The Funk Model B was a 1930s American two-seat cabin monoplane designed by Howard and Joe Funk. Originally built by the Akron Aircraft Company later renamed Funk Aircraft Company.

The Model B was the first powered aircraft designed by brothers Howard and Joe Funk, whose previous experience was in homebuilt gliders and sailplanes. Similar in appearance to a Piper Cub, their Model B was a strut-braced high-wing monoplane with a conventional tail unit and fixed tailwheel landing gear. The design uses mixed construction with fabric covered wooden wings and a welded steel-tube fuselage. The aircraft was powered by the brothers' own Model E engine developed from a Ford "B" motor-car engine. The prototype first flew in late 1933.

When the test flights proved to be successful the brothers formed the Akron Aircraft Company in 1939 to build the Funk B. After production began, the engine was changed to a 75hp (56 kW) Lycoming GO-145-C2 horizontally-opposed four-cylinder engine and was re-designated the Model B-75-L.

Funk is a music genre that originated in the mid-late 1960s when African American musicians blended soul music, jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing it from R&B and soul songs, which are centered on chord progressions.

Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits".

Many of the most famous bands in the genre also played disco and soul extensively. Funk samples have been used extensively in genres including hip hop, house music and drum and bass. It is also the main influence of go-go, a subgenre associated with funk.

Will Lee (August 6, 1908 – December 7, 1982) was an American actor best known for playing the store proprietor Mr. Hooper on Sesame Street, from the show's debut in 1969 until his death in 1982.

Lee was born to a Jewish family in Brooklyn, New York and began his career as a character actor on stage. He was a member of the Group Theater in the 1930s and appeared in Johnny Johnson, Night Music, Boy Meets Girl, The Time of Your Life (as Willie the pinball machine addict) and other Broadway plays. He succeeded John Garfield as the lead in Golden Boy.

Lee was co-founder of the Theater of Action and a member of the Federal Theatre Project. During World War II, he served in Army Special Services in Australia and Manila and was cited twice for directing and staging shows for troops overseas, as well as teaching acting classes. After the war, he appeared Off Broadway in Norman Mailer's Deer Park (as movie mogul Teppis) and on Broadway in The Shrike, Once Upon a Mattress, Carnival!, Incident At Vichy and The World of Sholom Aleichem.

Richie Kotzen (born February 3, 1970 in Reading, Pennsylvania) is an American guitarist, singer, and songwriter.

At a young age, Richie Kotzen was taken by music and first began playing piano at the age of five. At the age of seven he was inspired by the band KISS to learn the electric guitar. Relentlessly developing chops and his own unique voice on the guitar, he started his career in a band named Arthurs Museum. Kotzen was eventually discovered by Shrapnel Records' Mike Varney, and he recorded his first solo album by the age of 19. He created the video Rock Chops for REH video in 1989, highlighting many of his formative techniques, including using wide-intervals and fluid sweeping.

In 1991, Kotzen made his big break when he joined the rock band Poison at age 21, co-writing and performing on the album Native Tongue. This album produced two top twenty singles which Richie co-wrote, "Stand" and "Until You Suffer Some (Fire & Ice)". In late-1993, Rikki Rockett, the drummer of Poison, discovered that Kotzen was having a relationship with Rockett's ex-fiancee, Deanna Eve. Kotzen was dismissed due to this incident. In 1999 Kotzen replaced Paul Gilbert as guitarist in the mainstream rock band Mr. Big. Kotzen maintained the band's success, performing on the Mr. Big record Get Over It, which sold more than 175,000 copies in its first two weeks in Japan, eventually reaching platinum status.^{[citation needed]} Kotzen also contributed guitars to Mr. Big's subsequent release Actual Size. The record included the Kotzen song Shine, which debuted at number one on Japanese radio charts. Following the disbanding of Mr. Big, Kotzen released the solo album Change, in 2003. The title track, and the song Get A Life were featured in TV commercials throughout Japan.

B-boying or breaking, often called "breakdancing", is a style of street dance that originated as a part of hip-hop culture among African American and Latino youths in New York City during the early 1970s. Fast to gain popularity in the media, the dance style also gained popularity worldwide especially in South Korea, France, Russia, Japan, and Brazil. While extremely diverse in the amount of variation available in the dance, b-boying consists of four primary elements: toprock, downrock, power moves, and freezes. B-boying is typically danced to hip-hop and especially breakbeats, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns.

A practitioner of this dance is called a b-boy, b-girl, or breaker. Although the term "breakdance" is frequently used to refer to the dance, "b-boying" and "breaking" are the original terms. These terms are preferred by the majority of the art form’s pioneers and most notable practitioners.

The terminology used to refer to b-boying changed after promotion by the mainstream media. Although widespread, the term "breakdancing" is looked down upon by those immersed in hip-hop culture. Purists consider "breakdancing" an ignorant term invented by the media that connotes exploitation of the art and is used to sensationalize breaking. The term "breakdancing" is also problematic because it has become a diluted umbrella term that incorrectly includes popping, locking, and electric boogaloo. Popping, locking, and electric boogaloo are not styles of "breakdance". They are funk styles that were developed separately from breaking in California. The dance itself is properly called "breaking" according to rappers such as KRS-One, Talib Kweli, Mos Def, and Darryl McDaniels of Run-DMC.