This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2008)

Clark Kent is a fictional character created by Jerry Siegel and Joe Shuster. Appearing regularly in stories published by DC Comics, he debuted in Action Comics #1 (June 1938) and serves as the civilian and secret identity of the superhero Superman.

Over the decades there has been considerable debate as to which personality the character identifies with most. From his first introduction in 1938 to the mid-1980s, "Clark Kent" was seen mostly as a disguise for Superman, enabling him to mix with ordinary people. This was the view in most comics and other media such as TV (starring George Reeves) and radio. In 1986, during John Byrne's revamping of the character, the emphasis was on Superman being the manufactured persona of Clark Kent, the side of the character he most identifies with. Different takes persist in the present.

Overview[link]

Through the popularity of his Superman alter ego, the personality, concept, and name of Clark Kent have become ingrained in popular culture as well, becoming synonymous with secret identities and innocuous fronts for ulterior motives and activities. In 1992, Superman co-creator Joe Shuster told the Toronto Star that the name derived from 1930's cinematic leading men Clark Gable and Kent Taylor, but the persona from bespectacled silent film comic Harold Lloyd and himself.^[1]

Clark's middle name is given variously as either Joseph or Jerome, the latter in allusion to creator Jerry Siegel.

Beginnings[link]

In the earliest Superman comics, Clark Kent's primary purpose was to fulfill the perceived dramatic requirement that a costumed superhero cannot remain on full duty all the time. Clark thus acted as little more than a front for Superman's activities. Although his name and history were taken from his early life with his adoptive Earth parents, everything about Clark was staged for the benefit of his alternate identity: as a reporter for the Daily Planet, he receives late-breaking news before the general public, has a plausible reason to be present at crime scenes, and need not strictly account for his whereabouts as long as he makes his story deadlines. He sees his job as a journalist as an extension of his Superman responsibilities; bringing truth to the forefront and fighting for the little guy. He believes that everybody has the right to know what is going on in the world, regardless who is involved.^[2]

To deflect suspicion that he is Superman, Clark Kent adopted a largely passive and introverted personality with conservative mannerisms, a higher-pitched voice, and a slight slouch. This personality is typically described as "mild-mannered", perhaps most famously by the opening narration of Max Fleischer's Superman animated theatrical shorts. These traits extended into Clark's wardrobe, which typically consists of a bland-colored business suit, a red necktie, black-rimmed glasses (which in Pre-Crisis stories had lenses of Kryptonian material that would not be damaged when he fired his heat vision through them), combed-back hair, and occasionally a fedora.

Fellow reporter Lois Lane became the object of Clark's/Superman's romantic affection. Lois' affection for Superman and her rejection of Clark's clumsy advances have been a recurring theme in Superman comics, television, and movies.

Transitions[link]

Clark wears his Superman costume underneath his street clothes, allowing easy changes between the two personae — and the dramatic gesture of ripping open his shirt to reveal the familiar "S" emblem when called into action. Superman usually stores his Clark Kent clothing compressed in a secret pouch within his cape^[3], though some stories have shown him leaving his clothes in some covert location (such as the Daily Planet storeroom^[4]) for later retrieval.

In the Pre-Crisis comic book title Superman Family, Clark is featured in a series of stories called "The Private Life of Clark Kent," where he solves problems subtly without changing into Superman.

Adoption[link]

Adopted by Jonathan and Martha Kent from the Kansas town of Smallville, Clark (and thus Superman) was raised with the values of a typical rural American town, including attending the local Methodist Church (though it is debated by comic fans if Superman is a Methodist).^[5]

Most continuities state that the Kents had been unable to have biological children. In the traditional versions of his origin, after the Kents retrieved Clark from his rocket, they brought him to the Smallville Orphanage and returned a few days later to formally adopt the orphan, giving him as a first name Martha's maiden name, "Clark."^[6][7] In John Byrne's 1986 origin version The Man of Steel, instead of adopting him through an orphanage, the Kents passed Clark off as their own child after their farm was isolated for months by a series of snowstorms that took place shortly after they found his rocket, using their past medical history of various miscarriages to account for their reasons for keeping Martha's pregnancy secret.

Silver Age[link]

In the Silver Age comics continuity, Clark gained superpowers upon landing on Earth, and gradually learned to master them, adopting the superhero identity of Superboy at the age of eight. He subsequently developed Clark's timid demeanor as a means of ensuring that no one would suspect any connection between the two alter-egos.^[6][8]

Modern Age retroactive continuity[link]

In the wake of John Byrne's reboot of Superman continuity in The Man of Steel, many traditional aspects of Clark Kent were dropped in favor of giving him a more aggressive and extroverted personality (although not as strong as Lois), including such aspects as making Clark a top football player in high school, along with being a successful author and Pulitzer Prize-winning writer. Furthermore, Clark's motivations for his professional writing were deepened as both a love for the art which contributes at least as much social good as his Superman activities and as a matter of personal fulfillment in an intellectual field where his abilities give no unfair competition to his colleagues beyond typing extraordinarily fast. Following One Year Later, Clark adopts some tricks to account for his absences, such as feigning illness or offering to call the police. These, as well as his slouching posture, are references to his earlier mild-mannered Pre-Crisis versions, but he still maintains a sense of authority and his assertive self. Feeling that Clark is the real person and that Clark is not afraid to be himself in his civilian identity, John Byrne has stated in interviews that he took inspiration for this portrayal from the George Reeves version of Superman.

Clark Kent's favorite movie is To Kill a Mockingbird (in which Gregory Peck wears glasses not unlike Kent's). According to the DC Comics Official Guide to Superman, Clark enjoys peanut butter and jelly sandwiches, football games, and the smell of Kansas in the springtime.^[9] His favorite baseball team is the Metropolis Monarchs and his favorite football team is the Metropolis Sharks.^{[citation needed]} As of One Year Later, Clark is in his mid-thirties, stands at 6 feet 3 inches (1.91 m), and weighs about 225 pounds (102 kg). Unlike in the Silver Age, his powers developed over several years, only coming to their peak when he was an adult.

Secret identity[link]

Superman's secret identity as Clark Kent is one of the DC Universe's greatest secrets. Only a few, trusted people are aware of it, such as Batman and other members of the Justice League, Superman's cousin Supergirl, and Clark's childhood friend Lana Lang (In pre-Crisis stories, Lana did not know but their friend Pete Ross did, unbeknownst to anyone—including Clark). Lex Luthor, other supervillains, and various civilians have learned the secret identity several times, though their knowledge is usually been removed through various means (the boxer Muhammad Ali is one of the very few to deduce the identity and retain the knowledge).

Traditionally, Lois Lane (and sometimes others) would often suspect Superman of truly being Clark Kent; this was particularly prominent in Silver Age stories, including those in the series Superman's Girl Friend Lois Lane. More recent stories (post-Crisis) often feature the general public assuming that Superman has no secret identity due to the fact that he, unlike most heroes, doesn't wear a mask. In "The Secret Revealed," a super-computer constructed by Lex Luthor calculated Superman's true identity from various information that had been assembled by his staff, but Lex dismissed the idea because he could not believe that someone so powerful would want another, weaker identity.^[10] In post-Crisis continuity (from 1986 to 2011), Lois Lane, feeling that someone like Clark could not be Superman, never suspected the dual identity beyond one isolated incident before Clark finally revealed it to her. In "Visitor," Lois finds Superman at the Kent farm with Lana Lang and asks him point-blank if he is Clark Kent. Before he can answer, the Kents tell her that they raised Superman alongside Clark like a brother.^[11] In the 2009 retcon of the mythos, Lois Lane is fully aware from the beginning, along with Perry White, that the meek, pudgy and bumbling Clark Kent deliberately holds himself back: however, still far from associating him to Superman, they simply believe he's hiding his qualities as a good reporter.^[12] In the current continuity established by DC's "New 52" relaunch in 2011, Lois Lane remains unaware that Clark is Superman.

In the future of the Legion of Super-Heroes, his secret identity is historical fact, with exhibits at a Superman Museum depicting the hero and his friends and family's adventures.

Security of identity[link]

Various reasons over the decades have been offered for why people have never suspected Superman and Clark Kent of being one and the same:

• The explanation most commonly offered is simply that, despite their physical resemblance, Superman and Clark are perceived as being too different in mannerisms and personality to be the same individual. Some comics note, in the words of Barry Allen, that "Clark slouches, wears clothes two sizes too big and raises his voice an octave," making him appear shorter and overweight instead of muscular.^[12][13] The 2004 limited series Superman: Birthright has a young Clark Kent study the Meisner technique to move seamlessly between his Clark and Superman personas (dropping his head, lowering his shoulders, and talking in a lighter tone as Clark Kent, while standing straight and talking in a deeper tone as Superman). Live-action actors adopting this approach while playing Clark Kent/Superman include:
  • George Reeves in the 1950s live-action television series Adventures of Superman, who brought a naturalistic approach to the dual role. Reeves played Clark as moderately assertive, often taking charge in dangerous or risky situations and unafraid to take reasonable risks. This fact was one the main inspirations for the 1980s reboot of the Clark Kent half of the Superman character, according to writer and artist John Byrne in the article "Super-Discussions" published by Attic Books in Comics Values Monthly Special #2 (1992).
  • Dean Cain in the 1990s series Lois & Clark: The New Adventures of Superman showed Clark as a normal and shy everyman demonstrating occasional touches of clumsiness (e.g., pretending to burn his mouth on coffee), but still a highly skilled journalist, much like the current post-Crisis portrayal. His Superman, by contrast, was very much the model of the classic hero who stood up straight and spoke in a more formal and authoritative voice. In the episode "Tempus Fugitive," the time-traveler Tempus mocks Lois, saying that future historians laugh at her for being fooled by a pair of glasses. On the other hand, H.G. Wells tells Lois that in truth the people of the future simply considered Lois to be blinded by love, and that this has made her story a compelling one throughout the intervening years.^[14]
  • Christopher Reeve in the Superman film series, who was praised for making the disguise's effectiveness credible to audiences, portrayed Clark Kent as massively clumsy, paranoid, and, of course, mild mannered. In his book Still Me, Reeve says he based his interpretation of Clark Kent on Cary Grant's nerdy character in Bringing Up Baby. Tom Mankiewicz described his performance on the commentary track for Superman II: The Richard Donner Cut as always playing Superman, but, when he was Clark, playing Superman who was playing Clark Kent.
  • Brandon Routh in Superman Returns, who emulated his performance after Reeve's.
• In the 1970s, one suggestion was that the lenses of Clark Kent's glasses (made of Kryptonian materials) constantly amplified a low-level super-hypnosis power, thereby creating the illusion of others viewing Clark Kent as a weak and frailer being.^[15] However, this reason was abandoned almost as quickly as it was introduced, since it had various flaws (such as stories where Batman would disguise himself as Clark Kent, among others).
• Another reason given in the 1987 story "The Secret Revealed" was the public simply does not know that Superman has a secret identity, considering he does not wear a mask, which implies to most that he has nothing to hide. As an added precaution, Superman would vibrate his face slightly (like Jay Garrick, the Golden-Age Flash), so that photographs would only show his features as a blur, thus preventing the danger of photographs of both identities being reliably compared.^[10] However, more recent stories showing Superman being photographed have tended to ignore this factor. The 2004 series Superman: Birthright also explained that Superman's eyes are an inhumanly vivid shade of blue, which Clark's glasses diffuse to make his eyes appear more human.

Identity change[link]

When crises arise, Clark quickly changes into Superman. Originally during his appearances in Action Comics and later in his own magazine, the Man of Steel would strip to his costume and stand revealed as Superman, often with the transformation having already been completed. But within a short time, Joe Shuster and his ghost artists began depicting Clark Kent ripping open his shirt to reveal the "S" insignia on his chest — an image which became so iconic that other superheroes, during the Golden Age and later periods, would copy the same type of change during transformations.

In the Fleischer theatrical cartoons released by Paramount, the mild-mannered reporter often ducked into a telephone booth or stock room to make the transformation. Since the shorts were produced during the rise of film noir in cinema, the change was usually represented as a stylized sequence: Clark Kent's silhouette is clearly seen behind a closed door's pebble glass window (or a shadow thrown across a wall) as he strips to his Superman costume. Then, the superhero emerges having transformed from his meek disguise to his true self. In the comic books and in the George Reeves television series, he favors the Daily Planet's store room for his changes of identities (the heroic change between identities within the store room is almost always seen in the comics, but never viewed in the Reeves series).

The CBS Saturday morning series The New Adventures of Superman produced by Filmation Studios — as well as The Adventures of Superboy from the same animation house — featured the iconic "shirt rip" to reveal the "S" or Clark Kent removing his unbuttoned white dress shirt in a secluded spot, usually thanks to stock animation which was re-used over dozens of episodes, to reveal his costume underneath while uttering his famed line "This is a job for Superman!"

As a dramatic plot device, Clark often has to quickly improvise in order to find a way to change unnoticed. For example, in Superman (1978), Clark, unable to use a newer, open-kiosk pay phone (and getting a nice laugh from the theater audience), runs down the street and rips open his shirt to reveal his costume underneath. He quickly enters a revolving door, spinning through it at incredible speed while changing clothes. Thus made invisible, he appears to have entered the building as Clark Kent and exited seconds later as Superman. Later in the film, when the need to change is more urgent (as he believes the city is about to be poisoned by Lex Luthor), he simply jumps out a window of the Daily Planet offices, changing at super-speed as he falls (the film merely shows the falling Kent blurring into a falling Superman) and flies off. Further films in the series continued this tradition, with Clark blurring into Superman, changing at super-speed while he runs.

In Lois & Clark, Clark's usual method of changing was to either "suddenly" remember something urgent that required his immediate attention or leave the room/area under the pretense of contacting a source, summoning the police, heading to a breaking story's location, etc. The change would then frequently occur off-screen, although the shirt-rip reveal was a prominently used move well-associated with the show. Clark also developed a method of rapidly spinning into his costume at super speed which became a trademark change, especially during the third and fourth seasons of the series, and extremely popular with the show's fans.

In one scene of Batman: The Dark Knight Returns, Clark becomes aware of an emergency while talking with Bruce Wayne and, in the next panel, he has flown out of his Kent clothing and glasses so quickly that they have had no time to fall.

In Season 8 of Smallville, Clark begins to show a bit more of his double identity. He starts slowing down his superspeed enough for surveillance cameras to see his iconic red and blue streak. This reveals to the citizens of Metropolis that a superhero is among them and the name "The Red-Blue Blur" is coined. When Jimmy Olsen becomes suspicious, Clark decides to reserve his usual red-and-blue for saving people. He carries a backpack with him to work every day, containing his change of clothes. He begins to practice his speed change at home and at the Daily Planet. He changes in a superspeed spin in the Daily Planet's phone booth and once even in his office chair.

Debate over true identity[link]

A relatively recent debate is which of the two identities (Superman or Clark Kent) is the real person and which is the facade. Most fans and Superman scholars follow one of three interpretations:

• Superman is the person, Clark Kent the identity: Pre-Crisis interpretations of Superman assumed that Clark Kent was the "mask" and Kal-El the person (in the classic story Superman: Whatever Happened to the Man of Tomorrow?, when Superman's dual life is revealed, he completely abandons his Clark Kent persona). In one 1960s comic, when Kent finds himself at a loose end when staff at the Daily Planet go on strike, he seriously considers it a chance to try out a new identity in case he has "to abandon [his] Clark Kent role permanently." His options include becoming a full-time policeman or even a mere tramp "whom no one would ever suspect of being the Man of Steel."^[16] In the Smallville episode "Masquerade", Clark tells Lois that Clark Kent is just a name, just two words, and that the Blur is who he really is. This argument, made in Jules Feiffer's series of articles published in The Great Comic Book Heroes, is famously cited in a climactic scene of Kill Bill Vol. 2, with the character of Bill noting that Superman was not born into his alter ego (Spider-Man was "Peter Parker" first, Batman was born "Bruce Wayne"), using the blanket he was wrapped in as his costume, and Clark Kent is a collage of mankind's less impressive traits meant to blend in with other humans (as well as a device to pursue Lois Lane's affections). Richard Donner, director of the first Reeve movie, stated that he believes Clark Kent to be the disguise.
• Clark Kent is the person, Superman the identity: With John Byrne's more assertive revamp of Clark Kent as well as Superman's greater grounding in Earth culture and humanity (as opposed to the everpresent Kryptonian heritage of the Pre-Crisis version), Superman is considered the "mask" and Clark the person. This is made explicit by Clark himself in Superman (vol. 2) #53, when following his revelation to Lois of his role as Superman (Action Comics #662), he states: "I'm Clark, the man you love. Superman is the creation – you named me, Lois." In pre-Crisis continuity, Kal-El was already a toddler before leaving Krypton, and retained memories of that childhood that later resurfaced, while, in Post-Crisis continuity, he was sent to Earth pre-natally in a "birthing matrix" (more recently retconned as an infant) and raised entirely by the Kents. As a result of their rearing, Kal-El grows up to think of himself as Clark Kent, completely unaware of his alien heritage until he was well into adulthood. Although the morals instilled in him by the Kents have motivated Kal-El to use his abilities to help others, he developed the Superman persona to protect his Clark Kent identity.
• Neither Clark Kent and Superman are the real person: Some versions of Superman explain that Clark Kent and Superman are both identities of the same person. In the Superman: The Animated Series episode "The Late Mr. Kent", wherein Clark Kent is presumed dead, Superman expresses frustration at the idea of not being Clark and having to be someone else instead ("I am Clark Kent. I need to be Clark. I'd go crazy if I'd have to be Superman all the time."). In a previous episode, the third part of the "Last Son of Krypton" arc, Jonathan "Pa" Kent assures his adoptive son that he will "always be Clark Kent" and that "Superman just helps out every now and then." It has also been implied, especially in the 'alternate future' story Kingdom Come, that the Clark Kent persona is symbolic of the values taught to him by his wholesome Midwestern parents, the values he holds most dear: his instinctive knowledge of right and wrong that allows him to adopt his Superman persona, without being consumed by the moral implications of his actions; Superman is the means through which he can bring this example to the world. At the very end of the novel, where Superman stands posed to destroy the United Nations, Norman McCay makes him realise that, when he abandoned Clark Kent fifteen years ago after the murder of Lois Lane by the Joker and retreated into his Superman self, he lost this instinctive morality and thus the ability to be the hero Superman. With this knowledge and a pair of glasses given to him as a gift by Wonder Woman, 'Clark' regains his humanity, and sets out to become a hero again by re-fertilizing the irradiated fields of Kansas. Director Bryan Singer stated at the 2006 Comic-Con that he favored the three-persona concept, stating that there was Clark Kent on the farm, the bumbling Metropolis Clark, and Superman, the Last Son of Krypton. Brandon Routh himself stated, in an HBO First Look interview that he was playing three characters; Clark Kent, the reporter/farm boy; Superman, the protagonist and savior of Metropolis; and Kal-El, the Last Son of Krypton.

Clark Kent has also been depicted without the Superman alter ego. In the Elseworlds stories starting with Superman: Last Son of Earth, he is the son of Jonathan Kent, who saves his son from the destruction of the Earth. Clark ends up on Krypton, where he is adopted by Jor-El and becomes the planet's Green Lantern.

In other media[link]

[edit] The Adventures of Superman radio series (1940-1951)

In the early Adventures of Superman radio episodes, Kal-El landed on Earth as an adult. He saved a man and his son and they gave him the idea of living as a normal person. They gave him the name of Clark Kent, and he later got a job as a newspaper reporter under that name. In that role he adopted a higher voice and a more introverted personality – clearly establishing that Kent is the secret identity and Superman is the true person.

Later episodes shifted to the usual origin story, in which Kal-El landed on Earth as a baby and was raised by the Kent family.

Clayton "Bud" Collyer voiced both Clark Kent and Superman, until Michael Fitzmaurice replaced him in the final episodes.

Kirk Alyn film serials (1948-1950)[link]

In the film serials Superman (1948) and Atom Man vs. Superman (1950), Kirk Alyn portrays as a mild-mannered reporter who comes to Metropolis and secures a job at the Daily Planet, following the death of his foster parents. While he quickly gains the respect of Planet editor Perry White, he is forced to contend with rival reporter Lois Lane, who often uses trickery to prevent Clark from pursuing a lead (giving her the chance to scoop him). Nevertheless, his journalistic skills are useful as he pursues stories on the crime boss known as the Spider Lady, and the criminal scientist Luthor (who had yet to receive his first name, Lex).

[edit] Adventures of Superman TV series (1952-1958)

In the 1950s George Reeves series, Clark Kent is portrayed as a cerebral character who is the crime reporter for the Daily Planet and who as Kent uses his intelligence and powers of deduction to solve crimes (often before Inspector Henderson does) before catching the villain as Superman. Examples include the episodes Mystery of the Broken Statues, A Ghost for Scotland Yard, The Man in the Lead Mask, and The Golden Vulture. George Reeves' Kent/Superman is also established as a champion of justice for the oppressed in episodes like The Unknown People and The Birthday Letter. Although Kent is described in the show introduction as "mild-mannered", he can be very assertive, often giving orders to people and taking authoritative command of situations, though, as in the Pre-Crisis Superman stories at that time, Clark is still considered the secret identity. He gets people to trust his judgment very easily and has a good, often wisecracking, sense of humor. Reeves, who first appeared as the character in the 1951 film Superman and the Mole Men, was older than subsequent Superman actors.

Christopher Reeve films (1978-1987)[link]

In 1978, the first of four Superman films was made in which Clark Kent and Superman were portrayed by Christopher Reeve (with teenage Kent played by Jeff East in the first film). This was followed nearly two decades later by a fifth film called Superman Returns with Brandon Routh giving a performance very similar to Reeve's. In contrast to George Reeves' intellectual Clark Kent, Reeve's version is much more of an awkward fumbler and bungler, although Reeve is also an especially athletic, dashing and debonair Superman. Clark Kent's hair is always absolutely flat, while Superman's hair has a slight wave and is parted on the opposite side as Kent's. These films leave the impression that Clark Kent is really a secret identity that is used to enable Superman to serve humanity better, rather than just a role to help him assimilate into the human community.

A great deal of emphasis is placed on his origins on the planet Krypton with exotic crystalline sets designed by John Barry, effectively giving Superman a third persona as Kal-El. The first film is in three sections: Kal-El's infancy on Krypton (shot in London on the 007 stage), Clark Kent's teen years in Smallville, and Kent/Superman's adult life in Metropolis (shot in New York City). In earlier sections of the film, Reeve's Kent interacts with both his earthly parents and the spirit of his Kryptonian father through a special crystal, in a way George Reeves never did. The film has a fair amount of quasi-Biblical imagery suggestive of Superman as a sort of Christ-figure sent by Jor-El "to show humans the way."^[17] (See also Superman (film)#Themes). In Superman II Reeve's Superman has to sacrifice his powers (effectively becoming just Clark Kent) in order to have a love relationship with Lois Lane, a choice he eventually abrogates to protect the world.

The relationship between Superman and Kent came to actual physical blows in Superman III. Superman is given a piece of manufactured Kryptonite, but instead of weakening or killing him it drives him crazy, depressed, angry, and casually destructive, committing crimes which range from petty acts of vandalism to environmental disasters, like causing an oil spillage in order to bed a lusty woman by the name of Loreli in league with the villains. Driven alcoholic, Superman, his outfit dirty and neglected, eventually goes to a car wrecking yard where Kent, in a proper business suit and glasses, suddenly emerges from within him. A fight ensues in which the "evil" Superman tries to dispose of the "good" Kent, but the latter fights back, "kills" the evil side to his nature and, reclaiming the Superman mantle, sets off to repair the damage and capture the villains.

The indirect "Christianization" of Superman in the Reeve films (admitted by film producer Pierre Spengler on the DVD commentaries) has provoked comment on the Jewish origins of Superman. Rabbi Simcha Weinstein's book Up, Up and Oy Vey: How Jewish History, Culture and Values Shaped the Comic Book Superhero says that Superman is both a pillar of society and one whose cape conceals a "nebbish," saying, "He's a bumbling, nebbish Jewish stereotype. He's Woody Allen."^{[18] [19]} Ironically, it is also in the Reeve films that Clark Kent's persona has the greatest resemblance to Woody Allen, though his conscious model was Cary Grant's character in Bringing up Baby. This same theme is pursued about '40s superheroes generally in Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero by Danny Fingeroth.

[edit] Lois & Clark: The New Adventures of Superman (1993-1997)

Clark Kent's character is given one of its heaviest emphases in the 1990s series Lois & Clark: The New Adventures of Superman. It is made very clear during the series, even discussed directly by the characters, that Clark Kent is who he really is, rather than his superheroic alter-ego.

In Lois and Clark, Kent (Dean Cain) is a stereotypical wide-eyed farm kid from Kansas with the charm, grace and humor of George Reeves, but without the awkward geekiness of Christopher Reeve. Emphasis is laid on the comic elements of his dual relationship with Lois Lane (Teri Hatcher). The ban on Christopher Reeve's Superman having a relationship with a human while retaining his superpowers is entirely absent in the world of Lois and Clark. In the final season, Clark Kent marries Lois Lane (a few years after her almost-marriage to his arch-enemy Lex Luthor, whom she refused at the altar), finding love, happiness, and completeness in this relationship which does not jeopardize his Superman persona.

[edit] Smallville TV series (2001-2011)

Smallville was adapted to television in 2001, by Alfred Gough and Miles Millar. Clark Kent is played by Tom Welling, with others portraying Clark as an infant. Throughout the series, Clark never officially adopted a costume until around the eighth season, but prior to this was seen wearing Superman's traditional colors of red and blue, more often as the series progresses (more commonly a blue shirt underneath a red jacket, reflecting Superman's uniform and cape colors). He is going through a process of character formation, making many mistakes in his youth, over time forming better and better judgment, while always self-consciously aware of his status as an alien from another planet who is different from other people. In season eight, he begins a fight against evil, hoping to be a source of inspiration and hope to others. A modest amount of religious imagery is seen occasionally in the series, but to a lesser degree than in the Christopher Reeve series.

Smallville's Kent is particularly inwardly conflicted as he attempts to live the life of a normal human being, while keeping the secret of his alien heritage from his friends.^[20] Throughout the first seven seasons of the series he has an complicated relationship with Lana Lang, ^[21] as well as his self-perceived guilt over the fact that the meteor shower that killed Lana's parents and created most of the superhumans he fought in the show's first few years was caused by his rocket coming to Earth and dragging pieces of Krypton with it. Clark's powers appear over time. He is not aware of all of his powers at the start of the show; for instance, his heat vision and super breath do not develop until seasons two and six, respectively,^[22][23] and his power of flight did not emerge until the series finale, up until that point the power appeared only in a few rare cases, such as when he was temporarily 're-programmed' to assume a Kryptonian persona or when he was trapped in a virtual reality.

In contrast to previous incarnations of the character, this Clark Kent starts out best friends with Lex Luthor, whom he meets after saving the latter's life.^[24] (Boyhood friendship with Lex Luthor had been the basis of a Superboy adventure published in 1960,^[25] and was retained as Silver Age canon until 1986.)

In Smallville, Clark and Lex remain entangled for most of the series. Lex Luthor's father, Lionel Luthor, is an unscrupulous industrialist with whom Lex has a troubled relationship. Lex would like to transcend his family background and be a better person than his father, but after multiple setbacks he slowly slips into evil, becoming convinced that only he can 'protect' the world from the perceived alien threats by taking control of it, regardless of the cost to others. In turn, Clark Kent has a slightly dark side with which he comes to grips over time, made even worse by his experiences with red kryptonite, which causes him to lose his morals and act solely on impulse while under its influence. In different ways to Luthor, Clark also does not have fully ideal relationship either with his adoptive father, Jonathan, nor with an A.I. based on Jor-El that was sent by the original to guide him, Jonathan occasionally having trouble relating to Clark while Jor-El's lack of his template's emotions causes him to treat Clark too harshly at times. The younger Luthor slightly envies Clark's 'clean-cut' and wholesome parents (who disapprove of Clark's friendship with Luthor), while Clark is impressed with Luthor's wealth while failing to understand some of the manipulations he carries out in his interactions with others. Even in his better days, Luthor is highly ambitious for power and wealth, at one time noting that he shares his name with Alexander the Great. Clark Kent, on the other hand, has no idea what he is going to do with his life while bewildered by his powers, and his uncertainty as to why he was sent to Earth.

In season eight of Smallville, Clark Kent begins to work as a reporter at the Daily Planet newspaper. Shortly after he begins to save lives as an anonymous superhero crimefighter, which becomes known as the "Red-Blue Blur" after a photograph is taken of one of his rescues.

In season nine, Clark unintentionally begins to formalize his dual identity to protect his secret and also privately introduces the well-known glasses to Lois Lane. Additionally, during the opening scene of the season nine finale, Clark finds a gift from his mother containing his Superman suit (Although the suit is subsequently taken by Jor-El until Clark is ready for it).

In season ten, for the first time in public Clark begins to formulate a bumbling/stuttering Kent with glasses akin to the Christoper Reeve/Brandon Routh portrayal of the character. In the season ten finale of the series he fully adopts the Superman identity,when he takes action to save Earth from Darkseid, who was drawn to Earth by Clark's actions and sought to take the hero as a host.

Smallville's Kent has also appeared in various literature (including comics and over a dozen young adult novels) based on the television series.

Animated series[link]

In the 1940s Superman shorts, Clark is shown to have a wisecraking sense of humor and he and Lois are good friends. At the near end of each short, Clark gives out a smile and a wink to the audience (that was carried over the 1966 Superman animated series).

In the Superman: The Animated Series of the late 1990s, Kent is based on John Byrne's version of him, becoming more assertive and intelligent. He is also considered to be the real person, with Superman the "alter ego", though Kent often appears less in most episodes.

References[link]

External links[link]

• Clark Kent (III — Post-Crisis) at the Comic Book DB
• Clark Joseph Kent (Post-Crisis) at the Comic Book DB
• Clark Kent at the Smallville Wiki
• Supermanica: Clark Kent
• Clark Kent at the Internet Movie Database

Clark
Family name
A scribe or clerk, the occupation from which the name derives
Meaning	Clerk, scribe, secretary
Region of origin	England
Language(s) of origin	Old English
Related names	Clarke, Clerk
Footnotes: Frequency Comparisons[1]

Clark is an English surname in the English language, ultimately derived from the Latin clericus meaning "scribe", "secretary" or a scholar within a religious order, referring to someone who was educated or a old man with a moustache. Clark evolved from "clerk". First records of the name are found in 12th century England. The name has many variants.^[2]

Clark is the twenty-seventh most common surname in the United Kingdom.^[1]

According to the 1990 United States Census, Clark was the twenty-first most frequently encountered surname, accounting for 0.23% of the population.^[3]

Clark is also an occasional given name, as in the case of Clark Gable.

Probably the most famouse person named Clark is Clark Kent a.k.a. Superman

List of people with surname Clark[link]

People with the surname Clark include:

• Abraham Clark (1725–1794), American politician and Revolutionary War figure
• Alan Clark (1928–1999), British Conservative politician and author, son of Kenneth Clark
• Allen George Clark (1898–1962), British businessman
• Andy Clark (musician), British musician
• Anne Clark (born 1960), poet-songwriter
• Benjamin S. W. Clark (1829–1912), New York politician
• Billy J. Clark (1778–1866), New York physician and politician
• Bob Clark (Benjamin "Bob" Clark) (1941–2007), American director
• Brian Clark (disambiguation), several people
• Buddy Clark (1911–1949), American singer
• Carmel Clark (born 1965), New Zealand swimmer
• Catherine Clark (born 1976), Canadian television host
• Charles Clark (disambiguation), several people
• Chris Clark (disambiguation), several people
• Christian Clark (born 1979), Australian actor
• Claudine Clark, R&B singer and performer of the 1962 hit record "Party Lights"
• Colin Clark (disambiguation)
• Corrie Clark (born 1982), American breaststroke swimmer
• Dallas Clark, American football player
• Daniel Clark (Canadian politician and actor), Canadian actor
• Daniel Kinnear Clark (1822–1896), British railway mechanical engineer
• Darius Clark (1798–1871), New York physician and politician
• Dave Clark (musician) (born 1942), drummer of The Dave Clark Five
• David Clark (disambiguation), several people
• Davis Wasgatt Clark (1812–1871), American Bishop of the Methodist Episcopal Church
• Dick Clark (disambiguation), several people
  • Dick Clark (1929–2012), entertainer and producer, host of Pyramid and Dick Clark's New Year's Rockin' Eve
• Douglas Clark (disambiguation), several people
• Duncan Clark (1910–2007), an American public health specialist
• Duncan Clark (athlete) (1915–2003), Scottish hammer thrower
• Dwight Clark, American football player
• Ernest Clark (1912–1994), British actor
• Eugene Clark (disambiguation), several people
• Frank Clark (footballer), English football player
  • Frank M. Clark (1915–2003), American Congressman
• Gavin Brown Clark (1846–1930), MP for Caithness
• George Clark (disambiguation), several people
• Gerry Clark (1927–1999), New Zealand sailor and ornithologist
• Ginger Clark (1879–1943), American baseball pitcher
• Glenn Clark (born 1969), Canadian coach of Toronto Rock
• Helen Clark (born 1950), Prime Minister of New Zealand from 1999 to 2008
• Hilda Clark (1872–1932), American Coca-Cola advertising spokesperson
• Hilda Margery Clarke (born 1926), English painter and curator
• Horace Clark, 1830s New York politician
• Horace F. Clark (1815–1873), US Congressman from New York
• Hugh Massey Clark (1886–1956), New York philatelist
• Hulda Regehr Clark, alternative medicine practitioner
• Isabella Clark, wife of Prime Minister of Canada Sir John A. Macdonald
• Jack Clark (disambiguation), several people
• James Clark (disambiguation), several people
• Jeff Clark (disambiguation), several people
• Joe Clark (born 1939), former Prime Minister of Canada
• John Clark (disambiguation), several people
• Jonas Gilman Clark (1815–1900), American businessman and the founder of Clark University
• Joseph Clark (disambiguation), several people
• Joshua Clark, (born 1980), American writer
• Karen Clark (born 1945), American politician from Minnesota
• Katy Clark (born 1967), British politician and trade union official
• Kenneth Clark (psychologist) (1914–2005), African American psychologist who testified in Brown v. Board of Education
• Kenneth Clark (1902–1983), British art historian; creator of the series Civilisation
• Leslie J. Clark (1924–2003), British engineer and founder of Parvalux
• Louis Clark, musician and conductor with the Orchestra (former members of ELO and ELO Part II)
• Manning Clark (1915–1991), Australian historian
• Marcus R. Clark (born 1956), Louisiana Supreme Court justice
• Mark Wayne Clark (1896–1984), American Army General in WW2 (Italy) and the Korean War
• Nancy B. Clark, person of Marstons Mills, Massachusetts
• Ocky Clark (born 1960), American middle distance runner
• Orville Clark (1801–1862), New York politician
• Otey Clark (born 1915), American baseball pitcher
• Ramsey Clark (born 1927), U.S. Attorney General and activist
• Ranza Clark (born 1961), Canadian middle distance runner
• Roger Clark, British rally driver
• Ryan Clark (disambiguation), several people
• Samuel Clark (disambiguation), several people
  • Samuel Delbert Clark (1910–2003), Canadian sociologist
• Sherman Clark (1899–1980), American Olympic rower and Rear Admiral
• Simon Clark (disambiguation), several people
• Steve Clark (1960–1991), British guitarist for Def Leppard
• Stuart Clark (born 1975), Australian cricketer
• Theresa Maria Clark (c. 1890 – 1953), person of New York
• Thomas Clark (disambiguation), several people
• Tom Clark (journalist), Canadian television journalist
• Tom C. Clark (1899–1977), U.S. Attorney General, U.S. Supreme Court justice
• Tracy Clark, fictional character from The CW primetime drama 90210
• Wendel Clark (born 1966), retired Canadian ice hockey player
• Wesley K. Clark (born 1944), American Army General in the Vietnam War and Kosovo
• Wilfrid Le Gros Clark (1895–1971), British palaeanthropologist
• Will Clark (born 1964), American baseball player
• William Clark (disambiguation), several people

See also[link]

• The Clark Sisters, American gospel vocalists from Detroit
• Clark (taxonomic authority)
• Clarke
• Clerke (disambiguation)

References[link]

External links[link]

• Clark(e) Surname DNA Project

This page or section lists people with the surname Clark. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link.

Kent
Invicta Flag of Kent Invicta
Motto of County Council: ''Invicta''
Geography
Status	Ceremonial and (smaller) non-metropolitan county
Region	South East England
Area - Total - Admin. council - Admin. area	Ranked 10th 3,736 km2 (1,442 sq mi) Ranked 10th 3,544 km2 (1,368 sq mi)
Admin HQ	Maidstone
ISO 3166-2	GB-KEN
ONS code	29
NUTS 3	UKJ42
Demography
Population - Total (2010 est.) - Density - Admin. council - Admin. pop.	Ranked 7th 1,684,200 451 /km2 (1,170 /sq mi) Ranked 1st 1,427,500
Ethnicity	96.9% White 1.9% Asian
Politics
"CANTIA" Kent County Council http://www.kent.gov.uk/ Medway Council http://www.medway.gov.uk/
Executive	Conservative
Members of Parliament	Julian Brazier (C) Rehman Chishti (C) Greg Clark (C) Damian Collins (C) Tracey Crouch (C) Charlie Elphicke (C) Michael Fallon (C) Roger Gale (C) Helen Grant (C) Damian Green (C) Gordon Henderson (C) Adam Holloway (C) Gareth Johnson (C) Mark Reckless (C) Hugh Robertson (C) Laura Sandys (C) John Stanley (C)
Districts
Sevenoaks Dartford Gravesham Tonbridge and Malling Medway (Unitary) Maidstone Tunbridge Wells Swale Ashford Canterbury Shepway Thanet Dover

Kent /ˈkɛnt/ is a county in South East England, and one of the home counties. It borders East Sussex, Surrey and Greater London and has a defined boundary with Essex in the middle of the Thames Estuary. The ceremonial county boundaries of Kent include the shire county of Kent and the unitary borough of Medway. Kent has a nominal border with France halfway through the Channel Tunnel. Maidstone is its county town and historically Rochester and Canterbury have been accorded city status, though only the latter still holds it.

Kent's location between London and the continental Europe has led to its being in the front line of several conflicts, including the Battle of Britain during World War II. East Kent was known as Hell Fire Corner during the conflict. England has relied on the county's ports to provide warships through much of the past 800 years; the Cinque Ports in the 12th–14th centuries and Chatham Dockyard in the 16th–20th centuries were of particular importance to the country's security. France can be seen clearly in fine weather from Folkestone, and the iconic White Cliffs of Dover.

Because of its abundance of orchards and hop gardens, Kent is known as "The Garden of England" – a name often applied when marketing the county or its produce, although other regions have tried to lay claim to the title.^[1][2] Major industries in the north-west of Kent have included cement, papermaking, and aircraft construction, but these are now in decline. Large parts of Kent are within the London commuter belt. South and East Kent rely on tourism and agriculture. Coal mining has also played its part in Kent's industrial heritage.

History[link]

The area has been occupied since the Palaeolithic era, as attested by finds from the quarries at Swanscombe. The Medway megaliths were built during the Neolithic era. There is a rich sequence of Bronze Age, Iron Age, and Roman era occupation, as indicated by finds and features such as the Ringlemere gold cup and the Roman villas of the Darent valley.^[3]

The modern name of Kent is derived from the Brythonic word Cantus meaning "rim" or "border". This describes the eastern part of the current county area as a border land or coastal district. Julius Caesar had described the area as Cantium, or home of the Cantiaci in 51 BC.^[4]

The extreme west of the modern county was occupied by Iron Age tribes, known as the Regnenses. It is possible that another ethnic group occupied what is now called The Weald and East Kent. East Kent became a kingdom of the Jutes during the 5th century^[5] and was known as Cantia from about 730 and as Cent in 835. The early medieval inhabitants of the county were known as the Cantwara, or Kent people. These people regarded the city of Canterbury as their capital.^[6]

In 597, Pope Gregory I appointed Augustine as the first Archbishop of Canterbury. In the previous year, Augustine successfully converted the pagan King Æthelberht of Kent to Christianity. The Diocese of Canterbury became Britain's first Episcopal See and has since remained Britain's centre of Christianity.^[7]

In the 11th century, the people of Kent adopted the motto Invicta, meaning "undefeated". This naming followed the invasion of Britain by William of Normandy. The Kent people's continued resistance against the Normans led to Kent's designation as a semi-autonomous County Palatine in 1067. Under the nominal rule of William's half-brother Odo of Bayeux, the county was granted similar powers to those granted in the areas bordering Wales and Scotland.^[8]

During the medieval and early modern period, Kent played a major role in several of England's most notable rebellions, including the Peasants' Revolt of 1381, led by Wat Tyler,^[9] Jack Cade's Kent rebellion of 1450, and Wyatt's Rebellion of 1554 against Queen Mary I.^[10]

Titlepage of William Lambard's Perambulation of Kent, being a history of the county of Kent since William the Conqueror.

The Royal Navy first used the River Medway in 1547. By the reign of Elizabeth I (1558–1603) a small dockyard had been established at Chatham. By 1618, storehouses, a ropewalk, a drydock, and houses for officials had been built downstream from Chatham.^[11]

By the 17th century, tensions between Britain and the powers of the Netherlands and France led to increasing military build-up in the county. Forts were built all along the coast following the raid on the Medway, a successful attack by the Dutch navy on the shipyards of the Medway towns in 1667.^[12]

The 18th century was dominated by wars with France, during which the Medway became the primary base for a fleet that could act along the Dutch and French coasts. When the theatre of operation moved to the Atlantic, this role was assumed by Portsmouth and Plymouth, with Chatham concentrating on shipbuilding and ship repair. As an indication of the area's military importance, the first Ordnance Survey map ever drawn was a one-inch map of Kent, published in 1801.^[13] Many of the Georgian naval buildings still stand.

In the early 19th century, smugglers were very active on the Kent coastline. Gangs such as The Aldington Gang brought spirits, tobacco and salt to the county, and transported goods such as wool across the sea to France.^[14]

In 1889, the County of London was created and the townships of Deptford, Greenwich, Woolwich, Lee, Eltham, Charlton, Kidbrooke and Lewisham were transferred out of Kent and in 1900 the area of Penge was gained. Some of Kent, notably Dartford, is contiguous with Greater London.

During World War II, much of the Battle of Britain was fought in the skies over the county. Between June 1944 and March 1945, over 10,000 V1 flying bombs or "Doodlebugs", were fired toward London from bases in Northern France. Although many were destroyed by aircraft, anti-aircraft guns, and barrage balloons, both London and Kent were hit by around 2,500 of these bombs.

After the war, Kent's borders changed several more times. In 1965 the London boroughs of Bromley and Bexley were created from nine towns formerly in Kent.^[15][16] In 1998, Rochester, Chatham, Gillingham, and Rainham left the administrative county of Kent to form the Unitary Authority of Medway. During this reorganisation, through an "apparent" administrative oversight, the city of Rochester lost its official city status.^[17]

Climate[link]

Kent is one of the warmest parts of Britain. On 10 August 2003, in the hamlet of Brogdale near Faversham the temperature reached 38.5 °C (101.3 °F), the hottest temperature ever recorded in the United Kingdom.^[18]

Here is a climate chart for Wye near Ashford.

Physical geography[link]

'The White Cliffs of Dover'

Kent is in the southeastern corner of England. It borders the River Thames and the North Sea to the north, and the Straits of Dover and the English Channel to the south. France is 34 kilometres (21 mi) across the Strait.^[19]

The major geographical features of the county are determined by a series of ridges and valleys running east-west across the county. These are the results of erosion of the Wealden dome, a dome across Kent and Sussex created by Alpine movements 10–20 million years ago. This dome consists of an upper layer of Chalk above successive layers of Upper Greensand, Gault Clay, Lower Greensand, Weald Clay, and Wealden sandstone. The ridges and valleys formed when the exposed clay eroded faster than the exposed chalk, greensand, or sandstone.

Geological map of southeast England, showing a concentric circular pattern formed by the weathering of the Wealden dome.

Sevenoaks, Maidstone, Ashford, and Folkestone are built on greensand,^[20] while Tonbridge and Tunbridge Wells are built on sandstone.^[21] Dartford, Gravesend, the Medway towns, Sittingbourne, Faversham, Canterbury, Deal, and Dover are built on chalk.^[20][21] The easterly section of the Wealden dome has been eroded away by the sea, and cliffs such as the white cliffs of Dover are present where a chalk ridge known as the North Downs meets the coast. Spanning Dover and Westerham is the Kent Downs Area of Outstanding Natural Beauty.^[22]

The Wealden dome is a Mesozoic structure lying on a Palaeozoic foundation, which can often create the right conditions for coal formation. This is found in East Kent roughly between Deal, Canterbury, and Dover. The Coal Measures within the Westphalian Sandstone are deep about 250 m – 400 m (800 – 1300 ft) and subject to flooding. They occur in two major troughs, which extend under the English Channel where similar coalfields are located.^[23]

Seismic activity has occasionally been recorded in Kent, though the epicentres were offshore. In 1382 and 1580 there were two earthquakes exceeding 6.0 on the Richter Scale. In 1776, 1950, and on 28 April 2007 there were earthquakes of around 4.3. The 2007 earthquake caused physical damage in Folkestone.^[24]

Geological cross section of Kent, showing how it relates to major towns

The coastline of Kent is continuously changing, due to tectonic uplift and coastal erosion. Until about 960, the Isle of Thanet was an island, separated by the Wantsum channel, formed around a deposit of chalk; over time, the channels silted up with alluvium. Similarly Romney Marsh and Dungeness have been formed by accumulation of alluvium.^[21]

Kent's principal river, the River Medway, rises near East Grinstead in Sussex and flows eastwards to Maidstone. Here it turns north and breaks through the North Downs at Rochester, then joins the estuary of the River Thames as its final tributary near Sheerness. The Medway is some 112 kilometres (70 mi) long.^[25][26] The river is tidal as far as Allington lock, but in earlier times, cargo-carrying vessels reached as far upstream as Tonbridge.^[25] The Medway has captured the head waters of other rivers such as the River Darent. Other rivers of Kent include the River Stour in the east.

Demographics[link]

As of the 2001 UK census,^[27] Kent, including Medway, had 1,579,206 residents and 646,308 households, of which 1,329,718 residents and 546,742 households were within the administrative boundaries. Of those households, 48.9% were married couples living together, 9.0% were co-habiting couples and 8.7% were lone parents; 28.0% of households consisted of individuals, 14.6% had someone of pensionable age living alone, and 30.4% included children aged under 16 or a person aged 16 to 18 who was in full-time education. For every 100 females, there were 93.9 males.

The ethnicity of Kent was 96.5% White, 0.9% mixed race, 0.3% Chinese, 1.7% other Asian and 0.4% Black. The place of birth for residents was 94.2% United Kingdom, 0.7% Republic of Ireland, 0.5% Germany, 0.9% other Western Europe countries, 0.3% Eastern Europe, 0.8% Africa, 0.6% Far East, 0.9% South Asia, 0.2% Middle East, 0.4% North America, 0.1% South America and 0.3% Oceania. Religion was recorded as 74.6% Christian, 0.7% Sikh, 0.6% Muslim, 0.4% Hindu, 0.2% Buddhist and 0.1% Jewish, while 15.2% were recorded as having no religion, 0.3% had an alternative religion, and 7.8% did not state their religion.

Government[link]

Kent County Council (KCC) and its 12 district councils administer most of the county (3352 km²), while the Medway Towns Council, a unitary authority and commonly called Medway Council, administers the more densely populated remainder (192 km²).^[28] Together they have around 300 town and parish councils. Kent County Council's headquarters are in Maidstone,^[29] while Medway's offices are at Gun Wharf, Chatham.

As of the 2009 county council elections, Kent County Council was controlled by the Conservatives, which won 74 of the Council's 84 seats, 7 were won by the Liberal Democrats, 2 by the Labour Party and 1 by the Swanscombe and Greenhithe Residents Association. As of the 2007 local elections, Medway Council was controlled by the Conservatives; 33 of the Council's 55 seats were held by the Conservatives, 13 by the Labour Party, 8 by the Liberal Democrats and 1 by an Independent.^[30] Currently, all of Kent's district councils are controlled by the Conservatives; the only British county that is in this position.

At the national level, Kent is represented in Parliament by 17 MPs, all of whom are Conservative. Kent is in the European Parliament constituency of South East England, which elects ten members of the European Parliament.^[31]