- published: 13 Apr 2008
- views: 233450
- author: zxx3535
4:21
TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012)
NEW SONG SUBSCRIBE FOR MORE TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012) TIME ZONE • ...
published: 19 Jun 2012
author: dailymuzikTV
TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012)
NEW SONG SUBSCRIBE FOR MORE TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012) TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012) TIME ZONE • PAYPA (FEAT. FREN...
- published: 19 Jun 2012
- views: 54137
- author: dailymuzikTV
6:28
Time Zone - The Wildstyle (Original 12'' Dub Mix)
Label:Carrere, Celluloid Catalog#:13.442, 13.442 Format:Vinyl, 7" Country:France Released:...
published: 05 Sep 2009
author: rippen roblez
Time Zone - The Wildstyle (Original 12'' Dub Mix)
Label:Carrere, Celluloid Catalog#:13.442, 13.442 Format:Vinyl, 7" Country:France Released:1984 Genre:Electronic, Hip Hop Style:Electro Credits:Producer - Ber...
- published: 05 Sep 2009
- views: 26741
- author: rippen roblez
5:37
"World Destruction"
Afrika Bambaataa (Time Zone) and John Lydon (PIL) in the full version of "World Destructio...
published: 21 Aug 2009
author: ShootToLuna
"World Destruction"
Afrika Bambaataa (Time Zone) and John Lydon (PIL) in the full version of "World Destruction".
- published: 21 Aug 2009
- views: 95071
- author: ShootToLuna
0:59
Time Zones & How They Work
NASA Kids Science News segment explaining time zones and how they work....
published: 13 Apr 2009
author: NASAKidsScienceNews
Time Zones & How They Work
NASA Kids Science News segment explaining time zones and how they work.
- published: 13 Apr 2009
- views: 82837
- author: NASAKidsScienceNews
6:21
Sander van Doorn feat. Frederick - Timezone (Album Version)
Join Sander van Doorn on Facebook: http://on.fb.me/SandervanDoorn Follow Sander van Doorn ...
published: 19 Sep 2011
author: SpinninRec
Sander van Doorn feat. Frederick - Timezone (Album Version)
Join Sander van Doorn on Facebook: http://on.fb.me/SandervanDoorn Follow Sander van Doorn on Twitter: http://twitter.com/SandervanDoorn Join Sander on G+: ht...
- published: 19 Sep 2011
- views: 157502
- author: SpinninRec
4:25
Real World: Longitude and Time Zones
What determines how long a second, minute, or hour lasts? Learn about the development of t...
published: 09 Jul 2010
Real World: Longitude and Time Zones
What determines how long a second, minute, or hour lasts? Learn about the development of the units of time and how they depend on the rotation of Earth on its axis. Learn how time zones are related to lines of longitude.
- published: 09 Jul 2010
- views: 31190
5:46
Sander van Doorn pres. Purple Haze ft Frederick - Timezone
Join Sander van Doorn on Facebook: http://on.fb.me/SandervanDoorn Follow Sander van Doorn ...
published: 09 Jun 2011
author: SpinninRec
Sander van Doorn pres. Purple Haze ft Frederick - Timezone
Join Sander van Doorn on Facebook: http://on.fb.me/SandervanDoorn Follow Sander van Doorn on Twitter: http://twitter.com/SandervanDoorn Check out our playlis...
- published: 09 Jun 2011
- views: 218595
- author: SpinninRec
4:41
男闘呼組 - 秋 and TIMEZONE [Medley]
秋 [Aki] and TIMEZONE - Medley. Enjoy~! ;D....
published: 29 Nov 2009
author: BaNSaMa007
男闘呼組 - 秋 and TIMEZONE [Medley]
秋 [Aki] and TIMEZONE - Medley. Enjoy~! ;D.
- published: 29 Nov 2009
- views: 44756
- author: BaNSaMa007
9:14
Time Zone - Wildstyle 1983
Special New Mix by Francois Kevorkian / Paul 'Groucho' Smykle Produced by Afrika Bambaataa...
published: 10 Jun 2010
author: miller4th502nd
Time Zone - Wildstyle 1983
Special New Mix by Francois Kevorkian / Paul 'Groucho' Smykle Produced by Afrika Bambaataa & Bernard Zekri.
- published: 10 Jun 2010
- views: 14292
- author: miller4th502nd
6:28
Sander van Doorn pres. Purple Haze feat. Colin Janz - Timezone
Armin van Buuren - A State of Trance Episode 512 - 09-06-2011 A&B; "Group Therapy Special" ...
published: 10 Jun 2011
author: Trance Tune
Sander van Doorn pres. Purple Haze feat. Colin Janz - Timezone
Armin van Buuren - A State of Trance Episode 512 - 09-06-2011 A&B; "Group Therapy Special" Tracklist : 01. Arty - Around The World [Anjunabeats] 02. Purple Ha...
- published: 10 Jun 2011
- views: 65490
- author: Trance Tune
4:29
Thenewno2 // 'Timezone' - AllSaints Basement Sessions
https://twitter.com/AllSaints_ http://www.allsaints.com/music http://pinterest.com/allsain...
published: 15 Feb 2013
author: AllSaintsShop
Thenewno2 // 'Timezone' - AllSaints Basement Sessions
https://twitter.com/AllSaints_ http://www.allsaints.com/music http://pinterest.com/allsaintsshop https://www.facebook.com/allsaints http://www.youtube.com/us...
- published: 15 Feb 2013
- views: 4253
- author: AllSaintsShop
3:12
The Time Zone Test
Mark Dice talks with California beach goers about time zones in America. You can probably ...
published: 20 Feb 2013
author: Mark Dice
The Time Zone Test
Mark Dice talks with California beach goers about time zones in America. You can probably imagine what happened. Or maybe you can't. Subscribe to http://www....
- published: 20 Feb 2013
- views: 8419
- author: Mark Dice
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
1:40
Dry Bones
Licensing available at http://formandforge.com
This project was a collaborative effort th...
published: 13 Oct 2011
author: danDifelice
Dry Bones
Licensing available at http://formandforge.com
This project was a collaborative effort that spanned countries & time zones with several artists working long hours to finally put this piece out. The passage comes from an Old Testament prophecy, taken from Ezekiel 37. Not only is the text extremely descriptive and visual, lending itself to beautiful imagery, but show that where there is death and exile, hope and life can be found.
Dry Bones would not have been possible without the extremely talented artists with loads of patience, who I had the privilege of working with.
Dan DiFelice. Director, Compositor, VFX Director
David Tate. DP, Editor
Michael Rinnan. CG Artist: Tracking, Muscle Dev/Animation
Renato Marques. CG Artist: Skin & Vein Dev/Animation
Justin Burton. CG Artist: Previz
Matt Fezz. Colorist
Salomon Ligthelm. Score/Sound Design
Chris Baden. Talent
Luke Atencio. VO Artist
We shot the piece entirely on the 7d and post work was done in c4d and Nuke. The project started in April with boards & CG dev, we shot in early June outside of Las Vegas, and spent June through October refining the CG as well as the composite, sound design, and color.
Dry Bones started off as a personal project of mine, but had it not been for Adam Devizia & the A/G picking up DB and funding a significant portion of it, it's possible the project would have not taken flight.
Special thanks to:
Michael Jones & Glenn Stewart for your collaborative efforts, and Justin Jackson for use of your truck.
Skulls & Skeleton Provided by:
Dapper Cadaver www.dappercadaver.com
and ABC/Universal
2:42
CONSUMING SPIRITS (trailer) by Chris Sullivan
Coming to:Cinefamily LA April 12th thru 18th http://www.cinefamily.org/
Conell Cinema Ith...
published: 12 Nov 2010
author: chris sullivan animation
CONSUMING SPIRITS (trailer) by Chris Sullivan
Coming to:Cinefamily LA April 12th thru 18th http://www.cinefamily.org/
Conell Cinema Ithaca New York
Houston Museum of Fine arts April 27th
The Gene Siskel Film Center ,Chicago Ill. Jan 25th thru 31st
Northwest Film Forum. Seattle Feb 1st thru 7th
Walker Art Center Minneapolis Minnesota. Feb 8th and 9th
Time and space limited Hudson New York Jan 10th thru 20th.
"Critic's Pick. Entirely original. . .an inquiry into the darkest zones of the human heart. . .Weaves a complicated, intoxicating spell…a wonder." - A.O. Scott, New York Times
"****[Four Stars!] A monstrous visual achievement… one of the most uniquely humanistic animated features of all time." -Joseph Jon Lanthier, Slant
"Recommended! An emotionally raw, thoroughly original film, a labor of painstaking love 15 years in the making….a haunted reverie…constructed of ugliness shot through with moments of unexpected beauty" -- Ian Buckwalter, NPR
. It took Sullivan more than a decade to make (stop motion and cutouts take time), so let it all go down like an 18-year Macallan. It’s like: Todd Solonz went to town with scissors!
DeAnna Janes DailyCandy
UPCOMING/RECENT SCREENINGS:
Ottawa Animation Festival (Canada); Roxie Theater (San Francisco); Haifa Film Festival (Israel); Vancouver International Film Festival(Canada); Forum du Cinema (Paris); Santa Fe Film Festival; Raindance Film Festival (London, England); Maine Film Festival; Osian's Cinefest (India); Giraffe Animation Festival (Canada); Pacific Film Archives (Berkeley, CA); Chicago International Film Festival; Olympia Film Festival; Denver Starz Film Festival; Northwest Film Forum (Seattle, WA).
Winner: City & State Award, Chicago International Film Festival
Wish me luck. Thank you everyone who has supported this project professionally and personally.
DESCRIPTION:
Consuming Spirits is a hand-made independent feature animation shot frame-by-frame on 16mm using paper cut outs, models, and tracing paper cell animation.
It chronicles the lives of three characters who live in a rust belt town called Magguson, and work at its local newspaper The Daily Suggester. They are: Gentian Violet 42: Victor Blue 38: and Earl gray 64, who first appear to be acquaintances. But as the film unfolds, we find they have a long diabolical history, revolving around social service intervention, foster care, romance and hatred. Each character has family secrets to hide, and family secrets to discover. An auto accident one dark and inebriated night causes a crack in the memory vault of these intimate strangers. By films end all parties walk from the woods, both healed and wounded.
Written/Directed/Edited by Chris Sullivan, 16mm to HD, 131 minutes.
CONTACT:
csulli@saic.edu
MAKING-OF Consuming Spirits: http://vimeo.com/38726094
Francé
ESPRITS CONSUMANTS est un film long métrage d’animation indépendant qui chronique les vies de trois habitants Magusson, une ville dans la région rouillée des Etats-Unis. Ils travaillent au journal local, The Daily Suggester ( Le Suggéreur Quotidien). Ce sont: Gentian Violet, 42 ans; Victor Blue, 38 ans; et Earl Gray, 64 ans. À première vue, ils se connaissent simplément. Mais pendant que le film se déroule, on trouve qu'ils ont une longue histoire diabolique, tournant autour de l'intervention des services sociaux, du placement familial, de l'amour et de la haine. Chaque Chacun des personnages va découvrir des secrets de famille qui étaient enfouis. Un accident d'auto par une nuit sombre et inébriée fait une fissure dans la caisse des souvenances pour ces étrangers intimes. À la fin du film, tout le monde sort de la forêt, à la fois guéri et blessé.......amusez-vous.
REVIEWS:
A O Scott New York Times
: http://movies.nytimes.com/2012/12/12/movies/consuming-spirits-an-animated-film-by-chris-sullivan.html
Joseph Jon Lanthier, Slant
http://www.slantmagazine.com/film/review/consuming-spirits/6737
Priscilla Frank, Huffington Post
http://www.huffingtonpost.com/2012/04/25/chris-sullivans-consuming_n_1450337.html
Tasha Robinson AV club the Onion
http://www.avclub.com/articles/consuming-spirits,89819/
Thomas Sontinel Le Monde
http://sotinel.blog.lemonde.fr/2012/11/22/consuming-spirits-dans-les-entrailles-de-lamerique/
Buckwalter, NPR
http://www.npr.org/2012/12/11/166681140/a-consuming-portrait-of-appalachian-life
INTERVIEW:Tsha Robinson AV Club
http://www.avclub.com/articles/transcending-tribeca-chris-sullivan-of-consuming-s,73446/
Monica Westin The Bomb
http://bombsite.com/issues/1000/articles/6990
+++++++++++++++++++++++
Presently I am working in pre-production and writing on a *new feature* called THE ORBIT OF MINOR SATELLITES. It is about a forgotten Soviet American space station, on Saturn's moon Mimus. Will be in English and Russian.
WATCH EXCERPT>> http://www.creativecapital.org/projects/view/705
Youtube results:
1:50
Why We Have Time Zones (clip)
What are time zones? Why do we have them? To help demonstrate this sometimes difficult con...
published: 30 Oct 2009
author: phoenixfilmandvideo
Why We Have Time Zones (clip)
What are time zones? Why do we have them? To help demonstrate this sometimes difficult concept, a variety of techniques are used, including animation and fas...
- published: 30 Oct 2009
- views: 36652
- author: phoenixfilmandvideo
5:31
World Destruction | Time Zone
Feat. John Lydon [Mix A]...
published: 30 Mar 2012
author: InTheOfficeTV
World Destruction | Time Zone
Feat. John Lydon [Mix A]
- published: 30 Mar 2012
- views: 4905
- author: InTheOfficeTV
4:22
Paypa ft French Montana - Time Zone
Paypa ft French Montana - Time ZonePaypa ft French Montana - Time ZonePaypa ft French Mont...
published: 19 Jun 2012
author: musichd208
Paypa ft French Montana - Time Zone
Paypa ft French Montana - Time ZonePaypa ft French Montana - Time ZonePaypa ft French Montana - Time ZonePaypa ft French Montana - Time ZonePaypa ft French M...
- published: 19 Jun 2012
- views: 184798
- author: musichd208
3:46
thenewno2 - Timezone
...
published: 01 Sep 2012
author: Marcelo Pitwo
thenewno2 - Timezone
- published: 01 Sep 2012
- views: 1201
- author: Marcelo Pitwo