Beaumont may refer to:

Places[link]

Canada[link]

• Beaumont, Alberta
• Lushes Bight – Beaumont – Beaumont North, Newfoundland and Labrador
• Beaumont, Quebec

France[link]

The following communes:

• Beaumont, Ardèche
• Beaumont, Corrèze
• Beaumont, Gers
• Beaumont, Haute-Loire
• Beaumont, Meurthe-et-Moselle
• Beaumont, Puy-de-Dôme
• Beaumont, Haute-Savoie
• Beaumont, Vienne
• Beaumont, Yonne
• Beaumont-de-Lomagne, Tarn-et-Garonne
• Beaumont-en-Auge, Calvados
• Beaumont-en-Cambrésis, Nord
• Beaumont-Hague, in Manche
• Beaumont-Hamel, Somme
• Beaumont-le-Roger, Eure
• Beaumont-sur-Oise, Val-d'Oise
• Beaumont-sur-Sarthe, Sarthe

England[link]

• Beaumont, Cumbria
• Beaumont-cum-Moze, Essex
  • Beaumont Cut, a canal closed in the 1930s
• Beaumont Street, Oxford

United States[link]

• Beaumont, California
• Beaumont, Kansas
• Beaumont Scout Reservation, High Ridge, Missouri
• Beaumont, Texas
  • Beaumont (Amtrak station)
• Beaumont, Wisconsin

Other[link]

• Beaumont, South Australia, a suburb of Adelaide
• Beaumont, Belgium, in the province of Hainaut
• Beaumont, Grand'Anse, municipality in Haiti
• Beaumont, Dublin, a suburb of Dublin, Ireland
• Beaumont, New Zealand, a township in Otago
• Beaumont (crater), a lunar crater

People[link]

• Beaumont Newhall (1908–1993), curator, art historian, writer, and photographer
• Antoine-François de Beaumont (1733–1805), French Navy captain
• the Chevalier d'Eon (Charles-Geneviève-Louis-Auguste-André-Timothée d'Éon de Beaumont), French diplomat and spy who lived his life as a woman
• Antony Beaumont (born 1949), musicologist, writer, conductor, and violinist
• Bill Beaumont (born 1952), English rugby union player
• Bryan Beaumont (1938-2005), Australian judge
• Charles Beaumont (1929–1967), American writer
• Christopher Beaumont (born 1961), Australian painter
• Dudley John Beaumont (1877–1918), member of the ruling family of Sark
• Ermengarde de Beaumont (c. 1170-1233/34), Queen Consort of Scotland
• Francis Beaumont (1584–1616), English dramatist closely associated with John Fletcher
• Francis William Lionel Collings Beaumont (1903–1941), member of the ruling family of Sark
• Colonel Frederick Beaumont (1833–1899), British soldier, engineer, and inventor
• Fr. Geoffrey Beaumont (1903–1970), Anglican priest and monk of the Community of the Resurrection
• Sir George Beaumont, 7th Baronet (1753–1827), British art collector
• Ginger Beaumont (1876–1956), American Major League Baseball player
• Gustave de Beaumont (1802–1866), French writer, magistrate, and prison reformer
• Harry Beaumont (1888–1966), American film director
• Hugh Beaumont (1909–1982), American actor
• Hugh Binkie Beaumont (1908–1973), British theatre impresario
• Jack Beaumont, Scottish footballer
• Jean-Baptiste Élie de Beaumont (1798–1874), French geologist
• Jeanne-Marie Le Prince de Beaumont (1711–1780), French novelist known for the most popular version of the story Beauty and the Beast
• Sir John Beaumont, 1st Baronet (1583–1627), English poet
• John Beaumont, 4th Baron Beaumont (1361–1396)
• John Michael Beaumont (born 1927), 22nd Seigneur of Sark
• John Thomas Barber Beaumont (1774–1841), British army officer, painter, author, and philanthropist
• Joseph Beaumont (1616–1699), English clergyman, academic and poet
• Kathryn Beaumont (born 1938), British-American voice actress and school teacher
• Kenneth Macdonald Beaumont (1884–1965), British lawyer, officer, and figure skater
• Lucy Beaumont (1873–1937), English actress
• Lyne Beaumont (born 1978), Olympic synchronized swimmer
• Mark Beaumont (cyclist) (born 1983), Scottish cyclist
• Mary Lawson (actress) (1910–1941), British actress who married Francis William Lionel Collings Beaumont
• Matt Beaumont, British novelist
• Robert de Beaumont, 1st Earl of Leicester (1049–1118), powerful English and French nobleman noted for his wisdom
• Robert de Beaumont, 2nd Earl of Leicester (1104–1168), Justiciar of England
• Robert de Beaumont, 3rd Earl of Leicester (died 1190)
• Roger de Beaumont (1015–1094), a seigneur of Normandy
• Roger de Beaumont (bishop) (died 1202)
• Roland Beamont, British fighter pilot of World War II, later a notable test pilot
• Scott Beaumont, English mountain bike racer
• Sibyl Mary Hathaway (1884–1974), 21st Seigneur of Sark, married to Dudley John Beaumont
• Timothy Beaumont, Baron Beaumont of Whitley (1928–2008), UK politician and Anglican clergyman
• William Beaumont (1785–1853), U.S. Army surgeon, the "Father of Gastric Physiology"
• William Spencer Beaumont, British army officer and member of the London County Council
• The Beaumont children disappearance in Australia

Titles[link]

• The Anglo-Norman House of Beaumont
• Beaumont, surname of early holders of the title Earl of Leicester
• Baron Beaumont, in the Peerage of England
• Viscount Beaumont of Swords, an extinct title in the Peerage of Ireland
• Beaumont Baronets, in the Baronetage of England
• Duc de Beaumont, an extinct French title

Buildings[link]

• Beaumont Palace, Oxford, England
• Beaumont Hospital, Dublin, Ireland
• Beaumont House, Beaumont, Australia
• Beaumont Tower, on the campus of Michigan State University

Schools[link]

• Beaumont College, a Roman Catholic public school, now closed
• Beaumont School (St Albans), a mixed school in St Albans, Hertfordshire

Battles[link]

• Battle of Beaumont (1870), Franco-Prussian War
• Battle of Beaumont (1794), French Revolutionary War

Other[link]

• Beaumont (automobile), a make of automobile produced by General Motors of Canada
• Beaumont, British band formed by Keith Girdler and Paul Stewart of Blueboy
• “Beaumont”, a song from 3OH!3's third album Streets of Gold

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (September 2009)

Hayes Carll
Carll at a festival in Cambridge, England August, 2009 Photo: Sean Rowe
Background information
Birth name	Joshua Hayes Carll
Born	(1976-01-09) January 9, 1976 (age 36)
Origin	The Woodlands, Texas United States
Occupations	Musician, songwriter
Instruments	Vocals, Guitar
Labels	Lost Highway Records, Compadre Records, Highway 87 Records
Associated acts	Ray Wylie Hubbard, Guy Clark
Website	Hayes Carll.com

Joshua Hayes Carll (born January 9, 1976),^[1] known as Hayes Carll, is a Texas Country singer-songwriter from The Woodlands, Texas (a Houston suburb).

Carll got his first guitar at age 15. He began writing songs influenced by Bob Dylan, Kris Kristofferson, John Prine, Jack Kerouac and Dead Poets Society. After graduating from Hendrix College in Conway, Arkansas in 1998 with a degree in History, he moved to Crystal Beach, Texas, where he performed his own songs at local bars.

Career[link]

Hayes Carll is an odd mix. Wildly literate, utterly slackerly, impossibly romantic, absolutely a slave to the music, the 35-year old Texan is completely committed to the truth and unafraid to skewer pomposity, hypocrisy and small-minded thinking.

In a world of shallow and shallower, where it’s all groove and gloss, that might seem a hopeless proposition. Last year, “Another Like You,” Carll’s stereotype’s attract duet of polar opposites, was American Songwriter’s #1 Song of 2011 – and KMAG YOYO was the Americana Music Association’s #1 Album, as well as making Best of Lists for Rolling Stone, SPIN and a New York Times Critics Choice.

But more importantly than the critical acclaim is the way Carll connects with music lovers across genres lines. Playing rock clubs and honkytonks, Bonnaroo, Stones Fest, SXSW and NXNE, he and his band the Gulf Coast Orchestra merge a truculent singer/songwriter take that combines Ray Wylie Hubband’s lean freewheeling squalor with Todd Snider’s brazen Gen Y reality and a healthy dose of love amongst unhealthy people.

“I guess you could say I write degenerate love songs,” Carll says. “That, and songs about people who’re wedged between not much and even less; people who see how hopeless it is and somehow make it work anyway. “And the best kind of irony, sometimes, is applying no irony and letting reality do the work.”

Letting reality do the work has sure worked for the lanky Texan who walks slow and talks slower. Born in Houston, he went to college at Hendrix College in Conway, Arkansas – getting a degree in History, then heading back to Crystal Beach to play for a wild assortment of people either hiding out, hanging on or getting lost in the bars along Texas’ Gulf coast.

After releasing Flowers & Liquor in 2002, Carll was voted the Best New Artist of 2002 by The Houston Post. He would go on to release Little Rock, on his own Highway 87 label, which became the first self-owned project to the top the Americana charts.

It wasn’t long until Lost Highway, home of Lucinda Williams, Ryan Adams, Van Morrison and the Drive-By Truckers came calling. Trouble in Mind yielded the tongue firmly in cheek “She Left Me For Jesus,” a know-nothing redneck send-up/beer joint anthem somewhere between “You Never Even Called Me By My Name” and “Up Against the Wall.” “Jesus” was the 2008 Americana Music Awards Song of the Year.

All the accolades, all the facts and all the stats are awesome, but they don’t tell the story. Fiercely individual, Carll’s banged-up take on classic country is honed by the road – sometimes as a man and guitar, sometimes with his scrappy band, but always taking in the vistas and humanity before him.

“It comes down to the songs and the people,” he says. “You write about what you see, the things that cross your mind… and then you wanna get out there and play it back to ‘em. You kinda know how you’re doing when you see how the people respond.”

See above. Hayes Carll is the transmutable jester whose incisive songs and funky beats play as well in shitkicker bars as they do hippie festivals, somewhere as organic as American Public Radio’s “Mountain Stage” concert series and middle America as “The Tonight Show With Jay Leno.”

Maybe it’s the influences – Kerouac, Dylan, Guy Clark, John Prine, Hubbard… Maybe it’s the fact that somebody has to say something… Maybe it’s just the fact that some people are born to play…

But for whatever reason, ten years into a recording career, Hayes Carll shows no signs of having arrived at his creative apex. Each album expands on his already extreme vintage country, extreme thumping bad road boogie, extreme heartbroken ache – and finds new ways to take on the fate of the nation. Whether it’s the GI protagonist in the propulsive title track of KMAG YOYO, the train wreck objet d’amour of “Drunken Poet’s Dream,” also recorded by Hubbard, the road warrior of both “I Got A Gig” and “Little Rock” or the stoner liberal and the uptight Republican vixen of “Another Like You,” Carll paints vivid pictures of humanity as it really is.

Thick-headed. Avaricious. Squalid. Hungry. Angry. Getting by.

Like so many Texans before him, there’s no agony in the ecstasy – just the wonder of capturing the perfect character in the song. When you’re 6 beers down on a 12 pack night, you know Hayes Carll understands. At a time like that – whether in your own backyard or some jam-packed bar – that’s the best kind of friend to have.

Discography[link]

Albums[link]

[edit] Country Strong

Multiple songs written by Carll appear in the film Country Strong. Three of those were then released on iTunes and on the album Country Strong: More Music from the Motion Picture.

• "Hard Out Here" – performed by Garrett Hedlund
• "Take Me Away" – performed by Carll himself
• "Hide Me Babe" – performed by Garrett Hedlund

Much of the lead male character - Beau Hutton - performed by Garrett Hedlund, was modeled after Carll.^[2]

Honors[link]

Trouble In Mind

• Top Albums of 2008 (#60) - The Village Voice, January 21, 2009^[3]

"She Left Me For Jesus"

• Top Singles of 2008 (#36) - The Village Voice, January 21, 2009^[4]
• Americana Music Association Song of the Year 2008

References[link]

External links[link]

	Houston portal
	Biography portal

• Official website
• Hayes Carll at CMT
• Hayes Carll at Lone Star Music
• Hayes Carll at Lost Highway Records

The Wanda Beach Murders refers to the case of the unsolved murders of Marianne Schmidt and Christine Sharrock at Sydney's Wanda Beach on 11 January 1965. Their partially buried bodies were discovered the next day.

The victims, both aged 15, were best friends and neighbours. The brutal nature of the slayings and the fact that the twin killings occurred on a deserted, windswept beach brought publicity to the case. It remains one of the most infamous unsolved Australian murder cases of the 1960s, perhaps second in notoriety only to the disappearance of the Beaumont children.

The Victims[link]

Marianne Schmidt[link]

Marianne Schmidt had arrived in Melbourne from West Germany with her family in September 1958. At the time, the Schmidt family consisted of parents Helmut and Elizabeth and Marianne's siblings, Helmut Jr., Hans, Peter, Trixie and Wolfgang. Another child, Norbert, was born in Australia the following year. After arriving in Australia, the Schmidts lived in a migrant hostel in Unanderra before settling in Temora. In 1963 Helmut Schmidt moved the family to Sydney after contracting Hodgkin's disease and they found a home in the suburb of Ryde. In June the next year, Helmut Schmidt died^[1].

Marianne's next-door neighbour was Christine Sharrock.

Christine Sharrock[link]

Christine Sharrock lived with her grandparents Jim and Jeanette Taig. Her father had died in 1958 and her mother Beryl had remarried and was living in the north-western Sydney suburb of Seven Hills. Christine had moved in with her grandparents by choice and when the Schmidts arrived next-door she developed a strong friendship with Marianne, who was the same age^[2].

Last movements and Murder[link]

Disappearance[link]

The Wanda sand hills

On 1 January 1965, Christine and Marianne visited the beach at Cronulla, which had been a popular picnic spot for the Schmidts. The following day the Schmidt children visited the beach there again without Christine. Elizabeth Schmidt had meanwhile been admitted to hospital for a major operation, leaving Helmut Jr and Marianne in charge of the household. On 9 January, Marianne and Christine asked Elizabeth if they could take the younger children to Cronulla the next day and were given permission; however, rain prevented the trip^[3].

On Monday 11 January, accompanied by Marianne’s youngest four siblings, the girls again set off for Cronulla. They arrived at about 11am, but it was very windy and the beach was closed. The group therefore walked down to the southern end of the beach and sheltered among the rocks. Eight-year old Wolfgang Schmidt still wanted to swim however, so Marianne went with him to a shallow part of the surf away from the rocks. After they returned to the group, they had a picnic. At some point during this time, Christine left the others and went off by herself. There is no evidence of her whereabouts during this period, but after her death it was discovered she had consumed alcohol and some food that was different from the rest of the party; it is suspected this occurred while she was alone^[4]. It was also during this time that Wolfgang noticed a boy hunting crabs. Later, he claimed to have seen the same boy twice more, once in the company of his sister and Christine and again sometime much later. There has been doubt about his description of this person, as Wolfgang variously suggested he had a homemade speargun, a knife, or both^[5][6].

When Christine returned to the group, it was decided to take a walk into the sandhills behind Wanda Beach. Around 1pm, the group had reached a point around 400 metres beyond the Wanda Surf Club, they stopped to shelter behind a sandhill as the younger children were complaining about the conditions. Marianne told her younger siblings that she and Christine would return to the rocky area at the south end of the beach where they had hidden their bags, then return to fetch the children and head home. Instead, however, the girls continued into the sandhills. When Peter Schmidt told them they were going the wrong way, they laughed at him and walked on^[5][7].

The Schmidt children remained waiting behind the sandhill until 5pm. They returned to collect their bags and then went home. The girls were reported missing at 8:30pm.

Last sighting[link]

The last official sighting of Marianne and Christine was by local fireman Dennis Dostine, who was walking in the area with his son and saw the girls walking about 800 yards north of the surf club. He told police that they seemed to be hurrying, and one of the girls was looking behind her as if she were being followed. Dostine did not see anybody else.

Bodies discovered[link]

On Tuesday, 12 January Peter Smith was taking his three young nephews for a walk through the Wanda Beach sandhills. Some distance north of the surf club, he discovered what appeared to be a department store mannequin buried in the sand. He brushed away sand from the hand and realised that it was a body. The police were called from the surf club, however at this point Smith believed he had found only one young woman.

When the bodies were uncovered, Marianne Schmidt was found lying on her right side with her left leg bent. Christine Sharrock was face down, her head against the sole of Schmidt's left foot. From a 34-metre long drag mark leading to the scene, police determined that Sharrock had fled, possibly while Schmidt was dying, only to have been caught, murdered and dragged back to the body of her friend. Attempts had been made to rape both girls. Sharrock's skull had been fractured by a blow to the back of the head and she had been stabbed multiple times. Schmidt's throat had been slashed and she too had been stabbed several times.

Investigation[link]

A large police investigation failed to identify the killer. There had been a number of people seen in the area who were never identified; Sydney in 1965 was a conservative place and the area around Wanda Beach attracted a range of people, who did not necessarily want to identify themselves to police. This frustrated the police investigation. In February 2012, however, the NSW Police's Cold Case Unit announced that a weak male DNA sample had been extrated from a pair of jeans worn by one of the girls. While admitting that current technology was unable to provide more information, police were confident that future advances would give more assistance.[1]

Linked cases[link]

Two murders occurred during early 1966 which, police at the time speculated, might have been the work of the Wanda Beach killer.

1. On 29 January 1966, a cleaning lady named Wilhelmina Kruger was killed in the Piccadilly Arcade in Wollongong. Her body was discovered by a casual butcher when he arrived to work at the local butcher shop. She had been strangled & mutilated. Police believed that the murder might have been the work of the Wanda Beach killer, but would not say why.
2. On 17 February 1966, a prostitute named Anna Dowlingkoa went missing after leaving a nightclub in Kings Cross. Ten days later, her mutilated body was found by a truck driver at the side of a road in Menai. Police immediately linked her murder with that of Wilhelmina Kruger. Again, they believed that the murder might have been the work of the Wanda Beach killer, but once again, would not say what led them to believe this. The murders of Wilhelmina Kruger and Annya Dowlingkoa are far less well known now than the Wanda Beach murders.

Suspects[link]

Cec Johnson, a former detective who had investigated the Wanda Beach murders, was given a painting in 1975 by Alan Bassett. Bassett had been jailed for murdering Carolyn Orphin, a 19 year old woman, in June 1966. Sent to prison for life, he served 29 years before being released in 1995.

The painting that Bassett gave Johnson showed an abstract landscape. Looking at the picture, however, Johnson became convinced that it showed a scene from the Wanda Beach murders that only the killer would know, as well as clues to the murders of Kruger and Dowlingkoa. He became convinced that Bassett was the Wanda Beach killer.

Other detectives were far less convinced, but Johnson wrote a book about the case. Before it could be published, however, he was knocked down and killed in an accident. The book was never published. Other detectives, while retaining professional respect for Johnson, concluded that he was wrong in his belief that Bassett was the killer.

One person he convinced, however, was crime reporter Bill Jenkings. Jenkings repeated Johnson’s claims in his ghostwritten memoirs, As Crime Goes By, devoting a whole chapter to the Wanda Beach murders. Most of the chapter was essentially a repeat of what he’d written in his earlier book Crime Reporter, but he mentioned Johnson, Bassett and the painting as well.

Bassett threatened legal action, but Jenkings died shortly afterwards, and Bassett did not go through with his threat. Since his release, Bassett has offered to give DNA to clear his name, but whether or not he has been eliminated as a suspect by DNA has yet to be publicised.

Another suspect, not well publicised until 1998, is Derek Percy. Percy has been imprisoned since 1969 for the murder of a child on a beach in Victoria. He is considered too dangerous to be released and is the prime suspect for a number of other murders of children in Melbourne and Sydney.

A third suspect is Christopher Wilder. Wilder was known to police in Sydney but did not become infamous until he became a serial killer in America in the early 1980s. In the first half of 1984, he committed eight murders and attempted several more. He accidentally killed himself during a struggle with police in New Hampshire on 13 April 1984.

Media[link]

The murders were the focus of the Crime Investigation Australia season 1 episode "The Wanda Beach Murders".^[8]

References[link]

1. ^ Twelve Crimes that Shocked the Nation, Whiticker, Alan J, New Holland. pp 101 - 102 ISBN 1-74110-110-7
2. ^ Whiticker, p 102
3. ^ Whiticker, pp 102 - 103
4. ^ The Giant Book of Crimes That Shocked Australia, Sharpe, Alan, The Book Company (1994) p 338 ISBN 1-86390-918-5
5. ^ ^{a b} Sharpe, Alan, p 338 - 339
6. ^ Whiticker, pp 107
7. ^ Whiticker, pp 104
8. ^ "The Wanda Beach Murders". Crime Investigation Australia. http://www.citv.com.au/microsite/CrimeInvestigationAustralia/episodes/. Retrieved 2009-07-03. 

• Jenkings, Bill, As Crime Goes By...
• Jenkings, Bill, Crime Reporter
• Whiticker, Alan J., Wanda: The untold story of the Wanda Beach Murders

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (February 2008)

Lucy Beaumont (18 May 1873 – 24 April 1937) was an English actress of the stage and screen from Bristol, Gloucestershire. She was the daughter of Sir Albert and Helen Coles and was educated at a young ladies' college in Bath, Somerset.

On the American stage Lucy played opposite Walter Connolly in The Bishop Misbehaves and Leslie Howard in Berkeley Square. Later she appeared in the film version of Berkeley Square. During the 1914–15 season Beaumont was in My Lady's Dress at the Playhouse in New York. The following season she was featured in Quinneys, for part of the play's run. In 1916 she appeared with Frances Starr in Little Lady in Blue.

Miss Beaumont played mostly mother parts on the screen. Some of her films are The Greater Glory (1926), with Conway Tearle, The Man Without A Country (1925), with Pauline Starke, Torrent (1926), with Ricardo Cortez, The Beloved Rogue, with John Barrymore, Resurrection (1927), with Dolores del Río, The Crowd (1928), with Eleanor Boardman and Maid of Salem (1937), (her final motion picture), with Claudette Colbert.

Lucy Beaumont was married to Captain Douglas Arthur Harris. Her final professional appearance was in April 1937 on the Robert L. Ripley radio programme. She died in 1937 at the Hotel Royalton, 44 West 44th Street, New York City. She had been in America for twenty years prior to her death. In her film roles Beaumont had a strong resemblance to Mary Carr, another famous character actress who played 'mother' roles.

External links[link]

• Lucy Beaumont at the Internet Movie Database
• Lucy Beaumont at IBDb.com
• Lucy Beaumont(middle) with Marceline Day and John Barrymore in The Beloved Rogue

References[link]

• Lima, Ohio Daily News, Along Broadway, October 3, 1917, Page 3.
• The New York Times, Lucy Beaumont Dies; Actress Many Years, April 25, 1937, Page 42.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2009)

Beaumont Hannant (born 20th century) is a British musician, producer and DJ from York, England. His contributions extend to ambient techno, IDM, hip hop, and indie rock. Hannant has received positive critical reviews^{[citation needed]} and was named one of "The Faces of '94"^{[citation needed]} by music magazine Select.

Biography[link]

Hannant became a hip-hop/electro DJ in 1986 after witnessing the 1986 World Mixing Championships.^{[citation needed]} During 1993–1994, he released several solo albums on General Production Recordings rooted in ambient techno. His music from this period has been described^{[citation needed]} as eclectic, densely-layered, and textured.

Hannant's critically acclaimed^{[citation needed]} album Texturology (1994) resulted in a top three independent Album Chart^{[citation needed]} placing. Music from the album was used in a theatre presentation of the seventeenth-century play The Traitor^{[citation needed]}.

By 1994, Hannant began to diversify: he provided remixes for Autechre, Björk, and Ned's Atomic Dustbin, produced Lida Husik (who provided the vocals to some of his compositions), and managed Shed Seven. Along with his long-term engineer Richard Brown, Hannant started the trip hop duo Outcast, signing to indie label One Little Indian in 1996.

Discography[link]

Releases

• 1993: Tastes and Textures, Vol. 1 - General Production Recordings
• 1993: Tastes and Textures, Vol. 2: Basic Data Manipulation - General Production Recordings
• 1994: Tastes and Textures, Vol. 3 - General Production Recordings
• 1994: Texturology (CD and 2-LP) - General Production Recordings
• 1994: Texturology [Vol. 2] (limited additional 2-LP) - General Production Recordings^[1]
• 1994: Ormeau (single) - General Production Recordings
• 1994: Sculptured (album) - General Production Recordings
• 1994: Bitter Sweet (recorded as YO3 alias) - General Production Recordings
• 1995: Notions of Tonality, Vol. 1 (EP) - General Production Recordings
• 1996: Notions of Tonality, Vol. 2 (EP) - General Production Recordings

The cover of Notions of Tonality, Vol. 2 mentions a forthcoming album, Tones. However, General Production Recordings folded before it could be released, and the album never surfaced.

Appearances include

• 1994: "Utuba" on Artificial Intelligence II
• 1996: Green Blue Fire by Husikesque

Remixes include

• 1994: "Beaumonthannanttwomx" and "12/4cadetmx" on Basscadet EP by Autechre

Sources[link]

• Beaumont Hannant biography at Allmusic
• Beaumont Hannant interview
• Hyperreal Music Archive

References[link]

1. ^ After the release of the main album both as a CD (GPRCD04) and a 2-LP (GPRLP04), came a limited additional 2-LP (GPRLLP04) with different tracks; though it is simply titled "Texturology" (in golden letters instead of the main release's black text), it is tagged "[Vol. 2]" to differentiate it from the main release.

External links[link]

• Beaumont Hannant discography at Discogs

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