Cliff Nobles (August 4, 1941 – October 12, 2008)^[1] was an American pop singer, who is best known for his instrumental hit, "The Horse."

Biography[link]

Clifford James Nobles^[2] was born in Grove Hill, Alabama, Nobles grew up in Mobile, Alabama,^[3] and began singing in high school as a member of a local group, The Delroys. He moved to Philadelphia and recorded three singles for Atlantic Records, none of which charted. While living in a commune in Norristown, Pennsylvania, he formed a group, Cliff Nobles & Co., with bassist Benny Williams, guitarist Bobby Tucker, and drummer Tommy Soul. They recorded demos and, with the help of songwriter/record producer Jesse James, landed a recording contract with Phil-L.A. of Soul Records. Their second release for the record label was the single "Love Is All Right" b/w "The Horse", which featured the horn section from what would later be known as MFSB. "The Horse" was simply an instrumental version of the A-side, and Nobles, who was the lead singer, does not actually play on the track at all. Nevertheless, it caught fire at radio stations and became a hit, peaking at #2 for three weeks on the U.S. Billboard Hot 100 chart in 1968, as well as #2 on the Black Singles chart.^[4] It was held out of the #1 spot by Hugh Masekela's "Grazin' in the Grass", on the week of 29 July 1968 - resulting in the extremely rare occurrence of instrumentals occupying both the #1 and #2 slots of the pop charts in the same week.^[5] "The Horse" sold a million copies within three months of release, with the gold disc award from the R.I.A.A. made in August 1968.^[3]

Nobles' record label continued releasing instrumental singles on which Nobles himself did not play a note, though a later single on which Nobles actually sang narrowly missed the R&B Top 40. An album credited to Cliff Nobles & Co., entitled The Horse, was released consisting mostly of instrumentals, and hit #159 on the Billboard Hot 200 album chart.^[6] After his music career was over, Nobles worked in construction and later in the electricity generation industry.^[2]

The material Nobles recorded for Atlantic has yet to see re-release.

Nobles died in Norristown, Pennsylvania in October 2008, at the age of 67.^[1]

See also[link]

• List of 1960s one-hit wonders in the United States

References[link]

Motorcycle cop redirects here.

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German state police officer in Hamburg

A Royal Canadian Mounted Police officer in the force's distinctive dress uniform.

Mounted Tourist-Police officers in Petra, Jordan.

A group of Garda officers in the Republic of Ireland.

A motor officer patrolling in Arizona on a motorcycle.

A police officer (also known as a policeman or policewoman, and constable in some forces, particularly in the United Kingdom^[1][2] and other Commonwealth nations) is a warranted employee of a police force. In the United States, "officer" is the formal name of the lowest police rank; in many other countries "officer" is a generic term not specifying a particular rank, and the lowest rank is often "constable". Police officers are generally charged with the apprehension of criminals and the prevention and detection of crime, and the maintenance of public order. Police officers may be sworn to an oath, and have the power to arrest people and detain them for a limited time, along with other duties and powers.

Some police officers may also be trained in special duties, such as counter-terrorism, surveillance, child protection, VIP protection, and investigation techniques into major crime, including fraud, rape, murder and drug trafficking.

Duties and functions[link]

Responsibilities of a police officer are varied, and may differ greatly from within one political context to another. Typical duties relate to keeping the peace, law enforcement, protection of people and property, and the investigation of crimes. Officers are expected to respond to a variety of situations that may arise while they are on duty. Rules and guidelines dictate how an officer should behave within the community, and in many contexts restrictions are placed on what the uniformed officer wears. In some countries, rules and procedures dictate that a police officer is obliged to intervene in a criminal incident, even if they are off-duty. Police officers in nearly all countries retain their lawful powers, while off duty.^[3]

In the community[link]

In the majority of Western legal systems, the major role of the police is to maintain order, keeping the peace through surveillance of the public, and the subsequent reporting and apprehension of suspected violators of the law. They also function to discourage crimes through high-visibility policing, and most police forces have an investigative capability. Police have the legal authority to arrest, usually granted by magistrates. Police officers also respond to emergency calls, along with routine community policing.

Police are often used as an emergency service and may provide a public safety function at large gatherings, as well as in emergencies, disasters, search and rescue situations, and Road Traffic Collisions. To provide a prompt response in emergencies, the police often coordinate their operations with fire and emergency medical services. In some countries, individuals serve jointly as police officers as well as firefighters (creating the role of Fire Police) or paramedics. In many countries, there is a common emergency service number that allows the police, firefighters, or medical services to be summoned to an emergency. Some countries, such as the United Kingdom have outlined command procedures, for the use in major emergencies or disorder. The Gold Silver Bronze command structure is a system set up to improve communications between ground based officers and the control room, typically, Bronze Commander would be a senior officer on the ground, coordinating the efforts in the center of the emergency, Silver Commanders would be positioned in an 'Incident Control Room' erected to improve better communications at the scene, and a Gold Commander who would be in the Control Room.

Police are also responsible for reprimanding minor offenders by issuing citations which typically may result in the imposition of fines, particularly for violations of traffic law. Traffic enforcement is often and effectively accomplished by police officers on motorcycles—called motor officers, these officers refer to the motorcycles they ride on duty as simply motors. Police are also trained to assist persons in distress, such as motorists whose car has broken down and people experiencing a medical emergency. Police are typically trained in basic first aid such as CPR.

In addition, some park rangers are commissioned as law enforcement officers and carry out a law-enforcement role within national parks and other back-country wilderness and recreational areas, whereas Military police perform law enforcement functions within the military.

Entry and promotion qualifications[link]

In most countries, candidates for the police force must have completed some formal education.^{[citation needed]} Increasing numbers of people are joining the police force who possess tertiary education^{[citation needed]} and in response to this many police forces have developed a "fast-track" scheme whereby those with university degrees spend two to three years as a Constable before receiving promotion to higher ranks, such as Sergeants or Inspectors. (Officers who work within investigative divisions or plainclothes are not necessarily of a higher rank but merely have different duties.)^{[citation needed]} Police officers are also recruited from those with experience in the military or security services. In the United States state laws may codify state-wide qualification standards regarding age, education, criminal record, and training but in other places requirements are set by local police agencies. Each local Police agency has different requirements.

Officers of the Polizia Municipale from Piacenza, Italy

Promotion is not automatic and usually requires the candidate to pass some kind of examination, interview board or other selection procedure. Although promotion normally includes an increase in salary, it also brings with it an increase in responsibility and for most, an increase in administrative paperwork. There is no stigma attached to this, as experienced line patrol officers are highly regarded.

Dependent upon each agency, but generally after completing two years of service, officers may also apply for specialist positions, such as detective, police dog handler, mounted police officer, motorcycle officer, water police officer, or firearms officer (in countries where police are not routinely armed).

In some countries such as in Singapore, police ranks may also be supplemented through conscription, similar to national service in the military. Qualifications may thus be relaxed or enhanced depending on the target mix of conscripts. In Singapore, for example, conscripts face tougher physical requirements in areas such as eyesight, but are less stringent with minimum academic qualification requirements. Some police officers join as volunteers, who again may do so via differing qualification requirements.

Police pay[link]

This section requires expansion.

In some societies, police officers are paid relatively well compared to other occupations; their pay depends on what rank they are within their police force and how many years they've served.^[4]

Occupational hazards[link]

Line of duty deaths[link]

Memorial to a fallen police officer at the Texas Department of Public Safety Houston Webster Office in Houston^[5]

Line of duty deaths are deaths which occur while an officer is conducting his or her appointed duties. Despite the increased risk of being a victim of a homicide, automobile accidents are the most common cause of officer deaths. Officers are more likely to be involved in traffic accidents because of their large amount of time spent conducting vehicle patrols, or directing traffic, as well as their work outside their vehicles alongside or on the roadway, or in dangerous pursuits. Officers killed by suspects make up a smaller proportion of deaths. In the U.S. in 2005, 156 line of duty deaths were recorded of which 44% were from assaults on officers, 35% vehicle related (only 3% during vehicular pursuits) and the rest from other causes: heart attacks during arrests/foot pursuits, diseases contracted either from suspects' body fluids or, more rarely, from emergency blood transfusions received after being in motor vehicle accidents, shot or stabbed, accidental gun discharges, falls, and drownings.^[6]

Police officers who die in the line of duty, especially those who die from the actions of suspects or in accidents or heart attacks, are often given elaborate funerals, attended by large numbers of fellow officers. Their families may also be entitled to special pensions. Fallen officers are often remembered in public memorials, such as the National Law Enforcement Officers Memorial in the U.S., the National Police Memorial in the U.K. and the Scottish Police Memorial, at the Scottish Police College.

In the United Kingdom, in the 10 years from April 2000 there were 143 line of duty deaths: 54 in road accidents travelling to or from duty, 46 in road accidents on duty, 23 from natural causes on duty, 15 from criminal acts, and 5 in other accidents.^[7] (In the United Kingdom, police do not normally carry firearms.)

The Singapore Police Force registered just over 100 deaths in a century up to the year 2000. There have been 28 New Zealand police officers killed by criminal act since 1890.^[8] Despite perceived dangers, policing has never been listed above number ten as one of the most dangerous jobs in the U.S. In terms of deaths per capita, driver-sales work such as food delivery is a more dangerous profession than being a police officer^[9].

Work stress[link]

Indicators[link]

The actual presence of stress in police work is well documented and evidenced by certain statistics. Researchers typically use suicide, divorce and alcoholism rates as three key indexes of stress in a group of people.^[10] These factors paint a compelling picture of police officers demonstrating signs of significant stress, for example:

• A study in the United States, by National Surveillance of Police Suicide Study (NSOPS), showed 141 suicides in 2008 and 143 in 2009. This yields a suicide rate of 17/100,000, a figure that holds up under scrutiny and is consistent with CDC/NOMS data.^[11] The overall suicide rate in the United States was 11.3 suicide deaths per 100,000 people.^[12] There is some speculation or controversy that this official rate may understate the actual rate as it is often other police officers that report facts that lead to a cause of death determination, and death benefits, institutional image, and other factors may be incentives to misreport incident facts. It is speculated that some suicides are reported by fellow officers as accidents or as deaths in the line of duty perpetrated by unknown assailants. Also, many jurisdictions simply don't keep suicide statistics. Even though the information is incomplete, the available statistics suggest that police officers are more likely to commit suicide than the general population. However there is still controversy in the interpretation of these statistics. When comparisons are made within age, gender, and racial cohorts, the differences are much less dramatic.^[13][14] Although suicides may be notably more prevalent among police, it is not clear whether police suicides are the result of work stress or the consequence of other variables, such as the influence of a subculture of violence^[15]
• Police officers are much more likely to experience interpersonal relationship problems. Relationship problems are most dramatically demonstrated by the divorce rate among police officers, which is usually reported as being the second highest of all occupations. However in a 2009 study, the divorce rates of law enforcement personnel were compared with the rates for other occupations, where data was analyzed from the 2000 U.S. Census. The results of the analysis indicate that the divorce rate for law enforcement personnel is lower than that of the general population, even after controlling for demographic and other job-related variables.^[16] The propensity to domestic violence is also thought to be higher for police officers than the general population, though the statistics are very fuzzy and controversial. Police officers also seem to have relationship problems at work, typically with superiors or with political oversight, though the evidence is largely anecdotal and controversial.
• Alcoholism is considered another aberrant statistic for police officers. Although the statistics are fuzzy, clinically treated alcohol addiction rates are usually calculated to be about twice as high for police officers than for the general population in the United States. In contrast, statistics documenting alcohol abuse are less precise. Rates for arrest for driving under the influence of alcohol, or DUI or DWI, are somewhat higher for police officers than for other drivers, but the statistics are not widely trusted outside of the insurance industry since it is other police officers that make DUI arrests. Some departments and even some individual officers tend to hold police officers to a higher behavioral and ethical standard while others will recognize a 'blue line' behind which those within the 'brotherhood' are not held to the same standards as the rest of society. Despite the controversies in the interpretation of the statistics, it is generally considered evident that police officers are more susceptible to alcohol abuse than other occupations. The same conclusions are usually made regarding the police abuse of other substances, though the statistics are even less accurate, and even though the higher rates of substance abuse may be due in part to the more ready access to drugs and the more permissive atmosphere 'behind the blue line' rather than to occupational stresses.

Hans Selye, the foremost researcher in stress in the world, said that police work is "the most stressful occupation in America even surpassing the formidable stresses of air traffic control."^[10]

Other researchers, though, claim that police officers are more psychologically healthy than the general population. Police officers are increasingly more educated, more likely to engage in a regular program of exercise and to consume less alcohol and tobacco, and increasingly family-oriented. Healthy behavior patterns typically observed at entry training usually continue throughout the career of an officer. Even though the presence of occupation related stress seems to be well documented, it is highly controversial. Many within the law enforcement industry claim the propagation of incorrect suicide, divorce, and substance abuse statistics comes from people or organizations with political or social agendas, and that the presence of these beliefs within the industry makes it hard for health workers to help police officers in need of treatment to deal with the fear of negative consequences from police work which is necessary to enable police officers to develop a healthy expectancy of success in treatment.^[17]

Sources[link]

Even though the presence of occupational stresses appear to be well documented, though not without controversy, the causes of workplace stress are comparatively unclear or even a matter of conjecture.

Although individual policemen and institutional public relations typically cite the risks of being killed in the line of duty as the predominant source of stress for individual policemen, there is significant controversy regarding the causes of personal workplace stress due to the fact that the actual risk of being killed is so small relative to other occupations.

It is charged that the myth of the high risks of occupational mortality connected with police work is often propagated by the law enforcement community as part of its institutional advancement and a central element in its public relations. Actual homicides of police are comparatively rare, but the reports of such incidents are typically reported in the press along with quotes by police officials or police officer family members stressing the notion that police officers 'put their lives on the line for the public' or 'risk their lives everyday', making it look like individual policemen routinely place themselves in mortal danger for low pay and little recognition, and that the view of police work as 'combat' is the source of police occupational stress indications.

Another explanation often advanced is the idea that police officers will undergo some traumatic experience in their police work that they never recover from, leading to suicide, divorce, etc. However, since the effects of such traumatic stresses is readily recognized, there are usually proactive programs in place to help individual police officers deal with the psychological effects of a traumatic event. Unfortunately, there is some evidence that such programs are actually ineffective, especially group therapies, may re-traumatize the participant, weaken coping mechanisms, and contribute to the development of post traumatic stress disorder (PTSD).^[18][19][20]

Observations where police officers and other emergency workers, such as firemen, experience the same traumatic event, it is more likely that the police officer will have difficulty dealing with the long term emotional effects of the traumatic event. On this observation, some of the academic literature suggests that along these lines the causes of occupational stress is more complex for police officers. Stress in police work is often present in other occupations, but not in an ongoing capacity. One line of thinking is that the individual stresses of police work produce a condition of chronic stress. Police officers encounter stressors in call after call which sap their emotional strength. Debilitation from this daily stress accumulates making officers more vulnerable to traumatic incidents and normal pressures of life. The weakening process is often too slow to see; neither a person nor his friends are aware of the damage being done. The effects of chronic stresses is two-fold:

• First, prolonged stress causes people to regress. Their psychological growth reverses, and they become more immature. They rapidly become more childish and primitive, much like a person being sick for several days becoming more irritable and childish in its demands on other people.
• Second, chronic stress numbs people's sensitivity. They can't stand to continually see human misery. They must stop feeling or they won't survive. The mind has this defense mechanism so people can continue working in horrible situations. If they kept their normal sensitivity, they would fall apart. As they become insensitive to their own suffering, they become insensitive to the suffering of others. When treated with indignity, they lose not only a sense of their own dignity but also the dignity of others. The pain of others stops bothering them, and they are no longer bothered when they hurt others.

The daily work of a police officer involves certain paradoxes and conflicts which may be difficult to deal with, the predominant examples are^[10]

• Any interaction with a member of the public, whether socially or officially, such as in a traffic stop, involves a non-trivial risk of verbal abuse or physical harm. Treating a person with common respect or normal social graces requires the officer to be off guard and unprepared for an attack. Being on guard for an attack and treating every interpersonal situation with safety procedures and affirmative commands makes the police officer appear cynical, brutal, and detached, and limits his actual effectiveness with the public. Considering someone a friend or an enemy produces opposite mental states, an unnatural no-win situation engendering chronic stress.
• A police department is both a professional and military organization, and these two aspects oppose each other. As a professional, he is considered to be an expert in his field and is expected to use his expertise for the good of his public. He has much discretion in how he serves the people who call upon him. However, the dangers and complexities of the work require a military structure of the organization and a military leaning in the training. Although some are actually educated, all police officers are well trained. Policies, regulations, and procedures cover every facet of police work. Everything is expected to be done by the book with substantial repercussions, including civil and criminal liability, for varying from the expectations of operating procedures. Often the facts of a situation require a course of action that does not follow procedures. If he follows procedures exactly, he knows he won't fully help the public, and the public will think he is shirking his responsibility. If the officer follows his own judgment, he is taking a risk. The community and department expect officers to use judgment, but when they do, there is a danger they will be disciplined; another unnatural no-win situation engendering chronic stress.
• Police officers tend to become socially isolated. The reasons given for this isolation are varied and mostly anecdotal. One theory is that police work is not balanced. Most occupations involve a combination of good and bad results. In police work, almost everything is bad, and everybody you deal with is perceived either inherently bad or at least foolish. Another is that police officers develop a 'street wisdom' and by fiat possess a degree of authority that tends to make them perceive themselves as being morally superior to the rest of society. Whatever the reason, the public that the police deal with clearly perceive it and tend to reinforce the divide. Classically when a group of people are isolated, they become disoriented and confused. Their behavior changes drastically. Ironically an isolated class are usually the ones who are losing real world wisdom and tend to judge the world incorrectly from a very limited perspective, leading to interpersonal mistakes and more chronic stress.^{[citation needed]}

A more colloquial view looks at specific sources of stress in police work.^[21] The sources of stress most often actually cited are:

• The fear of killing someone in the line of duty.
• Having your partner or somebody else that you feel at least partly responsible for killed in the line of duty.
• Lack of support by the department or superiors.
• The scheduling of work and irregular work demands resulting in a disruption of family time or family events or rituals.
• The daily grind of dealing with the stupidity of the public, or the "asshole factor".

Other more academic studies have produced similar lists, but may include items that the more colloquial surveys do not reveal, such as 'exposure to neglected, battered, or dead children'^[22]

Again, the actual fear of occupational death or physical harm is not high on the list of stress sources.

There have been numerous academic studies on the specific sources of police stress, and most conclude organizational culture and workload as the key issues in officer stress.^[23] Traumatic events are usually concluded to not be of sufficient scope or prevalence to account for prevalence of suicide, divorce, and substance abuse abnormalities.

Personality theories[link]

Some of the more esoteric, least documented or cited, and more longstanding theories for police stress symptoms involves the interaction of the specifics of police work with the personalities of individual police officers. There has been a raging debate on the fringes of psychiatry as to whether there is something about police work that causes psychiatric symptomology and personality disorders or whether there are certain personalities susceptible to disorders that are attracted to police work. Theory holds that there are four general possibilities:

• There is something about police work, the social structure, the work atmosphere, etc., which causes stresses or presents traumas that cause personality or psychiatric disorders resulting in symptoms such as suicide, divorce, violence, substance abuse, etc. (the foundations of this possibility are outlined above)
• There is one or more personality types or people with certain tendencies or proclivities who are susceptible of developing personality or psychiatric disorders, regardless of their occupation, who because of their personality or preferences are attracted to police work, and then display symptoms of stress or disorders.
• There is a combination of the two.
• Or there is a combination and synergistic interaction of the two.

Some studies have tried to use personality traits to determine police applicant desirability,^[24]. These have generally looked at psychology's Big Five personality traits of openness, conscientiousness, extraversion, agreeableness and neuroticism. These studies have suggested that age, cynicism and institutional culture affect performance.

There are other personality traits that are specifically not desired for police work that are equally well documented. However, there has been relatively little academic work cited regarding the personality traits attracted to police work. The nature of personality traits of people attracted to police work tends to be a matter of conjecture and anecdotal observations. The personalities of people who are actually in police work tends to be different from that which is purported to be desired by police departments. Police officers tend to be isolated and suspicious, view expression of emotions as a weakness, and find it hard to trust and confide in others.^[25] For example, police officers are often viewed by the public to be domineering, narcissistic, authoritarian, physically oppressive, and basically the opposite of the personality traits most often cited as being desirable in a police officer. There are studies that suggest that people who take risks are attracted to police work.^[26] There is a corresponding theory that police officers actually tend to be people seeking security and stability and are attracted to the job for the steady government paycheck and government pension and adverse to the risks of business, sales, or other occupations. There is ample evidence that there is something in police work that alters personality.

The theory that there is an interaction between the personality attracted to the work and the work itself is mostly conjecture. For example, people attracted to police work are thought to crave the respect and authority that they expect with a badge, gun, uniform, and commission, but most of the people that police officers come in contact with do not respect them, and their authority is strongly regulated and limited by law, policies, and procedures, setting up a conflict resulting in chronic stress.

Abuse of power[link]

Police officers have considerable powers and are often supported by authorities who oversee them if accused of wrongdoing.^[27]

Systematic cases[link]

In dictatorial, corrupt, or weak states, police officers may carry out many criminal acts for the ruling regime with impunity. Examples are the Gestapo secret police in Nazi Germany, and the role of the police in the military dictatorship in Argentina in the 1970s.^[28] Institutional racism has been found in modern police forces.^[29]

Individual cases[link]

Individual officers, or sometimes whole units, can be corrupt or carry out various other forms of misconduct; this occasionally happens in many forces, but is particularly problematic where police pay is very low unless supplemented by bribes.^[30] Police sometimes act with unwarranted brutality when they overreact to confrontational situations,^[31] to extract a confession from a person they may or may not genuinely suspect of being guilty,^[32] or in other circumstances. Instances of racism occur, even when the police force as a whole is not found to be racist.^[33]

See also[link]

• The Thin Blue Line (emblem)
• Cops (TV series)
• Fictional police officers
• Field Training Officer
• List of slang terms for police officers
• Military police
• Peace officer
• Police brutality
• Police rank
• Police procedural
• President Grover Cleveland—former Sheriff of Erie County, New York
• President Theodore Roosevelt—Deputy Sheriff in the Dakota Territory, and New York City Police Commissioner

References[link]

External links[link]

Wikimedia Commons has media related to: Police officers

• Thin Blue Line Emblem
• http://www.discoverpolicing.org
• Metropolitan Police history
• http://www.newscotlandyard.police.uk/foi/pdfs/other_information/corporate/operational_uniform_and_equipment.pdf
• http://www.west-midlands.police.uk/publications/freedom-of-information/policy.asp?id=144
• http://www.gmp.police.uk/mainsite/pages/pcsouniform.htm,ts=2
• http://www.policelink.com

Dick Clark
Dick Clark in 1961
Born	Richard Wagstaff Clark (1929-11-30)November 30, 1929 Bronxville, New York, U.S.
Died	April 18, 2012(2012-04-18) (aged 82)[1] Santa Monica, California, U.S.
Cause of death	Heart attack
Other names	America's Oldest Teenager (nickname)
Alma mater	Syracuse University
Occupation	Businessman Game show host Radio/television personality
Years active	1945–2012
Spouse	Barbara Mallery (m. 1952–1961; divorced) Loretta Martin (m. 1962–1971; divorced) Kari Wigton (1977–2012, his death)
Children	Richard A. Clark II Duane Clark Cindy Clark
Website
DickClarkProductions.com

Richard Wagstaff "Dick" Clark^[2] (November 30, 1929 – April 18, 2012) was an American radio and television personality, best known for hosting American television's longest-running variety show, American Bandstand, from 1957 to 1987. He also hosted the game show Pyramid and Dick Clark's New Year's Rockin' Eve, which transmitted Times Square's New Year's Eve celebrations worldwide.

As host of American Bandstand, with his strong communication skills, Clark was a "primary force in legitimizing rock and roll," not only to teenagers, but also to America's adult population. The show gave many new music artists their first exposure to national audiences, including Ike and Tina Turner, Smokey Robinson and the Miracles, Stevie Wonder, Talking Heads and Simon & Garfunkel. His shows were among the first where blacks and whites performed on the same stage and the live audience seating was desegregated. Singer Paul Anka claimed that Bandstand was responsible for creating a "youth culture." Due to his youthful appearance, Clark was often referred to as "America's oldest teenager".^[3]

As a successful businessperson,^[3] he served as chairman and chief executive officer of Dick Clark Productions, part of which he sold off in his later years. He also founded the American Bandstand Diner, a restaurant chain modeled after the Hard Rock Cafe. In 1973, he created and produced the annual American Music Awards show, similar to the Grammy Awards.

Clark suffered a massive stroke in December 2004.^[4] With speech ability still impaired, Clark returned to his New Year's Rockin' Eve show on December 31, 2005/January 1, 2006. Subsequently, he appeared at the Emmy Awards on August 27, 2006, and every New Year's Rockin' Eve show through the 2011/2012 show. Clark died on April 18, 2012, after suffering a heart attack following a medical procedure.^[5]

Early life[link]

Clark was born in Bronxville, New York, and was raised in nearby Mount Vernon,^[6] the son of Julia Fuller (née Barnard) Clark and Richard Augustus Clark. His only sibling, older brother Bradley, was killed in World War II.

Clark attended A.B. Davis High School (later renamed A.B. Davis Middle School) in Mount Vernon, where he was an average student.^[7] At age 10, Clark decided to pursue a career in radio.^[7] In pursuit of that goal, he attended Syracuse University in Syracuse, New York, graduating in 1951 with a degree in advertising and a minor in radio.^[7] While at Syracuse, he was a member of Delta Kappa Epsilon fraternity (Phi Gamma).^[8]

Radio and television career[link]

In 1945, Clark began his career working in the mailroom at WRUN, an AM radio station in Rome, New York, that was owned by his uncle and managed by his father. Almost immediately, he was asked to fill in for the vacationing weatherman, and within a few months he was announcing station breaks.^[7]

While attending Syracuse, Clark worked at WOLF-AM, then a country music station. After graduation, he returned to WRUN for a short time where he went by the name Dick Clay.^[7] After that, Clark got a job at the television station WKTV in Utica, New York.^[7] His first television-hosting job was on Cactus Dick and the Santa Fe Riders, a country-music program. He would later replace Robert Earle (who would later host the GE College Bowl) as a newscaster.^[9]

Clark was principal in pro broadcasters operator of 1440 KPRO in Riverside, California, from 1962 to 1982. In the 1960s, he was owner of KGUD AM/FM (later KTYD AM/FM) in Santa Barbara, California.^{[citation needed]}

[edit] American Bandstand

In 1952, Clark moved to Drexel Hill, Pennsylvania, a suburb of Philadelphia, where he took a job as a disc jockey at radio station WFIL, adopting the Dick Clark handle.^[10] WFIL had an affiliated television station (now WPVI) with the same call sign which began broadcasting a show called Bob Horn's Bandstand in 1952. Clark was responsible for a similar program on the company's radio station, and served as a regular substitute host when Horn went on vacation.^[7] In 1956, Horn was arrested for drunk driving and subsequently dismissed.^[7] On July 9, 1956, Clark became the show's permanent host.^[7]

Clark with audience during a 1957 show

Bandstand was picked up by the ABC television network, renamed American Bandstand, and debuted nationally on August 5, 1957 with a Clark interview of Elvis Presley.^[11] The show took off, due both to Clark's natural rapport with the live teenage audience and dancing participants and the non-threatening image he projected to television audiences, including many parents being introduced to rock and roll music. According to Hollywood producer Michael Uslan, "he was able to use his unparalleled communication skills to present rock 'n roll in a way that was palatable to parents."^[12]

In 1958, the show was added to ABC's Saturday night line up.^[7] By the end of year, viewership exceeded 20 million, and featured artists were "virtually guaranteed" large sales boosts after appearing.^[7] In a surprise television tribute to Clark in 1959 on This Is Your Life, host Ralph Edwards called him "America’s youngest starmaker," and estimated the show had an audience of 50 million.

Clark moved the show from Philadelphia to Los Angeles in 1964.^[7] The move was related to the popularity of new "surf" groups based in Southern California, including The Beach Boys and Jan and Dean. The show ran daily Monday through Friday until 1963, then weekly on Saturdays until 1987. Bandstand was briefly revived in 1989, with Clark again serving as host. By the time of its cancellation, the show had become longest running variety show in TV history.^[7]

In the 1960s, the show's emphasis changed from merely playing records to including live performers. During this period, many of the leading rock groups of the 1960s had their first exposure to nationwide audiences. A few of the many artists introduced were Ike and Tina Turner, Smokey Robinson and the Miracles, Stevie Wonder, the Talking Heads, Simon and Garfunkel, Jerry Lee Lewis, Buddy Holly, Johnny Cash, Sam Cooke, Fats Domino and Chubby Checker.^[13][14]

During an interview with Clark by Henry Schipper of Rolling Stone magazine in 1990, it was noted that "over two-thirds of the people who've been initiated into the Rock and Roll Hall of Fame had their television debuts on American Bandstand, and the rest of them probably debuted on other shows [they] produced."^[15] During the show's lifetime, it featured over 10,000 live performances, many by artists who would have been unable to appear anywhere else on TV, as the variety shows during much of this period were "antirock."^[15] Schipper points out that Clark's performers were shocking to general audiences:

The music establishment, and the adults in general, really hated rock and roll. Politicians, ministers, older songwriters and musicians foamed at the mouth. Frank Sinatra reportedly called Elvis Presley a "rancid-smelling aphrodisiac.^[15]

Clark was therefore considered to have a negative influence on youth, and was well aware of that impression held by most adults:

I was roundly criticized for being in and around rock and roll music at its inception. It was the devil's music, it would make your teeth fall out and your hair turn blue, whatever the hell. You get through that.^[16]

In 2002, many of the groups he introduced appeared at the 50th anniversary special to celebrate American Bandstand.^[17] Clark noted during the special that American Bandstand was listed in the Guinness Book of Records as "the longest running variety show in TV history." In 2010, American Bandstand and Clark himself were honored at the Daytime Emmy Awards.^[18] Hank Ballard, who wrote "The Twist," described Clark's popularity during the early years of American Bandstand:

The man was big. He was the biggest thing in America at that time. He was bigger than the president!^[19]

As a result of Clark's work on Bandstand, journalist Ann Oldenburg states "he deserves credit for doing something bigger than just putting on a show."^[19] Los Angeles Times writer, Geoff Boucher, goes further, stating that "with the exception of Elvis Presley, Clark was considered by many to be the person most responsible for the bonfire spread of rock 'n roll across the country in the late 1950s," making Clark a "household name."^[12] He became a "primary force in legitimizing rock 'n' roll," adds Uslan. Clark, however, simplified his contribution:

I played records, the kids danced, and America watched.^[20]

Shortly after taking over, Clark also ended the show's all-white policy by featuring black artists such as Chuck Berry. In time blacks and whites performed on the same stage and studio seating was desegregated.^[13] During the late 1950s and 1960s, Clark produced and hosted a series of concert tours around the success of American Bandstand, which by 1959 had a national audience of 20 million.^[19] However, Clark was unable to get the Beatles to appear when they came to America.^[12]

The reason for Clark's impact on popular culture was partly explained by Paul Anka, a singer who appeared on the show early in his career: "This was a time when there was no youth culture — he created it. And the impact of the show on people was enormous."^[21] In 1990, a few years after the show had been off the air, Clark considered his personal contribution to the music he helped introduce:

My talent is bringing out the best in other talent, organizing people to showcase them and being able to survive the ordeal. I hope someday that somebody will say that in the beginning stages of the birth of the music of the Fifties, though I didn't contribute in terms of creativity, I helped keep it alive.^[15]

Payola hearings[link]

In 1960, the United States Senate investigated payola, the practice of music-producing companies paying broadcasting companies to favor their product. As a result of Clark's personal investments in music publishing and recording companies, his investments were considered a conflict of interest, and he sold his shares in those companies.^[22] Clark denied any involvement in "payola" and was not charged with any illegal activities.

When asked about some of the causes for the hearings, Clark speculated about some of the contributing factors not mentioned by the press:

Politicians . . . did their damnedest to respond to the pressures they were getting from parents and publishing companies and people who were being driven out of business [by rock]. . . . It hit a responsive chord with the electorate, the older people. . . . they full-out hated the music. [But] it stayed alive. It could've been nipped in the bud, because they could've stopped it from being on television and radio.^[15]

Game show host[link]

In 1963, Clark branched out into hosting game shows, presiding over The Object Is.^[23] The show was cancelled in 1964, and replaced by Missing Links, which had moved from NBC. Clark took over as host, replacing Ed McMahon.^[23]

Dick Clark as host of The $10,000 Pyramid

Clark became the first host of The $10,000 Pyramid, which premiered on CBS March 26, 1973.^[24] The show — a word association game created and produced by daytime television producer Bob Stewart — moved to ABC in 1974. Over the coming years, the top prize changed several times (and with it the name of the show), and several prime time spin-offs were created.^[24] Clark continued to host the day time version through most of its history, winning three Emmy Awards for best game show host.^[25] In total, Pyramid won nine Emmy Awards for best game show during his run, a mark that is eclipsed only by the twelve won by the syndicated version of Jeopardy!.^[26] Clark retired from the program in 1988.

Clark subsequently returned to Pyramid as a guest in later incarnations. During the premiere of the John Davidson version in 1991, Clark sent a pre-recorded message wishing Davidson well in hosting the show. In 2002, Clark played as a celebrity guest for three days on the Donny Osmond version. Earlier, he was also a guest during the Bill Cullen version of The $25,000 Pyramid which aired simultaneously with Clark's daytime version of the show.

Entertainment Weekly credited Clark's "quietly commanding presence" as a major factor in the game show's success.^[24]

In 1990 and 1991, he hosted the syndicated television game show The Challengers, which only lasted for one season. In 1993, he hosted Scattergories. In 1999, along with Bob Boden, he was one of the executive producers of Fox's TV game show Greed, which ran from November 5, 1999, to July 14, 2000, and was hosted by Chuck Woolery. At the same time, Clark also hosted the Stone-Stanley-created Winning Lines, which ran for six weeks on CBS from January 8, 2000 – February 12, 2000.

[edit] Dick Clark's New Year's Rockin' Eve

In 1972, Clark produced and hosted Dick Clark's New Year's Rockin' Eve, the first of an ongoing series of specials still broadcast on New Year's Eve.^[27] The program has typically consisted of live remotes of Clark in Times Square in New York City, counting down until the New Year ball comes down. After the ball drops, the focus of the program switches to musical segments taped prior to the show in Hollywood, California. The special is live in the Eastern Time Zone, and it is delayed for the other time zones so that those segments of the audience could ring in the New Year with Clark and can continue to with subsequent hosts when midnight strikes in their area.

Clark backstage at the 1990 Grammy Awards

ABC has broadcast the event on every New Year's Eve since 1972 except in 1999 when it was preempted for ABC 2000 Today, news coverage of the milestone year hosted by Peter Jennings. However, during that broadcast, Clark, along with ABC News correspondent Jack Ford, announced his signature countdown to the new year. He was a correspondent, according to the transcript of the broadcast released by ABC News.^[28] Ford had been assigned to Times Square during the broadcast, and thus, Clark's role was limited. Nevertheless, he won a Peabody Award for his coverage.

Clark was unable to host the 2004/05 edition of the show, as he was recovering from his stroke; Regis Philbin substituted as host.^[26] Having not been seen in public since his stroke, Clark announced in an August 2005 statement that he would be back in Times Square for the annual tradition, bringing on Hilary Duff and Ryan Seacrest as co-hosts. In the same press release, it was announced that Seacrest would eventually take over as the sole host should Clark decide to retire, or be unable to continue. As planned, Clark returned to the show for the 2005/06 countdown, although Ryan Seacrest served as primary host.^[26] On air, he stated, "Last year I had a stroke. It left me in bad shape. I had to teach myself how to walk and talk again. It's been a long, hard fight. My speech is not perfect but I'm getting there." Before counting down to 2006, he mentioned he "wouldn't have missed this for the world."

Reaction to Clark's appearance was mixed. While some TV critics (including Tom Shales of The Washington Post, in an interview with the CBS Radio Network) felt he was not in good enough shape to do the broadcast, stroke survivors and many of Clark's fans praised him for being a role model for people dealing with post-stroke recovery.^[29]

From 2005 to 2011, Clark co-hosted New Year's Rockin Eve with Seacrest. In the four decades it has been on the air, the show has become a mainstay in U.S. New Year's Eve celebrations. Watching the ball in Times Square drop on Clark's show was considered an annual cultural tradition for the New Year's holiday for the last decades of his life.^[26]

Radio programs[link]

Clark also had a long stint as a top-40 radio countdown show host. He began in 1963, hosting a radio program called The Dick Clark Radio Show. It was produced by Mars Broadcasting of Stamford. Despite his enormous popularity on American Bandstand, the show was only picked up by a few dozen stations and lasted less than a year.^[30]

Photo of Clark in 1963. His ABC radio show was called "Dick Clark Reports".

On March 25, 1972, Clark hosted American Top 40, filling in for Casey Kasem.^[31] In 1981, he created The Dick Clark National Music Survey for the Mutual Broadcasting System.^[25] The program counted down the Top 30 contemporary hits of the week in direct competition with American Top 40. Clark left Mutual in 1986, and Charlie Tuna took over the National Music Survey.^[25] Clark then launched his own radio syndication group; the United Stations Radio Network, or Unistar, and took over the countdown program, "Countdown America". It ran until 1994, when Clark sold Unistar to Westwood One Radio. The following year, Clark started over, building a new version of the USRN and a new countdown show: "The U.S. Music Survey". He served as its host until his 2004 stroke.^[25]

Dick Clark's longest running radio show began on February 14, 1982. "Rock, Roll & Remember" was a four hour oldies show named after Clark's 1976 autobiography. The first year, it was hosted by veteran Los Angeles disc jockey Gene Weed. Then in 1983 voice over talent Mark Elliot co-hosted with Clark. By 1985, Clark hosted the entire show. Pam Miller served as producer. Each week, Clark would profile a different artist from the Rock and Roll era. He would also count down the top four songs that week from a certain year in the 1950s, 1960s or early 1970s. The show ended production when Clark suffered his 2004 stroke. However, re-runs continue to air in syndication and on Clark's website "dickclarkonline.com".^[25]

Beginning in 2009, Clark merged elements of "Rock, Roll and Remember" with the syndicated oldies show, "Rewind with Gary Bryan". The new show was called "Dick Clark Presents Rewind with Gary Bryan". Bryan, a Los Angeles radio personality, serves as the main host. Clark contributed profile segments.

Other television programs[link]

At the peak of his American Bandstand fame, Clark also hosted a 30-minute Saturday night program called The Dick Clark Show (aka The Dick Clark Saturday Night Beech-Nut Show). It aired from February 15, 1958, until September 10, 1960, on the ABC television network. It was broadcast live from the "Little Theater" in New York City and was sponsored by Beech-Nut Gum. It featured the rock and roll stars of the day lip synching their hits, just as on American Bandstand. However, unlike the afternoon Bandstand program which focused on the dance floor with the teenage audience demonstrating the latest dance steps, the audience of The Dick Clark Show (consisting mostly of squealing girls) sat in a traditional theater setting. While some of the musical numbers were presented simply, others were major production numbers. The high point of the show was the unveiling with great fanfare at the end of each program, by Clark, of the top ten records of the coming week.^[32]

From September 27 to December 20, 1959, Clark hosted a thirty-minute weekly talent/variety series entitled Dick Clark's World of Talent at 10:30 p.m. on Sunday nights on ABC. A variation of producer Irving Mansfield's earlier CBS series, This Is Show Business (1949–1956), it featured three celebrity panelists, including comedian Jack E. Leonard, judging and offering advice to amateur and semi-professional performers. While this show was not a success, during its nearly three month duration, Clark was one of the few personalities in television history on the air nationwide seven days a week.^[32]

One of Clark's most well-known guest appearances was in the final episode of the original Perry Mason TV series ("The Case of the Final Fadeout") in which he was revealed to be the killer in a dramatic courtroom scene.^{[33][verification needed]}

Clark attempted to branch into the realm of soul music with the series Soul Unlimited in 1973. The series, hosted by Buster Jones, was a more risqué and controversial imitator of the then-popular series Soul Train and alternated in the Bandstand time slot. The series lasted for only a few episodes.^[34] Despite a feud between Clark and Soul Train creator and host Don Cornelius, the two would later collaborate on several specials featuring black artists. Clark hosted the short-lived Dick Clark's LIVE Wednesday in 1978.^[35]

In 1984, Clark produced and co-hosted with Ed McMahon the NBC series TV's Bloopers & Practical Jokes. The series ran through 1988 and continued in specials hosted by Clark (sometimes joined by another TV personality) into the 21st century, first on NBC, later on ABC, and currently on TBS (the last version re-edited into 15-minute/filler segments airing at about 5 A.M.). Clark and McMahon were longtime Philadelphia acquaintances, and McMahon praised Clark for first bringing him together with future TV partner Johnny Carson when all three worked at ABC in the late 1950s. The "Bloopers" franchise stems from the Clark-hosted (and produced) NBC "Bloopers" specials of the early 1980s, inspired by the books, record albums and appearances of Kermit Schafer, a radio and TV producer who first popularized outtakes of broadcasts.^[33] For a period of several years in the 1980s, Clark simultaneously hosted regular programs on the 3 major American television networks: ABC (Bandstand), CBS (Pyramid) and NBC (Bloopers).

In July 1985, Clark hosted the ABC prime time portion of the historic Live Aid concert, an all star concert designed by Bob Geldof to end world hunger.^[36]

Clark also hosted various pageants from 1988 to 1993 including Miss USA and Miss Universe.

Clark did a brief stint as announcer on The Jon Stewart Show, in 1995.^[37]

From 2001 to 2003, Clark was a co-host of The Other Half with Mario Lopez, Danny Bonaduce and Dorian Gregory, a syndicated daytime talk show intended to be the male equivalent of The View. Clark also produced the television series American Dreams about a Philadelphia family in the early 1960s whose daughter is a regular on American Bandstand. The series ran from 2002 to 2005.^[33]

Other media appearances[link]

Clark was featured in the 2002 documentary film Bowling for Columbine. He was criticized for hiring poor, unwed mothers to work long hours in his chain of restaurants for little pay. The mother featured is shown to work over 80 hours per week and is still unable to make her rent and then gets evicted which results in her having to have her son stay at his uncle's house. At his uncle's house the boy finds a gun and brings it to school where he shoots another first grader. In the documentary footage featuring Clark, Michael Moore tries to approach him to inform him of the welfare policies that allow for these conditions, and questions him about the people he employs and the tax breaks he takes advantage of, in employing welfare recipients; Clark refuses to answer any of Moore's questions, shutting the car door and driving away.^[38]

Clark also appeared in interview segments of another 2002 film, Confessions of a Dangerous Mind, which was based on the "unauthorized autobiography" of Chuck Barris. (Barris had worked at ABC as a standards-and-practices executive during American Bandstand's run on that network.)^[39]

In the 2002 Dharma and Greg episode "Mission: Implausible," Greg is the victim of a college prank, and devises an elaborate plan to retaliate, part of which involves his use of a disguise kit; the first disguise chosen is that of Dick Clark. During a fantasy sequence that portrays the unfolding of the plan, the real Clark plays Greg wearing his disguise.^[40]

He also made brief cameos in two episodes of the The Fresh Prince of Bel-Air. In one episode he plays himself at a Philadelphia diner, and in the other he helps Will Smith's character host bloopers from past episodes of that sitcom.^[41]

Post stroke[link]

On August 27, 2006, Clark appeared on NBC's telecast of the 2006 Emmy Awards. He was introduced by Simon Cowell after the show paid tribute to his successful career that has spanned decades. He was shown seated behind a lectern, and although his speech was still slurred, he was able to address the audience and introduce Barry Manilow's performance.

Clark was honored at the 37th Daytime Emmy Awards on CBS TV. It was a tribute to his 40 years hosting American Bandstand.

Business ventures[link]

In 1965, Clark branched out from hosting, producing Where The Action Is, a variety show hosted by Paul Revere and the Raiders.^[7] In 1973, he produced the American Music Awards Show.^[7] In 1987, Dick Clark Productions went public.^[7] Clark, remained active in television and movie production into the 1990s.^[7]

Clark had a stake in a chain of music-themed restaurants licensed under the names "Dick Clark's American Bandstand Grill", "Dick Clark's AB Grill", "Dick Clark's Bandstand — Food, Spirits & Fun" and "Dick Clark's AB Diner". There are currently three airport locations in Newark, New Jersey; Phoenix, Arizona; and Salt Lake City, Utah, one location in the Molly Pitcher travel plaza on the New Jersey Turnpike in Cranbury, New Jersey, and one location at "Dick Clark's American Bandstand Theater" in Branson, Missouri.^[42]

"Dick Clark's American Bandstand Theater" opened in Branson in April 2006,^[43] and nine months later, a new theater and restaurant entitled "Dick Clark's American Bandstand Music Complex" opened near Dolly Parton's Dollywood theme park in Pigeon Forge, Tennessee.^[44]

In popular culture[link]

Before his stroke, Clark's perennial youthful appearance, despite his advancing years, was a subject of jokes and commentary in the popular culture, most notably his nickname of "the World's Oldest Teenager". One of Gary Larson's The Far Side cartoons has the caption, "Suddenly, on a national talk show in front of millions of viewers, Dick Clark ages 200 years in 30 seconds." In the Police Squad! episode "Testimony of Evil (Dead Men Don't Laugh)," Dick Clark, appearing as himself, purchases Secret Formula Youth Cream from street snitch Johnny the Shoeshine Boy.^[45] In The Simpsons 1999 Y2K episode "Treehouse of Horror X," at midnight a computer glitch causes Dick Clark to melt and he is revealed to be a robot. In a stand-up comedy routine, Bill Hicks referenced Clark as the "anti-Christ," pointing to his unusually youthful appearance as evidence.^[46]

Personal life[link]

Clark was married three times. His first marriage was to Barbara Mallery in 1952; the couple had one son, Richard ("R.A.", or "Rac"), and divorced in 1961. He married Loretta Martin in 1962; the couple had two children, Duane and Cindy, and divorced in 1971. His third marriage, in 1977 to Kari Wigton, lasted until his death.^[47]

Stroke[link]

During an interview on Larry King Live in April 2004, Clark revealed that he had Type 2 diabetes.^[48]

On December 8 2004, the then 75-year-old was hospitalized in Los Angeles after suffering what was initially termed a minor stroke. Clark's spokeswoman, Amy Streibel, said that he was hospitalized but was expected to be fine. However, on December 13, 2004, it was announced that Clark would be unable to host his annual New Year's Rockin' Eve broadcast.^[49] Clark returned to the series the following year, but the dysarthria that resulted from the stroke rendered him unable to speak clearly for the remainder of his life.

Death[link]

On April 18, 2012, Clark died after suffering a heart attack following surgery to fix an enlarged prostate, a transurethral resection of the prostate,^[50] at Saint John's Health Center and the Pacific Urology Institute in Santa Monica, California.^[5][12] Clark's family did not immediately decide on whether there would be a public memorial service, but stated "there will be no funeral".^[31] Clark was cremated on April 20, and his ashes were scattered in the Pacific Ocean.^[51]

Following Clark's death, U.S. President Barack Obama praised Clark's career: "With American Bandstand, he introduced decades' worth of viewers to the music of our times. He reshaped the television landscape forever as a creative and innovative producer. And, of course, for 40 years, we welcomed him into our homes to ring in the New Year."^[52]

Motown founder Berry Gordy and singer Diana Ross spoke of Clark's impact on the recording industry: "Dick was always there for me and Motown, even before there was a Motown. He was an entrepreneur, a visionary and a major force in changing pop culture and ultimately influencing integration," Gordy said. "I will always appreciate what he did for me and for popular music. He presented Motown and the Supremes on tour with the "Caravan of Stars" and on American Bandstand, where I got my start. Dick Clark was a pioneer, he was a music star maker, he was a legend and was my friend," Ross said.^[52]

Ryan Seacrest, who began hosting New Year's Rockin' Eve after Clark suffered a stroke, paid tribute to Clark on American Idol,^[53][54] which, along with Game Show Network, broadcast tributes to Clark during the week of April 22-28.^{[dated info][55]}

Credits[link]

Television[link]

• ABC 2000 Today, Times Square correspondent
• American Bandstand, host
• The Challengers, host
• The Krypton Factor, host (1981)
• Missing Links, host (1964)
• Miss Teen USA, host (1988, 1991–1993)
• Miss Universe, host (1990–1993)
• Miss USA, host (1989–1993)
• New Year's Rockin' Eve, host (1972–2004), co-host (2006–2012), producer
• The Object Is, host (1963–1964)
• Pyramid, host ($10,000, $20,000, $25,000, $50,000, $100,000 version), guest (2003 version)
• The Saturday Night Beech-Nut Show, host (1958–1960)
• Scattergories, host
• TV's Bloopers & Practical Jokes, co-host, producer
• Winning Lines, host

Notable awards[link]

Clark received the following awards:

• Emmy Awards (1979, 1983, 1985, and 1986)
• Daytime Emmy Lifetime Achievement Award (1994)
• Peabody Award (1999)

He was also an inductee at several Hall of Fame locations:

• Hollywood Walk of Fame (1976)
• National Radio Hall of Fame (1990)
• Broadcasting Magazine Hall of Fame (1992)
• Rock and Roll Hall of Fame (1993)
• Academy of Television Arts & Sciences Hall of Fame (1993)

References[link]

External links[link]

Wikimedia Commons has media related to: Dick Clark

• Dick Clark's personal/radio web site
• Dick Clark Productions
• Dick Clark Papers at Syracuse University
• Dick Clark at the National Radio Hall of Fame
• Dick Clark at the Internet Movie Database
• Dick Clark's Rock, Roll and Remember newspaper comic strip series
• Dick Clark interviewed on the Pop Chronicles (recorded March 11, 1968)
• Dick Clark collected news and commentary at The New York Times

Videos[link]

• "American Bandstand 30 Year Special", 1982
• 37th Daytime Emmy Awards - Tribute to American Bandstand and Dick Clark, June 27, 2010

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

Gene Pitney
Pitney in 1967.
Background information
Birth name	Gene Francis Alan Pitney
Also known as	Billy Bryan
Born	(1941-02-17)February 17, 1941 Hartford, Connecticut, United States
Origin	Rockville, Connecticut, United States
Died	April 5, 2006(2006-04-05) (aged 65) Cardiff, Wales, UK
Genres	Rock and roll
Occupations	Singer, songwriter, musician
Instruments	Guitar, piano, drums
Years active	1961–2006

Gene Francis Alan Pitney (February 17, 1941 – April 5, 2006) was an American singer-songwriter, musician, and sound engineer. Through the mid-1960s, he enjoyed success as a recording artist on both sides of the Atlantic and was among the group of early 1960s American acts who continued to enjoy hits after the British Invasion. Pitney charted 16 Top-40 hits in the U.S., four in the Top 10. In the UK he had 22 Top-40 hits, and 11 singles in the Top Ten. He also wrote the early 1960s hits "Rubber Ball" by Bobby Vee, "He's a Rebel" by The Crystals, and "Hello Mary Lou" by Rick Nelson. In 2002, he was inducted into the Rock and Roll Hall of Fame.

Early years[link]

Pitney was born in Hartford, Connecticut, and grew up in Rockville, now part of Vernon, Connecticut. His early influences were Clyde McPhatter, country-blues singer Moon Mullican and doo-wop groups like The Crows. He attended Rockville High School, at which he was named "the Rockville Rocket", and where he formed his first band, Gene & the Genials. He made records as part of a duo called Jamie and Jane with Ginny Arnell (who in late 1963 had a solo hit, "Dumb Head"), and in 1959 recorded a single as Billy Bryan. The first of the two Decca 45s as Jamie and Jane was "Snuggle Up, Baby," a cover of a song Charlie Gracie recorded at Cameo 1957 or early 1958, which remained unreleased until London Records released Gracie's original version in Europe in 1978.

Career[link]

Rise to fame (1961–1964)[link]

Signed to songwriter Aaron Schroeder's newly formed Musicor label in 1961, Pitney scored his first chart single, which made the Top 40, the self-penned "(I Wanna) Love My Life Away", on which he played several instruments and multi-tracked the vocals. He followed that same year with his first Top 20 single, the title song from the film Town Without Pity starring Kirk Douglas. Written by Dimitri Tiomkin and Ned Washington, the song won a Golden Globe Award and was nominated for an Academy Award for Best Song. Pitney performed the song at the Oscars ceremony on 9 April 1962 (honoring the film year of 1961). The song lost the Academy Award to "Moon River". "Town Without Pity" would be the last song Gene Pitney would sing in public, at a gig in south Wales before his death at the age of 65.

Pitney is also remembered for Burt Bacharach-Hal David song "The Man Who Shot Liberty Valance", which peaked at No. 4 in 1962. Though it shares a title with a 1962 John Ford western with the same title, The Man Who Shot Liberty Valance, starring John Wayne, the song was not used in the film because of a publishing dispute between Famous Music and Paramount Pictures.

Meanwhile, Pitney wrote hits for others, including "He's a Rebel" for The Crystals, Vikki Carr, and Elkie Brooks; "Today's Teardrops" for Roy Orbison; "Rubber Ball" for Bobby Vee; and "Hello Mary Lou" for Ricky Nelson. "He's A Rebel" kept Pitney's own #2 hit Only Love Can Break a Heart, his highest-charting single in the U.S., from the top spot.

Pitney's 1963 hit "Mecca" can be regarded^{[weasel words]} as a precursor to psychedelia in its use of Arabian music several years before The Beatles began experimenting with exotic sounds. Exotic instruments became a Pitney trademark, such as mariachi trumpets in "Lonely Drifter", ukuleles in "Hawaii", and a gypsy fiddle in "Golden Earrings".

His popularity in the UK market was ensured by the breakthrough success of "Twenty Four Hours from Tulsa", a Bacharach and David song, which peaked at No.5 in Britain at the start of 1964 ("Twenty-Four Hours From Tulsa" was only Pitney's third single release in the UK to reach the singles chart and the first to break the Top Twenty there). "Twenty-Four Hours From Tulsa" was also a hit in the U.S, peaking at No.17 on the US Billboard Hot 100.

Involvement with the Rolling Stones (1964)[link]

Pitney was present with Phil Spector at some of the Rolling Stones' early recording sessions in London, including "Little by Little" and other tracks for their debut album;^[1] he played piano, though the extent is uncertain.

The Jagger/Richards song "That Girl Belongs to Yesterday" was a UK hit for Pitney in 1964; it was the first tune composed by the Rolling Stones to become a Top 10 hit in the UK.^[2] In the U.S. the single stalled at No. 49, ending a run of seven Top 40 singles for Pitney as a performer.

Maintaining popularity[link]

After another low-charting single, 1964's "Yesterday's Hero", Pitney rebounded with another string of hits in the mid-1960s, including the 1964 singles "It Hurts to Be in Love" (previously mentioned) and "I'm Gonna Be Strong", which reached No. 7 and No. 9, respectively, in the U.S., and 1966's "Nobody Needs Your Love", which peaked at No. 2 in the UK. ("I'm Gonna Be Strong" also reached No. 2 on the UK charts.) "It Hurts to Be in Love" had been planned for and recorded by Neil Sedaka, but RCA refused to release it because Sedaka had recorded the song outside RCA Victor in violation of his contract. The writers, Howard Greenfield and Helen Miller, presented the song to Pitney. Miller replaced Sedaka's voice with Pitney's, though Sedaka's trademark backing harmonies were left intact.

In 1965, Pitney recorded two successful albums with country singer George Jones. They were voted the most promising country-and-western duo of the year. Pitney also recorded songs in Italian, Spanish and German, and twice finished second in Italy's annual Sanremo Music Festival, where his strong vibrato reminded older listeners of the Italian tenor Caruso. He had a regional hit with "Nessuno Mi Puo' Giudicare".

UK, Australian and European stardom (1966–1970s)[link]

Pitney's career in the U.S. took a downturn after mid-1966, when "Backstage" ended another run of Top 40 hits. He returned one last time to the Top 40 with "She's a Heartbreaker" in mid-1968 and placed several singles in the lower reaches of the Hot 100 after that, but by 1970 he was no longer a hit-maker in the U.S.

Pitney maintained a successful career in Britain and the rest of Europe into the 1970s, appearing regularly on UK charts as late as 1974. In Australia, after a fallow period in the early 1970s, Pitney returned to Top 40 in 1974, as both Blue Angel (No. 2) and Trans-Canada Highway (No. 14; production by David Mackay) were substantial hits. Pitney continued to place records in the Australian charts through 1976, including the hit "Down This Road", written and produced by distant relation Edward Pitney. They also collaborated in the production of the hit song "Days of Summer".

In the early 1970s, Pitney decided to spend only six months each year on the road.

Later career[link]

Pitney's last hit on the UK charts came in 1989, after an absence of 15 years, when he and Soft Cell singer Marc Almond recorded a duet version of "Something's Gotten Hold of My Heart" by British writers Roger Cook and Roger Greenaway. The song had been a UK No. 5 for Pitney in 1967. The duet brought him his first UK No. 1, in late January 1989. The single remained at the top for four weeks, and also went to No. 1 elsewhere in Europe. Pitney and Almond appeared on the Terry Wogan television show in Britain, Almond dressed in leather, Pitney in a white tuxedo.

Nick Cave and the Bad Seeds had recorded "Something's Gotten Hold of My Heart" on their cover album, Kicking Against the Pricks, in 1986. However, it never had the success of Pitney-Almond.

On 26 February 1993, Pitney performed at Carnegie Hall in New York on the day of the first World Trade Center bombing. On 18 March 2002 he was inducted into the Rock and Roll Hall of Fame.

Death[link]

Pitney died on April 5, 2006, aged 65. His tour manager found him dead in the Hilton Hotel, in Cardiff, Wales, in the middle of a UK tour.^[3] His final show at Cardiff's St. David's Hall earned him a standing ovation; he ended with "Town Without Pity". An autopsy confirmed that he had a heart disease, caused by atherosclerosis. He left a wife, Lynne, and three sons, Todd, Chris, and David.^[4] He was buried at Somers Center Cemetery in Somers, Connecticut.

Posthumous tributes[link]

Marc Almond recorded "Backstage (I'm Lonely)" for his 2007 covers album, Stardom Road.

On 20 September 2007, a plaque to Pitney was unveiled at the town hall in his hometown of Rockville, Connecticut. Members of the family attended. The event was emceed by nationally known oldies radio DJ and Pitney friend "Wild" Wayne. The Gene Pitney Commemorative Committee established a music scholarship in Pitney's name. It is awarded annually to Rockville High School. In October 2008, an international fan convention was held in Rockville. In 2009, Pitney was inducted into the Hit Parade Hall of Fame.

Discography[link]

Singles[link]

Note that release dates refer to initial release. Pitney's early singles generally appeared one to four months later in the UK/Australia. Many of his later releases are UK/Australia/NZ only.

Sources include Joel Whitburn's Record Research material for the U.S. Top 100, "Bubbling Under" and U.S. Country charts; Tim Rice et al., Guinness Book of Hit Singles for the UK; CHUM Chart for Canada prior to mid-1964, and the Canadian RPM charts thereafter; and The Kent Report for Australia

References[link]