- published: 31 Aug 2009
- author: XXXEspio
![Negative Approach [August 12, 2012] Kung Fu Necktie, Philadelphia, PA +Full Set+](http://web.archive.org./web/20130517043126im_/http://i.ytimg.com/vi/AjSYWwO-Ang/default.jpg "Negative Approach [August 12, 2012] Kung Fu Necktie, Philadelphia, PA +Full Set+")
5:26
Negative Approach - Ready To Fight ( Punk Island 2010 )
http://www.facebook.com/UnartigOfficial Negative Approach playing Ready To Fight, Tied Dow...
published: 21 Jun 2010
author: unARTigNYC
Negative Approach - Ready To Fight ( Punk Island 2010 )
http://www.facebook.com/UnartigOfficial Negative Approach playing Ready To Fight, Tied Down, Whatever I Do and Evacuate live at Punk Island 2010 in New York ...
- published: 21 Jun 2010
- author: unARTigNYC
1:49
Negative Approach - Nothing
Negative Approach - Nothing I think this just might be everyones favorite Negative Approac...
published: 28 May 2009
author: Punkforbrains
Negative Approach - Nothing
Negative Approach - Nothing I think this just might be everyones favorite Negative Approach song hahaha Its mine for sure lol This and Lost Cause.
- published: 28 May 2009
- author: Punkforbrains
4:15
Negative Approach - Power of the Riff East 2012
Exclusive Master Recordings at low rates, Pro HD Quality . Please contact mail@unartignyc....
published: 03 Sep 2012
author: unARTigNYC
Negative Approach - Power of the Riff East 2012
Exclusive Master Recordings at low rates, Pro HD Quality . Please contact mail@unartignyc.com if you'd like us to shoot a show in New York City for you. Nega...
- published: 03 Sep 2012
- author: unARTigNYC
1:55
Negative Approach - "Nothing" (Live - 1982)
Motor City Rock 'N' Roll Video Like this video? Come see thousands more at the Net's bigge...
published: 04 May 2007
author: BlankTV
Negative Approach - "Nothing" (Live - 1982)
Motor City Rock 'N' Roll Video Like this video? Come see thousands more at the Net's biggest, uncensored, completely d.i.y. punk, hardcore, indie and alterna...
- published: 04 May 2007
- author: BlankTV
2:02
NEGATIVE - APPROACH (OFFICIAL HD VERSION)
NEGATIVE - APPROACH - LIVE IN DETROIT 1983 (OFFICIAL HD VERSION) MORE INFOS: ......
published: 07 Nov 2011
author: hcworldwide
NEGATIVE - APPROACH (OFFICIAL HD VERSION)
NEGATIVE - APPROACH - LIVE IN DETROIT 1983 (OFFICIAL HD VERSION) MORE INFOS: ...
- published: 07 Nov 2011
- author: hcworldwide
24:06
NEGATIVE APPROACH 2/9/2012 S.F.
This is Negative Approach's first Bay Area appearance ever. Live at The Great American Mus...
published: 10 Feb 2013
author: illcontent1
NEGATIVE APPROACH 2/9/2012 S.F.
This is Negative Approach's first Bay Area appearance ever. Live at The Great American Music Hall in San Francisco. This is part 1 of 3 of the entire show. E...
- published: 10 Feb 2013
- author: illcontent1
1:30
Negative Approach - Tied Down
From the album 'Tied Down' (1983). Lyrics: You made your choice Now there's no turning bac...
published: 19 Nov 2011
author: RetroInfatuation
Negative Approach - Tied Down
From the album 'Tied Down' (1983). Lyrics: You made your choice Now there's no turning back Wasting your time But you just won't face the facts Why fool your...
- published: 19 Nov 2011
- author: RetroInfatuation
1:59
NEGATIVE APPROACH can't tell no one
Super-rare video broadcast by BACK PORCH VIDEO in Dearborn Michigan....
published: 10 Oct 2006
author: TIMESTEREO
NEGATIVE APPROACH can't tell no one
Super-rare video broadcast by BACK PORCH VIDEO in Dearborn Michigan.
- published: 10 Oct 2006
- author: TIMESTEREO
1:11
Negative Approach 2.09.13 SF
NEGATIVE! APPROACH!...
published: 10 Feb 2013
author: Forest Love
Negative Approach 2.09.13 SF
NEGATIVE! APPROACH!
- published: 10 Feb 2013
- views: 685
- author: Forest Love
24:21
Negative Approach - Why Be Something You're Not. Detroit 1982 (Full set)
Why Be Something You're Not was a public access show run by punks in Detroit on cable TV. ...
published: 10 Nov 2012
author: sicksoahc
Negative Approach - Why Be Something You're Not. Detroit 1982 (Full set)
Why Be Something You're Not was a public access show run by punks in Detroit on cable TV. There were two known episodes filmed, the first featuring interview...
- published: 10 Nov 2012
- author: sicksoahc
16:56
Negative Approach - Tied Down 1983 [Full Album]
This Album is not mine. This is the "Tied Down" by Negative Approach made in 1983. All cre...
published: 15 Dec 2012
author: Ruben220597
Negative Approach - Tied Down 1983 [Full Album]
This Album is not mine. This is the "Tied Down" by Negative Approach made in 1983. All credits goes to the respective artists and their recording labels. 1."...
- published: 15 Dec 2012
- author: Ruben220597
7:53
negative approach
negative approach on "why be something that you're not"...
published: 14 Apr 2009
author: monkthepunk
negative approach
negative approach on "why be something that you're not"
- published: 14 Apr 2009
- author: monkthepunk
Vimeo results:
3:32
Naughty Boy Feat. Emeli Sande - Wonder
Before taking the global stage at the Olympics, Emeli Sande was busy shooting her new prom...
published: 20 Sep 2012
author: Finish
Naughty Boy Feat. Emeli Sande - Wonder
Before taking the global stage at the Olympics, Emeli Sande was busy shooting her new promo for Naughty Boy with Director Nadia, at Academy/A+.
Shot in an area of flooded forest in Denmark, Nadia wanted the completed promo to feel reminiscent of Kodak Aerochrome film. Designed for reconnaissance planes, the film would pick-up everything non-organic and turn it black whilst everything organic was given a pink hue.
Doing this in the grade is harder than it sounds as award winning colourist Paul Harrison notes “it was a bit of a science project to work out the best approach. It’s not just a case of keying in all the hues, it’s much more complex than that”, he adds “it was important to replicate what Aerochrome does, to get that variance of tones without negatively effecting skin tone”.
He also comments that “we wanted the ethereal hazy feel of an Aerochrome world without it looking like an un-natural addition. We kept a natural balance of tone and light whilst also flipping the hue. I think it’s quite rare to see it in such detail on moving image”.
There is definitely something magical about the combination of beautiful cinematography, a complex and unusual grade and the haunting lyrics of Emeli Sande.
Credits
Record Label: Virgin Records
Director: Nadia
Production Company: Academy/A+
Producer: Liz Kessler
Post Producer: Cheryl Payne
Colour Grading: Paul Harrison @ Finish
Flame: Andy Copping
Nuke: Sarah Iduwe
Editor: Ben Canny
DOP: Magnus Joenck
47:26
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT...
published: 07 Jul 2011
author: dmptv
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT PREVIOUSLY SEEN. WHILE NORMAL LIGHTNING FIRES DOWN BELOW CLOUDS, THESE GIANT BOLTS SHOOT UP, STUNNING EXPERTS WITH IMAGES OF LIGHTNING 80 KILOMETRES HIGH.
THIS LIGHTNING, SIX TIMES MORE POWERFUL THAN PASSENGER PLANES ARE DESIGNED TO WITHSTAND, MAY BE THE REAL KILLER IN A SPATE OF BAFFLING AIR DISASTERS.
Camera takes photo.
AND FOR THE FIRST TIME WE CAN REVEAL THE PHOTOGRAPH THAT SPARKED A SECRET NASA ENQUIRY.
WAS THIS THE PROOF THAT A HIGH ALTITUDE LIGHTNING STRIKE CAUSED THE CRASH OF THE SPACE SHUTTLE COLUMBIA?
Title card:
MEGA-LIGHTNING
NARRATOR:
EACH DAY, THE EARTH IS SHAKEN BY 8 MILLION BOLTS OF THE SKY'S MOST POWERFUL FORCE: LIGHTNING.
Bolt of lightning.
NARRATOR:
ENERGY FROM ONE BOLT EXPLODES IN SPLIT SECOND, BUT COULD POWER A HOUSEHOLD FOR HALF A YEAR. AT ANY TIME, 1800 STORMS PUMMEL OUR PLANET. EACH ONE IS A GIANT BATTERY. INSIDE A STORM, WATER TURNS TO HAIL. FAILLING ICE CRASHES ON RISING DROPLET, CREATING STATIC ELECTRICITY. CHARGES OF UP TO 100 MILLION VOLTS BUILD UP. ARCS OF ELECTRICITY FIRE OUT. THIS IS LIGHTNING. MORE THAN 90 PERCENT OF ALL BOLTS FIRE WITHIN CLOUDS. BUT A HIGHLY CHARGED STORM WILL FIRE A CASCADE OF ELECTRICAL CHARGE TO EARTH, DRAWN TO THE HIGHEST POINT. A TREE OR A BLADE OF GRASS CAN TRIGGER LIGHTNING, OR EVEN A PERSON. EACH YEAR, 100O PEOPLE AROUND THE WORLD DIE FROM DIRECT HIT. A LIGHTNING BOLT IS ONLY 3 CM WIDE. BUT AT 33,000 DEGREES CELCIUS, IT IS HOTTER THAN THE SURFACE OF THE SUN.
CGI lightning.
NARRATOR:
THIS HEAT EXPANDS THE SURROUNDING AIR, WHICH EXPLODES OUTWARDS AS THUNDER, THE SOUND OF LIGHTNING.
CGI lightning strike.
NARRATOR:
A LIGHTNING FLASH TRAVELS AT THE SPEED OF LIGHT; IT'S THUNDER TRAVELS MUCH SLOWER. THE SHORTER THE TIME BETWEEN THE FLASH AND THE THUNDER, THE CLOSER THE LIGHTNING BOLT. FEW CLOUD TO GROUND STRIKES ARE LONGER THAN THREE KILOMETRES. AND TEXTBOOKS SAID NO LIGHTNING COULD EXIST ABOVE THE CLOUDS.
Cloud to ground lighting with measuring rod.
Walt Lyons on balcony.
NARRATOR:
BUT THEN WEATHERMAN WALT LYONS AIMED HIS CAMERA ACROSS THE COLORADO PLAINS ON JULY 6, 1993.
Mountains through Walt's eye glasses
NARRATOR:
WHAT HE SAW OVERTURNED 200 YEARS OF SCIENTIFIC CERTAINTY IN AN INSTANT.
Green sprites images.
NARRATOR:
HE FILMED THESE VIDEO IMAGES. THEY SHOW LIGHTNING 80 KILOMETRES HIGH AND 40 KILOMETRES WIDE FIRING ABOVE THE CLOUDS. THEIR EXISTENCE HAD BEEN DISMISSED AS FANTASY. THEIR DISCOVERY SHEDS NEW LIGHT ON WHAT HAS BEEN CAUSING AIRPLANES TO FALL FROM THE SKY.
Sunrise.
Stuart Beecher lights a pipe.
NARRATOR:
THE DISCOVERY OF MEGA-LIGHTNING BEGAN WITH ORDINARY PEOPLE SEEING EXTRAORDINARY THINGS.
Stills of Beecher in name separated by light flashes.
NARRATOR:
IN 1969 STUART BEECHER WAS DEFENDING A MORTAR PIT OUTSIDE SAIGON IN SOUTH VIETNAM, WHEN A STORM BROKE.
Stuart Beecher:
There was this giant flash of lighting that reached from the ground through the base of the cloud, completed illuminated the cloud, and out the top from the ground, in this beautiful double helix pattern, that seemed to just go on forever. It was just like it was going straight into space.
Amateur photo of above cloud lightning.
STRAPLINE:
Photograph: Tudor Williams
NARRATOR:
THERE HAD EVEN BEEN PHOTOGRAPHS. THIS WAS TAKEN AT MT ISA IN AUSTRALIA, IN 1968. SCIENTISTS HAD IGNORED THE SIGHTINGS.
Skeet Vaughan flying.
NARRATOR:
SKEET VAUGHAN, A SENIOR NASA ENGINEER, MET A WITNESS WHO HAD SEEN GIANT LIGHTNING IN 1981. AS A TRAINED PILOT, VAUGHAN TOOK THE SIGHTING SERIOUSLY.
STRAPLINE:
Skeet Vaughan - NASA Engineer 1959-96
Skeet Vaughan:
I wrote an article in one of the flying magazines, and asked pilots to tell me if they'd seen any unusual lightning, or anything out of the ordinary. A number of pilots, about 19 of them, sent me letters telling me about this kind of a thing.
Pilot walks to letterbox.
NARRATOR:
PILOT LARRY PARTRIDGE WAS ONE OF THOSE WHO WROTE TO VAUGHN, REVEALING THAT HE'D SEEN GIANT LIGHTNING ABOVE THE CLOUDS GOING UP, AND NOT DOWN.
STRAPLINE:
Larry Partridge, pilot.
Larry Partridge:
All of a sudden, POW! Just a split second, this huge bolt of lightning came out of the top and disappeared into deep blue space. The captain turned to me and said, wide eyed, and said did you see that? And so I said yes, and so we turned and told the flight engineer, and he said, that's impossible. Lightning doesn't go up.
CGI blue jet.
Pilot Robin May flying.
STRAPLINE:
Robin May - pilot
Robin May:
A Strike of lightning appeared to come from the top of the cloud, went straight up, bright white, for ten or 15 thousand feet, then broke up into a lot of little fingers that went through the different colours of the spectrum, and disappeared off into space.
CGI of sprite to show what Larry sees through window of plane.
Skeet Vaughn:
But most of the pilots had said they'd never talk to people about this, they were somewhat reluctant to, in the case that they
36:27
Fairytales Can Come True
This is a film about relationships and disability starring Frank Moore, who has been disab...
published: 01 Jun 2011
author: Frank Moore
Fairytales Can Come True
This is a film about relationships and disability starring Frank Moore, who has been disabled since birth with cerebral palsy. It is a humorous, yet realistic look at how to establish relationships by changing negative self image. 1981.
("Fairytales Can Come True") "stayed in my mind far more persistently than I first expected, at least based on what the film-makers with millions of dollars at their disposal call 'production values' and 'professional polish'. What most of these high-priced pieces lack, of course, is substance and a genuinely different -- and deeply challenging -- point of view. Something to shake up, shatter, shame, inspire, perspire, ponder and play with long after the cassette gets rewound. Your films did that for me: they are definitely not easy to absorb, follow, or even 'enjoy' in the ordinary pop-culture sense. But you don't forget watching them, ever."
Scott Lankford, Foothill College.
----------
FAIRYTALES CAN COME TRUE is my first movie and most "normal." Saying "first movie" is misleading. I had been reading HOW TO [write scripts, direct, edit film, etc ] books along with books on radical theater [I read all kinds of stuff] when I was a teenager, and wrote scripts that always had a role for me. But I was mainly a political radical back then [among other things]. But in the early seventies I wormed [I am good at worming!] into an intensive in-depth film course in Santa Fe. It was mainly for anthropologists to learn how to make 16mm field films! I pop up in the strangest places! But after the five month, five days a week, six hour a day course, I didn't have money to make film [and couldn't cut film, had to wait until video!]. So I went into performance art.
In the late seventies in San Francisco I was doing THE OUTRAGEOUS BEAUTY REVUE for three years at The Mabuhay gardens, a punk club. An independent producer approached me and offered to do a feature film based on the O. B. R. which I would come up with, star in, and direct [my directing was my primary condition of doing the film]. So I wrote a treatment. We spent a year doing the Hollywood thing, working with screen writers, going to Los Angeles to cast it, flying the actress up to rehearse, etc. But when the producer came back from Florida with the backer's money, he informed me I couldn't direct! So I walked!
So I came up with a totally different story, when I was panhandling in San Francisco I found a guy with a super eight camera and did FAIRYTALES for about $300! Then I enrolled in the San Francisco art institute Master's program in large part to transfer the film on to video so I could edit it myself.
I thought I was making a rough draft to show backers to get money to make the real movie. But it was picked up by a special ed distributor because it was the first film about how to develop a full relationship....rather than a boring explicit how to sex film. it was sexy, funny, dealing with real issues that everybody deals with but many crips think are special crip issues…and it was made by a crip! Crips loved it. But the film wasn’t selling. It turned out that the people who buy those films weren’t crips…but hospital administrators and the like, and parents of crips, etc….people, with the best intentions, but also with vested interest in keeping crips not functional. They felt the movie gave people “false hopes” [an interesting concept]! It didn’t matter to them that most of the people in the cast were in such relationships. “Well, that is a fluke…not real life!”
Once there was a guy in a psychology class at which I was lecturing. After the class, he invited me to do something at the adult drama class he was doing at the C.P. Center [really a daycare warehouse]. He warned me that they rarely respond. So Linda and I went there to show fairytales. When we got there, most of them were sitting there in a fog, heads bent. But my being with Linda started a low-level buzz! Then during the 30-minute film, they went through an amazing transformation. They sat up and got excited. And after the film, they wanted to talk. THESE PEOPLE RARELY TALKED! But that day they were saying things like: “my sister does not want me to date. She doesn’t want me to get hurt. But I want to risk it!” The teacher was excited about the breakthrough. He actually thought he was hired to make breakthroughs! He wanted me to come back. But a few days later he called me and told me the director of the center had banned me from the center because the crips had been harder to control because they had a whiff of possible freedom…the whiff labeled “false hopes”!
I think this captures the true dynamics of such institutions…but also of our society as a whole. Breakthroughs to new possibilities, freedom, human connection, etc. are relatively easy [surprisingly] to induce by art, etc. But such breakthroughs are threatening to the control of the powers…and hence censorship of all forms! Btw,
3:35
Angel Olsen - Sweet Dreams (Official Video)
A transatlantic epistolary exchange.
A song transformed into a film score and mailed acro...
published: 10 Dec 2012
author: Randy Sterling Hunter
Angel Olsen - Sweet Dreams (Official Video)
A transatlantic epistolary exchange.
A song transformed into a film score and mailed across the Atlantic Ocean.
The score interpreted using an intuitive approach and a single roll of 16mm color negative film. The film exposed, rewound and re-exposed many times, developed and sent back across the Atlantic. These images were collected with the foreknowledge that the film would be extensively manipulated in the darkroom. An archaic homemade contact printer was used to create the final look and that film was hand-processed, and rinsed and repeated all in the same room in which the score began.
Time passing. The feeling of time. Collapsing space. Collapsing time. Collapsing time and space.
*16mm print available and recommended for screening purposes. This is the digital version.
"Sweet Dreams" available on Angel Olsen's "Sleepwalker" 7 inch from Sixteen Tambourines (http://sixteentambourines.bigcartel.com/)
US footage processed at Filmworkers/ Astro Labs Chicago. Austrian footage hand-processed at the filmkoop wien. 2K film scan by Synchro Vienna
This film was made under the auspices of a Fulbright grant funded by the Austrian-American Educational Commission.
By Angel Olsen, Randy Sterling Hunter, Ashley Connor (http://ashleyconnor.net/) and Zia Anger (http://ziaanger.com/)
Youtube results:
1:03
negative approach - ready to fight
punk hardcore from usa....
published: 09 Mar 2011
author: conrad59190
negative approach - ready to fight
punk hardcore from usa.
- published: 09 Mar 2011
- author: conrad59190
2:41
Negative Approach | NYC @ Southpaw | May 14th, 2008
For an indexed overview of all un:ART:ig recordings please refer to http://unartignyc.com/...
published: 15 May 2008
author: unARTigNYC
Negative Approach | NYC @ Southpaw | May 14th, 2008
For an indexed overview of all un:ART:ig recordings please refer to http://unartignyc.com/recordings Negative Approach playing Ready To Fight and Nothing liv...
- published: 15 May 2008
- author: unARTigNYC
1:25
Negative Approach - Can't Tell No One
1992 Album: Total Recall. Record Label: Touch & Go Records. DISCLAIMER: I do NOT own the c...
published: 22 Dec 2011
author: Hostile4lyfe
Negative Approach - Can't Tell No One
1992 Album: Total Recall. Record Label: Touch & Go Records. DISCLAIMER: I do NOT own the copyrights to this song or album. Just a fan.
- published: 22 Dec 2011
- views: 10292
- author: Hostile4lyfe
