Heron Island, Australia

A cay ( /ˈkiː/ or /ˈkeɪ/), also spelled caye or key, is a small, low-elevation, sandy island formed on the surface of a coral reef. Cays occur in tropical environments throughout the Pacific, Atlantic and Indian Oceans (including in the Caribbean and on the Great Barrier Reef and Belize Barrier Reef), where they provide habitable and agricultural land for hundreds of thousands of people. Their surrounding reef ecosystems also provide food and building materials for island inhabitants.

Formation and composition[link]

Cay sand under a microscope

A cay is formed when ocean currents transport loose sediment across the surface of a reef to a depositional node, where the current slows or converges with another current, releasing its sediment load. Gradually, layers of deposited sediment build up on the reef surface (Hopley 1981, Gorlay 1998). Such nodes occur in windward or leeward areas of reef surfaces and sometimes occur around an emergent outcrop of old reef or beach rock.

The island resulting from sediment accumulation is made up almost entirely of biogenic sediment – the skeletal remains of plants and animals – from the surrounding reef ecosystems (Hopley 1982). If the accumulated sediments are predominantly sand, then the island is called a cay; if they are predominantly gravel, the island is called a motu.

Cay sediments are largely composed of calcium carbonate (CaCO₃), primarily of aragonite, calcite, and high magnesium calcite. They are produced by myriad plants (e.g., coralline algae, species of the green algae Halimeda) and animals (e.g., coral, molluscs, foraminifera). Small amounts of silicate sediment are also contributed by sponges and other creatures (Chave 1964, Folk and Robles 1964, Scoffin 1987, Yamano 2000). Over time, soil and vegetation may develop on a cay surface, assisted by the deposition of sea bird guano.

Development and stability[link]

A range of physical, biological and chemical influences determines the ongoing development or erosion of cay environments. These influences include: the extent of reef surface sand accumulations, changes in ocean waves, currents, tides, sea levels and weather conditions, the shape of the underlying reef, the types and abundance of carbonate producing biota and other organisms such as binders, bioeroders and bioturbators (creatures which bind, erode and mix sediments) living in surrounding reef ecosystems (Harney and Fletcher 2003, Hart and Kench 2007).

Significant changes in cays and their surrounding ecosystems can result from natural phenomena such as severe El Niño Southern Oscillation (ENSO) cycles. Also, tropical cyclones can help build or destroy these islands (Scoffin 1993, Woodroffe 2003).

There is much debate and concern over the future stability of cays in the face of growing human populations and pressures on reef ecosystems, and predicted climate changes and sea level rise (Kench and Cowell 2003, Hart 2003). There is also debate around whether these islands are relict features which effectively stopped expanding two thousand years ago during the late Holocene or, as recent research suggests, they are currently still growing with significant new additions of reef sediments (Woodroffe et al. 2007).

Understanding the potential for change in the sediment sources and supply of cay beaches with environmental change is an important key to predicting their present and future stability. Despite, or perhaps because of all the debate around the future of cays, there is consensus that these island environments are very complex and somewhat fragile.

Examples[link]

Warraber Island, Torres Strait

Examples of cays include:

• Heron Island, a coral cay on the southern Great Barrier Reef
• Warraber Island in central Torres Strait (10°12' S, 142°49' E), Australia, a small ‘vegetated sand cay’ according to the classification schemes of McLean and Stoddart (1978) and Hopley (1982). Approximately 750 by 1500 m wide, this island is situated on the leeward surface of a large 11 km² emergent reef platform. This cay and the surrounding reef flat are Holocene in origin, having formed over an antecedent Pleistocene platform (Woodroffe et al. 2000).
• The Florida Keys are composed primarily of exposed ancient coral reefs and oolite beds formed behind reefs. A few of the Florida Keys, such as Sand Key, are "cays" as defined above.
• Tobacco Caye, Dangriga, Belize
• Prickly Pear Cays

See also[link]

• Quay
• Archipelago

References[link]

v t e Corals and coral reefs Stony corals Scleractinia Blue coral Brain coral Elkhorn coral Hermatypic coral Pillar coral Staghorn coral Table coral Soft corals Alcyonacea Black coral Bamboo coral Organ pipe coral Sea fans Sea pens Coral reefs Atoll reef Cay Fringing reef Microatoll Coral reef fish Census of Coral Reefs The Structure and Distribution of Coral Reefs Coral regions Deep-water coral Andros, Bahamas Belize Barrier Reef Coral Sea Islands Coral Triangle Florida Keys National Marine Sanctuary Great Barrier Reef Maldives Mesoamerican Barrier Reef System New Caledonia Barrier Reef Pulley Ridge Raja Ampat Islands Red Sea Southeast Asian coral reefs Coral diseases Coral bleaching Black band disease Skeletal eroding band White band disease White pox disease Protection Coral reef protection Project AWARE Reef Check Reef Ball Coral Reef Alliance International Society for Reef Studies Other Artificial reef Coral aquaculture Coral dermatitis Coral (precious) Coral rag Coral reef organizations Coral sand Coralline algae Human impact Fire coral Reef resilience Rugosa (extinct) Tabulate (extinct) Zooxanthella

Coordinates: 10°12′S 142°49′E / 10.2°S 142.817°E / -10.2; 142.817

Manu Chao
Manu Chao performing at the 2007 Coachella Valley Music and Arts Festival
Background information
Birth name	José-Manuel Thomas Arthur Chao Ortega
Also known as	Oscar Tramor
Born	(1961-06-21) June 21, 1961 (age 51) Paris, France
Genres	Alternative rock, ska, punk, reggae, Latin Alternative, salsa
Occupations	Musician, record producer
Instruments	Vocals, guitar, bass, keyboard
Years active	1984–present
Labels	Nacional Records (U.S.) Because Music (France) Virgin Records
Associated acts	Mano Negra Radio Bemba Sound System
Website	www.manuchao.net

Manu Chao (born José-Manuel Thomas Arthur Chao on June 21, 1961), is a French singer of Spanish roots (Basque and Galician). He sings in French, Spanish, English, Italian, Galician, Arabic and Portuguese and occasionally in other languages. Chao began his musical career in Paris, busking and playing with groups such as Hot Pants and Los Carayos, which combined a variety of languages and musical styles. With friends and his brother Antoine Chao, he founded the band Mano Negra in 1987, achieving considerable success, particularly in Europe. He became a solo artist after its breakup in 1995, and since then tours regularly with his live band, Radio Bemba.

Early life[link]

Chao was born to Spanish parents. His mother, Felisa Ortega, is from Bilbao, Basque country and his father, writer and journalist Ramón Chao, is from Vilalba, Galicia. They emigrated to Paris to avoid Francisco Franco's dictatorship—Manu's grandfather had been sentenced to death.^[1] Shortly after Manu's birth, the Chao family moved to the outskirts of Paris, and Manu spent most of his childhood in Boulogne-Billancourt and Sèvres. As he grew up he was surrounded by many artists and intellectuals, most of whom were acquaintances of his father.^[2] Chao cites much of his childhood experience as inspiration for some songs.^[3]

Career[link]

Manu Chao performs live

Early years and Mano Negra[link]

Heavily influenced by the UK rock scene, particularly The Clash, The Jam and Dr. Feelgood,^[4] Chao and other musicians formed the Spanish/English rockabilly group Hot Pants in the mid-1980s. The group released a demo entitled "Mala Vida" in 1984, which received plenty of local critical praise but otherwise gained them little attention. By the time the group released their first album in 1986 the Parisian alternative music scene had taken flight, and Manu, his brother Antoine Chao, and friends such as Alain from Les Wampas formed Los Carayos to incorporate this sound with the rockabilly and punk styles of Hot Pants. Los Carayos remained a side project of the artists for eight years, releasing three albums in the first two years followed by a final album in 1994.

In 1987, the Chao brothers and their cousin Santiago Casariego founded the multiracial band Mano Negra. Starting on a smaller label, the group released a reworked version of the Hot Pants single "Mala Vida", which quickly became a hit in France. The group soon moved to Virgin Records, and their first album Patchanka was released the following year. Though the group never gained much fame in the English-speaking market, popularity throughout the rest of the world soon followed, reaching the Top #5 in the Netherlands, Italy and Germany. The band achieved some fame in South America with 1992's Cargo Tour, where it played a series of shows in port cities, performing from a stage built into their tour ship's hold.^[5] Mano Negra also performed a tour through much of Colombia in a retired train, the "Ice Express".^[1] Still, rifts began to grow among band members during the port tour and the following year's train tour; many band members, including Manu's brother Antoine, had left the group by the end of 1994. Following that year's release of their final album, Casa Babylon, Manu Chao moved the band to Madrid, but legal problems with former band mates led Chao to disband the group in 1995.^[2]

Mano Negra's sound is mostly characterized by energetic, lively rhythms, symbolized by the title of their first album, Patchanka, derived from the word pachanga (which is a colloquial term for "party"), and a distinct informality which allows the audience to get involved and feel close to their sound. Mixed music genres are present throughout their albums. Manu Chao is friends with Gogol Bordello and that group has covered Mano Negra's song "Mala Vida" on their own and with Chao beginning in 2006.

Solo years with Radio Bemba[link]

Manu Chao in Prospect Park, Brooklyn, June 2007

After arriving in Madrid, Chao and other band mates from Mano Negra formed a new group, Radio Bemba Sound System (named for the communication system used in the Sierra Maestra by the Castro-and-Guevara-led rebels in the Cuban Revolution), featuring groups from diverse backgrounds, such as Mexican Tijuana No!, Brazilian Skank, and Argentinian Todos Tus Muertos.^[2] The goal was to replicate the sound of street music and bar scenes from a variety of cultures; to that end, Chao and the group spent several years travelling throughout South and Central America, recording new music as they went.^[6] The resulting music differed drastically from Mano Negra; the songs were primarily sung in Spanish with far fewer French tracks and the musical style had shifted from punk and alternative styles to the street vibe Chao was aiming for. The songs were collectively released as Clandestino in 1998, under Manu Chao's own name. Though not an instant success, the album gained a steady following in France with hits such as "Bongo Bong" and "Clandestino", and the album eventually earned the Best World Music Album award in 1999's Victoires de la Musique awards. It sold in excess of 5 million copies.^[1]

Chao's second album with Radio Bemba Sound System, Próxima Estación: Esperanza, was released in 2001. This album, named after one of the Madrid metro station stops (the title translates to "next station: Hope"), features similar sounds to Clandestino but with heavier Caribbean influences than the previous album. The album was an instant hit, leading to a successful tour that resulted in the 2002 live album Radio Bemba Sound System. Two years later, Chao returned to his French roots with the French-only album Sibérie m'était contée, which included a large book featuring lyrics to the album and illustrations by Jacek Woźniak.^[1][2]

Manu Chao's next album La Radiolina (literally "little radio" in Italian, but also "pocket radio") was released on September 17, 2007. This was the first international release since 2001's Próxima Estación: Esperanza. "Rainin in Paradize" was the first single from the album, available for download on his website before the release of the album.^[7] Concert reviews indicate that music from La Radiolina was already being performed live as early as April 2007's Coachella show.^[8]

Other works[link]

In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche à Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at #8. Writer Josh Tyrangiel observed,

Chao's warm singing over José Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple.^[9]

His song "La Vida Tómbola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica.^[4] Manu Chao and Tonino Carotone performed the theme song "La Trampa" for the short-lived improvisational comedy Drew Carey's Green Screen Show.

The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox.^[10][11]

Style and influences[link]

Manu Chao sings in Spanish, French, English, Portuguese, Galician, Arabic and Wolof,^[12] often mixing several languages in the same song. His music has many influences, as punk, rock, French chanson, Iberoamerican salsa, reggae, ska, and Algerian raï. These influences were obtained from immigrants in France, his Iberian connections, and foremost his travels in Mesoamerica as a nomad following the disbanding of Mano Negra.

Many of Chao's lyrics talk about immigration, love, living in ghettos and drugs and often carry a left-wing message. This reflects Chao's own political leanings—he is very close to the Zapatistas and their public spokesman, Subcomandante Marcos.^[1] His band Mano Negra is possibly a reference to an anarchist group. He has many followers among the European left, the Latin American left and the anti-globalisation and anti-free trade movements.^[13] He is also a founding member of ATTAC.^[14] Punk and reggae historian Vivien Goldman commented of his work, "I was writing about Good Charlotte and The Police. They adopted the trappings of punk. They aren’t bad groups, but the punk aspect is more manifested by somebody like Manu Chao. He's one of the punkiest artists out there I can think of. It's an inclusionary spirit that is punk."^[15]

Manu Chao performs in Paris, France

Chao also has a tendency to reuse music or lyrics from previous songs to form new songs. The contemporary hit single in France "Bongo Bong", takes its lyrics from the earlier Mano Negra hit "King of the Bongo", which bears a similar style to that of The Clash. The musical backdrop for "Bongo Bong", in turn, was used in several other Chao songs, including "Je Ne T'Aime Plus" from the same album and "Mr. Bobby" and "Homens" from Próxima Estación: Esperanza. Also, the tune of "La Primavera", a track from that same album, is used in several other songs featured on the LP, while lyrics for a few songs on Sibérie m'était contée are repeated several times with different music, leading the lyrics to be interpreted in various ways depending on the mood of the track. Several musical themes and clips from that album also appear on Amadou & Mariam's Chao-produced Dimanche à Bamako, which were being produced at approximately the same time.

Though Chao is quite well known in Europe and Latin America, he has not had the same success in the English-speaking world. Tours in the United States with Mano Negra were not as successful as elsewhere and Chao seems inclined to focus his efforts in the places where his musical style finds its roots. Though his live performances in the U.S. are infrequent, Chao played a handful of dates there in 2006, including a headlining show at Lollapalooza 2006 in Chicago, IL.^[16] His final appearance on his 2006 U.S. tour was a benefit concert in the Prospect Park Bandshell in Brooklyn, New York on August 7. He returned to that venue in the summer of 2007 for two concerts, part of the multicultural "Celebrate Brooklyn" concert series. The crowd was treated to a nearly two-hour performance, including two encores. Manu Chao also appeared at Merriweather Post Pavilion in Columbia, Maryland to a sellout crowd on June 23, 2007. This was a semi-spontaneous endeavour between Thievery Corporation and Manu Chao facilitated by a new-found friendship developed during Lollapalooza 2006.^[16] He was one of the headlining acts at the 2008 Austin City Limits Music Festival and the Outside Lands Music Festival in Golden Gate Park. In January 2012 he was the headline act at the opening night of Sydney Festival, marking his first concert in Australia.

Discography[link]

	"Mr. Bobby" noicon A 23 second sample of "Mr. Bobby", the last single from Próxima Estación: Esperanza. The song uses samples from diverse sources and several instruments layered on top of each other.
Problems listening to this file? See media help.

With Mano Negra[link]

• Patchanka (Virgin France, 1988)
• Puta's Fever (Virgin France, 1989)
• King of Bongo (Virgin France, 1991)
• In the Hell of Patchinko (Live in Japan, Virgin France, 1992)
• Casa Babylon (Virgin France, 1994)

Solo[link]

• Clandestino (Virgin, 1998)
• Próxima Estación: Esperanza (Virgin, 2001)
• Radio Bemba Sound System (live, Virgin, 2002)
• Sibérie m'était contée (Virgin, 2004)
• La Radiolina (Because/Nacional, 2007)
• Estación México (Live in Mexico, 2008, limited release)
• Baionarena (Double live CD + DVD), 2009

DVD[link]

• Babylonia en Guagua (2002)
• Mano Negra: Out of time (2005)
• Manu Chao & radiobemba:baionarena" (2009)

References[link]

Further reading[link]

• Chao, Ramón. Mano Negra en Colombia. Un tren de hielo y fuego (originally Un train de glace et de feu), 1994. A chronicle of Mano Negra's 1993 tour on Colombia's decrepit railway through small, rural villages, written by Manu's father, Ramón Chao. The name of the train, Expresso de Hielo, was inspired by the opening line of Gabriel García Márquez's novel One Hundred Years of Solitude.
• Chao, Ramón. The Train of Ice and Fire - Mano Negra in Colombia - (ISBN 9781901927375) Translated by Ann Wright, published in English by Route Route's Website

External links[link]

Wikimedia Commons has media related to: Manu Chao

• Official Site
• Manu Chao: I’d Like to Come Back Soon by the Cuban News Agency

Daddy Yankee
Background information
Birth name	Ramón Ayala
Also known as	Winchester 30-30 El Cangri El Jefe The Big Boss DY El Máximo Lider
Born	(1977-02-03) February 3, 1977 (age 35)
Origin	San Juan, Puerto Rico
Genres	Reggaeton, Latin rap, hip-hop
Years active	1992–present
Labels	El Cartel, Interscope, Sony Music Latin
Website	daddyyankee.com

Ramón Luis Ayala Rodríguez (born February 3, 1977), known artistically as Daddy Yankee, is a Latin Grammy Award-winning Puerto Rican reggaeton recording artist. Ayala was born in Río Piedras, the largest district of San Juan, where he became interested in music at a young age. In his youth he was interested in baseball, and aspired to become a Major League Baseball player. He was unable to continue this sport when he received an injury to one of his legs, leaving him unable to walk correctly. He then became involved in the underground rap movement that was in its early stages in Puerto Rico, later to be called reggaeton. After receiving lessons from several artists within the genre, he developed an independent career, first recording in a production titled Playero 37. After this he began to produce independent albums. His first solo album was No Mercy. He subsequently formed a duo with Nicky Jam, and then continued his solo career with the releases of El Cartel and El Cartel II. This led him be one of many pioneers of the reggaeton genre earning him the nickname "El Cangri".

In 2002 El Cangri.com became Ayala's first album with international success, receiving coverage in the markets of New York and Miami. Barrio Fino was released in 2004, and the album received numerous awards, including Lo Nuestro Awards and a Latin Billboard, as well as receiving nominations for the Latin Grammy and MTV Video Music Awards. Barrio Fino performed well in the sales charts of the United States, Latin America, Europe, and Japan. On June 5, 2007, El Cartel Records released El Cartel: The Big Boss, which was ranked as the top-selling album in Latin music genres in 2007. He promoted the album with an international tour which began in the United States and continued through Latin America, breaking attendance records in Ecuador and Bolivia.

His performances have appeared on more than 70 albums, including compilations such as Mas Flow 2 and Blin Blin Vol. 1. Outside of his work as a musician, Ayala has also worked as an actor and producer. Throughout his career, he has been generally reluctant to discuss his personal life, but has publicly expressed the importance of his wife and children to him.

Following the incident, he became interested in the underground movement, which at the time was in an early organizational stage.^[1] He also took more interest in the events that took place in the neighborhood in which he was raised, a public housing project named Villa Kennedy.^[2] Early in his career he attempted to imitate the style of Vico C. He went on to emulate other artists in the genre, including DJ Playero, DJ Nelson, and DJ Goldy, taking elements from their styles in order to develop an original style.^[1] In doing so, he eventually abandoned the traditional model of rap and became one of the first artists to perform reggaeton.^[1] Ayala first recorded with DJ Playero as a featured artist in a production titled Playero 37, which was released in 1992.^[2]

Musical career[link]

Independent productions[link]

His first album, titled No Mercy, was produced in 1995 when Ayala was eighteen years old.^[2] The production did not sell well, and he continued his work within the genre for the rest of the decade, eventually forming a duo with Nicky Jam. One of the duo's songs, "Posición", was included in the soundtrack of One Tough Cop, a movie directed by Bruno Barreto, that was released in 1998. Beginning in 2000, Ayala began concentrating more on his solo career, releasing albums produced outside studios. The first production he released was titled El Cartel, featuring elements of the mixtape style.^[2] In 2001 El Cartel II was released, a direct sequel to the previous production, and influenced by similar genres.

In 2005 El Cangri.com was released, and became the first album in Ayala's career to sell well outside Puerto Rico, mostly in the United States.^[2] The album was produced by VI Music, an independent recording studio in Puerto Rico, and was not supported by a major label.^[2] The most successful single from the album was "Latigazo", which received significant play on radio stations in New York and Miami.^[2] The album reached #43 on Billboard's Top Latin Albums chart.^[2] Following the release of this disc, Ayala performed at the Roberto Clemente Coliseum before 12,000 fans.^[3] The following year VI Music produced Los Homerun-es.^[2] The album became the leader in sales in Puerto Rico during a year in which several other reggaeton artists released significant productions, including Luny Tune's Mas Flow, Don Omar's The Last Don, and Tego Calderón's El Abayarde.^[2] The album's success helped Ayala receive the publicity required for a crossover to the United States market, and marked the last album he released with VI music before signing a contract with Universal

2004–2005[link]

Ayala's next album, Barrio Fino, was produced by Luny Tunes and released in July 2004 by El Cartel Records and VI Music. It was the most highly anticipated album in the reggaeton community.^[4] Ayala had enjoyed Salsa music since he was young, and this led him to include music of genres besides reggaeton in the album.^[4] The most prominent of these cross-genre singles was "Melao", in which he performed with Andy Montañez.^[4] The album was described as his most complete, and with it he intended to introduce combinations of reggaeton and other genres to the English-speaking market.^[4] Barrio Fino was followed up by an international tour with performances in numerous countries including the Dominican Republic, Ecuador, Mexico, Panama, Peru, Honduras, Spain, Colombia, Argentina, Venezuela, and the United States.^[4] The album has sold over 500,000 copies in the United States alone and has sold well throughout Latin America and worldwide.^[5]

In 2005 Ayala won several international awards, making him one of the most recognized reggaeton artists within the music industry.^[6] The first award of the year was Lo Nuestro Awards within the "Latin music" category, which he received for Barrio Fino.^[6] In this event he performed "Gasolina" in a performance that was described as "innovative".^[6] Barrio Fino also won the "Reggaeton Album of the Year" award in the Latin Billboard that took place on April 28, 2005,^[6] where he performed a mix of three of his songs in a duo with P. Diddy. The album was promoted throughout Latin America, the United States, and Europe, reaching certified gold in Japan. Due to the album's success, Ayala received promotional contracts with radio stations and soda companies, including Pepsi.^[7] His single "Gasolina" received the majority of votes cast for the second edition of Premios Juventud, in which it received eight nominations and won seven awards.^[6] Ayala also made a live presentation during the award ceremony. "Gasolina" received nominations in the Latin Grammy and MTV Video Music Awards.^[6]

The successful single, "Gasolina", was covered by artists from different music genres. This led to a controversy when Los Lagos, a Mexican banda group, did a cover with the original beat but changed the song's lyrics.^[8] The group's label had solicited the copyright permission to perform the single and translate it to a different music style, but did not receive consent to change the lyrics; legal action followed.^[8] Speaking for the artist, Ayala's lawyer stated that having his songs covered was an "honor, but it must be done the right way."^[8]

2006–present[link]

On April 30, 2006, Ayala was named one of the 100 most influential people by Time magazine, which cited the 2 million copies of Barrio Fino sold, Ayala's $20 million contract with Interscope Records, and his Pepsi endorsement.^[9] During this period, Ayala and William Omar Landrón (more commonly known by his artistic name Don Omar) were involved in a rivalry within the genre, dubbed "tiraera". The rivalry received significant press coverage despite being denied early on by both artists. It originated with a lyrical conflict between the artists begun by Ayala's comments in a remix single, where he criticized Landron's common usage of the nickname "King of Kings".^[10] Don Omar responded to this in a song titled "Ahora Son Mejor", part of his album Los Rompediscotecas.^[10]

El Cartel: The Big Boss was released by Interscope on June 5, 2007. Ayala stated that the album marked a return to his hip-hop roots as opposed to being considered a strictly reggaeton album.^[11] The album was produced in 2006, and included the participation of will.i.am, Scott Storch, Tainy Tunes, Neli, and personnel from Ayala's label. Singles were produced with Héctor Delgado, Fergie, Nicole Scherzinger and Akon.^[11] The first single from the album was titled "Impacto", and was released prior to the completion of the album. The album was promoted by a tour throughout the United States, which continued throughout Latin America.^[11] He performed in Mexico, first in Monterrey, where 10,000 attended the concert, and later at San Luis Potosí coliseum, where the concert sold out, leaving hundreds of fans outside the building.^[12] Ayala performed in Chile as well, and established a record for attendance in Ecuador.^[13] He also performed in Bolivia, setting another record when 50,000 fans attended his Santa Cruz de la Sierra concert.^[13] This show was later described as "the best show with the biggest attendance in history" and as "somehappy that his album had sold more than those of Juan Luis Guerra and Juanes, and that this was an "official proof that reggaeton's principal exponent defeated the rest of the genres".^[14] Ayala made a guest appearance in an album titled "Caribbean he loved the color reed|Inner Circle]], Bounty Killer, Elephant Man and Wayne Wonder.^[15] In July 2008, Ayala announced that as part of his work, he would produce a cover version of Thalía's song, Ten Paciencia.^[16] Prior to the album's release, Ayala scheduled several activities, including an in-store contract signing.^[17] On February 27, 2009, he performed at the Viña del Mar International Song Festival in Chile.^[18] In this event, the artists receive awards based on the public's reaction. After performing "Rompe", "Llamado de emergencia", "Tú me dejaste caer", "Gasolina", "Limpia parabrisas" and "Lo que pasó, pasó" over the course of two hours, Ayala received the "Silver Torch", "Gold Torch" and "Silver Seagull" recognitions.^[18] On April 24, 2009, he received the Spirit of Hope Award as part of the Latin Billboard Music Awards ceremony.^[19] The recognition is given to the artists that participate in community or social efforts throughout the year. The single "Grito Mundial" was released on October 8, 2009,^[20] in order to promote his ninth album, Mundial. Despite releasing "El Ritmo No Perdona (Prende)" more than a month before, that single was not considered the first official promotional single.

Film and other career projects[link]

Ayala has negotiated promotional deals with several companies outside of the music industry, releasing merchandise under his name. In 2005, he became the first Latin artist to sign a deal with Reebok, in order to produce accessories,^[21] including the licensed clothing line "DY", which was released in 2006.^[22] He also teamed up with the company to have his own shoes and sporting goods made, which were first distributed on May 23, 2006.^[11] Reebok continued the partnership with the introduction of the Travel Trainer collection in July 2007. In August 2007, Pepsi began an advertising campaign titled "Puertas", in which Ayala is depicted returning to his youth by opening a series of doors.^[23]

In 2008, Ayala participated in a campaign to promote voting in the 2008 general elections in Puerto Rico. This initiative included a concert titled "Vota o quédate callao".^[24] On August 25, 2008, Ayala endorsed John McCain's candidacy for President of the United States, stating that McCain "has been a fighter for the Hispanic community".^[25] As part of this campaign, Ayala moderated a debate titled “Vota o quédate callao: los candidatos responden a los jóvenes”, which was aired on October 9, 2008.^[26]

Ayala has worked in the film industry as both an actor and producer. His acting debut was the lead role of Vampiros, a film directed by Eduardo Ortiz and filmed in Puerto Rico.^[27] The film premiered at the Festival of Latin American Cinema in New York, where it received a positive reaction. This led Image Entertainment to produce a DVD, internationally released in March 2005.^[27] Ayala played the main role "Edgar" in Talento de Barrio, which was filmed in Puerto Rico and directed by José Iván Santiago. Ayala produced the film, which is based on his experience of growing up in a poor city neighborhood.^[28] While the film is not directly a biography, Ayala has stated that it mirrors his early life.^[28] Talento de Barrio's debut was scheduled for July 23, 2008, in New York's Latino Film Festival.^[29] After the premier, Ayala expressed satisfaction, saying that he had been invited to audition for other producers.^[30] On release, Talento de Barrio broke the record held by Maldeamores for the most tickets to a Puerto Rican movie sold in a single day in Caribbean Cinemas.^[31]

Ayala has been involved in the administration of three organizations, the first being El Cartel Records which he co-owns with Andres Hernandez. He also created the Fundación Corazón Guerrero, a charitable organization in Puerto Rico which works with young incarcerated people.^[32] On April 26, 2008, he was presented with a "Latino of the Year Award" by the student organization Presencia Latina of Harvard College, receiving it for his work with Puerto Rican youth and creating Corazón Guerrero.^[33] On February 6, 2008, Ayala announced in a Baloncesto Superior Nacional press conference that he had bought part of the Criollos de Caguas' ownership.^[34]

Personal life[link]

Ayala has kept most of his personal life private, rarely speaking about it in interviews.^[35] He has said that he avoids doing so because such details are the only aspect of his life that are not public and that they are like a "little treasure".^[35] He made an exception in 2006 when he spoke about his relationship with his wife and children in an interview with María Celeste Arrarás in Al Rojo Vivo.^[35] He stated that his marriage is strong because he and his wife are "friends above anything", adding that he has tried to ignore other temptations because "weakness is the reason for the downfall of several artists."^[35] He also described his "very close" communication with his children, in which he tries to offer advice against drugs and negative influences.^[35] His first daughter was born when he was seventeen years old,^[35] which he has described as confusing at first, adding that raising a daughter at that age was a hard experience.^[36]

Studio albums[link]

• 1995: No Mercy
• 2002: El Cangri.com
• 2004: Barrio Fino
• 2007: El Cartel: The Big Boss
• 2010: Daddy Yankee Mundial
• 2012: Prestige

Filmography[link]

Film

Television

See also[link]

	Biography portal
	Puerto Rico portal
	Music portal

• Latin American music
• List of Caribbean music genres
• List of Puerto Ricans
• List of Puerto Rican songwriters
• Urban contemporary

References[link]

External links[link]

• Official site
• Daddy Yankee at the Internet Movie Database