This article uses bare URLs for citations. Please consider adding full citations so that the article remains verifiable. Several templates and the Reflinks tool are available to assist in formatting. (Reflinks documentation) (October 2011)

RCA Records (originally The Victor Talking Machine Company, then RCA Victor) is one of the flagship labels of Sony Music Entertainment. The RCA initials stand for Radio Corporation of America (later renamed RCA Corporation), which was the parent corporation from 1929^[1] to 1985 and a partner from 1985 to 1986.^[2]

RCA's Canadian unit (formerly Berliner Gramophone Canada) is Sony's oldest label in Canada, as it was only one of two Canadian record companies (Compo Company, now Universal Music Canada, is the other) to survive the Great Depression.

The RCA family of labels[link]

RCA is the name of three different co-owned record labels. RCA Records is the Pop, Rock, Hip-Hop, R&B and Country music label. RCA Victor is the label for blues music, world music, jazz, musicals and other musical genres which do not fit the pop music mold. RCA Red Seal (formerly known as RCA Victor Red Seal) is the renowned classical music label with a reissue sub-label called RCA Gold Seal.

Defunct labels include budget labels RCA Camden, RCA Victrola, RCA International, and RCA Italiana.

Besides manufacturing records for themselves, RCA Victor also operated RCA Custom which was the leading record manufacturer for the independent labels. RCA operated three strategically located record manufacturing plants in the U.S. and advertised overnight delivery to record distributors.^[3] RCA Custom also pressed record compilations for The Reader's Digest Association.

Currently, Legacy Recordings, Sony Music's catalog division, reissues classic albums for RCA.

History[link]

In 1929, Radio Corporation of America (RCA) purchased the Victor Talking Machine Company, then the world's largest manufacturer of phonographs (including the famous "Victrola") and phonograph records (in British English, "gramophone records"). The company then became RCA-Victor. With Victor, RCA acquired New World rights to the famous Nipper trademark. While in Shanghai China, RCA-Victor was the main competitor with Baak Doi.^[4]

In 1931, RCA Victor's British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board. Also in late 1931, RCA Victor developed and released the first 33⅓-rpm records to the public (known as "Program Transcriptions"). These had the standard groove size identical to the contemporary 78-rpm records, rather than the "microgroove" used in post-World War II 33⅓ "Long Play" records. The format was a commercial failure at the height of the Great Depression, partially because the records and playback equipment were expensive. The system was withdrawn from the market after about a year. (This was not the first attempt at a commercial long play record format, as Edison Records had marketed a microgroove vertically recorded disc with 20 minutes playing time per side the previous decade; the Edison long playing records were also a commercial failure.)

During the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the 'Dime Store Labels' (Perfect, Oriole, Banner, Melotone, etc.). In 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8" record with a dark blue label, alongside an 8" Electradisk label (sold at Woolworth's). Neither were a success. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10" label (Bluebird's label was redesigned as it became known as the 'buff' label). Another cheap label, Sunrise, was produced (although nobody seems to know for whom it was produced, as Sunrise records are exceptionally rare). The same musical couplings were issued on all three labels, and Bluebird survived long after Electradisk and Sunrise were discontinued. RCA also produced records for Montgomery Ward during the 1930s.

RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings on the HMV label. RCA also manufactured and distributed HMV classical recordings on the HMV label in North America.^[5]

World War II era[link]

During World War II, ties between RCA and its Japanese affiliate JVC were severed. The Japanese record company is today called Victor Entertainment and is still a JVC subsidiary.

From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban. Virtually all union musicians could not make recordings during that period. One of the few exceptions was the eventual release of recorded performances by the NBC Symphony Orchestra with Arturo Toscanini. However, RCA lost the Philadelphia Orchestra during this period; when Columbia Records settled quickly with the union, Eugene Ormandy and the Philadelphians signed a new contract with Columbia and began making recordings in 1944.

In 1949, RCA-Victor developed and released the first 45 rpm record to the public, answering CBS/Columbia's 33⅓ rpm "LP". The 45-rpm record became the standard for pop singles with running times similar to 10-inch 78-rpm discs (less than four minutes per side).

RCA also introduced record players to exclusively play the 45 rpm format in a heavy promotion, as well as issuing issuing most of the 45's in colored vinyl (as opposed to the standard black vinyl for records) specific to the music genre: classical music was issued on red vinyl, country music on green vinyl, children's music on yellow vinyl, pop music on blue vinyl, etc. with a total of eight colors of discs over as many music formats.

RCA also released some "extended play" (EP) discs with running times up to 7 minutes per side, primarily for classical recordings. (One of the first of the extended 45-rpm recordings was a disc by Arthur Fiedler and the Boston Pops Orchestra featuring Tchaikovsky's Marche Slave and Ketèlbey's In a Persian Market.) Additionally, many boxed sets of four to six 45's in a box, essentially the same amount of music as an LP over a collection of smaller discs.

The 1950s[link]

In 1950, realizing that Columbia's LP format had become successful and fearful that RCA was losing market share, RCA Victor began issuing LPs themselves.^[6][7] Among the first RCA LPs released was a performance of Gaîté Parisienne by Jacques Offenbach, played by Arthur Fiedler and the Boston Pops Orchestra, which had actually been recorded in Boston's Symphony Hall on June 20, 1947; it was given the catalogue number LM-1001. Non-classical albums were issued with the prefix "LPM." When RCA later issued classical stereo albums (in 1958), they used the prefix "LSC." Non-classical stereo albums were issued with the prefix "LSP."

In the 1950s, RCA had three subsidiary or specialty labels: Groove, Vik and "X". Label "X" was founded in 1953 and renamed Vik in 1955. Groove was an R&B specialty label founded in 1954.^[8]

Through the 1940s and 1950s, RCA was in competition with Columbia Records. A number of recordings were made with the NBC Symphony Orchestra, usually conducted by Arturo Toscanini; sometimes RCA utilized recordings of broadcast concerts (Toscanini had been recording for the label since the days of acoustic recordings, and the label had been recording the NBC Symphony since its creation in 1937). When the NBC Symphony was reorganized in the fall of 1954 as the Symphony of the Air, it continued to record for RCA, as well as other labels, usually with Leopold Stokowski. RCA also released a number of recordings with the Victor Symphony Orchestra, later renamed the RCA Victor Symphony Orchestra, which was usually drawn from either Philadelphia or New York musicians, as well as members of the Symphony of the Air. By the late 1950s RCA had fewer high prestige orchestras under contract than Columbia had: RCA recorded the Chicago Symphony Orchestra, the Boston Symphony Orchestra, and the Boston Pops, whereas Columbia had the Cleveland Orchestra, the Philadelphia Orchestra, and the New York Philharmonic Orchestra.

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz. This began a practice of simultaneously taping orchestras with both stereophonic and monaural equipment. Other early stereo recordings were made by Toscanini and Guido Cantelli respectively, with the NBC Symphony Orchestra; the Boston Pops Orchestra under Arthur Fiedler; and the Chicago Symphony Orchestra under Fritz Reiner. Initially, RCA used RT-21¼ inch tape recorders (which ran at 30 inches per second), wired to mono mixers, with Neumann U-47 cardioid and M-49/50 omnidirectional microphones. Then they switched to an Ampex 300-3½ inch machine, running at 15 inches per second (which was later increased to 30 inches per second). These recordings were initially issued in 1955 on special stereophonic reel-to-reel tapes and then, beginning in 1958, on vinyl LPs with the logo "Living Stereo." Sony Music and successor companies have continued to reissue these recordings on CD.^[9] Another 1953 project for RCA was converting the acoustically superior building Webster Hall into its East Coast recording studio. It operated this studio venue from 1953 to 1968.

In September 1954, RCA introduced 'Gruve-Gard' where the center and edge of a disc are thicker than the playing area, reducing scuff marks during handling and when used on a turntable with a record changer.^[10] Most of RCA Victor Records' competitors quickly adopted the raised label and edges.

The Toscanini stereo albums, however, were never issued by RCA (they were the last two concerts he conducted with the NBC Symphony Orchestra). They were not issued until 1987 and 2007 respectively, when they appeared on compact disc on the Music and Arts label, and betrayed no sign whatsoever of the Maestro's apparent memory loss in the last concert, probably because the rehearsals had also been taped in stereo and portions of them were included in the final edit.

In 1955, RCA purchased the recording contract of Elvis Presley from Sun Records for the then astronomical sum of $35,000. Elvis would become RCA's biggest selling recording artist. His first gold record was Heartbreak Hotel, recorded in January 1956.

In 1957, RCA ended its 55-year association with EMI and signed a distribution deal with Decca Records, which caused EMI to purchase Capitol Records. Capitol then became the main distributor for EMI recordings in North and South America, with RCA distributing its recordings through Decca in the United Kingdom on the RCA (later RCA Victor) label. This had the lightning bolt logo instead of the His Master's Voice Nipper logo (now owned by HMV Group plc in the UK as EMI transferred trademark ownership in 2003).^[11] RCA set up its own British distribution in 1971.

Also in 1957, RCA opened a state-of-the-art recording studio in Nashville, Tennessee, which recorded hit after hit for RCA and other labels for 20 years and is now open for tours as RCA Studio B. Elvis Presley made most of his recordings in this studio.

The 1960s[link]

In 1960, RCA announced the Compact 33 double and singles. In January 1961, these discs hit the market. The Compact 33 discs were released simultaneously with their 45 rpm counterparts. The long-term goal was to phase out the 45 rpm. This campaign eventually failed by early 1962.^[12]

In 1963, RCA introduced Dynagroove which added computer technology to the disc cutting process, ostensibly to improve sound reproduction. Whether it was actually an improvement or not is still debated among audiophiles.

In September 1965, RCA & Lear Jet Corp. teamed up to release the first Stereo 8-Track Tape Music Cartridges (Stereo 8) which were first used in the 1966 line of Ford Automobiles and were popular throughout the late 1960s and 1970s. (The initial release comprised 175 titles from RCA Victor and RCA Camden's catalog of artists.)

In late 1968, RCA modernized its image with a new futuristic-looking logo (the letters RCA in block modernized form), replacing the old lightning bolt logo, and the virtual retirement of both the Victor and Nipper trademarks. The background of the labels, which had always been black for its regular series (as opposed to its Red Seal line), switched to bright orange (becoming tan later in the early 1970s). Possibly in response to customers' complaints, RCA Records reinstated Nipper to most of its record labels beginning in 1976 in countries where RCA had the rights to the Nipper trademark. The famous "shaded" label used on RCA's "Living Stereo" albums was revived in the 1990s for a series of CDs devoted to the historic triple-track stereophonic recordings.

In late 1969 RCA introduced a very thin, lightweight vinyl LP known as DynaFlex (the name has nothing to do with the gyroscope). This type of pressing claimed to overcome warping and other problems in conventional thicker pressings, but it had a controversial reputation in the industry. At about the same time John Denver recorded his first RCA LP: Rhymes & Reasons.

Debut of Quadraphonic releases[link]

In April 1970 RCA announced the first quadraphonic 4-channel 8-track tape cartridges (Quad-8, later called just Q8). RCA then began releasing quadraphonic vinyl recordings in 1971, primarily of classical music, in the CD-4 format developed by Japan Victor Corporation (JVC), and made commercially practical by Quadracast Systems Inc. (QSI). RCA's trade name became Quadradisc. The CD-4 format required a special cartridge that had a ±1 db frequency response out to 50 kHz, a CD-4 demodulator which decoded the difference between the front and rear channels from a 30 kHz subcarrier, four separate amplifier channels, and four separate speakers for the left and right front and left and right rear. Both the CD-4 Quadradisc and Quad-8 tape cartridge systems were true discrete 4-4-4 quadraphonic systems. Columbia introduced a quadraphonic matrix system, SQ, which required a decoder, 4-channel amplifier and the four speakers. The SQ system was referred to as a 4-2-4 matrix system. The Warner Music labels also adopted the Quadradisc format, but they, RCA and Columbia abandoned quadraphonic recording within a few years; some of the RCA sessions were later remastered for Dolby encoding (same as Peter Scheiber's original matrix system) and released on CD. This included Charles Gerhardt's series of albums devoted to classic film scores by Erich Wolfgang Korngold, Alfred Newman, Dimitri Tiomkin, Max Steiner, Franz Waxman, and others, performed by the National Philharmonic Orchestra in London's Kingsway Hall.

Acquisition by Bertelsmann[link]

In 1983, Arista Records owner Bertelsmann sold 50% of Arista to RCA. In 1985, Bertelsmann and RCA formed a joint venture called RCA/Ariola International.^[2]

When General Electric acquired RCA in 1986, the company sold its 50% interest in RCA/Ariola International to its partner Bertelsmann and the company was renamed BMG Music for Bertelsmann Music Group.^[13] BMG brought back the lightning bolt logo that was last used in 1968 to make clear that RCA Records was no longer co-owned with the other RCA entities which GE sold or closed. The only RCA unit GE kept was the National Broadcasting Company. BMG also revived the "RCA Victor" label for musical genres outside of country, pop and rock music.

Many artists such as Eurythmics, indie-popsters The Bongos, and Rick Astley recorded with RCA in the 1980s. Charlie Rich had several recordings produced by RCA as well as Charley Pride. Co-writer Marvin Walters worked closely with both artists producing hit songs such as "Set Me Free" for Rich and "Pretty Girl" for Pride. Walters left RCA when it sold its interest to BMG.

1990s[link]

In the 1990s, RCA's corporate structure basically remained the same. Also, RCA had marked success in the contemporary jazz genres with artists such as Roy Hargrove, Marcus Roberts, Opafire and Hugh Masekela, as well as an explosion of urban talent, such as Tyrese, SWV, Chantay Savage, and others. Some of these artists, such as Mobb Deep, recorded for the RCA label via a distribution deal with Loud Records, which remained distributed by RCA until 1999. Many of these artists have since left RCA for a number of reasons, such as SWV's breakup and Tyrese's move to J Records. Also, artists of other genres, such as Christina Aguilera and The Dave Matthews Band were launched by the RCA label in the '90s. The Foo Fighters joined the label in 1999.

RCA saw continued success with artists such as Christina Aguilera, Dave Matthews Band, the Foo Fighters, and later The Strokes. New acts that signed to the label included Kings of Leon and various American Idol contestants such as Kelly Clarkson and David Cook. Early in the decade the label became part of the RCA Music Group which also included Arista Records and J Records. The company was headed by Clive Davis until April 2008.

Merger[link]

In 2004, BMG and Sony merged their music holdings into a joint venture called Sony BMG. Because Sony Music was the successor to the old CBS record division, this merger meant that RCA Records, once owned by parent RCA, was now under the same umbrella as the label once owned by RCA's rival, the Columbia Broadcasting System (CBS), Columbia Records.

In 2006, Sony BMG merged its Broadway music labels, including RCA Victor to the new Masterworks Broadway Records.

In 2008, Sony acquired Bertelsmann's interest in the record company which was officially renamed Sony Music Entertainment at the start of 2009. RCA became part of the newly formed RCA/Jive Label Group (also known as RCA Records Group) as a result.

2010s: Label Integration[link]

The early 2010s saw RCA as part of the RCA/Jive Label Group which was headed by Barry Weiss. More recently RCA has introduced Ke$ha as one of its new artists on its roster. She has enjoyed widespread commercial success. Since 2011, RCA no longer signed contestants from American Idol, but the company continues to achieve great success with Idol alumni such as Kelly Clarkson, Daughtry, David Cook, and Adam Lambert. The RCA/Jive Label Group had been signing contestants from the show since it started in 2002 when the music group was still BMG. In 2011, Idol contestants signed to Interscope-Geffen-A&M Records of the Universal Music Group.

RCA Records was restructured in 2011 and took in artists from Arista and J Records and multiple artists from Jive Records, as those labels closed down.^[14]

The RCA Music Group was separated from the Jive Label Group in July 2011. Multiple Jive artists became part of a restructured Epic Records as Jive moved under the RCA Music Group. The RCA Music Group later continued its operations and contained "marquee" Jive acts such as Britney Spears and Pink.^[15][16][17] In 2011, Peter Edge became the new CEO of the RCA Music Group.^[18] RCA Records will start releasing all releases by RCA Music Group artists.^[19][20] In October 2011, the RCA Music Group shut down J Records, Jive Records and Arista Records. All artists moved under RCA Records, making it a standalone label under Sony Music.^[14] As of March 2012, RCA Records was home to 77 artists.^[21]

Broadway and Hollywood[link]

RCA has produced several notable Broadway cast albums as well, among them the original Broadway recordings of Brigadoon, Paint Your Wagon, the Mary Martin Peter Pan, Damn Yankees, Hello, Dolly!, Oliver!, and Fiddler on the Roof. RCA has also recorded and released recordings of revival stagings of musicals. These include the musical productions staged at Lincoln Center such as the 1966 revivals of Show Boat and Annie Get Your Gun, the 1987 revival of Anything Goes and the 1998 Broadway revivals of Cabaret and The Sound of Music. Call Me Madam was recorded by RCA Victor with all of its original cast except for its star Ethel Merman, who, due to contractual obligations, could not be released from her American Decca Records contract. She was replaced on the RCA album by Dinah Shore. RCA was also responsible for the film soundtrack albums of Damn Yankees, South Pacific, Exodus, Bye Bye Birdie, and The Sound of Music. The album made from the 1965 hit Julie Andrews film was (and is) one of the best selling soundtracks of all time. The film soundtrack of Oliver!, made by Colgems Records, was distributed by RCA, which had released the Broadway cast album. RCA also released the original American cast album of Hair.

RCA Victor made several studio cast recording albums as well, including a Lerner and Loewe series with Jan Peerce, Jane Powell, and Robert Merrill, as well as a 1963 album of excerpts from George Gershwin's Porgy and Bess, with its 1952 revival leads, Leontyne Price and William Warfield, but a different supporting cast. They also issued two studio cast versions of Show Boat, one with Robert Merrill, Patrice Munsel, and Rise Stevens and the other with Howard Keel, Anne Jeffreys, and Gogi Grant.

All of these recordings are now under Masterworks Broadway Records, which has remastered and reissued many of these albums.

Spoken word albums[link]

RCA Victor also issued several spoken word albums in the 1950s and 60s, notably the soundtracks of the films Richard III,^[22] A Man for All Seasons and The Taming of the Shrew,^[23] as well as complete versions of the National Theatre of Great Britain stage productions of Othello (starring Laurence Olivier) and Much Ado About Nothing (starring Maggie Smith, who also played Desdemona in the Olivier Othello). None of these albums have appeared on compact disc, but the films of Richard III, A Man For All Seasons, The Taming of the Shrew and the Olivier Othello have all been issued on DVD.

Criticisms and controversy[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2011)

The neutrality of this section is disputed. Please see the discussion on the talk page. Please do not remove this message until the dispute is resolved. (December 2007)

RCA Victor decided to demolish their Camden warehouse in the early 1960s. This warehouse held four floors' worth of catalog and vault masters (most of them were pre-tape wax and metal discs), test pressings, lacquer discs, matrix ledgers, and rehearsal recordings. A few days before the demolition took place, some collectors from the US and Europe were allowed to go through the warehouse and salvage whatever they could carry with them for their personal collections. Soon after, collectors and RCA Records officials watched from a nearby bridge as the warehouse was demolished, with many studio masters still intact in the building. The remnants were bulldozed into the Delaware River and a pier was built on top of them. In 1973, when the company decided to release all of Rachmaninoff's recordings on LPs (to celebrate the centennial of the composer's birth), RCA was forced to go to record collectors for materials, as documented by Time.

In the early 1920s, Victor was slow about getting deeply involved in recording and marketing black jazz and vocal blues. By the mid to late 1920s, Victor had signed Jelly Roll Morton, Bennie Moten, Duke Ellington and other black bands and were becoming very competitive with Columbia and Brunswick, even starting their own V-38000 "Hot Dance" series that was marketed to all Victor dealers. They also had a V-38500 "race" series, a 23000 'hot dance' continuation of the V-38000 series, as well as a 23200 'Race' series with blues, gospel and some hard jazz. However, throughout the 1930s, Victor's involvement in jazz and blues slowed down and by the time of the musicians' strike and the end of the war, Victor was neglecting the R&B (race) scene, which is one of the reasons so many independent companies sprang up so successfully.

In the 1970s the label let much of its catalog go out of print. This pattern affected its jazz catalog most greatly, followed by its classical music catalog.

In the compact disc era a small proportion of its jazz catalog has been reissued. (For example, Jelly Roll Morton albums were reissued; but they were removed from circulation in less than ten years.) Similarly, only a fraction of its vast classical catalog has remained available on compact disc.

Canadian rockers Triumph claimed to be ignored by the label. When the band wanted to resign from their deal with RCA, the label refused. Afterwards, MCA Records executive Irving Azoff co-opted their debts and bought the band out of their RCA contract and signed them for five albums.

Kelly Clarkson[link]

In 2007, reports said that many RCA workers, including mogul Clive Davis, were unhappy with Kelly Clarkson's album My December. Davis was even said to offer Clarkson $10 million to scrap five of her songs, but she refused. Months of controversy concluded with Clarkson's tour being rescheduled, My December becoming the lowest-selling album of her career, and Clarkson joining Starstruck Entertainment. In 2009, RCA decided to release "Already Gone" as the third single off her album, All I Ever Wanted. Clarkson objected to this because it sounded very similar to Beyoncé's song, "Halo". Both songs were co-written by Ryan Tedder. RCA persisted in the release of the single. The press noted the similarities between the two songs.

Avril Lavigne[link]

In November 2010, singer Avril Lavigne explained the reason for the long delay of her fourth album, Goodbye Lullaby, which she said was completed a year ago. She says she "experienced a bunch of bureaucratic BS" prior to the label recently deciding to release it.^[24] Disagreements between Lavigne and RCA resulted in the album's release date being pushed back several times until it finally came out in March 2011. In October 2011, Lavigne confirmed that she had left RCA Records for Epic Records.^[25][26]

Kenny Rogers[link]

After singer Kenny Rogers left the label, RCA was accused of trying to ruin his career. Rogers signed to RCA in 1983 for an advance sum of $20 million (the largest deal ever in country music at that time) when Bob Summers was head of the label. Shortly after Rogers' first album for the label, Summers was fired (for unrelated reasons) by RCA. Deciding it would make the label look bad for firing Summers if Rogers continued to be a major success (his duet with Dolly Parton, "Islands in the Stream", had been one of the biggest hits of 1983), Rogers received very little support from the label during the next several years he was with them.^{[citation needed]} Although Rogers and RCA parted ways many years ago, the results of the conflict can still be seen today. In 1989, RCA deleted all of Rogers' solo albums soon after he signed back to Reprise, where he used to record when he was a rock artist with his former group, The First Edition. Rogers, in turn, took the rights to those albums with him as RCA refused to keep them, with only Once Upon A Christmas (a 1984 album of seasonal duets with Parton) remaining in print. Recent CD reissues of that album have omitted the tracks on which Rogers sang solo.

Other RCA labels[link]

• RCA Records (UK): A division of Sony Music UK, since 2006, which acts as an import label of American and multinational Sony Music artists, and also signs UK artists.
• RCA Red Seal Records: The prestigious RCA Red Seal classical music label is now part of Sony Masterworks.
• RCA Records (France): A division of Sony Music France. Founded as RCA Cinematre in 1978. Renamed to its current name in 2006.
• RCA Records (Italy): A division of Sony Music Italy. Founded as RCA Italiana in 1949. It went bankrupt in 1987 and was bought by BMG. Reactivated in 2006.
• RCA Victor: The former name of RCA Records that currently distributes electronic, rock and soundtrack albums, such as The Sound of Music soundtrack, Jose Feliciano's Feliz Navidad, a handful of albums by Elvis Presley, and other classic albums. The current roster includes Imogen Heap and The Fashion.
• RCA Records (Australia): A division of Sony Music Australia. Founded in 1963 for Australian artists. Renamed to RCA Limited Australia and New Zealand in 1976 for Australian & New Zealandian artists. Renamed to its current name in 2006.

Previous labels[link]

• RCA Victor Label Group: The RCA Victor label group consisted of the RCA Victor, Windham Hill and Bluebird labels.
• RCA distributed labels: Colgems, Calendar/Kirshner, Metromedia, Chelsea, Grunt Records, Roadshow Records, Windstar, Midland International, Wooden Nickel, Millennium Planet and Tortoise International Records (Detroit)^[27]

Executives[link]

• Peter Edge: Chairman & CEO
• Tom Corson: President & COO

See also[link]

• List of RCA Records artists
• RCA Records Nashville
• RCA Studio B
• List of record labels

References[link]

External links[link]

• Official RCA Records website
• Official RCA Label Group UK website
• Historic photo gallery of RCA in Camden, N.J.
• Video Interview with Bob Jamieson, former CEO & Chairman of RCA
• RCA Victor Discography
• RCA A&R team contact list
• Internet Archive: Command Performance (1942) - How RCA records are made, narrated by Milton Cross.
• Berliner Gramophone Company, whose Canadian operation became RCA Victor of Canada
• Camden Building History
• History of RCA Victor record label designs
• The Rise and Fall of the Compact 33

v t e Sony Corporation Primary businesses Sony Corporation (electronics & holding of the Sony group) · Sony Music Entertainment (music) · Sony Pictures Entertainment (motion pictures and television) · Sony Computer Entertainment (video games) · Sony Financial Holdings (financial services; 60%) · Sony Digital Audio Disc Corporation Technologies and brands α · Betacam · Blu-ray · BRAVIA · CD · Cyber-shot · Dash · Dream Machine · DVD · Handycam · HDCAM/HDCAM-SR · LocationFree · Memory Stick · MiniDisc · MiniDV · mylo · Reader · S/PDIF · SDDS · SXRD · Sony Tablet · UMD · VAIO · Video8/Hi8/Digital8 · Walkman · Walkman Phones · XDCAM · Xplōd · HMZ-T1 Historical products AIBO · CV-2000 · DAT · Betamax · Sony CLIÉ · Discman · JumboTron · Lissa · Mavica · NEWS · Qualia · Rolly · TR-55 · Trinitron · U-matic · Watchman · WEGA Electronics Sony EMCS · Sony Electronics (subsidiary in the US) · Sony Creative Software · Sony Mobile Communications  · S-LCD (50% minus 1 share) · Sony Mobile Display · Sony Optiarc · Sharp Display Products (7%) · Aiwa (former) Sony Music Entertainment Sony/ATV Music Publishing (50%) · Columbia Records · Epic Records · RCA Records · Sony Music Nashville (Arista Nashville, BNA Records, Columbia Nashville, RCA Records Nashville) · Provident Label Group · Verity Gospel Music Group · Sony Music Latin · Sony Masterworks  · Legacy Recordings  · RED Distribution  · IODA  · Syco Music  · Syco TV  · Syco Film  · Sony Music Australia · Sony Music Japan  · Gracenote · Aniplex · A-1 Pictures Sony Pictures Entertainment Columbia TriStar Motion Picture Group (Columbia Pictures · Sony Pictures Classics · Screen Gems · TriStar Pictures · Triumph Films) · Sony Pictures Worldwide Acquisitions (Destination Films · Stage 6 Films · Affirm Films) · Sony Pictures Television Group (Adelaide Productions · Culver Entertainment · Embassy Row · 2waytraffic · Lean-M  · Gogglebox Entertainment · Victory Television · Silver River Productions · Starling · Huaso · Floresta · Teleset) Sony Pictures Home Entertainment · Sony Wonder · Sony Pictures Family Entertainment Group · Sony Pictures Digital (Sony Pictures Imageworks · Sony Pictures Animation · Sony Pictures Mobile) · Sony Pictures Studios · Sony Pictures Consumer Marketing (Sony Pictures Consumer Products · Sony Pictures Loot) U.S. networks Sony Movie Channel · GSN (40%), joint venture with DirecTV · FEARnet HD (joint venture with Comcast and Lionsgate) · 3net (joint venture with Discovery Communications and IMAX) International networks Sony Entertainment Television (Asia, South East Asia, India, Latin America, South Africa, Portugal, Russia, Spain, Baltic and United Kingdom) · AXN · AXN HD · AXN HD+1 · AXN Asia · AXN India · AXN Pakistan · AXN White · AXN Crime · AXN Black · AXN Mystery · AXN Sci Fi · AXN Spin · Sony Aath · Multi Screen Media · Animax · Animax Asia · Animax India · Animax Pakistan · Animax Korea · Animax Eastern Europe · BeTV · Sony Spin · SET One · SET Max · Sony SIX · Sony MIX · SET PIX · SAB TV · Men&Movies · Movies4Men Sony Computer Entertainment Sony Online Entertainment · PlayStation · PSP · PlayStation Vita · Cellius (49%) · Square Enix (8.25%) · Sony Imagesoft (defunct) Online distribution platforms Sony Entertainment Network (Music Unlimited · Video Unlimited · PlayStation Network) · FEARnet · The Minisode Network · Crackle Financial services Sony Financial Holdings · Sony Life Insurance · Sony Assurance · Sony Bank · Sony Bank Securities Other businesses So-net Entertainment · Sony Broadcast & Professional Research Laboratories · Sony Sendai Other assets Sony Corporation of America (umbrella company in the US) · Other subsidiaries Joint ventures Sony/ATV · FeliCa Networks · Vevo · Cellius (49%) · Sharp Display Products (7.04%) Key personnel Kazuo Hirai · Masaru Ibuka · Nobuyuki Idei · Yasuo Kuroki · Ken Kutaragi · Michael Lynton · Akio Morita · Norio Ohga · Amy Pascal · Howard Stringer  · Nicole Seligman Category ·  Commons ·  Wikinews

Kelly Clarkson
Kelly Clarkson at the 2009 Women's World Awards in Austria
Background information
Birth name	Kelly Brianne Clarkson
Born	(1982-04-24) April 24, 1982 (age 30) Fort Worth, Texas, U.S.
Origin	Burleson, Texas
Genres	Pop rock, pop
Occupations	Singer, songwriter, record producer, actress
Instruments	Vocals
Years active	2001–present[1]
Labels	RCA, 19
Associated acts	Reba McEntire
Website	kellyclarkson.com

Kelly Brianne Clarkson (born April 24, 1982) is an American singer, songwriter and occasional actress. Clarkson came into prominence after becoming the winner of the inaugural season of the television series American Idol in 2002 and later was the runner-up in the television special World Idol in 2003.

In 2003, Clarkson released her debut album, Thankful, which was a commercial success and established herself in the pop music industry. The release of its first single, "A Moment Like This" (2002), broke The Beatles' record for the biggest leap to number one, from 52, in the history of the Billboard Hot 100 chart. After parting ways with her management, Clarkson developed a more rock-oriented music with the release of her critically acclaimed sophomore album, Breakaway (2004), which sold more than 12 million copies worldwide^[2] and which garnered Clarkson more worldwide success as a pop rock artist. The album's single, "Because of You" (2005), became the best-selling single by an Idol contestant worldwide. In 2007, Clarkson took full creative control for her third album My December, which had a more rock-inspired sound and was met with controversy and moderate success. Clarkson later returned to a more pop-oriented sound with All I Ever Wanted (2009), which became a commercial and critical success. The album's lead single, "My Life Would Suck Without You" (2009), surpassed "A Moment Like This"'s record for the biggest leap to number one on a single week in the history of the Billboard Hot 100 Chart, a milestone it still holds today. Furthermore, it also became her first number one single in the United Kingdom. Clarkson's fifth studio album, Stronger, was released in 2011, containing elements from synthpop, R&B and country music. The album's single, "Stronger (What Doesn't Kill You)" (2012), became her longest number one single and eventually became her best-selling single in the United States.

In a career spanning a decade, Clarkson has become the most successful Idol contestant around the world, with album sales of over 23 million worldwide and singles sales of over 36 million,^[3] according to Billboard^[4] and Nielsen SoundScan.^[5][6][7] Clarkson's work also gained her numerous accolades, including two Grammy Awards, three MTV Video Music Awards, 12 Billboard Music Awards, four American Music Awards and a Women's World Award. Billboard also ranked Clarkson as the 14th best-selling artist of the 2000s, as well as also being ranked on the top 200 album sellers of the Nielsen SoundScan era at number 187.^[8][9] She is currently a mentor on ABC's singing competition show Duets.

Early life and career beginnings[link]

Clarkson was born in Fort Worth, Texas, and grew up in the small town of Burleson, a suburb of Fort Worth. She is the third and youngest child of Jeanne Rose, a first grade English teacher of Greek descent and Stephen Michael Clarkson, a former engineer of English descent.^{[citation needed]}

Clarkson's siblings include her older brother and sister, Jason and Alyssa. When Clarkson was six years old, her parents divorced after seventeen years of marriage. The family settled in Burleson, where Clarkson's mother married her second husband, Jimmy Taylor.^[10]

Clarkson's family struggled financially, and after her parents divorced, music became her refuge. Clarkson attended Pauline G Hughes Middle School and Burleson High School. She wanted to become a marine biologist but changed her mind after seeing the movie Jaws.^[11] In seventh grade, a teacher (Mrs. Cynthia Glenn) overheard her singing in a hallway and asked her to audition for the school choir; Clarkson told the teacher that she had never received professional vocal training.

In high school, Clarkson performed in musicals such as Annie Get Your Gun, Seven Brides for Seven Brothers and Brigadoon. She sang at her high school talent show, after which an audience member shared some inspiring words with her: "God has given you this gift. You've got to sing. You're destined to sing." Clarkson continued singing and soon started classical training, hoping that music would be her ticket to a college scholarship.^[12]

Upon high school graduation, Clarkson was offered full scholarships to The University of Texas at Austin, University of North Texas, and Berklee, but decided against college because she had "already written so much music and wanted to try it on her own," and she figured "you're never too old to go to college."^[12] Clarkson later turned down two recording contracts from Jive Records and Interscope Records in the late 1990s, stating "They would have completely pigeonholed me as a bubblegum act. I was confident enough that something better would come along."^[13] She went to Los Angeles in late 2001 to pursue a career in music, but worked as a waitress and appeared as an extra in such shows as Sabrina, the Teenage Witch and Dharma & Greg to support herself.^[14] She worked with songwriters such as Gerry Goffin and recorded five tracks between January and March 2002 to try to get a record deal, but returned to Texas after four months in Los Angeles.^[1]

Music career[link]

[edit] 2002–03: American Idol and World Idol

Clarkson auditioned for the first season of American Idol (under the full title American Idol: The Search for a Superstar) in May 2002. She subsequently won the competition on September 4, 2002, earning 58% of the vote against runner-up Justin Guarini.^[15] Clarkson performed the ballad "A Moment Like This", the song written for the winner of American Idol, which subsequently appeared on her debut album, Thankful. When released as a single in October 2002, it set a record on the U.S. Billboard Hot 100 chart when it rose from number 52 to number one.^[16] The CD single sold 236,000 copies in its first week of sales in the U.S.^[17] and spent five weeks at number one in Canada.

[edit] American Idol season 1 performances and results

[edit] World Idol performance and results

Clarkson performed at the Lincoln Memorial in Washington, D.C., on September 11, 2002, following her win on American Idol.

In December 2003, a competition titled World Idol was held at the Pop Idol stage in London, gathering the winners of the first seasons of Idol series around the world. Clarkson was contractually obligated to participate, and placed second behind Norwegian Idol Kurt Nilsen. She performed Aretha Franklin's "(You Make Me Feel Like) A Natural Woman". She left immediately after the competition, later explaining to fans that she was not feeling well.^[18]

[edit] 2003–04: Thankful

Shortly after the completion of the first season of American Idol, Clarkson was signed to RCA Records by Clive Davis and Simon Fuller. In 2003, Clarkson was later accused of working with a record company prior to winning American Idol. American Idol's rules stated that a contestant was not allowed to compete on the program if they had been linked to a record company. However, she was cleared of all allegations, as she only had a contract in order to conduct demonstration work.^[19]

Following the release of "A Moment Like This", Clarkson's full-length debut album Thankful was released in North America by RCA Records on April 15, 2003 with several singers and songwriters including Christina Aguilera, Diane Warren and Babyface contributing on the tracks.^[20] It debuted at number one on the U.S. Billboard 200. To promote the album, Clarkson appeared on various episodes of American Idol in 2003. In October that year she performed in Australia at the 2003 NRL grand final.^[21] "A Moment Like This" was certified double platinum by the RIAA for sales of two million copies on December 8, 2003^[22] and platinum by the CRIA for sales of 100,000 copies on February 10, 2004.^[23] Thankful peaked at number 41 on the UK albums chart and at number 33 on the Australian albums chart.

Reviews for the album were generally favorable. However, several critics noted that her early achievement was established due to her performances on American Idol. Allmusic critic Stephen Thomas Erlewine praised the album for its vocal ability: "throughout this record, [Clarkson] makes it seem effortless and charming. She can croon, she can belt out a song, she can be sexy and sassy while still being graceful and as wholesome as the girl next door".^[24] Rachel Kipp of JS Online criticized Clarkson for not having the same personality on Thankful that she had on American Idol, and wrote: "on American Idol, Clarkson showcased a great voice and an endearing, 'aw-shucks' personality. That personality is missing on Thankful, and there lies the album's greatest fault". Kipp blamed the producers behind the album for not allowing Clarkson to be herself.^[25] Clarkson covered Danielle Brisebois' "Just Missed the Train" on the album.

"Miss Independent" was released as the second single from Thankful. It reached the top ten of the U.S. and Canadian singles charts, and earned Clarkson a 2004 Grammy Award nomination for "Best Female Pop Vocal Performance".^[26] When the single was released in the United Kingdom and Australia, it reached the top ten of the charts. "Low", the third single from Thankful, reached number two in Canada, but it was unable to make the top 40 of the US chart. The final single, "The Trouble with Love Is", was released as a promotional single for the British romantic film Love Actually and failed to chart in the United States, she then promoted the song on Pop Idol in 2003.

Soon after the first season of American Idol ended, Clarkson starred with Idol runner-up Justin Guarini in the movie From Justin to Kelly (2003). The film was poorly received by critics^[27] and grossed only $5 million at the North American box office, less than half its reported budget.^[28] Clarkson has mentioned in interviews that she is shocked when people send her scripts after From Justin to Kelly, often citing contractual obligation as her sole reason for involvement in the film.^[29] Clarkson was quoted telling People, "I knew when I read the script it was going to be real, real bad, but when I won, I signed that piece of paper and I could not get out of it."^[30] The script was written by Kim Fuller, Simon Fuller's brother.^[31]

She played Brenda Lee in the television drama American Dreams and appeared in the sitcom Reba. She also participated in sketch comedy on MADtv (2002) and Saturday Night Live (2005).^[32]

[edit] 2004–06: Breakaway

	"Because of You" (2005) noicon At the age of 16, Clarkson wrote the lyrics and melody to this song to cope with her emotions. The later composition resulted in the use of the piano and a full orchestral arrangement.
Problems listening to this file? See media help.

Distancing herself from her American Idol image, Clarkson parted ways with 19 Entertainment and took more creative control with her second studio album Breakaway, to develop a more rock-oriented image.^[33] Clarkson co-wrote six of the songs with songwriters such as former Evanescence band members Ben Moody, David Hodges and producer Max Martin; the title track was co-written by punk-pop singer Avril Lavigne.

Breakaway was released by RCA Records on November 30, 2004.^[34] The album debuted within the U.S. top five and Canadian top ten, but sales were initially low in comparison to Thankful.^[35] The singles from Breakaway were very successful, and the album became only the fourth album in history to stay in the Billboard 200 top 20 for a consecutive year, as well as being certified six times platinum in the U.S. in late 2007^[36] and five times platinum in Canada in May 2006.^[37] With worldwide sales of over 12 million copies, Breakaway is the most successful album by an Idol.

Breakaway received different responses from critics; Rolling Stone commented that "on Kelly Clarkson's second album, ... she embraces her rock side rather than the pop pageantry that put her on top of the American Idol heap".^[38] TeenInk noted the strength of her vocals on Breakaway, and praised the change from pop music to contemporary rock: "[Clarkson] retains the incredible power and beauty of her voice while switching to rock".^[39] Stylus magazine also enjoyed Clarkson's foray into rock music, however, she was called out because of her American Idol image, which reviewer Charles Merwin believed she had yet to lose. He praised the non-singles and wrote that they "maintain a quality high".^[40] Allmusic called the album "a nice, low-key relief".^[41]

Clarkson performing her Hazel Eyes concert tour on November 10, 2005, Geelong, Australia

"Breakaway" served as the original song for The Princess Diaries 2: Royal Engagement (2004) and achieved considerable success across the world; it became Clarkson's third top-ten single in the U.S. and fourth top-ten single in Canada. It reached number ten in Australia, and number 22 in the UK. The second single, "Since U Been Gone", which was produced by Max Martin, became the most successful release from the album. It reached number two in the U.S. and the top five across the world. It also earned Clarkson her first Grammy Award for "Best Female Pop Vocal Performance"; she won a second award for "Best Pop Vocal Album".^[42]

The third and fourth single releases, "Behind These Hazel Eyes" and "Because of You", also followed with chart success. The video for "Because of You" won the 2006 MTV Video Music Award for Best Female Video, her second consecutive win in that category (following "Since U Been Gone"). Clarkson was the most-played artist of 2006 on American radio, despite releasing only one single in the entire year, "Walk Away" (the fifth single from Breakaway).^[43] She was also the most radio-broadcasted artist of 2006 in Australia and "Because of You" was the third most broadcast song of the same year, despite being released in 2005.^[44]

Clarkson at the Naval Air Station Fort Worth, Texas, Joint Reserve Base in 2006

In 2005, Clarkson made a performance during the 2005 NBA All-Star Weekend as part of the festivities leading up to the All-Star Game.^[45] Later that year, she performed "The Star-Spangled Banner" at Game 2 of the NBA Finals between the San Antonio Spurs and Detroit Pistons She also performed that spring as part of the 2005 NCAA Final Four festivities in St. Louis, Missouri.^[46]

Clarkson performed during the festivities of the 2006 Winter Olympics in Torino, Italy.^[47] In mid 2006, Clarkson lent Ford Motor Co. a song titled "Go", written by Clarkson and Rhett Lawrence ("Miss Independent"). The song was used in the company's advertising campaign in 2006, "Bold Moves" and the song, along with its music video, was made available free at Ford's AddictedtoKelly.com website (now defunct).^[48]

[edit] 2006–08: My December

Clarkson in April 6, 2008 during her My December Tour

During her tour in Europe in 2006, Clarkson began writing songs for her third album, My December.^[49] The first single from My December was "Never Again", which peaked on the Billboard Hot 100 at number eight. Clarkson released "Sober" as the second single. She returned to American Idol for the season 6 finale, performing "Never Again" and "Sgt. Pepper's Lonely Hearts Club Band" with Aerosmith guitarist Joe Perry during a Beatles medley.^[50]

Clarkson parted with her management, The Firm, in June 2007, amid low radio airplay for "Never Again" and low ticket sales for her then-upcoming tour.^[51] Clarkson then signed with Starstruck Entertainment, run by Narvel Blackstock – the husband of Reba McEntire – on July 2, 2007.^[52] The same month, Live Nation announced that the tour – her first nationwide arena tour – had been canceled due to underwhelming ticket sales, to be rescheduled after the release of the My December album at smaller, more intimate concert environments.^[53] Clarkson reinstated plans to tour the U.S. during 2007, with a much smaller tour than the one she canceled in June. She began her My December Tour in October 2007 in venues significantly smaller than those previously booked.^[54] The August 2007 issue of Blender included a feature on Clarkson and her new album, as well as her music label woes.^[55]

My December was released in the U.S. on June 26, 2007. The album debuted at number two in the U.S. with 291,000 albums sold,^[56] a slightly higher debut than Clarkson's previous album, Breakaway, which debuted at number three.^[57] In Canada, the album was awarded a platinum certification for shipments of more than 100,000 copies.^[58] My December was certified platinum in December 2007 by the RIAA.^[59] It has sold more than three million copies worldwide.^[60]

In April 2007, Clarkson appeared on the American Idol Idol Gives Back charity show aimed at raising money for tackling poverty, hunger and AIDS in Africa, as well as the Hurricane Katrina appeal. Clarkson noted that she was in a dispute with her record label bosses and executives as to which song to perform for the event. Clarkson refused to perform her new single "Never Again" viewing it as simple self-promotion through a charitable event. She is quoted as saying,

She opted to perform Patty Griffin's "Up to the Mountain". After the performance, the audience who watched Clarkson perform live gave her a standing ovation. American Idol judge Simon Cowell described her as "incredible", saying, "When you let her [Clarkson] come back on the show it makes everybody else look like an amateur."^[62] Clarkson later sang "Never Again" in the American Idol grand finale on May 23, 2007. On July 7, 2007, Clarkson performed on the American leg of Live Earth.^[63] Clarkson was invited to be a celebrity mentor for Canadian Idol during its Top 5 week of the fifth season, aired on the CTV network on August 20, and she performed on the results show the next night. Clarkson also performed the grand finale of Swedish Idol in December 2007.^[64] Clarkson also performed at the 2007 NFL opening kickoff where she sang the national anthem and songs from My December.^[65] Clarkson also performed in the halftime show for the Dallas Cowboys and New York Jets game on Thanksgiving Day.^[66][67]

Clarkson performing at the Live Earth concert

Clarkson and Reba McEntire performing during 2 Worlds 2 Voices Tour

In addition to her roles as spokeswoman for the acne treatment Proactiv as well as Vitaminwater, Clarkson partnered with NASCAR for the 2007 season. She appeared in televised advertising spots, performed at pre-race concerts, promoted NASCAR Day, and appeared at the Champions' Banquet in December.^[68] In April 2008, Clarkson participated in a Papal Youth Rally at the campus of St. Joseph's Seminary, Dunwoodie in Yonkers, New York performing a mini-concert for those in attendance. This was the Papal Visit of Pope Benedict XVI. She performed Schubert's "Ave Maria" for the Pope later in the day following the Pope's speech.^[69]

Clarkson performed "What Hurts the Most" with Rascal Flatts at the ACM Awards in 2006 and returned again to sing a duet with Reba McEntire in 2007. This was her second performance on a country music award show, even though she is in the pop/rock genre. Along with her performance with Rascal Flatts, Clarkson also performed "Cigarettes", with the country duo The Wreckers during one of their shows in Texas.^[70]

Building on her country music status, Clarkson and Reba McEntire, who first met after Clarkson won the first season of American Idol,^[71] recorded an hour-long CMT Crossroads special at Nashville's famed Ryman Auditorium on February 22, 2007. It aired on CMT and Palladia (then known as MHD) on June 24, 2007. Previously, Clarkson was a performer on CMT's Giants: Reba McEntire. where she sang McEntire's hit song "Why Haven't I Heard From You", introduced Dolly Parton, and later also sang McEntire's hit "Does He Love You" with Martina McBride. Clarkson also appeared on an episode of McEntire's sitcom Reba, that aired on January 14, 2007.^[72]

At the Academy of Country Music Awards on May 16, 2007, Clarkson and McEntire sang a duet of Clarkson's own 2005 single, "Because of You", which also became the lead single from McEntire's album of all-star duets.^[73] The music video for this version of the song later debuted on June 20, 2007. This collaboration with McEntire earned Clarkson a CMA Award nomination for "Musical Event of the Year" in 2007 and a Grammy Award nomination for "Best Country Collaboration With Vocal" in 2008. Additionally, the song was featured on Now That's What I Call Country, which was released in August 2008.

Clarkson was a surprise guest at the 2007 CMA Music Festival in Nashville on June 7, 2007, where she performed "Does He Love You" and "Because of You" with Reba McEntire during the internationally-renowned annual event. The performance of "Because of You" was taped and aired as part of the "CMA Music Festival: Country's Night To Rock" television special that aired on ABC on July 23, 2007.^[74]

On January 17, 2008, Clarkson embarked on the 2 Worlds, 2 Voices Tour 2008, a co-headlining tour with Reba McEntire. Reba and Clarkson have since stayed in touch and Clarkson is now managed by McEntire's husband Narvel Blackstock.^[75]

On May 18, 2008, Clarkson performed on stage at the Academy of Country Music Awards All-Star Jam with Reba McEntire and Ronnie Dunn of Brooks and Dunn.^[76] The All-Star jam is the final event of the week taking place immediately after the awards show. Clarkson was not announced ahead of time for an appearance.

[edit] 2008–10: All I Ever Wanted

Clarkson at red carpet 2009 VH1 Divas

Clarkson's fourth album, All I Ever Wanted, was released on March 10, 2009. During recording of the album, Clarkson worked closely with producer-songwriters Ryan Tedder, Dr. Luke, Max Martin, and Howard Benson, among others. In its first week of sales, it sold 255,000 copies in the U.S., debuting at number one on the Billboard 200; it stayed at number one for two weeks.^[77] All I Ever Wanted received a Grammy Award nomination for "Best Pop Vocal Album".^[78] Clarkson was placed eighth on Billboard's Top Female Artists of 2009 and ninth on Billboard's Top Hot Artists of 2000s.^[79] She was ranked second on Billboard's Best of 2000s: Pop Song Artist, behind Pink.^[80]

Clarkson in 2010 during her All I Ever Wanted World

The first single from All I Ever Wanted, "My Life Would Suck Without You", entered the Billboard Hot 100 at number 97 and rose to number one the following week; this broke the record for the largest leap to the top spot, formerly held by Britney Spears' "Womanizer".This was the second time Clarkson broke this record. Moreover, "My Life Would Suck Without You" was Clarkson's first number one in the United Kingdom and it made her the first American Idol winner to achieve a number one single in the UK. The album's second single, "I Do Not Hook Up", peaked at number 20 in the U.S. "I Do Not Hook Up" did not fare very well overseas and the believed reason for this is due to a lack of radio support because a previous version had been recorded by Katy Perry. The third single, "Already Gone", reached number 13 in the USA and number 15 in Canada, but had mixed results internationally. "Already Gone" sparked another conflict between Clarkson and her label. There was a widely reported scandal with the album's third single, which Clarkson wrote with OneRepublic's Ryan Tedder. Many critics had noticed that the backing track and style of the song sounded similar to Beyoncé's "Halo". After becoming aware of the comparisons, Clarkson did not want to release the song out of respect for Beyoncé, instead requesting release for a self-penned song, "Cry", which later hailed extremely positive reviews, most notably from the BBC.^[81] However, her record company refused, publishing "Already Gone" against Clarkson's wishes. In response to the entire fiasco, Clarkson penned a song called "Wash Rinse Repeat" in which she states her view on the lack of creativity record labels give their artists; it is widely believed the song is an attack on Ryan Tedder.

The fourth single was "All I Ever Wanted". Clarkson performed as one of many guests for the return of VH1 Divas in September 2009.^[82] Clarkson also became a guest mentor on the Dutch television series X Factor in November 2009.

Clarkson was announced as one of the VH1 Save the Music Foundation ambassadors for 2009–2010.^[83] She began her 32-date All I Ever Wanted tour in October, following a string of summer concerts around the United States. Clarkson toured all over the world with the album, reaching territories such as Europe, South Africa, Oceania and Asia.The fall tour shows were performed in arena/theater type venues, with the summer tour being performed in outdoor amphitheatres. Her Indonesia show was initially sponsored by tobacco company Djarum, but after complaints from some fans and anti-tobacco groups, the promoter removed the sponsor.^[84] The tour ended in May 2010 in China.^[85]

[edit] 2010–present: Stronger

On August 23, 2010, it was announced that Clarkson had recorded a duet called "Don't You Wanna Stay" with country star Jason Aldean for Aldean's upcoming album, My Kinda Party.^[86] They performed the song at the 2010 CMA Awards on November 10, 2010^[87] and again on April 14, 2011 during the elimination show of American Idol season ten. On the week ending February 27, 2011, the song moved to number one on Billboard Hot Country Songs, giving Clarkson her first number one hit on the chart.^[88] As of July 21, 2011, "Don't You Wanna Stay" has sold nearly 2 million digital singles, becoming the most downloaded country music collaboration of all time.^[89] "Don't You Wanna Stay" was nominated for a 2012 Grammy Award for "Best Country Duo/Group Performance".^[90]

Clarkson's fifth studio album, Stronger, was released on October 24, 2011.^[91] Clarkson began writing the material on November 2009 and was originally intended for a late 2010 release.^[92] Clarkson collaborated with several producers including Greg Kurstin, Ester Dean, Darkchild, Toby Gad, Steve Jordan and Howard Benson.^[93][94] Clarkson completed recording on February 28, 2011, and stated that it "was influenced by Prince, Tina Turner, Sheryl Crow, Radiohead and there's a little bit of a country vibe/influence on a couple of songs."^[93] On March 15, 2011, she announced that the album had been pushed back to at least September 2011. Rodney Jerkins told The Hollywood Reporter that it was a "smart decision",^[95] while Claude Kelly, said to MTV News that the move could work in her favor.^[96] Associated Content also reported that the delay was caused by the company restructuring at Sony Music with the former Universal Music Group chairman Doug Morris entering as its new CEO.^[95][97] The release of the album was accompanied by a limited release of Clarkson's first extended play, The Smoakstack Sessions, which featured alternate versions of Stronger and All I Ever Wanted songs.^[98]

Clarkson performing at Sudbury, Canada, in 2011

The first single, "Mr. Know It All", premiered via a live webcast on on August 30, 2011 and was commercially released on September 5, 2011. The song entered the Billboard Hot 100 at number 18, becoming her second highest debut since "Never Again" (2007); On November 3, the song ascended to number 10, earning Clarkson her ninth top ten single. On October 2, 2011, Clarkson performed the song at the 2011 NRL Grand Final in Sydney, Australia, marking Clarkson's first appearance at the event since the 2003 NRL Grand Final.^{[99][100][101]} The following week, "Mr. Know It All" hit #1 on the Australian charts, the first single of her career to top the charts in that country.^[102] 'Mr Know It All charted at number 4 in the UK and 8 in New Zealand. The song received double platinum certification in Australia and gold certification in New Zealand.

The album's second single, "Stronger (What Doesn't Kill You)", was released to mainstream radio on January 17, 2012.^[103] The song climbed to number one on the Hot 100 in its seventh week, becoming Clarkson's career's third number-one single, after "A Moment Like This" and "My Life Would Suck Without You".^[104]. According to Clarkson, the song was inspired by a Friedrich Nietzsche quote, translated to "That which does not kill us makes us stronger", and its lyrics contain the theme of empowerment. The song is considered as an anthem for recovery after the end of a bad relationship. Stronger has been compared to Since U Been Gone, and received generally positive reviews from critics. The song also peaked at number one in Poland, Belgium, and Denmark. In addition, it peaked in the top 10 in over 15 countries and achieved 2x Platinum in Australia as well as Platinum in New Zealand, Canada and Denmark, which has made it one of Clarkson's most successful singles. Moreover, the music video is her most watched on YouTube, with over 38,000,000 views. ^{[105][106][107]} When Stronger (What Doesn't Kill You) reached number one in the Billboard's Dance/Club Play Songs chart, Clarkson became the first artist to top the Billboard Hot 100, Country Songs, Adult Contemporary, Adult Pop Songs and Dance/Club Play Songs charts, albeit it not at the same time.^[108]

The song "Tell Me A Lie" on the debut album by the boy band One Direction was co-written by Clarkson, which was originally intended for Stronger. The song was leaked onto the internet a few months before.^[109] Clarkson's second extended play, iTunes Session, was announced on November 23, 2011,^[110] and was released on December 27, 2011.^[111] On December 2 Clarkson released her first Christmas single, a cover of "I'll Be Home For Christmas" which is included on iTunes Session EP. Her rendition of the holiday classic debuted on the Billboard Hot 100 at number 93 for the chart dated December 24, 2011 with 24,000 copies sold and also charted at number 16 on Holiday Songs.^{[citation needed]}

Clarkson was a mentor to Blake Shelton's contestants on season two of The Voice in 2012. With this, Clarkson becomes the only former television singing-competition contestant to appear on American Idol, The X Factor and The Voice.^[112]

Clarkson sang the U.S. national anthem at Super Bowl XLVI on February 5, 2012.^[113] She received widespread acclaim for this performance from numerous publications and fellow celebrities.^[114]

Clarkson performed at the 54th Grammy Awards on February 12, 2012. She and Jason Aldean sang their hit "Don't You Wanna Stay".^[115] On April 1, 2012, "Don't You Wanna Stay" won the Academy of Country Music awards for Vocal Event of the Year and Single of the Year.^[116]

On May 20, 2012 Clarkson debuted her new single "Dark Side" at the 2012 Billboard Music Awards.^[117]

In the summer of 2012, Clarkson will be a mentor on a new singing show called Duets on ABC.^[118]

Artistry[link]

Voice[link]

Clarkson possesses the vocal range of a soprano;^[119][120] which has been described as dynamic and robust.^[121]

On an interview with Good Morning America, Simon Cowell was asked of the then six American Idol winners, who he thought had the best voice. Cowell immediately answered that Clarkson did "by a mile", noting that she was "up there" with other great singers such as Celine Dion.^[122]

Arion Berger of Rolling Stone has said of Clarkson that "her high notes are sweet and pillowy, her growl is bone-shaking and sexy, and her midrange is amazingly confident for a pop posy whose career is tied for eternity to the whims of her American Idol overlords."^[123]

Dr. Luke, a songwriter and producer of some of Clarkson's hits stated that "She has powerful lungs. She's like the Lance Armstrong of vocal cords."^[124]

Jon Caramanica, music critic of The New York Times, stated that Clarkson's voice is "too huge, too violent" for warmer and sweeter vocal stylings, stating "she’s on a par with Taylor Swift when it comes to vengeance, and she’ll do it louder and with more brutality in comparison to her contemporary."^[125]

Esquire wrote that Clarkson has “the best voice in the history of pop music".^[126]

Influences[link]

Clarkson has often cited soul musicians such as Aretha Franklin,^[127] Whitney Houston, Mariah Carey^[128] and Etta James^[129] as well as rock musicians Radiohead, Garbage,^[127] Aerosmith, and Jimi Hendrix^[130] as her influences. Her audition performance of James' song "At Last" and her final performance of Franklin's "(You Make Me Feel Like) A Natural Woman" on American Idol garnered critical praise from both the judges of the program as well as from the public. Clarkson also said that she has been influenced by Tina Turner and Annie Lennox. At age eight, Clarkson was first inspired to venture into music during visit to an African-American church in Fort Worth. She recalled: "I was like, 'Wow, whatever they're feeling, I want to feel it too'."^[131]

Personal life[link]

Since early 2012 Clarkson has been dating Reba McEntire's stepson, talent manager Brandon Blackstock. Clarkson told the Daily Mail (UK) "Brandon is my manager's son. I've known him for six years but he was married. Then, suddenly, there he was at the Super Bowl and he was single". ^[132]

Political views[link]

On December 29, 2011, Clarkson posted on Twitter that she would vote for US Congressman Ron Paul as a 2012 presidential candidate, saying, "I love Ron Paul. I liked him a lot during the last Republican nomination and no one gave him a chance. If he wins the nomination for the Republican Party in 2012 he's got my vote. Too bad he probably won't."^[133] After stating her support for Paul, she came under fire on Twitter, due to her pro gay rights views.^[134] She later apologized for the Tweet saying she did not intend to offend anyone.^[134] In a recent interview with Rolling Stone magazine Clarkson was asked about her comments in support of Paul and she replied with, "All I did was tweet what I thought, and people went crazy! All of a sudden, people were like, 'You hate gay people' – what? I didn't even endorse him. All I said was that I like him. I voted for Barack, so it's not even like I'm a hardcore Republican."^[135]