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An article (abbreviated ART) is a word (or prefix or suffix) that combines with a noun to indicate the type of reference being made by the noun. Articles specify the grammatical definiteness of the noun, in some languages extending to volume or numerical scope. The articles in the English language are the and a/an, and (in some contexts) some. 'An' and 'a' are modern forms of the Old English 'an', which in Anglian dialects was the number 'one' (compare 'on', in Saxon dialects) and survived into Modern Scots as the number 'ane'. Both 'on' (respelled 'one' by the Normans) and 'an' survived into Modern English, with 'one' used as the number and 'an' ('a', before nouns that begin with a consonant sound) as an indefinite article.

In some languages, articles are a special part of speech, which cannot easily be combined with other parts of speech. It is also possible for articles to be part of another part of speech category such as a determiner, an English part of speech category that combines articles and demonstratives (such as 'this' and 'that').

In languages that employ articles, every common noun, with some exceptions, is expressed with a certain definiteness (e.g., definite or indefinite), just as many languages express every noun with a certain grammatical number (e.g., singular or plural). Every noun must be accompanied by the article, if any, corresponding to its definiteness, and the lack of an article (considered a zero article) itself specifies a certain definiteness. This is in contrast to other adjectives and determiners, which are typically optional. This obligatory nature of articles makes them among the most common words in many languages—in English, for example, the most frequent word is the.^[1]

Types[link]

Articles are usually characterized as either definite or indefinite.^[2] A few languages with well-developed systems of articles may distinguish additional subtypes.

Within each type, languages may have various forms of each article, according to grammatical attributes such as gender, number, or case, or according to adjacent sounds.

Definite article[link]

A definite article indicates that its noun is a particular one (or ones) identifiable to the listener. It may be something that the speaker has already mentioned, or it may be something uniquely specified. The definite article in English, for both singular and plural nouns, is the.

The children know the fastest way home.

The sentence above refers to specific children and a specific way home; it contrasts with the much more general observation that:

Children know the fastest way home.

The latter sentence refers to children in general, perhaps all or most of them.

Likewise,

Give me the book.

refers to a specific book whose identity is known or obvious to the listener; as such it has a markedly different meaning from

Give me a book.

which does not specify what book is to be given.

The definite article can also be used in English to indicate a specific class among other classes:

The cabbage white butterfly lays its eggs on members of the Brassica genus.

Indefinite article[link]

An indefinite article indicates that its noun is not a particular one (or ones) identifiable to the listener. It may be something that the speaker is mentioning for the first time, or its precise identity may be irrelevant or hypothetical, or the speaker may be making a general statement about any such thing. English uses a/an, from the Old English forms of the number 'one', as its primary indefinite article. The form an is used before words that begin with a vowel sound (even if spelled with an initial consonant, as in an hour), and a before words that begin with a consonant sound (even if spelled with a vowel, as in a European).

She had a house so large that an elephant would get lost without a map.

Before some words beginning with a pronounced (not silent) h in an unstressed first syllable, such as hallucination, hilarious, historic(al), horrendous, and horrific, some (especially older) British writers prefer to use an over a (an historical event, etc.).^[3] An is also preferred before hotel by some writers of British English (probably reflecting the relatively recent adoption of the word from French, where the h is not pronounced).^[4] The use of "an" before words beginning with an unstressed "h" is more common generally in British English than American.^[4] American writers normally use a in all these cases, although there are occasional uses of an historic(al) in American English.^[5] According to the New Oxford Dictionary of English, such use is increasingly rare in British English too.^[3] Unlike British English, American English typically uses an before herb, since the h in this word is silent for most Americans.

The word some is used as a functional plural of a/an. "An apple" never means more than one apple. "Give me some apples" indicates more than one is desired but without specifying a quantity. This finds comparison in Spanish, where the singular indefinite article 'uno/una' ("one") is completely indistinguishable from the unit number, except where it has a plural form ('unos/unas'): Dame una manzana" ("Give me an apple") > "Dame unas manzanas" ("Give me some apples"). However, some also serves as a quantifier rather than as a plural article, as in "There are some apples there, but not many."

Some also serves as a singular indefinite article, as in "There is some person on the porch". This usage differs from the usage of a(n) in that some indicates that the identity of the noun is unknown to both the listener and the speaker, while a(n) indicates that the identity is unknown to the listener without specifying whether or not it is known to the speaker. Thus There is some person on the porch indicates indefiniteness to both the listener and the speaker, while There is a person on the porch indicates indefiniteness to the listener but gives no information as to whether the speaker knows the person's identity.

Partitive article[link]

A partitive article is a type of indefinite article used with a mass noun such as water, to indicate a non-specific quantity of it. Partitive articles are used in French and Italian in addition to definite and indefinite articles. The nearest equivalent in English is some, although this is considered a determiner and not an article.

French: Voulez-vous du café ?

Do you want (some) coffee? (or, dialectally but more accurately, Do you want some of this coffee?)

See also more information about the French partitive article.

Haida has a partitive article (suffixed -gyaa) referring to "part of something or... to one or more objects of a given group or category," e.g., tluugyaa uu hal tlaahlaang 'he is making a boat (a member of the category of boats).'^[6]

Negative article[link]

A negative article specifies none of its noun, and can thus be regarded as neither definite nor indefinite. On the other hand, some consider such a word to be a simple determiner rather than an article. In English, this function is fulfilled by no, which can appear before a singular or plural noun:

No man is an island.

No dogs are allowed here.

Zero article[link]

The zero article is the absence of an article. In languages having a definite article, the lack of an article specifically indicates that the noun is indefinite. Linguists interested in X-bar theory causally link zero articles to nouns lacking a determiner.^[7] In English, the zero article rather than the indefinite is used with plurals and mass nouns, although the word "some" can be used as an indefinite plural article.

Visitors end up walking in mud.

Variation among languages[link]

Articles in languages in and around Europe

  indefinite and definite articles

  only definite articles

  indefinite and suffixed definite articles

  only suffixed definite articles

  no articles

Articles are found in many Indo-European and Semitic languages but are absent from some other large languages of the world, such as Chinese, Indonesian, Japanese, Hindi and Russian.

Linguists believe the common ancestor of the Indo-European languages, Proto-Indo-European, did not have articles. Most of the languages in this family do not have definite or indefinite articles; there is no article in Latin, Sanskrit, Persian, nor in some modern Indo-European languages, such as the Baltic languages and most Slavic languages. Although Classical Greek has a definite article (which has survived into Modern Greek and which bears strong resemblance to the German definite article), the earlier Homeric Greek did not. Articles developed independently in several language families.

Not all languages have both definite and indefinite articles, and some languages have different types of definite and indefinite articles to distinguish finer shades of meaning; for example, French and Italian have a partitive article used for indefinite mass nouns, while Colognian has two distinct sets of definite articles indicating focus and uniqueness, and Macedonian uses definite articles in a demonstrative sense, distinguishing this from that (with an intermediate degree). The words this and that (and their plurals, these and those) can be understood in English as, ultimately, forms of the definite article the (whose declension in Old English included thaes, an ancestral form of this/that and these/those).

In many languages, the form of the article may vary according to the gender, number, or case of its noun. In some languages the article may be the only indication of the case, e.g., German Der Hut des Napoleon, "Napoleon's hat". Many languages do not use articles at all, and may use other ways of indicating old versus new information, such as topic–comment constructions.

In the above examples, the article always precedes its noun (with the exception of the Arabic tanween and the Hebrew ה ha-). In some languages, however, the definite article is not always a separate word, but may be suffixed, attached to the end of its noun as a suffix. For example,

• Albanian: plis, a white fez; plisi, the white fez
• Bengali language: "Boi", book; "Boiti/Boita/Boikhana" : "The Book"
• Romanian: drum, road; drumul, the road
• Icelandic: hestur, horse; hesturinn, the horse
• Norwegian: stol, chair; stolen, the chair
• Swedish: hus house; huset, the house
• Bulgarian: стол stol, chair; столът stolǎt, the chair (subject); стола stola, the chair (object)
• Macedonian: стол stol, chair; столот stolot, the chair; столов stolov, this chair; столон stolon, that chair

Example of prefixed definite article:

• Hebrew: ילד‎, transcribed as yeled, a boy; הילד, transcribed as ha-yeled, the boy

A different way, limited to the definitive article, is used by Latvian. The noun doesn't change but the adjective can be defined or undefined: galds, a table / the table; balts galds, a white table; baltais galds, the white table.

Evolution[link]

Articles have developed independently in many different language families across the globe. Generally, articles develop over time usually by specialization of certain adjectives.

Joseph Greenberg in Universals of Human Language^[8] describes "the cycle of the definite article": Definite articles (Stage I) evolve from demonstratives, and in turn can become generic articles (Stage II) that may be used in both definite and indefinite contexts, and later merely noun markers (Stage III) that are part of nouns other than proper names and more recent borrowings. Eventually articles may evolve anew from demonstratives.

Definite articles[link]

Definite articles typically arise from demonstratives meaning that. For example, the definite articles in the Romance languages—e.g., el, il, le, la—derive from the Latin demonstratives ille (masculine) and illa (feminine).

The English definite article the, written þe in Middle English, derives from an Old English demonstrative, which, according to gender, was written se (masculine), seo (feminine) (þe and þeo in the Northumbrian dialect), or þæt (neuter). The neuter form þæt also gave rise to the modern demonstrative that. The ye occasionally seen in pseudo-archaic usage such as "Ye Olde Englishe Tea Shoppe" is actually a form of þe, where the letter thorn (þ) came to be written as a y.

Multiple demonstratives can give rise to multiple definite articles. Macedonian, for example, in which the articles are suffixed, has столот (stolot), the chair; столов (stolov), this chair; and столон (stolon), that chair. Colognian prepositions articles such as in dat Auto, or et Auto, the car; the first being specifically selected, focussed, newly introduced, while the latter is not selected, unfocussed, already known, general, or generic.

Indefinite articles[link]

Indefinite articles typically arise from adjectives meaning one. For example, the indefinite articles in the Romance languages—e.g., un, una, une—derive from the Latin adjective unus. Partitive articles, however, derive from Vulgar Latin de illo, meaning (some) of the.

The English indefinite article an is derived from the same root as one. The -n came to be dropped before consonants, giving rise to the shortened form a. The existence of both forms has led to many cases of juncture loss, e.g., transforming the original a napron into the modern an apron.

See also[link]

• English articles
• Al- (definite article in Arabic)
• Definiteness
• Definite description

References[link]

External links[link]

Wikisource has the text of the 1921 Collier's Encyclopedia article Article.

Eddie Izzard
Izzard performing at the Garrick Theatre, 2 December 2008
Birth name	Edward John Izzard[1]
Born	(1962-02-07) 7 February 1962 (age 50) Colony of Aden, Aden Protectorate (now Aden, Yemen)[2]
Medium	Stand up, Television, Film
Nationality	British
Years active	1982–present
Genres	Surreal humour, Improvisational comedy, Observational comedy.
Subject(s)	History, Celebrities, Religion, Culture, Sex
Influences	Monty Python,[3][4] Billy Connolly,[5] Lenny Bruce, Bill Hicks,[5] Steve Martin,[4] Spike Milligan, Jerry Sadowitz.[4]
Influenced	Hal Sparks, Harry Hill, Rhod Gilbert[6]
Notable works and roles	Live at the Ambassadors Unrepeatable Definite Article Dress to Kill Glorious Circle Lenny Bruce in Lenny Wayne Malloy/Doug Rich in The Riches Roman Nagel in Ocean's Thirteen Erich Fellgiebel in Valkyrie Mr. Kite in Across the Universe
Website	eddieizzard.com
Emmy Awards
Individual Performance In A Variety Or Music Program 2000 Dress to Kill Writing In A Variety, Music Or Comedy Program 2000 Dress to Kill
British Comedy Awards
Top Stand-up 1993 Live at the Ambassadors Best Stand-up 1996 Definite Article

Edward John "Eddie" Izzard^[1] (born 7 February 1962) is an English stand-up comedian, actor, and writer. His comedy style takes the form of rambling, whimsical monologue and self-referential pantomime. He had a starring role in the television series The Riches as Wayne Malloy and has appeared in many motion pictures such as Ocean's Twelve, Ocean's Thirteen, Mystery Men, Shadow of the Vampire, The Cat's Meow, Across the Universe, The Chronicles of Narnia: Prince Caspian and Valkyrie. He is also the voice of Nigel in the 2006 animated film The Wild and Miles Axlerod in the 2011 Disney/Pixar animated film Cars 2.

He has cited his main comedy role model as Monty Python, and John Cleese once referred to him as the "Lost Python".^[3] In 2009, he completed 43 marathons in 51 days for Sport Relief in spite of having no prior history of long distance running.^[7] He is also known for his transvestism. He has won numerous awards including a Primetime Emmy Award for Individual Performance in a Variety or Music Program for his comedy special Dress to Kill, in 2000. Izzard's web site won the Yahoo People's Choice Award^[8] and earned the Webby Award.^[9]

Early life[link]

Izzard was born in Aden, Yemen, then the Colony of Aden in the Aden Protectorate.^[2] He was the younger son of British parents Dorothy Ella, a midwife and nurse, and Harold John Izzard, an accountant who was working in Aden with British Petroleum.^[10][11] A year after his birth, the family moved to Bangor in Northern Ireland and lived there until he was five.^{[1][2][3][10]} The family then moved to Skewen in south west Wales (near Swansea) where his mother died of cancer when Eddie was six and his brother Mark was eight.^[1][11][12] Following his mother's death, Izzard attended boarding schools:^[1][11] St John's School in Porthcawl,^[4] St. Bede's Preparatory School, Eastbourne,^{[citation needed]} and Eastbourne College^{[citation needed]}.

Career[link]

Early career[link]

Izzard began to toy with comedy at the University of Sheffield with student friend Rob Ballard.^[5][13] After leaving his accountancy degree course, he and Ballard took their act to the streets,^[5][13] often in Covent Garden.^[4][14][15] After his split with Ballard, Izzard spent a great deal of the early 1980s working as a street performer in Europe and the United States. He then moved his act into the stand-up comedy venues of Britain. His first gig was at the Banana Cabaret in Balham, London.^[1][16] In 1987, he made his first stage appearance at The Comedy Store, London.^[3] In 1989, he met actress Sarah Townsend who was running a Fringe venue at the Edinburgh Festival.^[17] He refined his material throughout the 1980s, and in the early 1990s he finally began earning some measure of recognition through his improvisation, in part at his own club "Raging Bull" in Soho.^[15]

Success as a comedian[link]

In 1991, Izzard got a spot on the Fry and Laurie produced AIDS benefit Hysteria 3, where he did his "Wolves" sketch, which broke him into the mainstream comedy circuit and television. His resultant stand-up work brought him British Comedy Awards in 1993 (for Live at the Ambassadors), a part in "Filth" which was a stand up presentation by left-wing sympathetic comedians in aid of raising money for the Terrence Higgins Trust in 1994, and 1996 (for Definite Article).

In 1996, he got a part in his first United States-produced film, The Secret Agent, where he met and befriended Robin Williams. Williams already knew of Izzard's act, and discussed bringing his act to the United States. As a result, Izzard took Definite Article on a successful stint in New York City in the same year, and as a support act to Williams took Dress to Kill to San Francisco in 1998 (the footage from which forms the performance on the Dress To Kill DVD). His US breakthrough came in 1999, when Dress to Kill was shown on the American television channel HBO, about a year or so after he performed the show on tour in the US, UK and France. Suddenly, America was aware of Izzard, and the show went on to earn him two Emmy Awards in 2000 (for performance and writing).

In 1999, after complaints that his act recycled jokes appearing on his DVDs, the BBC's consumer programme Watchdog investigated Izzard's live act. Izzard explained that like most comedy performers, he used some of his most successful routines in each show. Nonetheless, Izzard was issued a warning by the Department of Trade and Industry. Much of the problem was caused by the recording and selling of the American leg of his tour on DVD in the UK for the Christmas market before the UK leg of the tour took place. Izzard was greatly upset by early reactions to his UK shows, and the investigation, as he was initially unaware of the show's core material having already been seen. He commented on this debacle in later performances and furiously started to write new tangential material hoping to satisfy audiences. This also led to DVD releases of first the US tour show and later the altered UK version with new and evolved material. Since then, Izzard has rarely performed his stand-up act on television, saying that it uses up material at too high a rate, whereas stage material can be continually re-used in front of different audiences for several months.^{[citation needed]}

In 2005, Izzard used his rambling style to provide the voice-over for the British government's television advertisements promoting recycling. The tagline of the ads was "Recycle. The possibilities are endless!" Izzard also performed on stage with Scottish musician Midge Ure at Live8 in Edinburgh, Scotland. He played the piano on the song "Vienna".

In January 2006, the US television network FX announced the production of a new drama series called The Riches (formerly Low Life). Izzard and British actress Minnie Driver star as a married couple, Wayne and Dahlia Malloy, who have been part of a caravan of con-artist Irish travellers swindling their way across the US with their children. After finding another family killed in a car accident, the Malloys assume their identities and start a new life as law-abiding suburbanites in Baton Rouge, Louisiana. The youngest son has shown a preference for wearing girls' clothing, leading to some speculation that the role was based upon Izzard's experiences. Izzard has stated in several interviews that the character of Sam had been given transvestite tendencies long before he was cast as Wayne Malloy, but he has contributed his perspective to keep the character believable.

Theatrical, TV and film appearances[link]

In 1994, Izzard made his West End drama debut as the lead in the world premiere of David Mamet's The Cryptogram with Lindsay Duncan, in the production at London's Comedy Theatre. The success of that role led to his second starring role in David Beaird's black comedy 900 Oneonta. In 1995, he portrayed the title character in Christopher Marlowe's Edward II.

In 1998 Izzard appeared briefly on stage with the Monty Python team in The American Film Institute's Tribute to Monty Python (also referred to as Monty Python Live at Aspen). He walked on stage with the five surviving Pythons and he was summarily escorted off by Eric Idle and Michael Palin as he attempted to participate in a discussion about how the group got together.

Izzard portrayed comedian Lenny Bruce in the 1999 production of Julian Barry's 1971 play Lenny. In 2001, he replaced Clive Owen in Peter Nichols' 1967 play A Day in the Death of Joe Egg at the Comedy Theatre. Izzard and Victoria Hamilton then repeated their lead roles when the show was brought to Broadway in 2003, with The Roundabout Theatre Company production. The revival received four Tony Award nominations including Best Revival of a Play, Best Leading Actor and Actress for its stars Izzard and Hamilton in their Broadway debuts, and Best Direction for Laurence Boswell. In June 2010, Izzard replaced James Spader in the role of Jack Lawson in David Mamet's play Race on Broadway.^[18]

Izzard has appeared in numerous films, starting with 1996's The Secret Agent. He has appeared as several real-life individuals, including Charlie Chaplin in The Cat's Meow, actor Gustav von Wangenheim in Shadow of the Vampire and General Erich Fellgiebel in Valkyrie. Other roles have included Mr. Kite in Across the Universe, Lussurioso in Revengers Tragedy and criminal expert Roman Nagel in Ocean's Twelve and Ocean's Thirteen. Voice work has included the titular It in Five Children and It, Nigel in The Wild and the mouse warrior Reepicheep in The Chronicles of Narnia: Prince Caspian. He said in 2009 that he would not be reprising his role as Reepicheep and the role was ultimately played by Simon Pegg in The Chronicles of Narnia: The Voyage of the Dawn Treader. He also had a brief appearance in James Cameron's oscar winning film, Titanic. He appeared as a cabin boy on the ship.

Izzard appeared in the BBC science fiction miniseries The Day of the Triffids based on the 1951 novel, alongside Jason Priestley, Vanessa Redgrave, Joely Richardson, Dougray Scott and Brian Cox.^[19] He played Dr. Hatteras, a sceptical psychology professor, in the Showtime series United States of Tara.^[20]

In December 2011, he appeared in the British drama Lost Christmas as Anthony. The film was written by David Logan and John Hay. In January 2012, he appeared as Long John Silver in Sky1's adaptation of Treasure Island alongside Elijah Wood and Philip Glenister among others.

Comic style[link]

Elliott Gould and Eddie Izzard

Izzard's style is heavily influenced by Monty Python, or rather Spike Milligan, especially in his use of a stream-of-consciousness delivery that jumps between topics as he free associates on stage. He does not generally work from a script, owing to his dyslexia. Instead, he interrupts himself with new joke ideas, the characters he portrays turn into other characters, and he nonchalantly leaps from topic to topic. This often results in brief pauses in the routine which he fills with 'so, yeah', and other verbal tics that have become his trademarks. Thinking aloud is also part of Izzard's ongoing attempt to make the process of writing the show itself part of the humour. As he put it in a 2004 interview with The Guardian, "It's the oral tradition. Human beings have been doing it for thousands of years".^[21] He frequently notes the reaction to a joke midstream by pretending to write on his hand ("Should be funnier"; "Lost them there"; "They didn't believe me"; "They didn't follow, never do that again"; "Never link those two [references] together ever again.") He asks the audience questions and verbally engages with hecklers.

Among Izzard's comic talents are mimicry and mime. He portrays God as an authority figure using the voice of James Mason and casts Sean Connery as Noah; these impersonations appear in many of his performances. Izzard also imitates activities such as sawing wood, vacuum cleaning, and mowing the lawn, anthropomorphising the machines with accents and personalities. Successful impressions, such as his Scottish clarinet teacher, Mrs. Badcrumble, become running gags which recur in different shows. He tackles topics both contemporary and historic, including frequent re-imaginings of historical events which result in scenes like 'Cake or Death: Church of England runs the Inquisition', or 'Jesus Ministers to the Dinosaurs'.

When asked about his comedy style by George Stroumboulopoulos, host of CBC Television's talk show, The Hour, Izzard described his use of history by saying,

"I just talk complete bullshit. The history, the politics, I noticed that no one was using history, so there's a lot of history lying about the place, and it's all free, and it's on Wikipedia! You know, I use Wikipedia like a crazy idiot, now. Then I take all this stuff, and I regurgitate it into a weird angle".^[22]

In 2008, in his Stripped tour, Izzard began using Wikipedia itself as part of his stand-up act, reading from a live copy of an article and mocking Wikipedia's self-referential editorial style.

Traditionally, Izzard has focused on the creative possibilities of thinking through absurd situations in real time. He also turns much of the attention on himself and his personality, including his cross-dressing ("It is my manifest destiny to wear a dress on all seven continents"). Contemporary popular culture (Harry Potter, Star Wars, etc.) is also a frequent subject, brought up both to critique its weaknesses and to enhance his anecdotes.

His bent towards the surreal even went so far as to produce a sitcom called Cows in 1997 for Channel 4, a live action comedy with actors dressed in cowsuits.^[23]

Transvestism[link]

Izzard started to freely talk about his transvestism in venues like Edinburgh Festival as early as 1992.^[24][25] In his show, Dress to Kill, Izzard describes himself as an "executive", "action" and "professional" transvestite, as "a male tomboy" rather than a drag queen or a "weirdo" transvestite (he cites J. Edgar Hoover and Hermann Göring as examples of the latter). In the past he regularly cross-dressed on stage but, since gaining success as a television and film actor, has decided to stay in "boy-mode" for the last several years. While there are those who suspect Izzard's cross-dressing was simply a comedic hook, he says that cross-dressing is, for him, neither a part of his performance nor a sexual fetish.^{[citation needed]} He remarks in his show Unrepeatable, "Women wear what they want and so do I". According to Izzard, "Most transvestites fancy women".^[26] He dismisses claims that he is a male homosexual, saying he is "a straight transvestite or a male lesbian".^[27] He has also described himself as "a lesbian trapped in a man's body",^[28] transgender,^[24] and "a complete boy plus half girl".^[27]

Activism[link]

Izzard has engaged in campaigning work. He is especially well known as a pro-European Union campaigner supporting the further integration of the UK into the EU. In May 2005, he appeared on the BBC's political debate show Question Time, describing himself as a 'British-European', comparing this with other cultural identities such as 'African-American'. As part of his integration campaigning, he was one of the first people to spend a euro in London. This pan-European approach has influenced his work: he regularly performs in French,^[15][20] in which he is fluent,^[14] and occasionally in German,^[15] in addition to English. In July 2003, Izzard received an honorary Doctor of Letters from the University of East Anglia in Norwich, England for "pro-Europe campaigning", "his contribution to promoting modern languages and tolerance of other cultures and lifestyles" and for having "transcended national barriers" with his humour.^[29]

He has also campaigned unsuccessfully against the closure of the departments of Drama and Languages, Linguistics and Translation at the University of East Anglia, although the department of Drama was later reprieved. In 1998, Izzard was named in a list of the biggest private financial donors to the Labour Party.^[30] He appeared in a party political broadcast for the Labour Party in the run up to the 2005 general election. He donated nearly £10,000 to the party in 2008,^[31] appeared again in a party political broadcast for the 2009 European election and again in a 2010 election video entitled 'Brilliant Britain'. Izzard appeared in literature to support changing the British electoral system from first-past-the-post to alternative vote for electing Members of Parliament to the House of Commons in the Alternative Vote referendum in 2011.^[32] In 2011, Eddie Izzard revealed that he had political ambitions and wanted to become an MP, Mayor or MEP by 2020.^[33]

On 20 July 2006, he received an honorary doctorate in Letters from the Faculty of Arts at the University of Sheffield,^[34] where he spent one year on an Accounting and Financial Management course in the early 80s. During his time at the University he established the now-defunct Alternative Productions Society in the Union of Students with the aim of promoting fringe-based arts. On 4 March 2010, he was elected as the Honorary President of the University of Sheffield Students' Union.^[35]

On 7 July 2007, Izzard was one of the presenters from the London leg of Live Earth. During an interview for the 2008 Stripped tour, Izzard spoke about becoming more active in European politics as well as running for political office in Europe within the next decade. Izzard added a stop in New Orleans during his 2008 Stripped tour. All proceeds from the performance of 23 June 2008 were donated to Neighborhood Housing Services of New Orleans.^[36]

Marathons[link]

On 27 July 2009, with only 5 weeks' training and no significant prior history of running, Izzard began seven weeks of back-to-back marathon runs (with Sundays off) across the UK to raise money for Sport Relief. He ran from London to Cardiff, to Belfast, to Edinburgh, and back to London carrying flags of England, Scotland or Wales depending on which country he was in, and carried a self-designed green flag bearing a white dove when in Northern Ireland. The blog Eddie Iz Running was a document of his road running marathon, in which he ran 43 marathons in 51 days. He completed the run on 15 September 2009, after having run at least 27 miles each day, 6 days a week for 7 weeks straight, covering more than 1,100 miles across the UK.^[37] Izzard received a special award at BBC Sports Personality of the Year 2009 for his achievements.^[38]

Izzard ran his final marathon in five hours and 30 seconds, narrowly outside his projected time. However, had he not stopped and waited 20 minutes for his film crew to catch up with him he could have finished well under his target time. In March 2010, Izzard took part in the Sport Relief Mile event.^[39]

Following the completion of the marathon runs, Izzard has started training to take part in an Ironman Triathlon, saying he has become fascinated with fitness "because there's no point in throwing away all that training".^[40]

Personal life[link]

During his Stripped tour, Izzard said he realised he was an atheist. "I was warming the material up in New York, where one night, literally on stage, I realised I didn’t believe in God at all. I just didn’t think there was anyone upstairs."^[41]

He keeps his romantic life private, saying one of the reasons is due to the wishes of his companions not wanting to become content for his show.^[41] Izzard dated Sarah Townsend, the director of the documentary Believe: The Eddie Izzard Story,^[14] whom he first met while she was running a Fringe venue at the Edinburgh Festival in 1989.^[17]

Izzard speaks French and has performed stand up in French during his shows.^[14] He also speaks German and used it in the 2001 film All the Queen's Men.

He supports Crystal Palace FC.^[42]

Izzard is an outspoken supporter of the Labour Party, and in September 2011 declared his ambition to stand for the party in the future as an MP, MEP or as Mayor of London.^[43]

Critical reception[link]

On 18 March 2007, Izzard was listed as number 3 of the 100 Greatest British National Comedians (just behind Peter Kay at number 2 and Billy Connolly at number 1) as part of British television station Channel 4's ongoing 100 Greatest..., series. However in the 2010 updated version of the list he was ranked 5th^[44] In a 2005 poll to find The Comedian's Comedian, Izzard was voted amongst the top 20 greatest comedy acts ever by fellow comedians and comedy insiders. He was number 75 in Comedy Central's 100 Greatest Stand-ups of All Time.

During the 1999 television special It's... the Monty Python Story,^[45] which Izzard hosted, John Cleese said Izzard was the "Lost Python"; Izzard furthered that idea via his substitution for Graham Chapman in public performance of Python material with the rest of the original members of the troupe. He also made a cameo appearance in the Python reunion interview Monty Python Live at Aspen.

In 2008, Izzard received the James Joyce Award of the Literary and Historical Society of UCD, Dublin, Ireland. In March 2010, Sheffield Students' Union of the University of Sheffield overwhelmingly elected him their honorary President.

Discography and appearances[link]

Stand-up[link]

• Live at the Ambassadors (15 November 1993)
• Unrepeatable (1994)
• Definite Article (21 October 1996)
• Glorious (17 November 1997)
• Dress to Kill (9 November 1998)
• Circle (18 November 2002)
• Sexie (26 November 2003)
• Stripped (23 November 2009)
• Force Majeure (2013)

Stage[link]

• 900 Oneonta (1994)
• The Cryptogram (1994)
• Edward II (1995)
• Lenny (1999)
• A Day in the Death of Joe Egg (2001–2002, 2003)
• Trumbo (2003)
• Race (2010)

Filmography[link]

• The Oncoming Storm (1995) as Luthor Keeton
• The Secret Agent (1996) as Vladimir
• Velvet Goldmine (1998) as Jerry Devine
• The Avengers (1998) as Bailey
• Mystery Men (1999) as Tony P
• The Criminal (1999) as Peter Hume
• Circus (2000) as Troy
• Shadow of the Vampire (2000) as Gustav von Wangenheim
• The Cat's Meow (2001) as Charlie Chaplin
• All the Queen's Men (2001) as Tony Parker
• Revengers Tragedy (2002) as Lussurioso
• Alien Invasion (2003) as Brik
• Blueberry aka Renegade (2004) as Prosit
• Around the World in 80 Days (2004)
• Five Children and It (2004) as It (voice)
• Romance & Cigarettes (2004) as Gene Vincent
• Ocean's Twelve (2004) as Roman Nagel
• The Aristocrats (2005) as Himself
• The Wild (2006) as Nigel (voice)
• My Super Ex-Girlfriend (2006) as Professor Bedlam
• Ocean's Thirteen (2007) as Roman Nagel
• Across the Universe (2007) as Mr. Kite
• The Chronicles of Narnia: Prince Caspian (2008) as Reepicheep (voice)
• Igor (2008) as Dr. Schadenfreude (voice)
• Valkyrie (2008) as Erich Fellgiebel
• Rage (2009) as Tiny Diamonds
• The Other Side (2009) as Dean Bellamy
• Believe: The Eddie Izzard Story (2009) as Himself
• Every Day (2010) as Garrett
• Cars 2 (2011) as Miles Axelrod
• Lost Christmas (2011) as Anthony

TV appearances[link]

• Barf Bites Back (Amnesty International Gala) (1991) – ITV
• Open Fire (1994)
• Have I Got News for You (1994, 1995 and 1996) – BBC Two
• Aristophanes: The Gods are Laughing (1995)
• Whose Line Is It Anyway? (1995)
• Tales from the Crypt (1996) – HBO
• Clive Anderson Talks Back (1996)
• Inspector Derrick (1997)
• Channel Izzard (1997)
• The Roseanne Show (1998)
• Rex the Runt (1998) – BBC
• Shooting Stars (1998) – BBC
• Parkinson (3 times)
• Dennis Miller Live (1999) – HBO
• Python Night – 30 Years of Monty Python (1999) – BBC
• Good News Week (2000) – Network 10
• Mongrel Nation (2002) – Discovery Channel
• The Caroline Rhea Show (2002)
• The Tonight Show with Jay Leno (2002, 2004 and 2007)
• The Tonight Show with Conan O'Brien (2009)
• 40 (2003) – Channel 4
• Late Night with Conan O'Brien (2003, 2008) NBC
• QI (Unaired pilot- 2002 or 2003, and 2010)
• Top Gear (2004) – BBC Two
• Last Call with Carson Daly (2005)
• The Sharon Osbourne Show (2006)
• Late Show with David Letterman (6 times)
• Late Late show with Craig Kilborn (4 times)
• The Late Late Show with Craig Ferguson (2006, 2008, 2009, 2010, 2011)
• The Henry Rollins Show (2006)
• The Paul O'Grady Show (2009)
• The Secret Policeman's Ball (2006)
• Kitchen (2007) – five
• Comedy Cuts (interview) (2007)
• The Hour (2007)
• Friday Night with Jonathan Ross (2007 and 2009)
• The Daily Show (2000, 2003 and 2007)
• The Riches (2007–2008)
• The Secret Policeman's Ball (2008)
• The Graham Norton Show (2008 and 2011)
• Late Night with Jimmy Fallon (2009)
• Kevin Pollak's Chat Show (2009)
• BBC Sports Personality of the Year (2009 award winner)
• The Day of the Triffids (2009)
• Marathon Man (2010)
• The Simpsons episode To Surveil with Love (2010)
• Chelsea Lately (2010)
• United States of Tara (2011)
• Alan Carr: Chatty Man (2011)
• The Green Room with Paul Provenza (2011)
• The Good Wife (2011) Season 3 – Episode 2, James Thrush ^[46]
• The Big Fat Quiz of the Year (2011)
• Treasure Island (2012) as Long John Silver
• The Secret Policeman's Ball (2012)

Video game[link]

• 102 Dalmatians: Puppies to the Rescue – Sgt. Tibbs the Cat (voice)

See also[link]

• Cross-dressing in film and television

References[link]

External links[link]

Wikimedia Commons has media related to: Eddie Izzard

Wikiquote has a collection of quotations related to: Eddie Izzard

• Official web site
• BBC America – Eddie Izzard
• Eddie Izzard at the Internet Movie Database
• Eddie Izzard at AllRovi
• Interview with Izzard – The Observer, 3 October 2004
• It's stupid and I love it – the Goon Show and me – The Guardian, 14 February 2005.
• Izzard interviewed by Bono – The Independent, 16 May 2006
• Venus Zine Staff Picks: Eddie Izzard, Dress to Kill