Saint Matthew, depicted with an angel, is the patron saint of Salerno, Italy, bankers and tax collectors

A "Saint Honoré Cake Shop" in Hong Kong. Saint Honorius (Honoré) is the patron saint of bakers and confectioners.

A patron saint is a saint who, in Eastern Orthodox, Oriental Orthodox, Roman Catholic, and Eastern Catholic practice, is regarded as the intercessor and advocate in heaven of a nation, place, craft, activity, class, clan, family, or person.^[1] Patron saints, because they have already transcended to the metaphysical, are believed to be able to intercede effectively for the needs of their special charges.^[2]

Saints often become the patron saints of places where they were born or had been active. However, there were cases in Medieval Europe where a city which grew to prominence and transferred to its cathedral the remains of a famous saint who had lived and was buried elsewhere, and made him or her the city's patron saint – such a practice conferring considerable prestige on the city concerned. In Latin America, Spanish and Portuguese explorers often named location for the saint on whose day the place was first visited – that Saint naturally becoming the patron saint of a town or city which developed there.

Professions sometimes get a patron saint who was himself or herself involved in that profession. Lacking such a saint, a profession would get a saint whose conspicuous acts or miracles in some way recall the profession. For example, when the hitherto unknown profession of photography appeared in the 19th Century and needed a patron saint, this role was assigned to Saint Veronica. According to Christian tradition, Veronica gave Jesus her veil to wipe his forehead as he was being taken to Golgotha and the image of his face became miraculously impressed upon it.

The veneration and recognition of patron saints is generally discouraged in Protestantism, especially Calvinism, as a form of idolatry^[3].

Lists of patron saints[link]

• Patron saints of ailments, illness and dangers
• Patron saints of occupations and activities
• Patron saints of places

See also[link]

• Calendar of saints
• Guardian angel
• List of blesseds
• List of saints
• Saint symbolism
• Slava
• Tutelary deity

References[link]

External links[link]

• Catholic Forum: Patron Saints Index
• Catholic Online: Patron Saints
•  Henry Parkinson (1913). "Patron Saints". Catholic Encyclopedia. New York: Robert Appleton Company. 
•  "Patron Saint". Encyclopedia Americana. 1920. 

Regina Spektor
Regina Spektor playing an electronic piano in 2006
Background information
Native name	Реги́нa Ильи́нична Спе́ктор
Born	(1980-02-18) February 18, 1980 (age 32) Moscow, Russian SFSR, Soviet Union
Origin	New York, U.S.
Genres	Anti-folk, indie rock, baroque pop, blues, pop
Occupations	Singer, songwriter, record producer
Instruments	Piano, vocals, guitar, bass guitar
Years active	1999–present
Labels	Sire/Warner Bros. Records
Associated acts	Sondre Lerche, Ben Folds, Kill Kenada, the Strokes, Dufus
Website	http://www.reginaspektor.com
Notable instruments
Steinway & Sons piano Epiphone Wildkat guitar Regina Spektor's Autograph

Regina Ilyinichna Spektor (Russian: Реги́нa Ильи́нична Спе́ктор, IPA: [rʲɪˈɡʲinə ˈspʲɛktər], English: /rɨˈdʒiːnə ˈspɛktər/; born February 18, 1980) is an American singer-songwriter and pianist. Her music is associated with the anti-folk scene centered in New York City's East Village.

Early life[link]

Spektor was born in Moscow, Soviet Union in 1980 to a musical Russian Jewish family. Her father, Ilya Spektor, is a photographer and amateur violinist. Her mother, Bella Spektor, was a music professor in a Soviet college of music and now teaches at a public elementary school in Mount Vernon, New York.^[1] She has a brother Barry (Bear), who was featured in track 7, "* * *", or "Whisper", of her 2004 album, Soviet Kitsch.

She learned how to play piano by practising on a Petrof upright that was given to her mother by her grandfather.^[2] She was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union.^[1] The family left the Soviet Union in 1989, when Regina was nine and a half, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind.^[3] The seriousness of her piano studies led her parents to consider not leaving the USSR, but they finally decided to emigrate, due to the ethnic and political discrimination that Jews faced.^[4] Spektor is fluent in Russian and reads Hebrew, and has since paid tribute to her Russian heritage, quoting the poem February by the Russian poet Boris Pasternak in her song Après Moi, and stating “I’m very connected to the language and the culture.”^[5]

Traveling first to Austria and then Italy, the family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society) and settled in The Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. She then attended high school for two years at the Frisch School, a yeshiva in Paramus, New Jersey, but transferred to a public school, Fair Lawn High School, in Fair Lawn, New Jersey, where she finished the last two years of her high school education.^[6]

Career[link]

In New York, Spektor studied classical piano with Sonia Vargas, a professor at the Manhattan School of Music, until she was 17; Spektor's father had met Vargas through her husband, violinist Samuel Marder.^[7] Although the family had been unable to bring their piano from Russia, Spektor found a piano on which to play in the basement of her synagogue, and also practiced on tabletops and other hard surfaces.

Spektor was originally interested only in classical music, but later became interested in hip hop, rock and punk as well.^[1] Although she had always made up songs around the house, Spektor first became interested in more formal songwriting during a visit to Israel with the Nesiya Institute in her teenage years when she attracted attention from the other children on the trip for the songs she made up while hiking and realized she had an aptitude for songwriting.^[4]

Following this trip, she was exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which encouraged her belief that she could create her own songs.^[4] She wrote her first a cappella songs around the age of 16 and her first songs for voice and piano when she was nearly 18.^[1]

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College within three years, graduating with honors in 2001. Around this time, she also worked briefly at a butterfly farm in Luck, Wisconsin,^[8] and studied in Tottenham, ( a suburb of London) for one semester ^[9].

She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, often as a duo with drummer Anders Griffen, and most importantly at the East Village's Sidewalk Cafe, but also at the Living Room, Tonic, Fez, the Knitting Factory, and CB's Gallery.^{[citation needed]} She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). In 2004, she signed a contract with Warner Brothers' record label Sire Records to publish and distribute her third album Soviet Kitsch, originally self-released in 2003.

Spektor is married to Jack Dishel, guitarist with the band The Moldy Peaches.^[9]

Style[link]

Regina Spektor in concert, April 2007.

Spektor has said that she has created a great number of songs,^[10] but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her.^[11] Spektor's songs are not usually autobiographical, but rather are based on scenarios and characters drawn from her imagination.^[4][12] Her songs show influences from folk,^[13][14] punk, rock, Jewish,^[12][15] Russian,^[12] hip hop,^[13][16][17] jazz,^[13][16] and classical music.^[12][16] Spektor has said that she works hard to ensure that each of her songs has its own musical style, rather than trying to develop a distinctive style for her music as a whole.^[11]

It doesn't feel natural for me to write some diary type song. I want to write a classic like Yesterday but weird songs about meatballs in refrigerators come into my head - I can't help it.^[18]

Spektor has a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.^[4][19] Part of her style also results from the exaggeration of certain aspects of vocalization, most notably the glottal stop, which is prominent in the single "Fidelity". She also uses a strong New York accent on some words, which she has said is due to her love of New York and its culture.^[1]

Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song.^[1][19] Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs. She also plays with pronunciations, which she said on a NPR interview to be a remnant of her early years when she listened to pop in English without understanding the lyrics. Some of Spektor's lyrics include literary allusions,^[4] such as to F. Scott Fitzgerald and Ernest Hemingway in "Poor Little Rich Boy", The Little Prince in "Baobabs", Virginia Woolf and Margaret Atwood in "Paris", Ezra Pound and William Shakespeare in "Pound of Flesh", Shakespeare's Hamlet in "The Virgin Queen", Boris Pasternak in "Après Moi", Samson and Delilah in "Samson", and Oedipus the King in "Oedipus", Billie Holiday in "Lady" and Edith Wharton's Ethan Frome in "2.99 cent blues". She alludes to The Beatles and Paul McCartney in the song "Edit". She also used a line from Joni Mitchell's California in her song "The Devil Came to Bethlehem". Recurring themes and topics in Spektor's lyrics include love, death, religion (particularly Biblical and Jewish references), city life (particularly New York references), and certain key phrases have been known to recur in different songs by Spektor, such as references to gravediggers, the Tree of Knowledge of Good and Evil and the name "Mary Ann". Spektor's use of satire is evident in "Wasteside," which refers to The Twelve Chairs, the classic satirical novel by the Soviet authors Ilf and Petrov, and describes the town in which people are born, get their hair cut, and then are sent to the cemetery.

In Spektor's early albums, many of her tracks had a very dry vocal production, with very little reverb or delay added. However, Spektor's more recent albums, particularly Begin to Hope, have put more emphasis into song production and have relied more on traditional pop and rock instruments.^[3] Spektor says the records that most impact her are those of "bands whose music is really involved",^[20] specifically naming The Beatles, Bob Dylan, Billie Holiday, Radiohead, Tom Waits, and Frédéric Chopin as primary influences.^[20][21]

In her songs, "Eet", "Us" and "Après Moi" the titular sounds are used as the focal point throughout. (In "Dance Anthem of the 80's", the sound "eet" is also used often, on words such as "meat", "street", and "eat").

Performances[link]

Regina Spektor at her first performance in Tel Aviv, Israel on March 3, 2007

Spektor's first nationwide tour was accompanying The Strokes as the opening act on their 2003–2004 Room on Fire tour, during which she and the band performed and recorded "Modern Girls & Old Fashion Men". Kings of Leon were the second opening act on that tour, and they invited Regina to open for them on their own European tour right after The Strokes tour. In June 2005, Spektor was the opening act for the English piano rock band Keane on their North American tour, during which she performed at Radio City Music Hall on June 7, 2005.^[22] During her 2006 headlining tour in support of the Begin to Hope album, Spektor sold out a performance at Messiah College in Grantham, Pennsylvania, and two shows at Town Hall Theater in New York City on September 27 and September 28, 2006.^[23]

Spektor has appeared on The Tonight Show with Conan O'Brien (once), Late Night with Conan O'Brien (three times), The Tonight Show with Jay Leno (twice), Jimmy Kimmel Live (twice), Last Call with Carson Daly (five times), Late Show with David Letterman (twice), Late Night with Jimmy Fallon (twice), CBS News Sunday Morning, Good Morning America (twice), Australia's Rove Live, and The Late Late Show with Craig Ferguson (twice).^[24] On October 10, 2009 she performed on Saturday Night Live.

Since January 2005, Spektor has performed on a bright red Baldwin baby grand piano.^[25] At the present time she uses exclusively Steinway & Sons pianos. She plays a seafoam Epiphone Wildkat archtop hollow-body electric guitar.^[26]

Although she generally only performs original material, Spektor occasionally performs covers. Most famous of these covers were her performances of songs by Leonard Cohen and Madonna, for the 2nd Annual Jewish Music & Heritage Festival at the 92nd Street Y in New York City.^[4] In 2006 and 2007, Spektor embarked on a headlining tour of the U.S. and Europe, selling out numerous clubs and theaters. She covered John Lennon's "Real Love" at the performance arts center of her alma mater, State University of New York at Purchase, on March 28, 2007, at a benefit concert for the Conservatory of Music.^[27] In 2007, Spektor recorded "Real Love" for the Instant Karma: The Amnesty International Campaign to Save Darfur CD, which was released in June of that year. She recorded a version of the song for Triple J's Like a Version radio segment which was shown on jTV.

Regina Spektor performing in Brighton on October 26, 2006.

On March 8, 2007, Spektor appeared on the British ITV network's Loose Women, promoting and performing "Fidelity" live, and on April 20, 2007, she performed on the Late Show with David Letterman. On Saturday, April 28, 2007, she appeared at the Coachella Valley Music and Arts Festival. On Friday, May 18, 2007, she appeared on BBC1's Friday Night with Jonathan Ross. On June 16, 2007, she performed at the Bonnaroo Music Festival and later performed at the 2007 Lollapalooza on August 4, 2007 and Virgin Festival on August 5, 2007 in Baltimore, Maryland. On September 16, 2007, she performed at the Austin City Limits Music Festival and recorded a set for the Austin City Limits TV show the following day. She performed acoustic at the Bridge School Benefit at Shoreline Amphitheatre on October 27 and October 28, 2007.

On November 14, 2007, at her concert at Ryman Auditorium, in Nashville, it was announced that Spektor collapsed during the sound check and was taken to a local emergency room. According to the statement given to the audience, Spektor was fine, but doctors said that she could not perform that night. It was later reported that the cause of the collapse was an inner ear infection which caused intense vertigo. The show was initially rescheduled for December 6, 2007,^[28] but the date was once again rescheduled, and the concert finally occurred on February 29, 2008.^[29] After her initial collapse in Nashville, she was able to perform in concerts at Mountain Stage on November 18, 2007,^{[30][citation needed]} and at Duke University on November 19, 2007.^[31]

In conjunction with the release of her 2009 album Far, Spektor was headlining at Serpentine Sessions, a series of concerts London's Hyde Park on June 29, 2009. Other European performances in 2009 include Glastonbury Festival, Hultsfred Festival, Oxegen 2009, T in the Park, Paradiso (Amsterdam), Latitude Festival, and Rock Werchter. Spektor has invited Brooklyn-based rock band Jupiter One to open concerts on her 2009 North American tour. As a part of that tour, on October 14, 2009 Spektor headlined a concert at the Radio City Music Hall in NYC.

On July 7, 2010, Regina performed at the Montreux Jazz Festival in Montreux, Switzerland.^[32] Her cellist, Dan Cho, drowned the day before while swimming in Lake Geneva near the Chillon Castle.^[33][34] She was described as distraught, shaken, and in tears and took several breaks to regain her composure.^[35]

Media coverage[link]

Spektor performing at the Hammerstein Ballroom on October 16, 2007

Regina Spektor performing in the West London Synagogue, February 2007.

Since 2005, Spektor's music has been used in various television programs and commercials. In late 2005 "Us" (from Soviet Kitsch) was used in a commercial as part of the What Do You Want To Watch? series for the United Kingdom's British Sky Broadcasting. The advert features a clip from a documentary on skateboarder Danny Way. In the summer of 2006, a clip from "Us" was used for the teaser website for Microsoft's Zune project at ComingZune.com, as well as for a promotional campaign for MtvU. The same track is used by Dutch telecom company KPN in a commercial. "Somedays" was used in a 2005 episode of CSI: NY and "Samson" was used in a 2006 episode of the same series. "On the Radio" was used in an episode of ABC's Grey's Anatomy. "Field Below" was used in a 2006 episode titled "The Last Word" of CBS's Criminal Minds. "Fidelity" has also been used in an episode of Grey's Anatomy titled "Six Days, Part 2", Veronica Mars titled "Wichita Linebacker", Brothers & Sisters titled "Sexual Politics", during the end credits of Love and Other Drugs, and in the Brazilian telenovela A Favorita. "Better" is currently being used in a commercial for XM Satellite Radio, an episode of "How I Met Your Mother", and the popular film My Sister's Keeper. Her song "Music Box" is currently being used in a commercial for JC Penney. Spektor also sang the title song "Little Boxes" of Showtime's television series Weeds in the episode "Mile Deep and a Foot Wide" (2006) and her "Ghost of Corporate Future" was used both at the beginning and end of the episode.^[36] On January 21, 2007, she was featured on CBS News Sunday Morning.^[11]

Spektor received increased attention in 2006 when her video for "Fidelity" was viewed over 200,000 times in two days on YouTube. On Sirius Radio's Left of Center channel, her single "Fidelity" was voted by listeners as the #1 song of 2006. Towards the end of 2006, VH1 showcased her as part of their "You Oughta Know: Artists on the Rise" featurettes: they played clips from the "Fidelity" music video and showed parts of an interview with Spektor during commercial breaks on the channel.^[37] Spektor's video for "Fidelity" reached #3 on VH1's Top 20 Countdown.^{[citation needed]}

Peter Gabriel recorded a version of "Après Moi" on his 2010 release Scratch My Back.

In Australia, Spektor's music has rapidly gained popularity in mainstream culture primarily due to Begin to Hope being played on the nation-wide radio station Triple J, where it eventually became a feature album. Prior to Begin to Hope, Spektor had only a small following in Australia in comparison to the US and Europe.

Spektor reached #33 on Blender magazine's top 100 of 2006 and was also listed as one of the "Hottest Women of...Rock!".^[38] "Fidelity" was also used in a 2007 television commercial in New Zealand advertising Yahoo!Xtra, a new partnership between Yahoo! and Telecom's Xtra ISP. Also in 2007, the mobile phone company Vodafone used her lyric, "Come into my world..." from the track, "Hotel Song" on Begin to Hope, in an extensive TV advertising campaign in the UK and Ireland.

On October 1, 2007, Spektor's new video for "Better" was released on VH1 and YouTube, where it was viewed more than 100,000 times within the first 24 hours. "Fidelity" was used in the trailer for the film 27 Dresses, released on October 3, 2007.^[39]

Her song "The Call" appeared prominently in The Chronicles of Narnia: Prince Caspian,^[40] as part of the film's finale sequence. Spektor's song "Better" was used in the movie My Sister's Keeper, loosely based on the novel of the same name by Jodi Picoult. A section of "That Time" was featured in the film In Bruges. Additionally, "Us" and "Hero" are both featured on the soundtrack for the film (500) Days of Summer. Spin magazine profiled Spektor in their July 2009 issue, where she discussed her just-released album Far. The story was released in their digital edition that month, as well.^[41] In August 2009, the song "Two Birds" was used in the 2009 Fall Campaign of the Polish TV station TVN. Also Regina's song "Eet" debuted on the show 90210 in April 2010.

On September 16, 2009, it was announced that Spektor would write the music for the musical Beauty, a modern adaptation of the fairy tale Sleeping Beauty, which is set to open during the 2011–12 Broadway season.^[42]

In May 2010, Spektor performed for President Obama and his wife Michelle along with hundreds of other guests at the White House reception in honor of Jewish Heritage Month. She sang "Us" and "The Sword & the Pen", receiving a standing ovation begun by Michelle Obama.

The song "Human of the Year" featured prominently in the trailer and first episode of the 2011 HBO series Enlightened.

The song "All the Rowboats" was featured on The CW's Ringer in March 2012.

The Song "Hotel Song" was featured in the opening of the movie Friends with Kids.

Philanthropy[link]

In 2007, she covered John Lennon's "Real Love" for Instant Karma: The Amnesty International Campaign to Save Darfur. The following year, she participated in Songs for Tibet, an initiative to support the human rights situation in Tibet and the 14th Dalai Lama. The album was issued on August 5, 2008, via iTunes and on August 19 in music stores around the world.^[43] On January 22, 2009, Spektor performed at the third annual Roe On The Rocks gig at the Bowery Ballroom to raise money for Planned Parenthood New York City.^[44] Also, continuing with her support for Tibet, Regina Spektor played for Tibet House's annual concert at Carnegie Hall on February 26, 2010. Less than one month later, on March 23, 2010, Spektor gave a concert at the Fillmore at Irving Plaza in New York City to raise funds for the work of Doctors Without Borders in Haiti. Also, on April 27, she released a cover of Radiohead's song "No Surprises" with all proceeds going to Doctors Without Borders to help the earthquake victims in Haiti and Chile.

Discography[link]

Albums[link]

• 2001: 11:11
• 2002: Songs
• 2004: Soviet Kitsch
• 2006: Begin to Hope
• 2009: Far
• 2012: What We Saw from the Cheap Seats

Singles[link]

Awards[link]

• Begin to Hope – Shortlist Music Prize (nominated)
• Studio8's Female Voice of August 2009 (won)

References[link]

External links[link]

Wikimedia Commons has media related to: Regina Spektor

• Official site
• Regina Spektor at the Internet Movie Database
• Regina Spektor at the Open Directory Project
• "Regina Spektor" interview by Noel Murray (from The A.V. Club, 21 June 2006)
• Interview from Soundcheck, WNYC, 13 September 2005
• Interview from All Things Considered, National Public Radio, 28 June 2006
• Strangers Almanac Column on Regina Spektor from Glide Magazine
• NPR - All Songs Considered 7/22/2009 - Regina Spektor: When Every Sound Sings
• NPR All Things Considered 5/24/2012 - Regina Spektor Still Doesn't Write Anything Down

Richard James Edwards (born 22 December 1967, disappeared c. 1 February 1995, officially presumed dead 23 November 2008^[1][2]) was a Welsh musician who was rhythm guitarist and lyricist of the alternative rock band Manic Street Preachers. He was known for his politicized and intellectual songwriting which, combined with an enigmatic and eloquent character, has assured him cult status.^[3][4] Edwards vanished on 1 February 1995.^[5] He was declared presumed deceased in November 2008.^[6] The ninth album by the Manic Street Preachers, Journal for Plague Lovers, which was released on 18 May 2009, is composed entirely of lyrics left behind by Edwards.^[7]

Biography[link]

Richey Edwards (often referred to during his years with the Manics as Richey James) grew up in Blackwood, Caerphilly in Wales, where he attended Oakdale Comprehensive School. From 1986 to 1989, attended University of Wales, Swansea and graduated with a 2:1 degree in political history. He has one sister named Rachel (born 1969 in Pontypool).

Edwards was initially a driver and roadie for Manic Street Preachers, but he soon became accepted as the band's main spokesman and fourth member. Edwards showed little musical talent - his real contribution to the Manic Street Preachers was in the words and design. More often than not he was miming on the guitar during early live performances, but was, along with bassist Nicky Wire, principal lyricist. Edwards is said to have written approximately 80% of the lyrics on The Holy Bible.^[8] Both are credited on all songs written before Edwards' disappearance, with Edwards receiving sole credit on three tracks from the 1996 album Everything Must Go, and co-writing credits on another two. Despite Edwards' lack of musical input, he nevertheless contributed to their overall musical direction, and according to the rest of the band on the Everything Must Go DVD, he played a leading role in deciding the approach of the band's sound. It is possible that had he not disappeared, the album that would have followed The Holy Bible would have been dramatically different from the melodic, accessible rock heard on Everything Must Go, Edwards having expressed a desire to create a concept album described as "Pantera meets Nine Inch Nails meets Screamadelica".^[9] However, Bradfield has since expressed doubts over whether the band would have produced such an album: "I was worried that as chief tune-smith in the band I wasn't actually going to be able to write things that he would have liked. There would have been an impasse in the band for the first time born out of taste..."^[10][11][12]

On 15 May 1991, he gained notoriety following an argument with NME journalist Steve Lamacq, who questioned the band's authenticity and values, keen to ensure the punk ethic was not abused, after a gig at the Norwich Arts Centre. Lamacq asked of Edwards' seriousness towards his art, and Edwards responded by carving the words "4 Real" into his forearm with a razor blade he was carrying.^[13] The injury required eighteen stitches.

Edwards suffered severe bouts of depression in his adult life,^[14][15] and was open about it in interviews: "If you're hopelessly depressed like I was, then dressing up is just the ultimate escape. When I was young I just wanted to be noticed. Nothing could excite me except attention so I'd dress up as much as I could. Outrage and boredom just go hand in hand."^[16]

"Gets to a point where you really can’t operate any more as a human being – you can’t get out of bed, you can’t...make yourself a cup of coffee without something going badly wrong or your body’s too weak to walk."^[17]

He also self-harmed, mainly through stubbing cigarettes on his body, and cutting himself ("When I cut myself I feel so much better. All the little things that might have been annoying me suddenly seem so trivial because I'm concentrating on the pain. I'm not a person who can scream and shout so this is my only outlet. It's all done very logically."^[5]). His problems with drugs and alcohol were well documented. After the release of the band's third album The Holy Bible, he checked into The Priory psychiatric hospital, missing out on some of the promotional work for the album and forcing the band to appear as a three piece at the Reading Festival and T in the Park.

Following release from the Priory, the Manic Street Preachers as a four-piece band toured Europe with Suede and Therapy? for what was to be the last time. Edwards' final live appearance with the band was at the London Astoria, on the 21 December 1994. The concert ended with the band infamously smashing their equipment and damaging the lighting system, prompted by Edwards' violent destruction of his guitar towards the end of set-closer "You Love Us."^[18]

Disappearance[link]

Edwards disappeared on 1 February 1995, on the day when he and James Dean Bradfield were due to fly to the US on a promotional tour.^[19] In the two weeks before his disappearance, Edwards withdrew £200 a day from his bank account, which totalled £2800 by the day of the scheduled flight.^[20][21] He checked out of the Embassy Hotel in Bayswater Road, London at seven in the morning, and then drove to his apartment in Cardiff, Wales.^[20][22] In the two weeks that followed he was apparently spotted in the Newport passport office,^[23] and the Newport bus station.^[20][24] On February 7, a taxi driver from Newport supposedly picked up Edwards from the King's Hotel in Newport, and drove him around the valleys, including Blackwood (Edwards’ home as a child). The passenger got off at the Severn View service station near Aust and paid the £68 fare in cash.^[22][25]

On February 14, Edwards' Vauxhall Cavalier received a parking ticket at the Severn View service station and on February 17, the vehicle was reported as abandoned. Police discovered the battery to be flat, with evidence that the car had been lived in.^[19][20][26] Due to the service station's proximity to the Severn Bridge (which has been a renowned suicide location in the past)^[27] it was widely believed that he took his own life by jumping from the bridge.^[28] Many people who knew him, however, have said that he was never the type to contemplate suicide and he himself was quoted in 1994 as saying "In terms of the 'S' word, that does not enter my mind. And it never has done, in terms of an attempt. Because I am stronger than that. I might be a weak person, but I can take pain."^[29]

Since then he has reportedly been spotted in a hippie market in Goa, India and on the islands of Fuerteventura and Lanzarote. There have been other alleged sightings of Edwards, especially in the years immediately following his disappearance.^[30] However, none of these has proved conclusive^[31] and none has been confirmed by investigators.^[32][33]

The investigation itself has received criticism. In his 1999 book Everything (A Book About Manic Street Preachers), Simon Price states that aspects of the investigation were "far from satisfactory". He asserts the police may not have taken Edwards' mental state into account when prioritizing his disappearance. Price also records Edwards' sister Rachel as having "hit out at police handling" after CCTV footage was analyzed two years after the disappearance.^[34] Price records a member of the investigation team as stating "that the idea that you could identify somebody from that is arrant nonsense".^[35] While his family had the option of declaring him legally dead from 2002, they had chosen not to for many years, and his status remained open as a missing person, until 23 November 2008,^[13][32][36] when he became officially "presumed dead".^[37]

Fan identification[link]

Edwards' disappearance attracted a great deal of media attention, with some of it focusing on copycat actions by fans. Caitlin Moran, writing in The Times newspaper, commented that Edwards became "a cause celebre among depressives, alcoholics, anorexics and self-mutilators, because he was the first person in the public eye to talk openly about these subjects, not with swaggering bravado and a subtext of "look how tortured and cool I am", but with humility, sense and, often, bleak humour."^[38] Moran dismissed the news agenda of the mainstream media, which was geared towards the idea that Edwards inspired any copycat actions in fans. Pointing towards the 8 April 1995 edition of Melody Maker, Moran wrote of her distaste of the mainstream media treatment: "Arms were flung aloft and tongues tutted two weeks back, when the first anniversary of Kurt Cobain's suicide coincided with the two-month anniversary of Manic Street Preacher Richey Edwards's disappearance, and Melody Maker instigated a debate on escalating teenage depression, self-mutilation and suicide."^[38] The magazine had received a number of letters from fans distressed at both the death of Kurt Cobain and the disappearance of Edwards. The 8 April edition saw the publication assemble a panel of readers to discuss the issues related to both cases. Moran argued "that Cobain's actions and, to a greater extent, Richey Edwards's actions, have legitimised debate on these subjects."^[38]

The 8 April issue was released in conjunction with the Samaritans,^[39] with the then editor Allan Jones placing the inspiration for the special nature of the issue firmly in the hands of the readers: "Every week the mailbag is just full of these letters. Richey's predicament seems to be emblematic of what a lot of people are going through."^[40] Jones saw the debate as focusing on the notion of whether "our rock stars are more vulnerable these days, and is that vulnerability a reflection of the vulnerability of their audience? And if so, why?"^[40]

Books about Edwards[link]

In 2009, Rob Jovanovic's book A Version of Reason: The Search for Richey Edwards of the Manic Street Preachers was published.

A novel by Ben Myers entitled Richard: A Novel was published on 1 October 2010 through Picador. Richard purports to be a fictionalised account of Edwards' life "as he might have told it."^[41] In an interview in May 2010, Myers said, "I wrote this book for people who have never heard of Richey Edwards, and I thought his story was one that had not been told in a manner befitting his life...I wanted to get beyond that false perception and tell the story of an intelligent young academic from a good home with good friends around him who became the most engaging British rock star of his era. To do that I felt that fiction was the best medium. I don’t purport Richard to be the absolute truth, but rather a version of it." Myers also said that although he never met Edwards, he "shared many mutual friends or acquaintances with him...I hope the book is sensitively handled. I also spent months researching it too, so factually it’s pretty tight, I think." ^[42] Howard Marks has also written a book about Richard, although his name has been changed to fictionalise the story. The book is called Sympathy for the Devil.

Literature and other cultural influences[link]

As well as an interest in music, Edwards displayed a love for literature. He chose many of the quotes that appear on Manics records and would often refer to writers and poets during interviews. This interest in literature has remained as integral to the band's music. Albert Camus,^[43] Philip Larkin, Yukio Mishima and Fyodor Dostoevsky are known to have been amongst his favourite authors.

Edwards often quoted Arthur Rimbaud in interviews as being one of his favourite writers. Edwards also wrote selected quotes of Rimbaud's on his clothing.

Edwards' lyrics have often been of a highly poetic nature, particularly on the band's and at times they reflected his knowledge of political history. His influence also stretches into Cinema where his lyrics from The Holy Bible have inspired film director Fabrizio Federico during the making of the film Black Biscuit.

See also[link]

• List of people who have mysteriously disappeared
• 27 Club

Citations[link]

References[link]

• Price, Simon (1999). Everything (A Book About Manic Street Preachers) (first ed.). Virgin Publishing. ISBN 0-7535-0139-2. 

External links[link]

Wikiquote has a collection of quotations related to: Richey James Edwards

• The Last of Richey Edwards?
• Archives of Pain Richey Edwards fan site