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Name | Michael Jackson's This Is It |
---|---|
Caption | Theatrical release poster |
Director | Kenny Ortega |
Producer | Michael JacksonRandy PhillipsKenny OrtegaPaul Gongaware |
Starring | Michael Jackson |
Music | Michael Jackson |
Cinematography | Sandrine OrabonaTim Patterson |
Studio | AEG LiveThe Michael Jackson Company, LLC |
Distributor | Columbia Pictures |
Released | |
Runtime | 111 minutes |
Country | |
Language | English |
Budget | $60 million |
Gross | $261,183,588 |
Preceded by | Michael Jackson's Ghosts |
Despite originally being set for October 30, the film's release date was rescheduled for October 28, 2009, due to a strong demand by Jackson's fans. The film was given a worldwide release and a limited two-week theatrical run from October 28, to November 12, 2009, but theatrical release was later extended. Tickets went on sale a month early on September 27, to satisfy a high anticipated demand; to date, the film has broken numerous records via tickets both pre-sale and sales worldwide.
Since the film's confirmation, AEG Live has faced criticism; mostly consisting of claims that they had only made the film to make a profit. Multiple members of Jackson's family had confirmed that they did not support the film and some family members went as far as to try to stop the film agreement in August. The film has also been surrounded by allegations regarding the appearance of body doubles in place of Jackson; which Sony denied, and an outrage from some of Jackson fans; with some going as far as to start a protest against the film. In August 2009, a judge approved a deal between Jackson's estate, concert promoter AEG Live, and Sony Pictures. The agreement allowed Sony to edit the hundreds of hours of rehearsal footage needed to create the film. Sony subsequently paid $50 million for the film rights.
The film was released to mainly positive reviews from both critics and Jackson fans; the film's portrayal of Jackson and his performances were generally praised, while criticism mainly consisted of both critics and fans having felt that the film was made just to profit off Jackson's death and that Jackson wouldn't have wanted the film released because he was a "perfectionist".
Despite some fans boycotting the film, and his family not endorsing the movie, This Is It ticket sales broke international records a month before its release. It has broken advance ticket sales records for a movie. Among the cities with the strongest sales are Los Angeles, San Francisco, Houston and New York. Records were also set in Japan, where more than $1 million in tickets were sold on the first day they were available. In London, fans bought more than 30,000 tickets on the first day. Record sales were also reported in Holland, Sweden, Belgium and New Zealand.
In the first opening weekend it grossed $101 million worldwide. The movie sold $32.5 million over its first five days in the U.S. and Canada, and $68.5 million in 97 other countries - making the number one film at the box office and making it the fifth highest-grossing Halloween debut. On its theatrical run, the film's worldwide revenue gross was in total $261 million, making it the highest grossing documentary/concert movie of all time. Jackson suggested possible post-show retirement: "I just wanted to say that these will be my final show performances in London. When I say this is it, it really means this is it," although he may have just been referring to performing in London. On March 11, two days before pre-sale began, an extra 40 dates were added to meet high demand, bringing the number of shows to 50 — five of these dates were reserved in their entirety for the public sale. Jackson's 50 dates would make the concerts the longest residency at the arena. In May, 2009, the tour was originally set to have begun on July 8, 2009, and finished on March 6, 2010. On May 20, 2009, it was announced that the first concert would be pushed back by eight days to July 16, and three other July dates would be rescheduled for March, 2010. AEG Live stated that the delay was necessary because more time was needed to prepare, mainly for dress rehearsals. The revised schedule called for 27 shows between July 16, and September 29, 2009, followed by a three month break, and resuming in 2010, with 23 more shows between January 7, and March 6, 2010. On June 29, 2009, only days after Jackson's death, AEG Live, the concert's promoter, offered ticket holders two choices - to either get refunded all the money spent of their ticket(s) or to keep the ticket(s) as a souvenir and memento by receiving the printed ticket that Jackson had designed himself.
In September 2009, Sony launched "This-Is-It-Fans.com", which allows fans to sign up for an 'alert' so that they can be able to take part in 'Michael Jackson's This Is It mosaic', in which fans can upload photos to the website, beginning from September 21, to September 30, and the completed mosaic will be posted online on October 22; six days before the film's release. On September 24, 2009, MTV announced, after the success the project proved with New Moon, that they will allow MTV registered users, to "watch and comment on any scene" in the film's already released trailer." MTV described the project as "essentially [being] an in-video graphical overlay that allows users to comment on the video as it plays and review comments from other users.
MTV stated that, "Fans in line are also eligible to receive commemorative 'Michael Jackson's This Is It' T-shirts and posters [...] They're also being invited to sign the memorial wall set up outside the theater, which is open for anyone who wants to leave a message or memory" for Jackson Jeff Labrecque of En commented, "Three months after Michael Jackson’s death, I’m still surprised by the passion of his fans." Bridget Daly of Hollyscoop commented on the waiting time for tickets that, she could "expect nothing less" from Jackson's fans.
E! Online.com said of the film, based on its current record ticket selling, out-selling and making more revenue then that: "Last year, Disney billed Miley Cyrus' Best of Both Worlds show as a one-week-only event. Then the film scored a $31 million opening weekend, and one week turned into 15. Hannah Montana/Miley Cyrus became the top-grossing concert movie of all time. So far. While it's still early, This Is It is on track to top Hannah Montana/Miley Cyrus. During its first three days of sales, Fandango said, Jackson's film outpaced Cyrus' first three days by a wide three-to-one margin." A spokesperson for Fandango.com, stated that, as of October 4, that: "The [film is the] best-selling concert film of all time. We were expecting a huge rush of ticket sales within the first few days. They are still going strong as of Thursday, fives days in. It shows no sign of abating." Nikki Finke stated that she felt the film "could shatter box-office records" and predicted that they will take in a total of $250 million in its first five days of release alone - which would make it the biggest opening of all time; taking that record from the current title-holder The Dark Knight, which earned $203 million in its first five days of release.
On August 11, it was widely announced, and later confirmed, that the film would be released to theatres in October 2009, though at the time no specific date was released or confirmed. When confirmed it was reported that the film was set be released worldwide on October 30, 2009. Later in August it was announced that the film's release date was rescheduled two days early for October 28. Sony stated that the film's release date was moved up by two days due to an 'overwhelming demand' for the film." China only allows 20 major foreign films to be released in the country every year on a revenue-sharing basis. Li Chow, manger of Sony Pictures Releasing International's stated that Sony will give the movie as wide a release as possible because of Jackson's popularity in China.
Multiple members of Jackson's family had opposed the film from the start in August 2009. Jackson's older sister La Toya stated that she felt that Michael wouldn't have wanted the film to have been released because he wasn't giving his all into his performances. Jackson's mother, Katherine stated that she cannot watch the film, still under grief by Jackson's death, but hopes to watch it "another time". Despite members of the Jackson family opposing the film, Sony confirmed that they had given the entire family 60 premiere tickets to the film.
In October 2009, Jackson's father, Joe stated and had strongly insisted that the film "is mostly body doubles" and that "the media is going to tear this movie apart" because of it. However, according to the full credits of the film, backup dancer Misha Gabriel plays as a stunt double during some parts of the Smooth Criminal short film. However, this appears to be only during the part where Jackson jumps out of the glass window, as the film crew did not want Jackson to do the jump.
At the time of Jackson's death, and in the aftermath of it, multiple reports surfaced that AEG Live purposely tried to hide Jackson's health concerns during preparations for his would have been concerts. Concerns included Jackson's frail appearance due to lack of eating that had reportedly caused Jackson to be unable to perform from lack of strength and that AEG had used body doubles in rehearsals to stand in for Jackson. On October 23, days before the film's release, fans of Jackson launched a protest campaign against the film entitled "This Is NOT It". The campaign's focus was to convince people that Jackson's health was neglected by AEG, among others, and that AEG was partly responsible for Jackson's death and now the company is making a profit off Jackson's death. The group started a website and created their own 'trailer' for the movie to showcase their point-of-view on the documentary. Shortly after the protest became news, The Guardian conducted a poll on their website asking users "What do you think of Michael Jackson's posthumous film Is This It?", 51.4% agreed with one of the two options: "I agree with the fans who are boycotting it - it's shameless profiteering".
This Is It made its international debut in 110 territories on October 28–30, 2009. The film's revenue mainly consisted of international sales - 72.4%. These box office results is another proof that Michael Jackson has a huge fan base throughout the world. This Is It had a good performance at the Australian box office with total gross of $8,734,295 and $1,878,725 This Is It debuted at first place at the United Kingdom box office, with the revenue of £4,877,255. In the film's second weekend of release, with the gross revenue of the previous week being down 52%, with £1,355,855, it placed at second at the United Kingdom—having been outgrossed by A Christmas Carol, which, similar to its second week at the North American box office, had been knocked to second place by the film. The film's international revenue was significantly contributed to within Japan—with $58,4 million, followed by the United Kingdom—with $16 million. With 261 million worldwide, This Is It became the highest-grossing documentary of all-time. Among Rotten Tomatoes' "Top Critics", which consists of popular and notable critics from the top newspapers, websites, television and radio programs, the film holds an overall approval rating of 87%, based on a sample of 30 reviews. Metacritic, which assigns a normalized rating out of 100 to reviews from film critics, has a rating score of 67 based on 32 reviews.
Roger Ebert, of Chicago Sun Times described the film as being an "extraordinary documentary", and stated that the film was "nothing at all like what" he was expecting to see. Kirt Honeycutt of The Hollywood Reporter praised the film for being "strange yet strangely beguiling" for capturing Jackson in "feverish grips of pure creativity" and stated that while the film presents that audience with a screen filled with everyone ranging from "performers, musicians, choreographers, crew members, craftsmen", she took notice that the film had primarily focused on Jackson. Honeycutt cited that the only thing that frustrated him more than knowing the "tragedy" that prevented the concert from happening was "not knowing what you're looking at" and commented that the film did not feel like a complete concert film because it had a grip on the audience, stating: "Where are Jackson and his conspirators at any given moment in the creative process? The film tries to be a concert film without having the actual footage. So when everything comes to a halt, audiences get thrown." {{Quote box | quote = "More important, however, is that we rarely witness Jackson giving 100%: He frequently comments that he is saving his voice and body for the actual performances. Jackson certainly can’t be faulted for this, but it's questionable whether he would really want his fans to see him thus. Don’t get me wrong: 60% of Michael Jackson is still a pretty good thing [...] [Jackson] the noted perfectionist, at work, correcting others’ dance moves without missing a beat himself and giving notes, sometimes revelatory and other times inscrutable, to his music director and others" | source = Marjorie Baumgarten of Austin Chronicle Peter Paras, of E! Online felt that watching Jackson and his performances in a positive aspect is the "genius and the sadness of the entire film".
Marjorie Baumgarten of Austin Chronicle referred to the film as being "neither a true concert film nor a strict behind-the-scenes documentary, This Is It is, like Jackson himself, a real hybrid" and felt that while the film's "made up of lots of grainy footage, which Ortega has edited together seamlessly" it will also "provide a fitting farewell". Joe Morgenstern, of The Wall Street Journal, felt the film was "expertly packaged—brilliantly packaged", and noted that the film "quite convincingly" had emphasized that Jackson had enough energy to perform, even with his "wraith-thin body". Ann Powers, of Los Angeles Times said that while the film offers only a few such "insights into Jackson's artistic process, though enough surface to make this a useful document, as well as a beautiful one" that the film is "a piece with Jackson's body of work: dazzling and strange, blurring the line between fantasy and reality".
{{Quote box | quote = "We see Jackson as a perfectionist, a generous boss, a tough taskmaster and a playful child. Off guard and probably unaware that it would ever be seen by the public, we find Jackson pushing his band and production team to the limit with demands to "let it sizzle" and "make the music simmer". Obsessive Jacko fans may be shocked by his Diva-ish behaviour as he complains about ear-pieces, but it's heartening to finally view the late singer as a rounded human with regular failings and imperfections. Similarly a scene featuring Jackson screaming "weeeee!" with childish glee as he moves around the stage on a giant cherry-picker, will surely bring a smile to even the most cynical viewer" | source = Alex Fletcher of Digital Spy David Edwards, of Daily Mirror, stated that while he felt that the film is a "success" he overall disliked the film, having felt that "as an exercise in wringing every last penny from Jackson's legacy" the film "most certainly isn't it" a tribute. Alex Fletcher, of Digital Spy described the film as having been an "essential viewing" and praised the film for showing "the real Michael Jackson" - which consisted of "difficult, odd, kind, obsessive and funny". He cited Jackson's best performances as Thriller and Billie Jean and the "worst material", Earth Song.
Category:2009 films Category:American films Category:Columbia Pictures films Category:Concert films Category:English-language films Category:Films directed by Kenny Ortega Category:Michael Jackson Category:Michael Jackson video albums Category:Sony Pictures Entertainment
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