An attic

The Poor Poet, by Carl Spitzweg, 1839. (Neue Pinakothek)

An attic is a space found directly below the pitched roof of a house or other building (also called garret, loft or sky parlor). Attic is generally the North American English term for it.^[1] As attics fill the space between the ceiling of the top floor of a building and the slanted roof, they are known for being awkwardly shaped spaces with exposed rafters and difficult-to-reach corners. While some attics are converted into bedrooms or home offices, complete with windows and staircases, most attics remain hard to get to and neglected, and are typically used for storage. It is a word ultimately derived from the Attica region around Athens, Greece.

Attics can also help control temperature in a house by providing a large mass of slowly moving air. Hot air rising from lower floors of a building often gets retained in the attic, further compounding their reputation as inhospitable environments. However, in recent years many attics have been insulated to help decrease heating costs since on average, uninsulated attics account for 15% of the total energy loss in a typical house.^[2]

In some places "attic" is used more specifically to apply to lofts which have boarded floors and ceilings, and usually windows or skylights, and then "loft" is kept to mean a dark, unboarded roof-space which lacks these features.^{[citation needed]}

Ventilation[link]

Modern building codes require unoccupied attics to be ventilated to reduce the accumulation of heat and moisture that contribute to mold growth and decay of wood rafters and ceiling joists.^[3]One common code requirement is that the total area of attic vents be equal to or greater than 1/150 of the floor area of the attic, with 50% or more of the vent area located in the upper portion of the attic. Various types of turbine ventilators and exhaust fans can also be used to assist with attic ventilation and decrease the required area of passive ventilators.

See also[link]

• Atelier
• Hayloft
• Attic ladder
• Basement

References[link]

External links[link]

Media related to Attics at Wikimedia Commons

This article related to a type of room in a building is a stub. You can help Wikipedia by expanding it. v t e

Paul Weller (born 25 May 1958) is an English singer-songwriter. Starting with the band The Jam (1972–1982), Weller then went on to branch out musically to a more soulful style with The Style Council (1983–1989). In 1991 he established himself as a successful solo artist,^[1] and continues to remain a respected singer, lyricist and guitarist.^[2]

Despite widespread critical recognition, Weller has remained a national rather than an international star, and much of his songwriting is rooted in English culture. He is also the principal figure of the 1970s and 80s mod revival and is often referred to as the Modfather.^[3]

Early Life (1958–1975)[link]

Weller was born on 25 May 1958 in Sheerwater, near Woking, Surrey, England, to John and Ann Weller. He was initially known as John William Weller but later acquired the name Paul.^[4]

His father worked as a taxi driver and his mother was a part-time cleaner.^[5] In 1963 Weller started his education at Maybury County First School. His love of music started with The Beatles, then The Who and the Small Faces. By the time Weller was eleven and moving up to secondary school at Sheerwater County Secondary music was the biggest part of his life and he began playing the guitar.

In 1972 Weller formed the first incarnation of the Jam, playing bass guitar with his best friends Steve Brookes (lead guitar) and Dave Waller (rhythm guitar). Weller's father, their manager, began booking the band into local working men's clubs. Joined by Rick Buckler on drums, and with Bruce Foxton soon replacing Waller on rhythm guitar, the four-piece band began to forge a local reputation playing a mixture of Beatles covers and a number of compositions written by Weller and Brookes. In 1976 Brookes left the band and Weller and Foxton decided they would swap guitar roles, with Weller now the guitarist.

The Jam (1976–1982)[link]

Although the Jam emerged at the same time as punk rock bands such as The Clash, The Damned, and the Sex Pistols, the Jam better fitted the mould of the New Wave bands who came later. Also, being from just outside London rather than in it, they were never really part of the tightly-knit punk clique.

Nonetheless, The Clash emerged as one of the leading early advocates of the band, and were sufficiently impressed by the Jam to take them along as the support act on their White Riot tour of 1977. The Jam's first single "In the City" took them into the UK Top 40 for the first time in May 1977. Although every subsequent single had a placing within the Top 40, it would not be until the band released "The Eton Rifles", with Weller's very political lyrics, that they broke into the Top 10, hitting the No. 3 spot in November 1979.

The increasing popularity of their blend of pop melodies and Weller's barbed lyrics led, in March 1980, to their first number one single, "Going Underground".

They became the only band other than the Beatles to perform two songs ("Town Called Malice" and "Precious") on one edition of Top of the Pops. The Jam even had two singles, "That's Entertainment" and "Just Who Is The 5 O'Clock Hero", reach No. 21 and No. 8 respectively in the UK singles chart despite not even being released in that country – they got there purely on the strength of the huge number of people buying import sales of the German and Dutch single releases. The Jam still hold the record for the best selling import only singles in the UK charts. As the band's popularity increased, however, Weller became restless and eager to explore a more soulful, melodic style with a broader instrumentation.

In 1982, Weller announced that the Jam would disband at the end of the year. The announcement came as a shock to Foxton and Buckler, who felt that the band still had many years left. Their final single, "Beat Surrender", became their fourth UK chart topper, going straight to No. 1 in its first week. Their farewell concerts at Wembley Arena were multiple sell-outs; their final concert took place at the Brighton Centre on 11 December 1982.

The Style Council (1983–1989)[link]

At the beginning of 1983, Weller collaborated with keyboard player Mick Talbot to form a new group called The Style Council. Weller brought in Steve White to play drums, as well as singer Dee C. Lee, who had previously been a backing singer with Wham!

Free of the limited musical styles he felt imposed by The Jam, under the collective of the Style Council Weller was able to experiment with a wide range of music, from pop and jazz to soul/R&B, house and folk-styled ballads. The band was at the vanguard of a jazz/pop revival that would continue with the emergence of bands like Matt Bianco, Sade, and Everything but the Girl, whose members Tracey Thorn and Ben Watt contributed vocals and guitar to the 1984 the Style Council song "Paris Match".

Many of the Style Council's early singles performed well in the charts, and Weller experienced his first success in North America, when "My Ever Changing Moods" and "You're The Best Thing" entered the US Billboard Hot 100. In Australia they were far more successful than the Jam, reaching the top of the charts in 1984 with "Shout To The Top".

Weller appeared on 1984's Band Aid record "Do They Know It's Christmas?" and was called upon to mime the absent Bono's lyrics on Top of the Pops. The Style Council were the second act to appear in the British half of Live Aid at Wembley Stadium in 1985.

In December 1984, Weller put together his own charity ensemble, the Council Collective, to make a record, "Soul Deep", to raise money for striking miners. The record featured the Style Council plus a number of other performers, notably Jimmy Ruffin and Junior Giscombe. In spite of the song's political content, it still picked up BBC Radio 1 airplay and was performed on Top of the Pops, which led to the incongruous sight of lyrics such as "We can't afford to let the government win / It means death to the trade unions" being mimed amid the show's flashing lights and party atmosphere.

As the 1980s wore on, the Style Council's popularity in the UK began to slide, with the band achieving only one top ten single after 1985. The Style Council's death knell was sounded in 1989 when their record company refused to release their fifth and final studio album, the house-influenced Modernism: A New Decade. With the rejection of this effort, Weller announced the Style Council had split, and although the final album did have a limited vinyl run, it was not until the 1998 retrospective CD box set The Complete Adventures of the Style Council that the album was widely available.

Solo career[link]

Early solo career (1990–1995)[link]

In 1989, Weller found himself for the first time since he was 17 without a band and without a recording deal. After taking time off throughout 1990, he returned to the road in 1991, touring as 'The Paul Weller Movement' with long-term drummer and friend Steve White. After a slow start playing small clubs with a mixture of Jam/Style Council classics as well as showcasing new material such as "Into Tomorrow", by the time of the release of his 1992 LP, Paul Weller, he had begun to re-establish himself as a leading British singer/songwriter. This self-titled album saw a return to a more jazz-guitar-focused sound, featuring samples and a funk influence with shades of the Style Council sound. The album also featured a new producer, Brendan Lynch. Tracks such as "Here's a New Thing" and "That Spiritual Feeling" were marketed among the emerging acid jazz scene.

Buoyed by the positive commercial and critical success of his first solo album, Weller returned to the studio in 1993 with a renewed confidence. Accompanied by Steve White, guitarist Steve Cradock, and bassist Damon Minchella, the result of these sessions was the triumphant Mercury Music Prize-nominated Wild Wood.^[6]

His 1995 album Stanley Road took him back to the top of the British charts for the first time in a decade, and went on to become the best-selling album of his career. The album, named after the street in Woking where he had grown up, marked a return to the more guitar-based style of his earlier days. On the track "I Walk On Guilded Splinters", Noel Gallagher (of Oasis), is creditted guest guitarist.^[7] Weller found himself heavily associated with the Britpop movement that gave rise to such bands as Oasis, Pulp and Blur. Weller even appeared as a guest guitarist and backing vocalist on Oasis' hit song "Champagne Supernova". The album's major single, "The Changingman", was also a big hit, taking Weller to No. 7 in the UK singles charts. Another single, the ballad "You Do Something To Me", was his second consecutive Top 10 single and reached No. 9 in the UK.

The Modfather (1996–2007)[link]

Heavy Soul, the follow-up to the million-selling Stanley Road, saw Weller twist his sound again. The album was more raw than its predecessor; Weller was now frequently playing live in the studio in as few takes as possible.^{[citation needed]} The first single, "Peacock Suit" reached No. 5 in the UK Singles Chart, and the album reached #2. Success in the charts also came from compilations: "best of" albums by the Jam and Style Council charted, and his own solo "best of" collection Modern Classics was a substantial success in 1998.

In 2000, while living in Send, Surrey, he released his fifth solo studio album, Heliocentric. There were rumours at the time that this would be his final studio effort, but these proved unfounded when he released the No. 1 hit album Illumination in September 2002 which was co-produced by Noonday Underground's Simon Dine, preceded by yet another top 10 hit single "It's Written In The Stars". Weller also appears on the 2002 Noonday Underground album called Surface Noise, singing on the track "I'll Walk Right On". Between these two albums he had also released a second successful live album, 2001's Days Of Speed, which contained live acoustic versions from his world tour of the same name. The LP included some of his best-known songs from his solo career and the back catalogues of his the Jam and the Style Council days. Weller had again found himself without a record contract and the tour provided him with the opportunity to view his works as one back catalogue.

In 2003, Weller teamed up with electronic rock duo Death in Vegas on a cover of Gene Clark's "So You Say You Lost Your Baby" which featured on the album Scorpio Rising.

In 2004 Weller released an album of covers entitled Studio 150. It debuted at No. 2 in the UK charts and included Bob Dylan's "All Along the Watchtower" besides covers of songs by Gil Scott-Heron, Rose Royce, Gordon Lightfoot, and others.

His 2005 album As Is Now featured the singles "From The Floorboards Up", "Come On/Let's Go" and "Here's The Good News". The album was well-received, though critics noted that he was not moving his music forward stylistically,^[8] and it became his lowest-charting album since his 1992 debut. In February 2006 it was announced that Weller would be the latest recipient of the Lifetime Achievement Award at the BRIT Awards. Despite a tendency to shun such occasions, Weller accepted the award in person, and performed four songs at the ceremony, including the Jam classic "Town Called Malice".

In June 2006, a double live album titled Catch-Flame!, with songs from both his solo work and his career with the Jam and the Style Council, was released. In late 2006, the album Hit Parade was released, which collected all the singles released by the Jam, Style Council and Weller during his solo career. Two versions of this album were released: a single disc with a selection from each stage of his career, and a four-disc limited edition, which included every single released and came with a 64-page booklet.

Weller was offered a CBE in the 2006 birthday honours, but rejected the order.^[9]

Critical success (2008 – present)[link]

Weller and band line-up in Cardiff

The double album 22 Dreams was released on 2 June 2008 with "Echoes Round The Sun" as the lead single. Before recording this album, Weller had parted company with his existing band, resulting in the replacement of everyone except guitarist Steve Cradock. As well as Cradock, the new band consisted of Andy Lewis on bass, Andy Crofts of The Moons on keys and Steve Pilgrim of The Stands on drums. This album saw Weller move in a more experimental direction, taking in a wide variety of inflences including jazz, folk, tango as well as pop-soul more associated with his Style Council days.

Weller was the surprise recipient of the 2009 BRIT award for "Best Male Solo Artist", which resulted in controversy when it was discovered a suspiciously high number of bets had been placed for Weller to win the award, for which James Morrison was T4's favourite. It was reported that the bookmakers had lost £100,000 in the event, and that as a result would not be taking bets for the awards in the future.^[10]

In 2009 Weller guested on Dot Allison's 2009 album, Room 7½, co-writing "Love's Got Me Crazy".^[11] November and December also saw him on tour, playing shows across the country.^[12]

On 24 February 2010, Paul received the Godlike Genius Award at the NME Awards.^[13] His 2010 album, Wake Up the Nation, released in April, was met with critical acclaim and subsequently nominated for the Mercury Music Prize.^[14] The album also marked his first collaboration with the Jam bassist Bruce Foxton in 28 years.^[15] In May 2010 Weller was presented with the Ivor Novello Lifetime Achievement award, saying "I've enjoyed the last 33 years I've been writing songs and hopefully, with God's good grace, I'll do some more."^[16]

On 22 November 2011, Weller announced his eleventh studio album "Sonik Kicks", which was released on 19 March 2012.

His current band line-up consists of Steve Cradock, Andy Lewis, Andy Crofts and Steve Pilgrim.

Personal life[link]

Soon after the formation of The Style Council, Weller and Dee C. Lee, the Style Council's backing singer, began a romantic relationship. The couple married in 1987 and divorced in 1998. They have two children Leah and Nathaniel (Natt), who is also a working musician and once appeared on stage with his father at Hammersmith Apollo at age 12.^[17] Weller has another daughter, Dylan, by a short-lived relationship with a make-up artist called Lucy.^[18]

While he was recording at the Manor studios in the mid 1990s, he became involved with Samantha Stock. They have two children.^[19] In October 2008 they broke up and Weller moved in with Hannah Andrews, a backing singer on his 22 Dreams album, who has toured with his band. The pair married in September 2010 on the Italian island of Capri.^[20] The couple welcomed twin boys, John Paul and Bowie on 14 January 2012.^[21]

On 24 April 2009, John Weller, Paul Weller's father and long-time manager since the days of the Jam, died from pneumonia at the age of 77.^[22]

Musical style and legacy[link]

Weller's stated influences range widely, including The Beatles, Dr Feelgood, The Kinks, The Who, Small Faces and 1960s and 1970s soul music.

During the Britpop explosion in the mid-1990s a number of bands, such as Oasis, Ocean Colour Scene and Blur cited Weller and The Jam as a major influence. More recent generations of bands have also noted Weller as an inspiration, including Hard-Fi, Arctic Monkeys, The Enemy, The Rifles and The Moons.

David Lines' memoir, The Modfather, documented his life growing up in Garforth, Leeds, and his adolescent obsession with Paul Weller.^[23]

Solo discography[link]

Studio albums

• Paul Weller (1992)
• Wild Wood (1993)
• Stanley Road (1995)
• Heavy Soul (1997)
• Heliocentric (2000)
• Illumination (2002)
• Studio 150 (2004)
• As Is Now (2005)
• 22 Dreams (2008)
• Wake Up the Nation (2010)
• Sonik Kicks (2012)

References[link]

[edit] Further reading

External links[link]

Wikimedia Commons has media related to: Paul Weller

Wikiquote has a collection of quotations related to: Paul Weller

• Paul Weller dot Com (Paul Weller's official website)
• The Moons (official website)

Jools Holland
Holland at the British Academy Television Awards 2009
Background information
Birth name	Julian Miles Holland
Born	(1958-01-24) 24 January 1958 (age 54) Blackheath, London, England
Genres	Boogie-woogie, jazz, blues, R&B
Occupations	Musician, composer, television presenter, bandleader
Instruments	Piano, keyboard, guitar
Years active	1974–present
Associated acts	Squeeze Rhythm & Blues Orchestra
Website	Official site

Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze (1974-1980 & 1985-1990) and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, David Gilmour, Magazine and Bono.

Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B music. He currently hosts Later... with Jools Holland, a music-based show aired on BBC2, on which his annual show Hootenanny, is based.^[1]

Life and career[link]

His great grandfather came from Ireland.^[2]

Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."^[3]

Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.^[3]

Holland began issuing solo records in 1978, his first EP being Boogie Woogie '78. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show The Tube with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks.^[4] He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.

Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005

In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album Soul Mining. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.

In 1987, Holland formed The Jools Holland Big Band which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.^[3]

Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television.^[5] Since 1992 he has presented the music program Later... with Jools Holland, plus an annual New Year's Eve Hootenanny.

In 1996, Holland signed a recording contract with Warner Bros. Records,^[3] and his records are now marketed through Rhino Records.

Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff.

Personal[link]

Holland lives in the Westcombe Park area of Blackheath in South East London, where he had his studio, Helicon Mountain, built to his design, inspired by Portmeirion, the setting for the 1960s TV series The Prisoner.^[6] Holland owns costumes and props from the series and occasionally appears wearing the trademark brown-with-white-pipe blazer featured in the series. In 1987, Holland demonstrated his love of the series and starred in a spoof documentary, The Laughing Prisoner, with Stephen Fry, Terence Alexander and Hugh Laurie.^[6] Much of it was shot on location in Portmeirion, with archive footage of Patrick McGoohan, and featuring musical numbers from Siouxsie and the Banshees, Magnum and XTC. Holland performed a number towards the end of the program. His younger brother, Christopher, also plays organ in the Rhythm & Blues Orchestra, as well as being a singer-songwriter.

Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film Spiceworld as a musical director.

He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent.^[7] He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay,^[8] and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings.^[9] He is also patron of the Drake Music Project^[10] and has raised many thousands of pounds for the charity.

Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.^[11]

On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, before they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.^[12]

Holland is also a patron for The Milton Rooms, an Arts centre in Malton, North Yorkshire, along with Bill Nighy, Imelda Staunton and Kathy Burke.^[13]

Writing[link]

His 2007 biography, Barefaced Lies and Boogie Woogie Boasts was BBC Radio 4 "Book of the Week" in the week beginning 8 October 2007 and was read by Holland. He is the author or joint author of four other books.

Discography[link]

Albums that have charted and gained Certifications[link]

Releases[link]

• 1978 "Boogie Woogie '78" (EP)
• 1981 Jools Holland and His Millionaires
• 1984 Jools Holland Meets Rock 'A' Boogie Billy (U.S. release only)
• 1990 World Of His Own
• 1991 The Full Complement
• 1992 "Together Again" (single with Sam Brown)
• 1992 The A-Z Geographer's Guide To The Piano
• 1994 Solo Piano
• 1994 Live Performance
• 1996 " Jazz & Rock & Roll
• 1997 Lift The Lid
• 1998 Best Of
• 1999 Sunset Over London
• 2000 Hop The Wag
• 2001 Small World Big Band
• 2002 SWBB Volume Two: More Friends
• 2003 Jack O The Green (SWBB Friends 3)
• 2004 Tom Jones & Jools Holland
• 2005 Beatroute
• 2005 Swinging the Blues, Dancing the Ska
• 2006 Moving Out To The Country
• 2007 Best of Friends
• 2008 The Collection
• 2008 The Informer (With Ruby Turner)
• 2008 "The Informer" (single with Ruby Turner)
• 2009 "I Went By" (single with Louise Marshall)
• 2010 Rockinghorse

Film and television[link]

• 1981 Urgh! A Music War
• 1982 Police: Around the World
• 1982 - 1987 The Tube (Host for 121 editions)
• 1983 Rebellious Jukebox: Compere
• 1984 The Young Ones: Punk (Episode entitled "Summer Holiday")
• 1985 Walking To New Orleans (Jools Holland in New Orleans)
• 1987 Eat the Rich: Sun Reporter
• 1987 Filthy Rich & Catflap: Strip Show Pianist (Episode #1.3)
• 1987 The Laughing Prisoner: No. 7
• 1987 French and Saunders (Episode 1.5)
• 1988 Sunday Night: Host (unknown episodes)
• 1989 Juke Box Jury: Host (unknown episodes)
• 1989 The Groovy Fellers Himself, 6 episodes
• 1991 Mr Roadrunner (Jools Holland in Memphis)
• 1994 There's No Business: Pianist
• 1994 - 1995 Don't Forget Your Toothbrush
• 1995 The Beatles Anthology
• 1997 Spice World: Musical Director
• 1997 Name That Tune: Host and Pianist
• 2003 Jool's History of the Piano : Presenter
• 2006 Top Gear: Star in a reasonably priced car.
• 2007 Fairport@Forty: Interview
• 2009 Chop Shop Rover Concept: The Jet 1 Car : Customer

Current television programmes[link]

• 1992–present Later... with Jools Holland
• 1993–present Hootenanny

Books[link]

• "Rolling Stones": A Life on the Road, (with Dora Loewenstein), Viking/Allen Lane (1998), (ISBN 0-670-88051-5)
• Beat Route: Journeys Through Six Counties, Weidenfeld & Nicholson (1998), (ISBN 0-575-06700-4)
• Ray Charles: Man and Music, (with Michael Lydon), Payback Press (1999), (ISBN 0-86241-929-8)
• Hand That Changed Its Mind , International Music Publications (2007), (ISBN 1-84328-645-9)
• Barefaced Lies and Boogie-woogie Boasts , Michael Joseph Ltd (2007), (ISBN 0-7181-4915-7)

References[link]

External links[link]

• Official website
• Jools Holland at the Internet Movie Database
• Jools Holland's Radio 2 show at BBC Programmes
• Later...with Jools Holland at BBC Online

Pete Townshend
Townshend in concert
Background information
Birth name	Peter Dennis Blandford Townshend
Also known as	Bijou Drains
Born	(1945-05-19) 19 May 1945 (age 67) London, England
Genres	Rock, art rock, hard rock, power pop, progressive rock, British beat, jazz
Occupations	Musician, singer-songwriter, musical arranger, author
Instruments	Vocals, guitar, bass guitar, harmonica, keyboards, banjo, tin whistle, mandolin, ukulele, fiddle, accordion, organ, piano, drums
Years active	1962–present
Labels	Track, Polydor, Atlantic, Atco, Decca, Rykodisc
Associated acts	The Who, Deep End, Ronnie Lane, Thunderclap Newman
Website	The Who's official webpage
Notable instruments
Rickenbacker 330 Fender Stratocaster Gibson SG Special Gibson Les Paul Gretsch 6120 Gibson J-200

Peter Dennis Blandford "Pete" Townshend (born 19 May 1945) is an English rock guitarist, vocalist, songwriter and author, known principally as the guitarist and songwriter for the rock group The Who, as well as for his own solo career. His career with The Who spans more than 40 years, during which time the band grew to be considered one of the most influential bands of the 1960s and 1970s,^[1] and, according to Eddie Vedder, "possibly the greatest live band ever."^[2]

Townshend is the primary songwriter for The Who, having written well over 100 songs for the band's 11 studio albums, including concept albums and the rock operas Tommy and Quadrophenia, plus popular rock and roll radio staples like Who's Next, and dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations like Odds & Sods. He has also written over 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs. Although known primarily as a guitarist, he also plays other instruments such as keyboards, banjo, accordion, synthesiser, bass guitar and drums, on his own solo albums, several Who albums, and as a guest contributor to a wide array of other artists' recordings. Townshend has never had formal lessons in any of the instruments he plays.

Townshend has also been a contributor and author of newspaper and magazine articles, book reviews, essays, books, and scripts, as well as collaborating as a lyricist (and composer) for many other musical acts. Townshend was ranked No. 3 in Dave Marsh's list of Best Guitarists in The New Book of Rock Lists,^[3] No. 10 in Gibson.com's list of the top 50 guitarists,^[4] and No. 10 again in Rolling Stone magazine's updated 2011 list of the 100 greatest guitarists of all time.^[5] Townshend was inducted into the Rock and Roll Hall of Fame as a member of The Who in 1990.

Early life[link]

Born in Chiswick, London into a musical family (his father Cliff Townshend was a professional saxophonist in The Squadronaires and his mother Betty (née Dennis) was a singer), Townshend exhibited a fascination with music at an early age. In the mid-1950s he was drawn to American rock and roll; his mother recounts that he repeatedly saw the 1956 film Rock Around the Clock. When he was 12, his grandmother gave him his first guitar, which he has described as a "cheap Spanish thing". Townshend's biggest guitar influences include Link Wray, John Lee Hooker, Bo Diddley and Hank Marvin of The Shadows.