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- Duration: 2:05
- Updated: 14 May 2013
- published: 12 May 2013
- views: 14747
- author: lovezumba
Yeah Baby
Out the pound
(Priceless)
Lookin' through
Skyline
(Always)
Sittin' at the top play boy
Sand beach water purple green money ya dig
To the ceiling with it
Jumpin out the pearl white
Long jet maybach
[Verse 1]
Fresh
New pearl on the diamond cluster
More money and we shinin' like a ma'fucker
Come from the bottom where we had nothin'
Grindin' in these streets till we built something
Cash flow
Money on the dashboard
Money in the dashboard
sittin' high ridin' low (shh)
Put a hundred on my son flow
a hundred on that pounds of blow
a hundred on that marble flow
So we higher than a bright light
sunny day sunny night
hustlin' like
all night
doin it to the sun light
gettin' it to this bright light
doin it on them twenty fours
shinin' on them headlights
C-C-Catch me in the nightclub
two tools strapped up, soo woo'n blood
Red flag hopin' out a red jag
pretty red bitch
with a shanell bag
[Chorus]
C-C-Catch me in the nightclub
two tools strapped up, soo woo'n blood
Red flag hopin' out a red jag
pretty red bitch
with a shanell bag
grindin' till the top of the cieling nigga
more money we billin' nigga
more bottle we chillin' nigga
bitches see us shinin' so they lookin' and feelin' nigga
We hustlin' and flippin' nigga
Mo money we killin' nigga
[Verse 2]
Take a picture of yo porsche nigga
without yo frame nigga
More money good aim nigga
you get it you blame nigga
F-Fuck em for change nigga
F-Fuck em my change nigga
Cartier frame nigga the watch and chain nigga
Yeah at the top where it's hot
Mo money gun cocked
mo bitches won't stop
See the hustle won't stop so we flippin'
Mo money round the corner (?) movin' and we dippin'
Diamond in this water
eagles we land
Yachts four floors
we livin' lookin' grand
clippin' mo tan
fuckin' with that sand
black diamonds stay stuntin' round that corner uptown rep hunter
Bitch she bad
gucci (?)
She love it when she iced up
jumpin' in the Benz
In the jeep how she play
shop everyday
Pull up in the harley rally strip paper plates 100
[Chorus]
[Verse 3]
Yeah garbage bag full full of dough homie
Mo money and mo bitches then I know homie
24's everytime I hit the do'
Suicide lamborghini doors mink on the floor
Priceless yeah I fuck that hoe
Yeah I fucked a movie hoe
Yeah I fucked a rap hoe
Yeah we get this money hoe
Cash money Young money bitch we bout this big money
Uptown livin' legends poppin' bottles blowin' hundreds
Catch me in this mud bitch
strapped in this mud bitch
Know about this combat shit
know about this hustla shit
Get it how we get it nigga
never (?) this shit nigga
no borrow big money how we do this bitch
hustlin' everytime I shine
shinin' everytime I floss
keep a extra mil on me that's just how a boss boss
youngin' got that flow money
diamonds on the toes money
Poppin over seas everytime we get some mo money
The examples and perspective in this article may not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010) |
A nightclub (also known as a discothèque, or simply a club or disco) is an entertainment venue which usually operates late into the night. A nightclub is generally distinguished from bars, pubs or taverns by the inclusion of a dance floor and a DJ booth, where a DJ plays recorded electronic dance music, hip hop, rock music, reggae, and pop music.
The music in nightclubs is either live bands or, more commonly, a mix of songs played by a DJ through a powerful PA system. Most clubs or club nights cater to certain music genres, such as techno, house music, trance, heavy metal, garage, hip hop, salsa, dancehall, drum and bass, Dubstep or soca music. Many clubs also promote playing the Top 40 which has most of the night playing the most broadcast songs of the previous week.
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Many nightclubs choose who can enter, on bases other than just age, e.g. dress code and guest list. This is used to make their status as a nightclub more "exclusive". Quite often, there are no clear policies governing entry to a nightclub, thereby allowing the doormen to deny entry to anybody at their discretion.
In most cases, entering a nightclub requires a flat fee called a cover charge. Early arrivers and women may have their cover charge waived or reduced (in the United Kingdom, this latter option is illegal under the Equality Act 2010[1] but the law is rarely enforced and open violations are frequent). Friends of the doorman or the club owner may gain free entrance. Sometimes, especially at larger clubs in continental European countries, one only gets a pay card at the entrance, on which all money spent in the discothèque (often including the entrance fee) is marked. Sometimes, entrance fee and cloakroom costs are paid by cash and only the drinks in the club are paid using a pay card.
Many nightclubs operate a "guestlist" that allows certain attendees to enter the club for free, or at a reduced rate. Some nightclubs have a range of unpublished guestlist options ranging from free, to reduced, to full price with line by-pass privileges only. Nightclub goers that are on the guestlist usually have a separate queue and possibly a separate entrance to the one used by full price paying attendees. It is common for the guestlist line-up to be as long or longer than the full-paying or ticketed queues. Some nightclubs allow clubbers to register for the guestlist through their websites.
Many nightclubs enforce a dress code in order to ensure a certain type of clientele is in attendance at the venue. Some upscale nightclubs ban attendees from wearing trainers or jeans, while other nightclubs will advertise a vague "dress to impress" dress code that allows the bouncers to discriminate at will against those vying for entry to the club. Many exceptions are made to nightclub dress codes, with denied entry usually reserved for the most glaring rule breakers or those thought to be unsuitable for the party. Certain nightclubs like fetish nightclubs may apply a leather-only, rubber-only or fantasy dress code. The dress code criterion is often an excuse for discriminatory practices, such as in the case of Carpenter v. Limelight Entertainment Ltd.[2]
Many nightclubs will only allow entry by association. A number of gay nightclubs that prefer to cater to an exclusively male clientele will deny entry to a group of lesbians but will welcome a lesbian with a number of male gay friends.
From about 1900 to 1920, working class Americans would gather at honky tonks or juke joints to dance to music played on a piano or a jukebox.
During US Prohibition, nightclubs went underground as illegal speakeasy bars. With the repeal of Prohibition in February 1933, nightclubs were revived, such as New York's Stork Club, 21 Club, El Morocco and the Copacabana. These nightclubs featured big bands (there were no DJ's).
In Occupied France, jazz and bebop music, and the jitterbug dance were banned by the Nazis as decadent American influences, so members of the French underground met at hidden underground basement dance clubs called discothèques where they danced to American swing music, which a DJ played on a single turntable when a jukebox was not available. These discothèques were also patronized by anti-Vichy youth called zazous. There were also underground discotheques in Nazi Germany patronized by anti-Nazi youth called the swing kids.
In Harlem, the Cotton Club and Connie's Inn were popular venues for white audiences. Before 1953 and even some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. In Paris, at a club named "Whisky à Gogo", founded in 1947,[3] Régine in 1953 laid down a dance-floor, suspended coloured lights and replaced the juke-box with two turntables which she operated herself so there would be no breaks between the music. The Whisky à Gogo set into place the standard elements of the modern post World War II discothèque-style nightclub. At the end of the 1950's several of the coffee bars in Soho introduced afternoon dancing and the most famous, at least on the continent, was Les Enfants Terribles at 93 Dean St. These original discothèques were nothing like the night clubs as they were unlicensed and catered to a very young public - mostly made up of French and Italians working illegally, mostly in catering, to learn English as well as au pair girls from most of western Europe. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabel's, in Berkeley Square, London. In 1962, the Peppermint Lounge in New York City became popular and is the place where go-go dancing originated. However, the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs, and the nightclub did not attain mainstream popularity until the 1970s disco era.
By the late 1970s many major US cities had thriving disco club scenes which were centered around discothèques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the dancers. The DJs played "... a smooth mix of long single records to keep people 'dancing all night long'"[4] Some of the most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music.
Some cities had disco dance instructors or dance schools which taught people how to do popular disco dances such as "touch dancing", the "hustle" and the "cha-cha-cha". There were also disco fashions that discothèque-goers wore for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men. Disco clubs and "...hedonistic loft parties" had a club culture which had many Italian-American, African American, gay[5] and Hispanic people.
In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture, particularly for recreational drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine[6] (nicknamed "blow"), amyl nitrite "poppers",[7] and the "...other quintessential 1970s club drug Quaalude, which suspended motor coordination and turned one's arms and legs to Jell-O".[8] The "massive quantities of drugs ingested in discothèques by newly liberated gay men produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of "main course" in a hedonist's menu for a night out."[8]
Famous 1970s discothèques included "...cocaine-filled celeb hangouts such as Manhattan's "Studio 54", which was operated by Steve Rubell and Ian Schrager. Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use was rampant. Its dance floor was decorated with an image of the "Man in the Moon" that included an animated cocaine spoon. Other famous 1970s discothèques in New York City included "Xenon", "The Loft", the "Paradise Garage", and "Aux Puces", one of the first gay disco bars. In San Francisco, there was the Trocadero Transfer, the I-Beam, and the End Up.
By the early 1980s, the term "disco" had largely fallen out of favour in most of the English-speaking world.
During the 1980s, during the New Romantic movement, London had a vibrant nightclub scene, which included clubs like The Blitz, the Batcave, the Camden Palace and Club for Heroes. Both music and fashion embraced the aesthetics of the movement. Bands included Depeche Mode, The Human League, Duran Duran, Blondie, Eurythmics and Ultravox. Reggae-influenced bands included Boy George and Culture Club, and electronic vibe bands included Visage. At London nightclubs, young men would often wear make-up and young women would wear men's suits.
The largest UK cities like Leeds (The Orbit), Newcastle, Liverpool (Quadrant Park and 051), Swansea, Manchester (The Haçienda) and several key European places like Paris (Les Bains Douches), Ibiza (Pacha), Rimini etc. also played a significant role in the evolution of clubbing, DJ culture and nightlife.
Significant New York nightclubs of the period were Area, Danceteria, and The Limelight.[9]
In Europe and North America, nightclubs play disco-influenced dance music such as house music, techno, and other dance music styles such as electronica and trance. Most nightclubs in the U.S. major cities play hip hop, house and trance music. These clubs are generally the largest and most frequented of all of the different types of clubs. The emergence of the "superclub" created a global phenomenon, with Ministry of Sound (London), Cream (Liverpool) and Pacha (Ibiza).
In most other languages, nightclubs are referred to as "discos" or "discothèques" (French: discothèque; Italian and Spanish: discoteca, antro (common in Mexico only), and "boliche" (common in Argentina only), "discos" is commonly used in all others in Latinamerica; German: Disko or Diskothek). In Japanese ディスコ, disuko refers to an older, smaller, less fashionable venue; while クラブ, kurabu refers to a more recent, larger, more popular venue. The term night is used to refer to an evening focusing on a specific genre, such as "retro music night" or a "singles night."
A recent trend in the North American and European nightclub industry is the usage of video. Instead of audio-only, DJ's are now using video and "mixing" music videos and related songs together in an audio/visual presentation.
Due to changes in the economy, attitudes towards heavy drinking and drug use and simply changes in fashion; footfall in nightclubs has sharply declined [10] [11] . The public have been increasingly frequenting public houses where the drinks are cheaper and where there is considered to be a friendlier atmosphere.
Wikimedia Commons has media related to: Nightclubs |
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Lil Jon | |
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Аt Halo 3 Exclusive Preview in Atlanta, September 2007. |
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Background information | |
Birth name | Jonathan Smith |
Born | [1] Atlanta, Georgia, U.S. |
January 27, 1971
Genres | Hip hop, crunk |
Occupations | Rapper, songwriter, DJ, producer, Actor, |
Instruments | Keyboard, synthesizer, drum machine, sampler |
Years active | 1995–present |
Labels | BME Universal Republic TVT Little Jonathan Inc. |
Associated acts | Lil Jon & The Eastside Boyz, Ying Yang Twins, Pitbull, The Mr. Move, Too Short, 8Ball & MJG, E-40, Oobie, Yelawolf, LMFAO |
Notable instruments | |
Roland TR-808, OpenLabs NeKo, Clavia Nord Lead |
Jonathan Smith (born January 27, 1971),[1][2][3] better known by his stage name Lil Jon, is an American rapper, music producer, entrepreneur, and international DJ who was a member of the group Lil Jon & The East Side Boyz. Lil Jon formed the group in 1997, and the group released several albums between then and 2004. He then went solo and released a new album in 2010 called Crunk Rock.
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Lil' Jon was born and raised in Atlanta, Georgia. He graduated from Frederick Douglass High School.[4]
After working as a DJ for Atlanta night clubs, he started working for So So Def Recordings between 1993 and 2000.[5] The group signed to the Atlanta-based Mirror Image Records and were distributed by Ichiban Records. In 1997, Lil' Jon & the East Side Boyz debuted with Get Crunk, Who U Wit: Da Album. It included singles "Who U Wit?" and "Shawty Freak a Lil' Sumthin'", the latter of which came out in 1998. Both singles charted on the Billboard Hot R&B/Hip-Hop Songs chart at No. 70 and No. 62 respectively.[6] In 2000 Jon took part in starting up his own label BME Recordings and signed a distribution agreement with Norcross, Georgia based Southern Music Distribution. There he released his break through album titled We Still Crunk. Among the tracks on that project was the hit single "I Like Dem Girlz", which reached No. 55 on the R&B chart and No. 3 on the Hot Rap Tracks chart.
After hearing feedback that Lil' Jon was "the new guy" from street team people in the markets where he was attracting his biggest audiences – namely Atlanta, St. Louis, Memphis and Dallas – A&R at TVT, Bryan Leach, went to one of his Atlanta shows and was blown away by the immense energy of the experience.[7] Leach told HitQuarters: "It was like early Beastie Boys, when they had the energy of a rock group but they were rapping, and ... that energy is what crunk music is all about."[7] Lil' Jon & The East Side Boyz signed to TVT Records in 2001 and debuted there with Put Yo Hood Up, which combined previously released tracks with new ones. The group's first nationally played single was "Bia' Bia'", which featured rappers Ludacris, Too Short, Big Kapp, and Chyna Whyte.[1] "Bia' Bia'" peaked at No. 97 on the Billboard Hot 100 and No. 47 on the Billboard R&B chart.[6]
In 2002, the group released Kings of Crunk. "I Don't Give A..." was its first single; it featured Mystikal and Krayzie Bone and peaked at No. 50 on the R&B chart.[6] The group's next single, a collaboration with fellow Atlanta hip hop group Ying Yang Twins titled "Get Low", became popular in nightclubs nationwide and reached the top ten of the Hot 100.Crunk Juice followed in 2004, led by "What U Gon' Do" featuring Lil' Scrappy. "What U Gon' Do" peaked at No. 22 on the Hot 100, No. 13 on the R&B chart, and No. 5 on the rap chart; its follow-up, "Lovers & Friends" featuring Usher and Ludacris, peaked at No. 3 (Hot 100), No. 2 (R&B), and No. 1 (rap).[6]
In addition to leading Lil' Jon & The East Side Boyz, Lil' Jon has also produced many hit urban singles. From 2003 to 2005, while still with The East Side Boyz, Lil' Jon produced hits like "Salt Shaker" by Ying Yang Twins, "Yeah!" by Usher, "Freek-a-Leek" by Petey Pablo, "Shorty Wanna Ride" by Young Buck, "Shake That Monkey" by Too Short, "Let's Go" by Trick Daddy, and "Girlfight" by Brooke Valentine.[1] Lil' Jon entered the San Francisco Bay Area hyphy music scene in 2006 with his collaborations with Bay Area rapper E-40: Lil' Jon produced E-40's single "Tell Me When To Go" and had E-40 and Atlanta rapper Sean P on his own "Snap Yo Fingers".[8] In 2006, Lil' Jon severed his negotiation with record label TVT. He vowed never to record for TVT Records again, alleging that TVT owner Steve Gottlieb was shortchanging him.[dead link][9] He also began recording a rock music album, Crunk Rock; in May 2006 he began recording in Las Vegas, Nevada because rock band The Killers was recording its upcoming album Sam's Town there and the East Side Boyz signed a new deal with Rick Robinson aka Double R CEO and Founder of IMG Recordings, which the album got pushed back to 2013.[10]
MTV News reported in March 2008 that Crunk Rock was taking more time to complete than Lil' Jon already planned.[11] As part of TVT Records' 2008 bankruptcy auction, Lil' Jon withdrew his multi-million dollar objection to the TVT sale proceedings and agreed to TVT’s transfer of his artist agreement to The Orchard. In return, The Orchard released Lil' Jon from all future obligations and returned the rights to the master recordings of Crunk Rock. Crunk Rock was finally released on June 8, 2010 and it features artists such as LMFAO, Soulja Boy, Ying Yang Twins, Waka Flocka Flame, R.Kelly, and many more.[12] In March 2011, Lil Jon took part in the fourth season of The Celebrity Apprentice on NBC and was eliminated in the Final Four.[13] In July 2011, in a recent interview has said that he is working on a new studio album called "Party Animal" and has released a song with LMFAO called "Drink".
Jason Birchmeier of all music has described Lil' Jon's production as "bass-heavy" and his album Put Yo Hood Up as having "a long and varied list of guest rappers to accompany the beats". With the guest performers featured on that album much more than the East Side Boyz, Birchmeier remarked: "The end result is an album that resembles a street-level mixtape rather than a traditional artist-oriented album".[14] He was specifically influenced by 2 Live Crew, 8Ball & MJG, OutKast, Geto Boys, UGK, Dr. Dre, and Sir Mix-A-Lot. Alex Henderson, also of allmusic, contrasted Lil' Jon's style of "rowdy, in-your-face, profanity-filled party music" with other Southern rappers', those who "have a gansta/thug life agenda" and those who convey "serious sociopolitical messages".[15] Lil' Jon has also found influence in rock music, having worked with Rick Rubin and Korn.[16] This influence embodies itself in his aggressive delivery and 'yelling' style of rap. He was seen on VH1's 100 Greatest Artists of All-Time program wearing a Bad Brains t-shirt and also used to listen to Lynyrd Skynyrd growing up in the South in the 70s. For Trick Daddy's "Let's Go", Lil' Jon sampled the bass line from Ozzy Osbourne's "Crazy Train".[10]
In 2004, Lil Jon was married in Puerto Rico.[17] He also has a son named Slade Smith (born in 1998).
Chappelle's Show (2004)
Wild 'n Out (2006)
Wikimedia Commons has media related to: Lil Jon |
Wikiquote has a collection of quotations related to: Lil Jon |
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Sean Paul | |
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Sean Paul at the International Reggae and World Music Awards. |
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Background information | |
Birth name | Sean Paul Ryan Francis Henriques |
Born | Kingston, Jamaica |
January 9, 1973
Genres | Dancehall, reggae, R&B, ragga |
Occupations | Musician, singer-songwriter, producer, actor |
Years active | 1996–present |
Labels | VP, Atlantic |
Website | allseanpaul.com |
Sean Paul Ryan Francis Henriques[1] (born January 9, 1973),[1][2] who performs under stage name Sean Paul, is a Jamaican dancehall and reggae artist.
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Sean Paul was born in Kingston and spent his early years in Upper Andrew Parish, a few miles north of Kingston.[2] His parents, Garth and Frances, were both talented athletes, and his mother is a well-known painter.[3] His paternal grandfather was a Sephardic Jew whose family emigrated from Portugal, and his paternal grandmother was Afro-Caribbean; his mother is of English and Chinese Jamaican descent.[4][5] Sean Paul was raised as a Catholic.[6] Many members of his family are swimmers. His grandfather was on the first Jamaican men's national water polo team. His father also played water polo for the team in the 1960s, and competed in long-distance swimming, while Sean Paul's mother was a backstroke swimmer. Sean Paul played for the national water polo team from the age of thirteen to twenty-one, when he gave up the sport in order to launch his musical career. He attended the Wolmers High School for Boys, Belair School, Hillel Academy High School, and the College of Arts, Science, and Technology, now known as the University of Technology, where he was trained in commerce with a view to pursuing an occupation in hotel management.
Sean Paul's manager and producer Jeremy Harding first heard about the singer when his brother told him about seeing someone at a small open mic event in Kingston who sounded a lot like the popular dancehall DJ and toaster Super Cat.[7] Harding eventually met the singer when Sean Paul came by his studio to ask for some advice. During the meeting Paul recorded a vocal over Harding's rhythm track and in the process created the song "Baby Girl".[7] Sean Paul began hanging out at the studio every day, and the pair collaborated on several more tracks. When they recorded "Infiltrate" they decided they had something good enough to get on the radio. As Sean Paul started to attract local attention, Harding began looking after his affairs. He later told HitQuarters that his support of Paul's fledgling career initially led him assuming the roles of "DJ, manager, road manager and security guard."[7] Sean Paul made a quick cameo appearance in the 1998 film Belly on stage performing. He made a very successful collaboration with DMX & Mr. Vegas (Top Shotter) as a soundtrack of the film. In 2000, Sean Paul released his debut album, Stage One with VP Records.
In 2002, he began working extensively with a team of producers and choreographers from Toronto, namely Jae Blaze and Blaze Entertainment and announced the release of his second album, Dutty Rock. Pushed by the success of the singles "Gimme the Light" and the Billboard Hot 100 topper, "Get Busy", the album was a worldwide success, eventually selling over six million copies. Simultaneously, Sean Paul was heard on Beyoncé's U.S. #1 single "Baby Boy" and Blu Cantrell's "Breathe", a chart hit in Europe. Both helped to push his reputation further still in the United States. He appeared on Punk'd, 106 & Park, Sean Paul Respect, Making the Video ("Get Busy", "Gimme the Light", and "Like Glue") and his music videos have been broadcast on MTV and BET. Paul's biggest hits included "Get Busy", "Like Glue", "Gimme the Light", "Baby Boy", and "I'm Still in Love with You".
Sean Paul's third album The Trinity was released in on September 27, 2005. The album produced five big hits, "We Be Burnin'", "Ever Blazin'", "Give It Up to Me", "Never Gonna Be The Same" and the U.S. chart-topping smash hit "Temperature". The video of "Give It Up to Me" (featuring Keyshia Cole) was also featured in the movie Step Up in 2006. He was nominated for four awards at the 2006 Billboard Music Awards, including male artist of the year, rap artist of the year, hot 100 single of the year, and pop single of the year for his hit "Temperature".[8] He also won an American Music Award for "(When You Gonna) Give It Up To Me" beating Kanye West and Nick Lachey who were also nominated for the award. His song "Send It On" from "The Trinity" featured on the 2005 Vauxhall Corsa advert. Sean Paul often contributes his songs to various Riddim Driven albums (by VP Records). In March 2007, he returned to his native Jamaica to perform at the Cricket World Cup 2007 opening ceremony. Sean Paul appears on the game Def Jam: Fight for NY as part of Snoop Dogg's crew and again in the game's sequel, Def Jam Icon.
The newest Sean Paul album entitled "Imperial Blaze" was released on August 18, 2009. The lead single, “So Fine”, which was produced by Stephen “Di Genius” McGregor, premiered on Sean Paul's official website on April 26, 2009.[9][dead link][10] Speaking to Pete Lewis of 'Blues & Soul' magazine in August 2009, Sean Paul stated that 'Imperial Blaze' "Actually signifies 'The King's Fire'. It's that thing inside of you that gives you the desire to do whatever you do, and be the best in the world at it."[11] The new album consists of 20 tracks including "So Fine", "Press it Up", "She Want Me", "Private Party" which are party tracks and also love songs such as "Hold My Hand" (feat Keri Hilson), "Lately", "Now That I've Got Your Love" among others. Producers on the album include Don Corleone, Jeremy Harding, and Sean's brother Jason 'Jigzagula' Henriques.[11] All the full songs of the album have been added to Sean Paul's Myspace page[12] on the day of release of the album.
Up until now there have been eight music videos: "Always On My Mind (with Da'Ville)", "Give It To You (with Eve)", "Watch Them Roll", "Back It Up" (with Left Side/Mr. Evil), "(I Wanna See You) Push It Baby" (with Pretty Ricky), "Hit 'Em" (with Fahrenheit and his brother Jason "Jigzagula" Henriques), "Come Over" with Estelle,[13] and also the video of his first single, "So Fine" from the new album. He has recently been featured in Shaggy's video, "Save A Life", which also includes appearances from Elephant Man and Da'Ville, among others. In an effort to raise money for a children's hospital, Shaggy, Sean Paul and others will be having a benefit concert. All proceeds will go towards getting new equipment and technology 'For Aid to the Bustamante Hospital for Children'. In an interview in 2009 he says he is planning to release a new album in 2011. During the premiere for MNET's Big Brother Africa 5: All-Stars on July 18, 2010, he performed his songs "Temperature", "Hold My Hand", and "So Fine".
The first single Got 2 Luv U features vocals from American singer Alexis Jordan. It was released on the July 19, 2011 by Atlantic Records. The song was written by Sean Paul, Ryan Tedder and Stargate, and it was produced by Stargate.[14][15][16]
She Doesn't Mind is the second single from the album. It was written by Sean Paul, Shellback and Benny Blanco and was produced by Shellback and Benny Blanco. It was released on the September 29, 2011 on NRJ & Skyrock (French radios), and to iTunes on October 31.[17] Like its proceeder, "Got 2 Luv U", featuring Alexis Jordan, it topped the charts in Switzerland, but it debuted at that spot. Sean appeared on the Never Mind the Buzzcocks episode which aired on November 21, 2011.
Sean Paul is featured in the music video for the Simple Plan song Summer Paradise.
Patrick Schwarzenegger | |
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Patrick Schwarzenegger with his sister Katherine in 2010 |
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Born | Patrick Arnold Shriver Schwarzenegger[1] September 18, 1993 Los Angeles, California, U.S. |
Nationality | American |
Other names | Patrick Shriver |
Education | Brentwood School |
Occupation | Entrepreneur Model |
Religion | Roman Catholic |
Relatives | Arnold Schwarzenegger (father) Maria Shriver (mother) Katherine Schwarzenegger (sister) Christine Schwarzenegger (sister) Christopher Schwarzenegger (brother) Joseph Baena Schwarzenegger (half brother) |
Patrick Arnold Shriver Schwarzenegger (born September 18, 1993)[1] is an American model and entrepreneur.
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Schwarzenegger was raised in Los Angeles, California. He is one of four children of bodybuilder, actor, and politician Arnold Schwarzenegger, and Maria Shriver, a journalist and author who is also a member of the Kennedy family.[2] His maternal grandmother Eunice Kennedy Shriver founded the Special Olympics and his maternal grandfather Sargent Shriver was the United States Ambassador to France, the 1st Director of the Peace Corps, and the Democratic vice-presidential candidate in the 1972 U.S. presidential election. Patrick has two sisters, Katherine Eunice Schwarzenegger and Christina Aurelia Shriver Schwarzenegger (born July 23, 1991)[1][3] one brother, Christopher Sargent (born September 27, 1997).[4] He is also the half-brother of Joseph Baena (born October 2, 1997).[5][6]
As of May 2011, Schwarzenegger is enrolled at Brentwood School, in Los Angeles, California.[citation needed]
Following his parents' separation, it was reported in the media he was changing his surname to "Shriver." None of these reports is based on statements made by him but is based instead on speculation over why he used the screen name "Patrick Shriver" on his Twitter account. Shriver is his mother's maiden name, which is part of his full name: Patrick Arnold Shriver Schwarzenegger.[7][8] Schwarzenegger added Achilles as his Catholic confirmation name.[9]
Schwarzenegger's parents helped Patrick found his company Project360 when he was only 15.[10] The philanthropic clothing line has a full menswear collection on the horizon and a mid-five-figures net from 2010, according to Details magazine.[11] The company donates 10 percent of all its sales to a variety of charities.[12] Patrick is also signed with L.A. Models, which has plans to push him for Ralph Lauren and Armani ad campaigns.[13] He has admitted that he also hopes to raise awareness of his clothing company by taking on high profile modeling jobs.[11]
In 2011 he worked a summer internship at The Grove, an upscale outdoor mall in LA.[14] He is also preparing to attend college after getting accepted to USC, where his sister Katherine is a senior as of 2011, in March 2012. He also posed shirtless for a highly visible Hudson Jeans billboard advertisement seen on Sunset Boulevard in Hollywood.[15]
Patrick with co-founders, Kimberly Barth and Nick Sheinberg, of Team Project 360
Laidback Luke | |
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Laidback Luke |
|
Background information | |
Birth name | Lucas Cornelis van Scheppingen |
Also known as | Laidback Luke, Nouveau Yorican |
Born | Manila, Philippines |
22 October 1976
Genres | Electro house, House, Dance |
Occupations | DJ, Producer |
Instruments | Software (Ableton, Fl Studio) |
Labels | Mixmash Records |
Associated acts | Sander Van Doorn, Steve Aoki, Lil John, Tocadisco, Nicky Romero, David Guetta, DJ Daaar, Sidney Samson, Robyn, Avicii, Johnathan Mendelson, Kaskade, Sirah, Example, Benny Benassi, Congorock, The Bloody Beetroots |
Website | laidbackluke.com |
Laidback Luke (born Lucas Cornelis van Scheppingen, 22 October 1976 in Manila, Philippines) is a Dutch DJ, producer. He was voted #46 on DJ Mag's Top 100 DJ list in 2008, before jumping to #27 in 2009 and jumping up 10 places in 2010.[1][2]
Laidback Luke grew up in The Netherlands and made his name as a graffiti artist before turning to making music. He has worked with artists such as David Guetta, Steve Angello, Sebastian Ingrosso, Axwell, Example and Junior Sanchez and played throughout Europe and North America as well as shows in Japan and Ibiza. He has released two studio albums: Psyched Up (1998) and Electronic Satisfaction (2002) as well as a successful mix album, Windmill Skill (2003). In 2003, van Scheppingen did a remix of the Daft Punk song "Crescendolls" for the duo's remix album Daft Club. Luke has also released his own mix album, titled Ibiza Closing Party, as a free covermount CD in the October 2008 issue of Mixmag. He has currently released his new album on the 4th of July 2011, called Cream Ibiza Super You & Me.
He announced on the maiden voyage of Holy Ship that he was engaged to Gina Turner[3]
Singles
Year | Single | Artist | Album |
---|---|---|---|
1998 | "Double 0" | Laidback Luke | Double 0 - EP |
2002 | "Pass The Fury" | Fuck The Revolution/Pass The Fury | |
2006 | "Don't Let Go" | Laidback Luke feat. Paul V.K. | Laidback Luke & Marchand Present Highstreets – Don't Let Go |
"Otherwize Then" | Steve Angello & Laidback Luke | ||
2007 | "Killing the Kitchen" | Laidback Luke | |
"Show Rocker" | |||
"Hypnotize" | Laidback Luke & Stephen Granville | Hypnotize - EP | |
"Get Dumb" | Axwell, Steve Angello, Sebastian Ingrosso, Laidback Luke | ||
"Ambition" | DJ DJG & Laidback Luke | ||
"Be" | Steve Angello & Laidback Luke | ||
"Rocking With The Best" | Laidback Luke | ||
"Break The House Down" | Laidback Luke | ||
"Chaa Chaa" | Sebastian Ingrosso & Laidback Luke | ||
2008 | "Generation Noize" | Laidback Luke, Roman Salzger & Boogshe | |
"Shake It Down" | Laidback Luke & A-Trak | ||
"Show" | Laidback Luke & Tom Stephan feat. Romanthony | ||
"Down With The Mustard" | Laidback Luke | ||
2009 | "Show Me Love" | Steve Angello & Laidback Luke feat. Robin S | |
"Leave The World Behind" | Axwell,Sebastian Ingrosso,Steve Angello, & Laidback Luke feat. Deborah Cox | Leave the World Behind - EP | |
"Blau!" | Laidback Luke & Lee Mortimer | Blau! | |
"My G*O*D* (Guns On Demo)" | Laidback Luke | My G*O*D* | |
"Step By Step" | Gregor Salto & Laidback Luke | ||
"Shine Your Light" | |||
"Hey!" | Laidback Luke & Diplo | Hey! | |
"Jackit" | Nouveau Yorican (Laidback luke & Gina Turner) | ||
2010 | "Boriqua" | ||
"Chiuso" | |||
"Timebomb" | Laidback Luke feat. Jonathan Mendelsohn | ||
"Till Tonight" | Till Tonight (feat Jonathan Mendelsohn) | ||
"Indestructible" | Robyn & Laidback Luke | Body Talk | |
2011 | "Turbulence" | Laidback Luke & Steve Aoki feat. Lil Jon | Turbulence (Radio Edit) [feat. Lil Jon] - Single |
"Mortal Comeback" | Laidback Luke feat. Lady Bee | ||
"Speak Up" | Laidback Luke feat. Wynter Gordon | ||
"Natural Disaster" | Laidback Luke vs. Example | Natural Disaster - Single | |
"Who's Wearing the Cap" | Laidback Luke & Sander van Doorn | Who's Wearing the Cap - Single | |
2012 | "Trilogy" | Laidback Luke feat. Norman Doray & Arno Cost | Trilogy - Single on Mixmash Records |
2012 | "1234 (Original Mix)" | Laidback Luke feat. Chuckie & Martin Solveig | 1234 - Single on Mixmash Records |
Remixes, Bootlegs, Edits and Unofficial Reworks