A record chart is a ranking of recorded music according to popularity during a given period of time. Examples of music charts are the Hit parade, Hot 100 or Top 40.

There are lots of different criteria used in different charts used to reflect popularity, commonly: sales of records, cassettes and compact discs; the amount of radio airplay; and (recently) the number of downloads.

Some charts are specific to a particular musical genre and most to a particular geographical location (although download charts are not easily pinned down in this way). The most common period of time covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs.

Chart hit[link]

A chart hit is an extremely popular recording, identified by its inclusion in a chart that uses sales or other criteria to rank popular releases. Chart-topper and related terms (like No. 1 hit, top of the charts, chart hit, and so forth) are widely used in common conversation and in marketing, and are loosely defined. In North America, the weekly charts from Billboard magazine are most often referenced (quite often internationally, as well), particularly the Billboard Hot 100 singles chart and Billboard 200 album chart, although there are many other charts and sources. Because of its value in promoting recording artists and releases, both directly to the consumer, and by encouraging exposure on radio, TV other media, chart positioning has long been a subject of scrutiny and controversy. Chart compilation methodology and data sources vary, ranging from buzz charts based on opinions of various experts and tastemakers, to charts that reflect empirical data such as retail sales. Therefore, a chart-topper may be anything from an "insiders' pick" to a runaway seller.

Other terminology[link]

There are several other commonly-used terms when referring to a music/entertainment chart or the performance of a release thereon.

The term new entry is commonly used to denote a title which is making its debut appearance in that chart. This is applied to all charts, for instance a track which is outside the Top 40 but which later climbs into that level of the chart is considered to be a 'new entry' to the Top Forty that week. In most official charts, tracks have to have been on sale for a period of time in order to enter the charts; however, in some retailers' charts, new releases are included in charts as 'new entries' without a sales history in order to make them more visible to purchasers. A real new entry is a title that makes its first debut on the chart no matter how many positions officially the chart actually is. In the UK the official published chart is a Top 100 although a new entry can take place between positions 101-200. The Top 40 is only used for radio to shorten the playlists.

The term re-entry is used if a track which has previously entered a chart falls out of that chart and then later re-appears in it. This may come about if a release is reissued or if there is a surge of interest in the track. Generally any repeat entry of a track into a chart is considered a re-entry, unless the later version of the track is a materially different recording or significantly repackaged (such as Michael Jackson's "Thriller 25"), where the release would normally be considered separate and thus a "new" entry.

The term climber is used to refer to a release which is going higher in the chart week-on-week. Because chart positions are generally relative to each other on a week-to-week basis, a release does not necessarily have to increase sales week-to-week to be a climber, as if releases ahead of it decline in sales sufficiently they may slip below it. By the same metric, not all week-to-week sales increases result in a climber, if other releases improve by a sufficient amount to keep it from climbing. The term highest climber is used to denote the release making the biggest leap upwards in the chart that week. There is generally not an equivalent phrase for tracks going down the chart; the term "faller" is occasionally used, but not as widely as 'climber'.

The terms top 10, top 20 and so forth are used to determine the relative success of a release. For instance, a track may be referred to as a 'top 10 hit' if it reaches a position between 1 and 10 on the singles chart, as a 'top 20 hit' if it reaches between positions 1 and 20, and so on. The most commonly known chart is the 'top 40' widely used by the media in various territories, though it is common for longer lists to be produced for or by the music industry. For example, in the UK, the Official Charts Company produces a top 200, although various media only publish shorter lists.

The term flop is a title that never reaches an official chart position. A relative flop is a term given to a title by an act that usually has big hits then only a minor hit in between.

The term one-hit wonder is for an act that appears on the chart just once, although the term true one-hit wonder was the term given by Guinness Book of British Hit Singles & Albums and also the Billboard book Top Pop Singles) is an act that has one number one hit and nothing else on the chart ever. If an act appears in some other form, (for example) a solo act that appears with a band or with other acts then these are taken separately.

See also[link]

• List of record charts

External links[link]

• Top 20 Chart
• Global Reggae Charts
• All Music Hits
• Current and Chart Archives from around the world
• Charts all over the world
• Choice Hits Top 50
• Wall brawl hourly chart
• The Best Selling Albums Ever... Worldwide

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Dave Dudley (May 3, 1928 – December 22, 2003), born David Darwin Pedruska, was an American country music singer best known for his truck-driving country anthems of the 1960s and 1970s and his semi-slurred baritone. His signature song was "Six Days on the Road," and he is also remembered for "Vietnam Blues," "Truck Drivin' Son-of-a-Gun," and "Me and ol' C.B.". Other recordings included Dudley's duet with Tom T. Hall, "Day Drinking," and his own Top 10 hit, "Fireball Rolled A Seven," supposedly based on the career and death of Edward Glenn "Fireball" Roberts.

Biography[link]

Early life and rise to fame[link]

Born in Spencer, Wisconsin, Dudley had a short career as a semi-professional baseball player.^{[citation needed]} After he suffered an arm injury, he was no longer able to play baseball. He then decided to pursue a career in country music. He was one of the earliest artists to record for the National Recording Corporation, with "Where's There's A Will" (1959).

Dudley was injured once again in 1960, this time in a car accident, setting back his career in music.^{[citation needed]} He first appeared on the Country charts in 1961 with "Maybe I Do," released by Vee Records.^{[citation needed]} He later moved to Golden Ring Records.

Height of his career[link]

In 1963, "Six Days on the Road" became a hit for Dudley. The song was written by Earl Green and Peanut Montgomery. It sold over one million copies, and was awarded a gold disc.^[1]

In the original version of the song as recorded by Dudley the lyrics include the words "...I'm taking little white pills and my eyes are open wide..." a reference to the stimulants some truckers used to keep driving (and make their delivery times) when they needed sleep. Some remakes of the song replace these words with a reference to looking at the white lines on the road. Dudley can be heard and seen singing the correct original lyrics in a 1971 performance currently available at YouTube.

In 1963, Dudley moved on to Mercury Records. By the end of 1963, he released his first single from the label, "Last Day in the Mines".^{[citation needed]} Dudley scored more big hits in the 1960s, including "Truck Drivin' Son-of-a-Gun", "Trucker's Prayer" and "Anything Leaving Town Today". "Six Days on the Road" has been covered by several artists, including George Thorogood and the Destroyers, Steve Earle, The Flying Burrito Brothers and Sawyer Brown.

Dudley continued to have success into the 1970s, while continuing to record for Mercury Records. He had some Country Top 10s in the 1970s, including "Comin' Down" and "Fly Away Again." By the late 1970s, his success on the charts was beginning to fade, although Dudley amassed thirty-three Top 40 Country hits.

Decline and death[link]

In the 1980s, Dudley continued to record sporadically, and remained popular in concert. During this time, he was elected to the 'Nashville Teamsters Truck Drivers Union', receiving a solid gold membership card from the union. During this time, he also found out that he had a big fan base in Europe, and he decided to try to appeal more to this market.^{[citation needed]}

In total, Dudley recorded more than 70 albums. However, he did not manage to reclaim his past success, and neither his single "Where's That Truck?", recorded with disc jockey Charlie Douglas, nor the track "Dave Dudley, American Trucker", recorded in 2002 in the wake of the September 11, 2001 terrorist attacks, helped revive his career. Few of his hits have made it onto CDs and albums, creating a market for his vintage vinyl recordings.

Dudley died on December 22, 2003, aged 75, after suffering a heart attack at his home in Wisconsin.

Discography[link]

Albums[link]

Singles[link]

• ^APeaked at #13 on Easy Listening (now Hot Adult Contemporary Tracks).

References[link]

Other sources[link]

• Country Music: The Rough Guide; Wolff, Kurt; Penguin Publishing

External links[link]

• Allmusic Dave Dudley with Biography, Discography, Charts
• Dudley profiled in WFMU's Diesel Sniffing Series
• CMT.com: "Six Days on the Road" Singer Dave Dudley dead at 75

John Lydon
John Lydon in 2011
Background information
Birth name	John Joseph Lydon
Also known as	Johnny Rotten
Born	(1956-01-31) 31 January 1956 (age 56) London, England, UK
Genres	Punk rock, post-punk, experimental rock, noise rock, alternative rock
Occupations	Musician, singer-songwriter
Instruments	Vocals, saxophone, guitar, bass guitar, violin, stroh violin, synthesizer, keyboards
Years active	1975–present
Associated acts	Sex Pistols, Public Image Ltd., Leftfield

John Joseph Lydon (born 31 January 1956), also known by the former stage name Johnny Rotten, is a singer-songwriter and television presenter, best known as the lead singer of punk rock band the Sex Pistols from 1975 until 1978, and again for various revivals during the 1990s and 2000s. He is the lead singer of the post-punk band Public Image Ltd, which he founded and fronted from 1978 until 1993, and again from 2009. Throughout his career, Lydon has made controversial or dismissive comments about the royal family and other subjects. There has been a recent revival of a 1980s movement to have Lydon knighted for his achievements with the Sex Pistols. Q Magazine remarked that "somehow he's assumed the status of national treasure."^[1]

Lydon's personally crafted image and fashion style led to him being asked to become the singer of the Sex Pistols by their manager, Malcolm McLaren. With the Pistols, he penned singles including "Anarchy in the U.K.", "God Save the Queen" and "Holidays in the Sun", the content of which precipitated the "last and greatest outbreak of pop-based moral pandemonium" in Britain.^[2] The band caused nationwide uproar in much of the media, who objected to the content of Lydon’s lyrics, and their antics, which included swearing on live television, in which Steve Jones called Bill Grundy a "fucking rotter". Due to the band's appearance in the media, Lydon was largely seen as the figurehead of the punk movement in the public image^[3] although this idea was not widely supported amongst the punk movement itself. Despite the negative reaction that they provoked, they are now regarded as one of the most influential acts in the history of popular music.^[4][5]

Lydon left the Pistols in 1978 to found his own band, Public Image Ltd, that was far more experimental in nature, and which has been described as "arguably the first post-rock group".^[6] Although never as commercially successful as the Pistols, the band produced eight albums and a string of singles, including "Public Image", "Death Disco", and "Rise", before they went on hiatus in 1993, reforming in 2009. In subsequent years, Lydon hosted a number of television shows in the UK, US and Belgium, as well as writing an autobiography, Rotten: No Irish, No Blacks, No Dogs (1993), and producing some solo musical work, such as the album Psycho's Path (1997).

Biography[link]

Early life: 1956–1974[link]

Lydon was born in London on 31 January 1956.^[7] His parents, John Christopher and Eileen (née Barry) Lydon, were working class immigrants from Ireland, and moved into a two-room Victorian flat with an outdoor toilet in Benwell Road, in the Holloway area of North London. At the time, the area was largely impoverished, with a high crime rate and a population comprised predominantly of working class Irish and Jamaican migrants. Lydon spent Summer holidays in his mother's native County Cork, where he also allegedly suffered abuse and name-calling for having an English accent, a prejudice he claims he still receives today even though he travels under an Irish passport.^[8] John was the eldest of four brothers, and as the eldest, he had to look after his siblings due to his mother's regular illnesses.^[9] As a child, he lived on the edge of an industrial estate, and would often play with friends in the factories when they were closed. He belonged to a local gang of neighbourhood kids, and would often end up in fights with other groups, something he would later look back on with fond memories: "Hilarious fiascoes, not at all like the knives and guns of today. The meanness wasn't there. It was more like yelling, shouting, throwing stones, and running away giggling. Maybe the reality was coloured by my youth."^[10] Describing himself as a "very shy" and "very retiring" kid who was "nervous as hell", he hated going to school, where he would get caned as punishment and where he "had several embarrassing incidents… I would shit my pants and be too scared to ask the teacher to leave the class. I'd sit there in a pants load of poo all day long."^[11]

When he was seven years old he contracted spinal meningitis and was hospitalised for a whole year in St. Anne's Hospital in Highgate. Throughout the entire experience he suffered from hallucinations, nausea and headaches, whilst the treatments administered by the nurses involved drawing fluid out of his spine with a surgical needle, something that left him with a permanent spinal curvature. The meningitis was also responsible for giving him what he would later describe as the "Lydon stare", and for him, this experience was "the first step that put me on the road to Rotten".^[12]

With his father often away on work, employed variously on building sites or oil rigs, Lydon got his first job aged 10 as a minicab dispatcher, something he kept up for a year whilst the family was in financial difficulty.^[13] He disliked his secondary school, the Sir William of York Catholic School in Islington, where initially he was bullied, but aged around 14 or 15 he "broke out of the mold" and began to fight back at what he saw as the oppressive nature of the school teachers, whom he felt instigated and encouraged the kids to all be the same and be "anti-anyone-who-doesn't-quite-fit-the-mold."^[14] Following the completion of his O-levels at school, he got into a row with his father, who disliked Lydon's long hair, and so, agreeing to get it cut, the teenager not only had it cut, but in an act of rebellion dyed it bright green.^[15] Growing up as a teenager, he listened mostly to rock bands like Hawkwind, Captain Beefheart, Alice Cooper and Iggy and the Stooges – bands his mother also used to like, a fact which somewhat embarrassed him – as well as more mainstream groups like T. Rex and Gary Glitter.^[16]

Aged 15, he was kicked out of the school after a run in with a teacher, and subsequently went to another state school, Hackney and Kingsway Princeton College, where he befriended John Simon Ritchie, who in later years would become better known as Sid Vicious. It was Lydon who gave him this nickname, after his parents' pet hamster.^[18] Lydon and Vicious began squatting in a house in the wealthy Hampstead area with a group of ageing hippies and stopped bothering to go to college, which was often far away from where they were living.^[19] Meanwhile, he began working on building sites during the summer, employment that his father was able to help him with. He also got a job at a children's play centre in Finsbury Park after friends had recommended him for the job. It was here that he taught woodwork to some of the older children, but he was eventually fired after parents complained that somebody "weird" with bright green hair was teaching their children.^[20] Lydon and his friends, including Vicious, John Gray, Jah Wobble, Dave Crowe and Tony Purcell, began going to many of the London clubs, such as the Lacey Lady in Ilford, and also frequented both reggae and gay clubs, the latter of which he enjoyed because in them "you could be yourself, nobody bothered you".^[21]

1975–1978: Sex Pistols and the punk movement[link]

In 1975, Lydon was among a group of youths who regularly hung around Malcolm McLaren and Vivienne Westwood's fetish clothing shop SEX. McLaren had returned from a brief stint travelling with American protopunk band the New York Dolls, and he was working on promoting a new band formed by Steve Jones, Glen Matlock and Paul Cook called The Sex Pistols. McLaren was impressed with Lydon's ragged look and unique sense of style, particularly his orange hair and modified Pink Floyd T-shirt (with the band members' eyes scratched out and the words I Hate scrawled in felt-tip pen above the band's logo). After tunelessly singing Alice Cooper's "I'm Eighteen" to the accompaniment of the shop's jukebox, Lydon was chosen as the band's frontman.^[22]

In 1977, the band released "God Save the Queen" during the week of Queen Elizabeth II's Silver Jubilee. At the time, August 1977, Lydon commented –

^{[clarification needed][23]}

Lydon was also interested in dub music. McLaren was said to have been upset when Lydon revealed during a radio interview that his influences included progressive experimentalists like Magma, Can, Captain Beefheart and Van der Graaf Generator.^[24]

Tensions between Lydon and bassist Glen Matlock arose. The reasons for this are disputed, but Lydon claimed in his autobiography that he believed Matlock to be too white-collar and middle-class and that Matlock was "always going on about nice things like the Beatles". Matlock stated in his own autobiography that most of the tension in the band, and between himself and Lydon, were orchestrated by McLaren. Matlock quit and as a replacement, Lydon recommended his school friend John Simon Ritchie. Although Ritchie was an incompetent musician, McLaren agreed that he had the look the band wanted: pale, emaciated, spike-haired, with ripped clothes and a perpetual sneer. Rotten dubbed him "Sid Vicious" as a joke, taking the name from his pet hamster, named Sid the Vicious. During a brief meeting on 12 August 1977 in CBGB's according to Kit and Morgan Benson's biography, Ritchie got his name after Sid the hamster bit him on his hand, and he exclaimed: "Sid is really vicious!"^[25]

Vicious' chaotic relationship with girlfriend Nancy Spungen, and his worsening heroin addiction, caused a great deal of friction among the band members, particularly with Lydon, whose sarcastic remarks often exacerbated the situation. Lydon closed the final Sid Vicious-era Sex Pistols concert in San Francisco's Winterland in January 1978 with a rhetorical question to the audience: "Ever get the feeling you've been cheated?" Shortly thereafter, McLaren, Jones, and Cook went to Brazil to meet and record with former train robber Ronnie Biggs. Lydon declined to go, deriding the concept as a whole and feeling that they were attempting to make a hero out of a criminal who attacked a train driver and stole "working-class money".^{[citation needed]}

The Sex Pistols' disintegration was documented in Julian Temple's satirical pseudo-biographical film, The Great Rock 'n' Roll Swindle, in which Jones, Cook and Vicious each played a character. Matlock only appeared in previously-recorded live footage and as an animation and did not participate personally. Lydon refused to have anything to do with The Great Rock 'n' Roll Swindle, feeling that McLaren had far too much control over the project. Although Lydon was highly critical of the film, many years later he agreed to let Temple direct the Sex Pistols documentary The Filth and the Fury. That film included new interviews with the band members' faces hidden in silhouette. It featured an uncharacteristically emotional Lydon choking up as he discussed Vicious' decline and death. Lydon denounced previous journalistic works regarding the Sex Pistols in the introduction to his autobiography, Rotten – No Irish, No Blacks, No Dogs, which he described as "as close to the truth as one can get".^[26]

[edit] 1978–1993: Public Image Limited, Time Zone and Copkiller

This section of a biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (September 2008)

John Lydon, 1986

In 1978, Lydon formed the post-punk outfit Public Image Limited (PiL). PiL lasted for 14 years with Lydon as the only consistent member. The group enjoyed some early critical acclaim for its 1979 album, Metal Box (a.k.a. Second Edition), and influenced many bands of the later industrial movement. The band was lauded for its innovation and rejection of traditional musical forms. Musicians citing their influence have ranged from the Red Hot Chili Peppers to Massive Attack.^{[citation needed]}

The first lineup of the band included bassist Jah Wobble and former Clash guitarist Keith Levene. They released the albums Public Image (also known as First Issue), Metal Box and Paris in the Spring (live). Wobble then left and Lydon and Levene made The Flowers of Romance. Then came This Is What You Want...This Is What You Get featuring Martin Atkins on drums (he had also appeared on Metal Box and The Flowers of Romance); it featured their biggest hit, "This Is Not A Love Song", which hit No. 5 in 1983.

In 1983, Lydon co-starred with Harvey Keitel in the movie thriller Corrupt, a.k.a. Copkiller and The Order of Death. While the film was generally panned, Lydon won some praise for his role as a psychotic rich boy. Lydon would act again occasionally after that, such as a very small role in the 2000 film, The Independent, and as the host of the skateboard film, Sorry, featuring the Flip Skate Team.

In 1984, Lydon worked with Time Zone on their best-known single, "World Destruction". A collaboration between Lydon, Afrika Bambaataa and producer/bassist Bill Laswell, the single was an early example of "rap rock", along with Run-DMC. The song appears on Afrika Bambaataa's 1997 compilation album, Zulu Groove. It was arranged by Laswell after Lydon and Bambaataa had acknowledged respect for each others' work, as described in an interview from 1984:

Afrika Bambaataa: "I was talking to Bill Laswell saying I need somebody who's really crazy, man, and he thought of John Lydon. I knew he was perfect because I'd seen this movie that he'd made (Corrupt, a.k.a. Copkiller and The Order of Death), I knew about all the Sex Pistols and Public Image stuff, so we got together and we did a smashing crazy version, and a version where he cussed the Queen something terrible, which was never released."

John Lydon: "We went in, put a drum beat down on the machine and did the whole thing in about four-and-a-half hours. It was very, very quick."^[27]

The single also featured Bernie Worrell, Nicky Skopelitis and Aïyb Dieng, all of whom would later play on PiL's Album; Laswell also played bass and produced. In 1986 Public Image Limited released Album (also known as Compact Disc and Cassette). Most of the tracks on this album were written by Lydon and Bill Laswell. The musicians were session musicians including bassist Jonas Hellborg, guitarist Steve Vai and Cream drummer Ginger Baker. Like the previous album, this also featured a hit, the anti-apartheid anthem "Rise". The band's performance on the dance/concert TV show American Bandstand saw Lydon giving up on lip synching not long into the performance and dancing with audience members instead.^{[citation needed]}

In 1987 a new lineup was formed consisting of Lydon, former Magazine, Siouxsie & The Banshees and The Armoury Show guitarist John McGeoch, Allan Dias on bass guitar in addition to drummer Bruce Smith and Lu Edmunds. This lineup released Happy? and all except Lu Edmunds released the album 9 in 1989. In 1992 Lydon, Dias and McGeoch were joined by Curt Bisquera on drums and Gregg Arreguin on rhythm guitar for the album That What Is Not. This album also features the Tower of Power on two songs and Jimmie Wood on harmonica. Lydon, McGeoch and Dias also wrote the song "Criminal" for the movie Point Break. After this album, in 1993, Lydon put PiL on indefinite hiatus.

1993–2006: solo album, autobiography and celebrity status[link]

In 1993, Lydon's first autobiography, Rotten: No Irish, No Blacks, No Dogs, was published. Aided by Keith and Kent Zimmerman, and featuring contributions from figures including Paul Cook, Chrissie Hynde, Billy Idol and Don Letts, the work covered his life up until the collapse of the Sex Pistols. Describing the book, he stated that it "is as close to the truth as one can get, looking back on events from the inside. All the people in this book were actually there, and this book is as much their point of view as it is mine. This means contradictions and insults have not been edited, and neither have the compliments, if any. I have no time for lies or fantasy, and neither should you. Enjoy or die."^[28] In December 2005, Lydon told Q that he is working on a second autobiography to cover the PiL years.^[1]

In the mid-1990s, Lydon hosted Rotten Day, a daily syndicated US radio feature written by George Gimarc. The format of the show was a look back at events in popular music and culture occurring on the particular broadcast calendar date about which Lydon would offer cynical commentary. The show was originally developed as a radio vehicle for Gimarc's book, Punk Diary 1970–79, but after bringing Lydon onboard it was expanded to cover notable events from most of the second half of the 20th century.

In 1997 Lydon released a solo album on Virgin Records called Psycho's Path. He wrote all the songs and played all the instruments. In one song, "Sun", he sang the vocals through a toilet roll.^[29] It did not sell particularly well and received mixed reviews from critics. The US version included a Chemical Brothers remix of the song "Open Up" by Leftfield with vocals by Lydon. This song is heard during the title menu of the computer game All Star Baseball 2000 (Acclaim Entertainment). The song was also a club hit in the US and a big hit in England. John Lydon has recorded a second solo-album but it has not been released. One song from the album was released on The Best of British £1 Notes.

In November 1997, Lydon appeared on Judge Judy fighting a suit filed by his former tour drummer Robert Williams for breach of contract, assault and battery.^[30] Lydon won the case, although Judge Judy Sheindlin was not overly impressed with Lydon's antics and told him to keep quiet several times.

In 2000, Lydon hosted Rotten TV, a short-lived show on VH1. The show offered his acerbic commentary on American politics and pop culture. In one segment he attempted to take Neil Young to task for not appearing on the show, making fun of Young's singing style and pointing out that Young had once proclaimed Johnny Rotten "the king" in the song "Hey Hey, My My (Into The Black)".

In 2003 Lydon appeared as a panelist on an episode of Richard Belzer's ill-fated conspiracy-themed panel show, The Belzer Connection. The episode in question posed the query, "Was there a conspiracy involved in the death of Princess Diana?" For his part, Lydon responded to suggestions of British Royal Family involvement by proclaiming "If the Royal Family was going to assassinate someone, they would have gotten rid of me a long time ago." The series ran for only two episodes.^{[citation needed]}

In January 2004, Lydon appeared on the British reality television programme, I'm a Celebrity... Get Me Out of Here!, which took place in Australia. He proved he still had the capability to shock by calling the show's viewers "fucking cunts" during a live broadcast. The television regulator and ITV, the channel broadcasting the show, between them received 91 complaints about Lydon's language.^[31]

In a February 2004 interview with the Scottish Sunday Mirror, Lydon said that he and his wife "should be dead", since on 21 December 1988, thanks to delays caused by his wife's packing, they missed the doomed Pan Am Flight 103.^[32] During this interview, Lydon said that the real reason for him leaving Get Me Out of Here! was his fear over the Pan Am incident and the "appalling" refusal of the programme makers to let him know whether his wife had arrived safely in Australia. In an interview previous to the show's first episode, he had described it as "moronic", and throughout the show's run he had displayed an indifferent attitude to staying and threatened to walk out on numerous occasions. Thirty hours following ex-football star Neil Ruddock's departure, Lydon left the show for unclear reasons, although he had been very visibly angry both to and about fellow star Jordan. British newspapers claimed that Lydon had won a £100 bet with Ruddock over who would stay in the longest. Lydon, however, stated on air that he felt he would win outright and that it would be unfair to the other celebrities for him to win.

After I'm a Celebrity..., he presented a documentary about insects and spiders called John Lydon's Megabugs that was shown on the Discovery Channel.^[33] Radio Times described him as "more an enthusiast than an expert". He went to present two further programmes: John Lydon Goes Ape in which he searched for gorillas in Central Africa, and John Lydon's Shark Attack in which he swam with sharks off South Africa.

In 2005, he appeared in Reynebeau & Rotten, a five episode documentary on Canvas, the cultural channel of the Flemish public broadcaster VRT, in which Lydon guided Belgian journalist Marc Reynebeau through Great Britain in a chauffeured Rolls Royce, having a go at things typically 'British'. When asked why he was chosen as a guide, he answered that he was the cheapest one available. After the show had been broadcast, Lydon claimed in an interview with the popular Belgian magazine HUMO that he was very unhappy with the way they handled post-production and was very angry with the way they depicted him in this particular show. He claimed that the creators mainly showed his humorous, sometimes clownish antics, instead of focusing on his personal opinions and arguably philosophical conversations he had with Marc Reynebeau. Lydon was reportedly infuriated that the production company used songs from the Sex Pistols' catalogue, without consulting all the remaining members of the band, including him.^{[citation needed]}

Lydon broadcast a short pod on Current TV in which he critiqued The Doors' keyboardist Ray Manzarek's previously broadcast pod. Manzarek's advice to young people had been to "fuck your brains out." He emphasised this especially for 25-year-old women, saying that "it won't last." Lydon had several choice words for Manzarek and told young people that the best thing they could do was get an education because knowledge is free. In late 2008 Lydon appeared in an advertising campaign for "Country Life", a popular brand of butter, on British television. Lydon was widely mocked as a sell-out for this move.^[34]

Lydon defended the move by stating that the main reason he accepted the offer was to raise money to reform Public Image Limited from the ground-up without a record deal. The advertising campaign proved to be highly successful, with sales of the brand raising 85% in the quarter following, which many in the media attributed to Lydon's presence in the advert.^[35]

2006–2009: Sex Pistols revival[link]

John Lydon (2008)

Although Lydon spent years furiously denying that the Sex Pistols would ever perform together again, the band re-united (with Matlock returning on bass) in the 1990s, and continues to perform occasionally. In 2004, Lydon publicly refused to allow the Rhino record label to include any Sex Pistols songs on its box set No Thanks!: The 70s Punk Rebellion. In 2006, the Rock and Roll Hall of Fame inducted the Sex Pistols, but the band refused to attend the ceremony or acknowledge the induction, complaining that they had been asked for large sums of money to attend^[36] and stating that it went against everything the band stood for.

In June 2007, Lydon, Jones and Cook re-recorded "Pretty Vacant" in a Los Angeles studio for the video game Skate and, in a radio interview in the same month, Lydon announced that the Sex Pistols may perform again over the Christmas period. They also re-recorded "Anarchy in the UK" for the video game Guitar Hero III: Legends of Rock. In September 2007, Lydon announced that the Sex Pistols would play a concert for the 30th anniversary of Never Mind the Bollocks at the Brixton Academy in London on 8 November 2007. Due to popular demand,^{[citation needed]} four additional concerts were added, as well as further shows in Manchester and Glasgow. The Sex Pistols appeared at the Isle of Wight Festival 2008 as the headlining act on Saturday night. They also appeared at the Peace and Love Festival (Sweden), Electric Picnic (Ireland), Lokerse Feesten festival in Lokeren (Belgium), the Live at Loch Lomond Festival (Scotland), Heineken Open'er Festival (Gdynia, Poland), Paredes de Coura Festival (Portugal), Traffic Free Festival (Turin, Italy), SZIGET Fesztival (Budapest, Hungary) and EXIT festival (Serbia), the same summer.^{[citation needed]}

2009–present PiL reformation[link]

John Lydon onstage with PiL at Guilfest 2011

In September 2009 it was announced that PiL would reform, including earlier members Bruce Smith and Lu Edmonds, for a number of Christmas shows in the UK.^[37] Lydon financed the reunion using money he earned doing a UK TV commercial for Country Life butter. "The money that I earned from that has now gone completely—lock stock and barrel—into reforming PiL,"^[38] said Lydon.

Controversies[link]

2008 Ritz Carlton Hotel incident[link]

On 23 January 2008 Lydon was reportedly involved in a string of offences, including sexual harrassment, physical assault and battery in Marina del Rey.^[39] Roxane Davis, who was a talent producer for the television program Bodog Battle Of The Bands, claimed that she was punched in the face by Lydon after being shouted at and called a "cunt" several times.^[39]

Lydon was one of three celebrity judges appearing on the reality show and Davis was responsible for "handling" them. According to the story appearing in the Belfast Telegraph, Lydon first refused accommodation at the Radisson hotel, stating it was sub-standard. After he and his personal assistant were relocated to the Ritz Carlton, Lydon reportedly became infuriated with the hotel staff after he was given a room lacking an interior connecting door to his assistant's room.^[39] According to the lawsuit, Davis heard Lydon screaming at a hotel employee, she approached him and he began screaming at her. After Davis apologised, Lydon and his assistant began screaming sexual epithets and obscene insults at Davis, and Lydon then punched her in the face.^[39] Davis reportedly initiated legal action on 19 causes of action, including retaliation, wrongful termination, assault and battery.^[39] Davis sued in June 2008 and filed an amended version about four months later. On 28 January 2010, however, Davis's lawyers filed papers in Los Angeles Superior Court stating that the case was resolved, although no terms were divulged.^[40]

2008 Summercase incident[link]

Bloc Party singer Kele Okereke claims he was left with severe facial bruising and a split lip following what he alleges was a verbal and physical racist assault by three members of Lydon's entourage. The incident occurred on the evening of 19 July 2008 at the Summercase festival in Barcelona while the bands were socialising backstage.^[41] In a statement to NME, Lydon denied the allegations of his involvement in this assault.^[42] After the report, Super Furry Animals lead singer Gruff Rhys came forward in support of Okereke's claim, saying "the statements Kele has said are absolutely true, it did happen."^[43]

A British tabloid accused Lydon of racism due to the incident, something he strongly denied during an appearance on The One Show, claiming that they were "atrocious" and "hurtful". He went on to say that:

He went on to say, when asked if he was racist, that:

2008 Duffy incident[link]

At the 2008 MoJo awards ceremony, Welsh singer Duffy attempted to say hello to Lydon when, according to her; "I was literally slammed against the wall, pinned by his arm at my throat. He called me a cunt."^[45] Other reports indicate a slightly different scenario, that Lydon "was being interviewed and he had his back to (the) door and she banged into him and then grabbed him. He then turned round in no uncertain terms to tell her to back off him".^[46] Lydon later claimed he had not realised who Duffy was, saying; "people are trying to pin something on me. I don't know who this Duffy person is, or why she'd want to get publicity from this. I was doing an interview and she came up behind me—I didn't see anything. I've been with my wife for 30 years and I've been brought up to be polite and have respect for people, especially women."^[47]

Adam Sherwin of The Times, witnessed the incident and has given an account which differs from that offered by Lydon, placing the blame for the physical assault on Lydon's personal assistant.^[48]

2010 performing in Israel[link]

Lydon played with Public Image Ltd in Tel Aviv, Israel, in August 2010. He refused to accept calls for him not to go to Israel.^[49][50]

^[51]

Lydon has also commented:

Origin of Johnny Rotten stage name[link]

The origin of John Lydon's stage name, Johnny Rotten, has had two longstanding explanations. One, given in a Daily Telegraph feature interview with Lydon in 2007, was that he was given the name in the mid 1970s, when his lack of oral hygiene led to his teeth turning green.^[52] Another story says the name was given to him by Sex Pistols guitarist Steve Jones, who saw Lydon's teeth and exclaimed, "You're rotten, you are!"^[53]

In 2008, however, Lydon had extensive dental work performed in Los Angeles, at a reported cost of US $22,000. Lydon explained that it wasn't done out of vanity: "It was necessity ... all those rotten teeth were seriously beginning to corrupt my system".^[54]

Personal life[link]

Lydon is married to Nora Forster, a publishing heiress from Germany.^[55] He is the stepfather of Forster's daughter, Ari Up, who herself had been the lead singer in the post-punk band The Slits before her death in 2010. Lydon resides in Los Angeles, California.^[52] Lydon's parents raised him and his brothers in the Roman Catholic faith, but he "never had any godlike epiphanies or thought that God had anything to do with this dismal occurrence called life."^[56]

Lydon has been a fan of Oscar Wilde since he studied his works at school, when he came to the conclusion that "his stuff was fucking brilliant. What an attitude to life!… He turned out to be the biggest poof on earth at a time when that was completely unacceptable. What a genius."^[15]

Political and social criticism[link]

Ever since his rise to public attention, Lydon has remained a critic of much in British politics and society. Coming from a working class background, he has remained heavily opposed to the class system, describing how private schools "tend to turn out little snobs. They're taught a sense of superiority, which is the kiss of death… They're absolutely screwed up for life."^[57] He is critical of the upper classes, stating that they "parasite off the population as their friends help them along", but he equally criticises the working classes, claiming that "We're lazy, good-for-nothing bastards, absolute cop-outs [who] never accept responsibility for our own lives and that's why we'll always be downtrodden."^[58] He opposes all forms of segregation in schools, not only through the private and state school division, but also with single-sex schools; "It doesn't make sense. It's a much better environment with girls in the class. You learn a lot more, as diversity makes things more interesting."^[59]

He has also criticised the paramilitary organisations involved in the Northern Ireland conflict, remarking that both the Irish Republican Army and the Ulster Defence Association were "like two mafia gangs punching each other out… They both run their extortion rackets and plague people to no end." He remarked that "The Northern Ireland problem is a terrible thing, and its only the ignorance of the people living outside of it that keeps it going", but that ultimately the British government's exploitative attitude to the problem was in his opinion the main cause.^[60]

Discography[link]

All chart positions are UK.

Sex Pistols[link]

Studio albums

• Never Mind the Bollocks, Here's the Sex Pistols (Virgin, 1977) Platinum No. 1

Compilations and live albums

• Flogging a Dead Horse (Virgin,1979)
• The Great Rock 'n' Roll Swindle (Virgin, 1979)
• Some Product: Carri On Sex Pistols (Virgin, 1979)
• Kiss This (Virgin, 1992)
• Never Mind the Bollocks / Spunk (aka This is Crap) (Virgin, 1996)
• Filthy Lucre Live (Virgin, 1996)
• The Filth and the Fury (Virgin, 2000)
• Jubilee (Virgin, 2002)
• Sex Pistols Box Set (Virgin, 2002)

Singles

• "Anarchy in the UK" – 1976 No. 38
• "God Save the Queen" – 1977 No. 2
• "Pretty Vacant" – 1977 No. 6
• "Holidays in the Sun" – 1977 No. 8
• "(I'm Not Your) Stepping Stone" – 1980 No. 21
• "Anarchy in the UK" (re-issue) – 1992 No. 33
• "Pretty Vacant" (live) – 1996 No. 18
• "God Save the Queen" (re-issue) – 2002 No. 15

Public Image Ltd.[link]

Studio albums

• First Issue (Virgin, 1978), No. 22
• Metal Box (a.k.a. Second Edition) (Virgin, 1979) #18, US No. 171
• Flowers of Romance (Virgin, 1981) #11, US No. 114
• Commercial Zone (PiL Records, 1983)
• This Is What You Want... This Is What You Get (Virgin, 1984)
• Album (Virgin, 1986)
• Happy? (Virgin, 1987)
• 9 (Virgin, 1989)
• That What Is Not (Virgin, 1992)
• This Is PiL (PiL Official, 2012)

Compilations and live albums

• Paris in the Spring (Paris au Printemps) (Virgin, 1980)
• Live in Tokyo (Virgin, 1983)
• The Greatest Hits, So Far (Virgin, 1990)

Singles

• "Public Image" – 1978 No. 9
• "Death Disco" – 1979 No. 20
• "Memories" – 1979 No. 60
• "Flowers of Romance" – 1981 No. 24
• "This Is Not a Love Song" – 1983 No. 5
• "Bad Life" – 1984 No. 71
• "Rise" – 1986 No. 11
• "Home" – 1986 No. 75
• "Seattle" – 1987 No. 47
• "The Body" – 1987 No. 100
• "Disappointed" – 1989 No. 38
• "Don't Ask Me" – 1990 No. 22
• "Cruel" – 1992 No. 49
• "One Drop" – 2012

The Lydons and The O'Donnells[link]

Studio albums

• Family Album (MBC records, 1986)

Time Zone[link]

Single

• "World Destruction" – 1984

Solo[link]

Studio albums

• Psycho's Path (Virgin, 1997)

Compilations

• The Best of British £1 Notes (Lydon, PiL & Sex Pistols) (Virgin/EMI, 2005)

Singles

• "Open Up" (with Leftfield) – 1993 – No. 11 UK
• "Sun" – 1997 – No. 42 UK

References[link]

Bibliography[link]

• Lydon, John (1993). Rotten: No Irish, No Blacks, No Dogs. Hodder & Stoughton

External links[link]

Wikiquote has a collection of quotations related to: John Lydon

• John Lydon – official website
• John Lydon discography on Discogs
• Johnny Rotten on The Hour
• interview with John Lydon at SuicideGirls
• John Lydon fronts UK butter campaign

Susan Boyle
Susan Boyle in November 2009
Background information
Birth name	Susan Magdalane Boyle[1][2][3]
Born	(1961-04-01) 1 April 1961 (age 51)[1]
Origin	Blackburn, West Lothian, Scotland, United Kingdom
Genres	Pop[4]
Occupations	Singer
Instruments	Vocals
Years active	2009–present
Labels	Sony Music, Syco, Columbia
Associated acts	Elaine Paige, Geraldine McQueen, Emeli Sandé
Website	susanboylemusic.com

Susan Magdalane Boyle (born 1 April 1961^[1][5]) is a Scottish singer who came to international public attention when she appeared as a contestant on the TV programme Britain's Got Talent on 11 April 2009, singing "I Dreamed a Dream" from Les Misérables. Her first album was released in November 2009 and debuted as the number one best-selling album on charts around the globe.

Global interest in Boyle was triggered by the contrast between her powerful mezzo-soprano voice and her plain appearance on stage.^[6] The juxtaposition of the audience's first impression of her, with the standing ovation she received during and after her performance, led to an international media and Internet response. Within nine days of the audition, videos of Boyle—from the show, various interviews and her 1999 rendition of "Cry Me a River"—had been watched over 100 million times.^[7] Her audition video has been viewed on the internet several hundred million times.^[8] Despite the sustained media interest she later finished in second place in the final of the show behind dance troupe Diversity.

Boyle's debut album, I Dreamed a Dream (2009) remains as the UK best-selling debut album of all time, beating previous record holder, Spirit by Leona Lewis.^[9] I Dreamed a Dream is ranked fourth in its first week sales according to the Official Chart Company in the United Kingdom.^[9] In her first year of fame, Boyle made a fortune of £5 million with the release of I Dreamed a Dream and its lead off singles, "I Dreamed a Dream" and "Wild Horses".^[10] The success was continued with her second album, The Gift (2010), and was followed by Boyle's third album, Someone to Watch Over Me, released on 31 October 2011.^[11] On 12 May 2012, Susan returned to Britain's Got Talent to perform as a guest in the final singing "You'll See".^[12] The following day, she performed at Windsor Castle for the Queen's Diamond Jubilee Pageant singing "Mull of Kintyre".^[13] Boyle's net worth was estimated at £22 million in April 2012.^[14]

Life and career[link]

Early life and childhood[link]

Boyle was raised in Blackburn, West Lothian, Scotland,^[15] by her parents Patrick Boyle, a miner, World War II veteran and singer at the Bishop's Blaize, and Bridget, a shorthand typist,^[16] whose family comes from County Donegal, Ireland.^[17] She was the youngest of four brothers and five sisters.^[15] Boyle was briefly deprived of oxygen during a difficult birth resulting in a learning disability.^[18] Boyle says she was bullied as a child^[15][19] and was nicknamed "Susie Simple" at school.^[20]

After leaving school with few qualifications,^[15] she was employed for the only time in her life as a trainee cook in the kitchen of West Lothian College for six months,^[20] took part in government training programmes,^[16] and performed at a number of local venues.^[18]

Early musical training and career[link]

Boyle took singing lessons from voice coach Fred O'Neil.^[15] She attended Edinburgh Acting School and took part in the Edinburgh Fringe.^[18] Prior to Britain's Got Talent, her main experience had come from singing in her local Catholic church, Our Lady of Lourdes; in local choirs; and in karaoke performances at pubs in and around her village. She had also auditioned several times for My Kind of People.^[21] She has also long participated in her parish church's pilgrimages to the Knock Shrine, County Mayo, Ireland, and has sung there at the Marian basilica.^[22]

Her repertoire through the years has included songs such as "The Way We Were" and "I Don't Know How to Love Him." British tabloids claimed "exclusives" of video clips of some early performances.^[23][24] In 1995, her audition for Michael Barrymore's My Kind of People^[18] at the Olympia Shopping Centre in East Kilbride was filmed – the amateur video shows Barrymore was more interested in mocking her than in her ability to sing.^[25]

In 1999, she submitted a track for a charity CD to commemorate the Millennium^[15][26] produced at a West Lothian school. Only 1,000 copies of the CD, Music for a Millennium Celebration, Sounds of West Lothian, were pressed.^[27] An early review in the West Lothian Herald & Post said Boyle's rendition of "Cry Me a River" was "heartbreaking" and "had been on repeat in my CD player ever since I got this CD..."^[28][29] The recording found its way onto the internet following her first televised appearance and the New York Post said it showed that Boyle was "not a one trick pony."^[30] Hello! said the recording "cement[ed] her status" as a singing star.^[31]

In 1998, Boyle recorded three tracks "Cry Me A River", "Killing Me Softly" & "Don't Cry For Me Argentina"at Heartbeat Studio, Midlothian.^[32] She used all her savings to pay for a professionally cut demo, copies of which she later sent to record companies, radio talent competitions, local and national TV. The demo consisted of her versions of "Cry Me a River" and "Killing Me Softly with His Song"; the songs were uploaded to the Internet after her BGT audition.^[33]

After Boyle won several local singing competitions, her mother urged her to enter Britain's Got Talent and take the risk of singing in front of an audience larger than her parish church. Former coach O'Neil said Boyle abandoned an audition for The X Factor because she believed people were being chosen for their looks. She almost abandoned her plan to enter Britain's Got Talent believing she was too old, but O'Neil persuaded her to audition nevertheless.^[34] Boyle said that she was motivated to seek a musical career to pay tribute to her mother.^[15] Her performance on the show was the first time she had sung in public since her mother died.^[35][36]

[edit] Britain's Got Talent (2008–2009)

In August 2008, Boyle applied for an audition for the third series of Britain's Got Talent (as contestant number 43212) and was accepted after a preliminary audition in Glasgow. When Boyle first appeared on Britain's Got Talent at the city's Clyde Auditorium, she said that she aspired to become a professional singer "as successful as Elaine Paige".^[37] Boyle sang "I Dreamed a Dream" from Les Misérables in the first round of the third series of Britain's Got Talent, which was watched by over 10 million viewers when it aired on 11 April 2009.^[38] Programme judge Amanda Holden remarked upon the audience's initially cynical attitude, and the subsequent "biggest wake-up call ever" upon hearing her performance.^[39]

This performance was widely reported and tens of millions of people viewed the video on YouTube.^[38] Boyle was "absolutely gobsmacked" by the strength of this reaction.^[40] Since the appearance, Paige has expressed interest in singing a duet with Boyle,^[37] and has called her "a role model for everyone who has a dream".^[41] Boyle's rendition of "I Dreamed a Dream" has been credited with causing a surge in ticket sales in the Vancouver production of Les Misérables.^[42][43] Cameron Mackintosh, the producer of the Les Misérables musical, also praised the performance, as "heart-touching, thrilling and uplifting".^[38]

She was one of 40 acts that were put through to the semi-finals.^[44] She appeared last on the first semi-final on 24 May 2009, performing "Memory" from the musical Cats.^[45] In the public vote she was the act to receive the highest number of votes and go through to the final.^[46][47] She was the clear favourite to win the final,^[48] but ended up in second place to Diversity; the UK TV audience was a record of 17.3 million viewers.^[49]

The Press Complaints Commission (PCC) became concerned by press reports about Boyle's erratic behaviour and speculation about her mental condition and wrote to remind editors about clause 3 (privacy) of their code of press conduct.^[48] The day after the final, Boyle was admitted to The Priory, a private psychiatric clinic in London,^[49] TalkbackThames explained "Following Saturday night's show, Susan is exhausted and emotionally drained." Her stay in hospital attracted widespread attention, with Prime Minister Gordon Brown wishing her well.^[51] Cowell offered to waive Boyle's contractual obligation to take part in the BGT tour. Her family said "she's been battered non-stop for the last seven weeks and it has taken its toll [...but...] her dream is very much alive," as she had been invited to the Independence Day celebrations at the White House.^[49]

Boyle left the clinic five days after her admission^[52] and said she would participate in the BGT tour. Despite health worries, she appeared in 20 of the 24 dates of the tour,^[53] and was well received in cities such as Aberdeen,^[54] Edinburgh,^[55] Dublin,^[56] Sheffield,^[57] Coventry,^[58] Birmingham^[59] and London.^[60] The Belfast Telegraph said "Despite reports of crumbling under the pressure..., she exuded a confidence resembling that of a veteran who has been performing for years".^[61]

[edit] I Dreamed a Dream and tour (2009–2010)

Boyle's first album, I Dreamed a Dream, was released on 23 November 2009.^[62] The album includes covers of "Wild Horses" and "You'll See" as well as "I Dreamed a Dream", and "Cry Me a River".^[63] I Dreamed a Dream became Amazon.com's best-selling album in pre-sales on 4 September 2009, three months before the scheduled release.^[64] In Britain, Boyle's debut album was recognised as the fastest selling UK debut album of all time selling 411,820 copies, beating the previous fastest selling debut of all time, Spirit by Leona Lewis.^[65] I Dreamed a Dream also outsold the rest of the top 5 albums combined in its first week.^[66]

In the U.S., the album sold 701,000 copies in its first week, the best opening week for a debut artist in over a decade.^[67] It topped the Billboard chart for six straight weeks and although it narrowly failed to become the best-selling album of 2009, with sales of 3,104,000 compared to 3,217,000 for Taylor Swift's Fearless, it was one of only two albums to sell over 3 million copies in the U.S., and was also the top selling "physical" album of 2009, with only 86,000 of its sales coming from digital downloads.^[68] This has in turn garnered more media attention, as mentioned by People magazine.^[69]

In Italy, it was the first album of the month in the Italian No. 1 Account by a non-Italian artist ever. In only a week, it sold more than 2 million copies worldwide, becoming the fastest selling global female debut album.^[66]

Boyle gave a U.S. concert tour in November as a lead-up to the album release.^[70] On 13 December 2009 she appeared in her own television special "I Dreamed a Dream: the Susan Boyle Story", featuring a duet with Elaine Paige.^[71] It got ratings of 10 million viewers in the United Kingdom^[72] and in America was the TV Guide Network's highest rated television special in its history.^[73]

In November 2009 it was reported^[74] that Boyle's rendition of "I Dreamed a Dream" would be the theme song of the anime movie Eagle Talon The Movie 3 which was later released in Japan on 16 January 2010.^[75] Boyle performed for Pope Benedict XVI on his tour of Britain in 2010.^[76] In May 2010, Susan Boyle was voted by Time magazine as the seventh most influential person in the world.^[77][78]

[edit] The Gift (2010–2011)

On 9 July 2010, Boyle announced that her second album would be a Christmas album entitled The Gift.^[79] As part of the lead-up to the album, she held a competition called Susan's Search, the winner of which sang a duet with her on her new CD.^[80] The album was released on 8 November 2010.^[81]

The album was produced by Steve Mac, who said that "Now Susan's used to the studio and the recording process, this time round we might go even further down a traditional route of recording by getting a band together and rehearsing songs before we go into the studio to see what works, how she reacts with certain parts, and so we can change the arrangements that way. I think that’s going to work much better....With Susan it’s very important she connects with the public and the public connect with her. She doesn’t want to sing anything that hasn’t happened to her or she can’t relate to."^[82] Boyle has suggested the album will include some jazz numbers now she's "a bit more content" within herself. "My next album has to have an element of surprise in it again. I'm hoping to make it better and a bit extra special."^[83]

In November 2010, Boyle became one of only three acts ever to top both the UK and US album charts twice in the same year.^[84] On 30 November 2010, in the United States, Boyle performed on ABC's The View singing "O Holy Night" and then on NBC's Christmas at Rockefeller Center program performing "Perfect Day" and "Away in a Manger". During her appearance on The View she was unable to finish her song, stating that she had a "frog in her throat"; she wanted to start the song over but was not allowed to. The audience applauded her anyway and she later performed an unaired version of the song which was uploaded to The View's YouTube account.

[edit] Someone to Watch Over Me (2011–present)

Emeli Sande was reported to have helped Boyle to write songs for her third studio album, which was released on 31 October 2011.^[85] Boyle performed on the second semi-final results show of the sixth season of America's Got Talent, which aired on 31 August 2011.^[86]

Boyle made her first appearance in Australia, on X Factor Australia, on 8 November 2011 and sang "Autumm Leaves".

Media impact[link]

Websites such as YouTube, Facebook and Twitter have been crucial in facilitating Boyle's rapid rise to fame:^[87] The most popular YouTube video submission of her audition garnered nearly 2.5 million views in the first 72 hours.^[88] On the day following the performance, the YouTube video was the most popular article on Digg^[89] and made the front page of Reddit.^[90] Within a week, the audition performance had been viewed more than 66 million times, setting an online record, while on Wikipedia her biographical article attracted nearly half a million page views. A total of 103 million video views on 20 different Web sites was reached within nine days.^[7] The Los Angeles Times wrote that her popularity on YouTube may in part be due to the broad range of emotion packed into a short clip which was "perfect for the Internet".^[91] In December 2009 her audition was named the most watched YouTube video of the year with over 120 million viewings, more than three times higher than the second most popular video.^[92]

Additionally, Boyle’s first on camera interview with Scots journalist Richard Mooney for her local newspaper the West Lothian Courier, was named as YouTube’s Most Memorable Video of 2009.^[93] The video went viral after being uploaded to YouTube on 14 April 2009.^[94]

Many newspapers around the world^[95][96] (including China,^[97] Brazil^[98] and the Middle East^[99][100]) carried articles on Boyle's performance. British tabloid The Sun gave her the nickname "Paula Potts" in reference to the first series' winner Paul Potts.^[101] Later, the British press took to referring to her by a short-form of her name, 'SuBo'.^[102] In the U.S., several commentators also drew parallels between Boyle's performance and that of Potts.^[103] ABC News hailed "Britain's newest pop sensation", and its Entertainment section headlined Boyle as "The Woman Who Shut Up Simon Cowell".^[104]

Within the week following her performance on Britain's Got Talent, Boyle was a guest on STV's The Five Thirty Show.^[105] She was interviewed via satellite on CBS's Early Show,^[26] Good Morning America,^[106] NBC's Today, FOX's America's Newsroom.^[106][107] and The Oprah Winfrey Show. Via satellite on Larry King Live,^[108] Boyle performed an a cappella verse of "My Heart Will Go On".^[109] She was also portrayed in drag by Jay Leno, who joked that they were related through his mother's Scottish heritage.^[110]

At the invitation of NHK, a major Japanese broadcaster, Boyle appeared as a guest singer for the 2009 edition of Kōhaku Uta Gassen, annual songfest on 31 December in Tokyo.^[111][112] She was introduced as the ouen kashu (応援歌手, lit. "cheering singer"^?) by the MCs and appeared on the stage escorted by Takuya Kimura, and sang "I Dreamed a Dream".^[113]

Although Boyle was not eligible for the 2010 Grammy Awards,^[114] its host Stephen Colbert paid tribute to Boyle at the ceremony, telling its audience "you may be the coolest people in the world, but this year your industry was saved by a 48-year-old Scottish cat lady in sensible shoes."^[115] There was also earlier controversy, when Boyle was not nominated in any of the categories for the 2010 Brit Awards.^[116]

Stage musical[link]

A stage musical of Boyle's life was originally planned with Boyle appearing as herself. She said she hated "having to sit watching people up there" who are actors.^[117] However it was later decided that actress Elaine C Smith would portray her ^[118] and Boyle would join the cast of I Dreamed a Dream for a cameo appearance.

I Dreamed a Dream opened on 27 March 2012 with fans from all over the world occupying the Theatre Royal, Newcastle for the opening week.^[119] The musical received rave reviews.^[120] David Cavendish wrote in his 5 star review “The overall shape of the show is hard to fault, and in matching the gutsy good humour of its heroine without stooping to hagiography, this is a delight that deserves to go far, and fast, as she has done.”^[121] John Dixon from his 5 star review on WhatsOnStage.com wrote "This production is a standalone show that should still play to audiences long after Elaine C Smith and Susan Boyle have left. In fact it deserves to become recognised as the Scottish equivalent to Blood Brothers, so strong are the production values. There is no doubting I Dreamed A Dream is one of the musical events of the year."^[122]

The musical will later tour the UK and Ireland.^[123]

Social analyses[link]

Judging by appearance[link]

The Huffington Post noted that the producers of the show would have anticipated the potential of this story arc, by deliberately presenting Boyle in a manner that would enhance this initial reaction.^[124] The Herald described Boyle's story as a modern parable and a rebuke to people's tendency to judge others based on their physical appearance.^[125] Similarly, Entertainment Weekly said that Boyle's performance was a victory for talent and artistry in a culture obsessed with physical attractiveness and presentation.^[126]

The Washington Post believed that her initial demeanour and homely appearance caused the judges and audience to be "waiting for her to squawk like a duck".^[128] New York's Daily News said that an underdog being ridiculed or humiliated but then enjoying an unexpected triumph is a common trope in literature, and the stark contrast between the audience's low expectations and the quality of her singing made Boyle's performance such an engaging piece of television.^[129]

Feminist view[link]

R.M. Campbell, music critic for The Gathering Note compared her to Ella Fitzgerald, in that "[... it is] really, really hard to make a career if a woman isn't attractive."^[130] In another Huffington Post article, Letty Cottin Pogrebin wrote that although people may "weep for the years of wasted talent", Boyle's performance was a triumph for "women of a certain age" over a youth culture that often dismisses middle-aged women.^[131] Tanya Gold wrote in The Guardian that the difference between Boyle's hostile reception and the more neutral response to Paul Potts in his first audition reflected society's expectation that women be both good-looking and talented, with no such expectation existing for men.^[132] Los Angeles vocal coach Eric Vetro stated, "She's an Everywoman as opposed to an untouchable fantasy goddess, so maybe that's why people react to her."^[133]

American Dream[link]

Several media sources have commented that Boyle's success seemed to have particular resonance in the United States. An American entertainment correspondent was quoted in The Scotsman comparing Boyle's story to the American Dream, as representing talent overcoming adversity and poverty.^[134] The Associated Press described this as Boyle's "hardscrabble story", dwelling on her modest lifestyle and what they characterised as urban deprivation in her home town.^[36] Similarly, The Independent's New York correspondent David Usborne wrote that the United States will always respond to "the fairy tale where the apparently unprepossessing suddenly becomes pretty, from Shrek to My Fair Lady".^[135]

Personal life[link]

Boyle still lives in the family home, a four-bedroom council house in Blackburn which she purchased from her earnings in 2010.^[15][136] Her father died in the 1990s, and her siblings had left home. Boyle never married, and she dedicated herself to care for her ageing mother until she died in 2007 at the age of 91. A neighbour reported that when Bridget Boyle died, her daughter "wouldn't come out for three or four days or answer the door or phone."^[137] Boyle is a practising Roman Catholic and sang in her church choir at her church in Blackburn.^[138] Boyle remains active as a volunteer at her church, visiting elderly members of the congregation in their homes.^[19] On a 2010 episode of the Oprah Winfrey Show, Boyle summarised that her daily life was "mundane" and "routine" prior to stardom.

In August 2010, British tabloid, News of the World, reported that Boyle was experiencing financial woes as she was unable to access her fortune, which was being controlled by her management team – consisting of Andy Stephens, Ossie Killkenny and Boyle's lawyer and niece, Kirsty Foy. Boyle's brother Gerry said that his sister was fearful of losing her contract and of returning to her previous financial situation and also that she has been unable to move into her £300,000 five-bedroom house in Blackburn because she does not have the cash to furnish it. He said "[Her] millions are ring-fenced but Susan has no concept of money" and that she was "extremely distressed" at having to live off £300 a week after being banned from withdrawing money from the bank or owning a credit card.^[139] This story was contradicted the following day, however, by the news that she had bought two houses.^[136] It was also reported that Boyle had been on a spending spree in which she had bought a grand piano, an iPhone and five dresses made by Stewart Parvin, the Queen's dressmaker.^[140] The press had previously stated that Boyle was suing her brother Gerry for other stories he had sold to the newspapers.^[141]

Cultural references[link]

The American cartoon show South Park made a reference to the Susan Boyle craze in the episode "Fatbeard", which aired on 22 April 2009;^[142][143] the Late Night with Jimmy Fallon show aired a comedy sketch showing the "feel good" effect that Susan Boyle's performance has had on people;^[144] The Simpsons aired a new commercial for its 20th-anniversary show "Springfield's Got Talent", in which Homer Simpson talks about his dreams "to be a great singer like Boyle".^[145][146] A European trailer for the video game The Sims 3 includes a character mocked up as Boyle.^[147] In June 2009, BBC Radio 4 broadcast a short story called "I Dreamed a Dream" that was based on a combination of Boyle's appearances on Britain's Got Talent and the political difficulties of Gordon Brown.^[148] The 5 November 2009 episode of the show 30 Rock showed recurring character Kathy Geiss (Marceline Hugot) – who has a dowdy appearance – singing in the style of Susan Boyle as Liz Lemon and Jack Donaghy teared up.^[149] In a Season 35 sketch on Saturday Night Live, an accountant (Andy Samberg) doing Boyle's taxes, notes that her income for 2008 was $1, $900,000,000 for 2009, and projected to be $1 for 2010. Bobby Moynihan played Boyle in the sketch.

In the Futurama episode "Attack of the Killer App", Leela has a boil named Susan ("Susan Boil") that can sing show tunes.^[150]

Discography[link]

Studio albums[link]

• I Dreamed a Dream (2009)
• The Gift (2010)
• Someone to Watch Over Me (2011)

Awards and nominations[link]

References[link]