Digital single-lens reflex camera

A digital single-lens reflex camera (also called a digital SLR or DSLR) is a digital camera combining the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor, as opposed to photographic film. The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens, then to a mirror that alternates to send the image to either the viewfinder or the image sensor. The alternative would be to have a viewfinder with its own lens, hence the term "single lens" for this design. By using only one lens, the viewfinder of a DSLR presents an image that will not perceptibly differ from what is captured by the camera's sensor.

DSLRs largely replaced film-based SLRs during the 2000s, and despite the rising popularity of mirrorless system cameras in the early 2010s, DSLRs remained the most common type of interchangeable lens camera in use as of 2014.

Camera

A camera is an optical instrument for recording images, which may be stored locally, transmitted to another location, or both. The images may be individual still photographs or sequences of images constituting videos or movies. The word camera comes from camera obscura, which means "dark chamber" and is the Latin name of the original device for projecting an image of external reality onto a flat surface. The modern photographic camera evolved from the camera obscura. The functioning of the camera is very similar to the functioning of the human eye.

Functional description

A camera may work with the light of the visible spectrum or with other portions of the electromagnetic spectrum. A still camera is an optical device which creates a single image of an object or scene, and records it on an electronic sensor or photographic film. All cameras use the same basic design: light enters an enclosed box through a converging lens and an image is recorded on a light-sensitive medium. A shutter mechanism controls the length of time that light can enter the camera. Most photographic cameras have functions that allow a person to view the scene to be recorded, allow for a desired part of the scene to be in focus, and to control the exposure so that it is not too bright or too dim. A display, often a liquid crystal display (LCD), permits the user to view scene to be recorded and settings such as ISO speed, exposure, and shutter speed.

Generic top-level domain

Generic top-level domains (gTLDs) are one of the categories of top-level domains (TLDs) maintained by the Internet Assigned Numbers Authority (IANA) for use in the Domain Name System of the Internet. A top-level domain is the last label of every fully qualified domain name. They are called generic for historic reasons; initially, they were contrasted with country-specific TLDs in RFC 920.

The core group of generic top-level domains consists of the com, info, net, and org domains. In addition, the domains biz, name, and pro are also considered generic; however, these are designated as restricted, because registrations within them require proof of eligibility within the guidelines set for each.

Historically, the group of generic top-level domains included domains, created in the early development of the domain name system, that are now sponsored by designated agencies or organizations and are restricted to specific types of registrants. Thus, domains edu, gov, int, and mil are now considered sponsored top-level domains, much like the themed top-level domains (e.g., jobs). The entire group of domains that do not have a geographic or country designation (see country-code top-level domain) is still often referred to by the term generic TLDs.

Camera (magazine)

Camera is a photography review that began its life in Lucerne, Switzerland, later distributed in many countries and languages. The magazine grew to its greatest international influence towards in latter half of its life of sixty years; on the leading edge of almost every important period in photography, Camera was often among the first publications to show the first works of now well-known photographers such as Edward Steichen, Robert Frank and Jeanloup Sieff. The magazine was slated to be re-launched on17 January 2013.

The early years

The first issue of Camera was published by the engineer Adolf Herz and book-publisher C. J. Bucher in June 1922. The magazine was first published in German. Making clear its aim to aid the development of the still-fledgling art of photography, this issue began with the following statement of intent:

With this issue we introduce ourselves to the public for the first time. We would like to say a few words about our aims. Our magazine will support artistic photography. We thought it expedient to show our readers an artist's work through ample selections of good-quality reproductions. Artists from all countries will be sharing their pictures. Hereon in every issue we will present eight pages of good reproductions. Participating artists will present their art styles in original essays. Articles on technical photographic subjects, written by authors the best in this field, will appear in the technical section. In brief reports we will comment on all new developments so that our readers can obtain an up-to-date view of photography. We invite all photographers and researchers of all countries who would like to bring technical information to our readers, to submit their articles. We will periodically conduct contests to encourage developing artists, and the best entries will receive a monetary award. We hope our efforts will be conducive to the high aims of artistic photography and that our readers will support us.

Clean (Deitiphobia album)

Clean is the second full-length studio album from industrial band Deitiphobia, released in 1994 by Myx Records. It is the earliest Deitiphobia album not to feature Brent Stackhouse, who left in 1992, and was also the band's debut for the Myx label. The album features Sheri Shaw, who remained with Deitiphobia until it dissolved in 2001, and Michael Knott, who produced Fear of the Digital Remix and was also the founder of the band's previous record label, Blonde Vinyl.

Track listing

All songs written and performed by Deitiphobia.

Personnel

Clean (film)

Clean is a 2004 low-budget film directed by French director Olivier Assayas, starring Nick Nolte and Maggie Cheung. It was jointly funded by Canada, France, and United Kingdom sources.

Plot

Cheung plays Emily Wang, a former video jockey, who has been in a tempestuous relationship with Lee Hauser (played by James Johnston of Nick Cave and the Bad Seeds), a rock musician, for several years. Lee's friends feel that Emily is bad for him, accusing her of being a junkie. As the film opens, the pair have arrived in Hamilton, Canada, to see Metric perform. Their young son, Jay, is living in Vancouver with Lee's parents.

Following an argument in their motel room, Emily walks out on Lee and, after taking some heroin, falls asleep in her car. When she returns to the motel the following morning, she finds that Lee has died of a drug overdose, and the Ontario Provincial Police are investigating. As Emily attempts to force her way into the room to see Lee, the Police find the heroin in her bag and she is arrested.

The Clean

The Clean are an indie rock band that formed in Dunedin, New Zealand in 1978, and have been described as the most influential band to come from the Flying Nun label, whose repertoire included many major components of the "Dunedin Sound". Led through a number of early rotating line-ups by brothers Hamish and David Kilgour, the band settled down to their well-known and current line-up with bassist Robert Scott.

History

Hamish and David Kilgour started to play and write music together in Dunedin in 1978, "building up a fat songbook of primitive punk, minimalist pop, infectious folk rock and adventurous psychedelic instrumentals. Their sound was built around David Kilgour’s off-centre, 1960s-influenced guitar, Hamish’s motorik drumming and melodic driving bass, first from Peter Gutteridge then Robert Scott".

The band's 1981 debut single "Tally Ho!" was the second release on Roger Shepherd's Flying Nun Records label. "Tally Ho!" reached number 19 on the New Zealand Singles Charts, giving the fledgling label its first hit.