Jacqueline Bisset
Bisset in September 2007
Born	Winifred Jacqueline Fraser Bisset (1944-09-13) 13 September 1944 (age 67) Weybridge, Surrey, England, UK
Occupation	Actress
Years active	1965–present

Jacqueline Bisset (born 13 September 1944) is an English actress. She has been nominated for four Golden Globe Awards and an Emmy Award. She is known for her roles in the films Casino Royale (1967), Bullitt (1968), Airport (1970), The Deep (1977), Class (1983), and the TV series Nip/Tuck (2006). She has also appeared in several French productions and was nominated for a César Award for La Cérémonie (1995). She was awarded the Légion d'honneur in 2010.^[1]

Early life and family[link]

Bisset was born Winifred Jacqueline Fraser Bisset^[2] in Weybridge, Surrey, England, the daughter of Arlette Alexander, a lawyer turned housewife, and Max Fraser Bisset, a general practitioner.^[3] She was brought up in Reading, Berkshire, where she lived in the suburb of Tilehurst. Her father was Scottish and her mother was of French and English descent;^[4][5] Bisset's mother cycled from Paris and boarded a British troop transport to escape the Germans during World War II.^[6] Bisset has a brother, Max. Her mother taught her to speak French fluently, and she was educated at the Lycée Français Charles de Gaulle in London. She had taken ballet lessons as a child and began taking acting lessons and fashion modelling to pay for them. When Bisset was a teenager, her mother was diagnosed with disseminating sclerosis. In the following years while Bisset was working as an actress in Hollywood, she made frequent trips back home in order to care for her mother, which she says got in the way of her personal relationships.^[7]

Bisset's parents divorced in 1968, after 28 years of marriage.^[6] Her father died aged 71 of a brain tumour in 1982. Her mother died in 1999.^[8]

Career[link]

Bisset at the 1989 Academy Awards

Bisset made her screen debut with a bit part in The Knack ...and How to Get It (1965). Her first speaking role was in the 1966 film Cul-de-sac, starring Donald Pleasence and directed by Roman Polanski. She was cast in the romance film Two for the Road (1967) starring Audrey Hepburn, and played her first lead role opposite James Brolin in The Cape Town Affair (1967). She participated in the 1967 James Bond satire, Casino Royale, as Miss Goodthighs. In 1968, she replaced Mia Farrow to star opposite Frank Sinatra in The Detective; Farrow and Sinatra had split shortly before production began and the role was given to Bisset, who received special billing in the film's credits.

Bisset's break-out role was as Steve McQueen's girlfriend in the hit action film Bullitt, also released in 1968. The following year she received her first Golden Globe nomination as New Star of the Year for her performance in The Sweet Ride, and played her first sexy "older woman" (at 25) in The First Time (1969).^[9] She was one of the many stars in the blockbuster disaster film Airport (1970), a Best Picture nominee in which she acted opposite Dean Martin and Helen Hayes. She co-starred with Sean Connery in Murder on the Orient Express (1974).

Bisset made strides towards becoming a better-known entertainer in America with The Deep (1977), co-starring Robert Shaw and Nick Nolte and directed by Peter Yates, who had previously directed her in Bullitt. A scene of her swimming underwater wearing only a thin, white T-shirt and bikini bottom helped make the film a box office success, leading the producer Peter Guber to say, "That T-shirt made me a rich man".^[10] At the time, Newsweek declared her "the most beautiful film actress of all time." About that time, a small film Bisset had made six years earlier was re-released in the United States under the title Secrets. That movie featured the only extensive nude scenes of Bisset's career and the producers cashed in on her fame. She earned a Golden Globe nomination for the comedy Who Is Killing the Great Chefs of Europe? (1978).

Soon thereafter, she starred in the movies Rich and Famous (1981) with Candice Bergen, Class (1983) (playing a woman who seduces her son's best friend) co-starring Rob Lowe and Andrew McCarthy, and Under the Volcano (1984), for which she earned her a second Golden Globe nomination. Bisset often appeared with her leading men in more than one film. She was cast as Paul Newman's daughter in The Life and Times of Judge Roy Bean, then as his girlfriend in When Time Ran Out. Bisset has also worked with Albert Finney, Mickey Rourke, Anthony Perkins, and Michael York on multiple occasions. Bisset has worked with such directors as François Truffaut, John Huston, Stanley Donen, Sidney Lumet and George Cukor. Several of her older movies are French or Italian productions.

Bisset has appeared in many made-for-TV and independent films, especially in recent years. In 1996, she was nominated for a César Award, for her role in La Cérémonie. She received Golden Globe and Emmy Award nominations for the 1999 miniseries Joan of Arc. Other notable projects include the acclaimed Biblical epics Jesus (1999) and In the Beginning (2000) with Martin Landau. She made guest appearances on Ally McBeal during 2001–2002, and Law and Order: Special Victims Unit in 2003. One of her later TV movies, in 2003, was America's Prince: The John F. Kennedy Jr. Story, in which she portrayed Jacqueline Bouvier Kennedy Onassis. In 2005, she appeared in the action movie Domino with Keira Knightley. Bisset's most recent television work was a recurring role as the mysterious James, during the fourth season of the FX series Nip/Tuck in 2006. Later she starred in An Old Fashioned Thanksgiving, which premiered on the Hallmark Channel on 22 November 2008. In the same year she also garnered acclaim for her role in the Holocaust drama, Death in Love. She recently^[when?] finished filming The Last Film Festival, which will be the final screen appearance of Dennis Hopper.

Unlike many actresses of her generation who have difficulty finding work after 40, Bisset has made a seamless transition from leading lady to character actor.^{[original research?]} She remains in demand in Hollywood and Europe.^{[citation needed]} She told a Bermuda newspaper in 2004:^[11]

This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young and they go to the cinema to see the sort of romance or adventure that appeals to them. It's not an intellectual cinema in America. But one mustn't be too greedy. One wants to be stimulated by the work as long as there is something to give. I think you have to be as flexible as possible. Perhaps you don't get handed the big American productions, but, quite honestly, who would want to be in a lot of them? Many of them are just puerile teenage filler, and they're not fascinating to be in. To be used in a part without depth is a frustrating feeling, when you know you have something to give, and the camera just sort of brushes past you, and doesn't get what you have to give. Most actresses I know are frustrated, but you have to adapt to the reality. I go and find a small part in something I find interesting, or find an independent film."

Bisset co-starred in the independent film, Latter Days where she played the role of 'Lila'.^[12] Bisset has starred in a large number of independent films throughout her career.

Personal life[link]

Bisset in September 2007

Bisset is godmother to actress Angelina Jolie. She appeared with Jolie in the film Mr. and Mrs. Smith (2005); however, their scenes together were deleted during postproduction.

Bisset has never married, though she has had several lengthy romances. These include a relationship with the actor Michael Sarrazin that lasted over 10 years^[13] and with the Russian-American dancer and actor Alexander Godunov.^[14] “I feel like I was married to them because I was very dedicated to them,” she said in a 2008 interview. “But I also used to feel claustrophobic. Like many people who don’t easily commit, I think I had a fear of being known; I was not sure there was anybody inside there.”^[15]

She divides her time between homes in England and Beverly Hills, California.

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Jacqueline Bisset

• Jacqueline Bisset at the Internet Movie Database
• Jacqueline Bisset at the TCM Movie Database
• Jacqueline Bisset biography, filmography, commentary
• Jacqueline Bisset interview

For other people named Anthony Quinn see Anthony Quinn (disambiguation).

Anthony Quinn
Anthony Quinn in 1988
Born	Antonio Rodolfo Quinn Oaxaca (1915-04-21)April 21, 1915 Chihuahua, Chihuahua, Mexico
Died	June 3, 2001(2001-06-03) (aged 86) Boston, Massachusetts, United States
Occupation	Actor, painter, writer, film director
Years active	1936–2001
Spouse	Katherine DeMille (1937–65; 5 children) Jolanda Addolori (1966–97; 3 Children) Kathy Benvin (1997–2001; 2 children)
Partner	Friedel Dunbar (2 children)

Antonio Rodolfo Quinn-Oaxaca (April 21, 1915 – June 3, 2001), more commonly known as Anthony Quinn, was a Mexican and American actor, as well as a painter and writer. He starred in numerous critically acclaimed and commercially successful films, including Zorba the Greek, Lawrence of Arabia, The Guns of Navarone, The Message, Guns for San Sebastian, Lion of the Desert and Federico Fellini's La Strada. He won the Academy Award for Best Supporting Actor twice; for Viva Zapata! in 1952 and Lust for Life in 1956.

Early life[link]

Quinn was born Antonio Reyes in Chihuahua, Chihuahua, Mexico, during the Mexican Revolution. His mother, Manuela "Nellie" Oaxaca, was of Aztec Indian ancestry.^[1][2] His father, Francisco Quinn, was also born in Mexico, to an Irish immigrant father from County Cork and a Mexican mother.^[3] Frank Quinn rode with Pancho Villa, then later moved to Los Angeles and became an assistant cameraman at a movie studio. In Quinn's autobiography The Original Sin: A Self-Portrait by Anthony Quinn he denied being the son of an "Irish adventurer" and attributed that tale to Hollywood publicists.^[4]

When he was six years old, Quinn attended a Catholic church (even thinking he wanted to become a priest). At age eleven, however, he joined the Pentecostals in the International Church of the Foursquare Gospel (the Pentecostal followers of Aimee Semple McPherson).^[5]

Quinn grew up first in El Paso, Texas, and later the Boyle Heights and the Echo Park areas of Los Angeles, California. He attended Hammel Street Elementary School, Belvedere Junior High School, Polytechnic High School and finally Belmont High School with future baseball player and General Hospital star, John Beradino, but left before graduating. Tucson High School in Arizona, many years later, awarded him an honorary high school diploma.

As a young man Quinn boxed professionally to earn money, then studied art and architecture under Frank Lloyd Wright, both at Wright's Arizona residence and his Wisconsin studio, Taliesin. The two very different men became friends. When Quinn mentioned he was drawn to acting, Wright encouraged him. Quinn said he had been offered $800 a week by a film studio and didn't know what to do. Wright replied, "Take it, you'll never make that much with me."^{[cite this quote]}

In a rerun of an interview done with Anthony Quinn in 1999 for Turner Classic Movies' "Private Screenings with Robert Osborne" (repeated April 21, 2009), Mr. Quinn said that the contract was for $300 a week.

Career[link]

After a short time performing on the stage, Quinn launched his film career performing character roles in the 1936 films Parole (his debut) and The Milky Way. He played "ethnic" villains in Paramount films such as Dangerous to Know (1938) and Road to Morocco, and played a more sympathetic Crazy Horse in They Died with Their Boots On with Errol Flynn. By 1947, he had appeared in over 50 films and had played Indians, Mafia dons, Hawaiian chiefs, Filipino freedom-fighters, Chinese guerrillas, and Arab sheiks, but was still not a major star. He returned to the theater, playing Stanley Kowalski in A Streetcar Named Desire on Broadway. In 1947, he became a naturalized citizen of the United States.^[2]

as Eufemio Zapata with Marlon Brando's Emiliano Zapata in Viva Zapata! (1952)

He came back to Hollywood in the early 1950s, specializing in tough roles. He was cast in a series of B-adventures such as Mask of the Avenger (1951). His big break came from playing opposite Marlon Brando in Elia Kazan's Viva Zapata! (1952). Quinn wanted to play the lead role of Zapata but Brando coming off his recent success in the film Streetcar Named Desire was Kazan's first choice. However his supporting role as Zapata's brother won Quinn an Oscar while Brando lost the Oscar for Best Actor to Gary Cooper in High Noon. He was the first Mexican-American to win any Academy Award. He appeared in several Italian films starting in 1953, turning in one of his best performances as a dim-witted, thuggish and volatile strongman in Federico Fellini's La strada (1954) opposite Giulietta Masina. Quinn won his second Oscar for Best Supporting Actor by portraying the painter Paul Gauguin in Vincente Minnelli's van Gogh biographical film, Lust for Life (1956). The award was remarkable as he was on screen for only 8 minutes. The following year, he received an Oscar nomination for his part in George Cukor's Wild Is the Wind. In The River's Edge (1957), he played the husband of the former girlfriend (played by Debra Paget) of a killer (Ray Milland), who turns up with a stolen fortune and forces Quinn and Paget at gunpoint to guide him safely to Mexico. Quinn starred in The Savage Innocents 1959 (film) as Inuk, an Eskimo who finds himself caught between two clashing cultures.

Quinn in his Oscar nominated role for Zorba the Greek

As the decade ended, Quinn allowed his age to show and began his transformation into a major character actor. His physique filled out, his hair grayed, and his once smooth, swarthy face weathered and became more rugged. He played a Greek resistance fighter in The Guns of Navarone (1961), an ideal ex-boxer in Requiem for a Heavyweight, and a natural for the role of Auda abu Tayi in Lawrence of Arabia (both 1962). That year he also played the title role in Barabbas, based on a novel by Pär Lagerkvist. The success of Zorba the Greek in 1964 was the high water mark of his career and resulted in another Oscar nomination for Best Actor. Other films include The 25th Hour (1967), with Virna Lisi; The Magus (1968), with Michael Caine and Candice Bergen, and based on the novel by John Fowles; La Bataille de San Sebastian (Guns for San Sebastian) with Charles Bronson; and The Shoes of the Fisherman, where he played a Ukrainian pope. In 1969, he starred in The Secret of Santa Vittoria with Anna Magnani.

He appeared on Broadway to great acclaim in Becket, as King Henry II to Laurence Olivier's Thomas Becket in 1960. An erroneous story arose in later years that during the run, Quinn and Olivier switched roles and Quinn played Becket to Olivier's King. In fact, Quinn left the production for a film, never having played Becket, and director Peter Glenville suggested a road tour with Olivier as Henry. Olivier happily agreed and Arthur Kennedy took on the role of Becket for the tour and brief return to Broadway.^[6][7]

Quinn circa 1970s

In 1971, after the success of a TV movie named The City, where Quinn played Mayor Thomas Jefferson Alcala, he starred in the single-season ABC television series entitled The Man and the City. Though the program was filmed in Albuquerque, New Mexico, the name of the city is not disclosed on the program. His subsequent television appearances were sporadic, among them Jesus of Nazareth.

In 1977, he starred in the movie Mohammad, Messenger of God (also known as The Message), about the origin of Islam, as Hamzah, a highly revered warrior instrumental in the early stages of Islam. In 1980, he starred in the Lion of the Desert, together with Irene Papas, Oliver Reed, Rod Steiger, and John Gielgud. Quinn played the real-life Bedouin leader Omar Mukhtar who fought Benito Mussolini's Italian troops in the deserts of Libya. The film, produced and directed by Moustapha Akkad, is now critically acclaimed, but performed poorly at the box office because of negative publicity in the West at the time of its release, stemming from its having been partially funded by Libya. In 1983, he reprised his most famous role, playing Zorba the Greek for 362 performances in a successful revival of the Kander and Ebb musical Zorba. Quinn performed in this musical both on Broadway in New York City and at the Kennedy Center in Washington, D.C,

Quinn's film career slowed during the 1990s, but he nonetheless continued to work steadily, appearing in Revenge (1990), Jungle Fever (1991), Last Action Hero (1993), A Walk in the Clouds (1995) and Seven Servants (1996). In 1994, he played Zeus in the five TV movies that led to the syndicated series Hercules: The Legendary Journeys. (However, he did not continue in the actual series, and the role was eventually filled by several other actors).

Quinn made an appearance at the John Gotti trial, according to John H. Davis, author of Mafia Dynasty: The Rise and Fall of the Gambino Crime Family. He told reporters he wanted to play Paul Castellano, the boss of the Gambino family after Carlo Gambino. Gotti had Castellano murdered, becoming the boss of the Gambino family thereafter. Gotti was on trial concerning a variety of felony charges when Quinn visited the court room. Although he tried to shake hands with Gotti, federal marshals prevented him from doing so, Davis says. The actor interpreted the testimony of Sammy ("The Bull") Gravano, Gotti's underboss, against Gotti as "a friend who betrays a friend." He hadn't come to "judge" Gotti, Quinn insisted, but because he wanted to portray Castellano, who inspired the actor because he had had a "thirty-year-old" mistress, which Quinn believed was "a beautiful thing." He would later portray Gambino family underboss Aniello Dellacroce in the 1996 HBO film Gotti. Armand Assante portrayed John Gotti and Richard C. Sarafian portrayed Paul Castellano. Quinn was nominated for a Golden Globe for his performance as Dellacroce.

Painting and writing[link]

Art critic Donald Kuspit, explains, "examining Quinn's many expressions of creativity together—his art and acting—we can see that he was a creative genius..."^[8]

Early in life Quinn had interest in painting and drawing. Throughout his teenage years he won various art competitions in California and focused his studies at Polytechnic High School in Los Angeles on drafting. Later, Quinn studied briefly under Frank Lloyd Wright through the Taliesin Fellowship—an opportunity created by winning first prize in an architectural design contest. Through Wright's recommendation, Quinn took acting lessons as a form of post-operative speech therapy, which led to an acting career that spanned over six decades.

Apart from art classes taken in Chicago during the 1950s, Quinn never attended art school; nonetheless, taking advantage of books, museums, and amassing a sizable collection, he managed to give himself an effective education in the language of modern art. Although Quinn remained mostly self-taught, intuitively seeking out and exploring new ideas, there is observable history in his work because he had assiduously studied the modernist masterpieces on view in the galleries of New York, Mexico City, Paris, and London. When filming on location around the world, Quinn was exposed to regional contemporary art styles exhibited at local galleries and studied art history in each area.

In an endless search for inspiration, he was influenced by his Mexican ancestry, decades of residency in Europe, and lengthy stays in Africa and the Middle East while filming in the 1970s and 1980s.

By the early 1980s, his work had caught the eyes of various gallery owners and was exhibited internationally, in New York, Los Angeles, Paris, and Mexico City. His work is now represented in both public and private collections throughout the world.

He wrote two memoirs, The Original Sin (1972) and One Man Tango (1997), a number of scripts, and a series of unpublished stories currently in the collection of his archive.

Personal life[link]

Quinn with his son Lorenzo at the 40th Annual Emmy Awards, August 28, 1988

Quinn's personal life was as volatile and passionate as the characters he played in films. His first wife was the adopted daughter of Cecil B. DeMille, the actress Katherine DeMille, whom he married in 1937. The couple had five children: Christopher (born 1939), Christina (born December 1, 1941), Catalina (born November 21, 1942), Duncan (born August 4, 1945), and Valentina (born December 26, 1952).^[9] Their first child, Christopher, aged 2, drowned in the swimming pool of next-door neighbor W.C. Fields.^[9] In 1965, Quinn and DeMille were divorced due to his affair with Italian costume designer Jolanda Addolori whom he married in 1966. They had three children: Francesco (March 22, 1963 – August 5, 2011), Danny (born April 16, 1964), and Lorenzo (born May 7, 1966). The union ended in 1997, after Quinn fathered children with his secretary, Katherine Benvin. He then married Benvin, with whom he had two children, Antonia (born July 23, 1993) and Ryan Nicholas (born July 5, 1996).^[10][11] Quinn and Benvin remained together until his death.

Quinn also fathered two other children with Friedel Dunbar: Sean Quinn (born February 7, 1973), a New Jersey real estate agent, and Alexander Anthony Quinn (born December 30, 1976), an event producer in Los Angeles, CA.^[11][12]

Death[link]

This unreferenced section requires citations to ensure verifiability.

Quinn spent his last years in Bristol, Rhode Island. He died aged 86 in Boston, Massachusetts from pneumonia and respiratory failure while suffering from throat cancer shortly after completing his role in his last film, Avenging Angelo (2002).

His funeral was held in the First Baptist Church in America in the College Hill section of Providence, Rhode Island; late in life, he had joined the Foursquare evangelical Christian community. He is buried in a family plot in Bristol, Rhode Island.

Tributes[link]

Anthony Quinn, hand & footprints outside the Grauman's Chinese Theatre

There is a statue of Anthony Quinn (originally from Chihuahua) doing his famous "Zorba the Greek" dance In Chihuahua Mexico^[13]

On January 5, 1982, the Belvedere County Public Library in East Los Angeles was renamed in honor of Anthony Quinn. The present library sits on the site of his family's former home.^[14]

There is an Anthony Quinn Bay and Beach in Rhodes, Dodecanese, Greece, just 2.7 miles (4.3 km) south of the village of Faliraki (aka Falirakion or Falirákion).^[15][16] The land was bought by Quinn during the filming of The Guns of Navarone in Rhodes; however, it was reclaimed by the Greek government in 1984 due to a change in property law.^[17]

The National Council of La Raza gives the Anthony Quinn Award for excellence in motion pictures as an ALMA Award.

Filmography[link]

Short subjects[link]

• Van Gogh: Darkness Into Light (1956)
• San Sebastian 1746 in 1968 (1968)
• The Voice of La Raza (1972) (narrator)
• The Assassination of Julius Caesar (1972)

Awards[link]

References[link]

External links[link]

Biography portal

Wikimedia Commons has media related to: Anthony Quinn

Wikiquote has a collection of quotations related to: Anthony Quinn

• The Estate of Anthony Quinn
• Anthony Quinn's artwork
• Anthony Quinn at the TCM Movie Database
• Anthony Quinn at the Internet Movie Database
• Anthony Quinn at the Internet Broadway Database

• Becker, Josh. "Directing Anthony Quinn"
• The Making of Lawrence of Arabia, BAFTA Journal, Winter 1962-3
• "Unquelled Persona: encountering the artwork of Anthony Quinn", ArtsEditor.com, 2008

The Greek is a fictional character on the HBO drama The Wire, played by actor Bill Raymond. The Greek is the head of an international criminal organization involved in narcotics and human trafficking.^[1] The Greek is a mysterious figure involved in numerous criminal activities. His given name is never mentioned on the show, and though he is known only as "The Greek", he has stated (in the episode Port in a Storm) that he is not actually Greek. A quiet and unassuming man, the Greek prefers to keep a low profile, operating all of his business through his lieutenant Spiros "Vondas" Vondopoulos. His smuggling organization operated from a small diner in Baltimore for years, and while Vondas would conduct business the Greek would listen in quietly at the counter. Nick Sobotka, upon seeing the Greek identify himself, was amazed that the shadowy figure had been in plain sight the entire time.

Despite his calm appearance, the Greek is cunning and ruthless, and only interested in facts that make him more money. Series creator David Simon has said that The Greek is an embodiment of raw unencumbered capitalism.^[2] Anyone interfering in this process is eliminated immediately, and he prefers to leave victims headless and handless to hinder identification.

The Greek's smuggling operation includes importing sex trade workers, illicit drugs, stolen goods and chemicals for drug processing. He bribes union stevedores to move containers through the Baltimore port for him and uses his muscle, Sergei "Serge" Malatov, to run containers back and forth from the port to his warehouse, a front managed by "Double G" Glekas. The Greek supplies the major drug dealers in East Baltimore with pure cocaine and heroin, using Eton Ben-Eleazer to move his drugs. His chief client is Proposition Joe, but he is also affiliated with smaller drug dealing organizations like those run by "White Mike" McArdle. His sex trade interests in Baltimore include a brothel run by a madam named Ilona Petrovitch, bringing in girls from eastern Europe. He manages to avoid prosecution for his crimes because an FBI counter-terrorism agent named Kristos Koutris tips him off if a criminal investigation gets too close. It is suggested he and Vondas may serve as federal informants.

Biography[link]

Season 2[link]

The Greek began to draw police attention in Baltimore when his contact at the docks, Frank Sobotka, became the target of an investigation. At the same time a container of thirteen dead young women intended for the sex trade was discovered at the docks, triggering a high-profile homicide investigation. The container belonged to the Greek and the girls were killed by a crewman onboard the vessel that had delivered them. The ship's crew had been paying the girls for sex and when one of the girls refused, she was killed. The crewman responsible dumped her overboard and collapsed the air pipe to kill the remaining women. The Greek had Sergei track the crewman down, interrogated him personally, and had Vondas kill him.

As the investigation continued the police were able to link Eton and Sergei to the drug smuggling operation. When police began tracking containers as they left the port, The Greek and Vondas began to close down the operation temporarily by dumping their cell phones and stealing "clean" containers. Persuading Sobotka to keep the smuggling operation going he bought further protection from Agent Koutris by betraying a load of Colombian cocaine, giving him time to destroy incriminating evidence in the warehouse and Glekas' store.

The Greek recognized that the investigation was too extensive to stop and made plans to leave, sending Vondas to assure Proposition Joe that supply of drugs would continue albeit with new faces. He attempted to buy Sobotka's silence with promised legal aid for his son, but when he learned from Koutris that Frank was planning to turn informant he had the union man killed. Although Frank's nephew Nick Sobotka was able to identify The Greek in a photo and Sergei was pressured to give up the location of his hotel suite, Vondas and the Greek had already boarded a flight to Chicago. Aware that the Greek and Vondas were gone, the police left the investigation behind and moved on to the drug dealers he supplied.

Seasons 4 & 5[link]

The Greek continued to supply "Proposition Joe" Stewart, who formed an organization with other drug dealers called the New Day Co-Op to provide The Greek's product to them in exchange for reduced violence and sharing of territory. When Omar Little steals an entire shipment of heroin from the Greek's men as it is being delivered to Stewart's people, Marlo Stanfield demands a meeting with Spiros "Vondas" Vondopoulos in order to allay his fears that Stewart was responsible.^[3][4] Once Stanfield is satisfied, he waits for the Major Crimes Unit's investigation into his activities to cease and then moves to establish a direct relationship with Vondas and the Greek. After getting in communication with Vondas through former soldier Sergei,^[5][6] Marlo eventually sells himself as Joe's replacement by convincing the Greek that he requires an insurance policy in the form of a replacement for Proposition Joe, in the event that anything should happen to him. Realizing that Stanfield will move against Stewart regardless of his approval, the Greek accepts Marlo's proposal to act as an "insurance policy," knowing that it will mean Joe's death.^[7][8]

After Stewart's murder, Stanfield meets with Vondas to initiate their new business relationship.^[9][10] Stanfield's tenure proves short lived when he is forced into retirement by an investigation, and the other Co-Op members purchase the connection from Stanfield. In the closing scenes of the series finale, Slim Charles and Fat-Face Rick take over meeting with Vondas while the Greek listens quietly in the background.^[11][12]

References[link]