Nijinsky (film)

Nijinsky is a 1980 American biographical film directed by Herbert Ross. Hugh Wheeler wrote a screenplay that explores the later life and career of Vaslav Nijinsky; it was based largely on the premier danseur's personal diaries (a bowdlerized 1936 version was edited and published by his wife, Romola de Pulszky), and her 1934 biography of Nijinsky, largely ghostwritten by Lincoln Kirstein, who later co-founded the New York City Ballet.

Synopsis

The film suggests Nijinsky was driven into madness by both his consuming ambition and self-enforced heterosexuality. He became involved with Romola de Pulszky, a society girl who joined impresario Sergei Diaghilev's Ballets Russes specifically to seduce Nijinsky. After a series of misunderstandings with Diaghilev, who is both his domineering mentor and possessive lover, Nijinsky succumbs to Romola's charms and marries her. After this, his gradual decline from artistic moodiness to a diagnosis of schizophrenia begins.

Principal cast

Vaslav Nijinsky

Vaslav Nijinsky (also Vatslav; Russian: Ва́цлав Фоми́ч Нижи́нский; Russian pronunciation: [ˈvatsləf fəˈmʲitɕ nʲɪˈʐɨnskʲɪj]; Polish: Wacław Niżyński; 12 March 1889/1890 – 8 April 1950) was a Russian ballet dancer and choreographer of Polish descent, cited as the greatest male dancer of the early 20th century. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance en pointe, a rare skill among male dancers at the time and was admired for his seemingly gravity-defying leaps.

Nijinsky was introduced to dance by his parents, who were senior dancers with the travelling Setov opera company, and his early childhood was spent touring with the company. His older brother Stanislav Fomitch and younger sister Bronislava Nijinska also became dancers. At age nine Nijinsky was accepted at the Imperial Ballet School (later known as the Maryinsky School) in St. Petersburg, the pre-eminent ballet school in the world. In 1907 he graduated and became a member of the Imperial Ballet, starting at the rank of coryphée instead of in the corps de ballet, already taking starring roles. His sister Bronia also became a dancer and choreographer, working closely with him for much of his career.

Nijinsky (disambiguation)

Nijinsky (Polish: Niżyński; feminine: Niżyńska, plural: Niżyńscy) may refer to:

Nijinsky (horse)

Nijinsky (21 February 1967 – 15 April 1992), usually known in the United States as Nijinsky II, was a Canadian-bred, Irish-trained Thoroughbred racehorse and sire. He was the outstanding two-year-old in Europe in 1969 when he was unbeaten in five races. In the following season he became the first horse for thirty-five years to win the English Triple Crown.

He was also historically important for establishing the international reputation of his sire Northern Dancer. Retired to stud he became the Leading sire in Great Britain & Ireland and the Leading broodmare sire in North America.

Background

Nijinsky, a bay horse with a white star and three white feet, was bred at E. P. Taylor's Windfields Farm in Oshawa, Ontario, Canada. He was from the second crop of foals sired by Northern Dancer, the winner of the 1964 Kentucky Derby who went on to become one of the most influential sires of the 20th century. His dam, Flaming Page, by Bull Page, was a highly successful racemare, winning the 1962 Queen's Plate. At stud, she produced only two other foals, but one of these was Fleur, who produced the 1977 Epsom Derby winner The Minstrel. Nijinsky was a big, powerful horse standing 16.3 hands (67 inches, 170 cm) high, resembling his dam rather than his sire in stature.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.