Look up living in Wiktionary, the free dictionary.

Living may refer to:

• Life, a condition that distinguishes organisms from inorganic objects and dead organisms
  • a living species is one that is not extinct
• Personal life, the course of an individual human's life
• Living wage, refers to the minimum hourly wage necessary for a person to achieve some specific standard of living
• Living or Benefice, in canon law, a position in a church that has attached to it a source of income

Music[link]

• Living 2001–2002, a live album by the John Butler Trio
• Living (Paddy Casey album), 2003
• Living (Judy Collins album), 1971

Other[link]

• Martha Stewart Living, a magazine by Martha Stewart
• Living (UK TV channel) and Livingit, television channels in the United Kingdom and Ireland
• Living (1950s TV series), a Canadian informational television series
• Living (novel), a 1929 novel by Henry Green
• Living (New Zealand TV channel), a New Zealand television station
• Living (TV series), a local daytime show format airing on CBC Television

See also[link]

• Biological material (disambiguation)
• Life (disambiguation)
• Lives (disambiguation)
• Organic (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

The Edge
Background information
Birth name	David Howell Evans
Born	(1961-08-08) 8 August 1961 (age 50) Barking, Essex, England, United Kingdom
Origin	County Dublin, Ireland
Genres	Rock, post-punk, alternative rock
Occupations	Musician, songwriter, activist
Instruments	Guitar, vocals, keyboards, piano, bass guitar
Years active	1976–present
Labels	Island, Mercury
Associated acts	U2, Passengers
Website	www.u2.com
Notable instruments
Gibson Explorer Fender Stratocaster Gibson Les Paul Fender Telecaster Gretsch Country Gentleman Gretsch White Falcon Rickenbacker 330/12

David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge),^[1] is a musician best known as the guitarist, backing vocalist, and keyboardist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's The Joshua Tree and 1991's Achtung Baby. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record Zooropa, and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.

As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical Spider-Man: Turn Off the Dark and the Royal Shakespeare Company's London stage adaptation of A Clockwork Orange. In 2011, Rolling Stone magazine placed him at number 38 on its list of "The 100 Greatest Guitarists of All Time".

Personal life[link]

The Edge at a U2 concert in Anaheim (2005)

David Howell Evans was born at the Barking Maternity Hospital,^[2] Essex, England to Welsh parents Garvin and Gwenda Evans.^[1] When he was one, his family moved to County Dublin, Ireland where he attended St Andrew's National School. He received piano and guitar lessons and often performed with his brother Dik Evans before they both answered an advertisement posted by Larry Mullen, Jr. at their school, Mount Temple Comprehensive School, seeking musicians to form a band.^[3] The band accepted both of them. This band went through several incarnations before emerging as U2 in March 1978 (Dik Evans left the band just before the name change).^[3] U2 began performing in various venues in Ireland and eventually began developing a following. Their debut album, Boy, was released in 1980.

In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay.^[3] During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved.^[4] Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday".^[3] The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983.^[5] The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989.^[4] The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996.^[4]

In 1993, The Edge began dating Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer during the Zoo TV Tour. They had a daughter, Sian (born 1997), and a son, Levi (born 25 October 1999),^[4] before marrying on 22 June 2002.^[4] He appeared in the 2009 music documentary film It Might Get Loud.^[6] The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California.^[7] The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location."^[7] The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.^[7]

Music style[link]

Guitar playing[link]

As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of VOX AC-30s) that he achieves with extensive use of delay effects and reverb. The feedback delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.^{[citation needed]}

On 1987's The Joshua Tree, The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,

"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."^[9]

Many different influences have shaped The Edge's guitar technique.^{[citation needed]} His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument.^[9] He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that."^[9] The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the Achtung Baby era onwards, although much of the band's 1980s material made heavy use of echos.

Vocals[link]

The Edge in June 2005

The Edge also supplies the backing vocals for U2. U2's 1983 live album and video release, Under a Blood Red Sky and Live at Red Rocks: Under a Blood Red Sky are good reference points for his singing (as are the live DVDs from the Elevation Tour, U2 Go Home: Live from Slane Castle and Elevation 2001: Live from Boston). For example, he sings the chorus to "Sunday Bloody Sunday" (Bono harmonizes on the final 'Sunday'). U2 used this tradeoff technique later in "Bullet the Blue Sky" as well. His backing vocals are sometimes in the form of a repeated cry; examples of songs that use this approach include "Beautiful Day", "New Year's Day" and "Stay (Faraway, So Close!)". Another technique he uses in his backing vocals is the falsetto, in songs such as "Stuck in a Moment You Can't Get Out Of", "Sometimes You Can't Make It on Your Own", "A Man and a Woman", "The Wanderer", live versions of "The Fly", and "Window in the Skies".

The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug".^[4] He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday).^[10] He also plays a solo acoustic version of the song "Love is Blindness" that is featured in the documentary film From the Sky Down.

Other instruments[link]

He has played piano and keyboards on many of the band's songs, including "I Fall Down", "October", "So Cruel", "New Year's Day", "Running to Stand Still", "Miss Sarajevo", "The Hands that Built America", and "Original of the Species" and others. He plays the organ on "Please". In live versions of "New Year's Day", "The Unforgettable Fire", "Your Blue Room", and "Moment of Surrender", he plays both the piano and guitar parts alternately. In most live versions of "Original of the Species," piano is the only instrument played during the song. Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.

Solo recordings[link]

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jay-Z, and Rihanna. The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film Captive (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.

He also created the theme song for season one and two of The Batman. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film GoldenEye. The Edge, along with bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled Rise Above 1: Reeve Carney Featuring Bono and The Edge was released digitally.^[11] The music video was released on July 28, 2011.^[12]

Musical equipment[link]

Edge's 1964 Vox AC30 on stage in Foxborough for the U2 360° Tour.

The Edge plays electric guitar, acoustic guitar, keyboards, piano, bass guitar (on "40" and "Race Against Time") and lap steel guitar. Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.^{[citation needed]}

Philanthropy[link]

In 2005, The Edge along with Bob Ezrin and Henry Juszkiewicz co-founded Music Rising, a charity that helped provide replacement instruments for those that were lost in Hurricane Katrina. The instruments were originally only replaced for professional musicians but they soon realized the community churches and schools needed instruments as well. The charity's slogan is "Rebuilding the Gulf Region note by note" and has so far helped over a hundred musicians who were affected by Hurricane Katrina. The Edge also serves on the board of the Angiogenesis Foundation, a 501(c)(3) nonprofit organization dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.^[13]

See also[link]

• Timeline of U2
• List of people on stamps of Ireland

References[link]

Footnotes

Bibliography

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (October 2011)

Wikimedia Commons has media related to: The Edge

Wikiquote has a collection of quotations related to: The Edge

• U2.com, official U2 site
• Music Rising
• The Edge at the Internet Movie Database
• The Edge – Album Credits
• A Study of The Edge's Guitar Delay
• The Edge: 'It's all about the vision'
• Food Bank For New York City public service announcement
• Comment on the mathematical analysis of The Edge's guitar sound

Mike + The Mechanics are an English rock/pop supergroup formed in 1985 as a side project of Mike Rutherford, one of the founding members of the band Genesis. The band is known for their hit singles "Silent Running (On Dangerous Ground)", "All I Need Is a Miracle", "Word of Mouth", "Over My Shoulder", and "The Living Years".

Initially, the band included Rutherford, vocalists Paul Carrack and Paul Young, keyboardist Adrian Lee and drummer Peter Van Hooke. Carrack was generally assigned to ballads and more pop-oriented numbers, while Young handled the band's heavier work.^[1] Following Young's death Paul Carrack became the band's sole lead vocalist until 2004 when the band went on hiatus. The band identity was revived in 2010 with a completely new set of Mechanics working with Rutherford, including new vocalists Andrew Roachford and Tim Howar.

Biography[link]

Formation and commercial breakthrough[link]

During hiatuses from Genesis, Mike Rutherford had been pursuing a solo career, releasing Smallcreep's Day in 1980 and Acting Very Strange in 1982. However, he found the process of recording a solo album excessively difficult, and the results artistically unsatisfying. He recalled, "I had a revelation, too, in this time period... that I'm not complete on my own. ...I'm much more creative and inspired when there are other people around me and I'm bouncing ideas off."^[2] However, he still felt that working only with Genesis would leave him unfulfilled, and to satisfy both his desire to create music outside the format of Genesis and his desire to collaborate with other musicians, he set about forming his own band.^[2]

Rutherford had already started a songwriting partnership with Scottish singer/writer/composer B. A. Robertson, and for the band's self-titled debut album he enlisted the services of producer Christopher Neil. Besides producing, Neil co-wrote most of the songs, selected the material for inclusion, and performed backing vocals. He would continue to play a key role in the band's albums for their first decade of existence.

Similarly to Steely Dan, in the studio Mike + the Mechanics were not a tight-knit band but a vehicle for the songwriting of Rutherford, Robertson, and Neil, and session keyboardists, drummers, guitarists, and even lead vocalists often performed on the songs in place of the official band members. Indeed, the lineup of Mike + the Mechanics only came together over the course of recording their first album; Paul Young, who was recommended for the group by Neil and his manager, said that by the time he joined, all the backing tracks for the album had been recorded.^[2]

Rutherford was more than satisfied with the resulting album and decided to continue the band indefinitely, rather than leaving it as a one-off project.^[2] When the album was released in 1985, his decision was further bolstered by its immense commercial success. While Rutherford's solo albums had been moderately successful, he had never managed a Top 40 hit (except in Canada, where "Maxine" from Acting Very Strange sneaked in at #39); Mike + the Mechanics scored three of them, including two US Top 10s, "Silent Running (On Dangerous Ground)" and "All I Need is a Miracle".^[3] "Silent Running" was featured in the movie On Dangerous Ground, released in North American cinemas in 1986 as Choke Canyon.^[4]

Glory years[link]

The song "The Living Years" (US No.1 single) featured on the band's second album Living Years. The lyrics were written by Robertson and centered on the unresolved dissension between Robertson and his father.^[5] The song was sung by Carrack, who had lost his own father when he was only eleven years old. The album also featured the song "Nobody's Perfect", which was sung by Young and which had received considerable airtime as the music to a successful television advertising campaign for Tennent's bitter.

At this point Carrack began to take a much larger role in the band, joining their stable of songwriters and adding keyboards to his repertoire. The group's third album, Word of Mouth, followed in 1991 and scored another trio of hits, with the lead single becoming one of their most popular songs yet. Despite long hiatuses due to Rutherford's work with Genesis, there seemed no end to the band's success.

Their fourth album, Beggar on a Beach of Gold, did not appear until 1995. When it did, however, it was met with resounding critical acclaim and yielded both the hit title track and the smash single "Over My Shoulder".

Their run of successes was capped with 1996's Hits, which compiled most of their hit singles with a new reworking of "All I Need is a Miracle" that hit number 27 in the UK. The album was certified platinum in the UK within two months of its release.^[6]

Dissolution[link]

In 1996, the band began to fall apart: Adrian Lee and Peter Van Hooke left, and Christopher Neil's long tenure as songwriter/producer for the group ended. However, Rutherford opted to continue Mike + the Mechanics as a singer/songwriter trio. The group's fifth studio album was released in 1999, Mike & The Mechanics. It is generally known as M6, the "Hits" album being their fifth release. As the band no longer had a distribution deal with an American record label, M6 was available to the American market as an import only. Moreover, its only hit, "Now That You've Gone", barely cracked the UK Top 40.^[7]

Another blow struck the following year: On July 15, 2000, Paul Young died from a heart attack.^[8] The band regrouped in 2004 as "Mike + The Mechanics featuring Paul Carrack". As implied by the new name, Carrack played a larger role than ever, performing all the band's lead vocals and keyboards and co-writing all the songs. They released the album Rewired, which became their first album to lack a hit. Peter Van Hooke briefly worked with the band again during this time, not as an official member but as a co-producer of Rewired. He also performed drums and percussion on the album and its tour.

Shortly after, Carrack became too involved with solo work to devote time to the group. In a 2007 interview Rutherford stated that Mike + The Mechanics had "run its course."

Second incarnation[link]

Mike + The Mechanics at Sofia Rocks Fest 2011.

Over several months of 2009 and 2010, Mike Rutherford formed a new band. Since there was no hope of the original group ever reforming, he opted to again use the Mike + the Mechanics name. In a December 2009 interview, Rutherford stated that "I'm actually doing a new Mike and the Mechanics album. I kind of thought I had put it to bed, but I still enjoy songwriting. Working with a few new co-writers and a couple of new faces for the band. Paul Carrack is doing some solo stuff, so we have a guy called Andrew Roachford, an R&B kind of singer. It's a little different, but the soul seems to be there."^[9]

A new album, The Road, and the 'Hit the Road Tour 2011' were announced in November 2010. The album was released in April 2011 featured both Andrew Roachford and Tim Howar on vocals, Luke Juby on keyboards, Gary Wallis on drums, and Anthony Drennan on guitar and bass. The tour included performances across the UK, Germany, and various other European cities.^[10]

Discography[link]

• Mike + The Mechanics (1985)
• Living Years (1988)
• Word of Mouth (1991)
• Beggar on a Beach of Gold (1995)
• Hits (1996)
• Mike & The Mechanics (1999)
• Favourites/The Very Best Of (2000)
• Rewired (2004)
• Rewired + Hits – The Latest + The Greatest (2004)
• The Road (2011)

Members[link]

Current members

• Mike Rutherford – guitars, bass (1985-2004, 2010-present)
• Andrew Roachford – vocals, keyboards (2010-present)
• Tim Howar – vocals (2010-present)
• Anthony Drennan – guitars, bass (2010-present)
• Gary Wallis – drums (2010-present; touring: 1995-2004)
• Luke Juby – keyboards, backing vocals (2010-present)

Past members

• Paul Carrack – vocals, keyboards (1985-2004)
• Paul Young – vocals, percussion (1985–2000; died 2000)
• Adrian Lee – keyboards (1985–1995)
• Peter Van Hooke – drums (1985–1995; touring: 2004)

Touring musicians

• Ashley Mulford - guitar, bass (1986)
• Tim Renwick - guitar, bass (1988-1996)
• Jamie Moses - guitar, bass (1999-2004)
• Rupert Cobb - keyboards (2004)
• Owen Paul McGee - backing vocals (2004)
• Paul McGee - backing vocals (2004)
• Abbie Osmon - backing vocals (2004)

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Mike + The Mechanics

• Official Facebook page

Freddie Mercury
Mercury performing in New Haven, Connecticut, in 1978 with Queen
Background information
Birth name	Farrokh Bulsara
Born	(1946-09-05)5 September 1946 Stone Town, Zanzibar
Origin	London, England, UK[1]
Died	24 November 1991(1991-11-24) (aged 45) Kensington, London, England, United Kingdom
Genres	Rock, hard rock, glam rock
Occupations	Musician, singer-songwriter, record producer
Instruments	Multi-instrumentalist Vocals, piano, keyboards, guitar
Years active	1969–1991
Labels	Columbia, Polydor, EMI, Parlophone, Hollywood Records
Associated acts	Queen, Wreckage/Ibex, Montserrat Caballé Freddie Mercury's Signature

Freddie Mercury (born Farrokh Bulsara (Gujarati: ફારોખ બલ્સારા‌), 5 September 1946 – 24 November 1991)^[2][3] was a British musician, singer and songwriter, best known as the lead vocalist and lyricist of the rock band Queen. As a performer, he was known for his flamboyant stage persona and powerful vocals over a four-octave range.^[4][5][6] As a songwriter, Mercury composed many hits for Queen, including "Bohemian Rhapsody", "Killer Queen", "Somebody to Love", "Don't Stop Me Now", "Crazy Little Thing Called Love" and "We Are the Champions". In addition to his work with Queen, he led a solo career, and also occasionally served as a producer and guest musician (piano or vocals) for other artists. He died of bronchopneumonia brought on by AIDS on 24 November 1991, only one day after publicly acknowledging he had the disease.

Mercury was a Parsi born in Zanzibar and grew up there and in India until his mid-teens. He has been referred to as "Britain's first Asian rock star".^[7] In 2002, Mercury was placed at number 58 in the BBC's poll of the 100 Greatest Britons, in 2006, Time Asia named him one of the most influential Asian heroes of the past 60 years,^[8] and he continues to be voted one of the greatest singers in the history of popular music. In 2005, a poll organised by Blender and MTV2 saw Mercury voted the greatest male singer of all time.^[9] In 2008, Rolling Stone editors ranked him number 18 on their list of the 100 greatest singers of all time.^[6] In 2009, a Classic Rock poll saw him voted the greatest rock singer of all time.^[10] Allmusic has characterised Mercury as "one of rock's greatest all-time entertainers", who possessed "one of the greatest voices in all of music".^[11]

Early life[link]

Mercury was born in the British protectorate of Zanzibar, East Africa (now part of Tanzania). His parents, Bomi and Jer Bulsara,^[a] were Parsis from the Gujarat region of the then province of Bombay Presidency in British India.^[12][b] The family surname is derived from the town of Bulsar (also known as Valsad) in southern Gujarat. As Parsis, Mercury and his family practised the Zoroastrian religion.^[13] The Bulsara family had moved to Zanzibar so that his father could continue his job as a cashier at the British Colonial Office. He had a younger sister, Kashmira.^[14]

The house in Zanzibar where Mercury lived in his early years

Mercury spent the bulk of his childhood in India and began taking piano lessons at the age of seven.^[15] In 1954, at the age of eight, Mercury was sent to study at St. Peter's School, a British-style boarding school for boys in Panchgani near Bombay (now Mumbai), India.^[16] One of his formative musical influences at the time was Bollywood singer Lata Mangeshkar.^[17] Aged 12, he formed a school band, The Hectics, and covered rock and roll artists such as Cliff Richard and Little Richard.^[18] A friend from the time recalls that he had "an uncanny ability to listen to the radio and replay what he heard on piano".^[19] It was also at St. Peter's where he began to call himself "Freddie". Mercury remained in India, living with his grandmother and aunt until he completed his education at St. Mary's School, Bombay.^[20]

At the age of 17, Mercury and his family fled from Zanzibar for safety reasons due to the 1964 Zanzibar Revolution,^[7] in which thousands of Arabs and Indians were killed.^[21] The family moved into a small house in Feltham, Middlesex, England. Mercury enrolled at Isleworth Polytechnic (now West Thames College) in West London where he studied art. He ultimately earned a Diploma in Art and Graphic Design at Ealing Art College, later using these skills to design the Queen crest. Mercury remained a British citizen for the rest of his life.

Following graduation, Mercury joined a series of bands and sold second-hand clothes in the Kensington Market in London. He also held a job at Heathrow Airport. Friends from the time remember him as a quiet and shy young man who showed a great deal of interest in music.^[22] In 1969 he joined the band Ibex, later renamed Wreckage. When this band failed to take off, he joined a second band called Sour Milk Sea. However, by early 1970 this group broke up as well.^[23]

In April 1970, Mercury joined guitarist Brian May and drummer Roger Taylor who had previously been in a band called Smile. Despite reservations from the other members, Mercury chose the name "Queen" for the new band. He later said about the band's name, "I was certainly aware of the gay connotations, but that was just one facet of it".^[1] At about the same time, he changed his surname, Bulsara, to Mercury.^[24]

Career[link]

Singer[link]

Freddie Mercury in 1978

Freddie Mercury's vocal range

Although Mercury's speaking voice naturally fell in the baritone range, he delivered most songs in the tenor range.^[25] His vocal range extended from an F (F2) to an F (F6).^[26] He could belt up to a high F (F5).^[26] Biographer David Bret described his voice as "escalating within a few bars from a deep, throaty rock-growl to tender, vibrant tenor, then on to a high-pitched, perfect coloratura, pure and crystalline in the upper reaches".^[27] Spanish soprano Montserrat Caballé, with whom Mercury recorded an album, expressed her opinion that "the difference between Freddie and almost all the other rock stars was that he was selling the voice".^[28] She adds, "His technique was astonishing. No problem of tempo, he sung with an incisive sense of rhythm, his vocal placement was very good and he was able to glide effortlessly from a register to another. He also had a great musicality. His phrasing was subtle, delicate and sweet or energetic and slamming. He was able to find the right colouring or expressive nuance for each word."^[26] As Queen's career progressed, he would increasingly alter the highest notes of their songs when live, often harmonising with seconds, thirds or fifths instead. Mercury was said to have "the rawest vocal fold nodules" and claimed never to have had any formal vocal training.^[29]

Songwriter[link]

Mercury wrote 10 of the 17 songs on Queen's Greatest Hits album: "Bohemian Rhapsody", "Seven Seas of Rhye", "Killer Queen", "Somebody to Love", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Bicycle Race", "Don't Stop Me Now", "Crazy Little Thing Called Love" and "Play the Game".^[30]

The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among other styles, rockabilly, progressive rock, heavy metal, gospel and disco. As he explained in a 1986 interview, "I hate doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and incorporate all of those things."^[31] Compared to many popular songwriters, Mercury also tended to write musically complex material. For example, "Bohemian Rhapsody" is acyclic in structure and comprises dozens of chords.^[32][33] He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy Little Thing Called Love", on the other hand, contains only a few chords. Despite the fact that Mercury often wrote very intricate harmonies, he also claimed that he could barely read music.^[34] He wrote most of his songs on the piano and used a wide variety of different key signatures.^[32]

Live performer[link]

Mercury, performing live in 1979, with his bottomless microphone stand

Mercury performing live in 1984

Mercury was noted for his live performances, which were often delivered to stadium audiences around the world. He displayed a highly theatrical style that often evoked a great deal of participation from the crowd. A writer for The Spectator described him as "a performer out to tease, shock and ultimately charm his audience with various extravagant versions of himself".^[35] David Bowie, who performed at the Freddie Mercury Tribute Concert and recorded the song "Under Pressure" with Queen, praised Mercury's performance style, saying: "Of all the more theatrical rock performers, Freddie took it further than the rest... he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once and as they say, he was definitely a man who could hold an audience in the palm of his hand."^[36] Queen guitarist Brian May wrote that Mercury could make "the last person at the back of the furthest stand in a stadium feel that he was connected."^[37]

One of Mercury's most notable performances with Queen took place at Live Aid in 1985, during which the entire stadium audience of 72,000 people clapped, sang and swayed in unison. Queen's performance at the event has since been voted by a group of music executives as the greatest live performance in the history of rock music. The results were aired on a television program called "The World's Greatest Gigs".^[38][39] In reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of Great Rock Frontmen and award the top spots to Mick Jagger, Robert Plant, etc all are guilty of a terrible oversight. Freddie, as evidenced by his Dionysian Live Aid performance, was easily the most godlike of them all."^[40]

Over the course of his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved.^[31] He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better."^[31] The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981.^[41] In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe.^[42] Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 300,000.^[43]

Instrumentalist[link]

Freddie Mercury playing guitar during a live concert with Queen in Frankfurt, Germany, 1984.

As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were The Who, The Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his own skills on both instruments and from the early 1980s onward began extensively using guest keyboardists for both Queen and his solo career. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John and Supertramp) for his first solo project, and from 1985 onward collaborated with Mike Moran (in the studio) and Spike Edney (in concert), leaving most of the keyboard work exclusively to them.

Mercury played the piano in many of Queen's most popular songs, including "Killer Queen", "Bohemian Rhapsody", "Good Old Fashioned Lover Boy", "We Are the Champions", "Somebody To Love" and "Don't Stop Me Now". He used concert grand pianos and, occasionally, other keyboard instruments such as the harpsichord. From 1980 onward, he also made frequent use of synthesisers in the studio. Queen guitarist Brian May claims that Mercury was unimpressed with his own abilities at the piano and used the instrument less over time because he wanted to walk around onstage and entertain the audience.^[44] Although he wrote many lines for the guitar, Mercury possessed only rudimentary skills on the instrument. Songs like "Ogre Battle" and "Crazy Little Thing Called Love" were composed on the guitar; the latter featured Mercury playing acoustic guitar both on stage and in the studio.^[45]

Solo career[link]

In addition to his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Album Charts. His first solo effort involved his contribution to the Richard "Wolfie" Wolf mix of Love Kills on the 1984 album (the song also used as the end title theme for National Lampoon's "Loaded Weapon") and new soundtrack to the 1926 Fritz Lang film Metropolis. The song, produced by Giorgio Moroder, debuted at the number 10 position in the UK charts.^[46]

Mercury's two full albums outside the band were Mr. Bad Guy (1985) and Barcelona (1988). The former is a pop-oriented album that emphasises disco and dance music. "Barcelona" was recorded and performed with the opera singer Montserrat Caballé, whom he had long admired. Mr. Bad Guy debuted in the top ten of the UK Album Charts.^[46] In 1993, a remix of "Living on My Own", a single from the album, reached the No.1 position on the UK Singles Charts.^[47] The song also garnered Mercury a posthumous Ivor Novello Award. Allmusic critic Eduardo Rivadavia describes Mr. Bad Guy as "outstanding from start to finish" and expressed his view that Mercury "did a commendable job of stretching into uncharted territory".^[48] In particular, the album is heavily synthesiser-driven in a way that is not characteristic of previous Queen albums.

Barcelona, recorded with Spanish soprano Montserrat Caballé, combines elements of popular music and opera. Many critics were uncertain what to make of the album; one referred to it as "the most bizarre CD of the year".^[49] The album was a commercial success,^[50] and the album's title track debuted at the No.8 position in the UK charts and was a hit in Spain.^[51] The title track received massive air play as the official hymn of the 1992 Summer Olympics (held in Barcelona one year after Mercury's death). Caballé sang it live at the opening of the Olympics with Mercury's part played on a screen, and again prior to the start of the 1999 UEFA Champions League Final in Barcelona.^[52]

In addition to the two solo albums, Mercury released several singles, including his own version of the hit The Great Pretender by The Platters, which debuted at number five in the UK in 1987.^[46] In September 2006, a compilation album featuring Mercury's solo work was released in the UK in honour of what would have been his 60th birthday. The album debuted in the top 10 of the UK Album Charts.^[53]

In 1981–1983, Mercury recorded several tracks with Michael Jackson, including a demo of "State of Shock", "Victory" and "There Must Be More to Life Than This".^[54] None of these collaborations were officially released, although bootleg recordings exist. Jackson went on to record the single "State of Shock" with Mick Jagger for The Jacksons's album Victory.^[55] Mercury included the solo version of "There Must Be More To Life Than This" on his Mr. Bad Guy album.^[56] In November 2011, Brian May announced that a series of duets that Mercury recorded with Jackson are to be released in 2012.^[57][58]

Personal life[link]