name	Hi Ho Silver Lining
artist	The Attack
released	March 1967
format	7" single
writer	English / Weiss
misc	}}

name	Hi Ho Silver Lining
cover	jeffbecksilverbolero.jpg
artist	Jeff Beck
released	17 March 1967
b-side	"Beck's Bolero"
format	45 RPM
recorded	19 January 1967, De Lane Lea, London
genre	Rock, Psychedelic pop
length	2:53
writer	Scott English, Larry Weiss
label	EMI Columbia
producer	Mickie Most
this single	"Hi Ho Silver Lining" / "Beck's Bolero"(1967)
next single	"Tallyman" / "Rock My Plimsoul"(1967) }}

"Hi Ho Silver Lining" is a rock song, written by American songwriters Scott English and Larry Weiss and first released as a single in March 1967 by The Attack, followed a few days later by Jeff Beck. Because the Beck version charted first, the song is most often associated with him. It has been re-recorded many times (most recently in 2006) and retains its popularity on the dance-floor despite not being a big hit at the time of its original release.

Jeff Beck version

The song was not included on the album ''Truth'' when first released in 1968. Beck performed "Hi Ho Silver Lining" live on the charity benefit show, the ARMS Charity Concert for Multiple Sclerosis, featuring an all-star jam with Steve Winwood and Simon Phillips in 1983. The song was resurrected for the "Together and Apart" Japanese and US tours with Eric Clapton in 2009 and 2010.

Formats and tracklistings

1967 7" single (UK/Holland: Columbia DB 8151, New Zealand: Columbia DNZ 10497, Portugal: Columbia 8E 006-93925)

A. "Hi Ho Silver Lining" (English, Weiss) 2:53

B. "Beck's Bolero" (Page) 2:52

Chart positions

{|class="wikitable sortable" !Chart (1967) !align="center"|Peak position |- | Irish Singles Chart| Irish Singles Chart |align="center"|17 |- | UK Singles Chart |align="center"|14 |- | Australian ''Go-Set'' Top 40 Singles Chart |align="center"|25 |- |}

Personnel

Jeff Beck - guitars, vocals

Dave Ambrose - bass guitar

Clem Cattini - drums

Rod Stewart - backing vocals

Mickie Most - producer

Other versions

Other recorded versions exist by Giant Crab, Dave Chance, Black Lace, Slade, Bad Manners and Hello.

Association with Wolverhampton

In the United Kingdom, the song is famous for being the anthem of Wolverhampton Wanderers football club. It is played at their home ground of Molineux Stadium as the players run out onto the pitch, with supporters replacing the highpoint of the chorus with 'Hi Ho Wolverhampton!'. The song is also an unofficial anthem of the city of Wolverhampton, as the song is often played in pubs, clubs and bars around the city with people singing the same modified chorus lyrics as are sung at Molineux Stadium.

The song was also heavily featured in the 2002 film ''Anita and Me'', which is set in a village on the outskirts of Wolverhampton.

Association with Football Clubs

The song is also used by Aston Villa F.C. and Sheffield Wednesday F.C..

References

Category:1967 singles Category:Psychedelic songs Category:Songs produced by Mickie Most Category:Football songs and chants Category:Sheffield Wednesday F.C. Category:Wolverhampton Wanderers F.C. Category:Songs written by Scott English Category:Jeff Beck songs Category:Slade songs

Silver Lining, A Silver Lining or The Silver Lining may refer to:

Silver lining (idiom), a metaphor for optimism in the common English-language idiom "Every cloud has a silver lining"

The Silverlining 42 foot Sparkman & Stephens sloop sailing out of Perkins Cove in Ogunquit, Maine

''The Silver Lining'', a well known 18 ft aluminum skiff run by expert and professional angler Randy Janush

Film

''The Silver Lining'' (1915 film), a short directed by B. Reeves Eason

''The Silver Lining'' (1921 film), a silent drama directed by Roland West

''The Silver Lining'' (1927 film), a Bristish silent drama directed by Thomas Bentley

''The Silver Lining'' (1932 film), a film starring Maureen O'Sullivan

Music

;Albums

''Silver Lining'' (album), an album by Bonnie Raitt

''A Silver Lining'', an album by We Shot the Moon

''The Silver Lining'' (Earshot album)

''The Silver Lining'' (Soul Asylum album)

''The Silver Lining'', and album by the English band ''Relentless'', released in 2007

''Silver Lining'', an album by Nils Lofgren

''Black Clouds and Silver Linings'' an album by ''Dream theater'', released in 2009

;Songs

"Silver Lining", a song by Beulah from ''The Coast Is Never Clear''

"Silver Lining", a song by David Gray from ''White Ladder''

"Silver Lining", a song by Gang of Four from ''Hard''

"Silver Lining", a song by Rilo Kiley from ''Under the Blacklight''

"Silver Lining", a song by Stiff Little Fingers from ''Go for It''

"Silver Lining", a song by Hurts from ''Happiness''

"Silver Lining", a song by Nadia Ali from ''Embers''

;Bands

Silver Lining, a symphonic rock band from France (''The Inner Dragon'', released in 2004)

Television

"Silver Lining" (''Law & Order: Criminal Intent''), an episode of ''Law & Order: Criminal Intent''

''Silver Lining'' (Bernice Summerfield), an audio drama

''The Silver Lining'' (TV series), a 1997 Singaporean drama programme broadcast by MediaCorp Channel 8

''Silver Lining'' (TV series), a 2010 Singaporean series starring Richard Ng

''The Silver Lining'' (UK TV programme), an informational programme presented by Stuart Hibberd

Other uses

''The Silver Lining'' (video game), a 2010 fan-created game based on the Kings Quest series

Silver Lining (horse), a Thoroughbred racehorse, three-time Hong Kong Horse of the Year

''Silver Lining'', a gardening book by Karen Platt

"Hi Ho Silver" is a number five hit in 1986 by Scottish singer/songwriter Jim Diamond. It is best known for being the theme song for ''Boon''. The song was from Diamond's second solo studio album ''Desire for Freedom''.

Although many people believe that Diamond wrote the song especially for ''Boon'', he actually wrote it in memory of his father who had died the previous year.

Diamond was approached by Central Television in 1985 to write and record the theme song for a new television drama series. Diamond at first declined the offer but Central were persistent. He told them to send a script of the pilot episode so he could read it over. The script was headed "Ken Boon - Fireman". This instantly had him intrigued and he felt that he should do it. His father had been a firefighter for many years. The songs lyrics explain how Jim's father had "rescued" him on many occasions when he was down on his luck and how he regarded his father as The Lone Ranger and his hero.

Category:1986 singles Category:Theme music Category:Songs written by Jim Diamond

background	solo_singer
birth name	Geoffrey Arnold Beck
born	June 24, 1944Wallington, England
instrument	Guitar, bass, talk box, vocals, trumpet, drums, flute, contrabass
genre	Blues rock, jazz fusion, instrumental rock, hard rock, electronica, progressive rock
occupation	Musician, songwriter, actor
years active	1964-present
label	EMI, Epic (punch)
associated acts	The Yardbirds, The Jeff Beck Group, The Honeydrippers, Beck, Bogert & Appice, Stevie Ray Vaughan, Big Town Playboys, Upp, Eric Clapton, Duff McKagan
website
notable instruments	Fender Jeff Beck Signature Model StratocasterJeff Beck 1954 Les Paul Oxblood }}

Geoffrey Arnold "Jeff" Beck (born 24 June 1944) is an English rock guitarist. He is one of three noted guitarists, to have played with The Yardbirds. (Eric Clapton and Jimmy Page are the other two.) Beck also formed The Jeff Beck Group and Beck, Bogert & Appice.

Much of Beck's recorded output has been instrumental, with a focus on innovative sound and his releases have spanned genres ranging from blues-rock, heavy metal, jazz fusion and most recently, an additional blend of guitar-rock and electronica. Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained a broad following or the sustained commercial success of many of his collaborators and bandmates. Beck appears on albums by Mick Jagger, Kate Bush, Roger Waters, Stevie Wonder, Les Paul, Zucchero, Cyndi Lauper, Brian May and ZZ Top. In 1988, he made a cameo appearance in the movie ''Twins''.

He was ranked 14th in ''Rolling Stone's'' list of the "100 Greatest Guitarists of All Time" and the magazine has described him as "one of the most influential lead guitarists in rock". He was also ranked second greatest rock guitarist of all time in Digital Dream Door, a site that ranks movies and music. MSNBC has called him a "guitarist's guitarist". Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times. He has been inducted into the Rock and Roll Hall of Fame twice: as a member of The Yardbirds (1992) and as a solo artist (2009).

Biography

Early life

}} Beck was born in 1944 to Arnold and Ethel Beck at 206 Demesne Road, Wallington, England. As a ten year old Beck sang in a church choir. As a teenager he learned to play a borrowed guitar and made several attempts to build his own instrument, first by gluing and bolting together cigar boxes for the body and an unsanded fence-post for the neck with model aircraft control-lines and frets simply painted on. When fabricating a neck for his next try he attempted to use measurements for a bass guitar.

Beck has cited Les Paul as the first electric guitar player who impressed him. Cliff Gallup, lead guitarist with Gene Vincent and the Blue Caps was an early musical influence, followed by B.B. King and Steve Cropper.

Upon leaving school he attended Wimbledon College of Art, after which he was briefly employed as a painter and decorator, a groundsman on a golf course and a car paint-sprayer. Beck's sister introduced him to Jimmy Page when both were teenagers.

Early career

Beck began his career in the 1960s. He joined "The Rumbles" a Croydon band in 1963 for a short period as lead guitarist, playing Gene Vincent and Buddy Holly songs, displaying a talent for mimicking guitar styles. His first appearance on vinyl was as a session guitarist on a 1964 Parlophone single by The Fitz and Startz entitled 'I'm Not Running Away' c/w 'So Sweet'.

In March 1965 Beck was recruited by The Yardbirds to replace Eric Clapton on the recommendation of fellow session man Jimmy Page, who had been their initial choice. The Yardbirds recorded most of their Top 40 hit songs during Beck's time with the band, which was short (but significant), allowing him only one full album, ''Yardbirds'' which became known as ''Roger the Engineer'', released in 1966. From September to November 1966 he shared lead guitar duties with Page, who initially joined as bass player in June of that year.

In February 1967, after recording the one-off "Beck's Bolero" (with Jimmy Page, John Paul Jones, Nicky Hopkins and Keith Moon) and two solo hit singles in the UK, "Hi Ho Silver Lining" and "Tallyman", Beck formed The Jeff Beck Group, which featured Rod Stewart on vocals, Ronnie Wood on bass, Nicky Hopkins on piano and, after a series of drummers, eventually Micky Waller.

The group produced two albums for Columbia Records (Epic in the US): ''Truth'' (August 1968) and ''Beck-Ola'' (July 1969). ''Truth'', released five months before the first Led Zeppelin album, features "You Shook Me", a song written and first recorded by Willie Dixon that was also covered on the Led Zeppelin debut. It sold well (reaching number 15 on the ''Billboard'' charts). ''Beck-Ola'', while well-received, saw drummer Micky Waller replaced by Tony Newman, and was less successful both commercially and critically. Resentment, coupled with touring incidents, led the group to dissolve in July 1969.

Nick Mason recalls in his autobiography that during 1967 Pink Floyd had wanted to recruit Beck to be their guitarist after the departure of Syd Barrett but "None of us had the nerve to ask him".

After the break-up of his group Beck took part in the ''Music From Free Creek'' "super session" project, billed as "A.N. Other" and contributed lead guitar on four songs, including one co-written by him. Next he teamed up with bassist Tim Bogert and drummer Carmine Appice, the rhythm section of Vanilla Fudge in September 1969, when Bogert and Appice came to England to resolve contractual issues, but when Beck fractured his skull in a car accident near Maidstone in December the plan was postponed for two-and-a-half years, during which time Bogert and Appice formed Cactus. Beck later remarked on the 1960s period of his life: "Everyone thinks of the 1960s as something they really weren't. It was the frustration period of my life. The electronic equipment just wasn't up to the sounds I had in my head.''

In 1970, when Beck had regained his health, he set about forming a band with drummer Cozy Powell. Beck, Powell and producer Mickie Most flew to the US and recorded several tracks at Motown Studios with Motown session men, but the results remained unreleased. By April 1971 Beck had completed the line-up of this new group with guitarist/vocalist Bobby Tench, keyboard player Max Middleton and bassist Clive Chaman. The new band performed as the "Jeff Beck Group" but had a substantially different sound from the first line-up. ''Rough and Ready'' (October 1971), the first album they recorded, on which Beck wrote or co-wrote six of the album's seven tracks (the exception being written by Middleton), included elements of soul, rhythm-and-blues and jazz, foreshadowing the direction Beck's music would take later in the decade.

A second album ''Jeff Beck Group'' (July 1972) was recorded at TMI studios in Memphis, Tennessee with the same personnel. Beck employed Steve Cropper as producer and the album displayed a strong soul influence, five of the nine tracks being covers of songs by American artists. One, "I Got To Have A Song", was the first of four Stevie Wonder compositions covered by Beck. Shortly after the release of the ''Jeff Beck Group'' album the band was dissolved and Beck's management put out the statement that: "The fusion of the musical styles of the various members has been successful within the terms of individual musicians, but they didn't feel it had led to the creation of a new musical style with the strength they had originally sought."

Beck then started collaborating with bassist Tim Bogert and drummer Carmine Appice, who became available following the demise of Cactus but continued touring as Jeff Beck Group in August 1972, to fulfil contractual obligations with his promoter, with a line-up including Bogert, Appice, Max Middleton and vocalist Kim Milford. After six appearances Milford was replaced by Bobby Tench, who was flown in from the UK for the ''Arie Crown Theatre'' Chicago performance and the rest of the tour, which concluded at the Paramount North West Theatre, Seattle. After the tour Tench and Middleton left the band and the power trio Beck, Bogert & Appice appeared: Appice took on the role of vocalist with Bogert and Beck contributing occasionally. They were included on the bill for ''Rock at The Oval'' in September 1972, still as the "Jeff Beck Group", which marked the start of a tour schedule of UK, the Netherlands and Germany. Another US tour began in October 1972, starting at the Hollywood Sportatorium Florida and concluding on 11 November 1972 at The Warehouse, New Orleans. In April 1973 the album ''Beck, Bogert & Appice'' was released (on Epic Records). While critics acknowledged the band's instrumental prowess the album was not commercially well received except for its cover of Stevie Wonder's hit "Superstition".

On 3 July 1973 Beck joined David Bowie on-stage to perform "The Jean Genie"/"Love Me Do" and "Around and Around". The show was recorded and filmed but none of the released editions included Beck. During October 1973 Beck recorded tracks for Michael Fennelly's album ''Lane Changer'' and attended sessions with Hummingbird, a band derived from The Jeff Beck Group, but did not to contribute to their eponymous first album

Early in January 1974 the band played at the Rainbow Theatre, as part of a European tour. The concert was broadcast in full on the US show ''Rock Around the World'' in September of the same year. This last recorded work by the band previewed material intended for a second studio album, included on the bootleg ''At Last Rainbow''. The tracks ''Blues Deluxe'' and ''BBA Boogie'' from this concert were later included on the Jeff Beck compilation ''Beckology'' (1991). Beck, Bogert & Appice dissolved in April 1974 before their second studio album (produced by Jimmy Miller) was finished. Their live album ''Beck, Bogert & Appice Live in Japan'', recorded during their 1973 tour of Japan, was not released until February 1975 by Epic/Sony.

After a few months Beck entered Underhill Studio and met with the group Upp, whom he recruited as backing band for his appearance on the BBC TV programme ''Guitar Workshop'' in August 1974. Beck produced and played on their self-titled debut album and their second album ''This Way Upp'', though his contributions to the second album went uncredited. In October Beck began to record instrumentals at AIR Studios with Max Middleton, bassist Phil Chen and drummer Richard Bailey, using George Martin as producer and arranger. ''Blow by Blow'' (March 1975) evolved from these sessions and showcased Beck's technical prowess in jazz-rock. The album reached number four in the charts and is Beck's most commercially-successful release. Beck, fastidious about overdubs and often dissatisfied with his solos, often returned to AIR Studios until he was satisfied. A couple of months after the sessions had finished Martin received a telephone call from Beck, who wanted to record a solo section again. Bemused, Martin replied: "I'm sorry, Jeff, but the record is in the shops!"

Beck put together a live band for a US tour, preceded by a small and unannounced gig at The Newlands Tavern in Peckham, London. He toured through April and May 1975, mostly supporting the Mahavishnu Orchestra, retaining Max Middleton on keyboards but with the new rhythm section of Wilbur Bascomb (bass) and noted session drummer Bernard "Pretty" Purdie. In a May 1975 show in Cleveland, Ohio (Music Hall), he became frustrated with an early version of a "talk box" he used on his arrangement of The Beatles "She's A Woman," and after breaking a string, tossed his legendary Yardbirds-era Stratocaster off the stage. He did the same with the talk box and finished the show playing a Les Paul and without the box. During this tour he performed at Yuya Uchida's "World Rock Festival," playing a total of eight songs with Purdie. In addition he performed a guitar and drum instrumental with Johnny Yoshinaga and, at the end of the festival, joined in a live jam with bassist Felix Pappalardi of Mountain and vocalist Akira "Joe" Yamanaka from the Flower Travellin' Band. Only his set with Purdie was recorded and released.

He returned to the studio and recorded ''Wired'' (1976), which paired the drummer and composer Narada Michael Walden and keyboardist Jan Hammer. The album used a jazz-rock fusion style which sounded similar to the work of his two collaborators. To promote the album, Beck joined forces with the Jan Hammer Group, playing a show supporting Alvin Lee at The Roundhouse in May 1976, before embarking on a seven-month long world tour. This resulted in the live album ''Jeff Beck with The Jan Hammer Group - Live'' (1977).

At this point, Beck was a tax exile and took up residency in the US, remaining there until his return to the UK in the autumn of 1977. In the spring of 1978, he began rehearsing with bassist Stanley Clarke and drummer Gerry Brown towards a projected appearance at the Knebworth Festival, but this was cancelled after Brown dropped out. Beck toured Japan for three weeks in November 1978 with an ad-hoc group consisting of Clarke and newcomers Tony Hymas (keyboards) and Simon Phillips (drums) from Jack Bruce's band. Work then began on a new studio album at The Who's Ramport Studios in London and continued sporadically throughout 1979, resulting in ''There and Back'' in June 1980. It featured three tracks composed and recorded with Jan Hammer, while five were written with Hymas. Stanley Clarke was replaced by Mo Foster on bass, both on the album and the subsequent tours. Its release was followed by extensive touring in the USA, Japan and the UK.

1980s

In 1981 Beck made a series of historic live appearances with his Yardbirds predecessor Eric Clapton at the Amnesty International-sponsored benefit concerts dubbed ''The Secret Policeman's Other Ball'' shows. He appeared with Clapton on "Crossroads", "Further On Up The Road", and his own arrangement of Stevie Wonder's "Cause We've Ended As Lovers". Beck also featured prominently in an all-star band finale performance of "I Shall Be Released" with Clapton, Sting, Phil Collins, Donovan and Bob Geldof. Beck's contributions were seen and heard in the resulting album and film, both of which achieved worldwide success in 1982. Another benefit show, the ARMS Concert for Multiple Sclerosis featured a jam with Beck, Eric Clapton and Jimmy Page. They performed "Tulsa Time" and "Layla". This is the only time all of the Yardbirds lead guitarists appeared on stage together.

In 1985 Beck released ''Flash'', featurng a variety of vocalists, but most notably former bandmate Rod Stewart on a rendition of Curtis Mayfield's "People Get Ready".

After a four year break, Jeff made a return to instrumental music with the album ''Jeff Beck's Guitar Shop'' (1989), the first album to feature Beck as a fingerstyle guitarist, leaving the plectrum playing style. It was only his 3rd album to be released in the 1980s. Much of Beck's sparse and sporadic recording schedule was due in part to a long battle with noise-induced tinnitus.

1990s

In the 1990s, Beck had a higher musical output. He is featured on lead guitar on Roger Waters' 1992 concept album ''Amused to Death'', and on Kate Bush's 1993 album ''The Red Shoes''.

He recorded the instrumental soundtrack album Frankie's House (1992), as well as Crazy Legs (1993), a tribute album to 50's rockabilly group Gene Vincent and the Blue Caps and their influential guitarist Cliff Gallup.

Beck rehearsed with Guns N' Roses for their concert in Paris in 1992, but did not play in the actual concert due to ear damage caused by a Matt Sorum cymbal crash, causing Beck to become temporarily deaf. The Yardbirds were inducted into the Rock and Roll Hall of Fame in 1992. In Beck's acceptance speech he humorously noted that:

}} He accompanied Paul Rodgers of Bad Company on the album ''Muddy Water Blues: A Tribute to Muddy Waters'' in 1993. Jeff's next release would not be until 1999, his first foray into guitar based electronica, ''Who Else!'' The album also marked Beck's first collaboration with a female musician, Jennifer Batten, in touring, writing, and recording as well as the first time he had worked with another guitarist on his own material since playing in The Yardbirds. Beck continued to work with Batten through the post-release tour of ''You Had It Coming'' in 2001.

2000s

Jeff Beck won his third Grammy Award, this one for 'Best Rock Instrumental Performance' for the track "Dirty Mind" from ''You Had It Coming'' (2001).

The song "Plan B," from the 2003 release ''Jeff,'' earned Beck his fourth Grammy Award for Best Rock Instrumental Performance, and was proof that the new electro-guitar style he used for the two earlier albums would continue to dominate. Jeff Beck was the opening act for B.B. King in the summer of 2003 and appeared at Eric Clapton's Crossroads Guitar Festival in 2004.

In 2007, he accompanied Kelly Clarkson for her cover of Patty Griffin's "Up to the Mountain (MLK Song)", during the Idol Gives Back episode of ''American Idol''. The performance was recorded live and afterwards was immediately released for sale. In the same year, he appeared once again at Clapton's Crossroads Guitar Festival, performing with Vinnie Colaiuta, Jason Rebello, and the then 21-year-old bassist Tal Wilkenfeld.

Beck announced a world tour in early 2009 and remained faithful to the same lineup of musicians as in his tour two years before, playing and recording at Ronnie Scott's in London to a sold out audience. Beck played on the song "Black Cloud" on the 2009 Morrissey album ''Years of Refusal'' and later that year, Harvey Goldsmith became Beck's Manager.

Beck was inducted into the Rock and Roll Hall of Fame on 4 April 2009, as a solo artist. The award was presented by Jimmy Page. On 4 July 2009, David Gilmour joined Beck onstage at the Albert Hall. Beck and Gilmour traded solos on "Jerusalem" and closed the show with "Hi Ho Silver Lining".

Beck's latest album, ''Emotion & Commotion'', was released in April 2010. It features a mixture of original songs and covers such as "Over the Rainbow" and "Nessun Dorma". Joss Stone provides some of the guest vocals. Two tracks from ''Emotion & Commotion'' won Grammys in 2011: "Nessun Dorms" won the Best Pop Instrumental Performance and "Hammerhead" won the Best Rock Instrumental Performance".

Beck's 2010 World Tour band features Grammy winning musician Narada Michael Walden on drums, Rhonda Smith on bass and Jason Rebello on keyboards. Beck collaborated on "Imagine" for the 2010 Herbie Hancock album, ''The Imagine Project'' along with Seal, P!nk, India.Arie, Konono N°1, Oumou Sangare and others. He has also released a live album titled Live and Exclusive from the Grammy Museum on October 25, 2010.

In 2011, Beck received two honorary degrees from British universities. On 18 July 2011, he was honoured with a fellowship from University of the Arts London in recognition of his "outstanding contribution to the field of Music". He was also presented with an honorary doctorate from University of Sussex by Sanjeev Bhaskar, the university's chancellor for “an outstanding musical career and celebrated the relationship between the university and the Brighton Institute of Modern Music (BIMM)" on 21 July 2011.

Influences

One of the most influential guitarists in the history of rock music, Jeff Beck has cited his major influences as Les Paul, The Shadows, Cliff Gallup, Ravi Shankar, Roy Buchanan, Chet Atkins, Django Reinhardt, Steve Cropper and Lonnie Mack. Of John McLaughlin, he said: "he has given us so many different facets of the guitar and introduced thousands of us to world music, by blending Indian music with jazz and classical. I'd say he was the best guitarist alive."

While Beck was not the first rock guitarist to experiment with electronic distortion, he nonetheless helped to redefine the sound and role of the electric guitar in rock music. Beck's work with The Yardbirds and The Jeff Beck Group's 1968 album ''Truth'' were seminal influences on heavy metal music, which emerged in full force in the early 1970s.

Technique and equipment

Beck stopped regular use of a pick (plectrum) in the 1980s. He produces a wide variety of sounds by using his fingers and the vibrato bar on his signature Fender Stratocaster, although he frequently uses a wah-wah pedal both live and in the studio. As Eric Clapton once said, "With Jeff, it’s all in his hands". Along with Fender Stratocasters, Beck occasionally plays Fender Telecaster and Gibson Les Paul models as well. His amplifiers are primarily Fender and Marshall. In his earlier days with the Yardbirds, Beck also used a 1954 Fender Esquire guitar (now owned by Seymour W. Duncan, and housed in the Cleveland Rock and Roll Hall of Fame) through Vox AC30s. He has also played through a variety of fuzz pedals and echo-units along with this set-up and has used the Pro Co RAT distortion pedal.

He is noted for changes of musical style and direction throughout his career. Ritchie Blackmore once praised this aspect of Jeff in an interview to Martin K. Webb, when the interviewer asked him what he means by "chance music", he replied:

During the ARMS Charity Concerts in 1983 Beck used his battered Fender Esquire along with a 1954 Fender Stratocaster and a Jackson Soloist. On the Crazy Legs (1993) he played a Gretsch Duo Jet, his signature Fender Stratocaster and various other guitars. Recently Fender created a Custom Shop Tribute series version of his beat-up Fender Esquire as well as his Artist Signature series Stratocaster.

Personal life

Beck has been married to Sandra Cash since 2005. Beck describes himself as a vegetarian. He has an interest in classic Ford hot rods, performing much of the work on the exteriors and engines of the cars by himself.

Discography

See also

List of rock instrumentals

Bibliography

Carson, Annette. ''Jeff Beck: Crazy Fingers''. Backbeat books (2002). ISBN 0-87930-632-7

Horjt, Chris and Hinman, Doug. ''Jeff's book : A chronology of Jeff Beck's career 1965-1980 : from the Yardbirds to Jazz-Rock''. Rock 'n' Roll Research Press, (2000). ISBN 0-9641005-3-3

Foster, Mo.''17 watts?: The Birth of British Rock Guitar''. Sanctuary (1997 and 2000). ISBN 978-1-86074-267-5

References

External links

Press conference and master class by Jeff Beck in Moscow 2010

Jeff Beck Official Site

''Rock 'n' Roll Hall of Fame: Jeff Beck'' FuseTV

Jeff Beck at Epic Records

Jeff Beck 1954 Les Paul Oxblood

Jeff Beck unofficial website

Category:English blues guitarists Category:English songwriters Category:English rock guitarists Category:Lead guitarists Category:English vegetarians Category:Musicians from London Category:People from Wallington, London Category:Rock and Roll Hall of Fame inductees Category:The Yardbirds members Category:Grammy Award winners Category:Fingerstyle guitarists Category:1944 births Category:Living people Category:Blues rock musicians Category:Musicians from Tunbridge Wells Category:British rhythm and blues boom musicians

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name	Eric Clapton
alias	Slowhand
landscape	Yes
background	solo_singer
birth name	Eric Patrick Clapton
birth date	March 30, 1945
Birth place	Ripley, Surrey, England
instrument	Guitar, vocals
genre	Rock, blues rock, blues, psychedelic rock, hard rock
occupation	Musician, songwriter, producer, artist
years active	1962–present
label	Warner Bros., Reprise, Polydor, RSO, Atco, Apple, Deram
associated acts	The Yardbirds, John Mayall & the Bluesbreakers, Powerhouse, Cream, Free Creek, The Dirty Mac, Blind Faith, J.J. Cale, The Plastic Ono Band, Delaney, Bonnie & Friends, Derek and the Dominos, Sheryl Crow, The Beatles, Phil Collins, The Rolling Stones, Luciano Pavarotti, The Band, Freddie King, B.B. King, Mark Knopfler, Brian Wilson
website
notable instruments	See: Guitars section"Blackie": Fender Stratocaster"Brownie": Fender Stratocaster }}

Eric Patrick Clapton, CBE, (born 1945) is an English guitarist and singer-songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" and fourth in ''Gibson's'' ''Top 50 Guitarists of All Time.''

In the mid 1960s, Clapton departed from the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand". Immediately after leaving Mayall, Clapton formed Cream, a power trio with drummer Ginger Baker and bassist Jack Bruce in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the 1970s, Clapton's output bore the influence of the mellow style of J.J. Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped reggae reach a mass market. Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, and Robert Johnson's "Crossroads", recorded by Cream. A recipient of seventeen Grammy Awards, in 2004 Clapton was awarded a CBE for services to music. In 1998, Clapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers.

Early life

Eric Patrick Clapton was born in Ripley, Surrey, England, the son of 16-year-old Patricia Molly Clapton (b. 1929 d. March 1999) and Edward Walter Fryer ( 1920 – 1985), a 25-year-old soldier from Montreal, Quebec. Fryer shipped off to war prior to Clapton's birth and then returned to Canada. Clapton grew up with his grandmother, Rose, and her second husband, Jack Clapp, who was stepfather to Patricia Clapton and her brother Adrian, believing they were his parents and that his mother was actually his older sister. The similarity in surnames gave rise to the erroneous belief that Clapton's real surname is Clapp (Reginald Cecil Clapton was the name of Rose's first husband, Eric Clapton's maternal grandfather). Years later, his mother married another Canadian soldier and moved to Germany, leaving young Eric with his grandparents in Surrey.

Clapton received an acoustic Hoyer guitar, made in Germany, for his thirteenth birthday, but the inexpensive steel-stringed instrument was difficult to play and he briefly lost interest. Two years later Clapton picked it up again and started playing consistently. Clapton was influenced by the blues from an early age, and practised long hours to learn the chords of blues music by playing along to the records. He preserved his practice sessions using his portable Grundig reel-to-reel tape recorder, listening to them over and over until he felt he'd got it right.

After leaving Hollyfield School, in Surbiton, in 1961, Clapton studied at the Kingston College of Art but was dismissed at the end of the academic year because his focus remained on music rather than art. His guitar playing was so advanced that by the age of sixteen he was getting noticed. Around this time Clapton began busking around Kingston, Richmond, and the West End of London. In 1962, Clapton started performing as a duo with fellow blues enthusiast David Brock in the pubs around Surrey. When he was seventeen years old Clapton joined his first band, an early British R&B; group, "The Roosters", whose other guitarist was Tom McGuinness. He stayed with this band from January through August 1963. In October of that year, Clapton did a seven-gig stint with Casey Jones & The Engineers.

Career

1960s

The Yardbirds and the Bluesbreakers

In October 1963 Clapton joined The Yardbirds, a blues-influenced rock and roll band, and stayed with them until March 1965. Synthesising influences from Chicago blues and leading blues guitarists such as Buddy Guy, Freddie King, and B. B. King, Clapton forged a distinctive style and rapidly became one of the most talked-about guitarists in the British music scene. The band initially played Chess/Checker/Vee-Jay blues numbers and began to attract a large cult following when they took over the Rolling Stones' residency at the Crawdaddy Club in Richmond. They toured England with American bluesman Sonny Boy Williamson II; a joint LP album, recorded in December 1963, was issued in 1965.

It was during this time period that Clapton's Yardbirds rhythm guitarist, Chris Dreja, recalled that whenever Clapton broke a guitar string during a concert, he would stay on stage and replace it. The English audiences would wait out the delay by doing what is called a "slow handclap". Clapton told his official biographer, Ray Coleman, that, "My nickname of 'Slowhand' came from Giorgio Gomelsky. He coined it as a good pun. He kept saying I was a fast player, so he put together the slow handclap phrase into Slowhand as a play on words".

In March 1965 the Yardbirds had their first major hit, "For Your Love", on which Clapton played guitar. The Yardbirds elected to move toward a pop-oriented sound, in part because of the success of "For Your Love", written by pop songwriter-for-hire Graham Gouldman, who had also written hit songs for teen pop outfit Herman's Hermits and The Hollies. Still musically devoted to the blues, Clapton was opposed to the move, and left the band. He recommended fellow guitarist Jimmy Page as his replacement, but Page was at that time unwilling to relinquish his lucrative career as a freelance studio musician, so Page in turn recommended Clapton's successor, Jeff Beck. While Beck and Page played together in the Yardbirds, the trio of Beck, Page, and Clapton were never in the group together. However, the trio did appear on the 12-date benefit tour for Action for Research into Multiple Sclerosis in 1983, as well as on the album ''Guitar Boogie''.

Clapton joined John Mayall & the Bluesbreakers in April 1965, only to quit a few months later. In the summer of 1965 he left for Greece with a band called The Glands, which included his old friend Ben Palmer on piano. In November 1965 he rejoined John Mayall. It was during his second Bluesbreakers stint that his passionate playing established Clapton's name as the best blues guitarist on the club circuit. Although Clapton gained world fame for his playing on the influential album, ''Blues Breakers - John Mayall - With Eric Clapton'', this album was not released until Clapton had left the Bluesbreakers for the last time. Having swapped his Fender Telecaster and Vox AC30 amplifier for a 1960 Gibson Les Paul Standard guitar and Marshall amplifier, Clapton's sound and playing inspired a well-publicised graffiti that deified him with the famous slogan "Clapton is God". The phrase was spray-painted by an admirer on a wall in an Islington Underground station in the autumn of 1967. The graffiti was captured in a now-famous photograph, in which a dog is urinating on the wall. Clapton is reported to have been embarrassed by the slogan, saying in his ''The South Bank Show'' profile in 1987, "I never accepted that I was the greatest guitar player in the world. I always ''wanted'' to be the greatest guitar player in the world, but that's an ideal, and I accept it as an ideal". The phrase began to appear in other areas of Islington throughout the mid 1960s.

Cream

Clapton left the Bluesbreakers in July 1966 (to be replaced by Peter Green) and formed Cream, one of the earliest supergroups, with Jack Bruce on bass (also of Manfred Mann, the Bluesbreakers, and the Graham Bond Organisation) and Ginger Baker on drums (another member of the Graham Bond Organisation). Before the formation of Cream, Clapton was not well known in the United States; he left the Yardbirds before "For Your Love" hit the American Top Ten, and had yet to perform there. During his time with Cream, Clapton began to develop as a singer, songwriter, and guitarist, though Bruce took most of the lead vocals and wrote the majority of the material with lyricist Pete Brown. Cream's first gig was an unofficial performance at the Twisted Wheel Club in Manchester on 1966 before their full debut two nights later at the National Jazz and Blues Festival in Windsor. Cream established its enduring legend with the high-volume blues jamming and extended solos of their live shows.

In early 1967 Clapton's status as Britain's top guitarist was rivalled by the emergence of Jimi Hendrix, an acid rock-infused guitarist who used wailing feedback and effects pedals to create new sounds for the instrument. Hendrix attended a performance of the newly-formed Cream at the Central London Polytechnic on 1966, during which Hendrix sat in on a double-timed version of "Killing Floor". Top UK stars including Clapton, Pete Townshend, and members of The Rolling Stones and The Beatles avidly attended Hendrix's early club performances. Hendrix's arrival had an immediate and major effect on the next phase of Clapton's career, although Clapton continued to be recognised in UK music polls as the premier guitarist.

Clapton first visited the United States while touring with Cream. In March 1967, Cream performed a nine-show stand at the RKO Theater in New York. They recorded ''Disraeli Gears'' in New York from 1967. Cream's repertoire varied from hard rock ("I Feel Free") to lengthy blues-based instrumental jams ("Spoonful"). ''Disraeli Gears'' featured Clapton's searing guitar lines, Bruce's soaring vocals and prominent, fluid bass playing, and Baker's powerful, polyrhythmic jazz-influenced drumming. Together, Cream's talents secured them as an influential power trio.

In 28 months, Cream had become a commercial success, selling millions of records and playing throughout the U.S. and Europe. They redefined the instrumentalist's role in rock and were one of the first blues-rock bands to emphasise musical virtuosity and lengthy jazz-style improvisation sessions. Their U.S. hit singles include "Sunshine of Your Love" (#5, 1968), "White Room" (#6, 1968) and "Crossroads" (#28, 1969) – a live version of Robert Johnson's "Cross Road Blues". Though Cream was hailed as one of the greatest groups of its day, and the adulation of Clapton as a guitar hero reached new heights, the supergroup was short-lived. Drug and alcohol use escalated tension between the three members, and conflicts between Bruce and Baker eventually led to Cream's demise. A strongly critical ''Rolling Stone'' review of a concert of the group's second headlining U.S. tour was another significant factor in the trio's demise, and it affected Clapton profoundly.

Cream's farewell album, ''Goodbye'', featuring live performances recorded at The Forum, Los Angeles, 1968, was released shortly after Cream disbanded; it also featured the studio single "Badge", co-written by Clapton and George Harrison. Clapton met Harrison and became friends with him after the Beatles shared a bill with the Clapton-era Yardbirds at the London Palladium. The close friendship between Clapton and Harrison resulted in Clapton's playing on Harrison's "While My Guitar Gently Weeps" from the Beatles' ''White Album'' (1968). Harrison also released his solo debut album, ''Wonderwall Music'', in 1968. It became the first of many Harrison solo records to feature Clapton on guitar. Clapton would go largely uncredited for his contributions to Harrison's albums due to contractual restraints. The pair would often play live together as each other's guest. A year after Harrison's death in 2001, Clapton helped organise a tribute concert, for which he was musical director.

Cream briefly reunited in 1993 to perform at the ceremony inducting them into the Rock and Roll Hall of Fame; a full reunion took place in May 2005, with Clapton, Bruce, and Baker playing four sold-out concerts at London's Royal Albert Hall, and three shows at New York's Madison Square Garden that October. Recordings from the London shows, ''Royal Albert Hall London May 2-3-5-6, 2005'', were released on CD, LP, and DVD in September/December 2005.

Blind Faith and Delaney and Bonnie and Friends

Clapton's next group, Blind Faith (1969), was composed of Cream drummer Ginger Baker, Steve Winwood of Traffic, and Ric Grech of Family, and yielded one LP and one arena-circuit tour. The supergroup debuted before 100,000 fans in London's Hyde Park on 1969. They performed several dates in Scandinavia and began a sold-out American tour in July before their only album was released. The LP ''Blind Faith'' consisted of just six songs, one of them a 15-minute jam entitled "Do What You Like". The album's jacket image of a topless pubescent girl was deemed controversial in the United States and was replaced by a photograph of the band. Blind Faith dissolved after less than seven months.

Clapton subsequently toured as a sideman for an act that had opened for Blind Faith, Delaney and Bonnie and Friends. He also played two dates as a member of The Plastic Ono Band that fall, including a recorded performance at the Toronto Rock and Roll Revival in September 1969 released as the album ''Live Peace in Toronto 1969''. On 15 December 1969 Clapton performed with John Lennon, George Harrison, and others as the Plastic Ono Band at a fundraiser for UNICEF in London.

Delaney Bramlett encouraged Clapton in his singing and writing. During the summer of 1969, Clapton and Bramlett contributed to the ''Music From Free Creek'' "supersession" project. Clapton, appearing as "King Cool" for contractual reasons, played with Dr. John on three songs, joined by Bramlett on two tracks.

Using the Bramletts' backing group and an all-star cast of session players (including Leon Russell and Stephen Stills), Clapton recorded his first solo album during two brief tour hiatuses, fittingly named ''Eric Clapton''. Delaney Bramlett co-wrote six of the songs with Clapton, and Bonnie Bramlett co-wrote "Let It Rain". The album yielded the unexpected U.S. #18 hit, J. J. Cale's "After Midnight". Clapton went with Delaney and Bonnie from the stage to the studio with the Dominos to record George Harrison's ''All Things Must Pass'' in spring 1970. During this busy period, Clapton also recorded with other artists including Dr. John, Leon Russell, Plastic Ono Band, Billy Preston, and Ringo Starr.

1970s

Derek and the Dominos

With the intention to counteract the "star" cult faction that had begun to form around him, Clapton assembled a new band composed of Delaney and Bonnie's former rhythm section, Bobby Whitlock as keyboardist and vocalist, Carl Radle as the bassist, and drummer Jim Gordon, with Clapton playing guitar. It was his intention to show that he need not fill a starring role, and functioned well as a member of an ensemble. Naming the band, "Eric Clapton and Friends" at first, the name "Derek and the Dominos" was a fluke. It occurred when the band's provisional name of "Del and the Dynamos" was misread as Derek and the Dominos. Clapton's biography states that Ashton told Clapton to call the band "Del and the Dominos", since "Del" was his nickname for Eric Clapton. Del and Eric were combined and the final name became "Derek and the Dominos".

Clapton's close friendship with George Harrison brought him into contact with Harrison's wife, Pattie Boyd, with whom he became deeply infatuated. When she spurned his advances, Clapton's unrequited affections prompted most of the material for the Dominos' album, ''Layla and Other Assorted Love Songs'' (1970). Heavily blues-influenced, the album features the twin lead guitars of Duane Allman and Clapton, with Allman's slide guitar as a key ingredient of the sound. Working at Criteria Studios in Miami with Atlantic Records producer Tom Dowd, who had worked with Clapton on Cream's ''Disraeli Gears'', the band recorded a double album.

The album features the hit love song "Layla", inspired by the classical poet of Persian literature, Nizami Ganjavi's ''The Story of Layla and Majnun'', a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and who went crazy because he could not marry her. The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the piano part.

The ''Layla'' LP was actually recorded by a five-piece version of the group, thanks to the unforeseen inclusion of guitarist Duane Allman of The Allman Brothers Band. A few days into the Layla sessions, Dowd—who was also producing the Allmans—invited Clapton to an Allman Brothers outdoor concert in Miami. The two guitarists met first on stage, then played all night in the studio, and became friends. Duane first added his slide guitar to "Tell the Truth" and "Nobody Knows You When You're Down and Out". In four days, the five-piece Dominos recorded "Key to the Highway", "Have You Ever Loved a Woman" (a blues standard popularised by Freddie King and others), and "Why Does Love Got to be So Sad". In September, Duane briefly left the sessions for gigs with his own band, and the four-piece Dominos recorded "I Looked Away", "Bell Bottom Blues", and "Keep on Growing". Duane returned to record "I am Yours", "Anyday", and "It's Too Late". On September 9, they recorded Hendrix's "Little Wing" and the title track. The following day, the final track, "It's Too Late", was recorded.

Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix; eight days previously the band had cut a cover of "Little Wing" as a tribute to Hendrix. On 1970, one day before Hendrix's death, Clapton had purchased a left-handed Fender Stratocaster that he had planned to give to Hendrix as a birthday gift. Adding to Clapton's woes, the ''Layla'' album received only lukewarm reviews upon release. The shaken group undertook a U.S. tour without Allman, who had returned to the Allman Brothers Band. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs and alcohol, it resulted in the live double album ''In Concert''. The band had recorded several tracks for a second album in London during the spring of 1971 (five of which were released on the Eric Clapton box-set ''Crossroads''), but the results were mediocre.

A second record was in the works when a clashing of egos took place and Clapton walked, thus disbanding the group. Allman was killed in a motorcycle accident on 1971. Although Radle would remain Clapton's bass player until the summer of 1979 (Radle died in May 1980 from the effects of alcohol and narcotics), it would be 2003 before Clapton and Whitlock appeared together again (Clapton guested on Whitlock's appearance on the ''Later with Jools Holland'' show). Another tragic footnote to the Dominos story was the fate of drummer Jim Gordon, who was an undiagnosed schizophrenic and years later murdered his mother during a psychotic episode. Gordon was confined to 16-years-to-life imprisonment, later being moved to a mental institution, where he remains today.

Solo career

Clapton's career successes in the 1970s were in stark contrast with his personal life, which was troubled by romantic longings and drug and alcohol addiction. While suffering his (temporarily) unrequited and intense attraction to Pattie Boyd, he withdrew from recording and touring to isolation in his Surrey, England, residence. There he nursed his heroin addiction, which resulted in a career hiatus interrupted only by the Concert for Bangladesh in August 1971 (where he passed out on stage, was revived, and continued his performance). In January 1973, The Who's Pete Townshend organised a comeback concert for Clapton at London's Rainbow Theatre, aptly titled the "Rainbow Concert", to help Clapton kick his addiction. Clapton would return the favour by playing 'The Preacher' in Ken Russell's film version of The Who's ''Tommy'' in 1975; his appearance in the film (performing "Eyesight to the Blind") is notable as he is clearly wearing a fake beard in some shots, the result of deciding to shave off his real beard after the initial takes in an attempt to force the director to remove his earlier scene from the movie and leave the set.

In 1974, now partnered with Pattie (they would not actually marry until 1979) and no longer using heroin (although starting to drink heavily), Clapton put together a more low-key touring band that included Radle, Miami guitarist George Terry, keyboardist Dick Sims (who died in 2011 ), drummer Jamie Oldaker, and vocalists Yvonne Elliman and Marcy Levy (also known as Marcella Detroit). With this band Clapton recorded ''461 Ocean Boulevard'' (1974), an album with an emphasis on more compact songs and fewer guitar solos; the cover version of "I Shot The Sheriff" was Clapton's first #1 hit and was important in bringing reggae and the music of Bob Marley to a wider audience. The 1975 album ''There's One in Every Crowd'' continued this trend. The album's original title, ''The World's Greatest Guitar Player (There's One In Every Crowd)'', was changed before pressing, as it was felt its ironic intention would be misunderstood. The band toured the world and subsequently released the 1975 live LP, ''E.C. Was Here''. Clapton continued to release albums and toured regularly. Highlights of the period include ''No Reason to Cry'' (a collaboration with Bob Dylan and The Band); ''Slowhand'', which featured "Wonderful Tonight" (another song inspired by Boyd); and a second J.J. Cale cover, "Cocaine". In 1976 he performed, alongside a string of notable guests, to pay tribute to the farewell performance of The Band, filmed in a Martin Scorsese documentary called ''the Last Waltz''.

1980s

In 1981 Clapton was invited by producer Martin Lewis to appear at the Amnesty International benefit ''The Secret Policeman's Other Ball''. Clapton accepted the invitation and teamed up with Jeff Beck to perform a series of duets—reportedly their first-ever billed stage collaboration. Three of the performances were released on the album of the show, and one of the songs was featured in the film. The performances heralded a return to form and prominence for Clapton in the new decade. Many factors had influenced Clapton's comeback, including his "deepening commitment to Christianity", to which he had converted prior to his heroin addiction.

After an embarrassing fishing incident, Clapton finally called his manager and admitted he was an alcoholic. In January 1982 Roger and Clapton flew to Minneapolis – St. Paul; Clapton would be checked in at Hazelden Treatment Center, located in Center City, Minnesota. On the flight over, Clapton indulged in a large number of drinks, for fear he would never be able to drink again. Clapton is quoted as saying from his autobiography, "In the lowest moments of my life, the only reason I didn't commit suicide was that I knew I wouldn't be able to drink any more if I was dead. It was the only thing I thought was worth living for, and the idea that people were about to try and remove me from alcohol was so terrible that I drank and drank and drank, and they had to practically carry me into the clinic."

After being discharged, it was recommended by doctors of Hazelden that Clapton not partake in any activities that would act as triggers for his alcoholism or stress, until he was fully situated back at Hurtwood. A few months after his discharge, Clapton began working on his next album, against the Hazelden doctors' orders. Working with Tom Dowd, Clapton produced what he thought as his "most forced" album to date, ''Money and Cigarettes''.

In 1984 he performed on Pink Floyd member Roger Waters' solo album, ''The Pros and Cons of Hitch Hiking'', and went on tour with Waters following the release of the album. Since then Waters and Clapton have had a close relationship. In 2005 they performed together for the Tsunami Relief Fund. In 2006 they performed at the Highclere Castle, in aid of the Countryside Alliance, playing two set pieces of "Wish You Were Here" and "Comfortably Numb". Clapton, now a seasoned charity performer, played at the Live Aid concert on 13 July 1985. When offered a slot close to peak viewing hours, he was apparently flattered. As Clapton recovered from his addictions, his album output continued in the 1980s, including two produced with Phil Collins, 1985's ''Behind the Sun'', which produced the hits "Forever Man" and "She's Waiting", and 1986's ''August''.

''August'' was suffused with Collins's trademark drum and horn sound, and became Clapton's biggest seller in the UK to date, matching his highest chart position, number 3. The album's first track, the hit "It's In The Way That You Use It", was featured in the Tom Cruise – Paul Newman movie ''The Color of Money.'' The horn-peppered "Run" echoed Collins' "Sussudio" and rest of the producer's Genesis/solo output, while "Tearing Us Apart" (with Tina Turner) and the bitter "Miss You" echoed Clapton's angry sound. This rebound kicked off Clapton's two-year period of touring with Collins and their ''August'' collaborates, bassist Nathan East and keyboard player/songwriter Greg Phillinganes. While on tour for ''August'', two concert videos were recorded of the four-man band, ''Eric Clapton Live from Montreux'' and ''Eric Clapton and Friends''. Clapton later remade "After Midnight" as a single and a promotional track for the Michelob beer brand, which had also marketed earlier songs by Collins and Steve Winwood. Clapton won a British Academy Television Award for his collaboration with Michael Kamen on the score for the 1985 BBC Television thriller serial ''Edge of Darkness''. In 1989, Clapton released ''Journeyman'', an album which covered a wide range of styles including blues, jazz, soul and pop. Collaborators included George Harrison, Phil Collins, Daryl Hall, Chaka Khan, Mick Jones, David Sanborn and Robert Cray.

In 1984, while still married to Pattie Boyd, Clapton began a year-long relationship with Yvonne Kelly. The two had a daughter, Ruth, who was born in January 1985, but her existence was kept a secret by her parents. She was not publicly revealed as his child until 1991. Boyd criticised Clapton because he had not revealed the child's existence.

At the 1987 Brit Awards in London, Clapton picked up the prize for Outstanding Contribution to Music. Hurricane Hugo hit Montserrat in 1989, and this resulted in the closure of Sir George Martin and John Burgess's recording studio AIR Montserrat, where Kelly was Managing Director. Kelly and Ruth moved back to England, and stories about Eric's secret daughter began as a result of newspaper articles published at the time. Clapton and Boyd divorced in 1988 following his affair with Italian model Lory Del Santo, who gave birth to their son, Conor, on 1986. Boyd was never able to conceive children, despite attempts at in vitro fertilisation. Their divorce was granted on grounds of "infidelity and unreasonable behaviour."

Clapton was known to date a host of beautiful women, including Krissy Wood (ex-wife of Ron Wood), actress Charlotte Martin, socialite Alice Ormsby-Gore, Paula Boyd (the younger sister of his future wife Pattie), singer Janis Joplin, singer Marianne Faithfull, rock muses Catherine James, Cyrinda Fox, and Geraldine Edwards, the inspiration for Penny Lane in ''Almost Famous'', singer Rosanne Cash, the First Lady of France and former model Carla Bruni, and actresses Patsy Kensit, Sharon Stone, and Alicia Witt.

1990s

The 1990s brought a series of 32 concerts to the Royal Albert Hall, such as the 24 Nights series of concerts that took place around January through February 1990, and February through March 1991. On 1990, fellow blues guitarist Stevie Ray Vaughan, who was touring with Clapton, and three members of their road crew were killed in a helicopter crash between concerts. Then, on 1991, Clapton's four-year-old son, Conor, died on impact after a fall from the 53rd-floor window of his mother's friend's New York City apartment. He landed on the roof of an adjacent four-story building. Clapton's grief was expressed in the song "Tears in Heaven", which was co-written by Will Jennings. At the 35th Grammy Awards, Clapton received six Grammy Awards for the single "Tears in Heaven" and his ''Unplugged'' album. The album reached number one on the ''Billboard'' 200, and has since been certified Diamond by the RIAA for selling over 10 million copies in the United States. On 9 September 1992, Clapton performed "Tears in Heaven" at the 1992 MTV Video Music Awards in Los Angeles, and won the award for Best Male Video.

In October 1992 Clapton was among the dozens of artists performing at Bob Dylan's 30th Anniversary Concert Celebration. Recorded at Madison Square Garden in New York City, the live two-disk CD/DVD captured a show full of celebrities performing classic Dylan songs, before ending with a few performances from Dylan himself. Despite the presence of 10 other guitarists on stage, including George Harrison, Neil Young, Roger McGuinn, Steve Cropper, Tom Petty, and Dylan, Clapton played the lead on a nearly 7-minute version of Dylan's "Knockin' on Heaven's Door" as part of the finale.

While ''Unplugged'' featured Clapton playing acoustic guitar, his 1994 album ''From the Cradle'' contained new versions of old blues standards, highlighted by his electric guitar playing. Clapton's 1996 recording of the Wayne Kirkpatrick/Gordon Kennedy/Tommy Sims tune "Change the World" (featured in the soundtrack of the movie ''Phenomenon'') won the Grammy Award for Song of the Year in 1997, the same year he recorded ''Retail Therapy'' (an album of electronic music with Simon Climie under the pseudonym TDF). The following year, Clapton released the album ''Pilgrim'', the first record featuring new material for almost a decade. Clapton finished the twentieth century with collaborations with Carlos Santana and B. B. King.

In 1996 Clapton had a relationship with singer/songwriter Sheryl Crow. They remain friends, and Clapton appeared as a guest on Crow's Central Park Concert. The duo performed a Cream hit single, "White Room". Later, Clapton and Crow performed an alternate version of "Tulsa Time" with other guitar legends at the Crossroads Guitar Festival in June 2007.

In 1998 Clapton, then 53, met 22-year-old administrative assistant Melia McEnery in Columbus, Ohio, at a party given for him after a performance. He quietly dated her for a year, and went public with the relationship in 1999. They married on 2002 at St Mary Magdalene church in Clapton's birthplace, Ripley. As of 2005 they have three daughters, Julie Rose ( 2001), Ella May ( 2003), and Sophie Belle ( 2005).

At the 41st Grammy Awards on 24 February 1999, Clapton received his third Grammy Award for Best Male Pop Vocal Performance, for his song "My Father's Eyes". In October 1999, the compilation album, ''Clapton Chronicles: The Best of Eric Clapton'', was released, which contained a new song, "Blue Eyes Blue", that also appears in soundtrack for the film, ''Runaway Bride''.

2000s

Following the release of the 2001 record ''Reptile'', Eric performed "Layla" and "While My Guitar Gently Weeps" at the Party at the Palace in 2002. On 29 November of that year the Concert for George was held at the Royal Albert Hall, a tribute to George Harrison, who had died a year earlier of cancer. Clapton was a performer and the musical director. The concert featured Paul McCartney, Ringo Starr, Jeff Lynne, Tom Petty and the Heartbreakers, Ravi Shankar, Gary Brooker, Billy Preston, Joe Brown and Dhani Harrison. In 2004, Clapton released two albums of covers of songs by legendary bluesman Robert Johnson, ''Me and Mr. Johnson'' and ''Sessions for Robert J''. The same year, ''Rolling Stone'' ranked Clapton #53 on their list of the "100 Greatest Artists of All Time".

On 22 January 2005, Clapton performed in the Tsunami Relief Concert held at the Millennium Stadium in Cardiff, in aid of the victims of the 2004 Indian Ocean earthquake. In May 2005 Eric Clapton, Jack Bruce, and Ginger Baker reunited as Cream for a series of concerts at the Royal Albert Hall in London. Concert recordings were released on CD and DVD. Later, Cream performed in New York at Madison Square Garden. ''Back Home'', Clapton's first album of new original material in nearly five years, was released on Reprise Records on . In 2006 he invited Derek Trucks and Doyle Bramhall II to join his band for his 2006–2007 world tour. Trucks is the third member of the Allman Brothers Band to tour supporting Clapton, the second being pianist/keyboardist Chuck Leavell, who appeared on the ''MTV Unplugged'' album and the ''24 Nights'' performances at the Royal Albert Hall theatre of London in 1990 and 1991, as well as Clapton's 1992 U.S. tour.

On 20 May 2006, Clapton performed with Queen drummer Roger Taylor and former Pink Floyd bassist/songwriter Roger Waters at the Highclere Castle, in support of the Countryside Alliance. On 2006, Clapton made a guest appearance at the Bob Dylan concert in Columbus, Ohio, playing guitar on three songs in Jimmie Vaughan's opening act. A collaboration with guitarist J. J. Cale, titled ''The Road to Escondido'', was released on 2006, featuring Derek Trucks and Billy Preston. The 14-track CD was produced and recorded by the duo in August 2005 in California. The chemistry between Trucks and Clapton convinced him to invite The Derek Trucks Band to open for Clapton's set at his 2007 Crossroads Guitar Festival. Trucks remained on set afterward, performed with Clapton's band throughout his performances, and later embarked on a world tour with him.

The rights to Clapton's official memoirs, written by Christopher Simon Sykes and published in 2007, were sold at the 2005 Frankfurt Book Fair for .

On 26 February 2008, it was reported that North Korean officials had invited Clapton to play a concert in the communist state. Clapton's management received the invitation and passed it on to the singer, who agreed in principle and suggested it take place sometime in 2009. Kristen Foster, a spokesperson, said, "Eric Clapton receives numerous offers to play in countries around the world," and "[t]here is no agreement whatsoever for him to play in North Korea."

In 2007 Clapton learned more about his father, a Canadian soldier who left the UK after the war. Although Clapton's grandparents eventually told him the truth about his parentage, he only knew that his father's name was Edward Fryer. This was a source of disquiet for Clapton, as witnessed by his 1998 song "My Father's Eyes". A Montreal journalist named Michael Woloschuk researched Canadian Armed Forces service records and tracked down members of Fryer's family, and finally pieced together the story. He learned that Clapton's father was Edward Walter Fryer, born 1920, in Montreal and died in Newmarket, Ontario. Fryer was a musician (piano and saxophone) and a lifelong drifter who was married several times, had several children, and apparently never knew that he was the father of Eric Clapton. Clapton thanked Woloschuk in an encounter at Macdonald Cartier Airport, in Ottawa, Canada.

In February 2008 Clapton performed with his long-time friend Steve Winwood at Madison Square Garden and guested on his recorded single, "Dirty City", on Winwood's album ''Nine Lives''. The two former Blind Faith bandmates met again for a series of 14 concerts throughout the United States in June 2009.

Clapton's 2008 Summer Tour began on at the Ford Amphitheatre, Tampa Bay, Florida, and then moved to Canada, Ireland, England, Norway, Iceland, Denmark, Poland, Germany, and Monaco. On 2008, he headlined Saturday night for Hard Rock Calling 2008 in London's Hyde Park (previously Hyde Park Calling) with support from Sheryl Crow and John Mayer. In September 2008 Clapton performed at a private charity fundraiser for The Countryside Alliance at Floridita in Soho, London, that included such guests as the London Mayor Boris Johnson.

In March 2009, the Allman Brothers Band (amongst many notable guests) celebrated their 40th year, dedicating their string of concerts to the late Duane Allman on their annual run at the Beacon Theatre. Eric Clapton was one of the performers, with drummer Butch Trucks remarking that the performance was not the typical Allman Brothers experience, given the number and musical styles of the guests who were invited to perform. Songs like "In Memory of Elizabeth Reed" were punctuated with others, including "The Weight", with Levon Helm; Johnny Winter sitting in on Hendrix's "Red House"; and "Layla". On 2009 Clapton appeared as a featured guest at the Royal Albert Hall, playing "Further on Up the Road" with Joe Bonamassa.

Clapton was scheduled to be one of the performers at the Rock and Roll Hall of Fame's 25th anniversary concert in Madison Square Garden on 2009, but cancelled due to gallstone surgery. Van Morrison (who also cancelled) said in an interview that he and Clapton were to do a "couple of songs", but that they would do something else together at "some other stage of the game".

2010s

Clapton performed a two-night show with Jeff Beck at London's O2 Arena on 2010. The two former Yardbirds extended their 2010 tour with stops at Madison Square Garden, the Air Canada Centre in Toronto, and the Bell Centre in Montreal. Clapton performed a series of concerts in 11 cities throughout the United States from to 2010, including Roger Daltrey as opening act. His third European tour with Steve Winwood began on and ended , including Tom Norris as opening act. He then began a short North American tour lasting from to , starting with his third Crossroads Guitar Festival on in Bridgeview, Illinois. Clapton released a new studio album, ''Clapton'', on 2010 in the United Kingdom and 28 September 2010 in the United States. On 2010, Clapton performed as guest on the Prince's Trust rock gala held at the Royal Albert Hall, supported by the house band for the evening, which included Jools Holland, Midge Ure and Mark King.

On 24 June 2011 Clapton was in concert with Pino Daniele in Cava de' Tirreni stadium, Italy, with an audience of 15,000 people before performing a series of concerts in South America from 6 to 16 October 2011. He spent the November and December 2011 touring Japan with Steve Winwood, playing 13 shows in various cities throughout the country.

Influences

Clapton cites Freddie King, B.B. King, Albert King, Buddy Guy, and Hubert Sumlin as guitar playing influences. Robert Johnson has influenced Clapton the most profoundly. In 2004 Clapton released CDs and DVDs entitled ''Sessions for Robert Johnson'', featuring Clapton covering Robert Johnson songs using electric and acoustic guitars.

Clapton co-authored with others the book ''Discovering Robert Johnson'', in which Clapton said Johnson was

"...the most important blues musician who ever lived. He was true, absolutely, to his own vision, and as deep as I have gotten into the music over the last 30 years, I have never found anything more deeply soulful than Robert Johnson. His music remains the most powerful cry that I think you can find in the human voice, really. ... it seemed to echo something I had always felt."

Legacy

Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. He ranked second in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" and fourth in ''Gibson's'' ''Top 50 Guitarists of All Time.''

Guitarists influenced by Clapton include Richie Sambora, Stevie Ray Vaughan, Gary Moore, Duane Allman, Derek Trucks, Eddie Van Halen, Brian May, Tony Iommi, Lenny Kravitz, Slash, Orianthi, Brad Paisley, Jonny Buckland, Joe Don Rooney, Alex Lifeson, Jonny Lang, John Mayer, Joe Satriani, Joe Bonamassa, Davy Knowles, and George Harrison.

Guitars

Clapton's choice of electric guitars has been as notable as the man himself; alongside Hank Marvin, The Beatles and Jimi Hendrix, Clapton exerted a crucial and widespread influence in popularising particular models of electric guitar. With the Yardbirds, Clapton played a Fender Telecaster, a Fender Jazzmaster, a double-cutaway Gretsch 6120, and a 1964 Cherry-Red Gibson ES-335. He became exclusively a Gibson player for a period beginning in mid-1965, when he purchased a used sunburst Gibson Les Paul guitar from a guitar store in London. Clapton commented on the slim profile of the neck, which would indicate it was a 1960 model.

Early during his stint in Cream, Clapton's first Les Paul Standard was stolen. He continued to play Les Pauls exclusively with Cream (one bought from Andy Summers was almost identical to the stolen guitar) until 1967, when he acquired his most famous guitar in this period, a 1964 Gibson SG. Just before Cream's first U.S. appearance in 1967, Clapton's SG, Bruce's Fender VI, and Baker's drum head were all repainted in psychedelic designs created by the visual art collective known as The Fool. In 1968 Clapton bought a Gibson Firebird and started using the 1964 Cherry-Red Gibson ES-335 again. The aforementioned 1964 ES-335 had a storied career. Clapton used it at the last Cream show in November 1968 as well as with Blind Faith, played it sparingly for slide pieces in the 1970s, used it on "Hard Times" from ''Journeyman'', the Hyde Park live concert of 1996, and the ''From the Cradle'' sessions and tour of 1994–95. It was sold for $847,500 at a 2004 auction. Gibson produced a limited run of 250 "Crossroads 335" replicas. The 335 was only the second electric guitar Clapton bought.

In July 1968 Clapton gave George Harrison a 1957 'goldtop' Gibson Les Paul that been refinished with a red colour. The following September, Clapton played the guitar on the Beatles' studio recording of "While My Guitar Gently Weeps". His SG found its way into the hands of George Harrison's friend Jackie Lomax, who subsequently sold it to musician Todd Rundgren for US$500 in 1972. Rundgren restored the guitar and nicknamed it "Sunny", after "Sunshine of Your Love". He retained it until 2000, when he sold it at an auction for US$150,000. At the 1969 Blind Faith concert in Hyde Park, London Clapton played a Fender Custom Telecaster, which was fitted with "Brownie"s neck.

In late 1969 Clapton made the switch to the Fender Stratocaster. "I had a lot of influences when I took up the Strat. First there was Buddy Holly, and Buddy Guy. Hank Marvin was the first well known person over here in England who was using one, but that wasn't really my kind of music. Steve Winwood had so much credibility, and when he started playing one, I thought, oh, if he can do it, I can do it." The first—used during the recording of ''Eric Clapton''—was "Brownie", which in 1974 became the backup to the most famous of all Clapton's guitars, "Blackie". In November 1970 Eric bought six Fender Stratocasters from the Sho-bud guitar shop in Nashville, Tennessee while on tour with the Dominos. He gave one each to George Harrison, Steve Winwood, and Pete Townshend.

Clapton assembled the best components of the remaining three to create "Blackie", which was his favourite stage guitar until its retirement in 1985. It was first played live 1973 at the Rainbow Concert. Clapton called the 1956/57 Strat a "mongrel". On 2004, Clapton sold "Blackie" at Christie's Auction House, New York, for $959,500 to raise funds for his Crossroads Centre for drug and alcohol addictions. "Brownie" is now on display at the Experience Music Project. The Fender Custom Shop has since produced a limited run of 275 'Blackie' replicas, correct in every detail right down to the 'Duck Brothers' flight case, and artificially aged using Fender's 'Relic' process to simulate years of hard wear. One was presented to Eric upon the model's release and was used for three numbers during a concert at the Royal Albert Hall on 2006.

In 1981 Clapton gave his signed Fender Lead II guitar to the Hard Rock Cafe to designate his favourite bar stool. Pete Townshend also donated his own Gibson Les Paul guitar, with a note attached: "Mine's as good as his! Love, Pete."

In 1988 Fender honoured Clapton with the introduction of his signature Eric Clapton Stratocaster. These were the first two artist models in the Stratocaster range. Since then, the artist series has grown to include models inspired by Clapton's contemporaries such as Rory Gallagher, Mark Knopfler, Jeff Beck, and Stevie Ray Vaughan, and by those who have influenced him, such as Buddy Guy. Clapton uses Ernie Ball Slinky and Super Slinky strings. Clapton has been honoured with several signature-model 000-sized acoustic guitars made by the American firm of C.F. Martin & Company. The first, of these, introduced in 1995, was a limited edition 000-42EC Eric Clapton signature model with a production run of 461. As of December 2007, Martin had produced seven EC signature models. His 1939 000-42 Martin that he played on the ''Unplugged'' album sold for $791,500 at auction. Clapton plays a custom 000-ECHF Martin these days.

In 1999, Clapton auctioned off some of his guitar collection to raise more than for continuing support of the Crossroads Centre in Antigua, which he founded in 1997. The Crossroads Centre is a treatment base for addictive disorders such as drugs and alcohol. In 2004 Clapton organised and participated in the Crossroads Guitar Festival to benefit the Centre. A second guitar auction, including the "Cream" of Clapton's collection – as well as guitars donated by famous friends – was held on 2004. His Lowden acoustic guitar sold for $41,825. The revenue garnered by this auction at Christie's was US $7,438,624.

In 2010 Eric Clapton announced that he would be auctioning off over 150 items at a New York auction in 2011. Proceeds will benefit his Crossroads Centre in Antigua. Items include Clapton's guitar from the Cream reunion tour in 2005, speaker cabinets used in the early 1970s from his days with Derek and the Dominoes, and some guitars from Jeff Beck, J.J. Cale, and Joe Bonamassa. In March 2011 Clapton raised more than $2.15 million dollars when he auctioned off key items, including a 1984 Gibson hollow body guitar, a Gianni Versace suit from his 1990 concert at the Royal Albert Hall, and a replica of the famous Fender Stratocaster known as "Blackie", which fetched more than $30,000. All proceeds from the auction were donated to Clapton's Crossroads drug and rehabilitation centre in Antigua.

The "woman tone" is the informal term used by Clapton to refer to his distinctive mid- to late-1960s electric guitar sound, created using his Gibson SG solid body guitar (with Humbucker pick-ups) and a Marshall tube amplifier. It is an overdriven sound that is articulate yet thick. It is characterised by being quite distorted (or even achieved with a fuzz) but muted, in contrast to the bright and twangy distortion that most guitarists were using at the time. Many players have tried to duplicate it, usually without success, in part because Clapton's playing technique had a lot to do with the tone.

Among the techniques used to replicate Clapton's sound is a technique by which the amplifier's volume is turned up to full, while the guitar's tone knob is turned down to zero or one.

Perhaps the best examples of the "woman tone" are Clapton's famous riff and solo from Cream's 1967 hit "Sunshine of Your Love". Clapton has explained that he obtained the tone with his Gibson's tone control rolled all the way down, switching to the neck pick-up (closest to the fretboard) and the volume all the way up, with his distortion turned all the way up. The treble, mids and bass controls on the amplifier were also maxed out. Some versions of the "woman tone" may also have involved strategic positioning of Clapton's wah-wah pedal.

Other media appearances

Clapton frequently appears as a guest on the albums of other musicians. For example, he is credited on Dire Straitss ''Brothers in Arms'' album, as he lent Mark Knopfler one of his guitars. He played lead guitar and synthesiser on ''The Pros and Cons of Hitch Hiking'', Roger Waters' debut solo album. Other media appearances include the Toots & the Maytals album ''True Love'', where he played guitar on the track "Pressure Drop". He can also be heard at the beginning of Frank Zappa's album, ''We're Only in It for the Money'', repeating the phrase, "Are you hung up?" over and over again. In 1985, Clapton appeared on the charity concert Live Aid in Philadelphia with Phil Collins, Tim Renwick, Chris Stainton, Jamie Oldaker, Marcy Levy, Shaun Murphy, and Donald 'Duck' Dunn. In 1988 he played with Dire Straits and Elton John at the Nelson Mandela 70th Birthday Tribute at Wembley Stadium and the Prince's Trust rock gala at the Royal Albert Hall. On 1990, Dire Straits, Clapton, and Elton John made a guest appearance in the Nordoff-Robbins charity show held at Knebworth. In 1991 Clapton was featured on Richie Sambora's album, ''Stranger In This Town'', in a song dedicated to him, called "Mr. Bluesman". He contributed guitar and vocals to "Runaway Train", a duet with Elton John on the latter's ''The One'' album the following year.

On 12 September 1996 Clapton played a party for Armani at New York City's Lexington Armory with Greg Phillinganes, Nathan East, and Steve Gadd. Sheryl Crow appeared on one number, performing "Tearing Us Apart", a track from ''August'', which was first performed by Tina Turner during the Prince's Trust All-Star Rock show in 1986. It was Clapton's sole US appearance that year, following the open-air concert held at Hyde Park. The concert was taped and the footage was released both on VHS video cassette and later, on DVD.

Clapton was featured in the movie version of ''Tommy'', the first full length rock opera, written by The Who. The movie version gave Clapton a cameo appearance as The Preacher, performing Sonny Boy Williamson's song, "Eyesight to the Blind". He appeared in ''Blues Brothers 2000'' as one of the Louisiana Gator Boys. In addition to being in the band, he had a small speaking role. Clapton has appeared in an advertisement for the Mercedes-Benz G-Wagen. In March 2007 Clapton appeared in an advertisement for RealNetwork's Rhapsody online music service. In 2010 Clapton started appearing as a spokesman for T-Mobile, advertising their MyTouch Fender cell phone.

Eric Clapton was compared to God's image in the episode "Holy Crap!" of season two of ''That '70s Show'' when characters Eric Forman and Steven Hyde are asked by their minister to draw a picture of God.

Political views and advocacy

Clapton is a supporter of the Countryside Alliance, he has played in concerts to raise funds for the organisation and he publicly opposed the Labour Party’s ban on fox hunting. A spokesperson for Clapton said, "Eric supports the Countryside Alliance. He doesn't hunt himself, but does enjoy rural pursuits such as fishing and shooting. He supports the Alliance's pursuit to scrap the ban on the basis that he doesn't agree with the state's interference with people's private pursuits."

Controversy over remarks on immigration

On 5 August 1976 Clapton provoked an uproar and lingering controversy when he spoke out against increasing immigration during a concert in Birmingham. Visibly intoxicated, Clapton voiced his support of controversial political candidate Enoch Powell, and announced on stage that Britain was in danger of becoming a "black colony". Clapton was quoted as saying, "I think Enoch's right ... we should send them all back. Throw the wogs out! Keep Britain white!" The latter phrase was at the time a British National Front slogan. Clapton continued:

"I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck's sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!"

This incident, along with some explicitly pro-fascism remarks made around the same time by David Bowie as well as uses of Nazi-related imagery by Sid Vicious and Siouxsie Sioux, were the main catalysts for the creation of Rock Against Racism, which occurred on 1978.

In response to the comments, rock photographer Red Saunders and others published an open letter in ''NME'', ''Melody Maker'', ''Sounds'', and the ''Socialist Worker''. It read "Come on Eric... Own up. Half your music is black. You're rock music's biggest colonist". It concluded, "P.S. Who shot the Sheriff, Eric? It sure as hell wasn't you!"

In an interview from October 1976 with ''Sounds'' magazine, Clapton remarked, "I thought it was quite funny actually. I don't know much about politics. I don't even know if it would be good or bad for him to get in. I don't even know who the Prime Minister is now. I just don't know what came over me that night. It must have been something that happened in the day but it came out in this garbled thing... I thought the whole thing was like Monty Python. There's this rock group playing on-stage and the singer starts talking about politics. It's so stupid. Those people who paid their money sittin' listening to this madman dribbling on and the band meanwhile getting fidgety thinking 'oh dear'."

In a 2004 interview with ''Uncut'', Clapton referred to Powell as "outrageously brave", and stated that his "feeling about this has not changed", because the UK is still "... inviting people in as cheap labour and then putting them in ghettos." In 2004 Clapton told an interviewer for ''Scotland on Sunday'', "There's no way I could be a racist. It would make no sense". In his 2007 autobiography, Clapton called himself "deliberately oblivious to it all" and wrote, "I had never really understood or been directly affected by racial conflict ... when I listened to music, I was disinterested in where the players came from or what colour their skin was. Interesting, then, that 10 years later, I would be labelled a racist ... Since then, I have learnt to keep my opinions to myself. Of course, it might also have had something to do with the fact that Pattie had just been leered at by a member of the Saudi royal family." In a December 2007 interview with Melvyn Bragg on ''The South Bank Show'', Clapton reiterated his support for Enoch Powell and again denied that Powell's views were "racist".

In 2008, he donated a song to Aid Still Required's CD to assist with the restoration of the devastation done to Southeast Asia from the 2004 Tsunami.

Wealth and assets

In 2009 ''Surrey Life Magazine'' ranked Eric Clapton as number 17 in their list of richest Surrey residents, estimating Clapton's fortune at £120 million in assets. This was a compilation of property and income which include a £9 million yacht, "Va Bene" (previously owned by ''F1 Racing'' magazine's Bernie Ecclestone), his back music catalogue, his touring income, and his Marshbrook holding company, which had earned him £110 million since 1989.

Awards and honours

Year	! Award / Recognition
		*Presented the Silver Clef Award from Princess Michael of Kent for outstanding contribution to British music.
		*Presented with BAFTA for Best Original Television Music for Score of ''Edge of Darkness'' with Michael Kamen.
		*"Tears In Heaven" won three Grammy awards for Song of the Year, Record of the Year, and Male Pop Vocal Performance. Clapton also won Album of the Year and Best Rock Vocal Performance for ''Unplugged'' and Best Rock Song for "Layla".
		Order of the British Empire>OBE for services to music.
		*Inducted into the Rock and Roll Hall of Fame for the third time, this time as a solo artist. He was earlier inducted as a member of the bands Cream and The Yardbirds.
		CBE, receiving the award from the Anne, Princess Royal>Princess Royal at Buckingham Palace as part of the New Year's Honours list.
		*Awarded the Grammy Lifetime Achievement Award (as a member of Cream)

Football

In 1982 he performed a concert before West Bromwich Albion player John Wile's testimonial game at the Hawthorns, and it is often reported by various sources that Clapton (despite being from London more than 100 miles away) is an Albion supporter. Credence for this notion can be taken from the cover pictures to the "Backless" solo album, where he is seen on the front cover to be wearing a football scarf; the rear cover photograph reveals the slogan "ALBION" on the scarf. It has been reported that the club rejected his offer to invest cash in the club around this time, and that he has since expressed more of an interest in Chelsea.

Clapton's music in film and TV

''Mean Streets'' (1973) – "I Looked Away"

''Private Lessons (1981 film)'' ''(1981) - Next Time You See Her''

''Purple Haze ''(1983) – "I Feel Free"

''The Hit'' (1984) – Score

''Miami Vice'' (1984–1989) – Four songs over the course of the show's five seasons: "Wonderful Tonight", "Knock On Wood", "She's Waiting", and "Layla"

''Back to the Future'' (1985) – "Heaven Is One Step Away"

''Edge of Darkness'' (1985) – Soundtrack

''The Color of Money'' (1986) – "It's In The Way That You Use It"

''SpaceCamp'' (1986 film) – "Forever Man" plays when Tate Donovan's character arrives at the Space Camp

The German car manufacturer Opel and Vauxhall in the UK used the guitar riff of Clapton's "Layla" in its advertising campaign throughout in 1987–95.

''Lethal Weapon'' (1987) – Soundtrack with Michael Kamen

''Lethal Weapon 2'' (1989) – "Knockin' On Heaven's Door"

''Goodfellas'' (1990) – "Layla" and "Sunshine of Your Love"

''Rush'' (1991) – Clapton wrote the score

''Wayne's World'' (1992) – "Loving your Loving"

''Peter's Friends'' (1992) – "Give Me Strength"

''Lethal Weapon 3'' (1992) – Clapton contributed to the score and co-wrote and co-performed the song "It's Probably Me" with Sting and "Runaway Train" with Elton John.

''True Lies'' (1994) – "Sunshine of Your Love"

''The Simpsons'' episode "Mother Simpson" (1995) – "Sunshine of Your Love"

''Twister'' (1996) – "Motherless Child"

''Phenomenon'' (1996) – "Change the World"

''The Van'' (1996) – Soundtrack

''Happy Gilmore'' (1996) – "Wonderful Tonight"

''Patch Adams'' (1998) – "Let It Rain"

''Lethal Weapon 4'' (1998) – "Pilgrim"

''City of Angels'' (1998) – "Further On Up The Road"

''Buffy the Vampire Slayer'' episodes "Band Candy" and "Forever" (1998) – "Tales of Brave Ulysses"

''Runaway Bride'' (1999) – "Blue Eyes Blue"

''The Story of Us'' (1999) – "(I) Get Lost" (featured multiple times)

''Friends'' episode "The One with the Proposal, Part 2" (2000) – "Wonderful Tonight"

''Dancing At The Blue Iguana'' (2000) – "River of Tears"

''A Knight's Tale'' (2001) – "Further On Up The Road"

''Blow'' (2001) – "Strange Brew"

''Friends'' episode "The One Where Rachel Has a Baby, Part Two" (2002) – "River of Tears"

''Futurama'' episode "The 30% Iron Chef" (2002) – "Sunshine of Your Love"

''The Sopranos'' episode "Whitecaps" (2002) – Tony Soprano is seen listening to "Layla" in his Suburban.

''School Of Rock'' (2003) – "Sunshine of Your Love"

''Starsky & Hutch'' (2004) – "Cocaine"

''Anger Management'' (2004) – "Strange Brew"

''Fahrenheit 9/11'' (2004) – "Cocaine"

''Bad News Bears'' (2005) – "Cocaine"

''Lords of Dogtown'' (2005) – "Strange Brew"

''Lord of War'' (2005) – "Cocaine"

''United States of Tara'' episode – "Cocaine"

''Community'' episode - "Layla"

''The Good Guys'' Episode Silvio's Way – "Layla"

''Due Date'' (2010) – "White Room"

''Shameless (U.S. TV series)'' (2011) - "White Room"

Discography

References

Further reading

On Eric Clapton's career:

* Robin Bextor, ''Eric Clapton: Now & Then'', Carlton Books, 2006, 144 pp.

* Eric Clapton, ''Clapton, The Autobiography'', 2007 and 2008, Broadway Books, 352 pp. / Arrow, 400 pages / Century, 384 pp.

* Eric Clapton, Derek Taylor and Peter Blake, ''24 Nights'', Genesis Publications, 2 volumes, 1992, 198 and 64 pp. Eric Clapton's signed limited edition books, in a Solander box with 2 live CD

* Ray Coleman, ''Clapton!: The Authorized Biography'', Warner Books, 368 pp, or Futura, 336 pages, 1986; originally publ. as "Survivor: The Authorized Biography", Sidgwick & Jackson, 1985, 300 pp.

* Geoffrey Giuliano, Brenda Giuliano and Deborah Lynn Black, ''The Illustrated Eric Clapton'', Sunburst Books, 1994, 96 pp.

* George Harrison, Eric Clapton & al, ''Live in Japan: A celebration of George Harrison’s ‘Rock Legends’ Tour with Eric Clapton Band'', Genesis Publications, 1993, 274 pp. George Harrison's signed limited black leather edition book, in a box with 2 live CD.

* Christopher Hjort w/ a foreword by John Mayall, ''Strange brew: Eric Clapton and the British Blues Boom, 1965–1970'', Jawbone, 2007, 352 pp.

* John Pidgeon, ''Eric Clapton: A Biography'', Panther, 1976, ... pages; rev. & upd. Vermilion, 1985 or 1987, 123 pp.

* Marc Roberty, ''Eric Clapton: The Complete Recording Sessions 1963–1992'', Blandford or St. Martin’s Press, 1993, 192 pp.

* Marc Roberty, ''Slowhand: The Life & Music of Eric Clapton'', Octopus or Harmony, 1991, 176 pp; upd. ed. Crown, 1993, 192 pp.

* Marc Roberty, ''Eric Clapton in His Own Words'', Omnibus Press, 1993, 96 pp.

* Marc Roberty, ''Eric Clapton: The New Visual Documentary'', Omnibus Press, 1990, 128 pp.; rev. ed., 1994, ...pp.; originally publ. as ''Eric Clapton: A Visual Documentary, 1986, ... pp.

* Marc Roberty, ''Clapton: The Complete Chronicle'', Pyramid, 1991, 176 pp. / Mitchell Beazley 1993, 192 pp.

* Marc Roberty, ''Eric Clapton: The Man, the Music and the Memorabilia'', Paper Tiger-Dragon’s World, 1994, 226 pp.

* Marc Roberty, ''The Complete Guide to the Music of Eric Clapton'', Omnibus Press, 1995, 152 pp. CD format; rev. ed., 2005, 128 pp.

* Marc Roberty, ''Eric Clapton'', CD Books, Orion, 1994, ...pp or MBS (Miami), 1996, 120 pp. CD format

* Marc Roberty and Chris Welch, ''Eric Clapton: The Illustrated Disco/Biography'', Omnibus Press, 1984, 80 pp. or Beekman (New York), 1990, ...pp.

* Christopher Sandford, ''Clapton: Edge of Darkness'', Victor Gollancz, 1994, 322 pp.

* Michael Schumacher, ''Crossroads: The Life and Music of Eric Clapton'', Hyperion, 1995, 388 pp.; rev. ed, Time Warner p'backs, 1998, 411 pp.; new ed. titled ''Eric Clapton'', Sphere, 2008, 432 pp.

* Harry Shapiro, ''Eric Clapton: Lost in The Blues'', Guinness Books or Muze, 1992, 256 pp.; rev. ed. Da Capo press, 1193, 225 pp.; originally publ. as ''Slowhand: The Story of Eric Clapton'', Proteus Books, 1985, 160 pp.

* Dave Thompson, ''Cream: The World's First Supergroup'', Virgin Books, 2005, 256 pp.; rev., upd. & illustr. ed. titled ''Cream: How Eric Clapton Took the World By Storm'', 2006, 320 pp.

* Steve Turner, ''Conversations with Eric Clapton'', London: Abacus, 1976, 116 pp.

* Fred Weiler, ''Eric Clapton'', Smithmark-Penguin or Bison Books, 1992, ... pp.

* Chris Welch, ''Cream: Stange Brew'', Castle Communications or Sanctuary or Penguin, 1994, 176 pp.; Backbeat Books, 2000, 192 pp.

''About Clapton's playing and sound'':

External links

Eric Clapton and Steve Winwood at Bucharest (review)

An Interview with Eric Clapton guitar technician Lee Dickson

Article on Bluesbreakers Les Paul

Gibson article on obtaining the "Woman Tone"

Review: Eric Clapton at Floridita

Eric Clapton FAQ

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