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A weapon, arm, or armament is a tool or instrument used in order to inflict damage or harm to living beings - physical or mental -, artificial structures, or systems. In human society, weapons are used to increase the efficacy and efficiency of activities such as hunting, crime, law enforcement, and warfare.

Weapons are employed individually or collectively. A weapon can be either expressly designed as such or be an item re-purposed through use (for example, hitting someone with a hammer). Their form can range from simple implements such as clubs to complicated modern implementations such as intercontinental ballistic missiles and biological weapons. Weapon development has progressed from early wood or stone clubs through revolutions in metalworking (swords, maces, etc.) and gunpowder (guns, cannon), electronics and nuclear technology.

In a broader context, weapons may be construed to include anything used to gain a strategic, material or mental advantage over an adversary on land, sea, air, or even outer space or virtual space.

History[link]

Prehistoric[link]

An array of Neolithic artifacts, including bracelets, axe heads, chisels, and polishing tools.

Very simple weapon use has been observed among chimpanzees,^[1] leading to speculation that early hominids began their first use of weapons as early as five million years ago.^[2] These would have been wooden clubs, spears, and unshaped stones—none of which would leave an unambiguous record.

Some of the earliest unambiguous weapons were throwing sticks and spears dated to more than 300,000 years ago^[3][4][5][6]. The Schöninger Speere, eight wooden throwing spears from the Lower Paleolithic era, are thought to be the earliest known example of weapons used by the genus Homo.^[7]

Ancient and classical[link]

A four-wheeled ballista drawn by armored cataphract horses, c. 400.

Ancient weapons were evolutionary improvements of late neolithic implements, but then significant improvements in materials and crafting techniques created a series of revolutions in military technology:

The development of metal tools, beginning with copper during the Copper Age (about 3,300 BC) and followed shortly by bronze led to the Bronze Age sword and similar weapons.

The first defensive structures and fortifications appeared in the Bronze Age,^[8] indicating an increased need for security. Weapons designed to breach fortifications followed soon after, for example the battering ram was in use by 2500 BC.^[8]

Although early Iron Age swords were not superior to their bronze predecessors, once iron-working developed - around 1200 BC in Sub-Saharan Africa,^[9] iron began to be used widely in weapon production^[10] because iron ore was much more readily available than the copper and tin required to create bronze.

Domestication of the horse and widespread use of spoked wheels by ca. 2000 BC,^[11] led to the light, horse-drawn chariot. The mobility provided by chariots were important during this era.^{[citation needed]} Spoke-wheeled chariot usage peaked around 1300 BC and then declined, ceasing to be militarily relevant by the 4th century BC.^[12]

Cavalry developed once horses were bred to support the weight of a man . The horse extended the range and increased the speed of attack, but was not a weapon as much as it provided an enhanced capability.

Ships built as weapons or warships such as the Triremes were in use by the 7th century BC.^[13] These ships were eventually replaced by larger ships by the 4th century BC.

Middle Ages[link]

This picture shows medieval Indian weapons

Ancient Chinese cannon displayed in the Tower of London.

European warfare during the middle ages was dominated by elite groups of knights supported by massed infantry (both in combat and ranged roles). They were involved in mobile combat and sieges which involved various siege weapons and tactics. Knights on horseback developed tactics for charging with lances providing an impact on the enemy formations and then drawing more practical weapons (such as swords) once they entered into the melee. Whereas infantry, in the age before structured formations, relied on cheap, sturdy weapons such as spears and billhooks in close combat and bows from a distance. As armies became more professional their equipment was standardized and infantry transitioned to pikes.Pikes are normally eight to seven feet in length,in conjunction with smaller side-arms (short sword).

In Eastern and Middle Eastern warfare similar tactics were developed independent of European influences.

The introduction of gunpowder from the Far East at the end of this period revolutionized warfare. Formations of musketeers, protected by pikemen came to dominate open battles, and the cannon replaced the trebuchet as the dominant siege weapon.

Early modern[link]

The examples and perspective in this article or section might have an extensive bias or disproportional coverage towards one or more specific regions. Please improve this article or discuss the issue on the talk page.

The European Renaissance marked the beginning of the implementation of firearms in western warfare. Guns and rockets were introduced to the battlefield.

Firearms are qualitatively different from earlier weapons because they release energy from combustible propellants such as gunpowder, rather than from a counter-weight or spring. This energy is released very rapidly and can be replicated without much effort by the user. Therefore even early firearms such as the arquebus were much more powerful than human-powered weapons. Firearms became increasingly important and effective during the 16th century to 19th century, with progressive improvements in ignition mechanisms followed by revolutionary changes in ammunition handling and propellant. During the U.S. Civil War various technologies including the machine gun and ironclad warship emerged that would be recognizable and useful military weapons today, particularly in limited conflicts. In the 19th century warship propulsion changed from sail power to fossil fuel-powered steam engines.

The bayonet is used as both knife and polearm.

The age of edged weapons ended abruptly just before World War I with rifled artillery. Howitzers were able to destroy masonry fortresses and other fortifications. This single invention caused a Revolution in Military Affairs (RMA) and established tactics and doctrine that are still in use today. See Technology during World War I for a detailed discussion.

An important feature of industrial age warfare was technological escalation - innovations were rapidly matched through replication or countered by yet another innovation. The technological escalation during World War I (WW I) was profound, producing armed aircraft and tanks.

This continued in the inter-war period (between WW I and WW II) with continuous evolution of all weapon systems by all major industrial powers. Many modern military weapons, particularly ground-based ones, are relatively minor improvements of weapon systems developed during World War II. See military technology during World War II for a detailed discussion.

Modern[link]

The Vickers was the successor to the Maxim gun and remained in British military service for 79 consecutive years.

Since the mid-18th century North American French-Indian war through the beginning of the 20th century, human-powered weapons were reduced from the primary weaponry of the battlefield yielding to gunpowder-based weaponry. Sometimes referred to as the "Age of Rifles",^[14] this period was characterized by the development of firearms for infantry and cannons for support, as well as the beginnings of mechanized weapons such as the machine gun, the tank and the wide introduction of aircraft into warfare, including naval warfare with the introduction of the aircraft carriers.

World War I marked the entry of fully industrialized warfare as well as weapons of mass destruction (e.g. chemical and biological), and weapons were developed quickly to meet wartime needs. Above all it promised to the military commanders the independence from the horse and the resurgence in maneuver warfare through extensive use of motor vehicles. The changes that these military technologies underwent before and during the Second World War were evolutionary, but defined the development for the rest of the century.

World War II however, perhaps marked the most frantic period of weapons development in the history of humanity. Massive numbers of new designs and concepts were fielded, and all existing technologies were improved between 1939 and 1945. The most powerful weapon invented during this period was the atomic bomb, however many more weapons influenced the world in different ways.

Nuclear age and beyond[link]

Since the realization of Mutually Assured Destruction (MAD), the nuclear option of all-out war is no longer considered a survivable scenario. During the Cold War in the years following World War II, both the United States and the former Soviet Union engaged in a nuclear arms race. Each country and their allied blocks continually attempted to out-develop each other in the field of nuclear armaments. Once the joint technological capabilities reached the point of being able to ensure the destruction of the entire planet (see Mutually Assured Destruction) then a new tactic had to be developed. With this realization, armaments development funding shifted back to primarily sponsoring the development of conventional arms technologies for support of limited wars rather than nuclear war.^[15]

Classification[link]

By user[link]

- what person or unit uses the weapon

• Personal weapons (or small arms) - designed to be used by a single person.
• Hunting weapon - primarily for hunting game animals for food or sport
• Infantry support weapons - larger than personal weapons, requiring two or more people to operate correctly.
• Fortification weapons - mounted in a permanent installation, or used primarily within a fortification. Usually high caliber.
• Mountain weapons - for use by mountain forces or those operating in difficult terrain. This includes modifications of existing weapons for paratroopers.
• Vehicle weapons - to be mounted on any type of combat vehicle.
• Railway weapons - designed to be mounted on railway cars, including armored trains.
• Aircraft weapons - carried on and used by some type of aircraft, helicopter, or other aerial vehicle.
• Naval weapons - mounted on ships and submarines.
• Space weapons - are designed to be used in or launched from space.

By function[link]

- the construction of the weapon and principle of operation

• Antimatter weapons (theoretical) would combine matter and antimatter to cause a powerful explosion.
• Archery weapons operate by using a tensioned string and bent solid to launch a projectile.
• Artillery are firearms capable of launching heavy projectiles over long distances, which can explode on impact.
• Biological weapons spread biological agents, causing disease or infection.
• Chemical weapons, poisoning and causing reactions.
• Energy weapons rely on concentrating forms of energy to attack, such as lasers or sonic attack.
• Explosive weapons use a physical explosion to create blast concussion or spread shrapnel.
• Firearms use a chemical charge to launch projectiles.
• Improvised weapons are common objects, reused as weapons, such as crowbars and kitchen knives.
• Incendiary weapons cause damage by fire.
• Non-lethal weapons are designed to subdue without killing.
• Magnetic weapons use magnetic fields to propel projectiles, or to focus particle beams.
• Mêlée weapons operate as physical extensions of the user's body and directly impact their target.
• Missiles are rockets which are guided to their target after launch. (Also a general term for projectile weapons).
• Nuclear weapons use radioactive materials to create nuclear fission and/or nuclear fusion detonations.
• Primitive weapons make little or no use of technological or industrial elements.
• Ranged weapons (unlike Mêlée weapons), target a distant object or person.
• Rockets use chemical propellant to accelerate a projectile
• Suicide weapons exploit the willingness of their operator to not survive the attack.
• Trojan weapons appear on face value to be gifts, though the intent is to in some way harm the recipient.

By target[link]

- the type of target the weapon is designed to attack

• Anti-aircraft weapons target missiles and aerial vehicles in flight.
• Anti-fortification weapons are designed to target enemy installations.
• Anti-personnel weapons are designed to attack people, either individually or in numbers.
• Anti-radiation weapons target sources of electronic radiation, particularly radar emitters.
• Anti-satellite weapons target orbiting satellites.
• Anti-ship weapons target ships and vessels on water.
• Anti-submarine weapons target submarines and other underwater targets.
• Anti-tank weapons are designed to defeat armored targets.
• Area denial weapons target territory, making it unsafe or unsuitable for enemy use or travel.
• Hunting weapons are civilian weapons used to hunt animals.
• Infantry support weapons are designed to attack various threats to infantry units.

Legislation[link]

The production, possession, trade and use of many weapons are controlled. This may be at a local or central government level and in some cases is governed by international treaty.

Examples of such controls include:

• The right of self-defense
• Knife legislation
• Air gun laws
• Gun law
• Arms trafficking laws
• Arms control treaties
• Space Preservation Treaty

See also[link]

• Arms industry
• List of martial arts weapons
• List of practice weapons
• Lists of weapons
• Riot control
• Toy weapon
• Weapon mount

References[link]

This article cites its sources but does not provide page references. You can help to improve it by introducing citations that are more precise.

Further reading[link]

• U.S.Congress, Office of Technology Assessment, Improving the prospects for future international peace operations: workshop proceedings, OTA-BP-ISS-167, Washington DC, US Government Printing Office, September 1995
• Hind, Edward, My Magazine: Being a Series of Poems, Tales, Sketches, Essays, Orations, Etc.,: The Present Age - An oration J. and H. Clarke, London, 1860

External links[link]

Wikiquote has a collection of quotations related to: Weapon

Wikimedia Commons has media related to: Weapons

• Higgins Armory Museum
• Modern Firearms Encyclopedia
• Society of the Military Horse
• Pentagon plans cyber-insect army
• Weapon Systems
• Antique firearms
• Gladius Scholarly journal on Ancient and Medieval Weapons
• Modern Military Weapons
• Arms Weapons

Matthew Good
Background information
Birth name	Matthew Frederick Robert Good
Born	(1971-06-29) June 29, 1971 (age 40) Burnaby, British Columbia
Origin	Coquitlam, British Columbia
Genres	Rock, alternative rock, acoustic
Occupations	Musician, songwriter
Instruments	Vocals, guitar, piano, bass, percussion
Years active	1991–present
Labels	Universal Music Canada, Darktown, A&M, Atlantic
Associated acts	Matthew Good Band, Rodchester Kings
Website	www.matthewgood.org

Matthew Frederick Robert Good (born June 29, 1971) is a Canadian rock musician. He was the lead singer for the Matthew Good Band, one of Canada's most successful alternative rock bands in the 1990s, before dissolving the band in 2002. Other band members included drummer Ian Browne, guitarist/keyboardist Dave Genn, and original bassist Geoff Lloyd, later replaced by Rich Priske. In the years since the Matthew Good Band's disbanding, Good has pursued a solo career and established himself as a political activist and blogger. He is also credited with coining the phrase first world problems.^[1]

Matthew Good Band[link]

Formation[link]

Good's early career in music involved a variety of folk demos and a stint as the lead singer of a folk band, the Rodchester Kings. Matthew Good and guitarist Simon Woodcock were discovered at an open mic at Simon Fraser University by manager Brent Christensen. Early Rodchester Kings demos were recorded at Fragrant Time Records in Burnaby by Greg Wasmuth and Steven Codling.

The Matthew Good Band was formed in Coquitlam, British Columbia in 1993. In late 1993 they recorded a short demo tape called "Euphony", which featured acoustic songs like "Mercy Misses You", "Heather's Like Sunday", and the title track "Euphony". In 1994, they won a prize in CFOX 99.3's annual local Vancouver independent artist competition "Vancouver Seeds". The prize included recording time at a local studio/recording school, where, in September 1994, they recorded "15 hours on a September Thursday". This demo tape included songs like "Second Sun", "Dancing Invisible", and "Push". In December 1994, the band signed a publishing deal with EMI Publishing.

In March 1995, the original band went on tour across Canada. Upon return, the band split up and Matt started over with a new group of musicians.

Last of the Ghetto Astronauts[link]

In mid-1995, they released their debut full-length album, Last of the Ghetto Astronauts. Although initially popular only in the Vancouver area, the album began to catch on across Canada in 1996, with the singles "Alabama Motel Room", "Symbolistic White Walls", and "Haven't Slept in Years" becoming significant hits on radio and MuchMusic. Last of the Ghetto Astronauts, made on a budget of roughly five thousand Canadian dollars, eventually set the mark as the highest selling independent label release by a Canadian artist.

Underdogs[link]

The band's 1997 album Underdogs spawned the hit singles "Everything Is Automatic", "Indestructible" and "Apparitions", the latter of which remains the band's most successful single. Good's political outspokenness and brash confidence were unusual in the Canadian rock scene of the 1990s, and he was soon recognized as much for his seemingly difficult disposition as for his musical talent. As a nod to his reputation, merchandise with the phrase "I Hear Matt Good Is a Real Asshole" was sold at MGB shows. He also maintained a subversive image, sometimes posing for publicity photos in a gorilla mask.

Beautiful Midnight[link]

Beautiful Midnight, which saw the departure of Lloyd and the joining of Rich Priske as the new bassist, followed in 1999 and became hugely successful via the singles "Hello Time Bomb", "Strange Days", and "Load Me Up". The album skyrocketed the band's celebrity status and earned them two Juno awards in 2000, for Best Group and Best Rock Album. (Good himself boycotts the Juno Awards, and guitarist Dave Genn has been quoted as saying that he only attends for the open bar.)

The Audio of Being/break-up[link]

After touring Beautiful Midnight for nearly two years, the band set to work on The Audio of Being. The album's creation came during a difficult emotional period for Good. While he struggled to deal with the band's success, he was diagnosed with sarcoidosis, a disease that causes lesions to form in the lungs, prompting him to temporarily quit smoking.^[2] Following throat surgery to remove a nodule from a vocal cord, Good holed up for three weeks in a hotel in Whistler to work on songs. Good later wrote that he spent much of the time "trying to keep down food supplement bars, trying to forget the growing tension within the band, the high expectations of needing to produce 'hit songs' (whatever they are these days), throwing up, and trying to find some semblance of direction in my personal life."

The band entered the studio in late 2000 to record the material. The sessions saw a great deal of intra-band turmoil, with Dave Genn quitting the band before the album was complete. He returned a few days later, however, only to quit permanently not long after the album's release in October 2001. Following Genn's departure, Good dissolved the band in 2002.

Solo career[link]

[edit] Avalanche (2003)

Good released his solo debut, Avalanche, in 2003. The album featured major stylistic differences from those recorded with the previous band, and featured the Vancouver Symphony Orchestra on several tracks, including the first two singles, "Weapon" and "In a World Called Catastrophe". Good recorded the album with long-time MGB producer Warne Livesey, who earned a Juno nomination for the effort.

Good and co-director Ante Kovac were also nominated for a Juno Award for Best Video of the Year for "Weapon". Despite winning three Junos total, Good has not accepted any of the three Juno Awards he has won. He later criticized the awards several years later in 2009 for not promoting Canadian music at the grassroots level, saying "When it ... isn't kind of this weekend when the Canadian music industry pretends that it's ... not just marketing warehouses for the United States, then sure, I'll be a part of it."^[3] Kovac received the award alone on stage. In a later commentary, Good related that Kovac's first edit of the video was far too standard, with gratuitous and generic fades. After firing Kovac, Good flew to Toronto and worked with video editor J. D. Shaw to re-craft the footage. While working on the edit, Good began to experiment with overlaying text and adding still frames and stock photos to help deliver the message. Good noted that he felt that the video was his favourite from his catalogue.

The "vinyl" version is still available through some internet resellers; the "vinyl" version, autographed is known to fetch upwards of $1200 on eBay.

[edit] White Light Rock & Roll Review (2004)

Good's second solo album, the politically charged White Light Rock & Roll Review, was released June 15, 2004. Video singles included "Alert Status Red" and "It's Been a While Since I Was Your Man". For the album, Good elected to take a stripped-down approach. Rather than record each instrument separately, Good and his new band (which consisted of himself, former MGB bassist Rich Priske, guitarist Christian Thor Valdson and drummer Patrick Steward) recorded the songs as a unit, with Good adding vocals and additional guitar parts later. Good later noted that he loved the freedom of being able to write a song, enter the studio, and have a recording completed almost immediately, rather than having to deal with the sometimes arduous process of recording layers and layers of music for a single song.

Good encountered controversy with the video for "Alert Status Red". Initially, the video was intended to be a concept piece, directed by Good. However, upon entering the editing stage, he realized he hadn't shot enough footage to make his concept work. He opted to turn all of the footage over to Kyle Davison, who directed the video for "In a World Called Catastrophe", to see if anything could be made out of it. Davison came up with his own concept, edited it together, and sent the finished product to Good. Good approved of the video, and made it available for download on his website. Good, however, was unaware that Davison had utilized several short clips of surveillance footage of the Columbine High School shootings in the piece. Upon hearing about the clips from individuals who felt the use was insensitive, Good pulled the video from his website. After watching it again, he decided to enlist the opinions of others, including MuchMusic, to see if they had any objections. Most felt it was reasonable, granted that the use wasn't exploitative and helped to support the message of the video, a message that they believed was decidedly relevant. Good agreed. He then returned the video to his website and expressed his support for the work of his co-director.

[edit] In a Coma (2005)

In March 2005, Good brought in Ryan Dahle and Meegee Bradfield of Limblifter to join his band (replacing Valdson and Priske). Good noted that he was concerned his previous line-up had run its course creatively, and that, as a solo artist, he was graced with the freedom to change direction by involving different musicians. He hoped that Dahle and Bradfield might be able to lend a new perspective to familiar material. In April, the lineup entered the studio and recorded two tracks for the Matthew Good best-of, "Big City Life" and "Oh Be Joyful". However, when Good undertook a brief tour of Ontario in July 2005, he was rejoined by Priske and Valdson.

A compilation of Good's work with the Matthew Good Band as well as his solo material was released in September 2005, titled In a Coma: Matthew Good 1995-2005. The first single from the album, "Oh Be Joyful", was released at the end of July.

Good took particular care in the production of the expanded deluxe edition of In a Coma, which included an additional CD and a DVD. In April 2005, Good entered the studio and recorded nine songs from his catalog, reworked and performed acoustically. As a nod to fans who were unable to find them, the CD also included all of the tracks from the out-of-print EPs Lo-Fi B-Sides and Loser Anthems. The DVD featured the complete library of Good's music videos, including a new video for "While We Were Hunting Rabbits" from Avalanche developed by animation students at Sheridan College.

Following the release of In a Coma, Good began demoing songs for a new album. While promoting In a Coma, Good noted that he might use the release of the compilation to mark the end of the first era of his career, where he could then move on to write "weirder" music. In December 2005, Good previewed a demo called "Black Helicopter", which he recorded at home using GarageBand on an Apple Power Mac G5.

In March 2006, Good embarked on a solo acoustic tour of Canada, which featured smaller crowds and more intimate settings. Good spent several weeks leading up to the tour reworking many of his older songs to fit a solo acoustic format, including rarities such as "Fated" and "Life Beyond the Minimum Safe Distance". He was joined on tour by opening act Melissa McClelland, with whom he played a cover of Johnny Cash's cover version of the Nine Inch Nails song "Hurt" at the end of his solo performances.

[edit] Hospital Music (2007)

In the aftermath of divorcing his wife, developing an addiction to Ativan and being diagnosed with bipolar disorder, Good channeled the emotional turmoil into his next album, 2007's Hospital Music.^[4] The album was the first self-produced effort of his career and was written during his recovery from overdosing on Ativan and a stay in the psychiatric ward.^[4] Hospital Music included thinly veiled allusions to his divorce ("I Am Not Safer Than a Bank" and "She's in It for the Money") as well as darker subjects, such as Good's close friend Rod Bruno (who appears on guitar, bass and vocals throughout the record) losing his father to cancer ("99% of Us Is Failure"). The album also featured two cover songs, a radically reworked version of the Dead Kennedys' "Moon Over Marin" and Daniel Johnston's "True Love Will Find You in the End". The album's first single "Born Losers" was also a success, peaking at #27 on the Canadian Hot 100.

Hospital Music was additionally influenced by Good's proximity to Vancouver's notorious Downtown Eastside neighbourhood, just blocks away from his Gastown loft.^[4] The opening sound bites in both "Girl Wedged Under the Front of a Firebird" and album-opener "Champions of Nothing" feature men narrating snippets of their experience from the impoverished neighbourhood.^[4]

Hospital Music debuted at the top of the Canadian albums chart, Good's first number one album since Beautiful Midnight.^[5] The album also marked the end of his recording and publishing contracts.^[6]

In support of Hospital Music, Good embarked on a brief solo tour of the United States in March 2008, and began a full-band tour of Canada in May.

[edit] Vancouver (2009)

In July 2008, Good announced he had begun working on his fourth solo album to be titled Vancouver.^[7] After entering the studio in early 2009 to record Vancouver, Good confirmed that he had re-signed with Universal Music Canada and the new album would not be an indie release. The album was released on October 6, 2009. For about a month prior to its release, the album was made available on his website for free streaming, stating a desire to make his music as accessible as possible.^[8] The first single from the album is "Last Parade."

Vancouver was a reflection of Good's experiences and opinions of his hometown. "It's kind of like the way we were, the way we are – that kind of thing," Good has explained, referring to a sense of the city's "depletion", mostly in regards to the situation in the Downtown Eastside.^[9] The album also continued to explore Good's personal life, including his mental illness. He later described the recording of Hospital Music and Vancouver as having together "closed chapters" regarding his personal life, allowing him to focus his energy on a stylistically different project for his next album.^[10]

Nominated for "Rock Album of the Year" at the 2011 Juno Awards, Vancouver beat out Bears, Mayors, Scraps & Bones (Cancer Bats), Fino + Bleed (Die Mannequin), Life Turns Electric (Finger Eleven) and Population Declining (Hail the Villain), marking the second time Good won the award. He first won the category with the Matthew Good Band in 2000 with Beautiful Midnight.

A Canadian tour in support of Vancouver was announced in September 2009 and ran from October 3 to December 19. Joining Good and his band as a supporting act was fellow Vancouver-based group Mother Mother.^[11] The following year, he toured the United States from March 8, 2010, to April 4.

[edit] Lights of Endangered Species (2011)

Good entered the studio on October 19, 2010, to record his fifth album as a solo artist, Lights of Endangered Species. He again worked with producer Warne Livesey, marking the sixth album Warne has produced with Good.^[12] Good and Warne's Facebook wall postings stated tracking was completed November 20, while mixing of the record was completed on December 11. The album was mastered in England during the first half of 2011 and was subsequently released on May 31. The track listing was released in the members section of matthewgood.org on January 13, 2011. The first single from the album, "In a Place of Lesser Men", was released on March 21 via Soundcloud.

Writings[link]

Beyond his music career, Good has also been a writer and blogger. From late 1997 through the end of 2000, Good published a series of monthly "manifestos" on the band's website. Many of these were later compiled and released in his debut book At Last There Is Nothing Left To Say, published in 2001 by Insomniac Press (ISBN 1-894663-08-X).

Throughout his life, Good has found a passion for politics and history. He once commented that he would have become a history teacher had he not found success as a musician. In recent years, he has made his political views far more public, and has used his website to express his opinions about the Canadian government, the effects of the United States' foreign policy, and world crises like the conflict in Darfur, Sudan. Good has also been heavily involved with Amnesty International, bringing Amnesty representatives on the road with him during his 2004 tour and offering a limited-edition soccer jersey on his website with proceeds going to Amnesty.

In 2008, Good created a new website entitled Dear San Diego, on which he writes fictional journal entries. In an interview, Good said regarding his writing: "It comes from the need inside of me to make fun of people. And my need to make fun of myself. I like writing things that are both intelligent and subversive. There's so much for me to write about – society has become so absolutely ridiculous."^[13]

Good's blogs are 'tweeted' to over 5000 followers. Until recently Good made a practice of return following all Twitter followers but recently has found that reading so much content from these followers has left him with no other option but to unfollow all but a few.^[14]

Personal life[link]

Good, whose family background is English,^[15] was born in Burnaby, British Columbia, and grew up in Coquitlam – both suburbs of Vancouver. After living in various parts of Vancouver for the majority of his career, Good moved to Maple Ridge around the time of Vancouver's 2009 release.^[9]

Good has been affected by ongoing bouts of mania and anxiety throughout his career, many of which he credited to the stresses of popularity.^[4] He recalls regularly passing out and vomiting during the time of The Audio of Being's recording in 2001.^[15] Behind the scenes of Good's 2005 release of In a Coma and his subsequent touring, Good's ongoing mental health concerns escalated, particularly following the unexpected separation from his wife,^[4] Jennifer,^[15] in February 2006. In early 2006, prior to a solo acoustic tour of Canada, Good was prescribed Ativan to help counter his anxiety. During a stop in Kingston, Ontario, Good was rushed to the hospital following an adverse reaction to the Ativan. The last two shows of the tour were cancelled for what Good later explained was a "nervous breakdown".^[16]

The following summer, Good planned to spend several months in Europe to write a book. However, just a few days into the trip, Good found himself overwhelmed emotionally, experiencing what he described as the "absolute worst manic episode" while visiting friends in Bristol.^[17] He returned to Vancouver, moving into his parents' home. While there, Good began to find himself with an increasing dependence on Ativan. One night, Good was discovered unconscious and rushed to the hospital, having taken upwards of forty Ativan tablets and suffering an overdose. During a brief stay in the hospital's psychiatric ward, to which he willfully committed himself,^[4] Good was diagnosed with bipolar disorder.^[18] The genetic illness was traced back to his mother's side.^[17] Recalling past events and stages throughout his life, he has described the diagnosis as a relief, adding "it was like finding the final pieces of the puzzle."^[17] Good wrote much of his material for his 2007 release, Hospital Music during his recovery.^[4]

Good was remarried on April 15, 2010.^[19]

Good's son Thomas MacDonald Good was born February 7, 2011.^[20]

Discography[link]

Matthew Good Band discography[link]

• Last of the Ghetto Astronauts (1995)
• Underdogs (1997)
• Beautiful Midnight (1999)
• The Audio of Being (2001)

Solo discography[link]

• Avalanche (2003)
• White Light Rock & Roll Review (2004)
• In A Coma: 1995-2005 (2005)
• Hospital Music (2007)
• Live At Massey Hall (2008)
• Vancouver (2009)
• Lights of Endangered Species (2011) ^[21]

See also[link]

• Canadian rock
• Music of Canada
• List of musical artists from Canada

References[link]

Further reading[link]

• Good, Matthew (2001). At Last There Is Nothing Left To Say. Insomniac Press. ISBN 1-894663-08-X. 

External links[link]

Wikimedia Commons has media related to: Matthew Good

• Official website
• Matthew Good at the Internet Movie Database
• Matthew Good on Twitter
• Near Fantastica, fansite

Zac Champion (born June 29, 1984 in Birmingham, Alabama) is an American football quarterback for the Winnipeg Blue Bombers of the Canadian Football League. Champion was released from the BC Lions on May 10, 2010. On June 7, 2010 Champion was signed by the Calgary Stampeders and was competing for third-string Quarterback against Daryll Clark. After playing two disappointing pre-season starts he lost the spot against Clark for third-string Quarterback. One week after he lost his job to Clark, Champion got cut down to the practice roster. On week four of the CFL season he was placed on waivers, two weeks later. on October 20 he was signed to the practice roster for the Winnipeg Blue Bombers after Steven Jyles and Alex Bink were both injured. Champion started as a quarterback for the Louisiana Tech University football team until his graduation following the 2007 season.^[1]

His senior year, Champion's Bulldogs went 5-7. Champion passed for 2221 yards and 13 touchdowns and throwing only 2 interceptions.

References[link]

Zac Champion played for the BC LIONS as well making just a few cameo appearances.

External links[link]

Biography portal

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Fred Hammond (born December 29, 1961]].^[2] in Detroit, Michigan)^[3] is a gospel singer, bass guitar player, and record producer.

Musical career[link]

Hammond has been active both as a member of the gospel performing group Commissioned, and as a solo artist (currently for Verity Records). He is a multiple Grammy-, Dove-, Stellar- award winner and nominee as a performer, producer and writer.

Hammond first gained recognition while playing bass guitar for the gospel group The Winans.^[2] By 1985 he was one of the six original members of the group Commissioned, participating in 10 of the group's 12 albums.

After his stint with Commissioned ended, he regained fame in the gospel community after selling millions of albums with his musical group Radical For Christ.

In 2002 Hammond returned to the group Commissioned (now with members Keith Staten, Marvin Sapp, Mitchell Jones, Karl Reid, Michael Williams, and Marcus Cole) to produce the Commissioned Reunion Live album.

Hammond produced Make Me Like The Moon, a stirring gospel ballad co-written by Chante Moore and Kenny Lattimore for their 2006 double-CD of gospel and R&B love songs entitled Uncovered/Covered (released October 10, 2006 by LaFace/Verity/Zomba Music Group). He also performs with Sean Combs on the album Thank You.

Discography[link]

Albums[link]

Notable singles[link]

Billboard chart history[link]

Albums[link]

Awards[link]

Award wins[link]

Award nominations[link]