McGraw hosted an annual New Year's Eve concert in Nashville with special guests including Jeff Foxworthy, the Dixie Chicks, and Martina McBride. The 1997 show raised over $100,000 for the Country Music Foundation Hall of Fame and Museum. Beginning in 1999, McGraw would pick select cities on each tour, and the night before he was scheduled to perform, would choose a local club and host a quickly-organized show. This tour-within-a-tour became known as "The Bread and Water Tour", and all proceeds from the show would go to a charity from that community.^[44]

In the days immediately following Hurricane Katrina, McGraw and his wife, who was raised in Mississippi, joined groups taking supplies to Gulfport, Mississippi. The two also hosted several charity concerts to benefit those who were displaced by the storm.^[45] Later in the year, the couple established the Neighbor's Keeper Foundation, which provides funding for community charities to assist with basic humanitarian services, in the event of a natural disaster, or for desperate personal circumstances.

McGraw is also a member of the American Red Cross National Celebrity Cabinet, to which various celebrities donate their time, skills, and fame, to help the Red Cross highlight important initiatives and response efforts.^[46]

McGraw has helped out with charity events held by Minnesota Vikings quarterback Brett Favre. The Brett Favre Fourward Foundation has featured McGraw (and at other times Faith Hill) performing concerts during dinners and auctions that benefit children with disabilities in Wisconsin and Mississippi. One instance is recorded on Favre's official website.^[47]

On July 12, 2007, it was made public that McGraw and his wife Faith Hill, while in Grand Rapids, Michigan for a performance, donated $5000 to Kailey Kozminski, 3-year-old daughter of Officer Robert Kozminski, a Grand Rapids police officer who was killed on July 8, 2007 while responding to a domestic disturbance.^[48]

In June 2010, McGraw and his wife Faith Hill organized Nashville Rising, a benefit concert aimed to raise $2 million for The Community Foundation of Middle Tennessee in response to the flood in early May that killed 22 people and caused $2 billion in damage.^[49]

Politics[link]

Tim McGraw poses for a sailor at Ponte Vedra Beach, Florida on May 5, 2010, before performing at the Tournament Players Club at Sawgrass military appreciation day.

McGraw, a Democrat, has stated that he would like to run for public office in the future, possibly for Senate or Governor of Tennessee, his home state.^[50][51] In the same interview, he praised former President Bill Clinton.^[51] He has referred to himself as a "Blue Dog Democrat" and stated that he supported presidential candidate Barack Obama in 2008.^[52]

Discography[link]

Studio albums[link]

• Tim McGraw (1993)
• Not a Moment Too Soon (1994)
• All I Want (1995)
• Everywhere (1997)
• A Place in the Sun (1999)
• Set This Circus Down (2001)
• Tim McGraw and the Dancehall Doctors (2002)
• Live Like You Were Dying (2004)
• Let It Go (2007)
• Southern Voice (2009)
• Emotional Traffic (2012)

Compilation albums[link]

• Greatest Hits (2000)
• Reflected: Greatest Hits Vol. 2 (2006)
• Greatest Hits: Limited Edition (2008)
• Collector's Edition (2008)
• Greatest Hits 3 (2008)
• Limited Edition: Greatest Hits: Volumes 1, 2 & 3 (2008)
• Number One Hits (2010)

Filmography[link]

Awards[link]

^[53]

Further reading[link]

• Brown, Jim; Sparrow, Susan. Faith Hill & Tim McGraw: Soul 2 Soul. Quarry Music Books, 2002. ISBN 1-55082-293-4
• Gray, Scott. Perfect Harmony: the Faith Hill & Tim McGraw Story. 1st ed. Ballantine Books, 1999. ISBN 0-345-43412-9
• McGraw, Tim. Tim McGraw and the Dancehall Doctors: This is Ours. Atria Books, 2002. ISBN 0-7434-6706-X
• Nichols, Tim, and Craig Wiseman. Live Like You Were Dying. Rutledge Hill P, 2004. ISBN 1-4016-0212-6
• Trimble, Betty "McMom". A Mother's Story. D'Agostino/Dahlhauser/Ditmore Pub, 1996. ISBN 1-886371-32-6

References[link]