Jayadeva
Jaydeva worships Vishnu.
Born	est. 1200 AD Khurda district in Orissa, India
Died	Orissa, India
Philosophy	Vaishnava
Literary works	Gita Govinda

Jayadeva (Oriya: ଜୟଦେବ, Sanskrit: जयदेव) was a Sanskrit poet circa 1200 AD. He is most known for his composition, the epic poem Gita Govinda, which depicts the divine love of Krishna-an avatar of Vishnu and his consort, Radha, and it is mentioned that Radha is greater than Hari, and is considered an important text in the Bhakti movement of Hinduism.^[1] He was born to a Hindu Brahmin family ^[2]

Biography[link]

Basohli painting (circa 1730 AD) depicting a scene from Jayadeva's Gita Govinda.

Jayadeva was born in Kenduli Sasan (formerly Kendubilva), in the Prachi valley, Khurda district in Orissa.^{[citation needed]} Kenduli Sasan is a village near the famous temple city of Puri. At the time of Jayadeva's birth, Orissa was under the rule of Eastern Ganga dynasty king Chodaganga Deva. It was during the reign of this monarch and his son and successor, Raghava, that Jayadeva composed his Sanskrit epics. Chodaganga Deva, originally a Shaiva, was strongly influenced by the devotion to Krishna in and around Puri and became a Vaishnava devotee of Krishna himself.

The poet's parents were named Bhojadeva and Ramadevi. From temple inscriptions it is now known that Jayadeva received his education in Sanskrit poetry from a place called Kurmapataka, possibly near Konark in Orissa. Later on, Jayadeva married Padmavati, who according to temple inscriptions, may have been an accomplished temple dancer on her own right.

Prachi valley has a long history of worshipping Madhava, another name for Krishna. During Jayadeva's period, it was known as a religious place dominated by Vaishnava Brahmins. Even today, the village of Kenduli Sasan is replete with images of Madhava. Undoubtedly, the great poet must have been influenced by the devotional milieu in that area when he composed his magnum opus, the Gita Govinda.

Historical records on Jayadeva's life[link]

Inscriptions at Lingaraj temple, and the more recently discovered Madhukeswar temple and Simhachal temple that were read and interpreted by Dr. Satyanarayan Rajaguru shed some light on Jayadeva's early life. These inscriptions narrate how Jayadeva had been a member of the teaching faculty of the school at Kurmapataka. He might have studied there as well. It must have been right after his childhood education in Kenduli Sasan that he left for Kurmapataka and gained experience in composing poetry, music and dancing.

The earliest mention of Jayadeva outside Orissa are by Chand Bardai, the court poet of Prithviraj Chauhan. The next earliest reference outside Orissa is found in an inscription of Raja Sarangadev in the year 1201 A.D. These records establish that the Gita Govinda became popular throughout India within a brief period of its composition, perhaps because it was regularly performed in the Jagannath temple of Puri.

Some further details about Jayadeva have been garnered from a book by an Oriya Vaishnava poet Madhava Patnaik, who was contemporaneous to Chaitanya in the fifteenth century. Madhava Patnaik's book gives a clear account of Chaitanya's visit to Puri. He mentions that Chaitanya paid a visit to Kenduli Sasan near Puri to pay homage to Jayadeva and to chant passages from the Gita Govinda. The book mentions that Kenduli Sasan was in fact the birthplace of the illustrious poet. Madhava Patnaik's book also gives an account of Jayadeva's early life from the legends around Puri. It mentions Jayadeva as excelling in the Shastras and the Puranas from early childhood.

Literary contributions[link]

Jayadeva was instrumental in popularizing the Dasavatara, the ten incarnations of Vishnu in another composition, Dasakritikrite. Furthermore, the classic Tribhangi (threefold) posture of Krishna playing the flute gained popularity due to him.

Two hymns composed by Jayadeva have been incorporated in the Guru Granth Sahib, the holy book of the Sikh religion. Although it is not clear how these medieval Oriya hymns found their way to the Sikh religion, there are records narrating how Jayadeva's work had a profound influence on Guru Nanak during his visit to Puri.^[3]

The illustrious poet also institutionalized the Devadasi system in Oriya temples. Devadasis were women dancers specially dedicated to the temple deity, and as a result of the great poet's works, Oriya temples began to incorporate a separate Natamandira, or dance hall, within their precincts for Odissi performances.

Gita Govinda[link]

Gita Govinda manuscript c. 1500.

The Gita Govinda is the best known composition of Jayadeva. It is a lyrical poetry that is organized into twelve chapters. Each chapter is further sub-divided into twenty four divisions called Prabandhas. The prabandhas contain couplets grouped into eights, called Ashtapadas.

The first English translation of the Gita Govinda was published by Sir William Jones in 1792, where Kalinga (ancient Orissa) is referred to as the origin of the text. Since then, the Gita Govinda has been translated to many languages throughout the world, and is considered to be among the finest examples of Sanskrit poetry.

See also[link]

	Poetry portal
	Orissa portal

• Gita Govinda
• Sanskrit literature
• Kenduli Sasan
• Jayadeva birth controversy
• Jayadeva in Sikhism
• Bhakta Jayadeva, 1938 and 1961 Telugu language films

References[link]

External links[link]

Wikisource has the text of the 1905 New International Encyclopedia article Jayadéva.

• Sanskrit Scholars of Orissa (pdf)
•  "Jayadéva". Encyclopedia Americana. 1920. 

v t e Jagannath Worship Deities Jagannath Balarama Subhadra Sudarshana Chakra Temples Orissa Puri Gundicha Temple Baripada Koraput Nayagarh Bhubaneswar Kendrapara Chhatia Bata Dharakote Patali Srikhetra India Agartala Delhi Hyderabad Ranchi Abroad Comilla Dhamrai Pabna South Africa Sialkot Festivals and Ceremonies Chandan Yatra Dola Yatra Panchaka Nabakalevara Rath Yatra Snana Yatra Texts Bhagavata Purana Brahma Purana Gita Govinda Kapila Purana Madala Panji Skanda Purana Dahuka boli Devotees Chaitanya Jayadeva Salabega

Joseph Cotton
Background information
Birth name	Silbert Walton
Also known as	Jah Walton
Born	1957 St. Ann, Jamaica
Genres	Reggae
Instruments	Vocals
Years active	1976–present
Labels	Joe Gibbs, VP, Teem, P.O.T

Joseph Cotton aka Jah Walton (born Silbert Walton, 1957, St. Ann, Jamaica) is a reggae deejay active since the mid-1970s.

Biography[link]

After spending a year working in the Jamaican police force, Walton turned to recording, initially working with Joe Gibbs in 1976, under the name Jah Walton.^[1] He then moved to Harry Mudie, recording popular tracks such as "Stay a Yard and Praise God", "Touch Her Where She Want It Most" (the title track from his debut album), and "Married To A Bank Cashier".^[1] In the mid-1980s he began recording under the name Joseph Cotton, immediately having success in the United Kingdom with "No Touch The Style", leading to a television appearance on Channel 4's Club Mix programme in 1987.^[1] Several more reggae chart hits followed in the form of "Things Running Slow", "Pat Ha Fe Cook", "Tutoring", "Judge Cotton", and "What Is This". Walton continued to perform and record into the 1990s and 2000s.

Albums[link]

• Touch Her Where She Want It Most (1981) Music Force
• Talk of The Town (1984) Thunder Bolt
• Cotton Style (1990) South East - credited to Joseph Cotton and the Lord Son (Glen Brown)
• No Touch The Style (1991) Blue Mountain/VP
• Dancehall Days (1998) Moll Selekta (compilation)
• The Good Old Days Of The 70s (1998) Teem (Joseph Cotton & Mike Brooks)
• Things You Should Know (1999)
• Kingston a Run Red (2002) China Visit
• Black & White Ting (200?) P.O.T.
• 100% Pure Cotton (2005) P.O.T.
• Worldpeace (2005) P.O.T.
• Unity Amongst The Youths (2006) Jet Star
• Showcase (200?)
• Joseph Cotton Meets Lion Stepper (2009)

References[link]

External links[link]

• Joseph Cotton at Roots Archives
• Joseph Cotton on Myspace
• Joseph Cotton_My People_Video

M.S.Subbulakshmi
An EMI record of Subbulakshmi
Background information
Born	(1916-09-16)September 16, 1916 Madurai, Madras Presidency, India
Origin	India
Died	December 11, 2004(2004-12-11) (aged 88) Chennai, Tamil Nadu, India
Genres	Indian classical music
Occupations	Classical Vocalist
Years active	1930–2004
Labels	HMV

Madurai Shanmukhavadivu Subbulakshmi (Tamil: மதுரை சண்முகவடிவு சுப்புலட்சுமி, Madhurai Shanmukhavadivu Subbulakshmi ^? 16 September 1916 – 11 December 2004), also known as M.S., was a renowned Carnatic vocalist. She was the first musician ever to be awarded the Bharat Ratna, India's highest civilian honor.^[1] She is the first Indian musician to receive the Ramon Magsaysay award, Asia's highest civilian award, in 1974 with the citation reading "Exacting purists acknowledge Srimati M. S. Subbulakshmi as the leading exponent of classical and semi-classical songs in the Karnataka tradition of South India."^[2][3]

Biography[link]

Early years[link]

Subbulakshmi (Kunjamma to her family) was born in Madurai, Madras Presidency, India to veena player Shanmukavadiver Ammal and Subramania Iyer. Her grandmother Akkammal was a violinist.

She started learning Carnatic music at an early age and trained in Carnatic music under the tutelage of Semmangudi Srinivasa Iyer and subsequently in Hindustani music under Pandit Narayanrao Vyas. She also learned Sanskrit and Telugu under Dr. Nedunuri Krishnamurthy.

Her mother, from the devadasi community, was a music exponent and a regular stage performer, and Subbulakshmi grew up in an environment very conducive to musical learning. Her musical interests were also shaped by regular interactions with Karaikudi Sambasiva Iyer, Mazhavarayanendal Subbarama Bhavathar and Ariyakudi Ramanuja Iyengar.^[4] Subbulakshmi gave her first public performance in 1929 when she was 13 years old at the prestigious Madras Music Academy. The performance consisted of singing bhajans (Hindu hymns).^[5] The academy was known for its discriminating selection process, and they broke tradition by inviting a young girl as a key performer. Her performance was described as spellbinding and earned her many admirers and the moniker of musical genius from critics. Soon after her debut performance Subbulakshmi became one the leading Carnatic vocalists.^[6][7]

Move to Madras[link]

In 1936 Subbulakshmi moved to Madras (now Chennai).^[7] She also made her film debut in Sevasadan in 1938,.^[8]

Musical style and performance[link]

M.S. Subbulakshmi (left) with S. Varalakshmi in Sevasadhanam (1938)

Singing career[link]

M.S. Subbulakshmi began her Carnatic classical music training under her mother Shanmugavadivu; and later in Hindustani classical training under Pandit Narayan Rao Vyas. Subbulakshmi first recording was released when she was 10 years old. She gave her first public performance, at the age of eleven, in the 100 pillar hall inside the Rockfort Temple, Tiruchirappalli; with Mysore Chowdiah on the violin and Dakshinamurthy Pillai on the mriganga. ^[9] By the age of 17, Subbulakshmi was giving concerts on her own, including major performances at the Madras Music Academy, a prestigious centre for the study and promotion of Carnatic music. Performance in Carnatic music concerts, was until then, a domain, traditionally reserved for men. She performed a vast variety of devotional musical forms in different languages including Tamil, Kannada, Sanskrit, Panjabi, Hindi, Malayalam, Telugu, Bengali, Gujarati and Marathi.

When the governor of Madras wanted the famous spiritual leader, Mata Sri Anandamayi Ma, to reside in his residence, Anandamayi Ma replied, "I will stay in the house of Subbulakshmi. She is Meera to me." Within two days, Sadasivam had special quarters built in their garden for Mata to give darshan and arranged for a new well to be dug nearby for fresh drinking water. Every evening thousands of people gathered there.

She traveled to London, New York, Canada, the Far East, and other places as India's cultural ambassador. Her concerts at

• Edinburgh International Festival of Music and Drama in 1963
• Carnegie Hall, New York; the UN General Assembly on UN day in 1966
• Royal Albert Hall, London in 1982
• Festival of India in Moscow in 1987

were significant landmarks in her career.^[10] In 1969 she was accompanied by Indian Railways Advisor SN Venkata Rao to Rameshwaram, where she famously sang several songs in front of each idol in the Rameshwaram temple.

After the death of her husband Kalki Sadasivam in 1997, she stopped all her public performances.

Films[link]

M.S. also acted in a few Tamil films in her youth. Her first movie Sevasadanam was released in 1938. MS Subbulakshmi also played the male role of Narada in "Savitri" (1941) to raise money for launching Kalki, her husband's nationalist Tamil weekly. Her title role of the Rajasthani saint-poetess Meera in the eponymous 1945 film gave her national prominence. This movie was re-made in Hindi in 1947. The movie had M.S Subbulakshmi. sing the famous Meera bhajans, with Dilipkumar Roy as the music director. Later, she quit films and turned wholly to concert music.

Awards and honours[link]

Pandit Jawaharlal Nehru had this to say about M.S. Subbulakshmi- "Who am I, a mere Prime Minister before a Queen, a Queen of Music". While Lata Mangeshkar called her Tapaswini (the Renunciate), Ustad Bade Ghulam Ali Khan termed her Suswaralakshmi (the goddess of the perfect note), and Kishori Amonkar labeled her the ultimate eighth note or Aathuvaan Sur, which is above the seven notes basic to all music. The great national leader and poet Sarojini Naidu called her "Nightingale of India". Her many famous renditions of bhajans include the chanting of Bhaja Govindam, Vishnu sahasranama (1000 names of Vishnu), Hari Tuma Haro and the Venkateswara Suprabhatam (musical hymns to awaken Lord Balaji early in the morning).

She was widely honored, praised and awarded. Some of the more popular ones include^[11]

• Padma Bhushan in 1954
• Sangeet Natak Akademi Award in 1956
• Sangeetha Kalanidhi in 1968 (literally, Treasure Chest of Music. She was the first woman recipient of the title)
• Ramon Magsaysay award (often considered Asia's Nobel Prize) in 1974
• Padma Vibhushan in 1975
• Kalidas Samman in 1988
• Indira Gandhi Award for National Integration in 1990
• Bharat Ratna in 1998.

She was honored as the court-singer[Asthana Vidhwan] of Tirumala Tirupati Devasthanams.^[12] Tirupati Urban Development Authority (TUDA) has installed a bronze statue of M.S. Subbulakshmi at the Poornakumbham circle in the temple town. It was unveiled by Andhra Pradesh Chief Minister Y. S. Rajasekhara Reddy on 28 May 2006.^[13]

The famous Kancheepuram Saree shade known as MS Blue was named after her^[14] by the well known Congress party member and philanthropist, Sri Muthu Chettiyar when they met at the residence of Sri R. Aiyadurai and Smt. Thangam Aiyadurai at Lady Desikachari Road, Madras, who were close friends of MS and Sadasivam.

She was bestowed with enormous prize moneys with these awards, she donated most of them to charity. She has given more than 200 charity concerts and raised well over Rs. 10,000,000. She was awarded honorary degree degrees from several Universities.

She was an ardent devotee of Kanchi Mahaswamigal and she rendered his composition Maithreem Bhajatha (O World! Cultivate peace) in her concert at the UN in 1966. Venkatesa Suprabhatam in Gramaphone record of HMV, the royalty from which goes to the Veda Patasala run by the Tirupati Tirumala Devasthanam.^[15] She donated many of the royalties on several best sold records to many charity organizations.

References[link]

Further reading[link]

• M.S. Subbulaksmi, the Voice Divine (79 pages) by V. Gangadhar.
• MS - A Life in Music, T. J. S. George. 2004, HarperCollins. ISBN 978-81-7223-527-7
• Gowri Ramnarayan (Dec. 18–31, 2004), "Cover Story: The M.S. phenomenon", Frontline 21 (26), http://www.hinduonnet.com/fline/fl2126/stories/20041231006400900.htm 
• MS & Radha - Saga of Steadfast Devotion - by Gowri Ramnarayan - http://www.msstribute.org/

External links[link]

Wikimedia Commons has media related to: M. S. Subbulakshmi

• "Artists: M.S.Subbulakshmi, Nat Geo Music". National Geographic Society. http://worldmusic.nationalgeographic.com/worldmusic/view/page.basic/artist/content.artist/ms_subbulakshmi. 
• Biography at the official site of Ramon Magsaysay award
• M.S. Subbulakshmi at the Internet Movie Database
• Photo of MS, Sadhasivam and Ellis R. Dungan
• M.S. Subbulakshmi: Portraits of a diva - The Hindu

See also[link]

Indian classical music portal

v t e Bharat Ratna laureates Sarvepalli Radhakrishnan (1954) C. Rajagopalachari (1954) C. V. Raman (1954) Bhagwan Das (1955) Mokshagundam Visvesvarayya (1955) Jawaharlal Nehru (1955) Govind Ballabh Pant (1957) Dhondo Keshav Karve (1958) Bidhan Chandra Roy (1961) Purushottam Das Tandon (1961) Dr. Rajendra Prasad (1962) Dr. Zakir Hussain (1963) Pandurang Vaman Kane (1963) Lal Bahadur Shastri (1966) Indira Gandhi (1971) V. V. Giri (1975) K. Kamaraj (1976) Mother Teresa (1980) Acharya Vinoba Bhave (1983) Khan Abdul Ghaffar Khan (1987) M. G. Ramachandran (1988) B. R. Ambedkar (1990) Nelson Mandela (1990) Rajiv Gandhi (1991) Sardar Vallabhbhai Patel (1991) Morarji Desai (1991) Abul Kalam Azad (1992) J. R. D. Tata (1992) Satyajit Ray (1992) A. P. J. Abdul Kalam (1997) Gulzarilal Nanda (1997) Aruna Asaf Ali (1997) M. S. Subbulakshmi (1998) Chidambaram Subramaniam (1998) Jayaprakash Narayan (1998) Ravi Shankar (1999) Amartya Sen (1999) Gopinath Bordoloi (1999) Lata Mangeshkar (2001) Bismillah Khan (2001) Bhimsen Joshi (2008)