A Plain Introduction to the Criticism of the New Testament
Author(s)	Frederick Henry Ambrose Scrivener
Language	English
Publisher	George Bell & Sons
Publication date	1861, 1894
Pages	418 + 428
ISBN	1-4021-6347-9

A Plain Introduction to the Criticism of the New Testament: For the Use of Biblical Students is one of the books of Frederick Henry Ambrose Scrivener (1813–1891), biblical scholar and textual critic. In this book Scrivener listed over 3,000 Greek manuscripts of the New Testament, as well as manuscripts of early versions. It was used by Gregory for further work.

The book was published in four editions. The first edition, published in 1861, contained 506 pages. The second edition (1874) was expanded into 626 pages; the third into 751 pages; and the fourth into 874 pages. Two first editions were issued in one volume; in the third edition the material was divided into two volumes, with an increased number of chapters in each. The first volume was edited in 1883, the second in 1887. The fourth edition was also issued in two volumes (1894).^[1] The fourth edition of the book was reprinted in 2005 by Elibron Classics.

First Edition[link]

Plate VIII with facsimiles from Codices Vaticanus, Regius, Nanianus, and Basilensis

The text of the first edition was divided into nine chapters and three Indices were added at the end (pp. 465–490). All plates were placed at the end of book (after Indices). The main part of the work are descriptions of the manuscripts. Scrivener concentrated his attention on the most important manuscripts (especially five larger uncial codices). The later cursive manuscripts were too numerous to be minutely described as per the uncials. Scrivener described them with all possible brevity, dwelling only on a few which presented points of special interest and used a system of certain abbreviations. Lists of this abbreviations was included just before the Catalogue of cursive manuscripts. Examples of abbreviations, include:

Act. — MS. of Acts and Catholic epistles

Am. — the Ammonian Sections

Eus. — the Eusebian Canons

Eus. t. — a table of the Eusebian Canons

Carp. — Epistula ad Carpianum

κεφ. — the numbers of the κεφαλαια majora stand in the margin

κεφ. t. — the tables of the κεφαλαια are prefixed to each book

τιτλ. — the τιτλοι are given at the head or foot of the page

lect. — the book is adapted for Church-reading by notices of the proper lessons, feasts etc. in the margin, or above, or below

men. — a menology, calendar of Saints' Days, is found at the beginning or end of the book

syn. — Synaxarion, a calendar of the daily lessons throughout the year is given

mut. — the copy described is mutilated

pict. — the copy is illuminated with pictures

prol. — contains prolegomena before the several books^[2]

Table of ancient and modern divisions of the New Testament, on page 58 of the 1st edition

In every next edition of the Plain Introduction this system of abbreviations was expanded (e.g. Αναγ., Argent., etc.). At the end of lists the manuscripts are described more shortly, in two columns, only numbers of the manuscripts, with the corresponding number of other system of catalogization (Scholz):^[3]

In the preface to the first edition, the editor announced:

The following pages are chiefly designed for the use of those who have no previous knowledge of the Textual Criticism of the New Testament; but since the Author has endeavoured to embody in them the results of very recent investigations, he hopes that they may prove of service to more advanced students. He asks the reader's indulgence for the annexed list of Addenda et Corrigenda, both by reason of the peculiar character of his work, and the remoteness of West Cornwall from Public Libraries. He might easily have suppressed the greater part of them, but that he has honestly tried to be accurate, and sees no cause to be ashamed of what Person has well called "the common lot of authorship." He has only to add that he has not consciously borrowed from other writers without due acknowledgement, and to return his best thanks to the Rev. H. O. Coxe for important aid in the Bodleian, and to Henry Bradshaw Esq., Fellow of King's College, for valuable instruction respecting manuscripts in the University Library at Cambridge.

Falmouth, September, 1861.^[4]

Second edition[link]

In 1873 Dean Burgon in The Guardian published several articles with some suggestions, corrections, and encouragement for preparing the second edition of Plain Introduction.^[5] Burgon gave a photograph of the Codex Basilensis for the sake of the next edition (the facsimile from the first edition was a poor quality).^[6]

The second edition was published in 1874. The number of chapters was still the same, but they were expanded (especially chapter II and IX). Many corrections to the third section of the second chapter were made after suggestions of: H. Bradshaw, Hort, Vansittart, Kelly, and Burgon.^[7] In preface to the first edition, the editor announced:

The first edition of this work, published in 1861, was received so favourably that the author has felt bound to bestow his utmost care upon a minute and thorough revision of his book, in the hope of bringing up the information it contains to the existing state of knowledge. In this endeavour he has been assisted as well by Canon Lightfoot, to whom he is indebted for that section of the third chapter which treats of Egyptian versions of the New Testament (pp. 319-357), as also by much unsought for and most welcome help, especially on the part of those scholars who are named in p. 164, note. Without wishing to speak harshly of writers who are not very scrupulous in such matters, he has always thought it became him to borrow from no quarter without making a full and frank avowal of the fact. The author will be much rejoiced if this new edition shall be judged not less worthy than its predecessor to become a text book in Universities and Theological Celleges.

S. Gerrans, August, 1861.^[8]

Third edition[link]

In August, 1874, Ezra Abbot sent to Scrivener a letter: the rough draught of which covered forty odd pages, devoted to the correction of apparent errors and a statement of overlooked facts in the first edition of the Plain Introduction. The letter came too late to be used in preparing the body of the second edition of Scrivener's work.^[9] Abbot's studies largely argumented the number of suggestions, particularly in those portions of the book devoted to describing the extant manuscripts. They were accumulated in great part to the older and well-known authorities - such as Griesbach, Matthaei, Scholz (particularly his work Biblisch-kritische Reise, Leipzig 1823), Bianchini, Montfaucon, Silvestre, Bandini, Laubecius, and Zaeagni.^[9] Part of suggestions were a result of Abbott's studies of recent edited Catalogues of the ancient Greek Manuscripts held in the British Museum, Bodleian Library, Oxford Catalogues, Kitchin's Catalogue of the manuscripts in the Library of Christ Church College (Oxrofd, 1867).^[9] Abbott added numerous references to facsimile editions.^[10]

In 1885 J. Rendel Harris, together with Abbot, prepared the similar work as the first unpublished work of Abbot, nine years earlier. It was published under the title: Notes on Scriveners' "Plain introduction to the criticism of the New Testament," 3rd edition, in which they proposed corrections. Example of corrections:

Page XII. On "p. 69. note", line 2, for "360" read "1160".

Page XIII. On "p. 141, line 28", line 2, for "Vol. II., Part I." read "Part I, Vol. II.". At end. add "after p. 492."

Page XIV. On "Y", line 8, for "XXIII, 23" read "XXIII, 5"; line 9, for "II, 21-IV. 1; 15-v. 1" read simply "II. 21-v.I" - since Dr. Gregory discovered two additional leaves; see the Prolegomena, to Tischendorf, p. 440.

On "p. 162, line 24", line 2, for "Vol. II., Pt. I." read "Pt. I. Vol. II."^[11]

The third edition was issued into two volumes, with an increase of chapters in each (XIV + XII).

The third edition was prepared under great disadvantage. Scrivener after adding 125 pages to his book had an attack of paralysis, as result his work was not wholly conducted upon the same high level as his previous publications. The framework of the second edition was originally adopted; and the new additional material was only added to the almost unchanged material.^[12]

Fourth edition[link]

The fourth and the last edition of Plain Introduction was prepared and edited posthumously by Edward Miller (1825–1901). The book was edited by George Bell & Sons. It contains 15 plates with the texts of 40 manuscripts in facsimile (the 1st edition had 12 plates with 36 manuscripts). Some facsimiles were replaced. Instead of 2,094 manuscripts, as recorded in the third edition under six classes, no less than 3,791 were recorded in this edition, an increase of 236 beyond the 3,555 of Gregory, without counting the numerous vacant places which had been filled inp.^[12]

Most of the accounts of ancient versions were rewritten by distinguished scholars, who were leaders in their several departments. The early part of Volume I was enriched from the admirable book on “Greek and Latin Palaeography”, by Edward Maunde Thompson. Many corrections suggested by eminent scholars were introduced in different places throughout the book. H. J. White rewrote the chapter on Latin versions. G. H. Gwilliam, editor of the Peshitta, helped to improve the passages on the Peshitta and the Curetonian Version. H. Deane made an additions to the treatment of the Harkleian Version. A. C. Headlam made a revision of the long chapter on the Egyptian versions; F. C. Conybeare, rewrote the sections on the Armenian and Georgian versions; Margoliouth rewrote the sections on the Arabic and Ethiopic versions; J. M. Bebb rewrote the section on the Slavonic version; James W. Bright rewrote the section on the Anglo-Saxon Version.^[13]

• 

  Facsimile of the minuscule 1 in the 1st edition (1861)

• 

  Facsimile of the minuscule 1 in the 2nd, 3rd, and 4th edition (1894)

• 

  Facsimile of Codex Cyprius (1861)

• 

  Facsimile of Codex Cyprius (1894)

Contents of the 4th edition[link]

Volume I[link]

Page 231, vol. I, from the 4th Edition

• Chapter I, pages 1–20 – Preliminary considerations
• Chapter II, pages 21–55 – General character of the Greek manuscripts of the New Testament (materials for writing, style of writings, abbreviations).
• Chapter III, pages 56–89 – Divisions of the text, and other particulars (Ammoniam Sections, Eusebian Canons, Euthalian chapters, subscriptions, marginal markings, Synaxarion, Menologion)
• Chapter IV, pages 90–130 – The larger uncial manuscripts of the Greek Testament (Sinaiticus, Alexandrinus, Vaticanus, Ephraemi and Bezae)
• Chapter V, pages 131-168 – Uncial manuscripts of the Gospels
• Chapter VI, pages 169-188 – Uncial manuscripts of the Acts and Catholic epistles, of St. Paul’s epistles, and of the Apocalypse
• Chapter VII, pages 189-240 – Cursive manuscripts of the Gospels. Part I. 1-449
• Chapter VIII, pages 241-271 – Cursive manuscripts of the Gospels. Part II. 450-774
• Chapter IX, pages 272-283 – Cursive manuscripts of the Gospels. Part III. 775-1321
• Chapter X, pages 284-306 – Cursive manuscripts of the Acts and Catholic epistles, 1-420
• Chapter XI, pages 307-319 – Cursive manuscripts of St. Paul’s epistles, 1-491
• Chapter XII, pages 320-326 – Cursive manuscripts of the Apocalypse, 1-184
• Chapter XIII, pages 327-367 – Evangelistaries, or Manuscript Service-Books of the Gospels, 1-963
• Chapter XIV, pages 368-376 – Lectionaries containing the Apostolos or Praxapostolos, 1-288

Volume II[link]

• Chapter I, pages 1–5 – Ancient Versions
• Chapter II, pages 6–40 – Syriac Versions (Peshitta, Curetonian, Harklean, Palestinian)
• Chapter III, pages 41–90 – Latin Versions (Old Latin, Vulgate)
• Chapter IV, pages 91–144 – Egyptian or Coptic Versions (Bohairic, Sahidic, Fayyumic, Akhmimim)
• Chapter V, pages 145-166 – The Other Versions of the New Testament (Gothic, Armenian, Georgian, Ethiopian, Arabic)
• Chapter VI, pages 167-174 – Quotations from the Fathers
• Chapter VII, pages 175-243 – Early Printed Editions, Critical Editions (Complutensian Polyglote, Novum Instrumentum omne, Editio Regia)
• Chapter VIII, pages 244-256 – Textual Canons
• Chapter IX, pages 257-273 – History of the Text
• Chapter X, pages 274-311 – Recent Views of Comparative Criticism
• Chapter XI, pages 312-320 – Character of the Ddialect of the Greek Testament
• Chapter XII, pages 321-413 – Application of Principles to Select Passages

Reception[link]

Edward Miller, the editor of the 4th edition, in 1886 estimated the 3rd edition:

The labour spent by Dr. Scrivener upon Textual Criticism is well known from his admirable Introduction to the Science, a handbook which leaves hardly anything, if anything, to be desired.^[14]

Eberhard Nestle, editor of Novum Testamentum Graece, wrote in 1901:

Scrivener have rendered great service in the way of collating manuscripts, (...) as well as Gregory in Germany has also catalogued them.^[15]

Gregory, another textual critic, in his Textkritik des Neuen Testaments (1900–1909) very often cited work of Scrivener, but after Minuscule 449 he used different way of numbering for the manuscripts (Scrivener 450 = Gregory 581, Scrivener 451 = Gregory 582).^[16] A Plain Introduction... was also used by Hermann von Soden in his Schriften....^[17]

References[link]

Further reading[link]

• F. H. A. Scrivener, A Plain Introduction to the Criticism of the New Testament, etc. third edition, thoroughly revised, enlarged, and brought down to the present date, Cambridge and London, 1883, Volumes I-II
• F. H. A. Scrivener, A Plain Introduction to the Criticism of the New Testament. For the Use of Biblical Students, Fourth Edition, Volumes I-II, reprinted by Elibron Classics series (2005), Adamant Media Corporation, ISBN 1-4021-6347-9 (paperback), ISBN 1-4021-5176-4 (hardcover)

External links[link]

Editions of the book

• A Plain Introduction to the Criticism of the NT (1861), First Edition (HTML)
• A Plain Introduction to the Criticism of the NT, (Cambridge, 1874), Second Edition at the Internet Archive
• A Plain Introduction to the Criticism of the NT (1894), Fourth Edition, Volume I at the Internet Archive
• A Plain Introduction to the Criticism of the NT (1894), Fourth Edition, Volume II at the Internet Archive
• A Plain Introduction to the Criticism of the NT, Fourth Edition, Volume 1 (reprint 2005)
• A Plain Introduction to the Criticism of the NT, Fourth Edition, Volume II (reprint 2005)

Other

• Ezra Abbot & J. Rendel Harris, Notes on Scriveners' "Plain introduction to the criticism of the New Testament," 3rd edition [microform] (1885)

Ezekiel Giles, better known by his stage name Freekey Zekey, is an African-American rapper best known as a founding member of The Diplomats and as Owner/CEO of 730 Dips Records,^[1] and is the cousin of fellow Dipset member Cam'ron (Cameron Giles). He is also a member of fellow rapper Jim Jones' ByrdGang. Freekey has made a habit of yelling his name in songs; it is his signature on tracks, whether he is featuring or the solo artist.

Zekey was shot on April 25, 2003, but recovered.^[2]

Freekey Zekey spent almost three years in jail at Durham Correctional Center in Durham, NC on drug charges before being released on November 20, 2006.^[3][4]

Discography[link]

Studio albums[link]

Collaboration albums[link]

Mixtapes[link]

• 2006: Kiss my Browneye
• 2007: Henry
• 2008: Blame It on the Henny
• 2008: Henny & a Cigarette
• 2010: Gangsta Ambition

Singles[link]

Solo singles[link]

Collaborative singles[link]

Featured singles[link]

References[link]

This hip hop music/culture article is a stub. You can help Wikipedia by expanding it. v t e

William Leonard Roberts II (born January 28, 1976), better known by his stage name Rick Ross (often stylized as RICK RO$$), is an American rapper. He derived his stage name from the drug trafficker "Freeway" Ricky Ross, to whom he has no connection. Ross founded the record label Maybach Music Group, on which he released his studio albums Deeper Than Rap and Teflon Don, Ross was also the first artist signed to Diddy's management company Ciroc Entertainment. In early 2012, MTV named Ross as the Hottest MC In The Game.^[3]

Early life[link]

William Leonard Roberts II was born in Coahoma County, Mississippi.^[1] and raised in Carol City, Florida, near Miami.^[2] After graduating from Carol City Senior High School, he later attended the historically black college Albany State University on a football scholarship.^[4]

Music career[link]

After being signed to Suave House Records, former label for rap duo 8Ball & MJG, he eventually signed a deal with Slip-n-Slide Records, which has been under the Def Jam umbrella since 2006. While signed to Slip-n-Slide, Ross toured with fellow rapper Trick Daddy and made guest performances on other Slip-n-Slide albums.^[2]

[edit] Port of Miami (2006)

His debut album Port of Miami was released in August 2006 and debuted at the top spot on the Billboard 200 album chart, with sales at 187,000 units after its first week.^[5][6] Christian Hoard of Rolling Stone magazine predicted that it would be "the summer's biggest rap record".^[7] The second single was "Push It", which samples "Scarface (Push It to the Limit)", the theme song off the gangster film Scarface.^[8] The music video for "Push It" was modeled after the film.^[9] During that time, Ross made guest performances on two singles from DJ Khaled's debut Listennn... the Album: "Born-N-Raised" and "Holla at Me". Port of Miami received Gold certification from the Recording Industry Association of America on November 8, 2006.

[edit] Trilla (2008)

In March 2008, his second album Trilla was released and, as its predecessor Port of Miami had, debuted at the top of the Billboard 200.^[10] Its lead single "Speedin'" featuring R. Kelly peaked at #121 on the Billboard Hot 100; the next one, "The Boss" featuring T-Pain peaked at #17 on the Hot 100. The third single "Here I Am" featured Nelly and Avery Storm.^[11] MTV News ranked Ross on the fourth spot in its 2008 "Hottest MCs In The Game" list among ten rappers.^[12] The fourth single "This Is The Life" featured Trey Songz and was released in July.

[edit] Deeper Than Rap (2009)

"I look at the game and the business and all different aspects, it's a lot of great lyricists on the corner that will never properly understand the business and know how to market themselves and get in a position where they can gain capital. I look at all the strategies people use and what made them successful. What made Birdman just as relevant today after selling 50 million records? That intrigues me. To see the class of Jay-Z, his accomplishments and see how he sits backs and accurately makes his moves."^[13]

A track from the album called "Valley of Death" was what stood out to MTV reporters. In the song, Ross speaks briefly on his controversial stint as a prison guard. "Keep it trilla, nigga, never had a gun and badge," which he stresses, leaving the word that he was indeed an officer of the law. "Kept a nice watch, smoking on a hundred sack/ Back in the day I sold crack for some nice kicks/ Skippin' school, I saw my friend stabbed with an ice pick/ Can't criticize niggas trying to get jobs/ Better get smart, young brother, live yours." Later, he implies that while he was working as a corrections officer, he was on the streets. "Only lived once and I got two kids/ And for me to feed them, I'll get two gigs," he raps. "I'll shovel shit, I'll C.O./ So we can bow our heads and pray over the meatloaf." Although, he still provided no explanation for lying about being a C.O. to begin with, nor did he explain why he failed to pay child support for his children.^[14][15]

The cover of the May 2009 issue of XXL magazine, titled "Rick Ross Up in Smoke", featured Ross wearing a pair of Louis Vuitton sunglasses. After publication, a spokesperson for the luxury-goods maker contacted XXL to inform them that Ross was sporting fake sunglasses in the cover image.^[16] It was later revealed that the rapper was wearing authentic Louis Vuitton sunglasses which were altered by Jacob Bernstein, known as "The Sunglass Pimp". Bernstein defended his customizations despite Louis Vuitton's insistence that such modification and resale of trademarked property is not legal.^[17]

[edit] Teflon Don and other works (2010)

Rick Ross released his fourth studio album entitled Teflon Don, which was released on July 6, 2010. The lead is "Super High" featuring Ne-Yo. Actress Stacey Dash made an appearance in the music video. A second official single was released titled "Live Fast, Die Young" which features and is produced by Kanye West. The album debuted at #2 on the Billboard 200 selling 176,000 copies in its first week.

In November 2010, rapper and frequent collabourator, Diddy, who in 2009 signed Ross to a management deal with his Ciroc Entertainment, announced from his YouTube account, that him and Ross are working on an EP together, which is going to be released in 2011.^{[dated info]} A single has been released for the project, called "Another One".^[18]

[edit] God Forgives, I Don't (2011 - present)

Rick Ross had also announced the release of his next album, "God Forgives, I Don't", for December 13, 2011, however it was confirmed on November 17, 2011 it has been pushed back for release in 2012.^[19][20]

Rick Ross premiered two songs from his new album "God Forgives, I Don't", titled "You The Boss" and "I Love My Bitches".^[21]

Along with his music projects, Rick Ross was nominated by The Source as its "Man of the Year".^[22]

Rick Ross performed at BET Awards 2011, which aired on June 26, 2011.^[23] He also received a nomination for Best Male Hip Hop Artist.^[24] In early 2012, Ross was named the Hottest MC In The Game.^[3]

Personal life[link]

Correctional officer photos[link]

In July 2008, The Smoking Gun produced details linking Ross' social security number to an eighteen month stint as a correctional officer at the South Florida Reception Center, along with a photograph purporting to be Ross in his correctional officer uniform.^[25] Ross initially denied that the photograph was of him;^[26] after overwhelming evidence of his past came into the public's eye, Ross later admitted that he did work as a correctional officer in Florida during the early 1990s.^[27] In a 2008 interview with AllHipHop.com,^[28] "Freeway" Ricky Ross, claimed offense that Roberts used his name and identity when he learned that The Smoking Gun posted documents revealing Roberts' previous employment as a Florida correctional officer.^[29]

Legal issues[link]

Mugshot of Rick Ross taken in 2008.

In January 2008, Ross was arrested on gun and marijuana charges. During a deposition of Officer Rey Hernandez, a Miami Beach cop who arrested Ross, Ross's lawyer, Allan Zamren, asked Hernandez why Ross’s case was assigned to the gang task force. The officer stated that it was because Ross claimed affiliation with Carol City Cartel and other known gang members. Zamren then pressed Hernandez for a personal link between Ross and the gang members, but ultimately one could not be established.^[30]

In August 2008, YouTube entertainer DJ Vlad filed a lawsuit against Ross for assault and battery. Vlad claimed Ross organized an ambush on him at the 2008 Ozone Awards in Houston, Texas for asking questions about his past as a correctional officer.^[31]

On June 18, 2010, Freeway Ricky Ross sued Rick Ross for using his name,^[32] filing a copyright infringement lawsuit in a California Federal Court.^[32] Jay-Z had been called to testify in the lawsuit, as he was CEO of Def Jam when Ross/Roberts was signed.^[32] The reformed drug kingpin was looking for 10 million dollars in the lawsuit.^[32] Also, the release of his album, Teflon Don, was threatened to be blocked by Freeway Ricky Ross. A week after the filing of the lawsuit, Rick Ross responded to the charges: "It’s like owning a restaurant, you’re gonna have a few slip and falls. You get lawsuits, you deal with them, and get them out your way…sometimes you lose."^[33] He then denied rumors that he would change his name to "Ricky Rozay" as a consequence of the lawsuit. The lawsuit was thrown out of court on July 3, 2010^[34] and his album, Teflon Don, was released on July 20 as scheduled.

On March 26, 2011, Ross was arrested in Shreveport for possession of marijuana. According to the police records, a strong odor of marijuana was detected from his room at the Hilton in Downtown Shreveport.^[35]

Religion[link]

Rick Ross is a Christian,^[36] and in an interview with Corey "Coco Brother" Condrey on Lift Every Voice, he indicated that "I had told myself at one point no matter what I go through, I never question God."^[37] In addition, Ross indicated that he prays every time he goes on stage to perform.^[38]

Seizures[link]

On October 14, 2011 Rick Ross suffered two seizures in the same day, once in the morning and once again early evening. Following the morning seizure, he was unconscious and CPR was being performed. He did, however, post a video to his Twitter account later in the day saying that he was OK.^{[citation needed]} Ross boarded another plane later in the day and suffered another seizure. On October 14, the University of Alabama at Birmingham Hospital confirmed that Ross had been admitted to the emergency room. TMZ, who first reported the seizure, updated their story originally posted at 4:45 PST, stating that Ross was in stable condition.^{[citation needed]}

Feud with 50 Cent[link]

In January 2009, Ross started a feud with rapper 50 Cent because he supposedly looked at him the wrong way at the BET Awards. 50 Cent told news sources that he did not remember seeing Ross there.^[39] In late January, "Mafia Music", by Ross, leaked onto the Internet. There were several lines that seemed to diss 50 Cent. Days later, 50 Cent released "Officer Ricky (Go Head, Try Me)" in response to Ross's disparaging remarks on his "Mafia Music" song.

Before going to Venezuela, 50 Cent uploaded a video entitled "Warning Shot," wherein he stated: "Rick Ross- I'mma fuck your life up for fun." In addition, 50 Cent released the first of a series of "Officer Ricky" cartoons. Early in February, 50 Cent once again made a video which he uploaded to YouTube in which he interviewed "Tia", the mother of one of Ross's children. She verifies that he was a correctional officer and claims his whole persona is fake and fraudulent.^[40] On Thursday, February 5, 2009, Game, who 50 Cent has a long-standing "beef" with, called up Seattle R&B station KUBE. When asked about the beef between 50 Cent and Ross, Game sided with 50 Cent and said that things are not looking good for Ross. He offered to help, stating, "Rick Ross, holla at your boy, man," and, "50 eating you, boy."^[41] On his album Deeper Than Rap, Ross references 50 Cent in the song "In Cold Blood". A video for the song was released that portrayed 50 Cent's mock funeral. Upon release, Ross stated that he has ended 50 Cent's career.^[42] That same day Ross released a new diss track called "Push 'Em Over The Edge". The next day 50 Cent released the controversial video "A Psychic Told Me", dissing DJ Khaled. On February 12, 50 Cent responded with "Tia Told Me", along with Lloyd Banks' response "Officer Down" and Tony Yayo's "Somebody Snitched".

In an interview, 50 Cent said Ross is "Albert From CB4. You ever seen the movie? He's Albert," he added. "It never gets worse than this. You get a guy that was a correctional officer come out and base his entire career on writing material from a drug dealer's perspective."^[43]

Discography[link]

Solo albums[link]

• 2006: Port of Miami
• 2008: Trilla
• 2009: Deeper Than Rap
• 2010: Teflon Don
• 2012: God Forgives, I Don't ^[20]

Maybach Music Group Albums[link]

• 2011: Self Made Vol. 1 (with Maybach Music Group)
• 2012: Self Made Vol. 2 (with Maybach Music Group)^[44]

Collaboration albums[link]

• 2009: Custom Cars & Cycles (with Triple C's)
• TBA: Bugatti Boyz (with Diddy)^[45][46]

Compilation albums[link]

• 2007: Rise to Power

References[link]

External links[link]

Wikimedia Commons has media related to: Rick Ross

• Rick Ross Official Def Jam Website
• Rick Ross at the Internet Movie Database

Wiz Khalifa
Wiz Khalifa in Brooklyn, New York in August 2009.
Background information
Birth name	Cameron Jibril Thomaz
Born	(1987-09-08) September 8, 1987 (age 24) Minot, North Dakota, United States
Genres	Hip hop
Occupations	Rapper, singer, songwriter, actor
Years active	2005–present
Labels	Rostrum, Taylor Gang, Warner Bros., Atlantic
Associated acts	Snoop Dogg, Rick Ross, Curren$y, Big Sean, Chevy Woods, Mac Miller, Juicy J, Tinie Tempah, Yelawolf, Maroon 5, Big K.R.I.T.
Website	wizkhalifa.com

Cameron Jibril Thomaz (born September 8, 1987), better known by the stage name Wiz Khalifa, is an American rapper. He released his debut album, Show and Prove, in 2006, and signed to Warner Bros. Records in 2007. His Eurodance-influenced single, "Say Yeah", received urban radio airplay, charting on the Rhythmic Top 40 and Hot Rap Tracks charts in 2008.^[1] Khalifa parted with Warner Bros. and released his second album, Deal or No Deal, in November 2009. He released the mixtape Kush and Orange Juice as a free download in April 2010; he then signed with Atlantic Records.^[2] He is also well known for his debut single for Atlantic, "Black and Yellow", which peaked at number 1 on the Billboard Hot 100. His debut album for the label, Rolling Papers, was released on March 29, 2011.^[3]

Early life[link]

Khalifa was born on September 8, 1987 to a mother and a father serving in the military.^[1][4] His parents divorced when Khalifa was about three years old. His parents' military service caused him to move regularly: Khalifa lived in Germany, the United Kingdom, and Japan before settling in Pittsburgh where he attended Taylor Allderdice High School.^[1][4]

His stage name is derived from khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy .^[5] Khalifa stated to spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got his stage name tattooed on his 17th birthday.^[6][7] He includes Jimi Hendrix, Camp Lo, The Notorious B.I.G. and Bone Thugs-n-Harmony among his influences.^[8]

Career[link]

[edit] 2005–08: Early mixtapes and Show and Prove

Rostrum Records president Benjy Grinberg first heard about Wiz Khalifa in 2004 when the rapper's contribution to a mixtape of various new Pittsburgh artists attracted his interest.^[9] When Grinberg finally met the 16-year-old artist, he immediately decided he wanted to work with him, later telling HitQuarters: "Even though he wasn’t all the way developed you could just tell that he was a diamond in the rough, and that with some polishing, guidance and backing he could become something special."^[9] Khalifa signed to the label shortly after and began a seven year period of artist development.^[9]

Khalifa released his first mixtape, Prince of the City: Welcome to Pistolvania, in 2005. The mixtape paved the way for his first full length album entitled Show and Prove in 2006. Khalifa was declared an "artist to watch" that year in Rolling Stone magazine.^[10][11]

In 2007, Khalifa signed to Warner Bros. Records and released two mixtapes through Rostrum Records: Grow Season, hosted by DJ Green Lantern and released on July 4, 2007, and Prince of the City 2, released on November 20, 2007. His debut Warner Bros. single "Say Yeah" reached number 25 on the Billboard Rhythmic Top 40 music chart and number 20 on Billboard's Hot Rap Tracks. The song samples "Better Off Alone" by Alice Deejay. Khalifa's vocals from "Say Yeah" appear near the end of Pittsburgh mash up producer Girl Talk's 2008 album, Feed the Animals, over music from Underworld's "Born Slippy", Usher's "Love in This Club", and the Cure's "In Between Days".^[12] Khalifa appeared with The Game, David Banner and Play-n-Skillz at U92's Summer Jam at the USANA Amphitheatre in West Valley City, Utah on August 2, 2008.^[13] Khalifa released the mixtapes Star Power in September 2008, and Flight School in April 2009 on Rostrum Records.

Khalifa parted ways with Warner Bros. Records in July 2009 after numerous delays in releasing his planned debut album for the label, First Flight. Khalifa stated to the Pittsburgh Post-Gazette that, "I learned a lot during my time there and matured as an artist during the process. I'm happy to be moving on with all of my material and having the chance to be in control of my next moves".^[14] Khalifa appeared with Girl Talk, Modey Lemon, Donora, Grand Buffet, and Don Caballero at the Amphitheatre at Station Square in Pittsburgh on July 31, 2009, where he announced that his relationship with Warner Bros. was over.^[15]

Wiz Khalifa performing at Columbia University in New York City in April 2010.

[edit] 2009–10: Deal or No Deal

Continuing his association with Rostrum Records, Khalifa released the single "Teach U to Fly", and the mixtape How Fly, a collaboration with New Orleans rapper Curren$y, on August 9, 2009.^[14] Khalifa introduced a more melodic style on the mixtape, alternating between singing and rapping. He opened for Wu-Tang Clan member U-God at the 2009 CMJ Music Marathon in New York City.^[16] Khalifa released the mixtape Burn After Rolling on November 2, 2009, where he raps over familiar beats from other artists, including the songs "If I Were A Boy" and "Diva" by Beyoncé, "Walking on a Dream" by Empire of the Sun, "Luchini AKA This Is It" by Camp Lo, and "Best I Ever Had" by Drake.^[17] Khalifa released his second album, Deal or No Deal, on November 24, 2009.^[18]

Khalifa performed at Emo's in Austin, Texas in March 2010 as part of the 2010 South by Southwest Music Festival.^[19] He appeared on the cover of XXL magazine that same month, for the magazine's annual list of Top 10 Freshman, which included Donnis, J. Cole, Pill, Freddie Gibbs, and Fashawn. Wiz Khalifa was named 2010 "Rookie Of The Year" by "The Source", with alongside Rick Ross, "The Man Of The Year".^[20] He toured with rapper Yelawolf on a 20-date tour, the Deal Or No Deal Tour.^[21] Khalifa released the free mixtape Kush and Orange Juice for download on April 14, 2010. Due to Khalifa's devoted grassroots fan base, the mixtape became the No. 1 trending topic on Twitter with the hash tag #kushandorangejuice, and "Kush and Orange Juice download” ranked No. 1 on Google’s hot search trends.^[22]

2010: Signing with Atlantic Records[link]

Citing music industry insiders, New York magazine wrote that Khalifa signed with Atlantic Records in April 2010, although the rapper did not confirm it.^[23] He stated to AllHipHop in June 2010 that he was working on a new album, but was weighing his options and had not yet decided on a label to distribute it.^[24] Khalifa confirmed to MTV on July 30 that he was signing an Atlantic Records deal.^[25]

Wiz Khalifa on stage in Boston in August 2010.

Khalifa was featured in a remix and video for the 2010 Rick Ross single "Super High", alongside Curren$y.^[26] He guested on the mixtape Grey Goose, Head Phones, and Thirsty Women by St. Louis rapper M.C,^[27] and was featured on the track "The Breeze (Cool)" on rapper Wale's August 2010 mixtape More About Nothing.^[28] Khalifa was named MTV's Hottest Breakthrough MC of 2010, winning with nearly 70,000 votes, and beating out finalists Nicki Minaj, J. Cole, Travis Porter, and Diggy Simmons.^[29]

Khalifa appeared at the Soundset 2010 festival in May 2010 in Minneapolis, Minnesota, alongside Method Man & Redman, Del the Funky Homosapien and Hieroglyphics, Atmosphere, Murs, Cage, and others.^[30] He also performed at the 2010 Rock the Bells festival, along with hip hop veterans Wu-Tang Clan, Snoop Dogg, Lauryn Hill, A Tribe Called Quest, Rakim, KRS-One, Jedi Mind Tricks and Slick Rick.^[31] Khalifa declined an invitation to tour with rapper Drake and launched his own "Waken Baken" tour, a 50-city national tour with rapper Yelawolf. The tour, scheduled to last from September to November 2010, has, as of October, sold out every venue.^[8] On November 2010, during his "Waken Baken" tour at East Carolina University, Wiz Khalifa was arrested for possession and trafficking of marijuana. He was then released the next morning after a $300K bail, and resumed his tour. Khalifa performed in a cypher during the 2010 BET Hip-Hop Awards. He recited his verse from the song, "The Check Point", from his mixtape with Curren$y, How Fly.^[32]

[edit] 2010–11: Mainstream success and Rolling Papers

Wiz Khalifa at SXSW in 2010

Khalifa released "Black and Yellow", his first single for Rostrum/Atlantic, produced by Stargate, which has received radio airplay.^[8][33] The single was peaked at number 1 on the Billboard Hot 100; the title of the song refers to the colours of the City of Pittsburgh.^[34] Khalifa released his debut album with Atlantic Records in 2011.^[35] He appeared with Curren$y on the track "Scaling the Building" on producer Ski Beatz' 2010 album, 24 Hour Karate School.^[36] Khalifa's record label is Taylor Gang Records, named after his love of Chuck Taylor All-Stars^[8], and Taylor Allderdice High School in Pittsburgh, PA, where he graduated from.

On March 29, 2011, Khalifa released his first studio album, Rolling Papers. The album debuted at number two on the US Billboard 200 chart, with first-week sales of 197,000 copies in the United States.^[37] Shortly afterward on March 31, 2011 Wiz Khalifa performed at Emory University in Atlanta, Georgia as part of the school's annual Dooley's Weekend.^[38] On June 26, 2011, Khalifa was nominated and won Best New Artist at the BET Awards of 2011.^[39] Khalifa collaborated with British rapper Tinie Tempah whom Tinie announced in an interview with Rolling Stone that his next single is to be called "Till I'm Gone" and would feature Wiz Khalifa and is to be produced by Stargate.^[40][41] The single and the video song were released at the end of June 2011.^[42]

Personal life[link]

Thomaz proposed to model Amber Rose on March 1, 2012 showing off the ring on Twitter.^[43] He is personal friends with Snoop Dogg, Juicy J, Yelawolf, and fellow Pittsburgh rapper Mac Miller.^[44]

In March 2012, Thomaz purchased a 2.8 private wooded acres with a 3,891-square-foot residence in Canonsburg, Pennsylvania, a small community southwest of Pittsburgh. The residence includes 5-bedroom, 4-bath eco-friendly, Brazilian Koa floors, stainless steel appliances, a separate guest house, and a lavish master suite with high ceilings.^[45] He currently resides there with his fiancée Amber Rose.

Discography[link]

Studio albums

• 2006: Show and Prove
• 2009: Deal or No Deal
• 2011: Rolling Papers
• 2012: O.N.I.F.C. ^[11][46][47]

Collaborative albums

• 2011: Mac & Devin Go to High School (with Snoop Dogg)
• 2012: TBA (with Taylor Gang)

Awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Wiz Khalifa

• Official website
• Wiz Khalifa on Facebook
• Wiz Khalifa on Myspace
• Wiz Khalifa on Twitter
• Wiz Khalifa at MTV
• Non-commercial Wiz Khalifa mixtapes