George Heinrich Gottlieb Jahr (1800–1875) was a pioneer of classical homeopathy. He published the first homeopathic repertory in 1835.

External links[link]

• Dr. George Heinrich Gottlieb Jahr (1800-1875), Pioneers of homeopathy, Thomas Lindsey Bradford, Presented by Dr Robert Séror
• George Jahr, author: Manual of Homeopathic Medicine

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Daliah Lavi
Lavi live in concert at the Gewandhaus, Leipzig, Germany (March 2009)
Born	Daliah Lewinbuk (1942-10-12) October 12, 1942 (age 69) Shavei Zion, British Mandate of Palestine
Occupation	Actress, singer, model
Years active	1955–1994 and 2008–2009
Spouse	Charles Gans
Website
www.daliah-lavi.com

Daliah Lavi (born Daliah Lewinbukh; October 12, 1942) is an Israeli actress, singer and model.

Life and career[link]

Lavi was born in Shavei Zion, British Mandate of Palestine, to Jewish parents from Germany and Russia.^[1] She studied ballet in Stockholm, Sweden, where she appeared in her first film Hemsöborna (1955). Returning to Israel, her career took off in 1960, when she started appearing in a large number of European and American productions. Fluent in several languages, she has also been in German-, French-, Italian-, Spanish- and English-language films.

Lavi's film appearances include Vincente Minnelli's Two Weeks in Another Town (1962), Mario Bava's gothic classic La Frusta e il corpo, aka The Whip and the Body (1963), the role of The Girl in Lord Jim and the first Matt Helm film, The Silencers (1966), opposite Dean Martin. However, her most famous role is probably as 'The Detainer/007' in Casino Royale (1967).

With the decline of her film career, Lavi began a successful schlager singing career in Germany, with hits such as "Oh, wann kommst du?", "Willst du mit mir gehn?" and "C'est ça, la vie (So ist das Leben)". She recorded a German-language cover of Melanie Safka's Look What They've Done to My Song, Ma.

Filmography[link]

• Candide ou l'optimisme au XXe siècle (1960)
• Two Weeks in Another Town (1962)
• La Frusta e il corpo, aka The Whip and the Body (1963)
• Old Shatterhand (1964)
• Lord Jim (1965)
• Ten Little Indians (1965)
• The Silencers (1966)
• The Spy with a Cold Nose (1966)
• Casino Royale (1967)
• Jules Verne's Rocket to the Moon (1967)
• Nobody Runs Forever (1968)
• Some Girls Do (1969)
• Catlow (1971)

References[link]

External links[link]

• Daliah Lavi at the Internet Movie Database
• Daliah Lavi Shrine (this site is mainly considering Lavi's acting, not so much her singing career)

This article may be expanded with text translated from the corresponding article in the German Wikipedia. (May 2010) Don't speak German? Click here to read a machine-translated version of the German article. Click [show] on the right to review important translation instructions before translating. Google's machine translation is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. After translating, {{Translated|de|Daliah Lavi}} must be added to the talk page to ensure copyright compliance. For more guidance, see Wikipedia:Translation.

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Sascha Lobo in June 2009

Sascha Lobo (born 11 May 1975 in Berlin)^[1] is a German blogger, writer, journalist and Copywriter.^[2] Lobo's work is primarily concerned with the Internet and with the social effects of new technology.^[3]

Career[link]

In 2000, Lobo founded a short-lived advertising agency,^[4][5] and in the following years worked in advertising while also writing for the magazine Blond.^[5] In 2005 he co-founded the blog Riesenmaschine. The following year his book Wir nennen es Arbeit (engl. "We call it work", co-written with Holm Friebe) was published.

In 2007 Lobo co-founded adical (later re-named adnation), a blog-focussed marketing concern.

His first novel Strohfeuer was published in September 2010.

Books[link]

• Holm Friebe, Sascha Lobo: Wir nennen es Arbeit – die digitale Bohème oder: intelligentes Leben jenseits der Festanstellung. Heyne, München 2006. ISBN 978-3-453-60056-0
• Kathrin Passig, Holm Friebe, Aleks Scholz, Sascha Lobo (Hrsg.): Riesenmaschine – das Beste aus dem brandneuen Universum. Heyne, München 2007. ISBN 978-3-453-61001-9
• Kathrin Passig, Sascha Lobo: Dinge geregelt kriegen – ohne einen Funken Selbstdisziplin. Rowohlt, Berlin 2008. ISBN 978-3-87134-619-4
• Sascha Lobo: Strohfeuer Rowohlt, Berlin 2010. ISBN 978-3-87134-678-1

References[link]

Links[link]

• Official Website

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2010)

Udo Jürgens
Udo Jürgens in 2010
Background information
Born	(1934-09-30) 30 September 1934 (age 77)
Origin	Klagenfurt, Austria
Genres	Soft rock, Pop, Schlager
Occupations	Singer
Instruments	Vocals, piano
Years active	1950–present
Website	Official website (German)

Udo Jürgens (born Udo Jürgen Bockelmann, 30 September 1934, Klagenfurt, Carinthia, Austria) is an Austrian composer and singer of popular music whose career spans over fifty years. He has written more than 800 songs and sold over 100 million records.^[1]

He is credited with broadening German-language pop music beyond the traditional postwar schlager in the 1960s by infusing it with a modern pop appeal; his exceptionally tuneful compositions and sophisticated arrangements attract fans of all ages, and even in his 70s he continues to fill the largest concert venues in Germany, Austria, and Switzerland.^{[citation needed]}

Udo Jürgens, 1987

Career[link]

In 1950, he won a composer contest organized by Austria's public broadcasting channel ORF with the song "Je t'aime". He wrote the 1961 worldwide hit "Reach for the Stars", sung by Shirley Bassey.^[2]

In 1964, he represented Austria for the first time at the Eurovision Song Contest with the song "Warum nur warum?", finishing sixth. The UK participant, Matt Monro, was impressed with the melody and covered the song (with English lyrics by his manager Don Black) as "Walk Away", which reached number four in the UK Singles Chart and number 23 in the US Billboard Hot 100 chart.

Jürgens' song "Sag ihr, ich lass sie grüßen" came fourth in 1965's contest, and in 1966 he won the competition with "Merci, Chérie", which became an English-language hit for Vince Hill, another cover by Monro, and one of Jürgens' most recognized compositions. Jürgens' version alone sold over one million copies, and he was awarded a gold disc by Deutsche Vogue in 1966.^[3]

In the following years, he wrote some of his most famous songs, like "Griechischer Wein", "Aber bitte mit Sahne", "Mit 66 Jahren", and – one of his biggest successes – "Buenos Días, Argentina", which he performed together with the German national football team in 1978.

In 1977, he invited The Supremes to appear as guests on his televised and recorded gala concert. The Supremes (Mary Wilson, Scherrie Payne, and Susaye Green), who were on a brief farewell tour of Europe at the time, performed two of their own current hits, "You Are The Heart of Me" and "You're My Driving Wheel", as well as a duet with Jürgens, "Walk Away" in English.

In 1979, he released a disco album entitled Udo '80. It produced a hit song "Ich weiß was ich will". This song was also released as a 12 inch disco single in an extended remix for discotheques.

On 2 December 2007, the musical Ich war noch niemals in New York (I've never been to New York) opened in Hamburg's Operettenhaus. It weaves songs by Jürgens into a familial storyline, similar to the treatment of ABBA songs in Mamma Mia!, the musical it succeeded at the venue.

Cover versions[link]

Matt Monro was the pre-eminent interpreter of Jürgens' music in the English-speaking world. "Illusionen" was adapted by Black for Monro in 1977 as "If I Never Sing Another Song," and later performed by Shirley Bassey and Sammy Davis, Jr..

In the early 1990s, the German thrash metal band Sodom released a 'metalized' cover of "Aber Bitte mit Sahne".

In 2009 the German band Sportfreunde Stiller covered the "Ich war noch niemals in New York" together with Jürgens on their MTV Unplugged concert in Munich.

Family[link]

• His brother, Manfred Bockelmann (born 1943), is a painter.
• His son by first marriage, John Jürgens (born 1964), is a singer, actor and DJ.
• His daughter by his first marriage, Jenny Jürgens (born 1967), is an actress.
• His uncle, Werner Bockelmann (1907–1968), was mayor of Frankfurt am Main from 1957 to 1964.

Discography[link]

This section may need to be wikified to meet Wikipedia's quality standards. Please help by adding relevant internal links, or by improving the article's layout. (March 2010) Click [show] on right for more details. No reason has been cited for the Wikify tag on this article.You can insert a reason using the |reason= parameter, like this: {{Wikify|reason=Your reason here}} Please replace HTML markup with wiki markup where appropriate. Add wikilinks. Where appropriate, make links to other articles by putting "[[" and "]]" on either side of relevant words (see WP:LINK for more information) and check that your links work as expected. Please do not link terms that most readers are familiar with, such as common occupations, well-known geographical terms, and everyday items. Format the lead. Create or improve the lead paragraph. Arrange section headers as described at Wikipedia:Guide to layout. Add an infobox if it is appropriate for the article. Clean up / format the references and footnotes, using citation templates when appropriate. Remove this tag.

• Portrait in Musik 1. Folge (1965)
• Siebzehn Jahr, blondes Haar (1965)
• Francoise und Udo (1966)
• Portrait in Musik 2. Folge (1967)
• Was ich Dir sagen will (1967)
• Udo (1968)
• Mein Lied für Dich (1968)
• Udo Live (1969)
• Udo '70 (1969)
• Udo '71 (1970)
• Zeig mir wie die Sonne aufgeht (1971)
• Helden, Helden (Musical) (1972)
• Ich bin wieder da (1972)
• Udo heute (1974)
• Meine Lieder (1975)
• Udo '75 (Ein neuer Morgen) (1975)
• Meine Lieder 2 (1976)
• Meine Lieder '77 (1977)
• Buenos Días Argentina (Football World-Championship) (1978)
• Udo '88 (1979)
• Udo 1957–60 (1980)
• Nur ein Lächeln (1980)
• Leave a little love (1981)
• Willkommen in meinem Leben (1981)
• Silberstreifen (1982)
• Traumtänzer (1983)
• Hautnah (1984)
• Treibjagd (1985)
• Deinetwegen (1986)
• Das Live-Konzert '87 (1987)
• Das blaue Album (1988)
• Ohne Maske (1989)
• Sempre Roma (Football World-Championship) (1990)
• Das Traumschiff (Soundtrack) (1990)
• Open air Symphony mit Anscheissen (1992)
• Geradeaus (1992)
• Cafe Größenwahn (1993)
• 140 Tage Cafe Größenwahn Tour 94/95 (1994)
• Zärtlicher Chaot (1995)
• Gestern-Heute-Morgen (1996)
• Ich werde da sein (1999)
• Mit 66 Jahren (Was wichtig ist) (2000)
• Es lebe das Laster (2002)
• Es werde Licht (2003)
• Jetzt oder nie (2005)
• Einfach ich (2008)
• Einfach ich Live (2009)
• Der ganz normale Wahnsinn (2011)

References[link]

External links[link]

• Excerpts from a thesis on Jürgens (2002) by Christian Mädler (German)
• Official website (German)
• Udo Jürgens discography at Discogs
• Udo Jürgens at the Internet Movie Database
• (German) Udo Jürgens - Ich war noch niemals in New York Musical

Awards and achievements
Preceded by France Gall with "Poupée de cire, poupée de son"	Winner of the Eurovision Song Contest 1966	Succeeded by Sandie Shaw with "Puppet on a String"
Preceded by Carmela Corren	Austria in the Eurovision Song Contest 1964–1966	Succeeded by Peter Horton

Wikimedia Commons has media related to: Udo Jürgens

Gisbert zu Knyphausen (April 23, 1979 in Wiesbaden. His full name is Gisbert Wilhelm Enno Freiherr zu Innhausen und Knyphausen^[1]) is a German singer-songwriter from the Rheingau in Hesse.

Development[link]

After a stay in Berlin, zu Knyphausen studied Music Therapy in Nijmegen in the Netherlands. In August 2005 he founded the Indie–Label Omaha Records together with Philipp Heintze. In the following autumn he played his first solo gig under his own name. He has since switched to using a whole band in his performances. His debut album, Gisbert zu Knyphausen was launched on April 25, 2008 by PIAS Germany. It contains solistic? songs accompanied by a band. Gisbert zu Knyphausen's lyrics are often melancholic but also have a hopeful character. He mentions ClickClickDecker,^[2] Ton Steine Scherben and Element of Crime^[3] as his musical and lyrical influences. Zu Knyphausen lived in Hamburg from October 2006 to April 2010, before he moved to Berlin. On 23 April 2010 his new album Hurra! Hurra! So nicht was released.

Review[link]

Zu Knyphausens debut received generally positive reviews and was called an "outstanding release" of early summer 2008.^[4] He was said that he would tell laconically texted stories^[5] with crisp humour,^[6] with economical instrumental backing and he would speak the diction of the former century but would attract a very young clientele.^[7] An inherent Weltschmerz in the songs that nevertheless lets us believe in a new morning was emphasised.^[8]

Discography[link]

Albums[link]

• Gisbert zu Knyphausen (2008)
• Hurra! Hurra! So nicht (2010)

Singles[link]

• Spieglein, Spieglein (2006/Sommertag EP)
• Sommertag (2008/Gisbert zu Knyphausen)
• Melancholie (2010/Hurra! Hurra! So nicht)

External links[link]

• Gisbert zu Knyphausen on MySpace
• Interview with Gisbert zu Knyphausen on German Radio Station 1Live
• Review of the second album
• Omaha-records
• Portrait of Gisbert zu Knyphausen

References[link]

1. ^ http://www.br-online.de/bayern3/newcomershow/gisbert-zu-knyphausen-ID1277125283361.xml
2. ^ http://deutschpop.suite101.de/article.cfm/der-musiker-gisbert-zu-knyphausen
3. ^ http://www.neuehelden.tv/popups/galerie/index.php?id=172&type=1&time=0
4. ^ http://jetzt.sueddeutsche.de/texte/anzeigen/432570
5. ^ http://www.intro.de/news/newsticker/23047084
6. ^ http://www.wom.de/index.php?node=5808
7. ^ http://www.welt.de/welt_print/article1957520/Mit_Gisbert_zu_Knyphausen_darf_deutscher_Pop_wieder_lyrisch_sein.html
8. ^ http://www.spiegel.de/kultur/musik/0,1518,460685,00.html