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A pine plantation in the United States. Tree plantations are usually easily distinguished from natural forests by the trees being planted in straight lines.

A plantation is a long artificially established forest, farm or estate, where crops are grown for sale, often in distant markets rather than for local on-site consumption. The term plantation is informal and not precisely defined.

Crops grown on plantations include fast-growing trees (often conifers), cotton, coffee, tobacco, sugar cane, sisal, some oil seeds (notably oil palms) and rubber trees. Farms that produce alfalfa, Lespedeza, clover, and other forage crops are usually not called plantations. The term "plantation" has usually not included large orchards (except for banana plantations), but does include the planting of trees for lumber. A plantation is always a monoculture over a large area and does not include extensive naturally occurring stands of plants that have economic value. Because of its large size, a plantation takes advantage of economies of scale. Protectionist policies and natural comparative advantage have contributed to determining where plantations have been located.

Among the earliest examples of plantations were the latifundia of the Roman Empire, which produced large quantities of wine and olive oil for export. Plantation agriculture grew rapidly with the increase in international trade and the development of a worldwide economy that followed the expansion of European colonial empires. Like every economic activity, it has changed over time. Earlier forms of plantation agriculture were associated with large disparities of wealth and income, foreign ownership and political influence, and exploitative social systems such as indentured labor and slavery. The history of the environmental, social and economic issues relating to plantation agriculture are covered in articles that focus on those subjects.

Forestry[link]

Industrial plantations[link]

A plantation of Douglas-fir in Washington, U.S.

Industrial plantations are established to produce a high volume of wood in a short period of time. Plantations are grown by state forestry authorities (for example, the Forestry Commission in Britain) and/or the paper and wood industries and other private landowners (such as Weyerhaeuser, Rayonier and Plum Creek Timber in the United States, Asia Pulp & Paper (APP) in Indonesia). Christmas trees are often grown on plantations as well. In southern and southeastern Asia, teak plantations have recently replaced the natural forest.

Industrial plantations are actively managed for the commercial production of forest products. Industrial plantations are usually large-scale. Individual blocks are usually even-aged and often consist of just one or two species. These species can be exotic or indigenous. The plants used for the plantation are often genetically altered for desired traits such as growth and resistance to pests and diseases in general and specific traits, for example in the case of timber species, volumic wood production and stem straightness. Forest genetic resources are the basis for genetic alteration. Selected individuals grown in seed orchards are a good source for seeds to develop adequate planting material.

Wood production on a tree plantation is generally higher than that of natural forests. While forests managed for wood production commonly yield between 1 and 3 cubic meters per hectare per year, plantations of fast-growing species commonly yield between 20 and 30 cubic meters or more per hectare annually; a Grand Fir plantation at Craigvinean in Scotland has a growth rate of 34 cubic meters per hectare per year (Aldhous & Low 1974), and Monterey Pine plantations in southern Australia can yield up to 40 cubic meters per hectare per year (Everard & Fourt 1974). In 2000, while plantations accounted for 5% of global forest, it is estimated that they supplied about 35% of the world's roundwood.^[1]

Growth cycle[link]

• In the first year, the ground is prepared usually by the combination of burning, herbicide spraying, and/or cultivation and then saplings are planted by human crew or by machine. The saplings are usually obtained in bulk from industrial nurseries, which may specialize in selective breeding in order to produce fast growing disease- and pest-resistant strains.
• In the first few years until the canopy closes, the saplings are looked after, and may be dusted or sprayed with fertilizers or pesticides until established.
• After the canopy closes, with the tree crowns touching each other, the plantation is becoming dense and crowded, and tree growth is slowing due to competition. This stage is termed 'pole stage'. When competition becomes too intense (for pine trees, when the live crown is less than a third of the tree's total height), it is time to thin out the section. There are several methods for thinning, but where topography permits, the most popular is 'row-thinning', where every third or fourth or fifth row of trees is removed, usually with a harvester. Many trees are removed, leaving regular clear lanes through the section so that the remaining trees have room to expand again. The removed trees are delimbed, forwarded to the forest road, loaded onto trucks, and sent to a mill. A typical pole stage plantation tree is 7–30 cm in diameter at breast height (dbh). Such trees are sometimes not suitable for timber, but are used as pulp for paper and particleboard, and as chips for oriented strand board.
• As the trees grow and become dense and crowded again, the thinning process is repeated. Depending on growth rate and species, trees at this age may be large enough for timber milling; if not, they are again used as pulp and chips.
• Around year 10-60 the plantation is now mature and (in economic terms) is falling off the back side of its growth curve. That is to say, it is passing the point of maximum wood growth per hectare per year, and so is ready for the final harvest. All remaining trees are felled, delimbed, and taken to be processed.
• The ground is cleared, and the cycle is repeated.

Some plantation trees, such as pines and eucalyptus, can be at high risk of fire damage because their leaf oils and resins are flammable to the point of a tree being explosive under some conditions. Conversely, an afflicted plantation can in some cases be cleared of pest species cheaply through the use of a prescribed burn, which kills all lesser plants but does not significantly harm the mature trees.

Criticism of industrial plantations[link]

Bushfires pose a high risk to Eucalyptus plantations.

In contrast to a naturally regenerated forest, plantations are typically grown as even-aged monocultures, primarily for timber production.

• Plantations are usually near- or total monocultures. That is, the same species of tree is planted across a given area, whereas a natural forest would contain a far more diverse range of tree species.
• Plantations may include tree species that would not naturally occur in the area. They may include unconventional types such as hybrids, and genetically modified trees may be used sometime in the future^{[citation needed]}. Since the primary interest in plantations is to produce wood or pulp, the types of trees found in plantations are those that are best-suited to industrial applications. For example, pine, spruce and eucalyptus are widely planted far beyond their natural range because of their fast growth rate, tolerance of rich or degraded agricultural land and potential to produce large volumes of raw material for industrial use.
• Plantations are always young forests in ecological terms. Typically, trees grown in plantations are harvested after 10 to 60 years, rarely up to 120 years. This means that the forests produced by plantations do not contain the type of growth, soil or wildlife typical of old-growth natural forest ecosystems. Most conspicuous is the absence of decaying dead wood, a crucial component of natural forest ecosystems.

In the 1970s, Brazil began to establish high-yield, intensively managed, short rotation plantations. These types of plantations are sometimes called fast-wood plantations or fiber farms and often managed on a short-rotation basis, as little as 5 to 15 years. They are becoming more widespread in South America, Asia and other areas. The environmental and social impacts of this type of plantation has caused them to become controversial. In Indonesia, for example, large multi-national pulp companies have harvested large areas of natural forest without regard for regeneration. From 1980 to 2000, about 50% of the 1.4 million hectares of pulpwood plantations in Indonesia have been established on what was formerly natural forest land.

The replacement of natural forest with tree plantations has also caused social problems. In some countries, again, notably Indonesia, conversions of natural forest are made with little regard for rights of the local people. Plantations established purely for the production of fiber provide a much narrower range of services than the original natural forest for the local people. India has sought to limit this damage by limiting the amount of land owned by one entity and, as a result, smaller plantations are owned by local farmers who then sell the wood to larger companies. Some large environmental organizations are critical of these high-yield plantations and are running an anti-plantation campaign, notably the Rainforest Action Network and Greenpeace.

Farm or home plantations[link]

Farm or home plantations are typically established for the production of timber and fire wood for home use and sometimes for sale. Management may be less intensive than with Industrial plantations. In time, this type of plantation can become difficult to distinguish from naturally regenerated forest.

Teak and bamboo plantations in India have given good results and an alternative crop solution to farmers of central India, where conventional farming was popular. But due to rising input costs of farming many farmers have done teak and bamboo plantations which require very little water (only during first two years). Teak and bamboo have legal protection from theft. Bamboo, once planted, gives output for 50 years till flowering occurs. Teak requires 20 years to grow to full maturity and fetch returns.

Environmental plantations[link]

These may be established for watershed or soil protection. They are established for erosion control, landslide stabilization and windbreaks. Such plantations are established to foster native species and promote forest regeneration on degraded lands as a tool of environmental restoration.

Ecological impact[link]

Probably the single most important factor a plantation has on the local environment is the site where the plantation is established. If natural forest is cleared for a planted forest then a reduction in biodiversity and loss of habitat will likely result. In some cases, their establishment may involve draining wetlands to replace mixed hardwoods that formerly predominated with pine species. If a plantation is established on abandoned agricultural land, or highly degraded land, it can result in an increase in both habitat and biodiversity. A planted forest can be profitably established on lands that will not support agriculture or suffer from lack of natural regeneration.

The tree species used in a plantation is also an important factor. Where non-native varieties or species are grown, few of the native fauna are adapted to exploit these and further biodiversity loss occurs. However, even non-native tree species may serve as corridors for wildlife and act as a buffer for native forest, reducing edge effect.

Once a plantation is established, how it is managed becomes the important environmental factor. The single most important factor of management is the rotation period. Plantations harvested on longer rotation periods (30 years or more) can provide similar benefits to a naturally regenerated forest managed for wood production, on a similar rotation. This is especially true if native species are used. In the case of exotic species, the habitat can be improved significantly if the impact is mitigated by measures such as leaving blocks of native species in the plantation, or retaining corridors of natural forest. In Brazil, similar measures are required by government regulations.

Plantations and natural forest loss[link]

Many forestry experts claim that the establishment of plantations will reduce or eliminate the need to exploit natural forest for wood production. In principle this is true because due to the high productivity of plantations less land is needed. Many point to the example of New Zealand, where 19% of the forest area provides 99% of the supply of industrial round wood. It has been estimated that the worlds needs for fiber could be met by just 5% of the world forest (Sedjo&Botkin1997). However in practice, plantations are replacing natural forest, for example in Indonesia. According to the FAO, about 7% of the natural closed forest being lost in the tropics is land being converted to plantations. The remaining 93% of the loss is land being converted to agriculture and other uses. Worldwide, an estimated 15% of plantations in tropical countries are established on closed canopy natural forest.

In the Kyoto Protocol, there are proposals encouraging the use of plantations to reduce carbon dioxide levels (though this idea is being challenged by some groups on the grounds that the sequestered CO₂ is eventually released after harvest).

Other types of plantation[link]

Tea plantation in Cameron Highlands, Malaysia

Crops may be called plantation crops because of their association with a specific type of farming economy. Most of these involve a large landowner, raising crops with economic value rather than for subsistence, with a number of employees carrying out the work. Often it referred to crops newly introduced to a region. In past times it has been associated with slavery, indentured labour, and other economic models of high inequity. However, arable and dairy farming are both usually (but not always) excluded from such definitions. A comparable economic structure in antiquity was the latifundia that produced commercial quantities of olive oil or wine, for export. One plantation crop is bananas and there are others as well.

High value food crops[link]

Plantings of a number of trees or shrubs grown for food or beverage, including tea, coffee, and cacao are generally called plantations. Some spice and high value crops grown from permanent perennial stock, such as black pepper may also be so called. When the holding belongs to a single individual, that person may be called a planter.

Sugar[link]

Sugar plantations were highly valued in the Caribbean by the British and French colonists in the 19th and 20th centuries and the use of sugar in Europe rose during this period. Sugarcane is still an important crop in Cuba. Sugar plantations also arose in countries such as Barbados and Cuba because of the natural endowments that they had. These natural endowments included soil that was conducive to growing sugar and a high marginal product of labor realized through the increasing number of slaves.

Rubber[link]

Sugarcane plantation in rural Cuba

Plantings of para rubber, the tree Hevea brasiliensis, are usually called plantations.

Oil Palm[link]

Oil palm agriculture is rapidly expanding across wet tropical regions, and is usually developed at plantation scale.

Orchards[link]

Fruit orchards are sometimes considered to be plantations.

Arable crops[link]

These include tobacco, sugarcane, pineapple, and cotton, especially in historical usage.

Before the rise of cotton in the American South, indigo and rice were also sometimes called plantation crops.

Fishing plantations in Newfoundland and Labrador[link]

When Newfoundland was colonized by England in 1610, the original colonists were called "Planters" and their fishing rooms were known as "fishing plantations". These terms were used well into the 20th century.

The following three plantations are maintained by the Government of Newfoundland and Labrador as provincial heritage sites:

• Sea-Forest Plantation was a 17th-century fishing plantation established at Cuper's Cove (present-day Cupids) under a royal charter issued by King James I.
• Mockbeggar Plantation is an 18th-century fishing plantation at Bonavista.
• Pool Plantation a 17th-century fishing plantation maintained by Sir David Kirke and his heirs at Ferryland. The plantation was destroyed by French invaders in 1696.

Other fishing plantations:

• Bristol's Hope Plantation, a 17th-century fishing plantation established at Harbour Grace, created by the Bristol Society of Merchant-Adventurers.
• Benger Plantation, an 18th-century fishing plantation maintained by James Benger and his heirs at Ferryland. It was built on the site of Georgia plantation.
• Piggeon's Plantation, an 18th-century fishing plantation maintained by Ellias Piggeon at Ferryland.

Slavery, para-slavery and plantations[link]

Early 20th-century USA photo: "Negroes picking cotton on a plantation in the South"

African slave labor extracted from forcibly transported Africans was used extensively to work on early plantations (such as cotton and sugar plantations) in the American colonies and the United States, throughout the Caribbean, the Americas and in European-occupied areas of Africa. Several notable historians and economists such as Eric Williams, Walter Rodney and Karl Marx contend that the global capitalist economy was largely founded on the creation and produce of thousands of slave labour camps based in colonial plantations exploiting tens of millions of abducted Africans.

In modern times, the low wages typically paid to plantation workers are the basis of plantation profitability in some areas. Sugarcane plantations in the Caribbean and Brazil, worked by slave labour, were also examples of the plantation system.

In more recent times, overt slavery has been replaced by "para-slavery" or slavery-in-kind, including the sharecropping system. At its most extreme, workers are in "debt bondage": they must work to pay off a debt at such punitive interest rates that it may never be paid off. Others work unreasonably long hours and are paid subsistence wages that (in practice) may only be spent in the company store.

In Brazil, a sugarcane plantation was termed an engenho ("engine"), and the 17th-century English usage for organized colonial production was "factory". Such colonial social and economic structures are discussed at Plantation economy. Sugar workers on plantations in Cuba and elsewhere in the Caribbean lived in company towns known as Bateys.

Plantations in the antebellum American South[link]

In the American South, antebellum plantations were centered on a "plantation house", the residence of the owner, where important business was conducted. Slavery and plantations had different characteristics in different regions of the South. As the Upper South of the Chesapeake Bay Colony developed first, historians of the antebellum South defined planters as those who held 20 or more slaves. Major planters held many more, especially in the Deep South as it developed.^[2] The majority of slaveholders held 10 or fewer slaves, often just a few to labor domestically. By the late 18th century, most planters in the Upper South had switched from exclusive tobacco cultivation to mixed crop production, both because tobacco had exhausted the soil and because of changing markets. The shift away from tobacco meant they had slaves in excess of the number needed for labor, and they began to sell them in the internal slave trade.

Old Jackson Plantation house, Louisiana, June 1940

There was a variety of domestic architecture on plantations. The largest and wealthiest planter families, for instance, those with estates fronting on the James River in Virginia, constructed mansions in brick and Georgian style, e.g. Shirley Plantation. Common or smaller planters in the late 18th and 19th century had more modest wood frame buildings, such as Southall Plantation in Charles City County.

In the Low Country of South Carolina, by contrast, even before the American Revolution, planters holding large rice and cotton plantations in South Carolina typically owned hundreds of slaves. In Charleston and Savannah, the elite also held numerous slaves to work as household servants. The 19th-century development of the Deep South for cotton cultivation depended on large plantations with much more acreage than was typical of the Chesapeake Bay area, and for labor, planters held hundreds of slaves.

Until December 1865 slavery was legal in parts of the United States. Most slaves were employed in agriculture, and "planter" was a term commonly used to describe a farmer with many slaves.

The term "planter" has no universally accepted definition but academic historians have defined it to identify the elite class, "a landowning farmer of substantial means."^[2] In the "Black Belt" counties of Alabama and Mississippi, the terms “"planter" and "farmer" were often synonymous.^[3] Robert Fogel and Stanley Engerman define large planters as owning over 50 slaves, and medium planters as owning between 16 and 50 slaves.^[4] In his study of Black Belt counties in Alabama, Jonathan Wiener defines planters by ownership of real property, rather than of slaves. A planter, for Wiener, owned at least $10,000 worth of real estate in 1850 and $32,000 worth in 1860, equivalent to about the top 8 percent of landowners.^[5] In his study of southwest Georgia, Lee Formwalt also defines planters in size of land holdings rather than slaves. Formwalt's planters are in the top 4.5 percent of landowners, translating into real estate worth $6,000 or more in 1850, $24,000 or more in 1860, and $11,000 or more in 1870.^[6] In his study of Harrison County, Texas, Randolph B. Campbell classifies large planters as owners of 20 slaves, and small planters as owners of between ten and 19 slaves.^[7] In Chicot and Phillips Counties, Arkansas, Carl H. Moneyhon defines large planters as owners of twenty or more slaves, and six hundred or more acres.^[8]

See also[link]

Agriculture and Agronomy portal

• List of plantations
• Plantations in the American South

References[link]

Notes

Bibliography

• Aldhous, J. R. & Low, A. J. (1974). The potential of Western Hemlock, Western Red Cedar, Grand Fir and Noble Fir in Britain. Forestry Commission Bulletin 49.
• Everard, J. E. & Fourt, D. F. (1974). Monterey Pine and Bishop Pine as plantation trees in southern Britain. Quarterly Journal of Forestry 68: 111-125.
• Savill, P. Evans, J. Auclair, D. Falk, J. (1997). Plantation Silviculture in Europe. Oxford University Press. Oxford. ISBN 0-19-854909-1
• Sedjo, R. A. & Botkin, D. (1997). Using forest plantations to spare natural forests. Environment 39 (10): 15-20, 30.hu
• Thompson, Edgar Tristram. The Plantation edited by Sidney Mintz and George Baca (University of South Carolina Press; 2011) 176 pages; 1933 dissertation
• Virts, Nancy, “Change in the Plantation System: American South, 1910–1945,” Explorations in Economic History, 43 (Jan. 2006), 153–76.

External links[link]

Wikimedia Commons has media related to: Plantations

• Trends in Round wood production
• Earth Repair Network Advocates plantation forestry.
• "Pulping the South" Criticism of industrial plantations.
• NGO World Rainforest Movement

Wynton Marsalis
Marsalis at the Oskar Schindler Performing Arts Center (OSPAC) Seventh Annual Jazz Festival in West Orange, New Jersey
Background information
Birth name	Wynton Learson Marsalis
Born	(1961-10-18) October 18, 1961 (age 50) New Orleans, Louisiana, United States
Genres	Jazz, post-bop, jazz poetry, Classical
Occupations	Composer, trumpeter, Artistic Director of Jazz at Lincoln Center Orchestra and Opera
Instruments	Trumpet
Years active	1980–present
Labels	Columbia, Sony, Blue Note
Associated acts	English Chamber Orchestra
Website	www.wyntonmarsalis.com

Wynton Learson Marsalis (born October 18, 1961) is a trumpeter, composer, teacher, music educator, and Artistic Director of Jazz at Lincoln Center in New York City, United States. Marsalis has promoted the appreciation of classical and jazz music often to young audiences. Marsalis has been awarded nine Grammys in both genres, and a jazz recording of his was the first of its kind to win the Pulitzer Prize for Music.

Marsalis is the son of jazz musician Ellis Marsalis, Jr. (pianist), grandson of Ellis Marsalis, Sr., and brother of Branford (saxophonist), Delfeayo (trombonist), Mboya, and Jason (drummer).

Life and career[link]

Wynton was born in New Orleans, Louisiana, on October 18, 1961, the second of six sons of Dolores (née Ferdinand) and Ellis Louis Marsalis, Jr., a pianist and music professor.^[1] At an early age, he exhibited an aptitude for music. At age eight, Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by banjoist Danny Barker, and at 14, he performed with the New Orleans Philharmonic. During high school, Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and with a local funk band, the Creators.

He graduated from Benjamin Franklin High School with a 3.98 GPA.^[2] At age 17, Wynton was the youngest musician admitted to Tanglewood's Berkshire Music Center, where he won the school's Harvey Shapiro Award for outstanding brass student. Wynton moved to New York City to attend Juilliard in 1979, and picked up gigs around town. During this period, Wynton received a grant from the National Endowment of the Arts to spend time and study with trumpet innovator Woody Shaw, one of Wynton's major influences at the time. In 1980, Wynton joined the Jazz Messengers led by Art Blakey. In the years that followed, Wynton performed with Sarah Vaughan, Dizzy Gillespie, Sweets Edison, Clark Terry, Sonny Rollins, Ron Carter, Herbie Hancock, Tony Williams and countless other jazz legends.

In 1995, PBS premiered Marsalis On Music, an educational television series on jazz and classical music hosted and written by Marsalis. Also, in 1995, National Public Radio aired the first of Marsalis’ 26-week series, entitled Making the Music. Wynton's radio and television series were awarded the George Foster Peabody Award. Marsalis has also written five books: Sweet Swing Blues on the Road, Jazz in the Bittersweet Blues of Life, To a Young Musician: Letters from the Road, Jazz ABZ (an A to Z collection of poems celebrating jazz greats), and his most recent release Moving to Higher Ground: How Jazz Can Change Your Life.^{[citation needed]}

In 1987, Wynton Marsalis co-founded a jazz program at Lincoln Center. In July 1996, Jazz at Lincoln Center was installed as new constituent of Lincoln Center. In October 2004, Marsalis opened Frederick P. Rose Hall, the world's first institution for jazz containing three performance spaces (including the first concert hall designed specifically for jazz) along with recording, broadcast, rehearsal and educational facilities. Wynton presently serves as Artistic Director for Jazz at Lincoln Center and Music Director for the Jazz at Lincoln Center Orchestra.^{[citation needed]} One of his most recent releases was a 2011 collaboration with blues-rock guitarist Eric Clapton, a Jazz at Lincoln Center concert that produced the live album Wynton Marsalis & Eric Clapton Play the Blues.

In December 2011, Marsalis was named cultural correspondent for the new CBS This Morning.^[3]

Awards and recognition[link]

Marsalis has won nine Grammy Awards. In 1983 and 1984, he became the only artist ever to win Grammy Awards for both jazz and classical records, and he is the only artist to win Grammy Awards for five consecutive years (1983–1987).

Honorary degrees Marsalis has received include those conferred by New York University,^[4] Columbia, Harvard, Howard, the State University of New York, Princeton and Yale. Marsalis was honored with the Louis Armstrong Memorial Medal and the Algur H. Meadows Award for Excellence in the Arts. He was inducted into the American Academy of Achievement and was dubbed an Honorary Dreamer by the I Have a Dream Foundation. The New York Urban League awarded Marsalis with the Frederick Douglass Medallion for distinguished leadership and the American Arts Council presented him with the Arts Education Award.

Time magazine list of promising Americans under the age 40 selected Maralis in 1995, and in 1996, Time celebrated Marsalis as one of America's 25 most influential people. In November 2005, Marsalis received the National Medal of Arts. United Nations Secretary-General Kofi Annan proclaimed Marsalis an international ambassador of goodwill for the United States by appointing him a UN Messenger of Peace (2001).

In 1997, Marsalis became the first jazz musician ever to win the Pulitzer Prize for Music for his epic oratorio, Blood On The Fields. In a personal note to Marsalis, Zarin Mehta wrote, "I was not surprised at your winning the Pulitzer Prize for Blood On The Fields. It is a broad, beautifully painted canvas that impresses and inspires. It speaks to us all ... I’m sure that, somewhere in the firmament, Buddy Bolden, Louis Armstrong and legions of others are smiling down on you."^{[citation needed]}

Marsalis won the Netherlands’ Edison Award and the Grand Prix du Disque of France. The Mayor of Vitoria, Spain, awarded Wynton with the city's Gold Medal – its most coveted distinction. In 1996, Britain's senior conservatoire, the Royal Academy of Music, made Marsalis an honorary member, the Academy's highest decoration for a non-British citizen. The city of Marciac, France, erected a bronze statue in his honor. The French Ministry of Culture appointed Wynton the rank of Knight in the Order of Arts and Literature, and in the fall of 2009, Marsalis received France's highest distinction, the insignia Chevalier of the Legion of Honour, an honor that was first awarded by Napoleon Bonaparte.

Statue dedicated to W. Marsalis in Vitoria-Gasteiz, Spain

Marsalis, with his father and brothers, are group recipients of the 2011 NEA Jazz Masters Award.^[5]

Marsalis has toured 30 countries on every continent except Antarctica, and nearly five million copies of his recordings have been sold worldwide.

Music awards[link]

Pulitzer Prize for Music

• 1997 Blood on the Fields, oratorio

Grammy Award for Best Jazz Instrumental Album, Individual or Group

• 1986 Black Codes (From the Underground)
• 1987 J Mood
• 1988 Marsalis Standard Time - Volume I

Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra)

• 1983 Raymond Leppard (conductor), Wynton Marsalis & the National Philharmonic Orchestra for Haydn: Trumpet Concerto in E Flat/L. Mozart: Trumpet Concerto In D/Hummel: Trumpet Concerto in E Flat
• 1984 Raymond Leppard (conductor), Wynton Marsalis & the English Chamber Orchestra for Wynton Marsalis, Edita Gruberova: Handel, Purcell, Torelli, Fasch, Molter

Grammy Award for Best Jazz Instrumental Solo

• 1983 Think of One
• 1984 Hot House Flowers
• 1985 Black Codes (From the Underground)

Grammy Award for Best Spoken Word Album for Children

• 2000 Listen to the Storyteller

Criticisms[link]

Several jazz notables have unfavorable views of Marsalis' musicianship. Jazz critic Scott Yanow viewed Marsalis as talented but criticized his "selective knowledge of jazz history" and his regard for "post-1965 avant-garde playing to be outside of jazz and 1970s fusion to be barren" as the unfortunate result of the "somewhat eccentric beliefs of Stanley Crouch.^[6] Trumpeter Lester Bowie said of Marsalis, "If you retread what's gone before, even if it sounds like jazz, it could be anathema to the spirit of jazz."^[7] In his 1997 book Blue: The Murder of Jazz, Eric Nisenson argues that Marsalis's focus on a narrow portion of jazz's past stifled growth and innovation.^[8] In 1997, pianist Keith Jarrett criticized Marsalis saying "I've never heard anything Wynton played sound like it meant anything at all. Wynton has no voice and no presence. His music sounds like a talented high-school trumpet player to me."^[9] Pierre Sprey, president of jazz record company Mapleshade Records, said in 2001 that "When Marsalis was nineteen, he was a fine jazz trumpeter...But he was getting his tail beat off every night in Art Blakey's band. I don't think he could keep up. And finally he retreated to safe waters. He's a good classical trumpeter and thus he sees jazz as being a classical music. He has no clue what's going on now."^[10] Bassist Stanley Clarke said "All the guys that are criticizing—like Wynton Marsalis and those guys—I would hate to be around to hear those guys playing on top of a groove!"^[11] In his autobiography, Miles Davis – who Marsalis said had left jazz and "went into rock"^[12] – hedged his praise of Marsalis by suggesting that he was unoriginal. He also found him too competitive, saying "Wynton thinks playing music is about blowing people up on stage." In 1986, in Vancouver, Davis stopped his band to eject an uninvited Marsalis from the stage. Davis said "Wynton can't play the kind of shit we were playing", and twice told Marsalis "Get the fuck off."^[13]

Some critical exchanges have included insults. Besides insinuating that Davis had pandered to audiences, Marsalis said Davis dressed like a "buffoon." Trumpeter Lester Bowie called Marsalis "brain dead", "mentally-ill" and "trapped in some opinions that he had at age 21... because he's been paid to."^[7][12] Marsalis in reply said Bowie was "another guy who never really could play."^[12]

Marsalis was criticized for pressing his neo-classicist opinions of jazz as producer and on-screen commentator in the Ken Burns documentary Jazz (2001). The documentary focused primarily on Duke Ellington and Louis Armstrong among others, while ignoring other jazz artists. David Adler said that "Wynton's coronation in the film is not merely biased. It is not just aesthetically grating. It is unethical, given his integral role in the making of the very film that is praising him to the heavens."^[14]

Discography[link]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Wynton Marsalis

Wikimedia Commons has media related to: Wynton Marsalis

• Official website
• Profile at Jazz at the Lincoln Center (click 'more')
• Wynton Marsalis at the Internet Movie Database
• Works by or about Wynton Marsalis in libraries (WorldCat catalog)
• Wynton Marsalis at the Notable Names Database
• Wynton Marsalis collected news and commentary at The New York Times
• Wynton Marsalis on The Tavis Smiley Show, March 15, 2011 (23:31 video)
• Post-Katrina Tulane University Speech
• USA Today Q&A, January 14, 2007
• Wynton Marsalis: Reader's guide