5:23
Mechanization - Kenosis
Title track off of Mechanization's album "Kenosis"...
published: 15 Apr 2011
Author: mechanizationmetal
Mechanization - Kenosis
Title track off of Mechanization's album "Kenosis"
2:26
Mechanized Lumberjack
Tree harvesting machine...
published: 17 Feb 2009
Author: surfdawg5
Mechanized Lumberjack
Tree harvesting machine
10:14
Mechanize Farming
This is a mechanize farming project by Mr. Dante Buscayno, a rebel returnee, now based in ...
published: 01 Jul 2010
Author: Paul Mendinueto
Mechanize Farming
This is a mechanize farming project by Mr. Dante Buscayno, a rebel returnee, now based in Pampanga, Philippines. Watch his enthusiasm and passion to modern agriculture. He is now a happy and wealthy farmer, exchanging guns to a more productive, fulfilling and peaceful living.
0:28
Mechanized Weeder Front View
mechanized weeder...
published: 26 Jan 2009
Author: sukshethram
Mechanized Weeder Front View
mechanized weeder
3:10
Paddy Mechanization in Iraq (-عن الشتال الميكانيكي قصير جدا-)
Video includes land preparation, seed selection, nursery management and mechanized rice tr...
published: 06 Jan 2010
Author: sricornell
Paddy Mechanization in Iraq (-عن الشتال الميكانيكي قصير جدا-)
Video includes land preparation, seed selection, nursery management and mechanized rice transplanting techniques used in the System of Rice Intensification (SRI). Al-Mishkab Rice Research Station (MRRS) Najaf, Iraq Authors: Flaih abed Jaber and Khidir A. Hameed. For more information about SRI in Iraq: sri.ciifad.cornell.edu
3:26
KRISHAK - The Mechanized Rice Transplanter
The Mechanized Rice Transplanter...
published: 28 Dec 2007
Author: naveen agrawal
KRISHAK - The Mechanized Rice Transplanter
The Mechanized Rice Transplanter
0:47
LEGO Power Miners Mechanized Drill
Sorry for the poor quality, my camera is quite cheap :) A vehicle built with the same fron...
published: 27 May 2009
Author: djbanizza
LEGO Power Miners Mechanized Drill
Sorry for the poor quality, my camera is quite cheap :) A vehicle built with the same front drill as the LEGO set 8960, but with different body and also with a DC motor which drives the track and the drill. The mechanization is not with Power Functions. I'm using a GSM battery and a walkman motor. For photos of the model, including a bit about its construction, check: www.mocpages.com
7:55
Mechanized Madness
A short documentary on factory farming. "Proponents of industrial farming often claim...
published: 03 Jun 2009
Author: arielslice7
Mechanized Madness
A short documentary on factory farming. "Proponents of industrial farming often claim that sustainable agriculture is not an economically viable means of producing food, arguing that large-scale factory farms are the most efficient way to produce huge quantities of cheap food. However, this argument fails to address the fact that the artificially low price of industrial food does not include the true costs of production. These hidden costs, which include environmental degradation, damage to human health, and the destruction of rural communities, are not paid by the owners of factory farms; they are paid by residents of the communities in which these operations are located, by taxpayers, and by society as a whole." Sources: - The Humane Society of the United States - Food and Water Watch - Human Rights Watch - Farm Sanctuary - CNN - East Bay Animal Advocates - Sierra Club - FactoryFarm.org - Mercy for Animals - "Back to the Garden" the movie - Earth Save - Animal Alliance ...among many others.
7:41
Agricultural Mechanization in Pakistan/Zarkhaiz 1
Anchor/Producer Zulfiqar Ali Establishes the State of Agriculture in Pakistan.One Side is ...
published: 08 Sep 2009
Author: zulfiqarmehto
Agricultural Mechanization in Pakistan/Zarkhaiz 1
Anchor/Producer Zulfiqar Ali Establishes the State of Agriculture in Pakistan.One Side is Still using Centuries Old Techniques and the other is doing Modren Agriculture as Western World.Seenig is Belief......
7:07
Agricultural Mechanization in Pakistan/Zarkhaiz 2
Agricultural Mechanization in Pakistan/Zarkhaiz 2...
published: 08 Sep 2009
Author: zulfiqarmehto
Agricultural Mechanization in Pakistan/Zarkhaiz 2
Agricultural Mechanization in Pakistan/Zarkhaiz 2
1:09
Maype SL, usinage CNC , mécanique, mechanization, mecanizado de precision
www.maype.net ** 54 años de experiencia en mecanizado de precision. ** 54 ans d'...
published: 02 Apr 2009
Author: MaypeSL
Maype SL, usinage CNC , mécanique, mechanization, mecanizado de precision
www.maype.net ** 54 años de experiencia en mecanizado de precision. ** 54 ans d'expérience dans la mécanique de précision. ** 54 years of experience in precious mechanics.
0:48
mechanization of pocket door
a mechanism was added to a double pocket door to operate both doors together. I have poste...
published: 30 Apr 2008
Author: rtuhro
mechanization of pocket door
a mechanism was added to a double pocket door to operate both doors together. I have posted this to show a few friends. If it appeals to you you may contact me for details of the design. my email server is xxxxxx@lighthouse.net you are going to have to insert the correct name in the xxxxxx, i know it is a stretch to classify this science and technology
2:06
Agricultural Mechanization
Agriculture Mechanization...
published: 10 Feb 2009
Author: NTVKenya
Agricultural Mechanization
Agriculture Mechanization
3:22
Farmers Benefit Through Mechanization
USAID, through its Afghanistan Vouchers for Increased Production in Agriculture (AVIPA) pr...
published: 02 Jun 2011
Author: USAIDAfghanistan
Farmers Benefit Through Mechanization
USAID, through its Afghanistan Vouchers for Increased Production in Agriculture (AVIPA) project, is helping farmers through a Farm Mechanization Program aimed at mid-sized farmers growing crops for the market from 18 provinces. Farmers apply for the program through the Provincial Departments of Agriculture, Irrigation and Livestock and, if accepted, receive a week-long hands-on training course on the operation and maintenance of the two-wheeled tractor and implements.
Vimeo results:
1:25
Nokta .
Client: Self-Initiated
Role: Art Direction, Design, Animation, Compositing
Date: February ...
published: 02 Mar 2010
Author: Onur Senturk
Nokta .
Client: Self-Initiated
Role: Art Direction, Design, Animation, Compositing
Date: February 2010
Format: Short Film 1024*576 Widescreen Pal
Sound: ECHOLAB Gavin Little
Nokta . (Dot .) is an abstract short film project which is an improvisation of organic pieces and themes like power, control and luck. Using low-budget equipment and with the combination of actual camera shooting, 2d and 3d animation techniques, the film alters the reality and physics of the real world with the help of the liquid and dynamic simulations’ impact.
Even though the film is not produced according to the base of Amos Funkenstein’s text on harmony, but the text is a convenient statement for the stylistic and representational behaviour of the film.
'I see some correspondence between the foundation of universal harmony on elliptical orbit and the predilection for the elliptic forms in Baroque architecture. In both cases harmony is still defined as unity within multiplicity, but it ceased to be static, namely, harmony expressed in one ideal geometrical form, and became so to speak dynamic. What was previously regarded as the deviation from the ideal form, was comprehended for the first time as an integral part of the form, or form of forms, which are capable of endless transitions one into another. ' [Amos Funkenstein, The Dialectical Preparation of Scientific Revolutions. On the Role of Hypothetical Reasoning in the Emergence of Copernican Astronomy and Galilean Mechanics.]
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
19:21
Zimoun : Compilation Video V.2.9 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.2.9 / L...
published: 24 Oct 2009
Author: STUDIO ZIMOUN
Zimoun : Compilation Video V.2.9 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.2.9 / Last update: December 4, 2011
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.
More works & information:
http://www.zimoun.ch
Next Events:
http://zimoun.ch/events.html
Newsletter:
http://www.zimoun.ch/newsletter.html
Facebook:
http://www.facebook.com/pages/Zimoun/134817185765
HD Video Archive:
http://vimeo.com/zimoun/videos/sort:plays
Galleries:
bitforms gallery nyc
http://www.bitforms.com
Galerie Denise René Paris
http://www.deniserene.com
_
«The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck
«Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk
«The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns‘s work transforms and activates the space.» Jury Prix Ars Electronica 2010
«Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation.
These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10
«It is a poetic and humorous absurdity we find in Zimoun’s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry
«The components used in Zimoun’s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann
«Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a «prime mover» at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.» Xymara
_
Website:
http://www.zimoun.ch
_
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
Youtube results:
5:24
Mechanization and Postharvest issues in east and southern Africa
Joe Rickman ( beta.irri.org ), IRRI representative for the East and Southern Africa Region...
published: 02 Feb 2009
Author: irrivideo
Mechanization and Postharvest issues in east and southern Africa
Joe Rickman ( beta.irri.org ), IRRI representative for the East and Southern Africa Region and program leader, East and Southern Africa: Rice for Rural Incomes and an Affordable Urban Staple, discusses the importance of mechanization and postharvest activities in the region. For more information on ending hunger in Africa, go to beta.irri.org
1:21
Mechanized potatoe harvest.
www.mechanizationfightsinflation.com or for Spanish www.cebollas-papas.com...
published: 10 Jun 2010
Author: Alexander Halkema
Mechanized potatoe harvest.
www.mechanizationfightsinflation.com or for Spanish www.cebollas-papas.com
4:19
V2A - Mechanized Mantra [HD]
BAND: V2A TRACK: Mechanized Mantra ALBUM: Machine Corps (2011) No copyright infringement i...
published: 29 Feb 2012
Author: toksickxdeception
V2A - Mechanized Mantra [HD]
BAND: V2A TRACK: Mechanized Mantra ALBUM: Machine Corps (2011) No copyright infringement intended. If there's any music album you'd like uploaded in High Definition that fits into the categories listed on my channel, please do not hesitate to message me/leave me a comment with the band name and album name, and I will more than happily upload them when I am able to.
7:13
Mechanized Propulsion Systems Interview
An interview with Mechanized Propulsion Systems from Anime Expo 2011. They're making a...
published: 12 Jul 2011
Author: Stonegold
Mechanized Propulsion Systems Interview
An interview with Mechanized Propulsion Systems from Anime Expo 2011. They're making a real-life mech, for actual industrial purposes.