• Baron Haussmann
• Bourgeoisie
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• Celesta
• Claude Debussy
• Claude Monet
• Composer
• César Franck
• Ernest Chausson
• France
• Fyodor Dostoyevsky
• Gabriel Fauré
• Henri Fantin-Latour
• Henry Lerolle
• Incidental music
• Isaac Albéniz
• Ivan Turgenev
• Johannes Brahms
• Jules Massenet
• Le roi Arthus
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• Maurice Bouchor
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• Richard Wagner
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• Stéphane Mallarmé
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• The Nutcracker
• The Tempest
• Vincent d'Indy
• Wikipedia Persondata
• William Shakespeare
• 
  

• 
  France
  France (English ⁱ/ˈfræns/ FRANSS or /ˈfrɑːns/ FRAHNSS; French: [fʁɑ̃s] ( listen)), officially the French Republic (French: République française [ʁepyblik fʁɑ̃sɛz]), is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France extends from the Mediterranean Sea to the English Channel and the North Sea, and from the Rhine to the Atlantic Ocean. It is often referred to as l’Hexagone ("The Hexagon") because of the geometric shape of its territory. It is the largest western European country and it possesses the second-largest exclusive economic zone in the world, covering 11,035,000 km² (4,260,000 sq mi), just behind that of the United States (11,351,000 km² / 4,383,000 sq mi).
  Over the past 500 years, France has been a major power with strong cultural, economic, military and political influence in Europe and around the world. During the 17th and 18th centuries, France colonised great parts of North America and Southeast Asia; during the 19th and early 20th centuries, France built the second largest colonial empire of the time, including large portions of North, West and Central Africa, Southeast Asia, and many Caribbean and Pacific Islands.
  
  wn.com/France
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  Parc Monceau
  Parc Monceau (French pronunciation: [paʁk mɔ̃so]) is a public park situated in the 8th arrondissement of Paris, France, at the junction of Boulevard de Courcelles, Rue de Prony and Rue Georges Berger. At the main entrance is a rotunda. The park covers an area of 8.2 hectares (20.3 acres).
  The park was established by Phillippe d'Orléans, Duke of Chartres, a cousin of King Louis XVI, ,fabulously wealthy, and active in court politics and society. In 1769 he had begun purchasing the land where the park is located. In 1778, he decided to create a public park, and employed the writer and painter Louis Carrogis Carmontelle to design the gardens.
  The Duke was a close friend of the Prince of Wales, later George IV, and a lover of all things English. His intention was to create what was then called an Anglo-Chinese or English garden, on the earlier model of Stowe House in England (1730-1738), with its examples of the architectural folly, or fantastic reconstructions of buildings of different ages and continents. It was similar in style to several other examples of the French landscape garden built at about the same time, including the Desert de Retz, the gardens of the Château de Bagatelle and the Folie Saint James.
  
  wn.com/Parc_Monceau

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  Baron Haussmann
  Georges-Eugène Haussmann, commonly known as Baron Haussmann (French pronunciation: [ʒɔʁʒ øʒɛn pʁə.mje ba.ʁɔ̃ os.man], 27 March 1809 – 11 January 1891), was a French civic planner whose name is associated with the rebuilding of Paris. He was born in Paris to a Protestant merchant from Alsace and the daughter of the General Georges Frédéric Dentzel from Dürckheim, who served mainly for Napoleon III.
  The son of Nicolas Valentin Haussmann, a merchant, was born in Paris and educated at the College Henri IV and subsequently studied law, attending concurrently the classes at the Paris conservatory of music, for he was a good musician.^{[citation needed]} He became sous-préfet of Nérac in 1830, and advanced rapidly in the civil service until in 1853 he was chosen by Persigny to be prefect of the Seine département in succession to Jean Jacques Berger, who hesitated to incur the vast expenses of the imperial schemes for the embellishment of Paris. Haussmann would remain in this post until 1870.
  Commissioned by Napoleon III to instigate a program of planning reforms in Paris, Haussmann laid out the Bois de Boulogne, and made extensive improvements in the smaller parks. The gardens of the Luxembourg Palace (Luxembourg Garden) were cut down to allow the formation of new streets, and the Boulevard de Sebastopol, the southern half of which is now the Boulevard St Michel, was driven through a populous district. Additional, sweeping changes made wide "boulevards" of hitherto narrow streets. A new water supply, a gigantic system of sewers, new bridges, the opera house, and other public buildings, the inclusion of outlying districts – these were among the new prefect's achievements, accomplished by the aid of a bold handling of the public funds which called forth Jules Ferry's indictment, Les Comptes fantastiques de Haussmann, in 1867 (a play on words between contes, stories or tales – as in Les contes d'Hoffmann or Tales of Hoffmann, and comptes, accounts.)
  
  wn.com/Baron_Haussmann
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  Claude Debussy
  Claude-Achille Debussy (French pronunciation: [klod aʃil dəbysi]) (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions. In France, he was made Chevalier of the Legion of Honour in 1903. A crucial figure in the transition to the modern era in Western music, he remains one of the most famous and influential of all composers.
  His music is noted for its sensory component and for not often forming around one key or pitch. Often Debussy's work reflected the activities or turbulence in his own life. In French literary circles, the style of this period was known as symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
  
  wn.com/Claude_Debussy
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  Claude Monet
  Claude Monet (French pronunciation: [klod mɔnɛ/mɔne]) (14 November 1840 – 5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
  Claude Monet was born on 14 November 1840 on the 5th floor of 45 rue Laffitte, in the 9th arrondissement of Paris. He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet, both of them second-generation Parisians. On 20 May 1841, he was baptized in the local parish church, Notre-Dame-de-Lorette, as Oscar-Claude, but his parents called him simply Oscar. In 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business, but Monet wanted to become an artist. His mother was a singer.
  On 1 April 1851, Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857, he met fellow artist Eugène Boudin, who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting. Both received the influence of Johan Barthold Jongkind.
  
  wn.com/Claude_Monet
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  César Franck
  César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 – 8 November 1890) was a composer, pianist, organist, and music teacher who worked in Paris during his adult life.
  He was born at Liège, in what is now Belgium (though at the time of his birth it was under the Netherlands' control). In that city he gave his first concerts in 1834. He studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception to an early oratorio Ruth, he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable improviser, and travelled widely in France to demonstrate new instruments built by Aristide Cavaillé-Coll.
  In 1858 he became organist at Sainte-Clotilde, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. His pupils included Vincent d'Indy, Ernest Chausson, Louis Vierne, Charles Tournemire, Guillaume Lekeu, and Henri Duparc. After acquiring the professorship Franck wrote several pieces that have entered the standard classical repertoire, including symphonic, chamber, and keyboard works.
  
  wn.com/César_Franck
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  Ernest Chausson
  Amédée-Ernest Chausson (20 January 1855 – 10 June 1899) was a French romantic composer who died just as his career was beginning to flourish.
  Ernest Chausson was born in Paris into a prosperous bourgeois family. His father made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s.
  To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals; but in truth, he had little or no interest in the law. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before definitively deciding on his career, he dabbled in writing and drawing.
  In October 1879, at the age of 25, he began attending the composition classes of the opera composer Jules Massenet at the Paris Conservatoire. Chausson had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have been preserved are those corrected by Massenet.
  During 1882 and 1883, Chausson, who enjoyed travel, visited Bayreuth to hear the operas of Wagner. On the first of these journeys, Chausson went with d'Indy for the premiere of Wagner's Parsifal, and on the second trip he went with his new spouse Jeanne Escudier, whose sister Madeleine was married to art collector Henry Lerolle.
  
  wn.com/Ernest_Chausson
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  Fyodor Dostoyevsky
  Fyodor Mikhailovich Dostoyevsky (Russian: Фёдор Миха́йлович Достое́вский; IPA: [ˈfʲodər mʲɪˈxajləvʲɪtɕ dəstɐˈjefskʲɪj] ( listen); 11 November 1821 – 9 February 1881) sometimes translated as Dostoevsky, was a Russian writer of novels, short stories and essays. Dostoyevsky's literary works explore human psychology in the troubled political, social and spiritual context of 19th-century Russian society. A Slavophile, nationalist and monarchist, he criticised the bourgeois, pre-materialist West and nihilism in many of his works. Although Dostoyevsky wrote books in the mid-1850s which were influenced by realist and romanticist writers, most notably by Dickens, Gogol and Balzac, his best remembered work was done in his last years, including such masterpieces as Crime and Punishment, The Idiot and The Brothers Karamazov. Dostoyevsky overall wrote 11 complete novels, 3 novellas, 17 short novels and 3 essays. He is often acknowledged by critics as one of the greatest and most prominent psychologists in world literature.
  
  wn.com/Fyodor_Dostoyevsky
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  Gabriel Fauré
  Gabriel Urbain Fauré (pronounced: [ɡabʁiɛl yʁbɛ̃ fɔʁe]; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, nocturnes for piano, and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his greatest works in his later years, in a harmonically and melodically much more complex style.
  Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine he was sent to a music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865 Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.
  
  wn.com/Gabriel_Fauré
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  Henri Fantin-Latour
  Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers.
  He was born Ignace Henri Jean Théodore Fantin-Latour in Grenoble, Isère. As a youth, he received drawing lessons from his father, who was an artist. In 1850 he entered the Ecole de Dessin, where he studied with Lecoq de Boisbaudran. After studying at the École des Beaux-Arts in Paris from 1854, he devoted much time to copying the works of the old masters in the Louvre. Although Fantin-Latour befriended several of the young artists who would later be associated with Impressionism, including Whistler and Manet, Fantin's own work remained conservative in style.
  Whistler brought attention to Fantin in England, where his still-lifes sold so well that they were "practically unknown in France during his lifetime". In addition to his realistic paintings, Fantin-Latour created imaginative lithographs inspired by the music of some of the great classical composers.
  
  wn.com/Henri_Fantin-Latour
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  Henry Lerolle
  Henry Lerolle (3 October 1848 – 22 April 1929) was a French painter, art collector and patron, born in Paris. He studied at Académie Suisse and in the studio of Louis Lamothe.
  His work was exhibited at the Paris Salon in 1868, 1885, and 1895. In 1889 Lerolle painted the murals The Crowning of Science and The Teaching of Science in the Hôtel de Ville, Paris. He painted Flight into Egypt in the Sorbonne, and also did works in Schola Cantorum (the establishment of which he was involved), and the church of St. Martin des Champs, both in Paris. Lerolle was made a Chevalier, Légion d'honneur in 1889.
  Lerolle's paintings are in the collections of the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Musée d'Orsay and the Fine Arts Museum of San Francisco.
  Lerolle owned several canvases by Maurice Denis including Catholic Mystery, and is considered to be Denis's first important patron. In fact, Denis claimed that Lerolle "discovered him." In 1892 Lerolle commissioned Denis to paint a ceiling mural for his home entitled "L'Echelle dans le Feuillage" ("Ladder in the Foliage"). Additionally, Lerolle was a friend and patron to Degas and Renoir, the latter of whom painted several portraits of Lerolle's daughters and of Lerolle himself. Lerolle also owned works by Fantin-Latour (who painted Lerolle's wife, Madeleine Escudier), Corot, and others.
  
  wn.com/Henry_Lerolle
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  Isaac Albéniz
  Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]) (29 May 1860, Camprodon – 18 May 1909, Cambo-les-Bains) was a Spanish pianist and composer best known for his piano works based on folk music idioms. However, many of his works have been transcribed by Miguel Llobet and others for guitar, and many of his pieces such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Cordoba, Cataluña, and the Tango in D are amongst the most important pieces for classical guitar.
  Born in Camprodon, province of Girona, to Ángel Albéniz (a customs official) and his wife Dolors Pascual, Albéniz was a child prodigy who first performed at the age of four. At age seven, after apparently taking lessons from Antoine François Marmontel, he passed the entrance examination for piano at the Paris Conservatoire, but he was refused admission because he was believed to be too young.
  
  wn.com/Isaac_Albéniz
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  Johannes Brahms
  Johannes Brahms (pronounced [joːˈhanəs ˈbʁaːms]; 7 May 1833  – 3 April 1897) was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms's popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs.
  Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own works; he also worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim. Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed many of his works and left some of them unpublished.
  Brahms is often considered both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. He was a master of counterpoint, the complex and highly disciplined art for which Johann Sebastian Bach is famous, and also of development, a compositional ethos pioneered by Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven. Brahms aimed to honour the "purity" of these venerable "German" structures and advance them into a Romantic idiom, in the process creating bold new approaches to harmony and melody. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers.
  
  wn.com/Johannes_Brahms
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  Jules Massenet
  Jules Émile Frédéric Massenet (French pronunciation: [ʒyl emil fʁedeʁik masnɛ]) (May 12, 1842 – August 13, 1912) was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas fell into almost total oblivion. Apart from Manon and Werther, his works were rarely performed. However, since the mid-1970s, many operas of his such as Thaïs and Esclarmonde have undergone periodic revivals.
  Massenet was born in Montaud, then an outlying hamlet and now a part of the city of Saint-Étienne, in the Loire. When he was six, his family moved to Paris due to his father's ill-health. There his mother (Adélaïde Massenet, née Royer; her husband's second wife) started taking piano pupils. She also taught Jules so well that at the age of 11 he was able to enter the Paris Conservatoire. He was still a student when his family moved from Paris to Chambéry, but Jules returned to Paris after a few months, living with a married member of his father's family by his first wife. To support himself during his studies, he worked as timpanist for six years at the Théâtre Lyrique, playing also other percussion instruments in other theatres, and working as a pianist in the Café de Belleville.
  
  wn.com/Jules_Massenet
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  Leo Tolstoy
  Lev Nikolayevich Tolstoy (Russian: Лев Никола́евич Толсто́й, pronounced [lʲev nʲɪkɐˈlaɪvʲɪtɕ tɐlˈstoj] ( listen); known in the Anglosphere as Leo Tolstoy) (September 9, 1828 – November 20, 1910) was a Russian writer who primarily wrote novels and short stories. Later in life, he also wrote plays and essays. His two most famous works, the novels War and Peace and Anna Karenina, are acknowledged as two of the greatest novels of all time and a pinnacle of realist fiction. Many consider Tolstoy to have been one of the world's greatest novelists. Tolstoy is equally known for his complicated and paradoxical persona and for his extreme moralistic and ascetic views, which he adopted after a moral crisis and spiritual awakening in the 1870s, after which he also became noted as a moral thinker and social reformer.
  His literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him in later life to become a fervent Christian anarchist and anarcho-pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You, were to have a profound impact on such pivotal twentieth-century figures as Mohandas Gandhi and Martin Luther King, Jr.
  
  wn.com/Leo_Tolstoy
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  Richard Wagner
  Wilhelm Richard Wagner ( /ˈvɑːɡnər/; German pronunciation: [ˈʁiçaʁt ˈvaːɡnɐ]; 22 May 1813 – 13 February 1883) was a German composer, conductor, theatre director and polemicist primarily known for his operas (or "music dramas", as he later called them). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Perhaps the two best-known extracts from his works are the Ride of the Valkyries from the opera Die Walküre, and the Wedding March (Bridal Chorus) from the opera Lohengrin.
  Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were broadly in the romantic vein of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts and was announced in a series of essays between 1849 and 1852. Wagner realized this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again, and he reintroduced some traditional operatic forms into his last few stage works, including Die Meistersinger von Nürnberg.
  
  wn.com/Richard_Wagner
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  Stéphane Mallarmé
  Stéphane Mallarmé (pronounced [ste.fan ma.laʁ.me]) (18 March 1842 – 9 September 1898), whose real name was Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Dadaism, Surrealism, and Futurism.
  Stéphane Mallarmé was born in Paris. He worked as an English teacher and spent much of his life in relative poverty; but was famed for his salons, occasional gatherings of intellectuals at his house on the rue de Rome for discussions of poetry, art, philosophy. The group became known as les Mardistes, because they met on Tuesdays (in French, mardi), and through it Mallarmé exerted considerable influence on the work of a generation of writers. For many years, those sessions, where Mallarmé held court as judge, jester, and king, were considered the heart of Paris intellectual life. Regular visitors included W.B. Yeats, Rainer Maria Rilke, Paul Valéry, Stefan George, Paul Verlaine, and many others.
  
  wn.com/Stéphane_Mallarmé
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  Vincent d'Indy
  Vincent d'Indy (French pronunciation: [vɛ̃.sɑ̃ dɛ̃.di]) (27 March 1851 – 2 December 1931) was a French composer and teacher.
  Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer. From the age of 14 he studied harmony with Albert Lavignac. At age 19, during the Franco-Prussian War, he enlisted in the National Guard, but returned to musical life as soon as the hostilities were over. The first of his works he heard performed was a Symphonie italienne, at an orchestral rehearsal under Jules Pasdeloup; the work was admired by Georges Bizet and Jules Massenet, with whom he had already become acquainted. On the advice of Henri Duparc, he became a devoted student of César Franck at the Conservatoire de Paris. As a follower of Franck, d'Indy came to admire what he considered the standards of German symphonism.
  
  wn.com/Vincent_d'Indy
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  William Shakespeare
  William Shakespeare (baptised 26 April 1564; died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
  Shakespeare was born and brought up in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his physical appearance, sexuality, religious beliefs, and whether the works attributed to him were written by others.
  
  wn.com/William_Shakespeare

• Concert pour piano, violon et quatuor à cordes en ré majeur Op.21 - Décidé
• Concert pour piano, violon et quatuor à cordes en ré majeur Op.21 - Sicilienne
• Concert pour piano, violon et quatuor à cordes en ré majeur Op.21 - Grave
• Concert pour piano, violon et quatuor à cordes en ré majeur Op.21 - Très animé
• La chanson perpétuelle Op.37 - Lent, dans le sentiment d'une chanson populaire
• Quatuor à cordes en ut mineur Op.35 - Grave - Modéré
• Quatuor à cordes en ut mineur Op.35 - Très Calme
• Quatuor à cordes en ut mineur Op.35 - Gaiement et pas trop vite (Musique d'Ernest Chausson)
• Quatuor à cordes en ut mineur Op.35 - Gaiement et pas trop vite (Musique de Vincent D'Indy)

• Violin Concerto, Op. 61: I. Allegro
• Violin Concerto, Op. 61: II. Andante
• Violin Concerto, Op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto
• Poème, Op. 25

• Violin Concerto No. 1, Op. 35: I. Vivace assai
• Violin Concerto No. 1, Op. 35: II. Vivace scherzando
• Violin Concerto No. 1, Op. 35: III. Cadenza: Allegro moderato
• Havanaise in E major, Op. 83
• Poème, Op. 25
• Thaïs, Act II Scene 1: Méditation religieuse
• Wie Melodien zeiht es mir "Contemplation", Op. 105 No. 1 (arr. Heifetz & Reynolds)
• Fragment for the Virgin
• Thaïs, Act II Scene 1: Méditation religieuse [performance track]

• Concert op. 21: I. Décidé
• Concert op. 21: II. Sicilienne
• Concert op. 21: III. Grave
• Concert op. 21: IV. Finale
• Pièce op. 39 en Ut majeur pour violoncelle et piano

• Poème de l'amour et de la mer: La fleur des eaux
• Poème de l'amour et de la mer: Interlude
• Poème de l'amour et de la mer: La mort de l'amour
• Neuf mélodies: Sérénade italienne
• Neuf mélodies: Le Colibri
• Neuf mélodies: Les Papillons
• Neuf mélodies: Le Charme
• Neuf mélodies: Amour d'antan
• Neuf mélodies: Printemps triste
• Neuf mélodies: Sérénade
• Neuf mélodies: L'Aveu
• Neuf mélodies: Chanson d'amour
• Chanson perpétuelle, Op. 37

• Symphonie espagnole, Op. 21: I. Allegro non troppo
• Symphonie espagnole, Op. 21: II. Scherzando: Allegro molto
• Symphonie espagnole, Op. 21: IV. Andante
• Symphonie espagnole, Op. 21: V. Rondo. Allegro
• Havanaise, Op. 83: I. Allegretto e lusinghiero
• Havanaise, Op. 83: II. Allegro
• Havanaise, Op. 83: III. Allegro ma non troppo
• Zigeunerweisen, Op. 20: I. Moderato
• Zigeunerweisen, Op. 20: II. Lento
• Zigeunerweisen, Op. 20: III. Un poco più lento
• Zigeunerweisen, Op. 20: IV. Allegro molto vivace
• Poème, Op. 25
• Introduction and Rondo Capriccioso, Op. 28: I. Andante
• Introduction and Rondo Capriccioso, Op. 28: II. Allegro ma non troppo
• Introduction and Rondo Capriccioso, Op. 28: III. Più allegro

• Symphonie espagnole in D minor, Op. 21: I. Allegro non troppo
• Symphonie espagnole in D minor, Op. 21: II. Scherzando. Allegro molto
• Symphonie espagnole in D minor, Op. 21: III. Intermezzo. Allegro non troppo
• Symphonie espagnole in D minor, Op. 21: IV. Andante
• Symphonie espagnole in D minor, Op. 21: V. Rondo. Allegro
• Poème Op. 25
• Violin Concerto No. 3 in B minor, Op. 61: I.
• Violin Concerto No. 3 in B minor, Op. 61: II.
• Violin Concerto No. 3 in B minor, Op. 61: III.

• Symphony in B-flat, Op. 20: I. Lento - Allegro vivo
• Symphony in B-flat, Op. 20: II. Très lent - Un peu plus vite
• Symphony in B-flat, Op. 20: III. Animé - Très animé
• Escales (Ports of Call): I. Palérmo. Calme
• Escales (Ports of Call): II. Tunis. Modéré très rythmé
• Escales (Ports of Call): III. Valencia. Animé
• Divertissement: I. Introduction. Allegro vivo
• Divertissement: II. Cortège. Moderato molto
• Divertissement: III. Nocturne. Lento
• Divertissement: IV. Valse. Animato assai
• Divertissement: V. Parade. Tempo di marcia
• Divertissement: VI. Finale. Quasi cadenza

• Concerto for Violin & Orchestra in D minor, Op. 47: I. Allegro Moderato
• Concerto for Violin & Orchestra in D minor, Op. 47: II. Adagio di Molto
• Concerto for Violin & Orchestra in D minor, Op. 47: III. Allegro ma non tanto
• Poème for Violin & Orchestra, Op. 25

• Symphony In B Flat Op. 20: I - Lento-Allegro vivo
• Symphony In B Flat Op. 20: II - Molto Lento
• Symphony In B Flat Op. 20: III - Animato
• Soir de fête Op. 32
• The Tempest Op.18: II - Air De Danse
• The Tempest Op.18: IV - Danse Rustique

• Introduction et Rondo capriccioso, Op. 28
• Méditation de Thaïs
• Zigeunerweisen, Op. 20
• Poème, Op. 25
• Caprice d'après l'Étude en forme de valse de Saint-Saëns
• Tzigane

• Violin Sonata in G major: I. Très moderé
• Violin Sonata in G major: II. Très lent
• Violin Sonata in G major: III. Très animé
• Concerto for Violin, Piano and String Quartet in D major, Op. 21: I. Decidé - Animé
• Concerto for Violin, Piano and String Quartet in D major, Op. 21: II. Sicilienne: Pas vite
• Concerto for Violin, Piano and String Quartet in D major, Op. 21: III. Grave
• Concerto for Violin, Piano and String Quartet in D major, Op. 21: IV. Très animé

• Violin Concerto in D minor, Op. 47: I. Allegro moderato
• Violin Concerto in D minor, Op. 47: II. Adagio di molto
• Violin Concerto in D minor, Op. 47: III. Allegro
• Poème for Violin and Orchestra, Op.25

• Sonata for Violin and Piano: I. Allegretto ben moderato
• Sonata for Violin and Piano: II. Allegro
• Sonata for Violin and Piano: III. Recitativo - Fantasia
• Sonata for Violin and Piano: IV. Allegretto poco mosso
• Sonata for Violin and Piano: I. Allegro vivo
• Sonata for Violin and Piano: II. Intermède: Fantasque et léger
• Sonata for Violin and Piano: III. Finale: Très animé
• Poème pour Violon et Orchestre, Op. 25

• Symphonie en si bémol Op. 20 - Lent - Allegro vivo - Plus lent...
• Très lent - Un peu plus vite - Tempo I
• Animé - Très animé - Encore plus animé...
• Poème Op. 25
• Viviane Op. 5

Born: 1855-01-20

Died: 1899-06-10

• timeline:
• 2012
• 2011
• 2010
• 2009
• 2008
• 2007
• 2006
• 2005
• 2004
• 2003
• 2002
• 2001

• timeline:
• 2012
• 2011
• 2010
• 2009
• 2008
• 2007
• 2006
• 2005
• 2004
• 2003
• 2002
• 2001