"A Forest" is a single by the English rock band The Cure, released on March 28, 1980 as the only single from their second album Seventeen Seconds. It was their first chart single in the UK, reaching #31; the song was also a hit in the Netherlands, reaching #26. It was also their first single to be released on the 12" single format, which was able to feature the un-edited album version. The 7" single version omits the initial guitar and keyboard introduction, removes a few bars between verses and fades out part way through the guitar solo ending, making it approximately two minutes shorter. Versions subsequently released on various compilations such as Standing on a Beach as the "single" version vary slightly from the 7" single edit in that they restore the guitar solo ending to its full length.

The lyrics tell a vague story about a man looking for a girl in a forest. He hears her calling for him, and as he chases her, he suddenly stops and realizes that he is lost and that the girl is not there. The song is fairly upbeat compared to the other material on the album, and Lol Tolhurst's machine-like steady beat together with Simon Gallup's minimalistic bassline gives this nervous chase more depth and keeps the song on the edge of a frantic groove until the end.^{[citation needed]} Former drummer for The Cure, Andy Anderson said A Forest was the first song by the band he ever heard. He "fell in love with it" and the song's vocals, Robert Smith's guitar work, and the keyboards, which he describes as "haunting." The drums, he believed were straightforward and "all that is needed on it."

The Cure are an English alternative rock band formed in Crawley, West Sussex in 1976. The band has experienced several line-up changes, with frontman, vocalist, guitarist and principal songwriter Robert Smith being the only constant member. The Cure first began releasing music in the late 1970s with its debut album Three Imaginary Boys (1979); this, along with several early singles, placed the band as part of the post-punk and New Wave movements that had sprung up in the wake of the punk rock revolution in the United Kingdom. During the early 1980s, the band's increasingly dark and tormented music helped form the gothic rock genre.

After the release of Pornography (1982), the band's future was uncertain and Smith was keen to move past the gloomy reputation his band had acquired. With the 1982 single "Let's Go to Bed" Smith began to place a pop sensibility into the band's music (as well as a unique stage look). The Cure's popularity increased as the decade wore on, especially in the United States where the songs "Just Like Heaven", "Lovesong" and "Friday I'm in Love" entered the Billboard Hot 100 chart. By the start of the 1990s, The Cure were one of the most popular alternative rock bands in the world. The band is estimated to have sold 27 million albums as of 2004. The Cure have released thirteen studio albums, 10 EPs and over thirty singles during the course of their career. Since 2010, they have been working on a fourteenth studio album.

Jessica Rosemary Francis Mills, commonly known as Jess Mills is an English singer/songwriter and musician, currently signed to Island Records, who has collaborated with many UK Electronic music producers including Photek,Distance and Breakage.

Mills grew up in Kentish Town, North London. She is the daughter of Labour MP Tessa Jowell and lawyer David Mills, and attended Acland Burghley School; there, she met Niomi McLean-Daley, better known as Ms. Dynamite, becoming friends and, "doing dodgy dance routines in assembly together."

After graduating from Sussex University, Mills began working in a local pub in order to fund a continued interest in music on the side. After a steady string of collaborations with various musicians throughout the 2000s (including one with Dom Search from The Nextmen) she eventually got her real break touring with Leftfield in 2010.

She has worked extensively with drum and bass / dubstep producer Breakage, scoring a UK top 40 hit with the track "Fighting Fire".

Other tracks released in 2011 include the singles "Vultures" and "Live For What I Die For", as well as a cover of The Cure's "A Forest" (of which Robert Smith himself has admitted he is a fan).