Reginald Fessenden
The Father of Radio Broadcasting
Born	(1866-10-06)October 6, 1866 East-Bolton, Quebec, Canada
Died	July 22, 1932(1932-07-22) (aged 65) Bermuda (buried St. Mark's Church cemetery)
Nationality	Canadian
Occupation	Inventor
Known for	Inventing the Radiotelephony

Reginald Aubrey Fessenden (October 6, 1866 – July 22, 1932), a naturalized American citizen born in Quebec, Canada, was an inventor who performed pioneering experiments in radio, including early—and possibly the first—radio transmissions of voice and music. In his later career he received hundreds of patents for devices in fields such as high-powered transmitting, sonar, and television.

Early years[link]

Commemorative plaque near Fessenden's birthplace.

Reginald Fessenden Commemorative plaque in Austin, Quebec

Reginald Aubrey Fessenden was born October 6, 1866, in East-Bolton, Quebec, Canada, the eldest of the Reverend Joseph Elisha Fessenden and Clementina Trenholme Fessenden's four children. Joseph Fessenden was a priest of the Church of England in Canada, and through the years the family moved to a number of postings within the Province of Ontario. While growing up, Reginald was an accomplished student. In 1877, at the age of eleven, he attended Trinity College School in Port Hope, Ontario for two years. At the age of fourteen, Bishop's College School in Lennoxville, Quebec granted Fessenden a mathematics mastership. At this time, Bishop's College School was a feeder school of Bishop's University and shared the same campus and buildings. In June 1878, the school had an enrollment of only 43 boys. Thus, while Fessenden was only a teenager, he was teaching mathematics to the young children at the school while simultaneously studying with the older students at Bishop's University. Total enrollment at the university for the school year 1883-84 was twenty-five students. At the age of eighteen, Fessenden left Bishop's without having been awarded a degree, even though he had "done substantially all the work necessary." (This lack of a degree may have hurt Fessenden's employment opportunities; when McGill University established an electrical engineering department, Fessenden was turned down on an application to be the chairman, in favor of an American.)

The next two years he worked as the principal, and sole teacher, at the Whitney Institute in Bermuda. While there, he became engaged to Helen Trott. They married in September, 1890, and later had a son, Reginald Kennelly Fessenden.

Early work[link]

Fessenden's classical education provided him with only a limited amount of scientific and technical training. Interested in increasing his skills in the electrical field, he moved to New York City in 1886, with hopes of gaining employment with the famous inventor, Thomas Edison. As recounted in his 1925 Radio News autobiography, his initial attempts were rebuffed; in his first application Fessenden wrote, "Do not know anything about electricity, but can learn pretty quick," to which Edison replied, "Have enough men now who do not know about electricity." However, Fessenden persevered, and before the end of the year was hired for a semi-skilled position as an assistant tester for the Edison Machine Works, which was laying underground electrical mains in New York City. He quickly proved his worth, and received a series of promotions, with increasing responsibility for the project. In late 1886, Fessenden began working directly for Thomas Edison at the inventor's new laboratory in West Orange, New Jersey. A broad range of projects included work in solving problems in chemistry, metallurgy, and electricity. However, in 1890, facing financial problems, Edison was forced to lay off most of the laboratory employees, including Fessenden.

Taking advantage of his recent practical experience, Fessenden was able to find positions with a series of manufacturing companies. Next, in 1892, he received an appointment as professor for the newly formed Electrical Engineering department at Purdue University in West Lafayette, Indiana; while there he helped the Westinghouse Corporation install the lighting for the 1893 World Columbian Exposition in Chicago. Shortly thereafter in the same year, George Westinghouse personally recruited Fessenden for the newly created position of chair of the Electrical Engineering department at the Western University of Pennsylvania, renamed to the University of Pittsburgh in 1908. Fessenden began experimenting with wireless telephones in 1898; by 1899 he had a wireless communication system functioning between Pittsburgh and Allegheny City.^[1]

Radio work[link]

In the late 1890s, reports began to appear about the success Guglielmo Marconi was having in developing a practical radio transmitting and receiving system. Fessenden began limited radio experimentation, and soon came to the conclusion that he could develop a far more efficient system than the spark-gap transmitter and coherer-receiver combination which had been championed by Oliver Lodge and Marconi.

Weather Bureau contract and the first audio radio transmission[link]

In 1900 Fessenden left the University of Pittsburgh to work for the United States Weather Bureau, with the objective of proving the practicality of using a network of coastal radio stations to transmit weather information, thus avoiding the need to use the existing telegraph lines. The contract gave the Weather Bureau access to any devices Fessenden invented, but he would retain ownership of his inventions. Fessenden quickly made major advances, especially in receiver design, as he worked to develop audio reception of signals. His initial success came from a barretter detector, which was followed by the electrolytic detector that consisted of a fine wire dipped in nitric acid, and for the next few years this later device would set the standard for sensitivity in radio reception. As his work progressed, Fessenden also evolved the heterodyne principle, which combined two signals to produce a third audible tone. However, heterodyne reception was not fully practical for a decade after it was invented, since it required a means for producing a stable local signal, which awaited the development of the oscillating vacuum-tube.

Cobb Island on the Potomac River, scene of the first successful radio transmission of speech on December 23, 1900.

The initial work took place at Rock Point, Maryland, located about 80 kilometers (50 mi) downstream from Washington, DC. While there, Fessenden, experimenting with a high-frequency spark transmitter, successfully transmitted speech on December 23, 1900 over a distance of about 1.6 kilometers (one mile), which appears to have been the first audio radio transmission. At this time the sound quality was too distorted to be commercially practical, but as a test this did show that with further technical refinements it would become possible to transmit audio using radio signals.

As the experimentation expanded, additional stations were built along the Atlantic Coast in both North Carolina and Virginia. However, in the midst of promising advances, Fessenden became embroiled in disputes with his sponsor. In particular, he charged that Bureau Chief Willis Moore had attempted to gain a half-share of the patents. Fessenden refused to sign over the rights, and his work for the Weather Bureau ended in August, 1902. This incident recalled F. O. J. Smith, a member of the House of Representatives from Maine, who had managed to gain a one-quarter interest in the Morse telegraph.

Formation of NESCO[link]

At that point, two wealthy Pittsburgh, Pennsylvania businessmen, Hay Walker, Jr., and Thomas H. Given, financed the formation of National Electric Signaling Company (NESCO) to carry on Fessenden's research. This included the development of both a high-power rotary-spark transmitter for long-distance radiotelegraph service, and a lower-powered continuous-wave alternator-transmitter, which could be used for both telegraphic and audio transmissions. Brant Rock, Massachusetts became the center of operations for the new company.

Fessenden felt that, ultimately, a continuous-wave transmitter—one that produced a pure sine-wave signal on a single frequency—would be far more efficient, particularly because it could be used for quality audio transmissions. Fessenden contracted with General Electric to help design and produce a series of high-frequency alternator-transmitters.

Rotary-spark transmitter and the first two-way transatlantic transmission[link]

Photograph of Rotary Gap transmitter at Brant Rock, Ma. (c.1906).

It was decided to try to establish a transatlantic radiotelegraph service, and, in January, 1906, employing his rotary-spark transmitters, Fessenden made the first successful two-way transatlantic transmission, exchanging Morse code messages between a station constructed at Brant Rock and an identical one built at Machrihanish, Scotland. (Marconi had only achieved one-way transmissions at this time.) However, the transmitters could not bridge this distance during daylight hours or in the summer, so work was suspended until later in the year. Then, on December 6, 1906, "owing to the carelessness of one of the contractors employed in shifting some of the supporting cables," the Machrihanish radio tower collapsed, abruptly ending the transatlantic work before it could ever go into commercial service.

Postcard image, from around 1910, of the 128 meter (420 ft) tall Brant Rock radio tower.

Alternator-transmitter and the first audio radio broadcast[link]

The development of a rotary-spark transmitter was something of a stop-gap measure, to be used until a superior approach could be perfected. Fessenden felt that, ultimately, a continuous-wave transmitter—one that produced a pure sine wave signal on a single frequency—would be far more efficient, particularly because it could be used for quality audio transmissions. His design idea was to take a basic electrical alternator, which normally operated at speeds that produced alternating current of at most a few hundred hertz, and greatly speed it up in order to create electrical currents at tens of kilohertz. Thus, the high-speed alternator would produce a steady radio signal when connected to an aerial. Then, by simply placing a carbon microphone in the transmission line, the strength of the signal could be varied in order to add sounds to the transmission—in other words, amplitude modulation would be used to impress audio on the radio frequency carrier wave. However, it would take many years of expensive development before even a prototype alternator-transmitter would be ready, and a few more years beyond that for high-power versions to become available.

Fessenden contracted with General Electric to help design and produce a series of high-frequency alternator-transmitters. In 1903, Charles Proteus Steinmetz of GE delivered a 10 kHz version which proved of limited use and could not be directly used as a radio transmitter. Fessenden's request for a faster, more powerful unit was assigned to Ernst F. W. Alexanderson, and in August, 1906 he delivered an improved model which operated at a transmitting frequency of approximately 50 kHz, although with far less power than Fessenden's rotary-spark transmitters.

The alternator-transmitter achieved the goal of transmitting quality audio signals, but the lack of any way to amplify the signals meant they were somewhat weak. On December 21, 1906, Fessenden made an extensive demonstration of the new alternator-transmitter at Brant Rock, showing its utility for point-to-point wireless telephony, including interconnecting his stations to the wire telephone network. A detailed review of this demonstration appeared in The American Telephone Journal.^[2]

A few days later, two additional demonstrations took place, which appear to be the first audio radio broadcasts of entertainment and music ever made to a general audience—maybe. (Beginning in 1904, the U.S. Navy had broadcast daily time signals and weather reports, but these employed spark transmitters, transmitting in Morse code). On the evening of December 24, 1906 (Christmas Eve), Fessenden used the alternator-transmitter to send out a short program from Brant Rock. It included a phonograph record of Ombra mai fu (Largo) by George Frideric Handel, followed by Fessenden himself playing the song O Holy Night on the violin. Finishing with reading a passage from the Bible: 'Glory to God in the highest and on earth peace to men of good will' (Gospel of Luke 2:14).^[3] He petitioned his listeners to write in about the quality of the broadcast as well as their location when they heard it. Surprisingly, his broadcast was heard several hundred miles away, however accompanying the broadcast was a disturbing noise. This noise was due to irregularities in the spark gap transmitter he used.^[4]

On December 31, New Year's Eve, a second short program was broadcast. The main audience for both these transmissions was an unknown number of shipboard radio operators along the East Coast of the United States. Fessenden claimed that the Christmas Eve broadcast had been heard "as far down" as Norfolk, Virginia, while the New Year Eve's broadcast had reached places in the Caribbean. Although now seen as a landmark, these two broadcasts were barely noticed at the time and soon forgotten; the only first-hand account appears to be a letter Fessenden wrote on January 29, 1932 to his former associate, Samuel M. Kinter.^[3] There are no known accounts in any ships' radio logs, nor any contemporary literature, of the reported holiday demonstrations.

(Broadcasting historian James E. O'Neal, in a series of articles on the Radio World website,^[5][6] suggests that Fessenden, writing a quarter-century after the fact, may have confused the dates; O'Neal suggests Fessenden was remembering instead a series of tests he'd conducted in 1909.)

There is solid historical evidence, however, that Fessenden's demonstrations of "wireless telephony" were well known at the time. Documentation of Fessenden's demonstration of radio-transmitted voice is provided by a New York Time's article, dated Sunday, September 1, 1907, titled: "Telephoning at Sea." It announced that the "Navy Department is about to install wireless telephone apparatus on all battleships destined for the Pacific, this Fall. Practicable wireless telephony over a distance of five miles in all weathers is guaranteed by the company furnishing the instruments. Under favorable conditions, it is reported, a much greater distance for communication is possible." The article accurately describes the science involved, saying: "The Hertzian waves will penetrate opaque substances, and the amplitude and intensity of the waves may be so varied as to reproduce faithfully the vibrations of the human voice." The same article further states that: "recently, the Fessenden wireless system demonstrated the practicability of transmitting spoken words from a tall mast at Brent Rock to Plymouth, twelve miles away."^[7] Intense competition among developers of wireless technology, and the expectation of possible government contracts may have limited the scope of public promotion of the apparatus features and capabilities.

Fessenden's broadcast foreshadowed of the future of radio. (Although primarily designed for transmissions spanning a few kilometers, on a couple of occasions the test Brant Rock audio transmissions were apparently overheard by NESCO employee James C. Armor across the Atlantic at the Machrihanish site).

Continuing work and dismissal from NESCO[link]

The technical achievements made by Fessenden were not matched by financial success. Walker and Given had hoped to sell NESCO to a larger company such as the American Telephone & Telegraph Company, but were unable to find a buyer. Fessenden's formation of the Fessenden Wireless Company of Canada in Montreal in 1906 may have led to suspicion that he was trying to freeze Walker and Given out of a potentially lucrative competing transatlantic service. There were growing strains between Fessenden and the company owners, and finally Fessenden was dismissed from NESCO in January 1911. He in turn brought suit against NESCO for breach of contract. Fessenden won the initial court trial and was awarded damages, however, NESCO prevailed on appeal. To conserve assets, NESCO went into receivership in 1912, and Samuel Kintner was appointed general manager of the company. The legal stalemate would continue for over 15 years. In 1917, NESCO finally emerged from receivership, and was soon renamed the International Radio Telegraph Company. The company was sold to Westinghouse in 1920, and the next year its assets, including numerous important Fessenden patents, were sold to the Radio Corporation of America, which also inherited the Fessenden legal proceedings. Finally, on March 1, 1928, Fessenden settled his outstanding lawsuits with RCA, receiving a large cash payment.

Ongoing influence[link]

After Fessenden left NESCO, Alexanderson continued to work on alternator-transmitter development at GE, mostly for long range radiotelegraph use. It took many years, but he eventually developed the high-powered Alexanderson alternator capable of transmitting across the Atlantic, and by 1916 the Fessenden-Alexanderson alternator was more reliable for transatlantic communication than spark apparatus. Also, after 1920, audio radio broadcasting became widespread, using vacuum-tube transmitters rather than the alternator, but employing the continuous-wave AM signals that Fessenden had helped introduce in 1906. In 1921, the Institute of Radio Engineers presented Fessenden with its IRE Medal of Honor,^[8] and the next year the Board of Directors of City Trusts of Philadelphia awarded him a John Scott Medal and a cash prize of $800 for "his invention of a reception scheme for continuous wave telegraphy and telephony,"^[9] and recognized him as "One whose labors had been of great benefit." Fessenden's first radio broadcast in 1906 is recognized as an IEEE Milestone.^[10]

His legacy to radio includes three of his most notable achievements: the first audio transmission by radio (1900), the first two-way transatlantic radio transmission (1906), and the first radio broadcast of entertainment and music (1906).

Later years[link]

Although Fessenden ceased radio activities after his dismissal from NESCO in 1911, he continued to work in other fields. As early as 1904 he had helped engineer the Niagara Falls power plant for the newly formed Hydro-Electric Power Commission of Ontario. However, his most extensive work was in developing a type of sonar system, the so-called Fessenden oscillator, for submarines to signal each other, as well as a method for locating icebergs, to help avoid another disaster like the one that sank Titanic. At the outbreak of World War I, Fessenden volunteered his services to the Canadian government and was sent to London, England where he developed a device to detect enemy artillery and another to locate enemy submarines.^[11]

An inveterate tinkerer, Fessenden eventually became the holder of more than 500 patents. He could often be found in a river or lake, floating on his back, a cigar sticking out of his mouth and a hat pulled down over his eyes. At home he liked to lie on the carpet, a cat on his chest. In this state of relaxation, Fessenden could imagine, invent and think his way to new ideas, including a version of microfilm, that helped him to keep a compact record of his inventions, projects and patents. He patented the basic ideas leading to reflection seismology, a technique important for its use in exploring for petroleum. In 1915 he invented the fathometer, a sonar device used to determine the depth of water for a submerged object by means of sound waves, for which he won Scientific American's Gold Medal in 1929.^{[citation needed]} Fessenden also received patents for tracer bullets, paging, television apparatus, turbo electric drive for ships, and more.

Death and afterwards[link]

Although Fessenden's antenna in Brant Rock, Massachusetts was demolished in 1917, the insulated base on which it stood still survives. The layers of concrete were originally separated by arrays of ceramic insulators.

After settling his lawsuit with RCA, Fessenden purchased a small estate called "Wistowe" in Bermuda. He died there in 1932 and was interred in the cemetery of St. Mark's Church on the island. An editorial in the New York Herald Tribune said:

It sometimes happens, even in science, that one man can be right against the world. Professor Fessenden was that man. He fought bitterly and alone to prove his theories. It was he who insisted, against the stormy protests of every recognized authority, that what we now call radio was worked by continuous waves sent through the ether by the transmitting station as light waves are sent out by a flame. Marconi and others insisted that what was happening was a whiplash effect. The progress of radio was retarded a decade by this error. The whiplash theory passed gradually from the minds of men and was replaced by the continuous wave, with all too little credit to the man who had been right.

Reginald A. Fessenden House[link]

Fessenden's home at 45 Waban Hill Road in the village of Chestnut Hill in Newton, Massachusetts is on the National Register of Historic Places and is also a U.S. National Historic Landmark. He bought the house in 1906 or earlier and owned it for the rest of his life.^[12]

Quotations[link]

"An inventor is one who can see the applicability of means to supplying demand five years before it is obvious to those skilled in the art."

—"The Inventions of Reginald A. Fessenden."^[13]

See also[link]

Biography portal

• Reginald Fessenden patents
• Alexanderson alternator : used by Fessenden for his first radio broadcast.
• Sonar

Publication[link]

• R. A. Fessenden (1909). "Wireless Telephony," Transactions of the American Institute of Electrical Engineers. New York: American Institute of Electrical Engineers.

References[link]

This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (December 2010)

Citations

General information

• Hugh G. J. Aitken, The Continuous Wave: Technology and American Radio, 1900-1932. Princeton University Press. Princeton, New Jersey. 1985.
• Brodsky, Ira. "The History of Wireless: How Creative Minds Produced Technology for the Masses" (Telescope Books, 2008)
• Susan J. Douglas, Inventing American Broadcasting, 1899-1922. The Johns Hopkins University Press. Baltimore, Maryland. 1987.
• Orrin E. Dunlap, Jr., Radio's 100 Men of Science, Reginald Aubrey Fessenden entry, p. 137-141. Harper & Brothers Publishers. New York. 1944.
• Helen M. Fessenden, Fessenden: Builder of Tomorrows. Coward-McCann, Inc. New York. 1940.
• Reginald A. Fessenden, "The Inventions of Reginald A. Fessenden." Radio News, 11 part series beginning with the January, 1925 issue.
• Reginald A. Fessenden, "Wireless Telephony," Transactions of the American Institute of Electrical Engineers, XXXVII (1908): 553-629.
• Gary L. Frost, "Inventing Schemes and Strategies: The Making and Selling of the Fessenden Oscillator," Technology and Culture 42, no. 3 (July 2001): 462-488.
• S. M. Kinter, "Pittsburgh's Contributions to Radio," Proceedings of the Institute of Radio Engineers, (December, 1932): 1849-1862.
• David W. Kraeuter, "The U. S. Patents of Reginald A. Fessenden." Pittsburgh Antique Radio Society, Inc., Washington Pennsylvania. 1990. OCLC record 20785626.
• William M. McBride, "Strategic Determinism in Technology Selection: The Electric Battleship and U.S. Naval-Industrial Relations," Technology and Culture 33, no. 2 (April 1992): 248-277.
• Ormond Raby, Radio's First Voice, Macmillan Company of Canada Limited, 1970

Patents[link]

Main article Reginald Fessenden patents

External links[link]

• "Fessenden: 100 Years of Radio". http://www.fessenden.ca. 
• Belrose, John S. (September 5–7, 1995). "Fessenden and Marconi: Their Differing Technologies and Transatlantic Experiments During the First Decade of this Century". International Conference on 100 Years of Radio. http://www.ieee.ca/millennium/radio/radio_differences.html. 
• Grant, John (January 26, 1907). "Experiments and Results in Wireless Telephony". The American Telephone Journal. http://www.earlyradiohistory.us/1907fes.htm. 
• Seitz, Frederick (1999). "The Cosmic Inventor". Transactions of the American Philosophical Society. http://www.radiocom.net/Seitz/. 
• "George H. Clark Radioana Collection". National Museum of American History. Smithsonian Institution. 1880-1950. http://invention.smithsonian.org/resources/fa_clark_index.aspx. 
• "The National Electric Signaling Co.". New England Wireless and Steam Museum. http://www.newsm.org/Wireless/Fessenden/Fessenden.html. 
• "Christmas Eve and the Birth of "Talk" Radio". All Things Considered. NPR. December 22, 2006. http://www.npr.org/templates/story/story.php?storyId=6665738. 
• "Biography and photos". Telecommunications Hall of Fame. http://www.telecomhall.ca/tour/inventors/rfessenden/index.htm. 
•  "Fessenden, Reginald Aubrey". Encyclopedia Americana. 1920. 
• Reginald Fessenden at Find a Grave

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Charlotte Church
Church performing at Selfridges in 2005
Background information
Birth name	Charlotte Maria Reed
Born	(1986-02-21) 21 February 1986 (age 26) Llandaff, Cardiff, Wales
Origin	Cardiff, Wales
Genres	Pop, Celtic, classical, classical crossover, operatic pop
Instruments	Vocals
Years active	1998–present
Labels	Sony Music (1998-2006) Power Amp Music (2010-Present)
Website	charlottechurch.co

Charlotte Maria Church (born Charlotte Maria Reed; 21 February 1986) is a Welsh^[1] singer-songwriter, actress and television presenter. She rose to fame in childhood as a classical singer before branching into pop music in 2005. By 2007, she had sold more than 10 million records worldwide^[2] including over 5 million in the United States.^[3] In 2010 she was reported to be worth as much as £11m^[4] (though one 2003 report quoted her worth at £25m^[5]). She hosted a Channel 4 chat show titled The Charlotte Church Show. Church released her first album in five years, titled Back To Scratch, on 17 October 2010. She is also mentioned as one of the Bohemians in Ben Elton's musical We Will Rock You.

History[link]

Early life[link]

Charlotte Church was born Charlotte Maria Reed in Llandaff, a district of Cardiff, Wales. She was brought up as a Roman Catholic by her mother, Maria, who was separated from Church's biological father, Stephen Reed. Church was adopted by her mother's second husband, James Church in 1986.^[6] Her break came at 11 when she sang Andrew Lloyd Webber's "Pie Jesu" over the telephone on the television show "This Morning" in 1997, followed by her performance on ITV's Big, Big Talent Show in 1997.^[7] This led to concerts at Cardiff Arms Park, the Royal Albert Hall and opening for Shirley Bassey in Antwerp. She also received a vocal scholarship to Howell's School Llandaff in Cardiff where she started in 1998 after leaving The Cathedral School, Llandaff. She balanced performing and school with help from tutors for when she was on the road and said in many interviews that she was "just like every other girl her age".

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (February 2012)

1998–2005: Classical career[link]

Church was then introduced to the Cardiff impresario Jonathan Shalit, who became her manager and negotiated a contract with Sony Music. Her first album, Voice of an Angel, was a collection of arias, sacred songs, and traditional pieces that sold millions worldwide and made her the youngest artist with a No. 1 album on the British classical crossover charts.

Church appeared on PBS specials. Her self-titled second album also included operatic, religious and traditional tracks. One, the soaring and inspirational Just Wave Hello, was the centre piece of a millennium-themed ad campaign for the Ford Motor Company. The song's full-length video, featuring Church, won acclaim at the Detroit Auto Show and introduced her to new fans. The track reached No. 31 in Britain.

In 2000, she released Dream a Dream, an album of Christmas carols. It included Church's first foray into a more pop-influenced style in the title track Dream a Dream, borrowing the melody from Fauré's Pavane and featuring young American country singer Billy Gilman. Church also sang with Gilman in "Sleigh Ride" on his CD Classic Christmas.

In 2001, Church added more pop, swing, and Broadway with her album Enchantment. That year, Church made her first film appearance in the 2001 Ron Howard film A Beautiful Mind. Celine Dion was beginning a concert engagement in Las Vegas and was not available to perform the film's end title song, "All Love Can Be", so composer James Horner enlisted Church and the song was rewritten for her vocal range. Church also handled other vocal passages throughout the score.

In 2002, at 16, she released a "best of" album called Prelude, and took part in the Royal Christmas tour alongside Julie Andrews and Christopher Plummer, concluding her classical music career.

2005–09: Pursuing pop career; Tissues and Issues[link]

Charlotte Church signing her music single in 2005

In 2005, Church issued her first pop album Tissues and Issues. Four singles were moderately successful in the UK with "Crazy Chick" reaching no. 2, "Call My Name" number 10, "Even God Can't Change the Past" number 17, and "Moodswings (to Come at Me like That)" number 14. Although these were released in Australia as well, they failed to reach the same level of success there, and in March 2006 it was announced that there would be no US releases of Church's pop work until she had achieved a number 1 hit in the UK.^{[citation needed]} Tissues and Issues accounted for no more than 2% of her total sales.^{[citation needed]} Church's pop album was released in the U.S. through Amazon.com MP3 shop, and iTunes in 2009.