"She Loves You" is a song written by John Lennon and Paul McCartney based on an idea by McCartney, originally recorded by The Beatles for release as a single in 1963. The single set and surpassed several records in the United Kingdom charts, and set a record in the United States by being one of the five Beatles songs which held the top five positions in the American charts simultaneously. It is The Beatles' best-selling single in the United Kingdom, and was the best selling single in Britain in 1963.

"She Loves You" was credited to "Lennon–McCartney" as were all subsequent songs written by the pair and released during the remainder of the band's tenure. With the exception of the single version of "Love Me Do" and "P.S. I Love You", all prior songs were credited as "McCartney–Lennon".^[2] The sequence was a source of controversy when McCartney changed it to "McCartney–Lennon" for some live versions released later in his career.^[3]

This was the first song by The Beatles to be heard by a substantial number of Americans; the only United States release by The Beatles that had even charted before that was "From Me to You", which lasted three weeks in August 1963, never going higher than number 116.

In November 2004, Rolling Stone ranked "She Loves You" as the 64th Greatest Song of All Time. In October 2005, Uncut magazine named "She Loves You" as the third biggest song that changed the world, behind Elvis Presley's "Heartbreak Hotel" and Bob Dylan's "Like a Rolling Stone".

In August 2009, at the end of its "Beatles Weekend", BBC Radio 2 announced that "She Loves You" was The Beatles' all-time best-selling single in the UK based on information compiled by The Official Charts Company.^[4]

Composition[link]

McCartney and Lennon started composing "She Loves You" after a concert at the Majestic Ballroom in Newcastle as part of their tour with Roy Orbison and Gerry & The Pacemakers. They began writing the song on the tour bus, and continued later that night at their hotel in Newcastle.^[5][6] In 2003, plans to install a plaque at the hotel were stalled after it turned out neither Paul McCartney nor Ringo Starr, the surviving Beatles, could recall whether it was the Imperial Hotel or the Royal Turk's Head where the group had stayed.^[7]

The other circumstances under which the song was written are generally agreed upon. In 2000, McCartney said: "There was a Bobby Rydell song out at the time, 'Forget Him', and, as often happens, you think of one song when you write another. We were in a van up in Newcastle-Upon-Tyne. I'd planned an 'answering song' where a couple of us would sing 'she loves you' and the other ones would answer 'yeah yeah'. We decided that was a crummy idea but at least we then had the idea of a song called 'She Loves You'. So we sat in the hotel bedroom for a few hours and wrote it — John and I, sitting on twin beds with guitars." It was completed the following day at McCartney's family home at Forthlin Road, Liverpool.^[8] Unusual for a love song, the lyrics were not written in the first person, instead the narrator functions as a helpful go-between for the estranged lovers. This idea was attributed by Lennon to McCartney in 1980: "It was Paul's idea: instead of singing 'I love you' again, we’d have a third party. That kind of little detail is still in his work. He will write a story about someone. I'm more inclined to write about myself."^[8]

The British establishment at that time found the refrain "yeah, yeah, yeah" controversial. National radio in the form of the BBC broadcast the single and "in some quarters it was seen to hail the collapse of civilised society".^[9] Lennon, being mindful of Elvis Presley's "All Shook Up", wanted something equally as stirring: "I don't know where the 'yeah yeah yeah' came from [but] I remember when Elvis did 'All Shook Up' it was the first time in my life that I had heard 'uh huh', 'oh yeah', and 'yeah yeah' all sung in the same song".^[10] "The 'wooooo' was taken from The Isley Brothers' 'Twist And Shout'. We stuck it in everything".^[11] McCartney recalls them playing the finished song on acoustic guitars to his father at home immediately after the song was completed: "We went into the living room [and said] 'Dad, listen to this. What do you think? And he said 'That's very nice son, but there's enough of these Americanisms around. Couldn't you sing 'She loves you, yes, yes, yes!'. At which point we collapsed in a heap and said 'No, Dad, you don't quite get it!'".^[12]

George Martin, The Beatles' producer, questioned the validity of the major sixth chord that ends the song, an idea suggested by George Harrison^[13] "They sort of finished on this curious singing chord which was a major sixth, with George [Harrison] doing the sixth and the others doing the third and fifth in the chord. It was just like a Glenn Miller arrangement".^[11] McCartney later reflected: "We took it to George Martin and sang 'She loves you, yeah, yeah, yeah, yeeeeeaah…' and that tight little sixth cluster we had at the end. George [Martin] said: 'It's very corny, I would never end on a sixth'. But we said 'It's such a great sound, it doesn't matter'".^[8]

Recording[link]

The recording of the song on 1 July 1963 was done on a two-track recording machine. Standard procedure at EMI Studios at the time was to erase the original two-track session tape for singles once they had been "mixed down" to the (usually monaural) master tape used to press records. This was the fate of two Beatles singles (four songs): "Love Me Do", "P.S. I Love You", "She Loves You", and "I'll Get You". These tracks only exist as a mono master, although several mock-stereo remixes have been made by EMI affiliates worldwide, including a few made in 1966 by Abbey Road engineer Geoff Emerick.

The German division of EMI (the parent of The Beatles' British record label Parlophone Records) decided that the only way to sell Beatles records in Germany would be to re-record them in German. The Beatles thought it unnecessary, but were asked by George Martin to comply, recording "Sie Liebt Dich" on 29 January 1964, along with "Komm, Gib Mir Deine Hand", at the Pathe Marconi Studios in Paris. The Beatles recorded new vocals over the original backing track to "I Want to Hold Your Hand" but "She Loves You" required them to record a new rhythm track as the original two track recording had been scrapped.^[14]

Release and legacy[link]

On 23 August 1963, the "She Loves You" single was released in the United Kingdom with "I'll Get You" as the B-side.^[15] The single set several British sales records, starting with becoming the biggest-selling single. It entered the charts on 31 August and remained in the charts for thirty-one consecutive weeks, eighteen of those weeks in the top three. During that period, it claimed the ranking of number one on 14 September, stayed number one for four weeks, dropped back to the top three, then regained the top spot for two weeks starting on 30 November. It made its way back into the charts for two weeks on 11 April 1964, peaking at forty-two.

It was the best-selling single of 1963,^[16] and remains the best-selling Beatles single in Britain today. It was the best-selling single in the United Kingdom for fourteen years until it was surpassed by "Mull of Kintyre" by Wings (written by McCartney and Denny Laine).

The song's gigantic success posed an ever-bigger puzzlement for The Beatles' producer, George Martin, and manager, Brian Epstein: why were The Beatles running up hit after hit in Britain, but utterly flopping on the other side of the Atlantic Ocean? Martin, who was angered by Capitol Records' stubbornness in turning down The Beatles, and a chance to become their record label in America, later recalled: "I said, for God's sake, do something about this. These boys are breaking it, and they're going to be fantastic throughout the world. So for heaven's sake latch onto them." This did not take long for Capitol of Canada, for "She Loves You" was a chart-topping hit there.

Before Capitol came along, The Beatles had been with Vee-Jay Records, until Vee-Jay failed to pay the royalties on time. Transglobal Music, an affiliate of EMI, held the licenses to The Beatles' output in America, and promptly ordered Vee-Jay to halt their manufacturing and distribution of Beatles records. Epstein, who needed a record label to release "She Loves You" in the United States, asked Transglobal to find another record label for him, and Transglobal came up with Swan Records. To avoid potential disagreements and lawsuits, the contract signed with Swan licensed to them only "She Loves You" and "I'll Get You", enough only for the A- and B-sides of a single — and only for two years. Even four songs would be enough to abuse the contract — in 1964, Vee-Jay released an album in America entitled Jolly What! England's Greatest Recording Stars: The Beatles & Frank Ifield on Stage, which in reality consisted of the only four Beatles songs that had been licensed to them, the rest of the album made up of performances by Frank Ifield.

When "She Loves You" came out as a single in America on 16 September 1963, nobody paid attention to it. Three months later, The Beatles released "I Want to Hold Your Hand", which climbed all the way to number one, launching the British invasion of the American music scene, paving the way for more Beatles records, and releases by other British artists. Swan re-released the "She Loves You" single, which began a fifteen-week run on the American charts on 25 January 1964, two of those weeks at number one. On 21 March, Beatlemania had landed in America, spurred by The Beatles' appearances on The Ed Sullivan Show in February, where they performed, among other songs, "She Loves You". During its fifteen-week run in the American charts, "She Loves You" was joined by four other Beatles songs at the top five in the American charts.^[17]

New York City deejay Murray the K later recounted: "In late '63 they brought a record to me and mentioned the possibility that The Beatles might be coming to America, so I said, 'Okay,' and I put it on air. I had a record review contest on WINS at the time, where I'd play five new records each day. The audience would then vote on which records they liked best, and the winners of each week would be played next Saturday. And when I ran The Beatles in a contest with their record 'She Loves You', it came third out of five. But I still continued to play it for two or three weeks. But nothing happened. I mean, really no reaction. Absolutely nothing! Two months later I received an urgent call from my station manager in New York telling me 'The Beatles are coming!' 'Fine,' I said, 'Get an exterminator.'"

When Beatlemania reached the US, the record labels holding rights to Beatle songs rereleased them in various combinations. Swan claimed to own the rights to "Sie liebt dich", the German version of "She Loves You", although they did not. After buying and playing a copy of the German single, on 21 May 1964, "Sie liebt dich" was released by Swan in America, featuring "I'll Get You" on the B-side, just like the English-sung single. American consumers bought the single as well, leading to a one-week run in the charts at 97th on 27 June.

"She Loves You" was included on the US album, The Beatles' Second Album, which overtook Meet the Beatles! on 2 May 1964, reaching the top spot in the album charts. It was the first time an artist had taken over from themselves in the American album charts, and provided a hint of the successes The Beatles would continue to achieve.

"She Loves You" would also be featured in the albums A Collection of Beatles Oldies, 1962–1966, 20 Greatest Hits, 1 and in the 2004 CD release The Capitol Albums, Volume 1. It was also included on the American promotional version of the Rarities album, issued as the bonus disc in the limited edition boxed set The Beatles Collection, from November 1978.

Although no other act made "She Loves You" into a hit, a number attempted their own versions. American singer Neil Sedaka recorded it, as did comedians Peter Sellers and Ted Chippington. At a number of concerts, U2s Bono has snippeted "She Loves You" into the end of "Vertigo" — a song that has a 'Yeah yeah yeah' outro. In 1987, Cher features the "She loves you/yeah, yeah, yeah" chorus and chord progression in the bridge of the track "Working Girl", from her self-titled album. Avantgarde band The Residents worked a sample of the "yeah yeah yeah" outro to their Beatles collage "Beyond the Valley of a Day in the Life". Paul McCartney sang "We love you, yeah, yeah, yeah" at the end of his duet with Stevie Wonder titled "What's That You're Doing?" from Tug of War. The Beatles sang the chorus of "She Loves You" in the long fade-out of "All You Need Is Love".

"She Loves You" (as "Sie liebt dich") was one of the two songs rerecorded by The Beatles in German, the other being "I Want to Hold Your Hand" (as "Komm gib mir deine Hand"). "Sie liebt dich" was released in Germany and in the US b/w "I'll Get You" by "Die Beatles" on 21 May 1964, (Swan 4182).^[15]

Melody and lyrics[link]

"She Loves You" avoids the use of a bridge, instead using a refrain to join the various verses. The chords tend to change every two measures, and the harmonic scheme is mostly static.

The lyrics were largely unconventional, again contrasting with the simplicity of "I Want to Hold Your Hand". Critics panned the song, dismissing the "yeah, yeah, yeah," as an uncouth slang from a fad band. The "yeah"s were to have a great effect on The Beatles' image — in some parts of Europe, they became known as the Yeah-Yeahs.^[18]

Trivia[link]

Walter Ulbricht, father of the socialist German Democratic Republic, referenced the song in a famous speech about copying culture from the western world using the term "monotony of the yeah yeah yeah and whatever it is called".^[19]

British Prime Minister Alec Douglas-Home made a gaffe in February 1964: his speechwriters, trying to make him appear in-touch with popular culture, wrote him the line, "I'm too modest to claim the country loves us, but you know that can't be bad." However, he appeared not to understand the reference, and actually said, "but you know, err, that can't be too bad."^[20]

On 10 December 1980, following the murder of John Lennon in Manhattan two nights previously, British tabloid newspaper The Sun printed the front page headline "They Loved Him Yeah Yeah Yeah".^[21]

Personnel[link]

• John Lennon – vocal, acoustic guitar
• Paul McCartney – vocal, bass
• George Harrison – harmony vocal, lead guitar
• Ringo Starr – drums
• George Martin – producer
• Norman Smith – engineer

Personnel per Ian MacDonald^[18]

Notes[link]

References[link]

External links[link]

• Alan W. Pollack's Notes on "She Loves You"
• Seth Swirsky's interview with Norman Smith

Brian Fallon
Brian Fallon in Dublin, Ireland, November, 2010
Background information
Birth name	Brian Fallon
Born	(1980-01-28) January 28, 1980 (age 32) Red Bank, New Jersey, USA
Origin	New Brunswick, New Jersey, USA
Genres	Alternative rock, folk punk, punk rock, Soul
Occupations	Musician, Songwriter
Instruments	Vocals, Guitar, Harmonica
Years active	1997–present
Labels	Mercury records SideOneDummy XOXO Sabot Productions Resist records
Associated acts	The Gaslight Anthem The Horrible Crowes This Charming Man Surrogate McKenzie Amping Copper Cincinnati Rail Tie No Release Chuck Ragan Shady View Terrace
Website	Cassettes In The Mailbox
Notable instruments
Fender Telecaster Gibson Les Paul Nash TK-54

Brian Fallon (born January 28, 1980) is an American musician. Fallon is one of the founding members of the band The Gaslight Anthem. He plays guitar and provides lead vocals for the band. He has also worked on a side project called The Horrible Crowes with The Gaslight Anthem guitar technician, Ian Perkins.

Biography[link]

Brian Fallon was born in Red Bank, New Jersey in 1980. His mother Debbie was in a folk band in the late 1960s called 'The Group Folk Singers'. Fallon spent his teen years in Hackettstown, New Jersey, where he became close friends with Tom "Tommy Gunn" DuHamel of the band Communication Redlight.^[1] When Fallon was 17 he released a cassette under the stage name 'No Release'. He also once wanted to start a small record label to be called 'Old 45 Records'.^[2]

Early Music career[link]

No Release (1997)[link]

At the age of 17 Fallon released a cassette titled The Coffeehouse Sessions under the name No Release. It was released under 'Mean Little Man Productions'. There are only about 200 copies of the limited release demo. There are 16 tracks on the demo which featured Chris Eissing as lead guitar on a few tracks.

Surrogate McKenzie (1997–1999)[link]

While Fallon was in the band Surrogate McKenzie they recorded 3 unreleased demo albums, Surrogate McKenzie (1998), Songs To Grow Up To (1998) and The Six Degrees of Separation (2000)

Amping Copper (2001)[link]

With the band Amping Copper, which has been called "basically...Surrogate McKenzie version 2", Fallon was involved with the recording of the 6-track self-titled CD, Amping Copper in 2001.

Brian Fallon - Cincinnati Rail Tie (2004)[link]

After Amping Copper, Fallon wanted to record a solo EP, while maintaining the band feel. He asked a friend, Casey Lee Morgan, from the band Lanemeyer to play drums. Another friend, Mike Hemberger, played bass and produced the EP. One of Fallon's old guitar teachers, Tim Fogerty, played guitar on two tracks. Together they recorded, The American Music EP in 2004, the EP also featured Fallon's mother on backing vocals.^[2]

This Charming Man (2004–2005)[link]

In 2004, Fallon along with Michael Volpe, Chris Clementi and Mike Leboeuf founded This Charming Man. Fallon and Volpe remained the only original members when Benny Horowitz and Alex Levine joined in late 2005. In early 2006, Michael Volpe decided to leave the band and Alex Rosamilia was brought onboard, thus bringing together the present lineup of The Gaslight Anthem.

This Charming Man's only full release was Every Little Secret in 2005, with the original lineup. Another song by the original band called "She Coulda Raised the Titanic" later became The Gaslight Anthem's "1930" song on the Sink or Swim album.

The Gaslight Anthem (2006–present)[link]

Fallon has been the prominent song writer and vocalist for The Gaslight Anthem since their transition from This Charming Man. With the band he has recorded 3 studio albums, Sink or Swim, The '59 Sound and American Slang. In 2009, he joined Bruce Springsteen on stage for the headlining set at the Hard Rock Calling Festival, performing the song "No Surrender."

Following the release of their third full-length album, American Slang, Fallon himself said, "There's so much else that we look at for our sound and influences that you don't want to be notched in with one guy," Fallon explains. "There's a lot of things [Springsteen] does that I admire. We come from a lot of the same places but a lot of different places, too. But at the same time, that's a good thing to be compared to. I think it's one of those things we're gonna have to wear until it wears out."^[3]

The Horrible Crowes (2011–present)[link]

On January 20, 2011, Fallon announced on his blog that he had formed the group The Horrible Crowes with his guitar tech, Ian Perkins. In the same entry, Brian also says, "the name comes from a poem called the Twa Corbies, which means, "two crows." Check it out,it's a dark commentary on life. ... It's the darker side of soul music, it's slow, it slithers, and it's raw. At the same time, the melodies and pianos are a juxtaposition to the topic material because it's eerily soothing. I'm really proud of what's been coming out and we'll see how it goes, but it's in the works and it's heading for an actual record." ^[4]

The first single "Behold the Hurricane" was made available for streaming through RollingStone.com on July 13, 2011.^[5] On September 1, Rolling Stone streamed the album in its entirety. On September 20, the video for "Behold The Hurricane" was uploaded to The Horrible Crowes website.^[6]

Their debut album, Elsie, was released on September 6, 2011 in the USA.

Solo releases[link]

Fallon also released several solo songs on his now defunct MySpace page, including The Blues, Mary.^[7] He also took part in the 2011 Revival tour, playing songs by The Gaslight Anthem and The Horrible Crowes.

Non-musical endeavors[link]

Fallon along with the other Gaslight Anthem members, Alex Rosamilia, Alex Levine and Ben Horowitz have advertised for Levi Jeans. Fallon has also appeared on a Jones Soda bottle, standing next to the Phil Lynott statue in Dublin.

Personal life[link]

Brian Fallon is a Christian, but he avoids using references to his faith in his music. As he stated in an interview with spinner.com referring to The Gaslight Anthem's 2010 album American Slang, "There are no religious songs and there never would be because the four of us, we all have different views, completely different religions...I'm very cautious not to push that on the band."^[8]

Discography[link]

With The Gaslight Anthem

• Sink or Swim Demos (7" vinyl) (2006)
• Sink or Swim (2007)
• Señor and the Queen EP (CD & double 7" vinyl) (2008)
• The '59 Sound (2008)
• Live at Park Ave. EP (10" vinyl) (2009)
• American Slang (2010)
• Tumbling Dice / She Loves You EP (7" vinyl) (2010)
• iTunes Session (iTunes download) (2011)
• Chimes of Freedom: Songs of Bob Dylan Honoring 50 Years of Amnesty International (2011)
• Handwritten (TBC)

With The Horrible Crowes

• Elsie (album) (2011) -- "Behold The Hurricane" (Single) (2011)

With This Charming Man

• Every Little Secret (2005)

With Brian Fallon - Cincinnati Rail Tie

• The American Music EP (2004)

With Amping Cooper

• Amping Cooper (2001)

With Surrogate McKenzie

• Surrogate McKenzie (1998)
• Songs To Grow Up To (1998)
• The Six Degrees of Separation (2000)

As No Release

• The Coffeehouse Sessions (1997)

With Chuck Ragan

• Gospel Hymns (7" split) (2009)

Unreleased Studio Recordings ~ Singles

• The Blues Mary
• Italian Lightning
• Cold Cold Ground (Tom Waits cover)
• Backstreets (Bruce Springsteen cover) All (2008–2009)

Vocal appearances[link]

References[link]

External links[link]

• Official website
• Brian Fallon on Twitter
• Official Band website
• Official Facebook
• Official MySpace
• SideOneDummy (record label)
• Fan Forum: Dimestore Saints
• Fan Site: The Gaslight Anthem Record