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WildStorm Productions, or simply WildStorm, (often rendered Wildstorm) published American comic books. Originally an independent company established by Jim Lee and further expanded upon in subsequent years by other creators, WildStorm became a publishing imprint of DC Comics in 1999. Until it was shut down, the WildStorm imprint remained editorially separate from DC Comics, with its main studio located on the West Coast. The imprint took its name from the combining of the titles of the Jim Lee comic series WildC.A.T.S. and Stormwatch.

WildStorm published common American comics, as well as creator-owned material and licensed properties from other companies, covering a wide variety of genres. Its main fictional universe, the Wildstorm Universe, features typical costumed heroes in various scenarios.

The publishing activities of WildStorm have varied, with changes in ownership affecting the ongoing publication of some of its titles. Peaking during the 1990s, WildStorm maintained a number of its core titles from its early period (such as WildC.A.T.S. and Stormwatch) and subsequently continued to publish material expanding its core universe. WildStorm's main titles included WildC.A.T.S, Stormwatch, Gen¹³, Wetworks and The Authority, though it also produces single-character-oriented series like Deathblow and Midnighter, and has at times published secondary titles like Welcome to Tranquility.

WildStorm published a number of comics based on creator-owned material and licensed properties such as Astro City, Danger Girl, Red Menace, Ex Machina, Friday the 13th, A God Somewhere, A Nightmare on Elm Street, The Texas Chainsaw Massacre, World of Warcraft, StarCraft, the Dante's Inferno game and The X-Files.

In September 2010, DC announced plans to shut down the WildStorm imprint in December 2010 and relaunch its characters sometime in the future.^[1]

Titles[link]

Throughout most of its history the studio has published many comic book titles in continuity with each other (the Wildstorm Universe), as well as a wide variety of unrelated, creator-driven titles such as Ex Machina, Kurt Busiek's Astro City and Alan Moore's America's Best Comics line.

Major WildStorm Universe titles include;

• WildC.A.T.s
• Stormwatch
• The Authority
• Wetworks
• Gen¹³

Following a few years as a mature-readers-only superhero imprint Eye of the Storm, in September 2006 WildStorm rebooted its Universe in the WorldStorm event.

History[link]

Origins[link]

WildStorm began in 1992 after a number of artists and creators working in the comic-book industry came together to form Image Comics. WildStorm grew out of the roots of Homage Studios and of the range of characters that had originated there. WildStorm published under the Image imprint. Image itself became the successor to WildStorm Productions and published other imprints (such as Top Cow) where creators could work with their content as they wished.

The Image years[link]

WildStorm became one of the founding studios that joined together in 1992 to form Image Comics. It grew out of Homage Studios, founded by artists Scott Williams, Whilce Portacio, Jim Lee, and Joe Chiodo in San Diego, California. Lee, Williams, and Portacio had gained notoriety from their work on various X-Men titles at Marvel Comics.

In late 1992, penciller Marc Silvestri joined the studio to work on the first issue of Cyberforce. Although he worked at the studio, his projects would debut as a new Image imprint named Top Cow. Silvestri continued to work out of WildStorm's studio for about two years. Although WildStorm considered attracting talent from the "Big Two" (Marvel and DC) such as John Romita Jr., Lee decided instead to find new talent.

Lee's talent-search yielded Brett Booth in 1992, then J. Scott Campbell in 1993. Apart from McFarlane's Spawn, WildStorm produced the most consistently commercially-successful comics from Image, including Lee's own titles WildC.A.T.s and the teen-hero title Gen¹³, illustrated by J. Scott Campbell. Like many other Image titles, some of the WildStorm titles suffered from inconsistent completion and shipping, resulting in "monthly" comics coming out every few months. This era, however, produced a number of titles of varying popularity including the aforementioned Gen¹³ and WildC.A.T.s, The Maxx, Stormwatch, Deathblow, Cybernary, and Whilce Portacio's Wetworks.

Attempts to get the studio's characters into other media proved disappointing. A Saturday morning cartoon series of the WildC.A.T.s lasted only a single season (1994–1995), while a full-length animated version of Gen¹³ was produced but never released. Disney, who had acquired the distribution rights, later released the film only in a few foreign markets, leaving Jim Lee frustrated. Toys from both titles were less successful than those made by Todd McFarlane, partly due to bad marketing and partly because the McFarlane toys were targeted for a more mature audience. However, they had a big success copying Wizards of the Coast's Magic: The Gathering with their introduction of the Superhero card game, Wildstorms, which later spun off into a crossover set of cards with Marvel. The crossover was the swan song for the Wildstorms game though, as Marvel's merchandising clout succeeded in pushing Wildstorm's out of the spotlight. Although the timing was right with their card game, they were too early by a year with a Pog game which used the Wildcats characters that they released in 1993.

In 1995, WildStorm created an imprint named Homage Comics, centered around more writer-driven books. The imprint started with Kurt Busiek's Astro City and The Wizard's Tale, James Robinson's Leave It to Chance (with Paul Smith) and Terry Moore's Strangers In Paradise. Subsequently the imprint featured works by Sam Kieth, including The Maxx, Zero Girl and Four Women, and three of Warren Ellis' pop-comics mini-series, Mek, Red and Reload.

Also in 1995, WildStorm released WildStorms: The Expandable Super-Hero Card Game featuring artwork directly from thier comic books.

In 1997, Cliffhanger debuted a line of creator-owned comic books which included such popular works as J. Scott Campbell's Danger Girl, Joe Madureira's Battle Chasers, Humberto Ramos' Crimson and Out There, Joe Kelly & Chris Bachalo's Steampunk, Kurt Busiek and Carlos Pacheco's Arrowsmith and Warren Ellis's Two-Step and Tokyo Storm Warning.

1997 also saw a revamp of all the WildStorm Universe titles, including such prominent comic-book names as Alan Moore, Warren Ellis, Adam Warren, Sean Phillips and Joe Casey. After this revamp the new Wildcats series, Stormwatch and DV8 took the places of the most popular and most commercially successful comics of the WildStorm Universe.

The DC years[link]

As sales of comic books went into decline from 1993, Jim Lee started to look for a buyer in the mid-1990s. The result was the 1998 acquisition of WildStorm by DC Comics (effective January 1999). According to DC, this was meant to "strengthen both WildStorm's ability to expand its editorial goals and diversifying DC's output".^{[2][dead link]} DC's acquisition of WildStorm allowed the two universes to interact with each other, with the result that characters from each universe would soon make appearances in each other's titles.

1999[link]

1999 became a hallmark year for WildStorm. It launched several new titles, including The Authority, a dark and violent superhero comic, whose heroes had total disregard about things such as honorable battle or not killing their opponents; its goal was only in making the world a better place. Warren Ellis created The Authority from the ashes of Stormwatch. He would write its first twelve issues before handing the series over to Mark Millar. The Authority fused the hope and strivings of the Silver Age superheroes with a cynical look at humanity. The fight between the heroes and the corrupt parts of humanity would lead the series into the 2004 Wildstorm crossover, Coup d'Etat, where the Authority would take control of the United States of America. Ellis and artist John Cassaday would create Planetary, a story about explorers of the strange. This would be an experiment in intermeshing a look at pop culture, comic book history and literature with Cassaday's unique artwork.

Around this time, WildStorm also launched a new imprint titled America's Best Comics. This was specifically to allow Alan Moore to create a number of comics based on his own ideas. The line has been widely lauded and awarded, giving life to titles such as Promethea, The League of Extraordinary Gentlemen, Tomorrow Stories, Tom Strong and Top 10.

2001[link]

The studio launched Eye of the Storm in 2001 as an experiment. Most of the WildStorm imprint morphed into "Mature Readers" superhero comics. Joe Casey kept writing Wildcats, although it became Wildcats 3.0. The new version was penciled by Dustin Nguyen with inks by Richard Friend. Gen 13 was relaunched with a new first issue, written by X-Men's Chris Claremont. Gen13 spinoff 21 Down was written by Jimmy Palmiotti and Justin Grey. After Point Blank, a mini-series starring Grifter, Ed Brubaker carried on with the same ideas and launched the critically acclaimed^{[by whom?]} Sleeper, set in the WildStorm universe.

2001 also saw the start of Warren Ellis's Global Frequency. The rights for Global Frequency were bought by Warner Bros. in 2004 and a pilot for a TV series for the WB network was made. However, the show was not picked up, although the pilot was later leaked to the internet.^[3] Stormwatch was relaunched as Stormwatch: Team Achilles, an anti-superhero book featuring Black Razors-leader Ben Santini and his group of soldiers marking humans stand in the WildStorm Universe.

The studio gave The Authority to writer Robbie Morrison. The Authority team starred in a one-shot called "Scorched Earth" (2003) and appeared in a back-up story that ran in all the "Eye of the Storm" titles. After this, they finally received a new ongoing series. It was the series that featured a storyline that became the "Coup D'État" crossover, which ran through Authority, Sleeper, Stormwatch: Team Achilles and Wildcats 3.0.

Two "Winter Special" anthologies also came out, but sales floundered on both despite critical acclaim.^{[citation needed]} Some titles, such as Gen 13, suffered cancellation early on and 21 Down did not get its planned second season.^{[citation needed]} Thus, most of the line was canceled two years after its foundation, except for Sleeper, which got its second season published and had a definite ending. Wildcats 3.0 was the title fans most derided DC for canceling, considering writer Joe Casey stated that he planned an organic ending in #40.^{[citation needed]} Even though canceled, Stormwatch: Team Achilles's last issue never came out due to very low sales.

2004-2010[link]

In 2004, WildStorm revamped its system of sub-imprints. The company properties fell under the Wildstorm Universe imprint, the creator-owned properties fell under the WildStorm Signature Series imprint and all the licensed properties fell under the WildStorm imprint.

In the post-Eye of the Storm state, WildStorm published fewer titles centered around its Wildstorm universe titles, including Majestic, whose series grew out of his spotlight in Superman titles and Wildcats: Nemesis. In August 2006, WildStorm consolidated all its output under a single "WildStorm" label to simplify the imprint brand for consumers and retailers. In 2007, the Wildstorm universe became Earth-50 as part of the DC Multiverse.

In April 2008, it was announced by Ben Abernathy that the events of Wildstorm: Revelations, Wildstorm: Armageddon and Number of the Beast would segue into Wildstorm: World's End, a post-apocalyptic direction for the line.^[4] In July of the same year Christos Gage and Neil Googe published a new WildCats: World's End #1. There followed in August 2008 a new Authority: World's End #1 by Dan Abnett and Andy Lanning with art by Simon Coleby, Gen13 #21 by Scott Beatty with art by Mike Huddleson, and Stormwatch: PHD #13 by Ian Edginton with art by Leandro Fernández & Francisco Paronzini.

The Stormwatch: PHD title ended in November 2009. The remaining series each received another creative-team shake-up as 2010 began: February's The Authority #18 by Marc Bernardin and Adam Freeman with art by Al Barrionuevo, Wildcats #19 by Adam Beechen with art by Tim Seeley and Ryan Winn and April's Gen13 #35 by Phil Hester and art by Cruddie Torian.

WildStorm varied its publishing with licensed properties, such as A Nightmare on Elm Street, Friday the 13th, The Texas Chainsaw Massacre, World of Warcraft, The X-Files and Dante's Inferno. WildStorm has also published original graphic novels from the pens of writers Kevin J. Anderson, John Ridley and David Brin.

The imprint was shut down in December 2010, with Wildcats (vol. 5) #30 and Authority (vol. 5) #29 as its last issues, although DC Comics announced that the characters would be reappear some time in the future.^[1][5]

DC Universe revival (2011)[link]

In June 2011, DC Comics announced the relaunch of its DC Universe imprint in September 2011; the relaunch included Voodoo and Grifter solo series and a revived Stormwatch series featuring Jack Hawksmoor, Midnighter, Apollo, the Engineer, and Jenny Quantum.^[6][7][8] The Teen Titans spin-off title The Ravagers, starting in May 2012, features Caitlin Fairchild and Warblade as part of the cast,^[9][10] while WildC.A.T.s villain Helspont appeared in Superman #7 and #8 in March-April 2012^[11][12] and Grunge appeared in Superboy #8 in April 2012.^[13] Zealot appeared for the first time in DC Universe continuity in Deathstroke #9 in May 2012.^[14]

References[link]

Notes[link]

External links[link]

• Official website^{[dead link]}
• Wildstorm on Myspace
• FROM THE EDITOR'S DESK: Shannon Eric Denton, Comic Book Resources, April 15, 2009
• The Wildstorm Addiction Podcast

See also[link]

• List of WildStorm titles
• List of WildStorm reprint collections

Jim Lee
Jim Lee at the CBLDF Drink and Draw at San Diego Comic Con 2007.
Born	(1964-08-11) August 11, 1964 (age 47) Seoul, South Korea
Nationality	Korean-American
Area(s)	Writer, Artist, Publisher
Notable works	All Star Batman and Robin Batman: Hush Superman: For Tomorrow WildC.A.T.s X-Men vol. 2
Awards	Harvey Award, 1990 Inkpot Award, 1992 Wizard Fan Award, 1996, 2002, 2003

Jim Lee (Korean 이용철; born August 11, 1964) is a Korean-American comic book artist, writer, editor and publisher. He first broke into the industry in 1987 as an artist for Marvel Comics, illustrating titles such as Alpha Flight and Punisher War Journal, before gaining a great deal of popularity on The Uncanny X-Men. X-Men #1, the 1991 spinoff series premiere that Lee penciled and co-wrote with Chris Claremont, remains the best-selling comic book of all time, according to the Guinness Book of World Records.

In 1992 Lee and several other artists formed their own publishing company, Image Comics, to publish their creator-owned titles, with Lee publishing his titles through his studio, Wildstorm Productions, such as WildC.A.T.s and Gen¹³. Eschewing the role of publisher in order to return to illustration, Lee sold Wildstorm in 1998 to DC Comics, where he continued to run Wildstorm as a DC imprint until DC ended Wildstorm in 2010, as well as illustrating successful books set in DC's main fictional universe, such as the year-long "Batman: Hush" and "Superman: For Tomorrow" storylines. On February 18, 2010, Jim Lee was announced as the new Co-Publisher of DC Comics with Dan DiDio, both replacing Paul Levitz.

He has received a Harvey Award, Inkpot Award and three Wizard Fan Awards in recognition for his work.

Early life[link]

Lee was born in Seoul, South Korea, on August 11, 1964. At the age of four he and his family emigrated to the United States, and grew up in St. Louis, Missouri,^[1][2] where he lived a typical middle-class childhood.^[2] Lee's St. Louis Country Day School classmates predicted in his senior yearbook that he would found his own comic book company.^[1][2] Despite this, Lee seemed resigned to following his father's career in medicine, attending Princeton University to study psychology, with the intention of becoming a medical doctor.^[2][3]

Career[link]

Rise to fame at Marvel Comics[link]

In 1986, as he was preparing to graduate, Lee took an art class that reignited his love of drawing, and led to his rediscovery of comics at a time when seminal works such as Frank Miller's The Dark Knight Returns and Alan Moore and Dave Gibbons' Watchmen spurred a renaissance within the American comics industry.^[2] After obtaining his psychology degree,^[3] he decided to postpone his medical degree, and earned the reluctant blessing of his parents by allotting himself one year to succeed, vowing that he would attend medical school if he did not break into the comic book industry in that time. He submitted samples to various publishers, but did not find success until he met editor Archie Goodwin at a New York comic book convention. Goodwin invited Lee to Marvel Comics, where the aspiring artist received his first assignment by editor Carl Potts, who hired him to pencil the mid-list series Alpha Flight, seguéing from that title in 1989 to Punisher: War Journal.^[2][4] Lee's work on the Punisher: War Journal was inspired by artists like Frank Miller, David Ross, Kevin Nowlan, and Whilce Portacio, as well as Japanese manga.^[4]

In 1989, Lee filled in for regular illustrator Marc Silvestri on Uncanny X-Men #248 and did another guest stint on issues #256 through #258 as part of the "Acts of Vengeance" storyline, eventually becoming the series' ongoing artist with issue #267, following Silvestri's departure. During his stint on Uncanny Lee first worked with inker Scott Williams, who would become a long-time collaborator. During his run on the title, Lee co-created the character Gambit with long-time X-Men writer Chris Claremont.

Lee's artwork quickly gained popularity in the eyes of enthusiastic fans, which allowed him to gain greater creative control of the franchise. In 1991, Lee helped launch a second X-Men series simply called X-Men (volume 2), not only as the artist, but also as co-writer with Claremont. X-Men #1 (vol 2) is still the best-selling comic book of all-time with sales of over 8.1 million copies (and nearly $7 million), according to a public proclamation by the Guinness Book of World Records at the 2010 San Diego Comic-Con.^[5][6] The sales figures were generated in part by publishing the issue with five different variant covers, four of which showed different characters from the book that formed a single image when laid side by side, and a fifth, gatefold cover of that combined image, large numbers of which were purchased by retailers, who anticipated fans and speculators who would buy multiple copies in order to acquire a complete collection of the covers.^[7] Lee designed new character uniforms for the series, including those worn by Cyclops, Jean Grey, Rogue, Psylocke and Storm. He also created the villain Omega Red.

Stan Lee interviewed Jim Lee in the documentary series The Comic Book Greats.

Image Comics and WildStorm, return to Marvel[link]

Enticed by the idea of being able to exert more control over his own work, in 1992, Lee accepted the invitation to join six other artists who broke away from Marvel to form Image Comics, which would publish their creator-owned titles.^[3] Lee's group of titles was initially called Aegis Entertainment before being christened Wildstorm Productions, and published Lee's initial title WildC.A.T.s, which Lee pencilled and co-wrote, and other series created by Lee in the same shared universe. The other major series of the initial years of Wildstorm, for which Lee either created characters, co-plotted or provided art for, included Stormwatch, Deathblow and Gen¹³.

In 1993, Lee and his close friend, Valiant Comics publisher Steve Massarsky, arranged a Valiant-Image Comics crossover miniseries called Deathmate, in which the Valiant characters would interact with those of Wildstorm, and of Lee's fellow Image partner, Rob Liefeld. The miniseries would consist of four "center books", (each one denoted by a color rather than an issue number), two each produced by the respective companies, plus a prologue and epilogue book. Wildstorm produced Deathmate Black, with Lee himself contributing to the writing. He also illustrated the covers for that book, the Deathmate Tourbook and the prologue book, as well as contributing to the prologue's interior inks. The assignment was given to Valiant creators against their better judgment, in particular Editor-in-chief Bob Layton, who complained about Image's inability to meet their deadlines. Deathmate Black, in particular, came out a few months after Valiant's Blue and Yellow installments, which had come out on time, and Liefeld's Deathmate Red was so late that Layton flew to California to procure that chapter personally, and ink it himself in an Anaheim hotel room. Layton sees Deathmate's lateness as one of Valiant's "unmitigated disasters", and views that project as the beginning of the speculator collapse of the 1990s.^[8]

Wildstorm would expand its line to include other ongoing titles whose creative work was handled by other writers and artists, some of which were spinoffs of the earlier titles, or properties owned by other creators, such as Whilce Portacio's Wetworks. As publisher, Lee later also expanded his comics line creating two publishing imprints of Wildstorm, Homage and Cliffhanger (that years later merged and were replaced by a single Wildstorm Signature imprint), to publish creator-owned comics by some selected creators of the US comics industry.

Lee and Rob Liefeld, another Marvel-illustrator-turned-Image-founder, returned to Marvel in 1996 to participate in a reboot of several classic characters; the project was known as Heroes Reborn. While Liefeld reworked Captain America and The Avengers, Lee plotted Iron Man and wrote and illustrated The Fantastic Four. Halfway through the project, Lee's studio took over Liefeld's two titles, finishing all four series.

Lee returned to Wildstorm, where he would publish series such as The Authority and Planetary, as well as Alan Moore's imprint, America's Best Comics. Lee himself wrote and illustrated a 12-issue series called Divine Right: The Adventures of Max Faraday, in which an internet slacker inadvertently manages to download the secrets of the universe, and is thrown into a wild fantasy world.

Move to DC Comics[link]

Because he felt his role as publisher interfered with his role as an artist, Lee left Image Comics and sold Wildstorm to DC Comics in late 1998, enabling him to focus once again on art.^[2][3] In 2003 he collaborated on a 12-issue run on Batman with writer Jeph Loeb.^[9] "Hush" became a runaway sales success. He followed this up in 2004 by illustrating "For Tomorrow", a 12-issue story in Superman by writer Brian Azzarello, although this did not replicate the earlier success. In 2005, Lee teamed with Frank Miller on the new series All Star Batman and Robin, the Boy Wonder, a series plagued by delays. Lee himself took full responsibility for the delays, explaining that his involvement with the DC Universe Online video game were the cause, and not Miller's scripts, which had been completed for some time.^[10][11][12]

Lee continued to run Wildstorm as Editorial Director, sometimes working on both DC and Wildstorm properties simultaneously. In September 2006, Jim Lee returned to WildC.A.T.s with Grant Morrison as the writer, pencilling both WildC.A.T.s and All Star Batman and Robin, both of which were characterized by publication delays. The gap between All-Star Batman and Robin #4 and #5 was one year, and to date, only one issue of WildC.A.T.s (Vol. 4) has been published. Lee drew alternative cover art for the Infinite Crisis series.

In February 2006 it was announced that Lee would be involved with the concept art for the upcoming DC Comics MMORPG, DC Universe Online.^[3] In 2008, Lee was named the Executive Creative Director of the forthcoming game, which at that time was expected to be released in 2009.^[13]

In 2009 Lee provided artwork for the album booklet for Daughtry's 2009 album Leave This Town.

In February 2010 Lee was named alongside Dan DiDio as Co-Publisher of DC Comics.^[14][15][16] According to Lee, this does not indicate another move away from the creative side of comics, as he will not only have greater creative involvement in the entire DC line, but was to be illustrating a new monthly title, Dark Knight: Boy Wonder, a re-branded conclusion to the story he and Frank Miller began in All Star Batman and Robin the Boy Wonder.^[2][17] He also was to supply the painted art over Giuseppe Camuncoli's layouts in Batman: Europa #1, a 2011 miniseries^[18] inspired by Lee's time living in Italy,^[19] though as of June 2011, neither of these projects have materialized. DC announced they were ending the Wildstorm imprint in September 2010.^[20]

In September 2011, DC Comics instituted a program called The New 52, in which the publisher cancelled all of its superhero titles and relaunched 52 new series with #1 issues, wiping out most of the then-current continuity. Lee and writer Geoff Johns, DC Comics' Chief Creative Officer, are the architects of the relaunch, which was initiated with a new Justice League series, written and illustrated by Johns and Lee, respectively. The series' first story arc was a new origin of the Justice League, which depicted the return of DC's primary superheroes to the team.^[21]

Technique and materials[link]

Lee is known to use F lead for his pencil work.^[22][23] While inking his own pencils on Punisher: War Journal, Lee began using a crowquill nib for the first time.^[4]

In talking about the artist's work ethic, Lee has said, "Sometimes I wonder if we ever really improve as artists or if the nirvana derived from completing a piece blinds us enough to love what we have created and move on to the next piece. If we could see the work as it is, with years of reflection in the here and now, how many images would end up in the trash rather than on the racks?"^[24]

Awards[link]

• 1990 Harvey Award for Best New Talent^[25]
• 1992 Inkpot Award^[26]
• 1996 Wizard Fan Award for Favorite Penciller^[27]
• 2002 Wizard Fan Award for Favorite Penciller (For Batman)^[28]
• 2003 Wizard Fan Award for Favorite Penciller^[29]

Bibliography[link]

Lee at San Diego Comic Con 2009

Comics work (interior pencil art) includes:

DC[link]

• All-Star Batman and Robin #1-10 (2005–08)
• Coup d'état: Sleeper (Authority) (2004)
• Batman #608-619 (2002–03)
• Batman: Gotham Knights (Batman Black and White) #1 (2000)
• Flinch #1 (1999)
• Justice League #1-6, 9- (2011–Present)
• Justice League of America, vol. 4, #0 -one page only- (2006)
• Just Imagine Stan Lee with Jim Lee creating Wonder Woman (2001)
• New 52 (Free Comic Book Day) #1 (among other artists, 2012)
• 100 Bullets #26 (among other artists) (2001)
• Orion (Tales of the New Gods) #12 (2001)
• Robotech #0 (2002)
• Superman, vol. 2, #204–215 (2004–05)
• Superman/Batman #26 (2-pages, among other artists) (2006)
• Weird War Tales, one-shot (2000)

Image[link]

• Darker Image (Deathblow) #1-2 (1993)
• Deathblow (full pencils): #1-3; (along with Trevor Scott): #0 (1993–96)
• Deathmate #Black (among other artists) (1993)
• Divine Right #1–12 (1997–99)
• Gen¹³ #0, 4-7 (1994)
• Grifter/Shi, 2-part miniseries, #1 (along with Travis Charest) (1996)
• Cover to Invincible#51
• Moonlight and Ashes: Fire From Heaven, 2-part miniseries, #2 (1996)
• Savage Dragon #13 (1994)
• StormWatch #47 (1997)
• WildC.A.T.s (full pencils): #1-13; (among other artists): #32, 50 (1992–98)

Marvel[link]

• Alpha Flight #51, 53, 55-62, 64 (1987–88)
• Daredevil Annual #5 (1989)
• Fantastic Four, vol. 2, #1–6 (1996–97)
• Iron Man, vol. 2, #6 (among other artists) (1997)
• Marvel Comics Presents (Namor) #33 (1989)
• Punisher Annual #2 (1989)
• Punisher: War Journal #1–13, 17-19 (1988–89)
• Solo Avengers (Mockingbird) #1 (1987)
• Stryfe's Strike File #1 (among other artists) (1993)
• Uncanny X-Men #248, 256–258, 267–277 (1990–91)
• X-Men, vol. 2, #1–11 (1991–92)

Marvel/Image[link]

• WildC.A.T.s/X-Men: The Silver Age (1997)

References[link]

External links[link]

Wikimedia Commons has media related to: Jim Lee

• Jim Lee at the Comic Book DB
• Jim Lee on deviantART
• Jim Lee on Myspace
• Jim Lee on Twitter
• Jim Lee's channel on YouTube
• Sun of Gelatometti - A blog of multiple artists, including Jim Lee
• Audio Interview - Comic Geek Speak - April 27, 2007