Zeta-Jones, Catherine Filmography

• Side Effects (2013)
• Red 2 (2013)
• Broken City (2013)
• Rock of Ages (2012)
• Playing for Keeps (2012)
• Lay the Favorite (2012)
• The 65th Annual Tony Awards (2011)
• The 68th Annual Golden Globe Awards (2011)
• AFI Life Achievement Award: A Tribute to Mike Nichols (2010)
• The 64th Annual Tony Awards (2010)
• Hollywood Singing & Dancing: A Musical History - 1980s, 1990s and 2000s (2009)
• The Rebound (2009)
• The 81st Annual Academy Awards (2009)
• AFI Life Achievement Award: A Tribute to Michael Douglas (2009)
• Aliens in the Attic (2009)
• Almost Famous II (2009)
• Coming Out (2008)
• Ceremonia de inauguración - 56º festival internacional de cine de San Sebastián (2008)
• His Highness Hollywood (2008)
• Hollywood Singing and Dancing: A Musical History (2008)
• Hollywood Singing and Dancing: A Musical Treasure (2008)
• Oscar, que empiece el espectáculo (2008)
• Premio Donostia a Antonio Banderas (2008)
• Secrets of Body Language (2008)
• The 80th Annual Academy Awards (2008)
• Coming Out (2008)
• Cómo conseguir un papel en Hollywood (2007)
• Cómo conseguir un papel en Hollywood (2007)
• No Reservations (2007)
• Death Defying Acts (2007)
• El camino de Antonio Banderas (2006)
• Tony Bennett: An American Classic (2006)
• VH1 News Presents: Celebrity Pre-nups (2006)
• George Clooney: An American Cinematheque Tribute (2006)
• Boffo! Tinseltown's Bombs and Blockbusters (2006)
• 50 y más (2005)
• ... A Father... A Son... Once Upon a Time in Hollywood (2005)
• 101 Sexiest Celebrity Bodies (2005)
• From Stage to Screen: The History of Chicago (2005)
• Tsunami Aid: A Concert of Hope (2005)
• The Legend of Zorro (2005)
• All-Star Cup 2005 (2005)
• Take Off: Making 'The Terminal' (2004)
• A Look Inside 'Intolerable Cruelty' (2004)
• Ocean's Twelve (2004)
• The 76th Annual Academy Awards (2004)
• Steven Spielberg: The Man and His Movies (2004)
• 10th Annual Screen Actors Guild Awards (2004)
• The 61st Annual Golden Globe Awards (2004)
• Inside 'The Terminal' (2004)
• Landing: Airport Stories (2004)
• Boarding: The People of 'The Terminal' (2004)
• The Terminal (2004)
• The Making of 'Sinbad: Legend of the Seven Seas' (2003)
• Intolerable Cruelty (2003)
• Nobel Peace Prize Concert (2003)
• Sinbad: Legend of the Seven Seas (2003)
• The 100 Greatest Musicals (2003)
• The 60th Annual Golden Globe Awards (2003)
• 50 Greatest TV Animals (2003)
• The 75th Annual Academy Awards (2003)
• The Orange British Academy Film Awards (2003)
• Celebrity Naked Ambition (2003)
• Gala Paramount Pictures Celebrates 90th Anniversary with 90 Stars for 90 Years (2002)
• Chicago (2002)
• The 12th Annual Golden Laurel Awards (2001)
• The New Royals (2001)
• America's Sweethearts (2001)
• Unmasking Zorro (2001)
• The 73rd Annual Academy Awards (2001)
• The 58th Annual Golden Globe Awards (2001)
• High Fidelity (2000)
• Traffic (2000)
• The 100 Greatest TV Ads (2000)
• 2000 Blockbuster Entertainment Awards (2000)
• Inside Traffic: The Making of 'Traffic' (2000)
• The Life and Times of Kirk Douglas (2000)
• 1999 MTV Movie Awards (1999)
• The 71st Annual Academy Awards (1999)
• Saturday Night Live 25 (1999)
• The Adventures of Young Indiana Jones: Daredevils of the Desert (1999)
• The European Film Awards (1999)
• The Haunting (1999)
• The Making of 'The Haunting' (1999)
• Entrapment (1999)
• The Mask of Zorro (1998)
• Titanic (1996)
• The Phantom (1996)
• Catherine the Great (1996)
• Blue Juice (1995)
• The Return of the Native (1994)
• Splitting Heirs (1993)
• Christopher Columbus: The Discovery (1992)
• Les 1001 nuits (1990)

• Lyrics: play full screen play karaoke
• In The Arms Of Love - Catherine Zeta Jones
• Hit Me With Your Best Shot - Catherine Zeta Jones
• I Can't Do It Alone - Catherine Zeta Jones
• He's Gone - Catherine Zeta Jones
• Class (Chicago Soundtrack) With Queen Latifah - Catherine Zeta Jones
• Cell Block Tango - Catherine Zeta Jones
• And All That Jazz(Aol Music) - Catherine Zeta Jones
• All That Jazz - Catherine Zeta Jones

So you're all alone
And you're feeling the chill right down to the bone
You've lost your way
And the road that you've taken has led you astray
Oh I know you're tryin'
To be strong
But don't you be afraid to need someone
Just let me hold you
In the arms of love
Let me rock you for awhile
Let me take away the sadness
Give you back your smile
In the arms of love
There'll always be a place
Where I can give you shelter
Keep you warm and safe
In the arms of love
When the night falls hard
And you can't find the light from one friendly star
I'll reach out for you
And give you the strength you need to get through
Oh I know you're tryin'
To do it all alone
But no one ever makes it on their own
So let me hold you
In the arms of love
Let me rock you for awhile
Let me take away the sadness
Give you back your smile
In the arms of love
There'll always be a place
Where I can give you shelter
Keep you warm and safe
In the arms of love
We'll be safe
In the arms of love
Just the two of us
We'll be safe
In the arms of love
Just the two of us
Whoa...
So let me hold you
Let me hold you
In the arms of love
Let me rock you for awhile
Let me take away the sadness
Give you back your smile
In the arms of love
There'll always be a place
Where I can give you shelter
Keep you warm and safe
In the arms of love

You're a real tough cookie with a long history
Of breaking little hearts like the one in me
That's okay, let's see how you do it
Put up your dukes, let's get down to it
Hit me with your best shot
Why don't you hit me with your best shot?
Hit me with your best shot
Fire away
You come on with the come on, you don't fight fair
That's okay, see if I care
Knock me down, it's all in vain
I get right back on my feet again
Hit me with your best shot
Why don't you hit me with your best shot?
Hit me with your best shot
Fire away
Well, you're a real tough cookie with a long history
Of breaking little hearts like the one in me
Before I put another notch in my lipstick case
You better make sure you put me in my place
Hit me with your best shot, c'mon!
Hit me with your best shot
Hit me with your best shot
Fire away
Hit me with your best shot
Why don't you hit me with your best shot?
Hit me with your best shot

(announcer) Ladies and gentlemen, Miss Velma Kelley in and act--of desperation.
My sister and I had an act that couldn't flop.
My sister and I were headed straight for the top.
My sister and I earned a thou a week, at least-- oh yeah.
But my sister is now, unfortunately, deceased.
I know it's sad, of course, but a fact is still a fact:
And now all that remains
is the remains
of a perfect double act.
(spoken) Watch this.Now you have to imagine it with two people-- it's swell with two people.
First I'd--(music while she dances)
Then she'd--(music while she dances)
Then we'd--(music while she dances)
But I can't do it alone.
Then she'd--(music while she dances)
Then I'd--(music while she dances)
Then we'd--(music while she dances)
But I can't do it alone.
She'd say,"What's your sister like?"
I'd say "Man..."
She'd say "You're the cat's meow!"
Then we'd wow the crowd again
When she'd go--(music while she dances)
I'd go--(music while she dances)
We'd go--(music while she dances)
Then those ding-dong daddies started a roar!
Whistles, stomped, stamped on the floor,
yellin', screamin' begging for more--
And we'd say 'Ok fellas, keep your socks up,
'cause you ain't seen nothin' yet."
But I simply cannot do it alone!
(spoken) So what do you think, huh?
Come on, you can say it...
(Roxie blows raspberry)
(spoken) I know you're right, the first part's s**t,
but the second part--the second part is really nifty!
(sighs) Ok,
She'd go--(music while she dances)
I'd go--(music while she dances)
We'd go--(music while she dances)
And then those two-bit Johnnys dug in the ground
to cheer the best attraction in town.
[They] Nearly tore the balcony down!!
And we'd say "OK fellas, we're going home, but before we go,
here's a few more pardon shots!"
And this, this we did in perfect unison!--(music while she dances)
You see me goin' through it,
You may think there's nothin' to it,

Everybody's high on consolation
Everybody's tryin' to tell me what is right for me, yeah
My daddy tried to bore me with a sermon
But it's plain to see that they can't comfort me
Sorry Johnny for the imposition
I think I got it
I got the strength to carry on
I need a drink and a quick decision
Now it's up to me, ooh, what will be
He's gone, oh I
Oh I, I'd better learn how to face it
He's gone, oh I,
Oh I, I'd pay the devil to replace him
He's gone, oh I,
What went wrong?
Get up in the morning and look in the mirror
I'm worn as a toothbrush hangin' in the stand
My face ain't lookin' any younger
Now I can see
Love's taken its toll on me
He's gone, oh I,
Oh I, I'd better learn how to face it
He's gone oh I,
Oh I, I'd pay the devil to replace him
He's gone, oh I,
What went wrong?
Think I'll spend eternity in the city
Let the carbon and monoxide choke my thoughts away
The pretty bodies help dissolve the memories
They could never be what he was to me
He's gone, oh I,
Oh I, I'd better learn how to face it
He's gone, oh I,
Oh I, I'd pay the devil to replace him
He's gone, oh I,
What went wrong?
Whoa...
He's gone
I'd better learn how to face it
I can't believe that he's gone, oh I
He's gone
I'd better learn how to face it
I can't believe that he's gone, oh I

Catherine:
Whatever happend to fair dealing?
Pure ethics and nice manners?
Why is it that everyone now is a pain in the ass?
Whatever happend to class?
(class)
queen latifah:
Whatever happend to please may I and yes thankyou
and how charming
Now every son of a bitch
is a snake in the grass
Whatever happend to class?
(class)
Both:
ohhhh there aint no gentleman to open up the door
there aint no ladys now theres only pigs and whores
and even kids will knock you down so take a pass
nobodys got no class
C: whatever happend to old values?
QL: and fine morals
C: and good breeding
QL: Now no one even says oops when their passin
their gas.
Both: whatever happend to class?
both: (class)
Ohhh there aint no gentleman thats fit for any use
and any girl will touch your privates for a doose
QL: and even kids will kick ur shins and give u sass
(C:and even kids will kick your shins and give u sass)
nobodys got no class
C: all u read about today is rape and theft
QL: Jesus christ aint there no decency left?
Both: Nobodys got no class
QL: every guy is a snot.
C: every girl is a twat
QL: Holy SH*t
C: Holy SH*t
QL: Watta shame
C: Watta shame

[LIZ]
[ANNIE]
[JUNE]
Squish
[HUNYAK]
Uh uh
[VELMA]
Cicero
[MONA]
Lipschitz!
[LIZ]
[ANNIE]
[JUNE]
Squish
[HUNYAK]
Uh uh
[VELMA]
Cicero
[MONA]
Lipschitz!
[LIZ]
[ANNIE]
[JUNE]
Squish
[HUNYAK]
Uh uh
[VELMA]
Cicero
[MONA]
Lipschitz!
[LIZ]
[ANNIE]
[JUNE]
Squish
[HUNYAK]
Uh uh
[VELMA]
Cicero
[MONA]
Lipschitz!
[ALL]
He had it coming
He had it coming
He only had himself to blame
If you'd have been there
If you'd have seen it
[VELMA]
I betcha you would have done the same!
[LIZ]
[ANNIE]
[JUNE]
Squish
[HUNYAK]
Uh uh
[VELMA]
Cicero
[MONA]
Lipschitz!(x2)
[LIZ (Spoken)]
You know how people
have these little habits
That get you down. Like Bernie.
Bernie like to chew gum.
No, not chew. POP.
Well, I came home this one day
And I am really irritated, and
looking for a little sympathy
and there'e Bernie layin'
on the couch, drinkin' a beer
and chewin'. No, not chewin'.
Poppin'. So, I said to him,
I said, "Bernie, you pop that
gum one more time..."
and he did.
So I took the shotgun off the wall
and I fired two warning shots...
...into his head.
[GIRLS]
He had it coming
He had it coming
He only had himself to blame
If you'd have been there
If you'd have heard it
I betcha you would
Have done the same!
[ANNIE (Spoken)]
I met Ezekiel Young from
Salt Lake city about two years ago
and he told me he was single
and we hit it off right away.
So, we started living together.
He'd go to work, he'd come home, I'd
mix him a drink, We'd have dinner.
Well, it was like heaven in
two and a half rooms.
And then I found out,
"Single" he told me?
Single, my ass. Not only
was he married
...oh, no, he had six wives.
One of those Mormons, you know. So that
night, when he came home, I mixed him
his drink as usual.
You know, some guys just can't hold
their arsenic.
[LIZ,ANNIE,JUNE,MONA]
Hah! He had it coming
He had it coming
He took a flower
In its prime
And then he used it
And he abused it
It was a murder
But not a crime!
[VELMA AND HUNYAK]
Pop, six, squish, uh-uh
Cicero, Lipschitz
[JUNE (Spoken)]
Now, I'm standing in the kitchen
carvin' up the chicken for dinner,
minding my own business,
and in storms my husband Wilbur,
in a jealous rage.
"You been screwin' the milkman,"
he says. He was crazy
and he kept screamin',
"you been screwin the milkman."
And then he ran into my knife.
He ran into my knife ten times!
[ALL]
If you'd have been there
If you'd have seen it
I betcha you would have done the same!
[HUNYAK (Spoken)]
Mit keresek, én itt? Azt mondják,
hogy a híres lakem lefogta a férjemet én meg
lecsaptam a fejét. De nem igaz, én ártatlan
vagyok. Nem tudom miért mondja
Uncle Sam, hogy én tettem. Probáltam
a rendõrségen megmagyarázni de nem értették meg...
[JUNE (Spoken)]
Yeah, but di you do it?
[HUNYAK]
UH UH, not guilty!
[VELMA]
My sister, Veronica and
I did this double act
and my husband, Charlie,
used to travel round with us.
Now, for the last number in
our act, we did these 20 acrobatic
one two three four,five...splits, spread eagles,
back flips,flip flops,
one right after the other.
Well, this one night we were in Cicero,
the three of us, sittin' up
in a hotel room, boozin' and
havin' a few laughs and
we ran out of ice.
So I went out to get some.
I come back, open the door
and there's Veronica and
Charlie doing Number Seventeen-
the spread eagle.
Well, I was in such a state of shock,
I completely blacked out.I can't remember a thing.
It wasn't until later,
when I was washing the blood off my hands
I even knew they were dead.
They had it coming
They had it coming
They had it coming all along
I didn't do it
But if I'd done it
How could you tell me that I was wrong?
[VELMA]
They had it coming
[GIRLS]
They had it coming
[VELMA]
They had it coming
[GIRLS]
They had it coming
[VELMA]
They had it coming
[GIRLS]
They took a flower
[VELMA]
All along
[GIRLS]
In its prime
[VELMA]
I didn't do it
[GIRLS]
And then they used it
[VELMA]
But if I'd done it
[GIRLS]
And they abused it
[VELMA]
How could you tell me
[GIRLS]
It was a murder
[VELMA]
That I was wrong?
[GIRLS]
But not a crime!
[MONA]
I loved Alvin Lipschitz
more than I can possibly say.
He was a real artistic guy...
sensitive... a painter.
But he was troubled.
He was always trying
to find himself.
He'd go out every night
looking for himself
and on the way
he found Ruth,
Gladys,
Rosemary and Irving.
I guess you can say we broke
up because or artistic differences.
He saw himself as alive
and I saw him dead.
[ALL]
The dirty bum, bum, bum, bum, bum
The dirty bum, bum, bum, bum, bum
[LIZ,ANNIE,MONA]
They had it comin'
[VELMA,JUNE,HUNYAK]
They had it comin'
[LIZ,ANNIE,MONA]
They had it comin'
[VELMA,JUNE,HUNYAK]
They had it comin'
[LIZ,ANNIE,MONA]
They had it comin'
[VELMA,JUNE,HUNYAK]
They had it comin'
[LIZ,ANNIE,MONA]
All along
[VELMA,JUNE,HUNYAK]
All along
'Cause if they used us
'Cause if they used us And they abused us
And they abused us
[LIZ,ANNIE,MONA]
How could you tell us
[VELMA,JUNE,HUNYAK]
How could you tell us That we were wrong?
That we were wrong?
He had it coming
He had it coming
He only had
Himself
To blame.
If you'd have been there
If you'd have seen it
I betcha
You would
Have done
The same!
[LIZ (Spoken)]
You pop that gum one more time!
[ANNIE (spoken)]
Single my ass.
[JUNE (Spoken)]
Ten times!
[HUNYAK (Spoken)]
Miert csukott Uncle Same bortonbe.
[VELMA (Spoken)]
Number seventeen-the spread eagle.
[MONA (Spoken)]
Artistic differences.
[ALL]

5-6-7-8!
Come on babe, why dont we paint the town?
And all that jazz
I'm gonna rouge my knees and roll my stockings down
And all that jazz
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
It's just a noisy hall
Where there's a nightly brawl
And all...that...jazz!
Slick your hair and wear your buckle shoes
And all that jazz
I hear that father dip is gonna blow the blues
And all that jazz!
Hold on hun we're gonna bunny hug
I bought some aspirin down at United Drug
In case you shake apart and want a brand new start
To do...that...jazz!
Find a flask we're playing fast and loose
And all that jazz
Right up here is where I store the juice
And all that jazz
Come on babe we're gonna brush the sky
I betcha lucky Lindy never flew so high
'Cause in the stratosphere how could we lend an ear
To all that jazz!
Oh, you're gonna see your sheba shimmy shake
And all that jazz
Oh, she's gonna shimmy til her garters break
And all that jazz
Show her where to park her girdle
Oh, her mother's blood will curdle
If she'd hear her baby's queer
For all...that..jazz!
Come on babe why dont we paint the town
And all that jazz
I'm gonna rouge my knees and roll my stockings down
And all that jazz
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
Its just a noisy hall
Where there's a nightly brawl
And all that jazz!
No, i'm no one's wife
But, Oh i love my life
And all that jazz!

Come on babe, why don't we paint the town?
And all that jazz
I'm gonna rouge my knees and roll my stockings down
And all that jazz
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
It's just a noisy hall, where there's a nightly brawl
And all that jazz
Slick your hair and wear your buckle shoes
And all that jazz
I hear that Father Dip is gonna blow the blues
And all that jazz
Hold on, hon
We're gonna bunny hug
I bought some aspirin, down at United Drug
I case you shake apart
And want a brand new start
To do that jazz
Skidoo!
And all that jazz
Hotcha!
Whoopee!
And all that jazz
Ha! Ha! Ha!
It's just a noisy hall where there's a nightly brawl
And all that jazz
Find a flask, we're playing fast and loose
And all that jazz
Right up here is where I store the juice
And all that jazz
Come on, babe
We're gonna brush the sky
I bet you luck Lindy, never flew so high
'Cause in the stratosphere
How could he lend an ear
To all that jazz?
Oh, you're gonna see your sheba shimmy shake
And all that jazz
Oh, she's gonna shimmy 'till her garters break
And all that jazz
Show her where to park her girdle
Oh, her mother's blood'd curdle
If she'd hear her baby's queer
For all that jazz
And all that jazz
Come on, babe
Why don't we paint
The town?

Famous quotes by Catherine Zeta Jones:

"I used to go around looking as frumpy as possible because it was inconceivable you could be attractive as well as be smart. It wasn't until I started being myself, the way I like to turn out to meet people, that I started to get any work."

"I'd love to do a show in Vegas with drag queens. The tackier the better."

"I love my lawyer. I have to say that of course!"

"There are a lot of women who live with pot-bellied pigs."

"In Wales it's brilliant. I go to the pub and see everybody who I went to school with. And everybody goes 'So what you doing now?' And I go, 'Oh, I'm doing a film with Antonio Banderas and Anthony Hopkins.' And they go, 'Ooh, good.' And that's it."

"I think, especially in our business we meet a lot of people, and sometimes you spend so much time being nice to strangers, and so, you know, keeping a clear head and just being nice to each other. And that's all the advice I can give."

"I like women who look like women. I hated grunge. No one's more feminist than me, but you don't have to look as if you don't give a - you know. You can be smart, bright, and attractive aesthetically to others - and to yourself."

"Everyone knows we get paid a lot of money, so why pretend otherwise?"

"After Zorro, people spoke Spanish to me for ages. I'm Welsh but that movie instantly gave me a new ethnicity."

"For marriage to be a success, every woman and every man should have her and his own bathroom. The end."

"In Hollywood everything is so documented. If you go for a drink with somebody, it's passed around the world so quickly."

"I was like any new bride, who said, 'I'm going to cook for my man.' In fact, once I started a small kitchen fire in a pan. Smoke was pouring from the pan, and I got really scared. Right next to our stove is a small fire extinguisher. You know, easy access."

"I like to feel sexy. I know my husband thinks I'm sexy. I think he is too. But I don't go out half-naked with 'sex' written across my back."

"I used to go around looking as frumpy as possible because it was inconceivable you could be attractive as well as be smart. It wasn't until I started being myself, the way I like to turn out to meet people that I started to get any work."

"Yes, I was in love with my husband at first sight and still am. We have the most solid relationship."

"When I first met Sean Connery he was as charming and wonderful as I first anticipated. I left Rome thinking: even if I don't do this, at least I have had a day with Sean."