This is a list of sovereign states giving an overview of states around the world with information on the status and recognition of their sovereignty.
The list contains 204 entries, . The states are divided using two distinct methods: # The ''membership within the United Nations system'' column divides the states into three categories: 193 member states of the United Nations, two states that are not UN member states but are either a UN observer state or a member state of a UN specialised agency, and nine other states. # The ''sovereignty disputes'' column divides the states into two categories: 13 states whose sovereignty is disputed and 191 other states.
Compiling a list such as this can be a difficult and controversial process, as there is no definition that is binding on all the members of the community of nations concerning the criteria for statehood. For more information on the criteria used to determine the contents of this list, please see the "criteria for inclusion" section below.
The French Republic also includes the overseas territories of: (includes the Antarctic claim of Adélie Land). Clipperton Island is a possession of the government. French sovereignty over Banc du Geyser, Bassas da India, Europa Island, Glorioso Islands, Juan de Nova Island, Mayotte, and Tromelin Island is disputed in part by Madagascar, Mauritius, Seychelles and the Comoros. |- |valign=top| – Gabonese Republic ''French'': – |A UN member state |A None |- |valign=top|Gambia – Republic of The Gambia
The designation "Netherlands" can refer to either one of the Kingdom's constituent countries or to the short name for the Kingdom (e.g., in international organizations). The Kingdom of the Netherlands as a whole is a member of the EU, but EU law applies only to the Netherlands proper. |- |valign=top|
Cook Islands and Niue are sovereign subjects of international law. UN recognized the full treaty-making capacity of the Cook Islands in 1992 and that of Niue in 1994.
Cook Islands and Niue are members of UN specialized agencies without any specifications or limitations. Cook Islands is member of FAO, ICAO, IFAD, IMO, UNESCO, WHO, WMO and Niue is member of FAO, IFAD, UNESCO, WHO, WMO.
New Zealand also has the dependent territories of: The Tokelauan government claims sovereignty over Swains Island, part of American Samoa, a territory of the United States. New Zealand does not recognize the Tokelauan claim. |- |valign=top| – Republic of Nicaragua ''Spanish'': – |A UN member state |A None Nicaragua contains 2 autonomous regions, Atlántico Sur and Atlántico Norte. |- |valign=top| – Republic of Niger ''French'': – ''Hausa'': – |A UN member state |A None |- |valign=top| – Federal Republic of Nigeria
|A UN member state |A None Pakistan is a federation of 4 provinces, 1 capital territory, and tribal regions. Pakistan disputes Indian sovereignty over Kashmir. It exercises control over some areas, but does not explicitly claim any part of it, instead regarding it as a disputed territory. The portions that it controls are divided into two polities, administered separately from Pakistan proper: |- |valign=top| – Republic of Palau ''Palauan'': –
In addition, there are uninhabited possessions of the United States in the Pacific Ocean and the Caribbean Sea: Baker Island, Howland Island, Jarvis Island, Johnston Atoll, Kingman Reef, Midway Atoll, Navassa Island (disputed by Haiti), and Wake Island (disputed by the Marshall Islands). According to some sources, the United States also claims Bajo Nuevo Bank and Serranilla Bank as territories. |- |valign=top| – Eastern Republic of Uruguay ''Spanish'': – |A UN member state |A None |- |valign=top| – Republic of Uzbekistan ''Uzbek'': – → |A UN member state |A None Uzbekistan contains 1 autonomous region, Karakalpakstan. |- |valign=top| – Republic of Vanuatu ''Bislama'': –
Note that in some cases there is a divergence of opinion over the interpretation of the first point, and whether an entity satisfies it is disputed.
On the basis of the above criteria, this list includes the following 204 entities:
τ *Sovereign states Sovereign states
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 43°35′07″N39°43′13″N |
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Name | Phil Coulter |
Background | solo_singer |
Birth name | Philip Coulter |
Birth date | February 19, 1942 |
Origin | Derry, Northern Ireland |
Instrument | Vocals, piano |
Genre | Folk, pop, traditional Irish |
Occupation | Musician, songwriter |
Years active | 1967–present |
Website | http://www.philcoulter.com/ }} |
Coulter has won 23 Platinum Discs, 39 Gold Discs, 52 Silver Discs, two Grand Prix Eurovision awards; five Ivor Novello Awards, which includes Songwriter of the Year; three American Society of Composers, Authors and Publishers awards; a Grammy Nomination; a Meteor Award, a National Entertainment Award and a Rose d’or d’Antibes.
Coulter's father, also called Phil, encouraged music in the house. He played the fiddle whilst his wife played the upright piano. The younger Coulter recalls this piano, made by Challen, as "the most important piece of furniture in the house". “I always stayed away from the fiddle, having inflicted enough pain on my family with the piano,” he laughed. Coulter confesses that he came close to abandoning the piano at an early age. “The truth is I hated the piano at first. I’d love to say I was a natural but I wasn’t. I hated playing it and I hated my music teacher. My father, who was a canny man, told me, ‘We have to scrimp and save to pay for these lessons, you might as well give them up.’ “It wasn’t long before I gravitated back to the piano, trying to play the songs that I was listening to on the radio. I always wondered what my left hand was supposed to be doing though. But after two or three years at St. Columb’s College I began thinking of the piano as an extension of myself.”
One of Coulter's most popular songs, "The Town I Loved So Well", deals with the embattled city of his youth, filled with "that damned barbed wire" during the Troubles. 'It is the one I anguished most over, the one which had to earn respect and perhaps the most auto-biographical tune I have ever written’ “The roots of that song go very, very deep, it took time for it to win respect and integrity. That song defines an era and a place that is very dear to my heart.”
The duo wrote numerous hit songs for a variety of popular singers in the 1960s and 1970s, including "My Boy" for Elvis Presley and many of the Bay City Rollers' hits: they also contributed incidental music to the 1967 ''Spider-Man'' television series.
"With no competition he gave us a shite contract and we signed everything away. All that said, 30 years on this album sounds good. He produced it well and ... (he had) the foresight and wherewithal to record the band at a time when no one else was listening.
In addition to writing hits for the Bay City Rollers, Coulter also wrote songs for several other teenybop bands of the 1970s, including Kenny and Slik, and appeared as a production credit on "Automatic Lover" by Dee D. Jackson.
Coulter produced, arranged and wrote most of the late Joe Dolan 1983 album, ''Here and Now''. The album featured several hit singles, including the Irish Top Ten hit "Deeper and Deeper" which remained a staple in Dolan's live sets and was also one of the last songs he performed before he became ill on stage during what turned out to be his last ever show in Abbeyleix. The album was released in South Africa as "Yours Faithfully" where it went to number one within one week of release.
In 2007, Coulter joined with Sharon Browne, one of the originators of the successful Celtic Woman production, to collaborate on formation of a male version of that production called "Celtic Thunder". A stage production at The Helix in Dublin was released on DVD as ''Celtic Thunder: The Show'' and went to the top of the ''Amazon'' and ''Billboard'' Top World Albums chart in 2008. Many of the tracks in the show, such as "That's a Woman" and "Heartbreaker", were written by Coulter.
In 2001 he was nominated for a Grammy Award in the "New Age" category for his album ''Highland Cathedral''. At the age of 67, he continues to be a popular performer in his native country and around the world in places such as The White House and Carnegie Hall.
Some of his most personal, famous and indeed most touching songs come from the loss of family members. “‘The Old Man’ still haunts me when I play it in Derry,” he reflected. “I can still see my father’s face appear when I’m playing it there. These are my roots, my place, so the ghosts and memories come out of the woodwork when I play in Derry.” Phil’s sister, Cyd, drowned in Lough Swilly. One year later he lost his brother, Brian to the same ‘Lake of Shadows.’ His struggle to come to terms with the loss and resulting emotions are captured in his songs ‘Shores of the Swilly’ and ‘Star of the Sea’. Furthermore, "Scorn Not His Simplicity", pleads for tolerance and understanding of his son, who was born with Down's syndrome and died at the age of four.
“Those particular songs were written as much to help me come to terms with those tragedies as anything else. It is about keeping their memory alive for myself. That is the privilege of a songwriter, we can leave songs behind after we fall off the perch ourselves.”
In 1995, the Irish Rugby Football Union commissioned Coulter to write a politically neutral anthem for the Ireland national rugby union team, which represents both Northern Ireland and Ireland. The result was "Ireland's Call", which is played alongside of, and in some cases instead of, Amhrán na bhFiann. As well as being used by both the Ireland national rugby union team and the junior national teams, "Ireland's Call" has since also been adopted by the Ireland's national hockey, cricket and rugby league teams.
Category:1942 births Category:Living people Category:Irish songwriters Category:Irish musicians Category:People from Derry Category:Alumni of Queen's University Belfast Category:Reality television judges Category:Windham Hill Records artists Category:You're a Star judges Category:Ivor Novello Award winners Category:Eurovision Song Contest winners Category:People educated at St Columb's College
de:Phil Coulter fr:Phil Coulter nl:Phil CoulterThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 43°35′07″N39°43′13″N |
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name | Denise Levertov |
birth date | October 24, 1923 |
birth place | Ilford, United Kingdom |
death date | December 20, 1997 |
death place | Seattle, Washington |
occupation | Poet |
nationality | American |
period | 1946 to 1997 |
influences | William Carlos Williams, Black Mountain Poets, Ezra Pound, Ralph Waldo Emerson, Henry David Thoreau, Dorothy Day |
awards | Shelley Memorial Award |
website | }} |
Denise Levertov (October 24, 1923 – December 20, 1997) was a British-born American poet.
When she was five years old she declared she would be a writer. At the age of 12, she sent some of her poems to T. S. Eliot, who replied with a two-page letter of encouragement. In 1940, when she was 17, Levertov published her first poem. During the Blitz, Levertov served in London as a civilian nurse. Her first book, ''The Double Image'', was published six years later. In 1947, she married American writer Mitchell Goodman and moved with him to the United States the following year. Although Levertov and Goodman would eventually divorce, they had a son, Nikolai, and lived mainly in New York City, summering in Maine. In 1955, she became a naturalized American citizen.
Levertov's first two books had concentrated on traditional forms and language. But as she accepted the U.S. as her new home, she became more and more fascinated with the American idiom. She began to come under the influence of the Black Mountain poets and most importantly William Carlos Williams. Her first American book of poetry, ''Here and Now'', shows the beginnings of this transition and transformation. Her poem “With Eyes at the Back of Our Heads” established her reputation.
Much of the latter part of Levertov’s life was spent in education. After moving to Massachusetts, Levertov taught at Brandeis University, MIT and Tufts University. On the West Coast, she had a part-time teaching stint at the University of Washington and for 11 years (1982–1993) held a full professorship at Stanford University. In 1984 she received a Litt. D. from Bates College. After retiring from teaching, she travelled for a year doing poetry readings in the U.S. and Britain.
In 1997, Denise Levertov died at the age of 74 from complications due to lymphoma. She was buried at Lake View Cemetery in Seattle, Washington. Her papers are held at the Washington University in St. Louis.
Suffering is another major theme in Levertov’s war poetry. The poems “Poetry, Prophecy, Survival”, “Paradox and Equilibrium”, and “Poetry and Peace: Some Broader Dimensions” revolve around war, injustice, and prejudice. In her volume “Life at War”, Denise Levertov attempts to use imagery to express the disturbing violence of the Vietnam War. Throughout these poems, she addresses violence and savagery, yet tries to bring grace into the equation. She attempts to mix the beauty of language and the ugliness of the horrors of war. The themes of her poems, especially “Staying Alive”, focus on both the cost of war and the suffering of the Vietnamese. In her prose work, ''The Poet in the World'', she writes that violence is an outlet. Levertov’s first successful Vietnam poetry was her book ''Freeing of the Dust''. Some of the themes of this book of poems are the experience of the North Vietnamese, and distrust of people. She attacks the United States pilots in her poems for dropping bombs. Overall, her war poems incorporate suffering to show that violence has become an everyday occurrence. After years of writing such poetry, Levertov eventually came to the conclusion that beauty and poetry and politics can’t go together (Dewey). This opened the door wide for her religious-themed poetry in the later part of her life.
One of her earlier poems is “A Tree Telling of Orpheus”, from her book ''Relearning the Alphabet''. This poem uses the metaphor of a tree, which changes and grows when it hears the music of Orpheus. This is a metaphor of spiritual growth. The growth of the tree is like the growth of faith, and as the tree goes through life we also go through life on a spiritual journey. Much of Levertov’s religious poetry was concerned with respect for nature and life. Among her themes were also about nothingness and absence.
In her earlier poems something is always lacking, searching, and empty. In “Work that Enfaiths” Levertov begins to confront this “ample doubt” and her lack of “burning surety” in her faith. The religious aspect of this is the doubt vs. light debate. Levertov cannot find a balance between faith and darkness. She goes back and forth between the glory of God and nature, but doubt constantly plagues her.
In her earlier religious poems Levertov searches for meaning in life. She explores God as he relates to nothing(ness) and everything. In her later poetry, a shift can be seen. "A Door in the Hive" and "Evening Train" are full of poems using images of cliffs, edges, and borders to push for change in life. Once again, Levertov packs her poetry with metaphors. She explores the idea that there can be peace in death. She also begins to suggest that nothing is a part of God. "Nothingness" and darkness are no longer just reasons to doubt and agonize over. “St. Thomas Didymus” and “Mass” show this growth, as they are poems that lack her former nagging wonder and worry.
In ''Evening Train'', Levertov’s poetry is highly religious. She writes about experiencing God. These poems are breakthrough poems for her. She writes about a mountain, which becomes a metaphor for life and God. When clouds cover a mountain, it is still huge and massive and in existence. God is the same, she says. Even when He is clouded, we know He is there. Her poems tend to shift away from constantly questioning religion to simply accepting it. In “The Tide”, the final section of ''Evening Train'', Levertov writes about accepting faith and that not knowing answers is okay. This acceptance of the paradoxes of faith marks the end of her "spiritual journey".
Levertov’s heavy religious writing began at her conversion to Christianity in 1984. She wrote a great deal of metaphysical poetry to express her religious views, and began to use Christianity to link culture and community together. In her poem “Mass” she writes about how the Creator is defined by His creation. She writes a lot about nature and individuals. In the works of her last phase, Levertov sees Christianity as a bridge between individuals and society, and explores how a hostile social environment can be changed by Christian values.
Category:1923 births Category:1997 deaths Category:American poets Category:American tax resisters Category:American women writers Category:Black Mountain poets Category:Catholic poets Category:Converts to Roman Catholicism from atheism or agnosticism Category:English emigrants to the United States Category:English poets Category:English women writers Category:Guggenheim Fellows Category:Naturalized citizens of the United States Category:People from Ilford Category:Roman Catholic writers Category:Women poets
es:Denise Levertov it:Denise Levertov mr:डेनिस लेव्हेर्तोव्ह pl:Denise Levertov pt:Denise LevertovThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 43°35′07″N39°43′13″N |
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name | Jay Reatard |
alt | Jay Reatard performing at the Bowery Ballroom in 2008. |
background | solo_singer |
birth name | Jimmy Lee Lindsey Jr. |
born | May 1, 1980Lilbourn, Missouri, U.S. |
died | January 13, 2010Memphis, Tennessee, U.S. |
instrument | vocals, guitar, bass guitar, percussion, keyboards |
genre | Garage punk, Punk rock, Indie Rock |
occupation | Musician, songwriter |
years active | 1998–2010 |
label | Matador, Shattered, In the Red Records, Goner, Arts & Crafts México |
associated acts | The Reatards, Lost Sounds, Nervous Patterns, The Final Solutions, Digital Leather, Angry Angles, Terror Visions, Bad Times, Evil Army |
website | www.jayreatard.com |
notable instruments | Gibson Flying V }} |
Lindsey named his first project the Reatards, which at the time included only himself as a member, and adopted an Oblivians-influenced surname, calling himself Jay Reatard. The Reatards’ first release on Goner was a 7” EP called ''Get Real Stupid'', which featured Lindsey as a solo performer alternating between playing guitar, singing, and beating on a bucket to provide a percussive rhythm. Around this time Greg Cartwright, a member of The Oblivians, briefly played drums for Lindsey. Cartwright played shows and recorded with Lindsey on his first (self-released) cassette, ''Fuck Elvis, Here's The Reatards'' (No-Fi Records) - which featured recording assistance from Jack Yarber, another Oblivian. - For Lindsey’s second vinyl release he recruited a backing band, hiring bassist Steve Albundy and drummer Elvis Wong to accompany him. The Reatards’ first LP as a trio was 1998’s ''Teenage Hate''. This was followed by a second LP, ''Grown Up Fucked Up'', and a number of singles. The Reatards' first European tour came in 1998, when Lindsey was just 18.
Lindsey was a prolific songwriter, often acting as a member and contributing compositions to two or more bands concurrently. One of Lindsey’s first side projects was the Bad Times, a one-off band which included Eric Friedl and King Louie Bankston. The band recorded an album’s worth of material after only one practice session in 1998, releasing a self-titled LP in 2001. After one live performance the band disbanded, the members returning to their respective solo commitments.
While Lindsey was still a member of both the Retards and the Lost Sounds he joined a side project called the Final Solutions. Lindsey’s association with the future members of the Final Solutions began while he was still a teenager. Fighting problems at home, Lindsey opted to take up residence with members of a local band called the Jackmonkeys. While he was rooming with the band he was conscripted to play drums for them at a battle of the bands which was being held at the school's cafeteria. With Lindsey on drums, the band, under the moniker "the High and Mightys," performed a set of Oblivians covers, earning instant hate in the competition (FS bassist Tommy Trouble's band, the Squirrels earned third place). After separating for a number of years the group reformed under the name the Final Solutions and began touring and releasing albums.
In 2004, Lindsey, together with his ex-girlfriend, Alix Brown of Atlanta rock band the Lids, formed Shattered Records, an independent record label that released mainly limited edition vinyl. Shattered Records released records for a number of lo-fi punk and rock bands, including: Kajun SS, Jack Oblivian, Tokyo Electron, Retards, Final Solutions, Terror Visions, Angry Angles, Carbonas, Rat Traps, Digital Leather and the Knaughty Knights.
In 2007 Lindsey put Shattered Records on hold while he promoted his solo records. Then in 2009 Lindsey revived the label with the "Shattered Record Club" and the announcement of his final solo album, ''Watch Me Fall''.
Out of this partnership came another musical endeavor for Lindsey, the Angry Angles. Together with Brown, and alternating between drummers Paul Artigues from Die Rotzz and Ryan Rousseau ('Elvis Wong') from Tokyo Electron, the band began touring the U.S. in the Fall of 2006. Before the band had even released its second single, Lindsey and Brown began a short European tour. The Angry Angles disbanded after releasing a number of vinyl singles.
By 2005 both the Reatards and the Lost Sounds had broken up, and Lindsey focused his attention on a handful of side projects, working with and releasing material as Terror Visions and Destruction Unit. Though after he began focusing on his solo career in 2006, Lindsey said he has no desire to reform his previous bands. "I'd just feel like I was going backwards if I worked on anything else," Lindsey said.
2006 saw the release of ''Blood Visions'' (In the Red), Lindsey's first solo album under the moniker Jay Reatard. After a lengthy tour supporting his solo album, in 2008 he signed a multi-album, exclusive deal with the New York-based indie label Matador Records. Reatard chose Matador because he felt they were "the only ones keeping any of the promises they'd made along the way." A number of major labels like Universal Records, Columbia Records, and Vice Records along with independent Fat Possum wanted to meet with him in the hopes of signing him. He released six limited, 7" singles throughout 2008 with Matador. Soon after the release of the first single and write-ups in ''NME'', ''Spin Magazine'' and ''Rolling Stone'', Lindsey began playing larger shows and various music festivals all over the world.
"My Shadow" was featured in MLB 2K8.
In October 2008 Reatard's ''Matador Singles '08'' LP compiled all six of the 2008 singles on one LP/CD. Lindsey again hit the road to support the album with a second, extensive 2008 tour. Lindsey's later records sound drastically different from his early punk records. He said writers often misinterpret his newer sound. "I just think it's noisy pop music," Lindsey said.
Lindsey's final album, ''Watch Me Fall'' (his first proper studio album with Matador), was released in August 2009. He described this collection of songs as more melodic and twee-inspired. In a 2009 interview, Lindsey said "these new batch of songs feature organ, some mandolins, a cello, a lot more back-ups and harmonies." He noted that he's "become a little bit more about the melodies... I think I stripped away a layer of the fuzz; I might have been challenging people before to find them and this time I might be making them a little bit more obvious."
While he claimed ''Watch Me Fall'' was more mellow than his previous works, Lindsey said his live show would remain energetic. "I just want it to be like an assault live, and softer on records," he said. In a August 2009 interview with Turn it Down Interviews, Lindsey said the album's lyrics are centered around his growing fear of death and the betrayal of close friends.
After the release of ''Watch Me Fall'', Lindsey contributed to a tribute album for New Zealand rock and roll musician Chris Knox, with whom he was to collaborate until Knox suffered a stroke in June 2009. All proceeds from the album will go towards Knox's recovery.
Lindsey's band (that consisted of members of another Memphis band, The Barbaras) quit playing with Lindsey around October 5, 2009, although specific details were not released. He finished the dates he had previously booked with replacement players, the bassist and drummer of the Danish band Cola Freaks, with whom he had previously toured.
An investigation was opened by the Memphis police homicide bureau. MyFox Memphis reported that police had begun a homicide investigation and were actively looking for a possible suspect. The report was later removed from the TV station's website.
A memorial was held for Lindsey on Saturday, January 16 in Memphis at Memorial Park Funeral Home, attended by family and friends. Musician and friend Eric Friedl, founder of Goner Records, and bandmate Stephen Pope were those that eulogized Lindsey. One of Lindsey's trademark white Gibson Flying V guitars hung behind his coffin at the funeral home; he was buried with the guitar the next day. His grave is near that of Memphis soul musician Isaac Hayes.
Re-issues and posthumous releases of Lindsey's recordings are in the works, including those with The Reatards and The Lost Sounds. At the time of his death, Lindsey had been working on at least six songs for a new solo album for Matador Records.
A feature length documentary film entitled ''Better Than Something: Jay Reatard'' has been completed and will be released in 2011. The film, made by New York City filmmakers Alex Hammond and Ian Markiewicz, is an elaboration of their short film ''Waiting For Something''. The film predominantly features footage shot with Lindsey in April 2009, along with never before seen concert and home video footage, and cameos from many of Lindsey’s family members and colleagues. ''Better Than Something: Jay Reatard'' will premiere at the Nashville Film Festival in Nashville, Tennessee in April 2011.
Category:1980 births Category:2010 deaths Category:American indie rock musicians Category:American male singers Category:American punk rock musicians Category:Alcohol-related deaths in Tennessee Category:Cocaine-related deaths in the United States Category:Garage punk Category:Musicians from Tennessee Category:People from Memphis, Tennessee Category:Arts & Crafts (record label) artists
de:Jay Reatard es:Jay Reatard fr:Jay Reatard it:Jay Reatard nl:Jay Reatard pt:Jay Reatard ru:Джей Ритард fi:Jay ReatardThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 43°35′07″N39°43′13″N |
---|---|
name | Ian Fleming |
birth name | Ian Lancaster Fleming |
birth date | May 28, 1908 |
birth place | Mayfair, London, England |
death date | August 12, 1964 |
death place | Canterbury, Kent, England |
occupation | Author and journalist |
nationality | British |
period | 1953–1964 |
genre | Spy fiction, children's literature, travel writing |
spouse | Anne Geraldine Charteris(1952–1964, his death) |
children | Son (deceased) |
relatives | Valentine Fleming (father, deceased)Evelyn St. Croix Fleming (mother, deceased)Amaryllis Fleming (half-sister, deceased)Peter Fleming (brother, deceased) |
signature | Ian Fleming signature.svg |
website | http://www.ianfleming.com }} |
In 2008, ''The Times'' ranked Fleming fourteenth on its list of "The 50 greatest British writers since 1945".
Fleming was a nephew of Philip Fleming, a step-cousin of Christopher Lee, the actor, and his brother Peter married actress Celia Johnson; their daughter Lucy Fleming is also an actress. Fleming's nephews Rory and Matthew Fleming played cricket for England,and great-nephew is composer Alan Fleming-Baird.
In 1940, Fleming and Rear Admiral Godfrey contacted Kenneth Mason, Professor of Geography at Oxford University, about the preparation of reports on the geography of countries involved in military operations. These reports were the precursors of the ''Naval Intelligence Division Geographical Handbook Series'' produced between 1941 and 1946.
Fleming instigated a plan named Operation Ruthless to obtain details of the Enigma codes used by the German Navy by crashing a captured German aircraft into the English Channel, where the British crew, dressed in Luftwaffe uniforms, might be rescued by a German patrol boat. The "survivors" could then kill the German crew and hijack the ship, thus obtaining the required information. Much to the annoyance of Alan Turing and Peter Twinn at Bletchley Park, the mission was never carried out. Fleming's niece Lucy Fleming, on a BBC Radio Four programme entitled "The Bond Correspondence" broadcast on 24 May 2008, stated that the reason given was that an official at the Royal Air Force pointed out that if they were to drop a downed Heinkel bomber in the English Channel, it would probably sink rather quickly. However, the plan necessitated that the bomber was to sink so as to avoid its identification by the Germans – the "survivors" were to take to a rubber dinghy to await rescue.
Fleming also conceived a plan to use the British occultist Aleister Crowley to trick Rudolf Hess into attempting to contact a fake cell of anti-Churchill Englishmen in Britain, but this plan was not used because soon afterwards Rudolf Hess flew to Scotland in an attempt to broker peace behind Hitler's back. Anthony Masters, in his book ''The Man Who Was M: The Life of Charles Henry Maxwell Knight'' asserts that Fleming himself conceived the plan that lured Hess into flying to Scotland in May 1941, to negotiate Anglo–German peace with Churchill, and which resulted in Hess's capture. This claim has no other source, however.
Operation Goldeneye was also one of Fleming's conceptions, a plan to maintain communication with Gibraltar and help in its defence in the unlikely event that Spain joined the Axis Powers and assisted Germany in invasion. Fleming is also credited with the idea for Operation Mincemeat, a highly successful deception by the Allies, before the invasion of Sicily in 1943.
30 Assault Unit consisted of teams of trained commandos that specialised in targeting enemy headquarters, to secure documentation and items of equipment with an intelligence value; items that the ordinary Allied soldier, or commando, might ignore or destroy. Each team would attach itself to whatever main force could get them closest to their intended targets. They were adept in lock picking, safe cracking, unarmed combat and general techniques and skills for collecting intelligence. The unit contained some of the most enterprising men in the commandos.
In the final stages of the war, the teams were trained and equipped to fight their own way into a headquarters building and secure whatever items they required, before the enemy could remove it or destroy it before leaving. They relied upon surprise, toughness and ruthless efficiency. Prior to D-Day, most of the operations were in the Mediterranean. However, because of their successes in Sicily and Italy, 30AU (based at the Marine Hotel, Littlehampton, West Sussex) became greatly trusted by naval intelligence. Having shown the scope of its achievements and its potential to deliver even more, with the right support and direction, the unit was greatly enlarged and given the job of acquiring specific items and documents. Fleming was the man who would issue these specific objectives.
Fleming visited 30AU in the field during and after Operation Overlord, especially following an attack on Cherbourg. He was concerned that the unit had been incorrectly used as a regular commando force, rather than as an intelligence-gathering unit. This wasted the men's specialist skills, risked their safety on operations that did not justify the use of such skilled operatives and threatened the vital gathering of intelligence. Following this, the management of these units was revised. The film "Age of Heroes" is based on the exploits of 30 Commando.
Ian Fleming was to use elements of this activity in his 1955 James Bond novel ''Moonraker''. The story of T-Force and Fleming's connection to its work remained unknown until it was revealed in Sean Longden's book ''T-Force, the Race for Nazi War Secrets, 1945'', published in 2009.
In Fleming's novel ''Casino Royale'', James Bond appears with the beautiful heroine Vesper Lynd, who was modelled on SOE agent Krystyna Skarbek. Some ideas for his characters and the locations in which Bond operates came from his time at Boodle's. Bond's fictional spymaster, M, is a member of the Blades Club, at which Bond is an occasional guest. This club was partially modelled on Boodle's. The name of Bond's arch enemy, Ernst Stavro Blofeld, was based on a fellow member's name.
The name ''James Bond'' itself came from a famed ornithologist James Bond, the son of the Bond family who allowed Fleming the use of their estate in Jamaica to write (perhaps also by an Elizabethan Bond from Fleming's earlier years). The Bonds were wealthy manufacturers whose estate outside Philadelphia eventually became the grounds of Gwynedd Mercy College. Fleming reputedly used the name after seeing James Bond's 1936 book ''Birds of the West Indies''.
Initially, Fleming's Bond novels were not best-sellers in North America. But when President John F. Kennedy included ''From Russia With Love'' on a list of his favourite books, sales quickly jumped.
In the late 1950s, the financial success of Fleming's James Bond series allowed him to retire to Goldeneye, his estate in Saint Mary Parish, Jamaica. The name of the house and estate where he wrote his novels has many possible sources. Ian Fleming himself cited Operation Goldeneye, a plan to hinder the Nazis should the Germans enter Spain during World War II. He also cited the 1941 novel, ''Reflections in a Golden Eye'' by Carson McCullers. The location of the property may also have been a factor: Oracabessa, from the Spanish for "golden head". There is also a Spanish tomb on the property with a carving that looks like an eye on one side. It is likely that most or all of these factors played a part in the name Fleming chose for his Jamaican home. In an interview published in ''Playboy'' magazine in December 1964, Fleming states, "I had happened to be reading ''Reflections in a Golden Eye'' by Carson McCullers, and I'd been involved in an operation called Goldeneye during the war: the defence of Gibraltar, supposing that the Spaniards had decided to attack it; and I was deeply involved in the planning of countermeasures which would have been taken in that event. Anyway, I called my place Goldeneye." The estate, which was a few miles away from that of Fleming's friend Noel Coward, is now the centrepiece of a resort of the same name.
''The Spy Who Loved Me'', published in 1962, departed stylistically from Fleming's previous novels in the Bond series as it was written in the first person, from the perspective of the (fictional) protagonist, Vivienne Michel, whom Fleming credits as co-author. It is the story of her life, up to the moment when James Bond rescues her.
Besides writing twelve novels and nine short stories featuring James Bond, Fleming also had a hand in creating another spy series, ''The Man from U.N.C.L.E.'', and he wrote the children's novel ''Chitty Chitty Bang Bang''. Fleming also wrote a guide to some of the world's most exciting cities of the 1950s, ''Thrilling Cities'' (originally a round-the-world series for ''The Sunday Times'' newspaper, London), and a study of international crime, ''The Diamond Smugglers''. Fleming wrote an account of events during the Istanbul Pogroms, which many Greek and some Turkish scholars attributed to secret orchestrations by Britain: "The Great Riot of Istanbul" was published in ''The Times'' on 11 September 1955.
In 1961, Fleming sold the film rights to his already-published as well as future James Bond novels and short stories to Harry Saltzman, who, with Albert R. "Cubby" Broccoli, co-produced the film version of ''Dr. No'', which was released in 1962. For the cast, Fleming suggested friend and neighbour Noël Coward as the villain Dr. Julius No, and David Niven or, later, Roger Moore as James Bond. Both were rejected in favour of Sean Connery, who was both Broccoli and Saltzman's choice (Moore would later play the part of James Bond in the films made from 1973–85). Fleming at first disapproved of Connery taking the lead role. He had also previously suggested his cousin, Christopher Lee for the part, or as Dr No. Although Lee was selected for neither role, in 1974 he portrayed the assassin Francisco Scaramanga, the villain of ''The Man with the Golden Gun''.
''Dr No'' was followed by ''From Russia with Love'' (1963), with twice the budget of its predecessor. This second James Bond film was to be the last that Ian Fleming saw. Having visited the set, he had come to approve of the casting and even wrote a Scottish lineage for Bond into his later works, in deference to Connery's portrayal. A close inspection of a film sequence in ''From Russia with Love'' involving the Orient Express appears to show Fleming himself alongside the track, caught on camera during his visit to the shoot in Europe. The third Bond film, ''Goldfinger'' (1964), was in production at the time of the author's death and he had again visited the set at Pinewood Studios and worked with the producers.
''Dr No'' was far more of a success than even Saltzman or Broccoli had expected. It was an instant worldwide sensation that sparked a spy craze in film and television that lasted through the 1960s and beyond. The film series continued, as planned, with ever-increasing budgets and profits, and continues to do so into the twenty-first century, with token references to Fleming and his writing.
Fleming was a member of Boodle's, the gentleman's club in St. James's Street, London, England, from 1944 until his death. He married Anne Charteris, granddaughter of the 11th Earl of Wemyss and former second wife of the second Viscount Rothermere and widow of the third Baron O'Neill, in Jamaica in 1952. The ceremony was witnessed by his friend, the playwright Noel Coward. This made Fleming a brother in law of the Scottish novelist Hugo Charteris.
In March 1960, Fleming met John F. Kennedy through Marion Oates Leiter who was a mutual friend and who had invited both to dinner. Leiter had introduced Kennedy to Fleming's books during his recovery from an operation in 1955. After dinner, Fleming related his ideas on discrediting Fidel Castro; these were reported to Central Intelligence Agency chief Allen Welsh Dulles who gave them serious consideration.
Fleming was a heavy smoker and heavy drinker and suffered from heart disease. In 1961 he suffered a heart attack. Three years later, at 56, he had another heart attack and died in the early morning of 12 August 1964 – on his son Caspar's 12th birthday – in Canterbury, Kent, England. He was buried in the churchyard of Sevenhampton village, near Swindon. Fleming's son Caspar (1952–1975) committed suicide with a drug overdose and was buried with his father. Fleming's widow, Anne Geraldine Mary Fleming (1913–1981), was also buried with her husband after she died.
In May 2010, American thriller author Jeffery Deaver was chosen to write the next James Bond novel, entitled ''Carte Blanche'', published in May 2011.
In 2011, Fleming became the world's first English-speaking writer to have an International Airport named in his honour. Ian Fleming International Airport, near Oracabessa, Jamaica was officially opened on 12 January 2011 by Jamaican Prime Minister Bruce Golding and Fleming's niece, Lucy Fleming.
In 1960, Fleming was commissioned by the Kuwait Oil Company to write a book on the country and its oil industry. The typescript is entitled ''State of Excitement: Impressions of Kuwait'' but it was never published due to disapproval by the Kuwaiti Government. According to Fleming: "The Oil Company expressed approval of the book but felt it their duty to submit the typescript to members of the Kuwait Government for their approval. The Sheikhs concerned found unpalatable certain mild comments and criticisms and particularly the passages referring to the adventurous past of the country which now wishes to be 'civilised' in every respect and forget its romantic origins."
Category:English spy fiction writers Category:English children's writers Category:English novelists Category:English short story writers Category:English thriller writers Category:Book and manuscript collectors Category:British spies Category:Anglo-Scots Category:English people of Scottish descent Category:World War II spies Category:Sandhurst graduates Category:Black Watch officers Category:Royal Navy officers Category:Old Etonians Category:Old Sunningdalians Category:People from Mayfair Category:Deaths from myocardial infarction Category:1908 births Category:1964 deaths Category:Bibliophiles Category:Royal Naval Volunteer Reserve personnel of World War II Category:People educated at Durnford School
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